The Scribe reading the Law to King Josiah. 2.nd Kings Chap 22.nd Ver 8.th to 11.th.
[n.d. c.1800.]
Engraving. Plate 292 x 215mm. 11½ x 8½". Some tearing in the margins; some creasing.
Shaphan the scribe reading the Book of Law to King Josiah.
[Ref: 19315] £65.00
(£78.00 incl.VAT)
The Josser Football Team. Written and Sung by Mark Sheridan.
H.G. Banks. Lith.
London: Francis, Day & Hunter. 142 Charing Cross Road, Oxford Street End. New York: T.B. Harms & C.o 18 East 22.nd S.t. [n.d. c.1900.]
Very scarce music sheet, pp. 4 with chromolithograph cover. Sheets 360 x 260mm (14¼ x 10¼"). Slightly scuffed.
Printed illustrated music sheet cover for 'The Josser Football Team', written and sung by Mark Sheridan. The song tells the story of a football match. Sheridan stands in the forground, while football players fight for the ball in the background.
[Ref: 59070] £680.00
[France] Joubert, Général en Chef de l'Armée d'Italie, mort le 28 Thermidor an VII à la bataille de Novi.
Lavachez sculp. Duplesi-Bertaux inv et del. Duplesi-Bertaux aqua forte.
[Paris: Auber, 1804.]
Mezzotint and etching. 430 x 285mm (17 x 11¼"). Some spotting.
Barthélemy Catherine Joubert (1769-1799), acclaimed here as 'amongst the heroes who have contributed the most to the prodigious triumphs of our armies'. He joined the royal French army in 1784 and rose rapidly to the rank of general uring the French Revolutionary Wars. Napoleon recognised his talents and gave him increased responsibilities. He was later killed whilst commanding the French army at the Battle of Novi in 1799.
[Ref: 28218] £70.00
(£84.00 incl.VAT)
Le Jouer De Mandoline.
Decamps pinxt. Veyrassat Sc.
Imp. Delamam. [French, 1850s.]
Etching, 215 x 275mm. 8½ x 10¾".
A monkey, artistically dressed, singing and playing a guitar on a table-top, reading from an open book of music draped over a chair; also glassware and cutlery. Apparently from a series showing apes engaged in creative human pursuits, 'L'Artiste' (lettered above image). After Alexandre Gabriel Decamps (1803 - 1860).
[Ref: 17876] £95.00
(£114.00 incl.VAT)
[James Prescott Joule]
C.H.Jeens [Etched in plate with signature]
[n.d. c.1875]
Engraving on india paper, proof before title. Plate 209 x 138mm.
Physicist. [1818-1889] W: 1549-2.
[Ref: 3453] £50.00
(£60.00 incl.VAT)
Old Isaac Joules. A Well known Gipsy in Somersetshire.
Drawn from Life, & on Stone by S. C. Jones. A. Pocock lith. Bristol.
Published by J. Whereat, Weston Super Mare. [n.d., c.1840.]
Rare tinted lithograph. Sheet: 380 x 275mm (15 x 10¾''), with large margins.
A portrait of an old man, a knife sharpener, in the distance are Flat Holm and Steep Holm, islands in the Bristol Channel.
[Ref: 48798] £260.00
(£312.00 incl.VAT)
Mr. de Pourceaugnac Act.1er. Sc.8.
Grave par Joullain sur le dessein de Ch. Coypel 1726.
Sevend a Paris chez Surrugue rue des Noyers.
Etching and engraving. Trimmed within plate.
Monsieur de Pourceaugnac surrounded by two doctors who are both taking his pulse, while in the background a servant approaches from the right, carrying a large syringe. From a series of 6 plates after Charles Coypel: 'Suite d'estampes des principaux sujets des comédies de Molière', representing scenes from Molière's plays. Ex: Collection of Alec Clunes.
[Ref: 7854] £230.00
(£276.00 incl.VAT)
Le Jour de Loyer.
Dav. Wilkie Peint. Jazet sculp.t
A Paris chez Jazet, rue de Lanery, No.7, et Ch.les Bance Rue J.J. Rousseau, No.10. Déposé à la Direction. [n.d. c.1823.]
Aquatint with etching. 299 x 394mm (11¾ x 15½"). Some staining to edges.
Rent day: interior with procession of figures coming to pay their rent to a man sitting at a desk to left. On the right, a family having lunch around a table.
