A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Lady Gorget raising Recruits for Cox-Heath.
[after Robert Dighton.]
Printed for Carington Bowles, No. 69 in St. Paul's Church Yard, London. Published as the Act directs, 4 June 1781.
Mezzotint with fine hand colour. 150 x 112mm (6 x 4¼"). Time staining.
An interior scene in which a lady, wearing a riding dress, officers coat, gorget and a large feathered hat, is seated on a settee to the right, with a cane in her left hand. She is looking towards, and addressing, three modestly dressed men who stand to the left. Through the window to the left, the tents of an army camp can be seen. Coxheath in Kent was often used as a military camp, with reviews and mock battles common there.
[Ref: 58390] £180.00 (£216.00 incl.VAT)
[after Robert Dighton.]
Printed for Carington Bowles, No. 69 in St. Paul's Church Yard, London. Published as the Act directs, 4 June 1781.
Mezzotint with fine hand colour. 150 x 112mm (6 x 4¼"). Time staining.
An interior scene in which a lady, wearing a riding dress, officers coat, gorget and a large feathered hat, is seated on a settee to the right, with a cane in her left hand. She is looking towards, and addressing, three modestly dressed men who stand to the left. Through the window to the left, the tents of an army camp can be seen. Coxheath in Kent was often used as a military camp, with reviews and mock battles common there.
[Ref: 58390] £180.00 (£216.00 incl.VAT)
Lady Gorget raising Recruits for the Army.
[after Robert Dighton.]
Printed for Bowles & Carver, No. 69 in St. Paul's Church Yard, London. Published as the Act directs. [n.d., c.1795].
Mezzotint. 150 x 112mm (6 x 4¼"). Small margins.
An interior scene in which a lady, wearing a riding dress, officers coat, gorget and a large feathered hat, is seated on a settee to the right, with a cane in her left hand. She is looking towards, and addressing, three modestly dressed men who stand to the left. Through the window to the left, the tents of an army camp can be seen. Military interest.
Ex CLB ii/ii. Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 32969] £160.00 (£192.00 incl.VAT)
[after Robert Dighton.]
Printed for Bowles & Carver, No. 69 in St. Paul's Church Yard, London. Published as the Act directs. [n.d., c.1795].
Mezzotint. 150 x 112mm (6 x 4¼"). Small margins.
An interior scene in which a lady, wearing a riding dress, officers coat, gorget and a large feathered hat, is seated on a settee to the right, with a cane in her left hand. She is looking towards, and addressing, three modestly dressed men who stand to the left. Through the window to the left, the tents of an army camp can be seen. Military interest.
Ex CLB ii/ii. Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 32969] £160.00 (£192.00 incl.VAT)
Lady Gorget raising Recruits for the Army.
[after Robert Dighton.]
Printed for Bowles & Carver, No. 69 in St. Paul's Church Yard, London. Published as the Act directs. [n.d., c.1795].
Mezzotint. 150 x 112mm (6 x 4¼"), with wide margins. Small holes in upper margin.
An interior scene in which a lady, wearing a riding dress, officers coat, gorget and a large feathered hat, is seated on a settee to the right, with a cane in her left hand. She is looking towards, and addressing, three modestly dressed men who stand to the left. Through the window to the left, the tents of an army camp can be seen. Military interest.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33104] £160.00 (£192.00 incl.VAT)
[after Robert Dighton.]
Printed for Bowles & Carver, No. 69 in St. Paul's Church Yard, London. Published as the Act directs. [n.d., c.1795].
Mezzotint. 150 x 112mm (6 x 4¼"), with wide margins. Small holes in upper margin.
An interior scene in which a lady, wearing a riding dress, officers coat, gorget and a large feathered hat, is seated on a settee to the right, with a cane in her left hand. She is looking towards, and addressing, three modestly dressed men who stand to the left. Through the window to the left, the tents of an army camp can be seen. Military interest.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33104] £160.00 (£192.00 incl.VAT)
![[A lady playing a guitar, a gentleman seated at table to right.]](jpegs/10561.jpg)
[A lady playing a guitar, a gentleman seated at table to right.]
[n.d., c.1700.]
Mezzotint, 140 x 120mm. 5½ x 4¾". Trace of crease through upper right corner.
A Continental-style interior scene, possibly the work of the prolific mezotinter Bernard Lens II (1659 - 1725). This plate may have been published in England by the famous early mezzotinter and re-publisher of older plates John Smith (1652 - 1743).
[Ref: 10561] £130.00 (£156.00 incl.VAT)
[n.d., c.1700.]
Mezzotint, 140 x 120mm. 5½ x 4¾". Trace of crease through upper right corner.
A Continental-style interior scene, possibly the work of the prolific mezotinter Bernard Lens II (1659 - 1725). This plate may have been published in England by the famous early mezzotinter and re-publisher of older plates John Smith (1652 - 1743).
[Ref: 10561] £130.00 (£156.00 incl.VAT)
The perilous situation of the Lady Hobart Packet on an Island of Ice.
[n.d., c.1810.]
Rare etching with aquatint, sheet 175 x 245mm. 7 x 9¾". Trimmed.
Dramatic representation of the Lady Hobart packet ship after it struck an iceberg on the 28th of June 1803; also two lifeboats full of survivors, and whales.
Not in NMM.
[Ref: 15694] £90.00 (£108.00 incl.VAT)
[n.d., c.1810.]
Rare etching with aquatint, sheet 175 x 245mm. 7 x 9¾". Trimmed.
Dramatic representation of the Lady Hobart packet ship after it struck an iceberg on the 28th of June 1803; also two lifeboats full of survivors, and whales.
Not in NMM.
[Ref: 15694] £90.00 (£108.00 incl.VAT)
Full Dress of a Lady of Quality in Barbary in 1700. Dame de la Cote de Barbarie dans toute separure. 89.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 205mm (10¼ x 8"). Large margins.
A full-length portrait of a woman from the Barbary Coast, whole-length standing, looking to the left. She is wearing a headpiece with a very large veil which she holds open behind her with both hands. Plate 89 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62860] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 205mm (10¼ x 8"). Large margins.
A full-length portrait of a woman from the Barbary Coast, whole-length standing, looking to the left. She is wearing a headpiece with a very large veil which she holds open behind her with both hands. Plate 89 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62860] £140.00 (£168.00 incl.VAT)
A Lady in Waiting. 317.
Printed for Carington Bowles, No. 69 in St Pauls Church Yard. Publish'd as the Act directs, 2 Sep.r 1780.
Mezzotint with hand colour. 150 x 110mm (6 x 4¼"), with large margins. Slight mount burn.
A lady, dressed in a large hat and elbow-length gloves, waits on a grassy bank under trees, the dome of St. Paul's in the distance. She looks coyly expectant.
[Ref: 58389] £180.00 (£216.00 incl.VAT)
Printed for Carington Bowles, No. 69 in St Pauls Church Yard. Publish'd as the Act directs, 2 Sep.r 1780.
Mezzotint with hand colour. 150 x 110mm (6 x 4¼"), with large margins. Slight mount burn.
A lady, dressed in a large hat and elbow-length gloves, waits on a grassy bank under trees, the dome of St. Paul's in the distance. She looks coyly expectant.
[Ref: 58389] £180.00 (£216.00 incl.VAT)
The Lady Juliana in tow of the Pallas Frigate, The Sailors Fishing the Main Mast which was Shatterd by Lightning.
