A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Lord Viscount Kepple.
Cerachi [Giuseppe Ceracchi] scul: in Marble. Mercuard [Robert Samuel Marcuard] Pupil to Mr. Bartolozzi sculp.
Pub,,d as the Act directs May 1. 1782 by A. Torre No. 44 Market Lane.
Stipple, printed in sanguine. 190 x 130mm (7½ x 5¼"). Trimmed within plate on right.
Admiral Augustus Keppel (1725-86), 1st Viscount Keppel, served in the British Royal Navy during the Seven Years' War and the War of American Independence. During the final years of the latter conflict he served as First Lord of the Admiralty.
[Ref: 53313] £65.00 (£78.00 incl.VAT)
Cerachi [Giuseppe Ceracchi] scul: in Marble. Mercuard [Robert Samuel Marcuard] Pupil to Mr. Bartolozzi sculp.
Pub,,d as the Act directs May 1. 1782 by A. Torre No. 44 Market Lane.
Stipple, printed in sanguine. 190 x 130mm (7½ x 5¼"). Trimmed within plate on right.
Admiral Augustus Keppel (1725-86), 1st Viscount Keppel, served in the British Royal Navy during the Seven Years' War and the War of American Independence. During the final years of the latter conflict he served as First Lord of the Admiralty.
[Ref: 53313] £65.00 (£78.00 incl.VAT)
![[George Thomas Keppel, sixth earl of Albemarle.]](jpegs/47415.jpg)
[George Thomas Keppel, sixth earl of Albemarle.] The Author in his Travelling Costume.
Drawn from the Life by Henry Meyer.
Published 1827, by Henry Colburn, New Burlington Street.
Etching with hand-colouring, sheet 185 x 115mm (7¼ x 4½"). Slight marking.
George Thomas Keppel, sixth earl of Albermarle (1799-1891), army officer. As a young officer Keppel served in India, and in 1823 he obtained leave to return overland to England. Keppel's travels, which took him via Babylon, Tehran, Baku, Astrakhan, Moscow and St Petersburg (then a rare feat), provided the material for books including 'Personal Narrative of Travels in Babylonia, Assyria, Media, and Scythia, in the year 1824' (1827). This portrait of Keppel is the frontispiece to that book.
[Ref: 47415] £95.00 (£114.00 incl.VAT)
Drawn from the Life by Henry Meyer.
Published 1827, by Henry Colburn, New Burlington Street.
Etching with hand-colouring, sheet 185 x 115mm (7¼ x 4½"). Slight marking.
George Thomas Keppel, sixth earl of Albermarle (1799-1891), army officer. As a young officer Keppel served in India, and in 1823 he obtained leave to return overland to England. Keppel's travels, which took him via Babylon, Tehran, Baku, Astrakhan, Moscow and St Petersburg (then a rare feat), provided the material for books including 'Personal Narrative of Travels in Babylonia, Assyria, Media, and Scythia, in the year 1824' (1827). This portrait of Keppel is the frontispiece to that book.
[Ref: 47415] £95.00 (£114.00 incl.VAT)
![[Sir Henry Keppel.]](jpegs/12339.jpg)
[Sir Henry Keppel.]
Painted by Henry Weigall. Engraved by Henry Robinson.
London, Published by Henry Graves & Comp.y August 20.th 1859; Printsellers to the Queen_ 6 Pall Mall.
Lithograph, 585 x 430mm. 23 x 17". Wrinkling at right edge of India paper, slight foxing around platemark.
Portrait of Admiral of the Fleet Sir Henry Keppel (1809-1904). Keppel served in China and against the Malay pirates (the subject of his two books) both before and after his involvement in the Crimean War. From 1853 he commanded the HMS St. Jean d'Acre, which joined the baltic fleet, and in 1855 he was part of the naval brigade which besieged Sebastopol.
[Ref: 12339] £160.00 (£192.00 incl.VAT)
Painted by Henry Weigall. Engraved by Henry Robinson.
London, Published by Henry Graves & Comp.y August 20.th 1859; Printsellers to the Queen_ 6 Pall Mall.
Lithograph, 585 x 430mm. 23 x 17". Wrinkling at right edge of India paper, slight foxing around platemark.
Portrait of Admiral of the Fleet Sir Henry Keppel (1809-1904). Keppel served in China and against the Malay pirates (the subject of his two books) both before and after his involvement in the Crimean War. From 1853 he commanded the HMS St. Jean d'Acre, which joined the baltic fleet, and in 1855 he was part of the naval brigade which besieged Sebastopol.
[Ref: 12339] £160.00 (£192.00 incl.VAT)
![[Arnold Joost van Kepple] The Right Hon.ble Arnolde Joost Earl of Albermarle,](jpegs/68624.jpg)
[Arnold Joost van Kepple] The Right Hon.ble Arnolde Joost Earl of Albermarle, Viscount Bury, Baron Ashford of Ashford, Capitaine of the first Troope of Guards and Master of the Robes to his Majesty, Colonel General of ye Suisses & Grisons, in ye Service of ye United Provinces, of ye Low COuntries, and Knight of ye most Noble Order of the Garter &c.
G. Kneller S.R. Imp. Imp & Angl: Eques Aur: pinx: J. Smith fec.
Sold by J. Smith at ye Lyon & Crown in Russel Street, Covent Garden [n.d., c.1700].
Fine mezzotint. 340 x 250mm (13½ x 9¾"). Narrow margins, laid on album paper at edges.
A three-quarter portrait of Arnold Joost van Keppel (1670-1718), in wig and armour, before a battle scene. The right hand man (and rumoured lover) of William of Orange, he came to England with William for the Glorious Revolution. The king made Keppel the Earl of Albemarle in 1697 and gave him command of the First Life Guards in 1699.
CS 2, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of vi.
[Ref: 68624] £260.00 (£312.00 incl.VAT)
G. Kneller S.R. Imp. Imp & Angl: Eques Aur: pinx: J. Smith fec.
Sold by J. Smith at ye Lyon & Crown in Russel Street, Covent Garden [n.d., c.1700].
Fine mezzotint. 340 x 250mm (13½ x 9¾"). Narrow margins, laid on album paper at edges.
A three-quarter portrait of Arnold Joost van Keppel (1670-1718), in wig and armour, before a battle scene. The right hand man (and rumoured lover) of William of Orange, he came to England with William for the Glorious Revolution. The king made Keppel the Earl of Albemarle in 1697 and gave him command of the First Life Guards in 1699.
CS 2, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iv of vi.
[Ref: 68624] £260.00 (£312.00 incl.VAT)
![[Arnold Joost van Kepple] The Right Hon.ble Arnolde Joost Earl of Albermarle,](jpegs/68625.jpg)
[Arnold Joost van Kepple] The Right Hon.ble Arnolde Joost Earl of Albermarle, Viscount Bury, Baron Ashford of Ashford, Capitaine of the first Troope of Guards and Master of the Robes to his Majesty, Colonel General of ye Suisses & Grisons, in ye Service of ye United Provinces, of ye Low COuntries, and Knight of ye most Noble Order of the Garter &c.
G. Kneller S.R. Imp. Imp & Angl: Eques Aur: pinx: J. Smith fec.
Sold by J. Smith at ye Lyon & Crown in Russel Street, Covent Garden [n.d., c.1700].
Mezzotint. 340 x 250mm (13½ x 9¾"). Narrow margins.
A three-quarter portrait of Arnold Joost van Keppel (1670-1718), in wig and armour, before a battle scene. The right hand man (and rumoured lover) of William of Orange, he came to England with William for the Glorious Revolution. The king made Keppel the Earl of Albemarle in 1697 and gave him command of the First Life Guards in 1699.
CS 2, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state v of vi.
[Ref: 68625] £240.00 (£288.00 incl.VAT)
G. Kneller S.R. Imp. Imp & Angl: Eques Aur: pinx: J. Smith fec.
Sold by J. Smith at ye Lyon & Crown in Russel Street, Covent Garden [n.d., c.1700].
Mezzotint. 340 x 250mm (13½ x 9¾"). Narrow margins.
A three-quarter portrait of Arnold Joost van Keppel (1670-1718), in wig and armour, before a battle scene. The right hand man (and rumoured lover) of William of Orange, he came to England with William for the Glorious Revolution. The king made Keppel the Earl of Albemarle in 1697 and gave him command of the First Life Guards in 1699.