[Ref: 31122] £120.00
(£144.00 incl.VAT)
Le Marquis de Launay. Gouverneur de la Bastile. Décapité le 14 Juillet 1789, En la Place de Greve à Paris. Pour avoir fait tirer sur le peuple apres avoir aboré le drapeau blanc. Monstrum horrendum informe, ingensm cui lumen ademptum. Virg.
Pint par le Comte Cagliostro. Gravé par Chenon pere.
[n.d., c.1800.]
Stipple. Rare. Sheet: 155 x 215mm (6 x 8½"). Trimmed and tipped into album sheet.
A portrait in an oval of Bernard Rene Jourdan, Marquis de Launay (1740-1789), governor of the Bastille and commander of the attached garrison. On the 14th July 1789 the revolutionaries stormed the Bastille, de Launay was seized and lynched by the attacking mob. His head was cut off and paraded through the streets on a pike.
[Ref: 42154] £120.00
(£144.00 incl.VAT)
Don (Gordon Setter) a M. Arthur Girard.
4o Anee Journal des Chaveurs et des eleveurs. 116, rue Verte Bruxelles.
Chromolithograph. 260 x 185mm.
[Ref: 3493] £60.00
(£72.00 incl.VAT)
To My Country I My Pen Consign.
Acc.g to Act of Parl.m May ye 17th 1738.
Scarce etching. Sheet 300 x 185mm (11¾ x 7¼"), with 18th century watermark. Trimmed to image on three sides
A caricature of a journalist, with a man walking in the countryside, reading from a paper. Behind is a winged donkey flying and a barrel emptying its contents onto the ground. The title is a quote from Pope's 'Dunciad'. BM Satires 2349.
[Ref: 61152] £260.00
(£312.00 incl.VAT)
A Journeyman Parson with a Bare Existance. 344.
[After Robert Dighton].
London, Printed for & sold by Bowles & Carver, No.69 in St. Pauls Church Yard. [n.d., c.1782].
Hand coloured mezzotint. Platemark: 152 x 110mm (6 x 4¼"), with large margins. Light staining to margins. Small puncture mark in title area.
A scene in a poor interior of a wooden house. A dining room with a parson's family of four around a table eating beans, while the parson sits on the right, gnawing a bone, with a kitten looking up at the table from below. In the bottom right corner on the floor is a book incribed, 'A Charity Sermon'. Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 32985] £160.00
(£192.00 incl.VAT)
A Journeyman Parson going on Duty.
[after Robert Dighton.]
Printed for & Sold by Carington Bowles, No.69 St. Paul's Church Yard, London. Published as the Act directs, 9 Nov.r 1785. [But later]
Mezzotint, watermark 1832. 350 x 255mm (13¾ x 10"). Several tears.
A parson says farewell to his family outside a thatched cottage near a milestone indicating that they are 70 miles from London. A paper in his jacket reads 'Charity Sermon'. His small son holds a copy of 'The Youth's Instructor'.
[Ref: 60439] £280.00
(£336.00 incl.VAT)
[Jousting Knights.]
J.S. [James Stuart.]
London Published by Colnaghi June 1821.
Etching, printed on india. Plate: 230 x 275mm (9 x 10¾"), with very large margins. Staining in margins on left.
A jousting scene in which two mounted figures charge at each other with jousts. Perhaps a plate from his series 'Etchings of Militray Subjects by an Amateur'. Provenance: Edge Hall Library, Cheshire
[Ref: 46836] £160.00
(£192.00 incl.VAT)
[Louis XIII practicing jousting.] Figure 47. CCC. Seconde partie.
[drawn and engraved by Crispijn de Passe the younger.]
[Paris, c.1623.]
Engraving on two plates. Outer plate 315 x 410mm (12½ x 16"), on paper with 17th century watermark, very large margins. Creasing at top.
Louis XIII riding down a tilt barrier striking a mannikin in the forehead, watched by four named courtiers, including Earl of Carlisle. Around the image is a separately-printed architectural border. A plate from Antoine de Pluvinel's important work on dressage, published first in 1623 as 'Le Maneige Royal' and secondly as 'L'instrvction du Roy, en L'exercice de Monter a Cheval' in 1625. Pluvinel (1562-1620), the first French riding master, taught Louis XIII to ride, and the king often takes centre stage in the plates from this work.
[Ref: 57450] £320.00
What a Bore!!
E. Hull del.t. Printed by C. Hullmandel.
London Pub.d by Rowe & Waller 49 Fleet Street. _ 1826.