[after Robert Dodd.]
[n.d., c.1800.]
Pen and pencil sketch. Sheet 435 x 600mm (17¼ x 23½"). Tape stains, tears.
A unique copy of an aquatint by John Harris after Robert Dodd, one of four plates illustrating the events of 8th September 1782, when a storm struck a British fleet in the Gulf of Florida. The fleet, containing merchants and French ships captured in the Battle of All Saints (April 12th 1782), was scattered, some damaged but HMS Ramillies & HMS Centaur were lost. 'Pallas' towed the damaged merchantman 'Lady Juliana' all the way back to England.
See NMM: PAH8432 for the original aquatint.
[Ref: 36882] £420.00
[after Robert Dodd.]
[n.d., c.1800.]
Pen and pencil sketch. Sheet 435 x 600mm (17¼ x 23½"). Tape stains, tears.
A unique copy of an aquatint by John Harris after Robert Dodd, one of four plates illustrating the events of 8th September 1782, when a storm struck a British fleet in the Gulf of Florida. The fleet, containing merchants and French ships captured in the Battle of All Saints (April 12th 1782), was scattered, some damaged but HMS Ramillies & HMS Centaur were lost. 'Pallas' towed the damaged merchantman 'Lady Juliana' all the way back to England.
See NMM: PAH8432 for the original aquatint.
[Ref: 36882] £420.00
The Lady Kennaway, off Margate, Tho.s Surflen. Esq.re Commander. Homeward Bound 1827.
Painted by J.W. Huggins Engraved by E. Duncan.
London. Published by J.W. Huggins, 150 Leadenhall Street, 1829.
Coloured aquatint, sheet 475 x 640mm (18¾ x 25"). Trimmed inside platemark on three sides; very fine.
The Lady Kennaway, built in Calcutta in 1817 and seen here shortly before she was chartered as convict transport in 1830, carrying convicts to Australia and Tasmania, as well as trading with India and Canada. Print made from a painting by W.J. Huggins (1781-1845), who in 1830 became marine painter to William IV.
[Ref: 30063] £1,100.00
Painted by J.W. Huggins Engraved by E. Duncan.
London. Published by J.W. Huggins, 150 Leadenhall Street, 1829.
Coloured aquatint, sheet 475 x 640mm (18¾ x 25"). Trimmed inside platemark on three sides; very fine.
The Lady Kennaway, built in Calcutta in 1817 and seen here shortly before she was chartered as convict transport in 1830, carrying convicts to Australia and Tasmania, as well as trading with India and Canada. Print made from a painting by W.J. Huggins (1781-1845), who in 1830 became marine painter to William IV.
[Ref: 30063] £1,100.00
![[Lady Langham.]](jpegs/56904.jpg)
[Lady Langham.]
Painted by J. Hoppner R.A. Engraved by C.Wilkin.
Published as the Act directs June 2.d 1800 by C.Wilkin, N.o 19 Eaton Str.t Pimlico.
Stipple, Proof before title. 250 x 190 (9¾ x 7½") very large margins.
A portrait of Lady Henrietta Langham (1780-1809) from the series 'Portraits of Ladies of Rank and Fashion' published between 1797-1803 by C. Wilkin.
[Ref: 56904] £95.00 (£114.00 incl.VAT)
Painted by J. Hoppner R.A. Engraved by C.Wilkin.
Published as the Act directs June 2.d 1800 by C.Wilkin, N.o 19 Eaton Str.t Pimlico.
Stipple, Proof before title. 250 x 190 (9¾ x 7½") very large margins.
A portrait of Lady Henrietta Langham (1780-1809) from the series 'Portraits of Ladies of Rank and Fashion' published between 1797-1803 by C. Wilkin.
[Ref: 56904] £95.00 (£114.00 incl.VAT)
The Song. Love was once a little Boy, Heigho, Heigho!...[etc.]
J. Stewardson Pt. G. Kellaway sc.
Published April 1st. 1828, by W.J. White, Engraver, 14, Brownlow Street, Holborn.
Stipple and etching, 255 x 200mm. 10 x 7¾". Some marginal staining, waterstain through lower left corner.
A lady plays a popular song on a lute. After Thomas Stewardson (1781 - 1859), portrait painter to Queen Caroline.
[Ref: 10535] £95.00 (£114.00 incl.VAT)
J. Stewardson Pt. G. Kellaway sc.
Published April 1st. 1828, by W.J. White, Engraver, 14, Brownlow Street, Holborn.
Stipple and etching, 255 x 200mm. 10 x 7¾". Some marginal staining, waterstain through lower left corner.
A lady plays a popular song on a lute. After Thomas Stewardson (1781 - 1859), portrait painter to Queen Caroline.
[Ref: 10535] £95.00 (£114.00 incl.VAT)
Habit of a Lady of China, in, 1700. Dame Chinoise. 43.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a woman, whole-length standing. She is wearing a tiara and flowers on her hair, dress with large sleeves, cords hang from her belt, she holds a stick in her left hand, and a flat object in her right. Plate 43 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62837] £120.00 (£144.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a woman, whole-length standing. She is wearing a tiara and flowers on her hair, dress with large sleeves, cords hang from her belt, she holds a stick in her left hand, and a flat object in her right. Plate 43 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62837] £120.00 (£144.00 incl.VAT)
Habit of a Lady of Hungary, in 1700. Dame Hongroise. 99.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a Hungarian woman, she is wearing a dress and a bonnet. Plate 99 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62871] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a Hungarian woman, she is wearing a dress and a bonnet. Plate 99 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62871] £140.00 (£168.00 incl.VAT)
Habit of a Lady of Indostan. Femme des Indes Orientales. 37.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatmark watermark. Plate 245 x 200mm (9¾ x 8"). Large margins.
Portrait of a woman, whole-length standing, turned to the left, her face in profile. She holds a flower in her right hand, the flower's very long stem held by her left hand; and wears a dress with a veil and multiple necklaces. Plate 37 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62847] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatmark watermark. Plate 245 x 200mm (9¾ x 8"). Large margins.
Portrait of a woman, whole-length standing, turned to the left, her face in profile. She holds a flower in her right hand, the flower's very long stem held by her left hand; and wears a dress with a veil and multiple necklaces. Plate 37 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62847] £160.00 (£192.00 incl.VAT)
Habit of a Lady of Indostan. Femme des Indes Orientales. 38.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 250 x 200mm (9¾ x 8"). Large margins. Slight crease on left.
Portrait of a woman, whole-length standing, turned and looking to the right. She is holding a small vase in her left hand, her right leg on a rock with her right hand resting on her thigh, she wears clothing with a veil and pearl necklaces. Plate 38 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62848] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 250 x 200mm (9¾ x 8"). Large margins. Slight crease on left.
Portrait of a woman, whole-length standing, turned and looking to the right. She is holding a small vase in her left hand, her right leg on a rock with her right hand resting on her thigh, she wears clothing with a veil and pearl necklaces. Plate 38 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62848] £160.00 (£192.00 incl.VAT)
![[Illustration to 'The Lady of the Lake' by Sir Walter Scott]](jpegs/46934.jpg)
[Illustration to 'The Lady of the Lake' by Sir Walter Scott] Harp of the North! that mouldering long hast hung / On the Witch-elm that Shades Saint Fillan's spring [...]
