Grosvenor Prints

Aylmer Bourke Lambert, Esq. F.R.S. F.A.S. One of the Vice Presidents of the Linnean Society.
Engraved by W. Evans, from an original Drawing by H. Edridge.
Published Aug. 11. 1810, by T. Cadell & W. Davies, Strand, London.
Stipple, sheet 405 x 310mm. 16 x 12¼". Lacking right margin. Slight foxing.
Aylmer Bourke Lambert (1761 – 1842), botanist. After Henry Edridge (1769 - 1821).
[Ref: 13158] £120.00 (£144.00 incl.VAT)

Mr. Daniel Lambert, Thirty-Six Years of Age, Weighs upwards of Fifty Stone (14 lbs to the Stone,) or Seven Hundred Pounds, Measures Three Yars Four Inches round the Body, and One Yars One Inch round the Leg, is Five Feet Eleven Inches in Height, and has No Blemish Whatever on any Part of his Body.
[London: John Fairburn, 1806.]
Coloured etching. Plate 200 x 280mm (7¾ x 11"), with letterpress, sheet 330 x 285mm (13 x 11¼"). Trimmed from a larger sheet, but platemark and description of Lambert complete.
A broadsheet portrait of Daniel Lambert (1770-1809), a gaol keeper who found fame for his vast bulk. It was issued with a sub-title 'Fairburn's Accurate Portraits of the Two most Corpulent Englishmen ever known...', with a similar portrait of Edward Bright.
Wellcome Collection 2348i. See Refs: 58382 & 58383 for Fat Men images.
[Ref: 58347] £380.00

Daniel Lambert of Suprising, Corpulency. Weighed 52 Stone. From A picture in the possesion of Robert Bridge Esq. Dedicated to Miss Agnes Farell, at the suggestion of C. Wake Esq. By her devoted admirer J.M.B.
[n.d. c.1830]
Pen and ink drawing, sheet 165 x 115mm (6½ x 4½"). Some staining and lightly creased at top left.
A seated portrait of Daniel Lambert (1770-1809), obese Keeper of Leicester gaol, who moved to London in 1806 and charged visitors one shilling to see his corpulent figure.
[Ref: 61458] £180.00 (£216.00 incl.VAT)

Georgius Lambert, Chorographiae Pictor.
J. Vanderbank pinx. J. Faber fecit.
Sold by J. Faber, at y.e Golden head y.e South side of Bloomsbury Square. [n.d. c.1727.]
Mezzotint, 350 x 250mm (13¾ x 9¾"), with large margins. Toning.
Half-length portrait of topographical painter George Lambert (1700-1765), holding a landscape print in his right hand.
CS 214.
[Ref: 66998] £280.00 (£336.00 incl.VAT)

Georgius Lambert, Chorographiae Pictor.
J. Vanderbank pinx. J. Faber fecit.
Sold by J. Faber, at y.e Golden head y.e South side of Bloomsbury Square. [n.d. c.1727.]
Very fine mezzotint. 350 x 250mm (13¾ x 9¾"), 18th century watermark. Trimmed to plate at bottom edge.
Half-length portrait of topographical painter George Lambert (1700-1765), holding a landscape print in his right hand.
CS 214.
[Ref: 60243] £260.00 (£312.00 incl.VAT)

[John Lambert] Major Generall Lambert.
[engraved by Francis Place after Robert Walker.]
[n.d., c.1680.]
Mezzotint, 17th century watermark; 310 x 220mm (12¼ x 8¾"). Thread margins.
A head and shoulders portrait in oval of Parliamentarian general John Lambert (1619-84), in armour and lace cravat.
CS 6, state ii or iii of iii.. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67589] £240.00 (£288.00 incl.VAT)

View of Lambeth, from Milbank.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Fine hand coloured aquatint with very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin. Slight oxidisation.
Plate 12 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A view of the River Thames looking towards Lambeth. In the foreground to the left, couples stroll down a pathway by the riverbank. a bridge can be seen in the distance. Blackfriars bridge can be seen in the distance to the left.
Abbey: 432.
[Ref: 33465] £220.00 (£264.00 incl.VAT)