CS 2, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state v of vi.
[Ref: 68625] £240.00 (£288.00 incl.VAT)
![[Scrap album with plates after Henry Bellenden Ker.]](jpegs/60830.jpg)
[Scrap album with plates after Henry Bellenden Ker.]
[n.d., c.1812.
Folio scrap album with 42 plates pasted in at corners, largest 205 x 340mm (8 x 13½"). Bookseller label of J Stabling Gt Yarmouth on front sheet. Boards and 1 plate loose.
A collection of landscapes: 38 are by Henry Bellenden Ker, including views of Wimbledon Common & Park, Hampton Wick and Windsor, and his grotesque figure with a bird's-skull head playing a trumpet. Also included are 18 etchings after Smith of Chichester etc. (Charles) Henry Bellenden Ker (1780-1871) was a lawyer active in the Boundary Commission just before the Reform Act of 1852 and an amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
BM 1853.01172.172
[Ref: 60830] £1,200.00 view all images for this item
[n.d., c.1812.
Folio scrap album with 42 plates pasted in at corners, largest 205 x 340mm (8 x 13½"). Bookseller label of J Stabling Gt Yarmouth on front sheet. Boards and 1 plate loose.
A collection of landscapes: 38 are by Henry Bellenden Ker, including views of Wimbledon Common & Park, Hampton Wick and Windsor, and his grotesque figure with a bird's-skull head playing a trumpet. Also included are 18 etchings after Smith of Chichester etc. (Charles) Henry Bellenden Ker (1780-1871) was a lawyer active in the Boundary Commission just before the Reform Act of 1852 and an amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
BM 1853.01172.172
[Ref: 60830] £1,200.00 view all images for this item
His Grace John Duke of Roxburghe &c. Principall Secretary of State to her Majesty Queen Ann in 1704 [...]
J. Richardson pinxt 1723. J. Faber fecit 1741.
Mezzotint with very large margins, fine; platemark 355 x 260mm (14 x 10¼").
John Ker, first duke of Roxburghe (c.1680-1741), politician prominent in Scottish politics from 1702 onwards. Roxburghe (as he was created in 1707) was part of the Scottish administration, known as the 'squadrone' which supported the Scottish government in the votes that led to the Union of 1707. He continued to play a role in the politics of the newly created British state, but backed John Carteret rather than the rising star, Sir Robert Walpole. Walpole dimissed Roxburghe from his office of (Scottish) secretary of state in 1725. Thereafter he lived largely in political retirement, and died in 1741 at Floors Castle, which had been built for him by Vanbrugh. Engraved after the 1723 portrait by Jonathan Richardson the elder, which hangs at Floors Castle.
CS 309 (only state).
[Ref: 34513] £260.00 (£312.00 incl.VAT)
J. Richardson pinxt 1723. J. Faber fecit 1741.
Mezzotint with very large margins, fine; platemark 355 x 260mm (14 x 10¼").
John Ker, first duke of Roxburghe (c.1680-1741), politician prominent in Scottish politics from 1702 onwards. Roxburghe (as he was created in 1707) was part of the Scottish administration, known as the 'squadrone' which supported the Scottish government in the votes that led to the Union of 1707. He continued to play a role in the politics of the newly created British state, but backed John Carteret rather than the rising star, Sir Robert Walpole. Walpole dimissed Roxburghe from his office of (Scottish) secretary of state in 1725. Thereafter he lived largely in political retirement, and died in 1741 at Floors Castle, which had been built for him by Vanbrugh. Engraved after the 1723 portrait by Jonathan Richardson the elder, which hangs at Floors Castle.
CS 309 (only state).
[Ref: 34513] £260.00 (£312.00 incl.VAT)
His Grace John Duke of Roxburghe &c. Principall Secretary of State to her Majesty Queen Anne in 1704...
J. Richardson pinx.t 1723. J. Faber fecit 1741.
Mezzotint. Sheet: 350 x 250mm (13¾ x 9¾"). Trimmed.
A full length portrait of John Ker, 1st Duke of Roxburgh (1680-1741), who served as Secretary of State for Scotland and helped bring about the union with England.
[Ref: 43048] £180.00 (£216.00 incl.VAT)
J. Richardson pinx.t 1723. J. Faber fecit 1741.
Mezzotint. Sheet: 350 x 250mm (13¾ x 9¾"). Trimmed.
A full length portrait of John Ker, 1st Duke of Roxburgh (1680-1741), who served as Secretary of State for Scotland and helped bring about the union with England.
[Ref: 43048] £180.00 (£216.00 incl.VAT)
John Duke of Roxburghe.
[After William Beechey.]
Published May 1st 1816 by William Clarke, New Bond Str.t.
Stipple. Sheet 270 x 200mm, 10½ x 8". Spotted.
John Ker, 3rd Duke of Roxburghe (1740-1804). Book collector who spent 40 years collecting ancient and curious books, particularly editions of Shakespeare. At his death in 1804 there were 10,000 items, including pamphlets and broadside ballad sheets.
[Ref: 19019] £50.00 (£60.00 incl.VAT)
[After William Beechey.]
Published May 1st 1816 by William Clarke, New Bond Str.t.
Stipple. Sheet 270 x 200mm, 10½ x 8". Spotted.
John Ker, 3rd Duke of Roxburghe (1740-1804). Book collector who spent 40 years collecting ancient and curious books, particularly editions of Shakespeare. At his death in 1804 there were 10,000 items, including pamphlets and broadside ballad sheets.
[Ref: 19019] £50.00 (£60.00 incl.VAT)
His Grace Robert Duke of Roxburghe. Died August 20th 1755.
Thos. Hudson Pinx.t. Js. McArdell fecit.
[n.d., c.1760.]
Mezzotint. Sheet size: 360 x 260mm (14 x 10¼"). Trimmed inside plate and glued to backing sheet,
A portrait of Robert Ker, 2nd Duke of Roxburghe (c.1708 - 1755) three-quarter length directed to the right, looking towards the viewer. Ker was the only son of the 1st Duke of Roxburghe and Lady Mary Finch, daughter of Daniel Finch, 2nd Earl of Nottingham. On 24th May 1722 he was created Earl Ker, of Wakefield in the County of York, and Baron Ker, of Wakefield in the County of York (both in the Peerage of Great Britain).
Ex collection of the Hon. Christopher Lennox-Boyd. Chaloner Smith: 158.
[Ref: 37698] £240.00 (£288.00 incl.VAT)
Thos. Hudson Pinx.t. Js. McArdell fecit.
[n.d., c.1760.]
Mezzotint. Sheet size: 360 x 260mm (14 x 10¼"). Trimmed inside plate and glued to backing sheet,
A portrait of Robert Ker, 2nd Duke of Roxburghe (c.1708 - 1755) three-quarter length directed to the right, looking towards the viewer. Ker was the only son of the 1st Duke of Roxburghe and Lady Mary Finch, daughter of Daniel Finch, 2nd Earl of Nottingham. On 24th May 1722 he was created Earl Ker, of Wakefield in the County of York, and Baron Ker, of Wakefield in the County of York (both in the Peerage of Great Britain).
Ex collection of the Hon. Christopher Lennox-Boyd. Chaloner Smith: 158.
[Ref: 37698] £240.00 (£288.00 incl.VAT)
![[Robert Ker, 4th Earl] Robert Earle of Roxburgh Lord Ker of Cesford and Caverton, Ætatis suæ 19.º Died at Bruxelles Jyly 13.th 1696.](jpegs/68655.jpg)
[Robert Ker, 4th Earl] Robert Earle of Roxburgh Lord Ker of Cesford and Caverton, Ætatis suæ 19.º Died at Bruxelles Jyly 13.th 1696.
D. Pattin [Paton] delin. J. Smith fecit.
[n.d., c.1698.]
Mezzotint. 160 x 120mm (6¼ x 4¾"), large margins. Slightly time-stained.
A half-length portrait in oval of Robert Ker (c.1677-93), 4th Earl of Roxburghe, wearing long wig, lace cravat, breastplate, and embroidered sleeves.
CS 215, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68655] £180.00
D. Pattin [Paton] delin. J. Smith fecit.
[n.d., c.1698.]
Mezzotint. 160 x 120mm (6¼ x 4¾"), large margins. Slightly time-stained.
A half-length portrait in oval of Robert Ker (c.1677-93), 4th Earl of Roxburghe, wearing long wig, lace cravat, breastplate, and embroidered sleeves.