From an Original Drawing by G. Gabrielli. Printed by P. Simonau
London Published as the Act directs by Dobbs & Co Soho Square for the Proprietor, 1825.
Lithograph, sheet 240 x 305mm (9½ x 12").
Lithograph illustrating 'The Lady of the Lake', a long poem by Sir Walter Scott which enjoyed phenomenal success when it was published in 1810. The verses printed here describe a harp, hanging from a tree, which is stirred to sound by the breeze.
[Ref: 46934] £140.00 (£168.00 incl.VAT)
From an Original Drawing by G. Gabrielli. Printed by P. Simonau
London Published as the Act directs by Dobbs & Co Soho Square for the Proprietor, 1825.
Lithograph, sheet 240 x 305mm (9½ x 12").
Lithograph illustrating 'The Lady of the Lake', a long poem by Sir Walter Scott which enjoyed phenomenal success when it was published in 1810. The verses printed here describe a harp, hanging from a tree, which is stirred to sound by the breeze.
[Ref: 46934] £140.00 (£168.00 incl.VAT)
The Lady Price.
P. Lelij Eques Pinxit.
Sold by Alex Browne at the blew Ballcony in little Queen Street. [nd. d.1680]
Counterproof mezzotint, 17th century watermark; 340 x 255mm (13½ x 10"). Attached to album paper at top. Small margins.
Three-quarter length seated portrait of a Lady Price (fl.1680), wearing a pearl necklace and a low-cut dress, plucking a flower from a small potted tree. In the distance to the right, trees and a lake are visible.
CS30. Turner B40. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64960] £260.00 (£312.00 incl.VAT)
P. Lelij Eques Pinxit.
Sold by Alex Browne at the blew Ballcony in little Queen Street. [nd. d.1680]
Counterproof mezzotint, 17th century watermark; 340 x 255mm (13½ x 10"). Attached to album paper at top. Small margins.
Three-quarter length seated portrait of a Lady Price (fl.1680), wearing a pearl necklace and a low-cut dress, plucking a flower from a small potted tree. In the distance to the right, trees and a lake are visible.
CS30. Turner B40. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64960] £260.00 (£312.00 incl.VAT)
Lady Sitting in a Chair. In the Gallery at Houghton.
Rubens Pinxit. G. Farington delin.t. James Watson sculpsit. John Boydell excudit 1778.
Published Dec.r 1.st 1778 by John Boydell Engraver in Cheapside London.
Mezzotint. 460 x 305mm (18 x 12"), with large margins. Stains in edges on left.
A three-quarter seated portrait of an unknown woman wearing a fur-trimmed embroidered robe, ruff and cap, a muff on her lap. It was issued as Plate 49 of Vol.1 of the 'Houghton Gallery', a set of 129 prints after paintings in the collection of Sir Robert Walpole at Houghton Hall, Norfolk, most of which were sold to Catherine the Great in 1778, becoming part of the collection of the Hermitage.
CS 167, only state. Goodwin 182, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66366] £180.00 (£216.00 incl.VAT)
Rubens Pinxit. G. Farington delin.t. James Watson sculpsit. John Boydell excudit 1778.
Published Dec.r 1.st 1778 by John Boydell Engraver in Cheapside London.
Mezzotint. 460 x 305mm (18 x 12"), with large margins. Stains in edges on left.
A three-quarter seated portrait of an unknown woman wearing a fur-trimmed embroidered robe, ruff and cap, a muff on her lap. It was issued as Plate 49 of Vol.1 of the 'Houghton Gallery', a set of 129 prints after paintings in the collection of Sir Robert Walpole at Houghton Hall, Norfolk, most of which were sold to Catherine the Great in 1778, becoming part of the collection of the Hermitage.
CS 167, only state. Goodwin 182, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66366] £180.00 (£216.00 incl.VAT)
[Lady Sitting in a Chair. In the Gallery at Houghton.]
[Rubens Pinxit. G. Farington delin.t. James Watson sculpsit. John Boydell excudit 1778.]
[Published Dec.r 1.st 1778 by John Boydell Engraver in Cheapside London.]
Mezzotint, proof before letters, inscription area not completely cleaned. 455 x 305mm (18 x 12"). Trimmed into plate at bottom.
A three-quarter seated portrait of an unknown woman wearing a fur-trimmed embroidered robe, ruff and cap, a muff on her lap. It was issued as Plate 49 of Vol.1 of the 'Houghton Gallery', a set of 129 prints after paintings in the collection of Sir Robert Walpole at Houghton Hall, Norfolk, most of which were sold to Catherine the Great in 1778, becoming part of the collection of the Hermitage.
CS 167, only state. Goodwin 182, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state i of iii. Ink stamp of collector Fritz Reiss (Lugt 2178) on reverse and Benoni Whites (Lugt 2592
[Ref: 66367] £450.00
[Rubens Pinxit. G. Farington delin.t. James Watson sculpsit. John Boydell excudit 1778.]
[Published Dec.r 1.st 1778 by John Boydell Engraver in Cheapside London.]
Mezzotint, proof before letters, inscription area not completely cleaned. 455 x 305mm (18 x 12"). Trimmed into plate at bottom.
A three-quarter seated portrait of an unknown woman wearing a fur-trimmed embroidered robe, ruff and cap, a muff on her lap. It was issued as Plate 49 of Vol.1 of the 'Houghton Gallery', a set of 129 prints after paintings in the collection of Sir Robert Walpole at Houghton Hall, Norfolk, most of which were sold to Catherine the Great in 1778, becoming part of the collection of the Hermitage.
CS 167, only state. Goodwin 182, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state i of iii. Ink stamp of collector Fritz Reiss (Lugt 2178) on reverse and Benoni Whites (Lugt 2592
[Ref: 66367] £450.00
Lady Stair's Close, Edinburgh. An original etching by C.H. Clark. Signed impression. Restricted edition of 150 proofs. Plate destroyed.
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 285 x 125mm (11¼ x 5"), very large margins; publisher's blind stamp. In original mount with printed title label, as above.
Lady Stair's Close, in Lawnmarket, Edinburgh, named for the widow of the first Earl of Stair, who bought a house there in 1719. The close contains the Scottish Writers' Museum. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49174] £65.00 (£78.00 incl.VAT)
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 285 x 125mm (11¼ x 5"), very large margins; publisher's blind stamp. In original mount with printed title label, as above.
Lady Stair's Close, in Lawnmarket, Edinburgh, named for the widow of the first Earl of Stair, who bought a house there in 1719. The close contains the Scottish Writers' Museum. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49174] £65.00 (£78.00 incl.VAT)
![[Lady wearing hat and ruff]](jpegs/43532.jpg)
[Lady wearing hat and ruff]
AC 1577 pinx: N: Strixner del: [c.1823]
Lithograph and tintstone, sheet 600 x 470mm (23½ x 18½"). Slight foxing.
Lithograph of a 1577 painting by the Dutch artist Adriaen Crabeth, by Johann Neopomuk Strixner from the series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim in Steindruck'.
[Ref: 43532] £160.00 (£192.00 incl.VAT)
AC 1577 pinx: N: Strixner del: [c.1823]
Lithograph and tintstone, sheet 600 x 470mm (23½ x 18½"). Slight foxing.
Lithograph of a 1577 painting by the Dutch artist Adriaen Crabeth, by Johann Neopomuk Strixner from the series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim in Steindruck'.
