A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Tom Jones, (Commonly called Paddington Jones.)
Published by J. McGowan, G.t Windmill S.t [1826].
Stipple. Sheet 200 x 115mm (8 x 4½") Trimmed within plate left and bottom. Staining on left.
Paddington Tom Jones (1766-1833), active as a bare-knuckle boxer from 1785 to 1805, belived to have fought more bouts than any other. In 1799 he lost to Jem Belcher in the Middleweight Championship of England. Jones was elected to the International Boxing Hall of Fame in 2010. From John Badcock's 'The Fancy; or The True Sportsman’s Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward. By an Operator'.
[Ref: 50614] £90.00 (£108.00 incl.VAT)
Published by J. McGowan, G.t Windmill S.t [1826].
Stipple. Sheet 200 x 115mm (8 x 4½") Trimmed within plate left and bottom. Staining on left.
Paddington Tom Jones (1766-1833), active as a bare-knuckle boxer from 1785 to 1805, belived to have fought more bouts than any other. In 1799 he lost to Jem Belcher in the Middleweight Championship of England. Jones was elected to the International Boxing Hall of Fame in 2010. From John Badcock's 'The Fancy; or The True Sportsman’s Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward. By an Operator'.
[Ref: 50614] £90.00 (£108.00 incl.VAT)
Vera Effigies Guilielmi Iones Equitus Aurati et Utriusque Banci Iusticiar:
W. Sherwin sculp.
c. 1675.
Engraving. Sheet 240 x 145mm (9½ x 5¾"). Trimmed to image and laid on album paper. Toning. Three stains along upper margin.
Sir William Jones (1566-1640) was a Welsh judge and MP.
[Ref: 53749] £85.00 (£102.00 incl.VAT)
W. Sherwin sculp.
c. 1675.
Engraving. Sheet 240 x 145mm (9½ x 5¾"). Trimmed to image and laid on album paper. Toning. Three stains along upper margin.
Sir William Jones (1566-1640) was a Welsh judge and MP.
[Ref: 53749] £85.00 (£102.00 incl.VAT)
![[Maria Margaretha de Jonge van Ellemeet] The Right Hon:ble Margeretta Maria Lady North & Grey.](jpegs/67215.jpg)
[Maria Margaretha de Jonge van Ellemeet] The Right Hon:ble Margeretta Maria Lady North & Grey.
G Kneller. S.R. Imp: et Mag: Brit: Bart. pinx. J.Simon fec: et Exc:
[n.d., c.1720.]
Mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed into image on three sides, affecting inscription on right.
A three-quarter portrait of Maria Margaretha de Jonge van Ellemeet (1690-1762), daughter of Cornelis de Jonge van Ellemeet,, Receiver General of the Republic of the Seven United Netherlands. She married William North, 6th Baron North and 2nd Baron Grey, in 1705, who had lost a hand at the Battle of Bleinheim, but had to leave England because of his Jacobite leanings. In 1735 she married again, to Patrick Murray, 5th Lord Elibank, another Jacobite.
CS 111. Sharpe 396. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67215] £140.00 (£168.00 incl.VAT)
G Kneller. S.R. Imp: et Mag: Brit: Bart. pinx. J.Simon fec: et Exc:
[n.d., c.1720.]
Mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed into image on three sides, affecting inscription on right.
A three-quarter portrait of Maria Margaretha de Jonge van Ellemeet (1690-1762), daughter of Cornelis de Jonge van Ellemeet,, Receiver General of the Republic of the Seven United Netherlands. She married William North, 6th Baron North and 2nd Baron Grey, in 1705, who had lost a hand at the Battle of Bleinheim, but had to leave England because of his Jacobite leanings. In 1735 she married again, to Patrick Murray, 5th Lord Elibank, another Jacobite.
CS 111. Sharpe 396. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67215] £140.00 (£168.00 incl.VAT)
![[Maria Margaretha de Jonge van Ellemeet] The Right Hon:ble Margeretta Maria Lady North & Grey.](jpegs/67216.jpg)
[Maria Margaretha de Jonge van Ellemeet] The Right Hon:ble Margeretta Maria Lady North & Grey.
G Kneller. S.R. Imp: et Mag: Brit: Bart. pinx. J.Simon fec: et Exc:
[n.d., c.1720.]
Fine mezzotint. Sheet 355 x 250mm (14 x 9¾"). Small margins. Mounted on album paper at borders.
A three-quarter portrait of Maria Margaretha de Jonge van Ellemeet (1690-1762), daughter of Cornelis de Jonge van Ellemeet, Receiver General of the Republic of the Seven United Netherlands. She married William North, 6th Baron North and 2nd Baron Grey, in 1705, who had lost a hand at the Battle of Bleinheim, but had to leave England because of his Jacobite leanings. In 1735 she married again, to Patrick Murray, 5th Lord Elibank, another Jacobite.