[View of Lambeth from Whitehall Stairs]
[Abraham Aubry after Wenceslaus Hollar, c.1644]
Etching, platemark 115 x 175mm (4½ x 7").
View from Whitehall Stairs, a public landing place (as opposed to the nearby Privy Stairs) near the Banqueting House in Westminster. Whitehall Court now stands on the site. Numerous empty ferry boats by the landing, with many more being rowed along the river Thames. Lambeth Palace across the river in the distance. Copy by Abraham Aubry of an etching by Wenceslaus Hollar (1607-77), whose etching was originally issued as part of a set of four English views (the other three were of central London and Windsor). Born in Bohemia, Hollar spent around 32 of his 52 years as a professional artist working in England. An outstanding draughtsman and topographical etcher, Hollar's work was enormously varied and has done much to inform the way that 17th century London is visualised.
Pennington 912 (copy)
[Ref: 41632] £85.00 (£102.00 incl.VAT)

Lambeth, His Grace the Lord Archbishop of Canterburys Pallace. Lambeth la Maison de L'Archevesque de Canterbury. 8.
L. Knyff Delin. I. Kip Sculp.
[n.d. c.1714.]
Engraving. Plate 349 x 476mm. 13¾ x 18¾". Fold down centre as published.
View of a grand house fronting the Thames, with formal gardens to the left and the City of London beyond in the distance. Housed in the deconsecrated church of St Mary-at-Lambeth, the Garden Museum contains the burial place of John Tradescant, an early gardener and plant hunter.
[Ref: 26399] £320.00

For Lambeth. Price 6.d.
[n.d., c.1747.]
B/w engraving. Sheet: 200 x 250mm (8 x 9¾"). Trimmed and tipped into album sheet.
A satirical scene showing Edmund Gibson, Bishop of London (1669-1748), Thomas Herring, Bishop of York later Archbishop of Canterbury (1693-1757) and Benjamin Hoadly, Bishop of Winchester (1676-1761) competing to get to Lambeth first for the position of Archbishop of Canterbury following the death of John Potter in 1747. The manuscript below the print identifies Gibson and Hoadly and Thomas Sherlock, Bishop of Salisbury incorrectly.
[Ref: 43625] £160.00 (£192.00 incl.VAT)

Lambeth ~ The Archbishop of Canterbury's Palace Lambeth le Palais ~ de L'Archveque de Canterbury.
Maurer Delin. Canot Sculp.
Printed for John Bowles & Son, at the Black Horse in Cornhill.
Coloured engraving. 426 x 270mm.
[Ref: 4150] £450.00

A View of Lambeth Church upon the Thames. Vue de l'Eglise de Lambeth sur la Tamise et du Pont de Westminster.
L. Belanger le Romain London 1791. Guyot Sculpsit.
London Pub.d Juin 1791 [...] Colnaghi & Co. No.132 Pall Mall. A Paris chez Guyot Graveur et M.d d'Estampes Rue S. Jacques No...
Rare mezzotint. Sheet: 230 x 255mm (9 x 10''). Trimmed within plate, repaired damage in bottom edge losing part of publication line.
A view looking west along the Thames from London.
[Ref: 50847] £280.00 (£336.00 incl.VAT)

To the Society of Methodists in the Connexion of the late Revd. John Westly, A.M. this View of Lambeth Chapel is respectfully inscribed by their most obedient humble Servt. Chs. Rosenberg. [&] To the Congregation of their most worthy Pastor, the Revd. Rowland Hill, A.M. this View of Surry Chapel, is respectfully inscribed by their most obedient humble Servant. Charles Rosenberg.
T.D.W. Dearn delt. Ch. Rosenberg, Sculpt.
Published June 24th, 1812, by Ch. Rosenberg, 22, East Street, Lambeth, and Thos. Palser, Surry Side, Westminster Bridge.
Pair of coloured aquatints. Image 315 x 225mm. Trimmed to just outside plate mark. Repaired tears through lower right corner of plate, and through top right on Lambeth Chapel. Right hand edges tatty with small tears and pieces missing.
[Ref: 1688] £330.00 view all images for this item