[Ref: 43532] £160.00 (£192.00 incl.VAT)
![[Lady with rose.] When Beauty pleads her own resistless cause ...](jpegs/67365.jpg)
[Lady with rose.] When Beauty pleads her own resistless cause ...
[Engraved by John Faber jnr.]
Printed for John Bowles at N.º [blank] in Cornhill, & Carington Bowles, at N.º 69 in S.t Pauls Church Yard, London [n.d., c.1765].
Scarce coloured mezzotint, 350 x 250mm (13¾ x 10"). Narrow margins, repaired tear on right, small crease in inscription area.
A young woman adds a rose to a posy she holds in her left hand. Another rose and fruit sit on the table.
CS 419. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67365] £260.00 (£312.00 incl.VAT)
[Engraved by John Faber jnr.]
Printed for John Bowles at N.º [blank] in Cornhill, & Carington Bowles, at N.º 69 in S.t Pauls Church Yard, London [n.d., c.1765].
Scarce coloured mezzotint, 350 x 250mm (13¾ x 10"). Narrow margins, repaired tear on right, small crease in inscription area.
A young woman adds a rose to a posy she holds in her left hand. Another rose and fruit sit on the table.
CS 419. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67365] £260.00 (£312.00 incl.VAT)
![[Lady with veil]](jpegs/6349.jpg)
[Lady with veil]
To be sold at F.Vivares in great Newport Street London. [n.d., c.1780.]
Stipple, printed in colours. 250 x 180mm. Trimmed into platemark.
After Peters?
[Ref: 6349] £320.00
To be sold at F.Vivares in great Newport Street London. [n.d., c.1780.]
Stipple, printed in colours. 250 x 180mm. Trimmed into platemark.
After Peters?
[Ref: 6349] £320.00
The Lady's Disaster. _ nil ortum tale. Hor. ... Drawn from the Fact. Occasion'd by a Lady carelessly tossing her Hoop too high, in going to shun a little Chimney sweeper's Boy who fell down just at her Feet in an artful surprise, at ye enormous sight.
J. June fec.t.
Drawn from the Spot and Publish'd according to Act of Parliament Decem.r ye 15 [1746]. Price 6.d. [Later impression.]
Engraving. Sheet 380 x 570mm (15 x 22½"), with very large margins. Glued to backing sheet.
A woman's hooped skirt suffers a wardrobe malfunction on the north side of the Strand. In the background is St Mary-le-Strand.
Not in BM. Crace XO11. 134. See also 31749 & 54335.
[Ref: 61987] £280.00 (£336.00 incl.VAT)
J. June fec.t.
Drawn from the Spot and Publish'd according to Act of Parliament Decem.r ye 15 [1746]. Price 6.d. [Later impression.]
Engraving. Sheet 380 x 570mm (15 x 22½"), with very large margins. Glued to backing sheet.
A woman's hooped skirt suffers a wardrobe malfunction on the north side of the Strand. In the background is St Mary-le-Strand.
Not in BM. Crace XO11. 134. See also 31749 & 54335.
[Ref: 61987] £280.00 (£336.00 incl.VAT)
The Lady's Disaster. _ nil ortum tale. Hor. ... Drawn from the Fact. Occasion'd by a Lady carelessly tossing her Hoop too high, in going to shun a little Chimney sweeper's Boy who fell down just at her Feet in an artful surprise, at ye enormous sight.
J. June fec.t.
Drawn from the Spot and Publish'd according to Act of Parliament Decem.r ye 15 [1746]. Price 6.d. [Late impression.]
Engraving. 235 x 310mm (9 x 12¼"), with large margins.
A woman's hooped skirt suffers a wardrobe malfunction on the north side of the Strand. In the background is St Mary-le-Strand.
[Ref: 54335] £140.00 (£168.00 incl.VAT)
J. June fec.t.
Drawn from the Spot and Publish'd according to Act of Parliament Decem.r ye 15 [1746]. Price 6.d. [Late impression.]
Engraving. 235 x 310mm (9 x 12¼"), with large margins.
A woman's hooped skirt suffers a wardrobe malfunction on the north side of the Strand. In the background is St Mary-le-Strand.
[Ref: 54335] £140.00 (£168.00 incl.VAT)
The Lady's Disaster. _ mil ortum tale. Horace. [...] Drawn from the Fact. Occasion'd by a Lady carelessly tossing her Hoop too high, in going to shun a little Chimney sweeper's Boy who fell down just at her Feet in an artful surprise, at ye enormous sight.
J. June fec.t.
Published according to Act of Parliament, Decem.re 15th [1770.] Price 6d.
Engraving with large margins. 240 x 310mm (9½ x 12¼"). Paper lightly toned, mounted in album paper; later publication.
A view on the north side of the Strand, looking towards the church of St Mary-le-Strand (described here as the New Church); a lady has tossed her hoop too high and caught it on a hook, displaying her undergarments to the laughing crowd, including a chimney sweep under her feet.
Ex Collection of the Hon Christopher Lennox-Boyd; BM Satires undescribed; for a similar subject see ref. 31750
[Ref: 31749] £320.00
J. June fec.t.
Published according to Act of Parliament, Decem.re 15th [1770.] Price 6d.
Engraving with large margins. 240 x 310mm (9½ x 12¼"). Paper lightly toned, mounted in album paper; later publication.
A view on the north side of the Strand, looking towards the church of St Mary-le-Strand (described here as the New Church); a lady has tossed her hoop too high and caught it on a hook, displaying her undergarments to the laughing crowd, including a chimney sweep under her feet.
Ex Collection of the Hon Christopher Lennox-Boyd; BM Satires undescribed; for a similar subject see ref. 31750
[Ref: 31749] £320.00
![[The Progress of Seduction]](jpegs/36865.jpg)
[The Progress of Seduction]
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Five out of six etchings (lacking plate 3) with large margins. Each plate 280 x 320mm (11 x 12½"). Spotting.
Five out of six scenes from The Progress of Seduction showing the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789.
D' Oench: 300 copies. Frankau: 214-19
[Ref: 36865] £690.00 view all images for this item
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Five out of six etchings (lacking plate 3) with large margins. Each plate 280 x 320mm (11 x 12½"). Spotting.
Five out of six scenes from The Progress of Seduction showing the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789.
D' Oench: 300 copies. Frankau: 214-19
[Ref: 36865] £690.00 view all images for this item
![[Laetitia / The Virtuous Parent.]](jpegs/12366.jpg)
[Laetitia / The Virtuous Parent.]
[George Morland.] E Leslie Haynes [pencil signature.]
London Published 1908 by Henry Graves & Co. Ltd, 6 Pall Mall S.W. Printed by A. Salmon, Paris.
Mezzotint on india laid paper, proof before title, 440 x 350mm. 17¼ x 13¾".
A young woman wearing a wide brimmed hat with a plume in the centre of a simple interior, where her mother sits on the left, holding up a handkerchief as she laments her daughter who offers a present to her father. The father sits to right, looking away unhappily and throwing out his arms in refusal of the offering; on the wall behind are pictures of 'Virginia' and 'Good Samaritan'. Originally plate 3 to a set of six, 'Laetitia', after George Morland (1762/3 - 1804). Printseller's Association blindstamp lower left.
Printseller's Association: pg.146.