Very scarce coloured lithograph. Printed area 175 x 230mm (7 x 9"), 1826 Edmonds watermarked, with wide margins. A few marks, old ink mss. in margin "W Thomas 1826".
A bizarre jousting scene: a contest between an armoured knight mounted on a bear with fangs and an unarmoured rider on an elephant-headed horse! The armoured knight uses a spike on his helmet to pierce his opponent through his horse's chest.
[Ref: 33096] £180.00
(£216.00 incl.VAT)
The Tilt Yard of the 19th Century. Near the Regents Park. Saturday July 13.th 1839.
Waterhouse Hawkins del.t. Printed by L.M. Lefevre, Newman St.
Published by Tho.s Mc.Lean, 26, Haymarket. [n.d. c.1845.]
Very rare lithograph. 280 x 360mm (11 x 14¼"), large margins.
A scene with two knights in full armour jousting, another tilting at rings and a third lancing a dummy. The Eyre Arms, on the Finchley Road, was the site of rehersals for the Eglington Tournament in 1839, a re-enactment of a medieval tournament with other games and entertainments held at Eglinton Castle, Ayrshire. These practice sessions were as popular as the main event, which drew 100,000 spectators. The artist, Benjamin Waterhouse Hawkins (1807-94) is better known for his natural history work: he contributed illustrations to ''The Zoology of the Voyage of HMS Beagle'' and created the life-size concrete dinosaurs at Crystal Palace.
[Ref: 56437] £280.00
(£336.00 incl.VAT)
The Tilt Yard of the 19.th Century. Near the Regents Park. Saturday July 13.th 1839. Heralds. Lord Glenlyon. Earl of Eglington. Retainers. Centre Figure the Marquis of Waterford. Cap.n Maynard. Retainer. [under]
Waterhouse Hawkins del.t. Printed by L.M. Lefevre, Newman St.
Published by Tho.s Mc.Lean, 26, Haymarket. [n.d. c.1845.]
Very rare lithograph with fine hand colour. 280 x 360mm (11 x 14¼").
A scene with two knights in full armour jousting, another tilting at rings and a third lancing a dummy. The Eyre Arms, on the Finchley Road, was the site of rehersals for the Eglington Tournament in 1839, a re-enactment of medieval joust with other games and entertainments held at Eglinton Castle, Ayrshire. These practice sessions were as popular as the main event, which drew 100,000 spectators. The artist, Benjamin Waterhouse Hawkins (1807-94) is better known for his natural history work: he contributed illustrations to ''The Zoology of the Voyage of HMS Beagle'' and created the life-size concrete dinosaurs at Crystal Palace. Collage: [uncoloured] p5387481. Ex collection: Norman Blackburn.
[Ref: 20758] £280.00
(£336.00 incl.VAT)
[Jousting armour.] Pieces des Armes rompce en lice faict au Naturel dans Le Logis de M. le Duc de Bellegar de grand Escuter de france. Figure 50. ooo 2 partie.
[drawn and engraved by Crispijn de Passe the younger.]
[Paris, c.1623.]
Engraving on two plates. Outer plate 315 x 410mm (12½ x 16"), large margins on 3 sides. Tears affecting image at top, damp stains and creasing. Small loss top right.
An illustration of various parts of a knight's jousting armour. Around the image is a separately-printed architectural border. A plate from Antoine de Pluvinel's important work on dressage, published first in 1623 as 'Le Maneige Royal' and secondly as 'L'instrvction du Roy, en L'exercice de Monter a Cheval' in 1625. Pluvinel (1562-1620), the first French riding master, taught Louis XIII to ride, and the king often takes centre stage in the plates from this work.
[Ref: 57452] £220.00
(£264.00 incl.VAT)
Tournament At Calais In 1416. Richard Earl Of Warwick Unhorsing Sir Collard Fynes.
Painted by Edward Corbould. Glyphographed by Thomas Taylor.
[n.d., c.1870.]
Glyphograph. Sheet 560 x 730mm (22 x 28¾").
An impressive example of the glyphograph printing method, patented in 1842, of creating a relief printing block by drawing through a composition on a metal plate, and making an electrotype of the result. After Edward Henry Corbould (1815 - 1905).
[Ref: 11348] £160.00
(£192.00 incl.VAT)
The Jovial Drinker. / A pox on those Fools, who exclaim against wine, / and fly the dear sweets that the Bottle doth bring, / It Heightens the Fancy; the Wit does Refine, / and he that was first drunk was made the first King...