CS 215, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68655] £180.00
Ker-O-Menée. A Celebrated Winnebego Chief.
Taken at the treaty of Green Bay 1827._by J. O. Lewis. T. Barincoy [on Stone].Lehman & Duval Lithrs.
[Philadelphia, Published July 1835.]
Coloured lithograph. Sheet size approx 270 x 490mm.
From the rare folio edition of the 'Aboriginal Portfolio', with original hand colouring.
[Ref: 3877] £320.00
Taken at the treaty of Green Bay 1827._by J. O. Lewis. T. Barincoy [on Stone].Lehman & Duval Lithrs.
[Philadelphia, Published July 1835.]
Coloured lithograph. Sheet size approx 270 x 490mm.
From the rare folio edition of the 'Aboriginal Portfolio', with original hand colouring.
[Ref: 3877] £320.00
B. Keresztúr.
Term. u és köre rajz Keleti Gusztáv. Özvegy Fuchs Györgyné müintézete. München.
[Budapest: Gustav Emich, 1867.]
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"). Large margins.
Keresztúr in Hungary, from 'Tokaj-Hegyaljaer Album', a study of the famous Tokaj wine region by Josef Szabó & Stefan von Török. Gusztáv Frigyes Kelety (originally Klette, 1834-1902), a Hungarian painter, graphic artist and art critic.
[Ref: 38970] £130.00 (£156.00 incl.VAT)
Term. u és köre rajz Keleti Gusztáv. Özvegy Fuchs Györgyné müintézete. München.
[Budapest: Gustav Emich, 1867.]
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"). Large margins.
Keresztúr in Hungary, from 'Tokaj-Hegyaljaer Album', a study of the famous Tokaj wine region by Josef Szabó & Stefan von Török. Gusztáv Frigyes Kelety (originally Klette, 1834-1902), a Hungarian painter, graphic artist and art critic.
[Ref: 38970] £130.00 (£156.00 incl.VAT)
Kerguelen's Land called by C. Cook Island of Desolation. N. B. the shaded coast is from the English, the unshaded from the French observation in Feby 1772. aaa Track of the Resolution & Discovery in Dec.r 1776. [Inset:] Islands discovered by M. Marion du Fresne 1772 called by C. Cook in 1776 Prince Edward Isles. 2.
Writing by Harmar.
[n.d. c.1784.]
Engraving. Plate 266 x 310mm. 10½ x 12¼". Two folds, creasing and small tear in plate upper right.
The Kerguelen Islands, also known as the Desolation Islands, in the Indian Ocean. Captain James Cook visited the Islands in 1776 during his last voyage. Plate 2 from 'Volume 4 of Cook, James, 1728-1779. A Voyage to the Pacific Ocean: undertaken, by the command of His Majesty, for making discoveries in the northern hemisphere'.
National Library of Australia.
[Ref: 20880] £130.00
Writing by Harmar.
[n.d. c.1784.]
Engraving. Plate 266 x 310mm. 10½ x 12¼". Two folds, creasing and small tear in plate upper right.
The Kerguelen Islands, also known as the Desolation Islands, in the Indian Ocean. Captain James Cook visited the Islands in 1776 during his last voyage. Plate 2 from 'Volume 4 of Cook, James, 1728-1779. A Voyage to the Pacific Ocean: undertaken, by the command of His Majesty, for making discoveries in the northern hemisphere'.
National Library of Australia.
[Ref: 20880] £130.00
![[Kerlescan standing stones at Carnac] Row near Kerlescant.](jpegs/61383.jpg)
[Kerlescan standing stones at Carnac] Row near Kerlescant.
J.s Basire sc.
Published by the Society of Antiquaries of London, April 23rd, 1833.
Etching. 190 x 290mm (7½ x 11½"). Trimmed to plate on three sides.
Standing stones at Carnac, Brittany. From 'Archaeologia ; Or, Miscellaneous Tracts Relating to Antiquity: Volume 25, Part 1'.
[Ref: 61383] £95.00 (£114.00 incl.VAT)
J.s Basire sc.
Published by the Society of Antiquaries of London, April 23rd, 1833.
Etching. 190 x 290mm (7½ x 11½"). Trimmed to plate on three sides.
Standing stones at Carnac, Brittany. From 'Archaeologia ; Or, Miscellaneous Tracts Relating to Antiquity: Volume 25, Part 1'.
[Ref: 61383] £95.00 (£114.00 incl.VAT)
View of Macaulay's Islands.
Lieu.t Watts del. T. Medland sculp.t.
Published Nov. 5. 1789 by J. Stockdale.
Engraving. 210 x 255mm (8½ x 10"). Trimmed within plate at top. Small margins on 3 sides.
Skeches of a rocky island in the Kermadec Islands, named by the artist, Lieutenant John Watts, after one of the crew of the 'Lady Penryn', the first Europeans to visit the area. From Phillip's 'The voyage of Governor Phillip to Botany Bay', published in London in 1789, although illustrating Watts's account of the return voyage via Canton, also described in the book. Watts (1755–1801) had been a midshipman in Resolution on James Cook's third voyage to the Pacific, 1776-80, but had travelled to Australia with the First Fleet as a passenger. On the return leg he was the supercargo (i.e.. in charge of the cargo).
[Ref: 44039] £120.00 (£144.00 incl.VAT)
Lieu.t Watts del. T. Medland sculp.t.
Published Nov. 5. 1789 by J. Stockdale.
Engraving. 210 x 255mm (8½ x 10"). Trimmed within plate at top. Small margins on 3 sides.
Skeches of a rocky island in the Kermadec Islands, named by the artist, Lieutenant John Watts, after one of the crew of the 'Lady Penryn', the first Europeans to visit the area. From Phillip's 'The voyage of Governor Phillip to Botany Bay', published in London in 1789, although illustrating Watts's account of the return voyage via Canton, also described in the book. Watts (1755–1801) had been a midshipman in Resolution on James Cook's third voyage to the Pacific, 1776-80, but had travelled to Australia with the First Fleet as a passenger. On the return leg he was the supercargo (i.e.. in charge of the cargo).
[Ref: 44039] £120.00 (£144.00 incl.VAT)
![[Louise de Kéroualle] Louize Dutchesse of Portsmouth.](jpegs/64807.jpg)
[Louise de Kéroualle] Louize Dutchesse of Portsmouth.
P. Lely Eques pinxit. A Blooteling ex.
[n.d. c.1677].
Fine mezzotint. 200 x 135mm (8 x 5¼"), large margins.
Head and shoulders portrait in oval of Louise de Kéroualle (1649-1734), French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS: Blooteling: o, state ii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64807] £280.00 (£336.00 incl.VAT)
P. Lely Eques pinxit. A Blooteling ex.
[n.d. c.1677].
Fine mezzotint. 200 x 135mm (8 x 5¼"), large margins.
Head and shoulders portrait in oval of Louise de Kéroualle (1649-1734), French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS: Blooteling: o, state ii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64807] £280.00 (£336.00 incl.VAT)
![[Louise de Kéroualle] Louise Dutchesse of Portsmouth.](jpegs/65332.jpg)
[Louise de Kéroualle] Louise Dutchesse of Portsmouth.
P. Lely Pinxit. G. Valck fecit. et excud 1678.
Mezzotint. 350 x 260mm (13¾ x 10¼"). Trimmed to plate on three sides, just within plate at bottom, mounted in album paper at sides.
Three-quarter portrait of Louise de Kéroualle (1649-1734) as a shepherdess with crook and lamb. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS 8. state i of iii.
[Ref: 65332] £290.00 (£348.00 incl.VAT)
P. Lely Pinxit. G. Valck fecit. et excud 1678.
Mezzotint. 350 x 260mm (13¾ x 10¼"). Trimmed to plate on three sides, just within plate at bottom, mounted in album paper at sides.
Three-quarter portrait of Louise de Kéroualle (1649-1734) as a shepherdess with crook and lamb. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS 8. state i of iii.
[Ref: 65332] £290.00 (£348.00 incl.VAT)
![[Louise de Kéroualle] Louise Dutchess of Portsmouth.](jpegs/65071.jpg)
[Louise de Kéroualle] Louise Dutchess of Portsmouth.
P Lilly Pincx. R. Tompson excudit.
[n.d., c.1688.]