[Ref: 12366] £65.00 (£78.00 incl.VAT)
[George Morland.] E Leslie Haynes [pencil signature.]
London Published 1908 by Henry Graves & Co. Ltd, 6 Pall Mall S.W. Printed by A. Salmon, Paris.
Mezzotint on india laid paper, proof before title, 440 x 350mm. 17¼ x 13¾".
A young woman wearing a wide brimmed hat with a plume in the centre of a simple interior, where her mother sits on the left, holding up a handkerchief as she laments her daughter who offers a present to her father. The father sits to right, looking away unhappily and throwing out his arms in refusal of the offering; on the wall behind are pictures of 'Virginia' and 'Good Samaritan'. Originally plate 3 to a set of six, 'Laetitia', after George Morland (1762/3 - 1804). Printseller's Association blindstamp lower left.
Printseller's Association: pg.146.
[Ref: 12366] £65.00 (£78.00 incl.VAT)
![[The Progress of Seduction.]](jpegs/35800.jpg)
[The Progress of Seduction.]
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Set of 6 etchings, complete, stitched on left edge. Each plate 280 x 320mm (11 x 12½") Very large margins, uncut. Wear to edges.
"The Progress of Seduction" complete set of six scenes of the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789. See Ref: 36865 for complete set.
Ex: Collection of Hon. Christopher Lennox-Boyd. D' Oench 300 copies; Frankau: 214-19
[Ref: 35800] £980.00 view all images for this item
Painted by G. Morland. Engrav'd by A. Gabriel.
[n.d., c.1790.]
Set of 6 etchings, complete, stitched on left edge. Each plate 280 x 320mm (11 x 12½") Very large margins, uncut. Wear to edges.
"The Progress of Seduction" complete set of six scenes of the downfall and penitence of Lætitia, seduced by a faithless lover. These plates were engraved by Amedeo Gabrielli (1749 - 1817) after the stipples published by John Raphael Smith in 1789. See Ref: 36865 for complete set.
Ex: Collection of Hon. Christopher Lennox-Boyd. D' Oench 300 copies; Frankau: 214-19
[Ref: 35800] £980.00 view all images for this item
M.me Lafarge, Dessinée d'après nature à la première seance.
Lith. Couton et C.ie r. richer 7.
[n.d., c.1845.]
Lithograph. Sheet: 270 x 160mm (10½ x 6¼''). Trimmed and laid on album sheet at corners.
A portrait of a woman in a hat and veil. Marie Lafarge (1816-1852) was convicted of murdering her husband with arsenic. Her trial was one of the first to be closely followed by the press.
[Ref: 51115] £90.00 (£108.00 incl.VAT)
Lith. Couton et C.ie r. richer 7.
[n.d., c.1845.]
Lithograph. Sheet: 270 x 160mm (10½ x 6¼''). Trimmed and laid on album sheet at corners.
A portrait of a woman in a hat and veil. Marie Lafarge (1816-1852) was convicted of murdering her husband with arsenic. Her trial was one of the first to be closely followed by the press.
[Ref: 51115] £90.00 (£108.00 incl.VAT)
![Lafayette. [Facsimile signature.]](jpegs/15258.jpg)
Lafayette. [Facsimile signature.] A Commander of the Parisian National Guard in 1789.
Engraved by S. Freeman from an Original by Levachez.
A. Fullarton & Co. [n.d., c.1825.]
Stipple, sheet 250 x 155mm. 9¾ x 6".
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). French citizen who joined Continental Army during American Revolutionary War, voted Major General by Continental Congress. He commanded a light division at the Battle of Yorktown, and was a close associate of George Washington.
[Ref: 15258] £50.00 (£60.00 incl.VAT)
Engraved by S. Freeman from an Original by Levachez.
A. Fullarton & Co. [n.d., c.1825.]
Stipple, sheet 250 x 155mm. 9¾ x 6".
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). French citizen who joined Continental Army during American Revolutionary War, voted Major General by Continental Congress. He commanded a light division at the Battle of Yorktown, and was a close associate of George Washington.
[Ref: 15258] £50.00 (£60.00 incl.VAT)
Il General De La Fayette.
in Napoli presso talani e Gervasi al Gigante No. 3.e.7. [n.d., c.1790.]
Engraving, 7¾ x 5¼".
Italian-published portrait of Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). Enthusiastic about the news of the American Revolution, Lafayette left France to join George Washington's army. He quickly won the close friendship of Washington, was wounded at Brandywine, shared the hardships of Valley Forge, and obtained a divisional command. After a trip to France (1779-80), where he negotiated for French aid, he distinguished himself in the Yorktown campaign. Returning to France in 1782, Lafayette was made commander of the militia (later named the National Guard) the day after the fall of the Bastille (July, 1789). In 1824-25 he visited the United States, where he was given an hero's welcome. He became a popular symbol of the bond between France and the United States, and his direct descendants, the Chambrun family, are honorary U.S. citizens.
[Ref: 3404] £65.00 (£78.00 incl.VAT)
in Napoli presso talani e Gervasi al Gigante No. 3.e.7. [n.d., c.1790.]
Engraving, 7¾ x 5¼".
Italian-published portrait of Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). Enthusiastic about the news of the American Revolution, Lafayette left France to join George Washington's army. He quickly won the close friendship of Washington, was wounded at Brandywine, shared the hardships of Valley Forge, and obtained a divisional command. After a trip to France (1779-80), where he negotiated for French aid, he distinguished himself in the Yorktown campaign. Returning to France in 1782, Lafayette was made commander of the militia (later named the National Guard) the day after the fall of the Bastille (July, 1789). In 1824-25 he visited the United States, where he was given an hero's welcome. He became a popular symbol of the bond between France and the United States, and his direct descendants, the Chambrun family, are honorary U.S. citizens.
[Ref: 3404] £65.00 (£78.00 incl.VAT)
Gilbert Mottier Lafayette. Député D'Auvergne aux Etats Généraux de 1789.
Duvlessi-Bertaux inv. & del. Duvlessi-Bertaux aqua fortt.
c. 1798.
Mezzotint with engraving. Plate: 285 x 440mm (11¼ x 17¼"), with large margins. Light foxing. Slight rubbing on portrait.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). Enthusiastic about the news of the American Revolution, he left France to join George Washington's army. He quickly won the close friendship of Washington, was wounded at Brandywine, shared the hardships of Valley Forge, and obtained a divisional command. After a trip to France (1779-80), where he negotiated for French aid, he distinguished himself in the Yorktown campaign. Returning to France in 1782, Lafayette was made commander of the militia (later named the National Guard) the day after the fall of the Bastille (July, 1789). In 1824-25 he visited the United States, where he was given an hero's welcome. He became a popular symbol of the bond between France and the United States, and his direct descendants, the Chambrun family, are honorary U.S. citizens.
[Ref: 40164] £240.00 (£288.00 incl.VAT)
Duvlessi-Bertaux inv. & del. Duvlessi-Bertaux aqua fortt.
c. 1798.
Mezzotint with engraving. Plate: 285 x 440mm (11¼ x 17¼"), with large margins. Light foxing. Slight rubbing on portrait.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). Enthusiastic about the news of the American Revolution, he left France to join George Washington's army. He quickly won the close friendship of Washington, was wounded at Brandywine, shared the hardships of Valley Forge, and obtained a divisional command. After a trip to France (1779-80), where he negotiated for French aid, he distinguished himself in the Yorktown campaign. Returning to France in 1782, Lafayette was made commander of the militia (later named the National Guard) the day after the fall of the Bastille (July, 1789). In 1824-25 he visited the United States, where he was given an hero's welcome. He became a popular symbol of the bond between France and the United States, and his direct descendants, the Chambrun family, are honorary U.S. citizens.