Dining Hall, Asylum. Plate 5.
Rowlandson & Pugin, Del.t et Sculp.t. Hill, Aquat..
London. Pub Feb 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, plate 230 x 280mm (9 x 11"), with large margins on three sides. Small margin at top.
View within the dining hall of the asylum in Lambeth; girls dressed in simple purple dresses with white bonnets seated at long narrow tables along sides of plain large room, with flagstones and grey walls; a few more elegantly dressed figures strolling between the tables. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62780] £120.00 (£144.00 incl.VAT)

[Nash & Miller Barge Builder, Lambeth.]
William Strudwick.
[n.d., c.1882.]
Scarce chine collé etching, signed by the artist in pencil. Sheet 370 x 500mm (14½ x 19¾").
A view of Nash & Miller's boatyard on Bishop's Walk, Lambeth, with Lambeth Palace in the background, adapted from a photograph taken by William Strudwick (1834-1910) before the yard had to move to Battersea to make way for the building of the Albert Embankment (1865-8). Strudwick was a photographic storekeeper at the Victoria and Albert Museum, as well a draftsman, architect, sculptor and comic poet. He took photographs for the 'Society for Photographing relics of Old London' which they published in 1882. The V&A purchased of Strudwick’s series of about 50 photographs titled 'Old London: Views by W. Strudwick' in 1869. In 1910, Lambeth Archives acquired a set of Strudwick’s photographs, the same year they he was admitted as a pauper to Croydon workhouse where he died.
See Historic England BB94/20532 for the original photograph. V&A collection: "William Strudwick"
[Ref: 63099] £280.00 (£336.00 incl.VAT)

Old Lambeth Bridge [pencil.]
K.M. Waterson [pencil signature].
[n.d., c.1930.]
Etching with very large margins; 140 x 320mm (5½ x 12½").
A view of the Lambeth Suspension Bridge (replaced 1932) from the west with the Houses of Parliament behind.
[Ref: 31835] £140.00 (£168.00 incl.VAT)

Lambeth Bridge - London Original Etching [titled in pencil by the artist lower left edge of sheet].
Marcel Schuette, 1928 [signed and dated in pencil lower left.]
Etching, 175 x 125mm. 7 x 5". Annotated Proof.
A tugboat on the Thames with Lambeth Bridge behind. Dedicated by the artist in pencil lower left 'To Mr. Webb With all sincerity & best wishes M. Scuette 25.12-28'
[Ref: 8625] £130.00 (£156.00 incl.VAT)

[View of the Thames near Lambeth Palace]. ['Lambeth' cut out from separate broadsheet and pasted above image].
I.H: fecit 1791.
Soft ground etching with aquatint. Image 340 x 220mm. Trimmed to plate and glued to scrap sheet at 4 corners.
Charmingly naïve, unfinished, and very rare etching. Possibly an early work by John Hassell [1767 - 1825], a draughtsman and aquatint engraver who lived and worked in London.
[Ref: 245] £280.00 (£336.00 incl.VAT)

[Lambeth Palace from Whitehall Stairs.]
[Engraved by Abraham Aubry after Wenceslaus Hollar.]
[n.d., c.1655.]
Etching. Plate: 110 x 175mm (4¼ x 7''). Creases, laid in album sheet.
A view looking west along the Thames to Lambeth Palace from Whitehall Palace on the north side of the Thames.
[Ref: 50291] £180.00 (£216.00 incl.VAT)

Lambeth Palace.
Pugin & Rowlandson del.t et sculp.t J.C. Stadler. aqua.t.
London. Pub. 1st Dec.r, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 235 x 275mm (9¼ x 10½") very large margins.
A view of the 14th Century Guard Room of Lambeth Palace, the Archbishop's principle audience room. The magnificent arch-braced roof is contemporary to that of Westminster Hall. A plate from Ackermann's 'Microcosm of London' (1808-9), a landmark publication in the documentation of London, bringing together two specialist artists, Thomas Rowlandson to design the figures and Augustus Pugin to provide the architectural draughtsmanship. The result was a series of scenes unprecedented in their combination of vivid activity and architectual accuracy.
Abbey, Scenery: 212.
[Ref: 39726] £70.00 (£84.00 incl.VAT)