Mezzotint sheet, watermarked paper, 340 x 250mm (13¼ x 9¾"). Trimmed to plate. Paper slightly toned. 2 very small tears in margins.
A nearly full-length portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth (1649-1734), seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. She was mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58 I of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65071] £320.00
P Lilly Pincx. R. Tompson excudit.
[n.d., c.1688.]
Mezzotint sheet, watermarked paper, 340 x 250mm (13¼ x 9¾"). Trimmed to plate. Paper slightly toned. 2 very small tears in margins.
A nearly full-length portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth (1649-1734), seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. She was mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58 I of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65071] £320.00
![Nell Gwynn [in pencil] [Louise Dutchess of Portsmouth.]](jpegs/65089.jpg)
Nell Gwynn [in pencil] [Louise Dutchess of Portsmouth.]
[P Lilly Pincx.] [R. Tompson excudit].
[n.d., c.1688.]
Rare mezzotint counterproof, 17th century watermark, sheet 460 x 345mm (18 x 13¾"). Trimmed to plate and tipped into album sheet.
A nearly full-length portrait of a woman seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. This print has been incorrectly identified as both Nell Gywn and Madame Philadelphia Saunders in the pencil notes. However it is a portrait of Louise-Renée de Kéroualle (1649-1734), Duchess of Portsmouth, mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58. Ex: Collection of The Hon. Christopher Lennox-Boyd. See [Ref: 65073]
[Ref: 65089] £360.00
[P Lilly Pincx.] [R. Tompson excudit].
[n.d., c.1688.]
Rare mezzotint counterproof, 17th century watermark, sheet 460 x 345mm (18 x 13¾"). Trimmed to plate and tipped into album sheet.
A nearly full-length portrait of a woman seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. This print has been incorrectly identified as both Nell Gywn and Madame Philadelphia Saunders in the pencil notes. However it is a portrait of Louise-Renée de Kéroualle (1649-1734), Duchess of Portsmouth, mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58. Ex: Collection of The Hon. Christopher Lennox-Boyd. See [Ref: 65073]
[Ref: 65089] £360.00
![[Louise de Kéroualle, Duchess of Portsmouth.]](jpegs/65344.jpg)
[Louise de Kéroualle, Duchess of Portsmouth.]
[Engraved by Paul van Somer after Sir Peter Lely.]
[n.d., c.1680.]
Mezzotint, proof before letters. 340 x 250mm (13¼ x 9¾") large margins Some spotting, old ink indentifaction in bottom margins.
Three-quarter seated portrait of Louise de Kéroualle (1649-1734), before a window looking into an ornamental garden. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 65344] £380.00
[Engraved by Paul van Somer after Sir Peter Lely.]
[n.d., c.1680.]
Mezzotint, proof before letters. 340 x 250mm (13¼ x 9¾") large margins Some spotting, old ink indentifaction in bottom margins.
Three-quarter seated portrait of Louise de Kéroualle (1649-1734), before a window looking into an ornamental garden. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 65344] £380.00
![[Louise de Kéroualle, Duchess of Portsmouth.]](jpegs/65345.jpg)
[Louise de Kéroualle, Duchess of Portsmouth.]
[Engraved by Paul van Somer after Sir Peter Lely.]
[n.d., c.1680.]
Mezzotint, proof before letters, 17th century watermark. 340 x 250mm (13¼ x 9¾"). Trimmed to image at sides, top plate at top, into plate at bottom. Creasing.
Three-quarter seated portrait of Louise de Kéroualle (1649-1734), before a window looking into an ornamental garden. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 65345] £280.00 (£336.00 incl.VAT)
[Engraved by Paul van Somer after Sir Peter Lely.]
[n.d., c.1680.]
Mezzotint, proof before letters, 17th century watermark. 340 x 250mm (13¼ x 9¾"). Trimmed to image at sides, top plate at top, into plate at bottom. Creasing.
Three-quarter seated portrait of Louise de Kéroualle (1649-1734), before a window looking into an ornamental garden. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 65345] £280.00 (£336.00 incl.VAT)
![[Louise de Kéroualle] Louis Dutchess of Portsmouth & Dobingme.](jpegs/65502.jpg)
[Louise de Kéroualle] Louis Dutchess of Portsmouth & Dobingme.
G. Kneller pinx: I. Beckett fe: & ex.
[n.d., c.1685.]
Mezzotint, 17th century watermark. 430 x 250mm (13½ x 9¾"). Thread margins, bottom left corner of inscription reattached, old ink numeral, rust hole and circular mark.
A full length portrait of Louise de Kéroualle (1649-1734), standing by an ornamental table with a crown on a cushion. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS 85, state i of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65502] £320.00
G. Kneller pinx: I. Beckett fe: & ex.
[n.d., c.1685.]
Mezzotint, 17th century watermark. 430 x 250mm (13½ x 9¾"). Thread margins, bottom left corner of inscription reattached, old ink numeral, rust hole and circular mark.
A full length portrait of Louise de Kéroualle (1649-1734), standing by an ornamental table with a crown on a cushion. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS 85, state i of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65502] £320.00
![[Louise de Kéroualle] [Louis Dutchess of Portsmouth & Dobingme.]](jpegs/65503.jpg)
[Louise de Kéroualle] [Louis Dutchess of Portsmouth & Dobingme.]
[G. Kneller pinx: I. Beckett fe: & ex.]
[n.d., c.1685.]
Mezzotint. Sheet 380 x 250mm (15 x 9¾"). Trimmed into image, losing inscriptions.
A full length portrait of Louise de Kéroualle (1649-1734), standing by an ornamental table with a crown on a cushion. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS 85, uncertain state of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65503] £220.00 (£264.00 incl.VAT)
[G. Kneller pinx: I. Beckett fe: & ex.]
[n.d., c.1685.]
Mezzotint. Sheet 380 x 250mm (15 x 9¾"). Trimmed into image, losing inscriptions.
A full length portrait of Louise de Kéroualle (1649-1734), standing by an ornamental table with a crown on a cushion. She was a French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS 85, uncertain state of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65503] £220.00 (£264.00 incl.VAT)
![[Louise de Kéroualle] Louise Dutchess of Portsmouth.](jpegs/65073.jpg)
[Louise de Kéroualle] Louise Dutchess of Portsmouth.
P Lilly Pincx. R. Tompson excudit.
[n.d., c.1688.]
Mezzotint, 340 x 250mm (13¼ x 9¾"). Thread margins. Paper toned. Glued to linen backed paper.
A nearly full-length portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth (1649-1734), seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. She was mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58 I of II. Ex: Collection of The Hon. Christopher Lennox-Boyd. See [Ref:65089] for a counterproof.
[Ref: 65073] £260.00 (£312.00 incl.VAT)
P Lilly Pincx. R. Tompson excudit.
[n.d., c.1688.]
Mezzotint, 340 x 250mm (13¼ x 9¾"). Thread margins. Paper toned. Glued to linen backed paper.
A nearly full-length portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth (1649-1734), seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. She was mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58 I of II. Ex: Collection of The Hon. Christopher Lennox-Boyd. See [Ref:65089] for a counterproof.
[Ref: 65073] £260.00 (£312.00 incl.VAT)
![[Louise de Kéroualle] Louise Dutchess of Portsmouth.](jpegs/65072.jpg)
[Louise de Kéroualle] Louise Dutchess of Portsmouth.
P Lilly Pincx. R. Tompson excudit.
[n.d., c.1688.]
Mezzotint sheet, watermarked paper, 340 x 250mm (13¼ x 9¾"). Trimmed to plate.
A nearly full-length portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth (1649-1734), seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. She was mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65072] £260.00 (£312.00 incl.VAT)
P Lilly Pincx. R. Tompson excudit.
[n.d., c.1688.]
Mezzotint sheet, watermarked paper, 340 x 250mm (13¼ x 9¾"). Trimmed to plate.
A nearly full-length portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth (1649-1734), seated with her hair in soft curls. She wears a low, loose dress and holds a crook in one hand, while extending leaves to a lamb with the other. A distant landscape is visible to the right. She was mistress of Charles II and a significant and enduring political force at the Restoration court.
CS39. Blackett-Ord T58 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65072] £260.00 (£312.00 incl.VAT)
![[Louise de Kéroualle] Louize Dutchesse of Portsmouth.](jpegs/64789.jpg)
[Louise de Kéroualle] Louize Dutchesse of Portsmouth.