[Ref: 40164] £240.00 (£288.00 incl.VAT)
![[Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette]](jpegs/4736.jpg)
[Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette]
[n.d., c.1790.]
Stipple engraving, Oval, 100mm x 80mm. Proof before all letters.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757-1834), French citizen who joined Continental Army during Revolutionary War, ardent supporter of American Revolution, voted Major General by Continental Congress, commanded light division in Battle of Yorktown, close associate of George Washington.
[Ref: 4736] £240.00 (£288.00 incl.VAT)
[n.d., c.1790.]
Stipple engraving, Oval, 100mm x 80mm. Proof before all letters.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757-1834), French citizen who joined Continental Army during Revolutionary War, ardent supporter of American Revolution, voted Major General by Continental Congress, commanded light division in Battle of Yorktown, close associate of George Washington.
[Ref: 4736] £240.00 (£288.00 incl.VAT)
Gilbert Mottier Lafayette, Député d'Auvergne aux États Généraux de 1789, et Commandant de la Garde Nationale Parisienne.
Lavachez sculp. Duplesi-Bertaux inv et del. Duplesi-Bertaux aqua forte.
[Paris: Auber, 1804.]
Mezzotint and etching. 430 x 285mm (17 x 11¼"). Some spotting.
Oval mezzotint portrait of General Lafayette (1757-1834), hero of both the Ameican and French Revolutions, surrounded by an etched border with engraved text and a scene representing his civic oath on the Champs de Mars. He vowed to 'be ever faithful to the nation, to the law, and to the king; to support with our utmost power the constitution decreed by the National Assembly, and accepted by the king'. However as commander-in-chief of the National Guard of France his attempts to keep order resulted in his fall from power. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28229] £260.00 (£312.00 incl.VAT)
Lavachez sculp. Duplesi-Bertaux inv et del. Duplesi-Bertaux aqua forte.
[Paris: Auber, 1804.]
Mezzotint and etching. 430 x 285mm (17 x 11¼"). Some spotting.
Oval mezzotint portrait of General Lafayette (1757-1834), hero of both the Ameican and French Revolutions, surrounded by an etched border with engraved text and a scene representing his civic oath on the Champs de Mars. He vowed to 'be ever faithful to the nation, to the law, and to the king; to support with our utmost power the constitution decreed by the National Assembly, and accepted by the king'. However as commander-in-chief of the National Guard of France his attempts to keep order resulted in his fall from power. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28229] £260.00 (£312.00 incl.VAT)
Gilbert, Mottier, La Fayette. Depute d'Auvergne a l'assemblee Natle en 1789. Commandant General de la G.de Parisienne.
F.Bonneville. Del. Duchemin Sculp.
Paris, Rue du Theatre Francais.
Stipple. 257 x 185mm.
Marie-Joseph Paul Roch Yves Gilbert du Motier, Marquis de La Fayette (September 6, 1757 - May 20, 1834), was a French aristocrat. La Fayette is considered a national hero in both France and the United States for his participation in the French and American revolutions for which he became an Honorary Citizen of the United States. His full name and title are seldom used in the United States, where he is usually known simply as 'Lafayette'.
[Ref: 721] £80.00 (£96.00 incl.VAT)
F.Bonneville. Del. Duchemin Sculp.
Paris, Rue du Theatre Francais.
Stipple. 257 x 185mm.
Marie-Joseph Paul Roch Yves Gilbert du Motier, Marquis de La Fayette (September 6, 1757 - May 20, 1834), was a French aristocrat. La Fayette is considered a national hero in both France and the United States for his participation in the French and American revolutions for which he became an Honorary Citizen of the United States. His full name and title are seldom used in the United States, where he is usually known simply as 'Lafayette'.
[Ref: 721] £80.00 (£96.00 incl.VAT)
Le Marquis Marie-Paul-Jean-Roch-Yves de Lafayette, Ne 1757, Dec: 1834. Mezu! poki w ruinach Swiat sic niezagrzebie Stoiac na grobach Ojcow na zwalikach Doli Dochowa Polak w sercu Ojozyzne i Ciebie!
[n.d. c.1870.]
Engraving. Plate 171 x 125mm. 6¾ x 5".
Marie-Joseph Paul Yves Roch Gilbert du Motier, Marquis de La Fayette (1757-1834) was a French aristocrat and military officer. He was a general in the American Revolutionary War, and a leader of the Garde Nationale during the French Revolution.
[Ref: 24862] £140.00 (£168.00 incl.VAT)
[n.d. c.1870.]
Engraving. Plate 171 x 125mm. 6¾ x 5".
Marie-Joseph Paul Yves Roch Gilbert du Motier, Marquis de La Fayette (1757-1834) was a French aristocrat and military officer. He was a general in the American Revolutionary War, and a leader of the Garde Nationale during the French Revolution.
[Ref: 24862] £140.00 (£168.00 incl.VAT)
Lafayette.
Martinet pinx. Charon sculp.
[n.d., c.1810.]
Aquatint with stipple and etching, printed in colours. Sheet 420 x 305mm. 16½ x 12". Trimmed within plate, and to just below title. Age toned; some horizontal creasing.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). French citizen who joined Continental Army during American Revolutionary War, voted Major General by Continental Congress. He commanded a light division at the Battle of Yorktown, and was a close associate of George Washington.
[Ref: 10420] £350.00
Martinet pinx. Charon sculp.
[n.d., c.1810.]
Aquatint with stipple and etching, printed in colours. Sheet 420 x 305mm. 16½ x 12". Trimmed within plate, and to just below title. Age toned; some horizontal creasing.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). French citizen who joined Continental Army during American Revolutionary War, voted Major General by Continental Congress. He commanded a light division at the Battle of Yorktown, and was a close associate of George Washington.
[Ref: 10420] £350.00
Nach dem leben gegeichnet Lafayette General Commandant der Pariser Nationalgarde.
Gerard gez.
Druck u. Verlag vom Bibliogrphischen Institut zu Hildburghausen. Zeitgenossen No 28 (II Jahrg.) [n.d., c.1820.]
Stipple. 165 x 105mm (6½ x 4¼"), large large margins. Some light foxing.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). French citizen who joined Continental Army during American Revolutionary War, voted Major General by Continental Congress. He commanded a light division at the Battle of Yorktown, and was a close associate of George Washington. On 15 July 1789 Lafayette was acclaimed commander-in-chief of the National Guard of France, an armed force established to maintain order under the control of the National Assembly. He held the post for little more than two years.
[Ref: 9942] £60.00 (£72.00 incl.VAT)
Gerard gez.
Druck u. Verlag vom Bibliogrphischen Institut zu Hildburghausen. Zeitgenossen No 28 (II Jahrg.) [n.d., c.1820.]
Stipple. 165 x 105mm (6½ x 4¼"), large large margins. Some light foxing.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834). French citizen who joined Continental Army during American Revolutionary War, voted Major General by Continental Congress. He commanded a light division at the Battle of Yorktown, and was a close associate of George Washington. On 15 July 1789 Lafayette was acclaimed commander-in-chief of the National Guard of France, an armed force established to maintain order under the control of the National Assembly. He held the post for little more than two years.