Palatium Archiepiscopi Cantuariensis propæ Londinium, vulgo Lambeth House.
W. Hollar fecit 1647.
Etching. Sheet 145 x 320mm (5¾ x 12½"). Trimmed to printed border, losing numeral lower right, worm holes filled. Slight creasing.
A view of Lambeth Palace from the Thames, with Archibishop Laud and his retinue about to board his barge.
Pennington 1039, state ii of iii.
[Ref: 68286] £280.00 (£336.00 incl.VAT)

Lambkin. From the original drawing in the possession of Her Majesty the Queen.
Sir Edwin Landseer R.A. J.W. Josey.
London, Henry Graves & Co. Sept.r 1.st 1891, Copyright.
Mixed-method engraving. Plate 201 x 235mm. 8 x 9¼". Large margins.
In 1851 the Duchess of Kent, Queen Victoria's mother, commissioned a pastel portrait of her Maltese 'Lambkin', by Sir Edwin Landseer. Issued for the Library Edition of Landseer's work.
[Ref: 22765] £130.00 (£156.00 incl.VAT)

Part of Lambton Harbour, Port Nicholson, New Zealand. Comprehending about One Third of the Water Frontage of The Town of Wellington.
Drawn by Ch.s Heaphy. Engraved by J.C. Armytage.
[n.d. c.1850.]
Engraving. 140 x 222mm (5½ x 8¾").
Lambton Harbour is one of two large bays that make up Wellington Harbour, at the southern tip of New Zealand's north island. The harbour was officially named Port Nicholson until it assumed it current name in the 1980s.
[Ref: 30390] £75.00 (£90.00 incl.VAT)

[Master Lambton.]
[Painted by Sir Tho.s Lawrence P.R.A. Principal Painter in Ordinary to his Majesty. Engraved by S. Cousins.]
[Published for the Proprietor, Sir T. Lawrence P.R.A. Jan.y 1827.]
Mezzotint, scarce proof before letters. 470 x 355mm (18½ x 14"), large margins.
Portrait of Charles Lambton (1818-31) as a boy, wearing a velvet suit with frilled white shirt, lying on rocks with one hand behind his head. The son of John George Lambton, Ist Earl of Durham, he did not reach adulthood. Commonly known as "The Red Boy", and the first painting on a British postage stamp "Harrison 4d" 1967. Sir Thomas Lawrence exhibited the original painting at the Royal Academy in 1825 (no.288) as 'Portrait of the Son of J.G.Lambton Esq.'
Whitman 98.1.
[Ref: 60973] £380.00

[John Lambton] A Row in the Play-Ground.
HB. [John Doyle.]
Published by T. Mc Lean 26 Haymarket 3rd Dec. 1838 A. Ducote's Lithog.y 70 St Martins.
Lithograph, printed area 270 x 350mm (10 x 13¾"). Trimmed close to printed border.
A satire on John Lambton, 1st Earl of Durham (1792 - 1840) and his brief spell as governor-in-chief of British North America. He stands against a tree, a handkerchief held to his eye, injured by three rocks at his feet inscribed 'Act / of / Indemnity', thrown by Brougham, who lurks behind a tree on the far right. Durham's allies, including Sir William Molesworth and Lord Howick, attempt to console him, but Durham is upset at their failure to prevent the assault. Behind stands the Duke of Wellington, holding a cricket bat, saying 'It was a very hard blow, but he brought it on himself'. Lambton was appointed governor in 1837 to tackle unrest in Quebec but soon ran into problems, overstepping his powers by deporting imprisoned rebel leaders to Bermuda. When the matter was brought before the House of Lords by Brougham, Lambton resigned from his position after barely five months.
[Ref: 67737] £95.00 (£114.00 incl.VAT)