Sutton Nicholls sculp.
Printed and Sold by Samuel Lyne at the Globe in Newgate Street London. [n.d. c.1740.]
Etching & engraving. 350 x 250mm (13¾ x 9¾"). Four tears into plate, two taped. left edge soiled.
A scene of a drunken man, wig askew, walking up a hill away from a walled city. On the right a woman supports a vomiting man. A rustic pub has a sign with a flask: the hill and the sign suggest this is the famous inn 'The Flask', in Highgate. Underneath are four verses, with music top right.
[Ref: 42271] £260.00
(£312.00 incl.VAT)
The Jovial Peasants. 226.
Hemskirk pinx.t. B. Clowes fecit.
Publish'd as the Act directs, 20th Jan:y 1772: by Rob.t Sayer, Map & Printseller, No 53 Fleet Street.
Fine mezzotint. 355 x 250mm (14 x 9¾"), with large margins.
Five boors in a vaulted tavern, singing, one on the right with his back to the viewer, holding up his glass and jug, another with his arms around a jug, a third smoking, a fourth sitting in a chair made of a barrel, asleep, and the fifth in the background to left, urinating. Engraved by Butler Clowes after Egbert van Heemskerck the younger.
[Ref: 53365] £350.00
The Jovial Toper.
[After Adriaen Brouwer].
Printed for Carington Bowles in St. Pauls Church Yard, London. [n.d., c.1770.]
Mezzotint. Platemark: 150 x 110mm (6 x 4¼"). Small margins. Small surface damage to shoulder.
A peasant man seated at a table, wearing a fur hat, with his head tilted to right, grinning and clutching a jug or tankard. Pieces of bread can be seen lying on the table to the left. Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 32984] £95.00
(£114.00 incl.VAT)
[Joy in Sweet Remembrance.]
W Dendy Sadler. James Dobie [pencil signatures.] W Dendy Sadler [etched into the plate.]
London, Published 1912 by L.H. Lefevre & Son, 1A King St. St. James' S.W. the proprietors of the Copyright. Printed by J. Brooker & Co. Copyright 1912 by L.H. Lefevre & Son, in U.S.A.
Etching., mint 692 x 554mm. 27¼ x 21¾". Scratch into left-hand margin. Crease to upper left-hand corner.
A woman seated at her writing table holding a letter in one hand a small miniature oval portrait in the other. Not in PSA.
[Ref: 19167] £130.00
(£156.00 incl.VAT)
Heroic Naval Action. This Plate of the Prize vesel 'Netuno', Commanded by Mr. R.B.Crawford, Mid.n of H.M.S. Esk, with one Gun and 5 men (in the Bight of Benin, March 20th 1826) beating off the Spanish Pirate 'Carolina', carrying 10 Guns and 90 Menm Commanded by Capt.n Antonio Soumath. ~ Is with permission Respectfully dedicated to Capt.n Sir Charles Bullen, C.B. &c. &c. &c. Commodore of the Ships & Vessels on the West.n African Station, by his Obliged & very Humble Servant, R.Ackermann.
Painted by W.Joy. Engraved by R.Duncan.
London. Pub.d October 1st 1836 by R.Ackermann, at his Eclipse, Sporting Gallery, 191 Regent Street.
Coloured aquatint. 390 x 540mm. Trimmed within plate.
A two-hour engagement with pirates off the coast of Nigeria, after which the pirates withdrew.
[Ref: 3495] £580.00
[Colonel Joyce, Who seized and took King Charles the First Prisoner at Holmby, June 3rd, 1647. Engraved from an original Picture late in the possession of Mr Rawle.]
[Published Aug.st 1. 1805 by W.m Richardson, 31 Strand.]
Stipple and aquatint, proof before all letters, scarce. sheet 320 x 205mm, 12½ x 8". Trimmed to plate and tipped into album page watermarked 1819.
Oval portrait of George Joyce (1618-c.1670), an Agitator (a political representative) in Cromwell's New Model Army. As the army and Parliament struggled for power in Civil War England, Joyce's seizure of the king changed the balance of power in favour of Cromwell. After the Restoration the astrologer William Lilly accused Joyce of being Charles I's masked executioner: an arrest warrent was issued, but Joyce and his family escaped to the Netherlands, where he was last heard of in 1670. See NPG D27172.
[Ref: 27208] £130.00
(£156.00 incl.VAT)
[Andrew J. Joyner] One of the Best Ch. H. 5yr. By Practical _ U.S.A.