[Ref: 9942] £60.00 (£72.00 incl.VAT)
Lafayette.
Raffet del. Hopwood dc.
Paris, Publié par Furne et W. Coquebert. [n.d. c.1830.]
Stipple. 230 x 155mm (9 x 6") Trimmed to plate, mounted in album paper.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834), hero of both the American and French revolutions.
[Ref: 42160] £45.00 (£54.00 incl.VAT)
Raffet del. Hopwood dc.
Paris, Publié par Furne et W. Coquebert. [n.d. c.1830.]
Stipple. 230 x 155mm (9 x 6") Trimmed to plate, mounted in album paper.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette (1757 - 1834), hero of both the American and French revolutions.
[Ref: 42160] £45.00 (£54.00 incl.VAT)
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![[Marquis de Lafayette].](jpegs/244.jpg)
[Marquis de Lafayette].
[n.d. c.1800].
Stipple engraving, proof before all letters. 220 x 155mm. Trimmed to plate.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette [1757 - 1834]. He was born of a distinguished family and entered the army. Enthusiastic over the news of the American Revolution, he evaded all obstacles set in his way by the officially neutral French government and left France to join George Washington's army. He arrived (1777) in Philadelphia, where Congress appointed him a major general. He quickly won the close friendship of Washington, was wounded at Brandywine, shared the hardships of Valley Forge, and obtained a divisional command. After a trip to France (1779-80), where he negotiated for French aid, he distinguished himself in the Yorktown campaign. Returning to France in 1782, Lafayette was a member of the Assembly of Notables (1787) and the States-General (1789). Elected vice president of the National Assembly, he was made commander of the militia (later named the National Guard) the day after the fall of the Bastille (July, 1789). In this key position he sought to exploit his immense popularity and to maintain order by acting as moderator between the contending factions. However, he did not have the confidence of the court, and he lost all influence and popularity when he gave the order to fire into a crowd that had gathered (July 17, 1791) on the Champs de Mars to draft a petition for dethronement of the king. He took command (1792) of the army of the centre, formed in preparation for war against Austria. After a brief visit to Paris (June, 1792), when he attempted to defend the monarchy, he returned to the front. He was, however, relieved of his command and ordered to return to Paris. Lafayette left his army, fled (Aug., 1792) across the border, and was captured and imprisoned in Austria. Finally liberated (1797) by Napoleon, he returned (1799) to France, where he lived in retirement during the First Empire. As member of the chamber of deputies in the Restoration, he joined the liberal party. In 1824-25 he visited the United States, where he was given an unparalleled welcome. Lafayette took part in the July Revolution (1830) as a leader of the moderates. His prestige was largely responsible for the installation of Louis Philippe as king of the French. Lafayette's unswerving courage, integrity, and idealism made him a popular symbol of the bond between France and the United States. His direct descendants, the Chambrun family, are honorary U.S. citizens. The modern French flag was created by Lafayette in July, 1789, by combining the royal white with the blue and red of Paris.
[Ref: 244] £160.00 (£192.00 incl.VAT)
[n.d. c.1800].
Stipple engraving, proof before all letters. 220 x 155mm. Trimmed to plate.
Marie Joseph Paul Yves Roch Gilbert du Motier, Marquis de Lafayette [1757 - 1834]. He was born of a distinguished family and entered the army. Enthusiastic over the news of the American Revolution, he evaded all obstacles set in his way by the officially neutral French government and left France to join George Washington's army. He arrived (1777) in Philadelphia, where Congress appointed him a major general. He quickly won the close friendship of Washington, was wounded at Brandywine, shared the hardships of Valley Forge, and obtained a divisional command. After a trip to France (1779-80), where he negotiated for French aid, he distinguished himself in the Yorktown campaign. Returning to France in 1782, Lafayette was a member of the Assembly of Notables (1787) and the States-General (1789). Elected vice president of the National Assembly, he was made commander of the militia (later named the National Guard) the day after the fall of the Bastille (July, 1789). In this key position he sought to exploit his immense popularity and to maintain order by acting as moderator between the contending factions. However, he did not have the confidence of the court, and he lost all influence and popularity when he gave the order to fire into a crowd that had gathered (July 17, 1791) on the Champs de Mars to draft a petition for dethronement of the king. He took command (1792) of the army of the centre, formed in preparation for war against Austria. After a brief visit to Paris (June, 1792), when he attempted to defend the monarchy, he returned to the front. He was, however, relieved of his command and ordered to return to Paris. Lafayette left his army, fled (Aug., 1792) across the border, and was captured and imprisoned in Austria. Finally liberated (1797) by Napoleon, he returned (1799) to France, where he lived in retirement during the First Empire. As member of the chamber of deputies in the Restoration, he joined the liberal party. In 1824-25 he visited the United States, where he was given an unparalleled welcome. Lafayette took part in the July Revolution (1830) as a leader of the moderates. His prestige was largely responsible for the installation of Louis Philippe as king of the French. Lafayette's unswerving courage, integrity, and idealism made him a popular symbol of the bond between France and the United States. His direct descendants, the Chambrun family, are honorary U.S. citizens. The modern French flag was created by Lafayette in July, 1789, by combining the royal white with the blue and red of Paris.
[Ref: 244] £160.00 (£192.00 incl.VAT)
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Émigration de La Fayette du Camp devant Sedan. le 19 Aoust 1792. No. 79.
Swebach Desfontaines inv. & del. Berthault sculp.
[Paris: Auber, 1804.]
Etching with large margins. Plate 240 x 275mm (9½ x 10¾"). Abrasion just inside plate mark at bottom right.
August 1792 saw Lafayette as commander of the French Northern Army with headquarters at Sedan. He was overthrown by radical Jacobins who recalled him to Paris, where he faced certain execution. Early on 19 August, he fled Sedan with much of his staff and crossed the border. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 55960] £160.00 (£192.00 incl.VAT)
Swebach Desfontaines inv. & del. Berthault sculp.
[Paris: Auber, 1804.]
Etching with large margins. Plate 240 x 275mm (9½ x 10¾"). Abrasion just inside plate mark at bottom right.
August 1792 saw Lafayette as commander of the French Northern Army with headquarters at Sedan. He was overthrown by radical Jacobins who recalled him to Paris, where he faced certain execution. Early on 19 August, he fled Sedan with much of his staff and crossed the border. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 55960] £160.00 (£192.00 incl.VAT)
Émigration de La Fayette du Camp devant Sedan. le 19 Aoust 1792. No. 70.
Swebach Desfontaines inv. & del. Berthault sculp.
[Paris: Auber, 1804.]
Etching with large margins. With letterpress. Plate 235 x 272mm (9¼ x 10¾").
August 1792 saw Lafayette as commander of the French Northern Army with headquarters at Sedan. He was overthrown by radical Jacobins who recalled him to Paris, where he faced certain execution. Early on 19 August, he fled Sedan with much of his staff and crossed the border. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28302] £160.00 (£192.00 incl.VAT)
Swebach Desfontaines inv. & del. Berthault sculp.
[Paris: Auber, 1804.]
Etching with large margins. With letterpress. Plate 235 x 272mm (9¼ x 10¾").