The Earl of Durham.
D'Orsay 8 Mars 1834 [signed in plate.]
London, Published by J.Mitchell, Library, 33, Old Bond Street. Printed by Graf & Soret.
Lithograph, india paper, india 195 x 160mm. 7¾ x 6¼". Some scuffed title area holes in the india.
Portrait of John Lambton, 1st Earl of Durham (1792 - 1840). Lambton was the Durham MP until he was ennobled as Baron Durham in 1828. He served as Lord Privy Seal under Earl Grey, and Governor General of the Province of Canada 1838-9, during which time his 'Report on the Affairs of British North America' recommended the creation of the Canadian Parliament. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue.
[Ref: 21935] £85.00 (£102.00 incl.VAT)

The Durham Lamb on his Freehold.
[n.d., c.1826.]
Lithograph. Sheet 200 x 245mm, 8 x 9¾", watermarked 'Pine and Davies 1823'.
John Lambton (1792-1840, 1st Earl of Durham from 1833), satirised as a ram in a very small enclosure, surrounded by jeering crowds. The scene is on the Northumberland sea-shore, with Bamborough Castle behind. The elections in Southern Northumberland in 1826 were particularly vitriolic and were the subject of a series of satires. Lambton was the Durham MP until he was ennobled as Baron Durham in 1828. He served as Lord Privy Seal under Earl Grey, Governor General of the Province of Canada 1838-9, during which time his 'Report on the Affairs of British North America' recommended the creation of the Canadian Parliament.
[Ref: 18545] £95.00 (£114.00 incl.VAT)

John George Lambton, Esq. M.P. for the County Durham. From the original Picture in the possession of Earl Grey.
Painted by T. Phillips, Esq. R.A. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., c.1820.]
Mezzotint. 380 x 270mm (15 x 10½"), very large margins on 3 sides. Trimmed to plate at bottom.
John George Lambton, 1st Earl of Durham (1792 - 1840), standing in front of a curtain, directed to front, facing towards the left. He holds a book upright on a table with his right hand, next to document. Having inherited an immense fortune, he gained the nickname 'Jog Along Jack' when. after being asked what was an adequate income for an English gentleman, he replied 'that a man might jog along comfortably enough on £40,000 a year', an equivalent of nearly two millions pounds at modern values. He was MP for County Durham for 16 years from 1813, and was appointed Lord Privy Seal in 1830 when his father-in-law, Lord Grey, became prime minister. Between 1835 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governor-General of Canada, where he was known as 'Radical Jack', and subsequently lauded in English -Canadian history for his recommendation to introduce responsible government and recommending the union of Upper and Lower Canada.
Ex Collection: The Honourable Christopher Lennox-Boyd. W: 173 ii of ii.
[Ref: 67156] £280.00 (£336.00 incl.VAT)

[John George Lambton] The Newest Universal Medicine.
HB. [John Doyle.] A. Ducôte's Litho.y St Martins Lane.
Published by T. M.cLean, 26 Haymarket, July 27th 1837.
Coloured lithograph, stamped 'Subscriber's Copy'. Sheet 285 x 415mm (11¼ x 16¼"). Trimmed to printed border top and bottom.
John George Lambton, Lord Durham, as a quack, standing at a counter, mixing ingredients with a mortar and pestel. Around him are jars marked 'Conservative Opiate', 'Radical Alcohol' 'Whig Alkali', etc. Under the mortar is 'Letter to the Electors of Durham'; on chairs are parcels addressed to Daniel O'Connell, the Bishop of Exeter and the Times and other newspapers. During the 1837 election Lambton 'advised' the electorate of Durham on their choice of candidates.
See BM 1868,0808.11811.
[Ref: 52788] £95.00 (£114.00 incl.VAT)

[John George Lambton, 3rd Earl of Durham]
Nap.
[n.d. c.1910.]
Signed gouache, sheet 320 x 160mm (12½ x 6¼").
A caricature of the Earl of Durham (1855–1928) as a jockey, dressed in his own colours.
[Ref: 62400] £280.00 (£336.00 incl.VAT)