Nap.
[n.d. c.1900.]
Watercolour and gouache, sheet 290 x 360mm (11½ x 14"). Creases and small tears.
A caricature of a American racehorse trainer Andrew J. Joyner (1861-1943) as a horse.
[Ref: 60710] £280.00
(£336.00 incl.VAT)
Dom Iuan d'Austriches Viceroy de Naples &c. [In ink underneath:] Naatis Filig Philippi IV.Reg.Hisp. mort. 17. 7br. 1679.
B. Moncornet excudit, avec privelege du Roy. [n.d. c.1649.]
Copper engraving. Plate 158 x 115mm. 6¼ x 4½".
Don Juan Jose de Austria (1629-1679) was a Spanish general and political figure. His father, Philip IV of Spain trained him for military command and political administration from a young age. He was sent to Naples in 1647 to support the viceroy of the time against the popular rising against the royal authority. He was then sent as viceroy to Sicily where he was recalled to complete the pacification of Catalonia. He was viceroy to restore order under a very strict "manu militari", under his father's instruction.
[Ref: 17600] £60.00
(£72.00 incl.VAT)
Invigilat nostro Austriacus pro Rege Ioannes: Que nitet Ore Fides, insita Corde viget.
[n.d. c.1700]
Engraving. Plate 222 x 159mm (8¾ x 6¼"). Crease.
Anonymous portrait, probably of Don Juan José of Austria (1629-79), natural son of Philip IV of Spain.
[Ref: 28750] £90.00
(£108.00 incl.VAT)
El Ex.mo S.or D.n Jorge Juan.
Castro sculp.t Carmona del.t et inc.t
[n.d. c.1773.]
Engraving, paper watermarked. Plate 254 x 184mm (10 x 7¼").
Jorge Juan y Santacilia (1713-1773) the Spanish mathematician, scientist, naval officer and mariner. In 1734, King Philip V of Spain asked Juan and fellow scientist Antonio de Ulloa to join the French Geodesic Mission organised by the French Academy of Sciences from Paris, under the command of the astronomer Louis Godin. The mission was to measure the length of a degree of meridian arc at the Equator in South America and to determine the roundness of the Earth. He discovered that the Earth is not perfectly spherical but is oblate. He also successfully measured the heights of the Andes using a barometer. For his work and discoveries in Ecuador and Peru he was elected a Fellow of the Royal Society. In 1757 he founded the Royal Astronomical Observatory of Madrid. Print based upon the bust portrait made by the sculptor Felipe de Castro for Jorge Juan's tomb in the church of St Martin, Madrid.
[Ref: 29912] £120.00
(£144.00 incl.VAT)
[Encore Une Belle Action De Juban. (6th May 1793)] [An Austrian officer defeated in a sword fight pleads for mercy and offers a pocket watch to his conqueror Juban.]
[French, Deroy? 1796 - 1805.]
Etching and aquatint with descriptive letterpress sheet, 195 x 135mm. 7¾ x 5¼". Slight stain upper right.
From a series of propaganda prints publicising the heroic exploits of French soldiers of the Revolutionary army on the battlefield; probably 'Les Fastes du Peuple français, ou tableaux raisonnés de toutes les actions héroïques et civiques du soldat et du citoyen français' by Jacques Grasset Saint-Sauveur. See BNF: FRBNF40253477.
[Ref: 15812] £90.00
(£108.00 incl.VAT)
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[Action Heroique De Juban, Sergent-Major au 5e. bataillon de Rhone et Loire. (8th April 1793)] [The French soldier Juban leaps into the water having destroyed a wooden bridge with his axe; thus preventing Austrian troops approaching the far bank from crossing.]
[French, Deroy? 1796 - 1805.]
Etching and aquatint with descriptive letterpress sheet, 195 x 135mm. 7¾ x 5¼". Slight staining.
From a series of propaganda prints publicising the heroic exploits of French soldiers of the Revolutionary army on the battlefield; probably 'Les Fastes du Peuple français, ou tableaux raisonnés de toutes les actions héroïques et civiques du soldat et du citoyen français' by Jacques Grasset Saint-Sauveur. See BNF: FRBNF40253477.
[Ref: 15818] £90.00
(£108.00 incl.VAT)
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[Charles James Fox] The Jubilee. "Let me die the death of the Righteous- -and let my latter be like this."
[James Gillray]
Pub.d August 2.d 1782, by E. D'Archery S.t James's Street.