August 1792 saw Lafayette as commander of the French Northern Army with headquarters at Sedan. He was overthrown by radical Jacobins who recalled him to Paris, where he faced certain execution. Early on 19 August, he fled Sedan with much of his staff and crossed the border. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28302] £160.00 (£192.00 incl.VAT)
Lafayette. Général en Chef de la Garde Nationale.
Lecler. 1830.
Imp Lith de E. Ardit a Paris chez E. Ardit editeur rue Vironne.
Lithograph. Sheet: 530 x 360mm (21 x 14"), with large margins.
A portrait of French aristocrat and military officer Gilbert de Motier, Marquis de Lafayette (1757-1834) a figure in the American Revolution, French Revolution and the Revolution of 1830. From the collection of Lady Elizabeth Fielding (1773-1846), mother of William Henry Fox-Talbot, and her family.
[Ref: 46458] £320.00
Lecler. 1830.
Imp Lith de E. Ardit a Paris chez E. Ardit editeur rue Vironne.
Lithograph. Sheet: 530 x 360mm (21 x 14"), with large margins.
A portrait of French aristocrat and military officer Gilbert de Motier, Marquis de Lafayette (1757-1834) a figure in the American Revolution, French Revolution and the Revolution of 1830. From the collection of Lady Elizabeth Fielding (1773-1846), mother of William Henry Fox-Talbot, and her family.
[Ref: 46458] £320.00
![[Lafayette.]](jpegs/48752.jpg)
[Lafayette.]
Lith. de Delpech.
[n.d., c.1830.]
Lithograph. Sheet: 255 x 170mm (10 x 6¾'').
A portrait of French aristocrat and general Lafayette (1757-1834) who fought in the American Revolutionary Wars and the French Revolution.
[Ref: 48752] £50.00 (£60.00 incl.VAT)
Lith. de Delpech.
[n.d., c.1830.]
Lithograph. Sheet: 255 x 170mm (10 x 6¾'').
A portrait of French aristocrat and general Lafayette (1757-1834) who fought in the American Revolutionary Wars and the French Revolution.
[Ref: 48752] £50.00 (£60.00 incl.VAT)
![[Gilbert du Motier, Marquis de Lafayette.] M.De La Fayette.](jpegs/64104.jpg)
[Gilbert du Motier, Marquis de Lafayette.] M.De La Fayette.
Anker Smith sculp.t.
[n.d.,c.1800.]
Engraving. 130 x 85mm (5 x 3½"), very large margins on 3 sides. Trimmed into plate on right side.
Portrait of Marie-Joseph Paul Yves Roch Gilbert du Motier de La Fayette, Marquis de La Fayette (1757-1854), known as Lafayette. Lafayette was a French nobleman and military officer who volunteered to join the Continental Army, led by General George Washington, in the American Revolutionary War. Lafayette was ultimately permitted to command Continental Army troops in the decisive Siege of Yorktown in 1781, the Revolutionary War's final major battle that secured American independence. After returning to France, Lafayette became a key figure in the French Revolution of 1789 and the July Revolution of 1830 and continues to be celebrated as a hero in both France and the United States.
[Ref: 64104] £65.00 (£78.00 incl.VAT)
Anker Smith sculp.t.
[n.d.,c.1800.]
Engraving. 130 x 85mm (5 x 3½"), very large margins on 3 sides. Trimmed into plate on right side.
Portrait of Marie-Joseph Paul Yves Roch Gilbert du Motier de La Fayette, Marquis de La Fayette (1757-1854), known as Lafayette. Lafayette was a French nobleman and military officer who volunteered to join the Continental Army, led by General George Washington, in the American Revolutionary War. Lafayette was ultimately permitted to command Continental Army troops in the decisive Siege of Yorktown in 1781, the Revolutionary War's final major battle that secured American independence. After returning to France, Lafayette became a key figure in the French Revolution of 1789 and the July Revolution of 1830 and continues to be celebrated as a hero in both France and the United States.
[Ref: 64104] £65.00 (£78.00 incl.VAT)
Le Marquis de la Fayette.
Jones, sculp.t.
Publish'd as the Act directs, by C. Lowndes. Oct.r. 6. 1792.
Stipple. Sheet: 165 x 230mm (6½ x 9"). Trimmed within plate and tipped into an album sheet.
A portrait in an oval of Gilbert de Motier, Marquis de Lafayette (1757-1834) a French aristocrat and military officer who fought on the side of the Americans in the American Revolutionary Wars and was an important figure in the French Revolution.
[Ref: 42153] £140.00 (£168.00 incl.VAT)
Jones, sculp.t.
Publish'd as the Act directs, by C. Lowndes. Oct.r. 6. 1792.
Stipple. Sheet: 165 x 230mm (6½ x 9"). Trimmed within plate and tipped into an album sheet.
A portrait in an oval of Gilbert de Motier, Marquis de Lafayette (1757-1834) a French aristocrat and military officer who fought on the side of the Americans in the American Revolutionary Wars and was an important figure in the French Revolution.
[Ref: 42153] £140.00 (£168.00 incl.VAT)
M.r La Fayette fait désarmer aux Champs Elisées deux cent Soldats. le 12 Janvier 1790. No. 32.
Prieur inv. & del. Berthault Sculp.
[Paris: Auber, 1804.]
Etching with large margins. Wit letterpress. Plate 240 x 286mm (9½ x 11¼").
M. de Lafayette disarms the soldiers who assembled in the Champs-Elysées and escorts them to Saint Denis. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28300] £160.00 (£192.00 incl.VAT)
Prieur inv. & del. Berthault Sculp.
[Paris: Auber, 1804.]
Etching with large margins. Wit letterpress. Plate 240 x 286mm (9½ x 11¼").
M. de Lafayette disarms the soldiers who assembled in the Champs-Elysées and escorts them to Saint Denis. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28300] £160.00 (£192.00 incl.VAT)
Messire Isaac De Laffemas Con.er du Roy en ses Conseilz d'Estat & prive M.e des Requestes ordinaires de son hostel, Lieutenant Civil en la ville Prevoste & vicomté des Paris.
[Balthasar Moncornet, n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4¼"), very large margins.
Isaac de Laffemas (c. 1587-1657), French poet and playwright, lieutenant civil de la prévôté de Paris, author of 'L'histoire du commerce de France', 1606.
[Ref: 56399] £130.00 (£156.00 incl.VAT)
[Balthasar Moncornet, n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4¼"), very large margins.
Isaac de Laffemas (c. 1587-1657), French poet and playwright, lieutenant civil de la prévôté de Paris, author of 'L'histoire du commerce de France', 1606.
[Ref: 56399] £130.00 (£156.00 incl.VAT)
![[Sale Prospectus.] View of the Estate, Lagiewnick, in Austria.](jpegs/45767.jpg)
[Sale Prospectus.] View of the Estate, Lagiewnick, in Austria. to be sold by Shares, on the 13th November, 1847. Price of a Share, £1.0.0.
[n.d., c.1847.]
Steel engraving, scarce. Sheet 120 x 190mm (4¾ x 7½"). Trimmed, creased.
An illustration for a prospectus.
[Ref: 45767] £75.00 (£90.00 incl.VAT)
[n.d., c.1847.]
Steel engraving, scarce. Sheet 120 x 190mm (4¾ x 7½"). Trimmed, creased.
An illustration for a prospectus.
[Ref: 45767] £75.00 (£90.00 incl.VAT)