John George Lambton, Esq. M.P. for the County Durham. From the original Picture in the possession of Earl Grey.
Painted by T. Phillips, Esq. R.A. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., c.1820.]
Mezzotint. 380 x 270mm (15 x 10½"), with wide margins.
John George Lambton, 1st Earl of Durham (1792 - 1840), standing in front of a curtain, directed to front, facing towards the left. He holds a book upright on a table with his right hand, next to document. Following his father's death in 1797, Lambton inherited an immense fortune, derived largely from mining on lands surrounding Lambton Castle, the ancestral family home in County Durham. In 1821, he gained the nickname 'Jog Along Jack', after being asked what was an adequate income for an English gentleman, and replying, 'that a man might jog along comfortably enough on £40,000 a year', an equivalent of nearly two millions pounds at modern values. He was MP for County Durham for 16 years from 1813, and was appointed Lord Privy Seal in 1830 when his father-in-law, Lord Grey, became prime minister. Between 1835 and 1837 he served as Ambassador to Russia. The following year, Lambton became Governor-General of Canada, where he was known as 'Radical Jack', and subsequently lauded in English -Canadian history for his recommendation to introduce responsible government and recommending the union of Upper and Lower Canada.
Ex Collection: The Honourable Christopher Lennox-Boyd. W: 173 II of II.
[Ref: 35132] £420.00

Ralph John Lambton Esq.r His Horse Undertaker, & Hounds. (Calling Hounds out of Cover.)
Painted by James Ward Esq.r R.A. Engraved by C. Turner.
London, Published Sept.r 1821, by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint with etching. 560 x 780mm (22 x 30¾"). Tears taped, some creasing.
A rare large image showing Ralph John Lambton (c.1767-1844), MP for Durham City, on horseback in a landscape, a pack of hounds around him. A preparatory pencil sketch by Ward of Lambton and Undertaker, dated 1802, is held by the Yale Centre for British Art. The BM has a key plate with the names of the dogs.
Whitman 299, state ii of ii, published state.
[Ref: 47939] £360.00

Humourous Scene in the Lame-Lover.
T. Bonner del. et sculp.
[London Magazine, 1770.]
Engraving. 175 x 115mm (7 x 4½"), large margins on 3 sides.
A scene from 'The Lame Lover, a three-act comic play by Samuel Foote, about Sir Luke Limp, a disabled man who pretends to be in love with a wealthy widow for financial gain. Foote, who wrote the play while recuperating from the amputation of his leg following a riding accident, played Limp in the original production
[Ref: 63504] £60.00 (£72.00 incl.VAT)

A. Lameth.
Hesse 1824. y. Lith. de Delpech.
[n.d. c.1824]
Lithograph, rare with large margins. Sheet 507 x 337mm. 20" x 13¼". Spotting.
Alexandre Theodore Victor (1760 - 1829) comte de Lameth. He served in the American War of Independence under Rochambeau, and in 1789 was sent as deputy to the States General by the nobles of the bailliage of Peronne.
[Ref: 8746] £140.00 (£168.00 incl.VAT)

Lamia. Beauty and grace with sudden charms can bind / The wandring sense, and calm the troubled mind [...]
Drawn by J.G. Cipriani R.A. Engraved by F. Bartolozzi R.A. Engraver to His Majesty.
[London Published Decem.r 12.th 1786 by E.M. Diemar]
Stipple printed in sepia, sheet 320 x 255mm (12½ x 10"). Trimmed inside platemark, losing publication line; slight foxing.
Lamia, in ancient Greek mythology a beautiful queen of Libya who became a child-eating demon. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (whose name is incorrectly given here as 'J.G. Cipriani').
De Vesme 435 v/v
[Ref: 40657] £180.00 (£216.00 incl.VAT)

[Young Woman Holding a Lamp]
G dowe. pinx. G Valck fecit. et ex.
[n.d. c.1700]
Very fine mezzotint, 375 x 265mm (14¾ x 10½"). Trimmed within plate and tipped into album sheet. Crease in centre horizontal (not visible from front).
A trompe-l'œil of a woman coming out of a window, surrounded by stone work, lit by the glow of her oil lamp. After Dutch Golden Age painter Gerrit Dou (1613-75), who specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong chiaroscuro.
[Ref: 61611] £360.00

Patent French Shadowless Lamp, sold by P. Cowan, Lamp Manufacturer, 45, Skinner Street, London.
[n.d., c.1870]
Broadside, 250 x 200mm. 9½ x 8½". Damage to right of sheet. Creases.
Broadside explaining the process of a patent oil lamp, with directions for use.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester.
[Ref: 16755] £140.00 (£168.00 incl.VAT)