P. Lely Eques pinxit. A Blooteling ex.
[n.d. c.1677].
Mezzotint. Sheet 200 x 135mm (8 x 5¼"). Trimmed within plate, mounted in album paper at edges.
Head and shoulders portrait in oval of Louise de Kéroualle (1649-1734), French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS: Blooteling: o, state iii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64789] £280.00 (£336.00 incl.VAT)
P. Lely Eques pinxit. A Blooteling ex.
[n.d. c.1677].
Mezzotint. Sheet 200 x 135mm (8 x 5¼"). Trimmed within plate, mounted in album paper at edges.
Head and shoulders portrait in oval of Louise de Kéroualle (1649-1734), French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS: Blooteling: o, state iii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64789] £280.00 (£336.00 incl.VAT)
![[Louise de Kéroualle] Louize Dutchesse of Portsmouth.](jpegs/64808.jpg)
[Louise de Kéroualle] Louize Dutchesse of Portsmouth.
P. Lely Eques pinxit. A Blooteling ex.
[engraved c.1677 but printed later.]
Mezzotint. 200 x 135mm (8 x 5¼"), with large margins.
Head and shoulders portrait in oval of Louise de Kéroualle (1649-1734), French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS: Blooteling: o, state iv of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64808] £160.00 (£192.00 incl.VAT)
P. Lely Eques pinxit. A Blooteling ex.
[engraved c.1677 but printed later.]
Mezzotint. 200 x 135mm (8 x 5¼"), with large margins.
Head and shoulders portrait in oval of Louise de Kéroualle (1649-1734), French mistress of Charles II, who made her Duchess of Portsmouth in 1673.
CS: Blooteling: o, state iv of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64808] £160.00 (£192.00 incl.VAT)
![[Louise de Kéroualle] Louise Dutchess of Portsmouth](jpegs/59210.jpg)
[Louise de Kéroualle] Louise Dutchess of Portsmouth
Pieter Lilly Pincx. Eduardus Le Davis sculpcit.
[n.d., c.1680.]
Rare engraving. 17th century watermark, Sheet 350 x 245mm (13¾ x 9¾"). Trimmed to plate. Time stained.
Louise Renée de Penancoët de Kéroualle, suo jure duchess of Portsmouth (1649-1734), mistress of Charles II and a significant and enduring political force at the Restoration court. Engraved after the painting by Sir Peter Lely (c.1671 Los Angeles, Getty Museum) by Edward (Le) Davis, a Welsh engraver who had been apprenticed to David Loggan.
[Ref: 59210] £230.00 (£276.00 incl.VAT)
Pieter Lilly Pincx. Eduardus Le Davis sculpcit.
[n.d., c.1680.]
Rare engraving. 17th century watermark, Sheet 350 x 245mm (13¾ x 9¾"). Trimmed to plate. Time stained.
Louise Renée de Penancoët de Kéroualle, suo jure duchess of Portsmouth (1649-1734), mistress of Charles II and a significant and enduring political force at the Restoration court. Engraved after the painting by Sir Peter Lely (c.1671 Los Angeles, Getty Museum) by Edward (Le) Davis, a Welsh engraver who had been apprenticed to David Loggan.
[Ref: 59210] £230.00 (£276.00 incl.VAT)
![[William Lord Newbattle and his Sister.]](jpegs/25242.jpg)
[William Lord Newbattle and his Sister.]
Cath. Reid pinxit. Val. Green fecit.
Reyland, Bryer & Co excud.ut [n.d. c.1768.]
Rare mezzotint. 508 x 355mm. 20 x 14". Trimmed and laid on board.
Double portrait of children William Kerr (1764-1824), later 6th Marquess of Lothian, and his younger sister Elizabeth (1765-1822), later Lady Dormer. William is shown aged about five. wearing a lace collar, looking towards the viewer and holding his hands out to the right, the one laid on top of the other, to receive a dove which his sister holds.
Ex Collection: E. M. Hallenstein. CS: 90, i/ii. Whitman: 4, i/ii.
[Ref: 25242] £380.00
Cath. Reid pinxit. Val. Green fecit.
Reyland, Bryer & Co excud.ut [n.d. c.1768.]
Rare mezzotint. 508 x 355mm. 20 x 14". Trimmed and laid on board.
Double portrait of children William Kerr (1764-1824), later 6th Marquess of Lothian, and his younger sister Elizabeth (1765-1822), later Lady Dormer. William is shown aged about five. wearing a lace collar, looking towards the viewer and holding his hands out to the right, the one laid on top of the other, to receive a dove which his sister holds.
Ex Collection: E. M. Hallenstein. CS: 90, i/ii. Whitman: 4, i/ii.
[Ref: 25242] £380.00
![[William Lord Newbattle and his Sister.]](jpegs/65027.jpg)
[William Lord Newbattle and his Sister.]
[Cath. Reid pinxit. Val. Green fecit.]
[Ryland, Bryer & Co excud.nt] [n.d. c.1768.]
Mezzotint, very rare proof before letters. 505 x 355mm (19¾ x 14"), with large margins. Small scrape in blank inscription area, some foxing.
Double portrait of children William Kerr (1764-1824), later 6th Marquess of Lothian, and his younger sister Elizabeth (1765-1822), later Lady Dormer. William is shown aged about five. wearing a lace collar, looking towards the viewer and holding his hands out to receive a dove which his sister holds.
CS: 90, unlisted state before i/ii. Whitman: 4, unlisted state before i/ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65027] £360.00
[Cath. Reid pinxit. Val. Green fecit.]
[Ryland, Bryer & Co excud.nt] [n.d. c.1768.]
Mezzotint, very rare proof before letters. 505 x 355mm (19¾ x 14"), with large margins. Small scrape in blank inscription area, some foxing.
Double portrait of children William Kerr (1764-1824), later 6th Marquess of Lothian, and his younger sister Elizabeth (1765-1822), later Lady Dormer. William is shown aged about five. wearing a lace collar, looking towards the viewer and holding his hands out to receive a dove which his sister holds.
CS: 90, unlisted state before i/ii. Whitman: 4, unlisted state before i/ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65027] £360.00
Sound of Kerrera.
A. Maclure Del. Maclure & MacDonald Lith.
[n.d., 1850.]
Tinted lithograph. Sheet 135 x 220mm (5¼ x 8¾"). Corners snipped.
A view of the waterway between Kerrera and mainland Argyll. Probably from one of 'Maclure & Macdonald's Illustrated Guides' of the Highlands and Islands, published for tourists.
Not in Abbey.
[Ref: 66730] £60.00 (£72.00 incl.VAT)
A. Maclure Del. Maclure & MacDonald Lith.
[n.d., 1850.]
Tinted lithograph. Sheet 135 x 220mm (5¼ x 8¾"). Corners snipped.
A view of the waterway between Kerrera and mainland Argyll. Probably from one of 'Maclure & Macdonald's Illustrated Guides' of the Highlands and Islands, published for tourists.
Not in Abbey.
[Ref: 66730] £60.00 (£72.00 incl.VAT)
![Edw.d Kerrison [facsimile signature].](jpegs/57854.jpg)
Edw.d Kerrison [facsimile signature].
T. H. Maguire. 1851. [etched in plate]
M & N Hanhart. Imp.t.
Lithograph on octagonal chine collé. Sheet: 610 x 445mm (24 x 17½"), very large margins. Some foxing. Toning around the edges.
A seated half length portrait of Sir Edward Kerrison (1776-1853) from the Ipswich Museum Portraits series published by George Ransom in 1852: the sixty portraits of distinguished men of science were commissioned to commemorate the foundation of the museum in 1846. Kerrison was a respected officer of the British Army, serving as a Lieutenant-Colonel in the 7th Light Dragoons and commanded his own regiment at the Battle of Waterloo.
[Ref: 57854] £75.00 (£90.00 incl.VAT)
T. H. Maguire. 1851. [etched in plate]
M & N Hanhart. Imp.t.
Lithograph on octagonal chine collé. Sheet: 610 x 445mm (24 x 17½"), very large margins. Some foxing. Toning around the edges.
A seated half length portrait of Sir Edward Kerrison (1776-1853) from the Ipswich Museum Portraits series published by George Ransom in 1852: the sixty portraits of distinguished men of science were commissioned to commemorate the foundation of the museum in 1846. Kerrison was a respected officer of the British Army, serving as a Lieutenant-Colonel in the 7th Light Dragoons and commanded his own regiment at the Battle of Waterloo.