Etching, sheet 250 x 335mm (9¾ x 13¼"). Trimmed within plate.
Depicting the political downfall of Charles James Fox (1749-1806), symbolized by a fox hanging from a gibbet. The Conway family, portrayed mostly as rats, dance triumphantly around the gallows. General Conway (1719-95), blindfolded and led by the duplicitous Shelburne (1737-1805), shown with one smiling face and another demonic, represents misguided leadership. Shelburne encourages the revelry while secretly mocking the crowd's gullibility. Conway ironically claims political innocence, oblivious to the obvious. Lord Hertford (1718-94), recently ousted from office, hopes for reinstatement, while Lady Hertford (1726-82) and their children, also depicted as rats, celebrate Fox’s demise with cruel glee. The gallows bears the inscription “Sic transit gloria Mundi” (Thus passes the glory of the world), underscoring the fleeting nature of political power, and the scene mocks the opportunism, hypocrisy, and blind ambition of Fox’s political opponents. Sequel to BM Satires 5966, ‘Dame rat, and her poor little ones.’ BM Satires 6018.
[Ref: 66243] £360.00
The Jubilee Meeting of the Baptist Missionary Society, held at Kettering (Northampton) on Wednesday June 1st. 1842.
From a drawing taken on the spot, by the Rev.d AG Fuller. On Stone by E. Walker.
R. Cartwright lith. Warwick Pl. Holborn [n.d. c.1842.]
A rare lithograph. 386 x 558mm. 15¼ x 22". Tearing and creasing into right-hand margin.
One of many missionary meetings in Kettering, England. William Knibb (1803-1845) was an English Baptist minister and missionary to Jamaica who is chiefly known for his work to free slaves; seen here in 1842 preaching in answer to criticism of the conduct of missionaries over the slaves. Here also he has returned to his home town to celebrate the golden jubilee of the Baptist Missionary Society.
[Ref: 20295] £260.00
(£312.00 incl.VAT)
Silver Jubilee Review. The King Leads His Fleet to Sea. [In pencil.] "Resolution" "Victoria & Albert" "Revenge" "Queen Elizabeth" "Rowilles" "Royal Sovereign".
Rowland Langmaid. [Signed in pencil.]
[n.d., c.1920.]
Etching. Platemark: 115 x 375mm (4½ x 14¾").
A view of the Royal Yacht Victoria & Albert, wearing Court Flags, proceeding through the lines of the heavy ships during the Fleet Review of 16th July 1935 to mark HM King George V’s Silver Jubilee year. Each ship is named below the image. By Rowland John Robb Langmaid R.A. (1897 - 1956). Born in Vancouver, Langmaid studied maritime art with William Lionel Wyllie and Langmaid was the official war artist to the Commander-in-Chief Mediterranean Fleet from 1941 to 1943.
[Ref: 38070] £260.00
(£312.00 incl.VAT)
Judas returning the Thirty Pieces of Silver to the Chief Priest and Elders. From the original Picture in the posession of F.Fanfhawe Esq, to whom this Plate is respectfully inscribed by his much obliged and very obedient Servant. B.B.Evans.
Painted by Rembrandt. Engraved by R.Dunkarton.
Publish'd Jany 1 1791, by B.B.Evan, Poultry London.
Fine mezzotint. 590 x 480mm (23¼ x 19"). Small margins.
View of an interior, the High Priest sits in the centre, on the right are five Elders and to the left is a secretary. Kneeling in the lower left of the image is Judas, the money at his side on the floor. Charrington 46 iii of iii. From the Oettingen-Wallerstein Collection. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65817] £420.00
[Judas returning the Thirty Pieces of Silver to the Chief Priest and Elders.]
[Painted by Rembrandt. Engraved by R.Dunkarton.]
[Publish'd Jany 1 1791, by B.B.Evan, Poultry London.]
Mezzotint. 595 x 480mm (23½ x 19"), large margins. Slightly creased.
View of an interior, the High Priest sits in the centre, on the right are five Elders and to the left is a secretary. Kneeling in the lower left of the image is Judas, the money at his side on the floor. Charrington 46 i of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65819] £320.00
Judas returning the Thirty Pieces of Silver to the Chief Priest and Elders. From the original Picture in the possession of J, Fanshaww Esq, to whom this Plate is respectfully inscribed by his much obliged and very obedient Servant, B.B. Evans.
Painted by Rembrandt. Engrav'd by R. Dunkarton.
Publish'd Jan.y 1 1791, by B.B. Evans, Poultry London.