[Transformation print of Lamphey Bishop's Palace] Lanfeth Palace, Pembrokeshire.
Payne del.t. Hassell sculp.t.
[London Pub.d April 8, 1800 by Random & Steinbank, No. 17 Old Bond Street.]
Coloured aquatint, prepared as a transformation print. Sheet 120 x 165mm (4¾ x 6½"). Trimmed, losing publication line, 'moon' excised and replaced with tissue, coloured on reverse.
The ruins of Lamphey Bishop's Palace, a Grade I Listed building, from 'Sketches of Landscape for Youth'. The scene looks moon-lit when held up to a light.
[Ref: 56739] £160.00 (£192.00 incl.VAT) view all images for this item

The Lamplighters' Address for Christmas, 1877.
[Bristol? 1877.]
Letterpress broadside with wood-engraved vignette and border. Sheet 265 x 230mm (14¼ x 9"). Creases, right edge crushed.
A songsheet with a carol requesting Christmas gratuities for the lamplighters of Bristol.
[Ref: 44752] £70.00 (£84.00 incl.VAT)

Rose Hall Lanarkshire.
1840.
Watercolour in sepia tones. Sheet size: 300 x 430mm (12 x 17"). Glued to backing sheet at corners.
A fine and highly detailed view of Rosehall, Lanarkshire, Scotland, the seat of Sir James Hamilton 2nd Bt. (1682-1750), within the dense surrounding of trees and shrubs. In 1691 Hamilton purchased the Lanarkshire estate of Haggs from Sir Archibald Hamilton, 1st Bt., subsequently renaming it Rosehall. The high level of skill and accuracy of the painting would suggest that it was made by an architect
[Ref: 37749] £220.00 (£264.00 incl.VAT)

A Map of Lancashire.
Published by Sam.l Darton. 5.th of December 1800.
Engraved map with original hand colour. 90 x 90mm (3½ x 3½"). Trimmed into plate on left, losing another image or map, small skinned area in map, a small hole in unprinted area of plate, others in top margin.
A very rare map of Lancashire within a circle, marking the roads. Samuel Darton is likely to be Samuel (1785-1840), the son of Quaker publisher William Darton, who specialised in publications for children, although the date of publication of this map would make him 15 at the time. He officially joined the family firm in 1810. The map is unlikely to have come from an atlas, as there is no equivalent map of Devon in Kit Batten's extensive cartobibliography.
[Ref: 65741] £130.00

Lancashire Independent College Library. No.
[n.d., c.1850.]
Printed ex libris bookplate with etched vignette of the college, 102 x 115mm.
The Lancashire Independent College was designed by Irwin and Chester in 1843, built specially for the purpose of training Nonconformist Ministers, who because of their religious faith, were denied access to the Universities of Oxford and Cambridge. It is a gothic-style stone building with octagonal tower and pinnacles. Recent refurbishment has converted the building into a residential college for the General & Municipal Boilermakers' Union. A decorative bookplate that includes the College motto in Greek on a scroll cartouche.
[Ref: 7516] £45.00 (£54.00 incl.VAT)

North East View of Lancaster.
Drawn by J. Farington, R.A. Engraved by J. Landseer.
London, Published as the Act directs 1st Nov. 1791, by W. Byrne, No.19 Titchfield Street.
Coloured engraving, 18th century watermark. 350 x 490mm (13¾ x 19¼"), large margins. Tear taped, some spotting, faint creasing.
A view of Lancaster from across the Lune, with the castle and priory. The Lune Bridge, built 1787 by Thomas Harrison, is still in use.
[Ref: 60906] £250.00 (£300.00 incl.VAT)

North East View of Lancaster.
Painted by Freebairn.
London Published by J. Deeley. Berwick Street Soho [n.d., c.1810].
Scarce coloured aquatint. 280 x 350mm (11 x 13¾"). Some foxing bottom left, small holes in printed border.
A view of Lancaster from across the River Lune. In 1802 Robert Freebairn (1764-1808) published at least two other views of Lancaster aquatinted by John Bluck.
[Ref: 59350] £220.00 (£264.00 incl.VAT)