[Ref: 57854] £75.00 (£90.00 incl.VAT)
To the most Noble Marquis of Lansdown, &c, &c This View of Sheene Bridge_Co. of Kerry__Ireland is with great respect inscribed by his obedient Servants T: Walmsley and F: Jukes.
From an original Picture by T.Walmsley. Engraved by F.Jukes.
Pubd. Jan. 1st. 1800. by T. Walmsley 15 Argyle St. Bath, and F.Jukes 10 Howland St. London.
Aquatint with original hand colour, 364 x 460mm. Almost mint condition.
A fine aquatint view.
[Ref: 7612] £490.00
From an original Picture by T.Walmsley. Engraved by F.Jukes.
Pubd. Jan. 1st. 1800. by T. Walmsley 15 Argyle St. Bath, and F.Jukes 10 Howland St. London.
Aquatint with original hand colour, 364 x 460mm. Almost mint condition.
A fine aquatint view.
[Ref: 7612] £490.00
John Kersey Borne at Bodicot neere Banbury in the County of Oxford, Ao. Dni. 1616. Vox audita perit, Litera scripta manet.
Soust pinx. 1672. Faithorne Sculp.
[n.d. c. 1680].
Engraving. Sheet 260 x 175mm (10¼ x 7"). Trimmed inside plate mark.
Head and shoulders portrait of John Kresey (1616-90?], published as the frontispiece to his 'Elements of Algebra' of 1673.
Fagan page 43.
[Ref: 5679] £220.00 (£264.00 incl.VAT)
Soust pinx. 1672. Faithorne Sculp.
[n.d. c. 1680].
Engraving. Sheet 260 x 175mm (10¼ x 7"). Trimmed inside plate mark.
Head and shoulders portrait of John Kresey (1616-90?], published as the frontispiece to his 'Elements of Algebra' of 1673.
Fagan page 43.
[Ref: 5679] £220.00 (£264.00 incl.VAT)
John Kersey Borne at Bodicot Neere Banbury in the County of Oxford. A.O D.NI 1616. Vox audita perit Litera scripta manet.
Soest pinx. Faithhorne Sculp.
1672.
Engraving. Sheet size: 255 x 170mm (10 x 6¾"). Trimmed to image. Glued to album sheet at corners.
Portrait of English mathematician and textbook writer, John Kersey the elder (1616 - 1690?) half length in an oval, wearing bands and a gown. Inscribed below is a banner with the inscription 'Vox audita perit. / Litera scripta manet.', and four books, two open and displaying mathematical equations and symbols. A frontispiece to Kersey's 'Elements of that Mathematical Art Commonly Called Algebra' (London: William Godbid for Thomas Passinger and Benjamin Hurlock, 1673).
Fagan. p.43. III of III.
[Ref: 33837] £180.00 (£216.00 incl.VAT)
Soest pinx. Faithhorne Sculp.
1672.
Engraving. Sheet size: 255 x 170mm (10 x 6¾"). Trimmed to image. Glued to album sheet at corners.
Portrait of English mathematician and textbook writer, John Kersey the elder (1616 - 1690?) half length in an oval, wearing bands and a gown. Inscribed below is a banner with the inscription 'Vox audita perit. / Litera scripta manet.', and four books, two open and displaying mathematical equations and symbols. A frontispiece to Kersey's 'Elements of that Mathematical Art Commonly Called Algebra' (London: William Godbid for Thomas Passinger and Benjamin Hurlock, 1673).
Fagan. p.43. III of III.
[Ref: 33837] £180.00 (£216.00 incl.VAT)
Kertch from the North. Plate 3.
W. Simpson, del. _ E. Walker, lith. Day & Son, Lithrs. to the Queen.
London, Published July 18th. 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mal East. _Publishers to Her Majesty. Depose Paris, Goupil & Cie...
Tinted lithograph with colour added by hand, image 280 x 475mm (11 x 18¾").
British (Scottish) troops with an impressive prospect of the city of Kerch on the Kerch Peninsula of eastern Crimea, Ukraine; during the Crimean War (October 1853 - February 1856). By William Simpson (1823 - 1899) for his 'The Seat of War in the East' (2 vols. 1855-56, Vol. II).
Abbey Travel 237, 44.
[Ref: 25592] £120.00 (£144.00 incl.VAT)
W. Simpson, del. _ E. Walker, lith. Day & Son, Lithrs. to the Queen.
London, Published July 18th. 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mal East. _Publishers to Her Majesty. Depose Paris, Goupil & Cie...
Tinted lithograph with colour added by hand, image 280 x 475mm (11 x 18¾").
British (Scottish) troops with an impressive prospect of the city of Kerch on the Kerch Peninsula of eastern Crimea, Ukraine; during the Crimean War (October 1853 - February 1856). By William Simpson (1823 - 1899) for his 'The Seat of War in the East' (2 vols. 1855-56, Vol. II).
Abbey Travel 237, 44.
[Ref: 25592] £120.00 (£144.00 incl.VAT)
The Kestrel, R.Y.S. The Property of the late Earl of Yarborough. From the original Drawing in the possession of The Hon.ble Dudley Pelham. [Names of ships underneath:] Flirt. Xarifa.. Camilla. Pearl.
Painted by T.S. Robins, Esq. Litho.d by T.G. Dutton. Day & Son Lith.rs to the Queen.
London Published Oct.r 20.th 1847 by Mess.rs Fores, at their Sporting & Fine Print Repository & Frame Manufactory, 41 Piccadilly, Corner of Sackville Street.
Coloured lithograph. 545 x 762mm. 21½ x 30". Tear into image lower right.
The Kestrel of the Royal Yacht Squadron, permitted to fly, as seen here, the White Ensign of the Royal Navy.
[Ref: 24022] £650.00
Painted by T.S. Robins, Esq. Litho.d by T.G. Dutton. Day & Son Lith.rs to the Queen.
London Published Oct.r 20.th 1847 by Mess.rs Fores, at their Sporting & Fine Print Repository & Frame Manufactory, 41 Piccadilly, Corner of Sackville Street.
Coloured lithograph. 545 x 762mm. 21½ x 30". Tear into image lower right.
The Kestrel of the Royal Yacht Squadron, permitted to fly, as seen here, the White Ensign of the Royal Navy.
[Ref: 24022] £650.00
To the Right Hon.ble The Earl of Yarborough, Commodore of the Royal yacht Squadron, This Print of His Yacht Kestrel (202 Tons) is respectfully dedicated (with permission) by His Lordship'smost obedient humble Servant N.M. Condy.
G. Hawkins lith. _ N.M. Condy del. Day & Haghe Lith.rs to the Queen.
London, Edw.d Ramsden. 12 Finch Lane, Cornhill, _ Ackerman & Co. Strand, _ Plymouth, Edmond Fry. [n.d., c.1850.]
Tinted lithograph. Printed area: 230 x 305mm (9 x 12").
A view of the yacht 'Kestrel', owned by the Earl of Yarborough, founder and Commodore of the Royal Yacht Squadron, on open water with two small rowing boats on either side. During his time as Commodore, cruising and yachting flourished and the club grew in reputation and numbers. In 1835, he was badly injured by being thrown across a sea chest during a gale and was further disabled by a bout of influenza. After this he decided to buy a smaller vessel, the Kestrel. On 5th September 1846, Lord Yarborough died suddenly on board the Kestrel whilst in Vigo, in Spain. The Royal Yacht Squadron Committee put up £200 towards a Nautical Monument or Sea Mark at some appropriate spot in the Isle of Wight to perpetuate his memory. The Memorial which was erected as a result of their subscription, stands on Bembridge Downs. The emblem of the Royal Yacht Squdron is in the centre, below the image.
[Ref: 39378] £280.00 (£336.00 incl.VAT)
G. Hawkins lith. _ N.M. Condy del. Day & Haghe Lith.rs to the Queen.
London, Edw.d Ramsden. 12 Finch Lane, Cornhill, _ Ackerman & Co. Strand, _ Plymouth, Edmond Fry. [n.d., c.1850.]
Tinted lithograph. Printed area: 230 x 305mm (9 x 12").