A fine and rare mezzotint. 480 x 590mm (19 x 23¼") very large margins. Small tears in margins.
Judas kneeling on the on the ground, his hands joined in a gesture of abjuration, having thrown the thirty pieces of silver on the floor before the throne of the High Priest. Charrington: 46 unidentified state.
[Ref: 51974] £590.00
[A Judge.]
[Drawn & engraved by William Henry Pyne.]
Published by William Miller, Albermarle Street, Jan.y 1. 1805.
Hand-coloured aquatint, with letterpress sheet. Sheet: 365 x 250mm (14½ x 9¾"). Staple in bottom left corner.
A portrait of a Judge shown seated in large wooden chair with a large book resting on his knee. From 'The Costume of Great Britain', a book containing 60 plates of people at work and scenes of everyday life. William Henry Pyne (1769-1843), the son of a London weaver who became an artist and writer, was commissioned to write and illustrate the book by the publisher, William Miller of Albermarle Street, London. The illustrations are particularly notable as they portray British life on the eve of the Industrial Revolution. Abbey Life 430.
[Ref: 44616] £140.00
(£168.00 incl.VAT)
[Sir John Gurney] A sketch on the Western Circuit, 1835
[Anon.]
Lithograph with large margins, rare, printed area approx 140 x 130mm (5½ x 5"). 'Judge Gurney' in old ms verso.
Caricatured likeness of Sir John Gurney (1768-1845), judge. Gurney held first place in the king's bench, conducted the prosecution of two of the Cato Street conspirators in 1820, and in 1832 he was appointed a baron of the exchequer and was knighted. Ex: Collection of the Late Hon. C. Lennox-Boyd; not in O'D; for the Cato Street conspiracy, see ref. 21314.
[Ref: 35486] £160.00
(£192.00 incl.VAT)
The Judgment of Paris. Jun: But to bestow it on that Trapes / It mads me - Min: hang him Jackanapes.
H.W.Bunbury fecit et a cere incidit 1766.
Pub accor to Act by [name erased]...1st 1771
Engraving. 185 x 150mm. Trimmed to platemark; glued to backing sheet.
Paris, a peasant holding a crook, with the three hag-like goddesses. He hands his apple to Venus, who has Cupid hiding behind her skirts; Minerva rushes toward them brandishing a bottle; and Juno walks away, wearing a grenadier's uniform, scowling. Paris's dog chases a peacock and owl. Etched by Henry Bunbury whilst still a schoolboy. Bunbury was an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton). for coloured impression see ref. 26730; BM Satire 4920; see Timothy Clayton, 'The English Print, 1688-1802', p.245.
[Ref: 1046] £140.00
(£168.00 incl.VAT)
[Judgement Day] I am Alpha and Omega, the begining and the ending saith the Lord [...]
[n.d., c.1780.]
Etching. Sheet 175 x 115mm (7 x 4¼"). Trimmed close to image.
A depiction of Judgement Day, with the masses being herded by a skeleton with a bow on a horse and a demon with a pitchford standing on the snout of a fire-breathing monster. Above is Christ in a cloud and an angel.
[Ref: 58731] £130.00
(£156.00 incl.VAT)
The Judgment of Paris. Jun: But to bestow it on that Trapes It mads me. - Min: hang him Jackanapes.
H.W. Bunbury fecit et aere incidit 1766.
Pub. accor. to Act by [...] Aug 1st 1771.
Coloured etching, rare. 175 x 210mm, 7 x 8¼".
Paris, a peasant holding a crook, with the three hag-like goddesses. He hands his apple to Venus, who has Cupid hiding behind her skirts; Minerva rushes toward them brandishing a bottle; and Juno walks away, wearing a grenadier's uniform, scowling. Paris's dog chases a peacock and owl. BM Satire 4920; for uncoloured impression see ref. 1046.
[Ref: 26730] £130.00
(£156.00 incl.VAT)
[The Judgement of Paris.] [From (as it is thought) an ancient Painting, on a piece of Wall of Herculaneum, or Pompeja.]
[Ed.d F Burney del.t F. Bartolozzi sculp.t]
[Published April 6.th 1790 for S. Sastres/Vide Mercurio Italico Vol.III. p.70.]
Etching and engraving. Proof before all letters, scarce. Plate 158 x 202mm. 6¼ x 8". With small margins.