Lancaster Castle.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Lancaster Castle, seen from the opposite bank of the River Lune, with two men pushing a boat into the water in the foreground and two others behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36128] £160.00 (£192.00 incl.VAT)

Lancaster Castle.
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W.Daniell, 9 Cleveland Street, Fitzroy Square, London, Jan 1st, 1816.
Hand coloured aquatint with large margins. Turkey Mill J. Whatman 1819 watermark. Platemark: 230 x 290mm (9 x 11¼").
A picturesque view of Lancaster Castle, seen from the opposite bank of the river Lune. Two men can be seen pushing a boat into the water in foreground at left, and two others behind. Boats and ship are on the river, with hills in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33889] £130.00 (£156.00 incl.VAT)

The Genealogy of the Earls and Dukes of Lancaster of the House of Anjou or Plantagenet, from 1216, Henry III to 1422, Henry V. With their Arms and those of their Alliances.
Printed by G.F. Harris's Widow & Brothers, for Gregson's Portfolio of Fragments of the History of Lancashire. [Entered at Stationer's Hall.] [n.d, c.1824.]
Wood-engraving and letterpress. Sheet 500 x 410mm (19¾ x 16"). Folded for binding, some damage.
A family tree of the Plantagenet kings of England from Henry III to Henry V, headed by their Royal Arms. From the second edition of Matthew Gregson's 'Portfolio and Fragments, Relative to the History and Antiquities of the County Palatine and Duchy of Lancaster. In three Parts with Additions, stitched, and two large Pedigrees'.
[Ref: 40963] £130.00 (£156.00 incl.VAT)

Guil. Lancaster S.T.P. Archidiac. Middlesex. S.ti Martini in Agris Wesmonast. Vicar. Coll. Regin. Oxon. Praepos. Nec Non Acad. Eiusdem Vice Can. Obijt. 4.to Februarii 1716. Williamsoni Munificientia, et Sua.
T. Murray Pinxit. Geo. Vertue sculpsit. 1718.
Engraving. Plate 387 x 266mm. 15¼ x 10½". Repaired tear into lower edge, crease.
Portrait of William Lancaster, half-length to right, facing front; wearing a wig and ecclesiastical robes and bands; in an oval frame with ribbon and trumpet on top, placed on a draped table, on which lie two upright books and an open book, scroll of paper, and a plan of the façade of a building lettered "Coll. Regin. Oxon conspectus Australis." William Lancaster (1650-1717), the English clergyman and academic who was provost of Queen's College, Oxford; rector of St Martin's-in-the-Fields, and archdeacon of Middlesex.
NPG: D31521. Alexander: 260.
[Ref: 27270] £130.00 (£156.00 incl.VAT)

Making a Lancer. Suppose any one could see me now.
[Paul Pry - William Heath.]
Pub by T. McLean 262 [...] [n.d., c.1830.]
Coloured etching. Sheet 325 x 225mm (12¾ x 9") Trimmed to printed border, losing Pry monogram, title pasted underneath, on album paper watermarked 'J Whatman 1829'.
A fashion satire: a woman with a fake moustache is helped to dress in lancer uniform by two conventionally-dressed women. Two officers watch through a window. On the wall is a map of the Isle of Man. No.3 of 'William Heath's Cavalry Caricatures'.
Not in BM.
[Ref: 51927] £140.00 (£168.00 incl.VAT)

Abstract of the Title of John Bevan Junior to 11 acres and 2¼ perches of land situate at Field of Mars near Paramatta in the colony of New South Wales. [&] Warrent of Title of John M Macey and Sarah Anne Macey [crossed out] to certain lands and heredetainments at Peuuaut Hills
31st May 1880.
Two documents: 4pp, ink mss, pinned, sheets 420 x 345mm (16½ x 13½"); and 17pp, ink mss. pinned, sheets 420 x 345mm (16½ x 13½").
Two early documents relating to land ownership in New South Wales. One relates to John Bevan (1828-1900).
[Ref: 54960] £580.00 view all images for this item

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