A view of the yacht 'Kestrel', owned by the Earl of Yarborough, founder and Commodore of the Royal Yacht Squadron, on open water with two small rowing boats on either side. During his time as Commodore, cruising and yachting flourished and the club grew in reputation and numbers. In 1835, he was badly injured by being thrown across a sea chest during a gale and was further disabled by a bout of influenza. After this he decided to buy a smaller vessel, the Kestrel. On 5th September 1846, Lord Yarborough died suddenly on board the Kestrel whilst in Vigo, in Spain. The Royal Yacht Squadron Committee put up £200 towards a Nautical Monument or Sea Mark at some appropriate spot in the Isle of Wight to perpetuate his memory. The Memorial which was erected as a result of their subscription, stands on Bembridge Downs. The emblem of the Royal Yacht Squdron is in the centre, below the image.
[Ref: 39378] £280.00 (£336.00 incl.VAT)
To the Right Hon.ble The Earl of Yarborough, Commodore of the Royal yacht Squadron, This Print of His Yacht Kestrel (202 Tons) is respectfully dedicated (with permission) by His Lordship'smost obedient humble Servant N.M. Condy.
G. Hawkins lith. _ N.M. Condy del. Day & Haghe Lith.rs to the Queen.
London, Edw.d Ramsden. 12 Finch Lane, Cornhill, _ Ackerman & Co. Strand, _ Plymouth, Edmond Fry. [n.d., c.1850.]
Tinted lithograph. Sheet size: 295 x 375mm (11½ x 14½"). Large margins.
A view of the yacht 'Kestrel', owned by the Earl of Yarborough, founder and Commodore of the Royal Yacht Squadron, on open water with two small rowing boats on either side. During his time as Commodore, cruising and yachting flourished and the club grew in reputation and numbers. In 1835, he was badly injured by being thrown across a sea chest during a gale and was further disabled by a bout of influenza. After this he decided to buy a smaller vessel, the Kestrel. On 5th September 1846, Lord Yarborough died suddenly on board the Kestrel whilst in Vigo, in Spain. The Royal Yacht Squadron Committee put up £200 towards a Nautical Monument or Sea Mark at some appropriate spot in the Isle of Wight to perpetuate his memory. The Memorial which was erected as a result of their subscription, stands on Bembridge Downs. The emblem of the Royal Yacht Squdron is in the centre, below the image.
[Ref: 37252] £450.00
G. Hawkins lith. _ N.M. Condy del. Day & Haghe Lith.rs to the Queen.
London, Edw.d Ramsden. 12 Finch Lane, Cornhill, _ Ackerman & Co. Strand, _ Plymouth, Edmond Fry. [n.d., c.1850.]
Tinted lithograph. Sheet size: 295 x 375mm (11½ x 14½"). Large margins.
A view of the yacht 'Kestrel', owned by the Earl of Yarborough, founder and Commodore of the Royal Yacht Squadron, on open water with two small rowing boats on either side. During his time as Commodore, cruising and yachting flourished and the club grew in reputation and numbers. In 1835, he was badly injured by being thrown across a sea chest during a gale and was further disabled by a bout of influenza. After this he decided to buy a smaller vessel, the Kestrel. On 5th September 1846, Lord Yarborough died suddenly on board the Kestrel whilst in Vigo, in Spain. The Royal Yacht Squadron Committee put up £200 towards a Nautical Monument or Sea Mark at some appropriate spot in the Isle of Wight to perpetuate his memory. The Memorial which was erected as a result of their subscription, stands on Bembridge Downs. The emblem of the Royal Yacht Squdron is in the centre, below the image.
[Ref: 37252] £450.00
Nautical Sketches. No. 1. Kestrel. R.Y.S. Commodore the Earl of Yarborough.
H.J. Vernon, Lith. Day & Haghe, Lithrs. To The Queen.
Published by A. Hinton, & Ackermann & Co. London [n.d., c.1845].
Tinted lithograph, image 310 x 460mm. 12¼ x 18". Tatty extremities.
A fine print of this boat, one of the Royal Yacht Squadron. Member yachts are given the Suffix RYS to their names, and permitted to fly the White Ensign of the Royal Navy rather than the merchant Red Ensign flown by the majority of other UK registered vessels.
[Ref: 9892] £820.00
H.J. Vernon, Lith. Day & Haghe, Lithrs. To The Queen.
Published by A. Hinton, & Ackermann & Co. London [n.d., c.1845].
Tinted lithograph, image 310 x 460mm. 12¼ x 18". Tatty extremities.
A fine print of this boat, one of the Royal Yacht Squadron. Member yachts are given the Suffix RYS to their names, and permitted to fly the White Ensign of the Royal Navy rather than the merchant Red Ensign flown by the majority of other UK registered vessels.
[Ref: 9892] £820.00
A View of the Town and Vale of Keswick, in Cumberland, from the Side of Castle-head Cragge. To Captain William Crosby of Carlisle, this Plate is inscribed by his most obliged humble Serv.t Will.m Bellers
Painted after Nature by Will.m Bellers 1758. Mess.rs Peak & Toms sculp. Finished by J. Mason
Published 17 Jan.y 1774, by John Boydell, Engraver, in Cheapside, and Rob.t Sayers, Map & Printseller, in Fleet Street.
Engraving, platemark 195 x 320mm (7¾ x 12½").
One of a series of plates of Cumberland after landscape painter William Bellers (1749-73, fl.) whose work consisted largely of Lake District views, which helped direct fashionable taste towards the area in connection with the popular picturesque landscape of the 18th century.
[Ref: 38647] £140.00 (£168.00 incl.VAT)
Painted after Nature by Will.m Bellers 1758. Mess.rs Peak & Toms sculp. Finished by J. Mason
Published 17 Jan.y 1774, by John Boydell, Engraver, in Cheapside, and Rob.t Sayers, Map & Printseller, in Fleet Street.
Engraving, platemark 195 x 320mm (7¾ x 12½").
One of a series of plates of Cumberland after landscape painter William Bellers (1749-73, fl.) whose work consisted largely of Lake District views, which helped direct fashionable taste towards the area in connection with the popular picturesque landscape of the 18th century.
[Ref: 38647] £140.00 (£168.00 incl.VAT)
Keswick Lake, from Friar's Crag. Evening.
Drawn & Engraved by W. Westall, A.RA.
Published by Ackermann & Co. 96 Strand 1835. Price 3s 6d
Aquatint, platemark 215 x 485mm (8½ x 19"), with large margins. Repairs in margin on right.
A fine panorama from a set of Lake District views engraved by William Westall (1781-1850) from his own drawings. Westall was a versatile artist who embraced a variety of media and travelled widely: between 1801 and 1805 he was abroad, having signed up as landscape draughtsman on Flinders' voyage to New Holland (Australia) but also spending extended periods of time in China and India on his way back to England.
[Ref: 46750] £450.00
Drawn & Engraved by W. Westall, A.RA.
Published by Ackermann & Co. 96 Strand 1835. Price 3s 6d
Aquatint, platemark 215 x 485mm (8½ x 19"), with large margins. Repairs in margin on right.
A fine panorama from a set of Lake District views engraved by William Westall (1781-1850) from his own drawings. Westall was a versatile artist who embraced a variety of media and travelled widely: between 1801 and 1805 he was abroad, having signed up as landscape draughtsman on Flinders' voyage to New Holland (Australia) but also spending extended periods of time in China and India on his way back to England.
[Ref: 46750] £450.00
Cornelius Ketel.
Barrett sculp.
Publish'd Oct.r 1796 by G.Barrett, Engraver 289 Holborn.
Engraving. Sheet 135 x 80mm (5¼ x 3¼"). Trimmed and backed onto album paper at edges. Foxed.
Portrait of (1548 - 1616) Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam till his death. Ketel, known essentially as a portrait-painter, was also a poet and orator, and from 1595 a sculptor as well. At times he discarded his brush and painted directly with his fingers, and even developed the trick of painting with his feet and toes.
[Ref: 67700] £60.00 (£72.00 incl.VAT)
Barrett sculp.
Publish'd Oct.r 1796 by G.Barrett, Engraver 289 Holborn.
Engraving. Sheet 135 x 80mm (5¼ x 3¼"). Trimmed and backed onto album paper at edges. Foxed.
Portrait of (1548 - 1616) Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam till his death. Ketel, known essentially as a portrait-painter, was also a poet and orator, and from 1595 a sculptor as well. At times he discarded his brush and painted directly with his fingers, and even developed the trick of painting with his feet and toes.