Paris, seated on the ground by the sea, facing clouds; seated on the clouds, Juno and Venus, holding an apple, and Minerva, standing, Cupid looking up at Venus, his arms resting on her right knee. Above the sea, lightning, and a rainbow can be seen. Illustration to 'Il Mercurio Italico,' 1790. De Vesme: 473; i/v.
[Ref: 20436] £180.00
(£216.00 incl.VAT)
The Judgement of Paris.
P Lely Eques delin: B.Lens fecit.
E. Cooper excudit Cum Privilegio Regis. [n.d. c.1700]
Very rare mezzotint, 300 x 220mm (11¾ x 8¾"). Small margins. Two printers' creases top left.
The shepherd Paris sits on the left beneath a tree, holding a staff and offering an apple to Venus, who stands in front of him with her infant son Cupid by her side. Behind her, Mars, clad in armor, looks over his shoulder at her rival Juno, who sits disgruntled in a chariot on the right, a peacock grazing nearby. In the left foreground, the third contender for the prize of beauty, Athena, is seated. Mercury stands behind Paris, gazing back over his shoulder while pointing at Venus, and two nymphs stand arm-in-arm behind him. From the upper right, four putti descend with garlands. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65527] £380.00
The Judgment of Paris. Jun: But to bestow it on that Trapes It mads me. - Min: hang him Jackanapes.
H.W. Bunbury fecit et aere incidit 1766.
Pub. accor. to Act by [...] Aug 1st 1771.
Etching, pt 18th century watermark. 180 x 210mm (7 x 8¼") Thread margins.
Paris, a peasant holding a crook, with the three hag-like goddesses. He hands his apple to Venus, who has Cupid hiding behind her skirts; Minerva rushes toward them brandishing a bottle; and Juno walks away, wearing a grenadier's uniform, scowling. Paris's dog chases a peacock and owl. BM Satire 4920; for another impression see ref. 1046.
[Ref: 52766] £70.00
(£84.00 incl.VAT)
Le Jugement De Paris. Grave d'apres le Tableau Original, qui est au Cabinet de M. le Comte de Cuypers et de Rymenam, a Brusselles.
R. Brookshaw fecit, 1778.
Mezzotint printed in sanguine, sheet 305 x 390mm. 12 x 15¼". Trimmed. Vertical crease through plate. Stained/soiled.
Paris was the son of Priam, king of Troy, and appears in a number of Greek legends. He awards the Apple of Discord to the goddess Aphrodite, choosing her as winner in a contest of beauty also involving Hera and Athena. By Richard Brookshaw (1736 - c. 1804), mezzotinter and draughtsman. He worked in London, Paris (from 1773), Brussels and Amsterdam (1779).
[Ref: 10259] £260.00
(£312.00 incl.VAT)
[The Judgment of Brutus upon his Sons- Exhibited in London 1818.]
Guillon le Thiere Pinx.t Rom 1810. Guill.me H. Rivula incise.
Etching. Sheet: 340 x 200mm (13½ x 8"). Laid on an album sheet at edges.
An etching of le Thiere's painting 'The Judgment of Brutus upon his Sons' by Guillaume Guillon Lethière which was exhibited in Bullocks's Museum in the Egyptian Hall Piccadilly in 1816.
[Ref: 42650] £140.00
(£168.00 incl.VAT)
[Judith with the head of Holofernes] Quadro di Tiziano Vecelli. Alto Palmi 5 once 3 Largo Palmi 4 once 3 XXII
Loren. Lorenzi del. Carlo Faucci sc. [c.1759]
Engraving, platemark 400 x 300mm (15¾ x 11¾"), with very large margins.
Judith with the head of Holofernes, after the painting (c.1570) by Titian, now in the Detroit Institute of Arts. This print was made as part of a set, 'Raccolta di stampe rappresentanti i quadri più scelti dei SS. Marchesi Gerini di Firenze', reproducing paintings from the Gerini collection in Florence. The painting entered the Gerini collection by 1677 and remained there until it was auctioned in 1825.
[Ref: 43153] £160.00
(£192.00 incl.VAT)
[Judith and Holofernes.] Bethulia innumero dum circumcingitur hoste...
[After Veronese.] v. Prenner del et inc.
[n.d., c.1730.]
Engraving. Plate: 325 x 260mm (12¾ x 10¼'') very large margins.
A portrait of Judith carrying the head of Holofernes after Veronese. From 'Theatrum Artis Pictoriae', a series of engravings of the paintings in the Gallery of Paintings in Vienna.
[Ref: 48025] £160.00
(£192.00 incl.VAT)