[Ref: 67700] £60.00 (£72.00 incl.VAT)
The East Prospect of the Church and Steeple of Kettering with Mr. Sayer's House to the South.
[n.d. engraved c.1791; but later publication.]
Engraving with large margins. Plate 190 x 209mm. 7½ x 8¼".
St Peter and Paul Church, Kettering, Northamptonshire, which dominated the town with its crocketed spire. From John Bridges' "History and Antiquities of Northamptonshire".
[Ref: 27600] £50.00 (£60.00 incl.VAT)
[n.d. engraved c.1791; but later publication.]
Engraving with large margins. Plate 190 x 209mm. 7½ x 8¼".
St Peter and Paul Church, Kettering, Northamptonshire, which dominated the town with its crocketed spire. From John Bridges' "History and Antiquities of Northamptonshire".
[Ref: 27600] £50.00 (£60.00 incl.VAT)
The Kettle hooting the Porridge-Pot.
[J. Gillray.]
Pubd. July 23d 1782 by P. J. Leatherhead.
Etching with colour, added by hand, but later, Sheet 240 x 330mm, 9½ x 13". Trimmed.
Political satire: William Petty, 2nd Earl of Shelburne (1737 - 1805) (left), as the proverbial kettle, looks at Charles James Fox (1749 - 1806) (right), the (porridge) pot, who is running away down a road in a landscape. Shelburne has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, 'Oh do but look how black his Arse is!' Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a signpost, its arm, pointing to the right, forms into a human hand holding a die in its fingers, pointing in the direction in which Fox is running. The arm of the post is inscribed 'TO BROOKS'S'; from it hangs a rope with a noose at the end of it. On the post hangs a sign inscribed 'To be Lett- either as a Gibbet or Direction Post'. Fox, destitute on leaving office, is running off to his gambling associates at Brooks's club in St. James's Street for his support, while, politically speaking, Shelburne is depicted as equally black. Fox's geese, in caricature, usually represents the electors of Westminster. By James Gillray (1756 - 1815). George suggests that the publisher 'Leatherhead' is fictitious. This is the only satire in the BM catalogue on which that name appears.
BM Satires 6013.
[Ref: 22467] £260.00 (£312.00 incl.VAT)
[J. Gillray.]
Pubd. July 23d 1782 by P. J. Leatherhead.
Etching with colour, added by hand, but later, Sheet 240 x 330mm, 9½ x 13". Trimmed.
Political satire: William Petty, 2nd Earl of Shelburne (1737 - 1805) (left), as the proverbial kettle, looks at Charles James Fox (1749 - 1806) (right), the (porridge) pot, who is running away down a road in a landscape. Shelburne has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, 'Oh do but look how black his Arse is!' Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a signpost, its arm, pointing to the right, forms into a human hand holding a die in its fingers, pointing in the direction in which Fox is running. The arm of the post is inscribed 'TO BROOKS'S'; from it hangs a rope with a noose at the end of it. On the post hangs a sign inscribed 'To be Lett- either as a Gibbet or Direction Post'. Fox, destitute on leaving office, is running off to his gambling associates at Brooks's club in St. James's Street for his support, while, politically speaking, Shelburne is depicted as equally black. Fox's geese, in caricature, usually represents the electors of Westminster. By James Gillray (1756 - 1815). George suggests that the publisher 'Leatherhead' is fictitious. This is the only satire in the BM catalogue on which that name appears.
BM Satires 6013.
[Ref: 22467] £260.00 (£312.00 incl.VAT)
![[Curland - Jakob Kettler] Jacobus, Dux Curlandiæ, Livoniæ, Semigalliæ etc.](jpegs/57751.jpg)
[Curland - Jakob Kettler] Jacobus, Dux Curlandiæ, Livoniæ, Semigalliæ etc.
[Ulm: Wagner, 1691.]
Engraving. 310 x 180mm (12¼ x 7"), very large margins.
Jacob Kettler (1610-82), Duke of the Duchy of Courland and Semigallia. Under him, the duchy became de facto independent, increased overseas trade and became a colonial nation, building Fort Jacob on Kunta Kinteh Island in the Gambia River in 1651 and capturing Tobago in 1654. From 'Historia Moderna Europae, oder eine Historische Beschreibung des heutigen Europae' by Everhardus Guernerus Happelius.
[Ref: 57751] £230.00 (£276.00 incl.VAT)
[Ulm: Wagner, 1691.]
Engraving. 310 x 180mm (12¼ x 7"), very large margins.
Jacob Kettler (1610-82), Duke of the Duchy of Courland and Semigallia. Under him, the duchy became de facto independent, increased overseas trade and became a colonial nation, building Fort Jacob on Kunta Kinteh Island in the Gambia River in 1651 and capturing Tobago in 1654. From 'Historia Moderna Europae, oder eine Historische Beschreibung des heutigen Europae' by Everhardus Guernerus Happelius.
[Ref: 57751] £230.00 (£276.00 incl.VAT)
![The true Effigies of the Reverend & Learned M.r John Kettlewell late Vicar of Coles Hill [in Warwickshire].](jpegs/68965.jpg)
The true Effigies of the Reverend & Learned M.r John Kettlewell late Vicar of Coles Hill [in Warwickshire]. obÿt 12.d April 1695. Ætat 42.
M.V. Gucht Sculp. [after Henry Tilson]
[n.d., c.1718.]
Engraving. 160 x 90mm (6¼ x 3½"). Trimmed to image top left, last line of title masked. Small margins on 3 sides.
John Kettlewell (1653-95), clergyman, author and nonjurist (one who refused to swear the oath of allegiance to William and Mary after the Glorious Revolution of 1688).
Sharp 467.
[Ref: 68965] £60.00 (£72.00 incl.VAT)
M.V. Gucht Sculp. [after Henry Tilson]
[n.d., c.1718.]
Engraving. 160 x 90mm (6¼ x 3½"). Trimmed to image top left, last line of title masked. Small margins on 3 sides.
John Kettlewell (1653-95), clergyman, author and nonjurist (one who refused to swear the oath of allegiance to William and Mary after the Glorious Revolution of 1688).
Sharp 467.
[Ref: 68965] £60.00 (£72.00 incl.VAT)
The true Effigies of the Reverend & Learned M.r John Kettlewell late Vicar of Coles Hill in Warwickshire. obÿt 12.d April 1695. Ætat 42.
M.V. Gucht Sculp. [after Henry Tilson]
[n.d., c.1718.]
Engraving. 160 x 90mm (6¼ x 3½"). Trimmed within plate, laid on album paper.
John Kettlewell (1653-95), clergyman, author and nonjurist (one who refused to swear the oath of allegiance to William and Mary after the Glorious Revolution of 1688).
Sharp 467.
[Ref: 68966] £50.00 (£60.00 incl.VAT)
M.V. Gucht Sculp. [after Henry Tilson]
[n.d., c.1718.]
Engraving. 160 x 90mm (6¼ x 3½"). Trimmed within plate, laid on album paper.
John Kettlewell (1653-95), clergyman, author and nonjurist (one who refused to swear the oath of allegiance to William and Mary after the Glorious Revolution of 1688).
Sharp 467.
[Ref: 68966] £50.00 (£60.00 incl.VAT)
The true Effigies of the Rev.d M.r John Kettlewell obÿt 12.d April 1695. Ætat 42.
H. Tilson pinx. M.Vdr Gucht Sculp.
[n.d., 1718.]
Engraving. 160 x 95mm (6¼ x 3¾"). Trimmed to image on three sides, possibly losing publication line at bottom, laid on album paper.
John Kettlewell (1653-95), clergyman, author and nonjurist, who lost his post as Vicar of Coles Hill in Warwickshire, after refusing to swear the oath of allegiance to William and Mary after the Glorious Revolution of 1688.
Sharp 466. ii of ii..
[Ref: 68967] £50.00 (£60.00 incl.VAT)
H. Tilson pinx. M.Vdr Gucht Sculp.
[n.d., 1718.]
Engraving. 160 x 95mm (6¼ x 3¾"). Trimmed to image on three sides, possibly losing publication line at bottom, laid on album paper.
John Kettlewell (1653-95), clergyman, author and nonjurist, who lost his post as Vicar of Coles Hill in Warwickshire, after refusing to swear the oath of allegiance to William and Mary after the Glorious Revolution of 1688.
Sharp 466. ii of ii..
[Ref: 68967] £50.00 (£60.00 incl.VAT)