CS 111. Sharpe 396. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67216] £260.00 (£312.00 incl.VAT)
G Kneller. S.R. Imp: et Mag: Brit: Bart. pinx. J.Simon fec: et Exc:
[n.d., c.1720.]
Fine mezzotint. Sheet 355 x 250mm (14 x 9¾"). Small margins. Mounted on album paper at borders.
A three-quarter portrait of Maria Margaretha de Jonge van Ellemeet (1690-1762), daughter of Cornelis de Jonge van Ellemeet, Receiver General of the Republic of the Seven United Netherlands. She married William North, 6th Baron North and 2nd Baron Grey, in 1705, who had lost a hand at the Battle of Bleinheim, but had to leave England because of his Jacobite leanings. In 1735 she married again, to Patrick Murray, 5th Lord Elibank, another Jacobite.
CS 111. Sharpe 396. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67216] £260.00 (£312.00 incl.VAT)
![[Ben Jonson.]](jpegs/68002.jpg)
[Ben Jonson.]
Ro:Vaughan fecit.
[London: Peake, 1640).]
Engraving. Sheet 170 x 105mm (6¾ x 4"). Trimmed and backed onto album paper at borders.
Portrait of Ben Jonson (1572-1637), English playwright. Frontis to "An Execration against Vulcan", 1640.
[Ref: 68002] £260.00 (£312.00 incl.VAT)
Ro:Vaughan fecit.
[London: Peake, 1640).]
Engraving. Sheet 170 x 105mm (6¾ x 4"). Trimmed and backed onto album paper at borders.
Portrait of Ben Jonson (1572-1637), English playwright. Frontis to "An Execration against Vulcan", 1640.
[Ref: 68002] £260.00 (£312.00 incl.VAT)
Vera Effigies Doctissimi Poetarum Anglorum Ben: Iohnsoni. Johnsoni typus; ecce.l qui furoris...Cui Solus similis, Figura vivet. O coudl there be an Art found out that might Produce so lively as to Write.
W. Elder sculp:
[n.d. c.1730.]
Engraving. 297 x 195mm. 11¾ x 7¾". Cut to plate.
Benjamin Jonson (1572-1637) was an English Renaissance dramatist, poet and actor. Best known for his satirical plays and his lyric poetry, he was a contemporary of William Shakespeare.
[Ref: 17122] £180.00 (£216.00 incl.VAT)
W. Elder sculp:
[n.d. c.1730.]
Engraving. 297 x 195mm. 11¾ x 7¾". Cut to plate.
Benjamin Jonson (1572-1637) was an English Renaissance dramatist, poet and actor. Best known for his satirical plays and his lyric poetry, he was a contemporary of William Shakespeare.
[Ref: 17122] £180.00 (£216.00 incl.VAT)
Ben Jonson. In the Collection of D.r. Mead.
J.Houbraken sculpsit. I. Oliver pinx.
Impensis I. & P. Knapton Londini 1738.
Engraving. 230 x 370mm (9 x 14½"). Slight foxing.
A half-length portrait of the playwright and poet Ben Jonson (1572-1637) from 'The Heads of Illustrious Persons of Great Britain' (1743-1752).
[Ref: 39501] £130.00 (£156.00 incl.VAT)
J.Houbraken sculpsit. I. Oliver pinx.
Impensis I. & P. Knapton Londini 1738.
Engraving. 230 x 370mm (9 x 14½"). Slight foxing.
A half-length portrait of the playwright and poet Ben Jonson (1572-1637) from 'The Heads of Illustrious Persons of Great Britain' (1743-1752).
[Ref: 39501] £130.00 (£156.00 incl.VAT)
Benjaminus Johnson. Obijt Anno. Dom 1687. Aetat 63. Fronti nulla Fides huic non dicatur: Apelle A tanto Vates, en redivivus ades. Immortale duplez micat hic opus: Illius Arte Forma, tua a Penna Fama, perennis erit. E Pinacotheca Nobilissimi & Honoratissimi Joannis Domini Sommers &c. Cui Tabulam hanc humillimè dicat.
Gerard Honthorst pinxit. Geo: Vertue, Londini Sculp. 1711. [Early issue]
Sold by G. Vertue at his house the further end of Brownlow street from Drury Lane.
Fine engraving. 370 x 250mm (14½ x 9¾"). Small margins.
Benjamin Jonson (1572-1637), Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
Alexander 75. Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 63873] £160.00 (£192.00 incl.VAT)
Gerard Honthorst pinxit. Geo: Vertue, Londini Sculp. 1711. [Early issue]
Sold by G. Vertue at his house the further end of Brownlow street from Drury Lane.
Fine engraving. 370 x 250mm (14½ x 9¾"). Small margins.
Benjamin Jonson (1572-1637), Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
Alexander 75. Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 63873] £160.00 (£192.00 incl.VAT)
Benjaminus Johnson. Obijt Anno. Dom 1687. Aetat 63. Fronti nulla Fides huic non dicatur: Apelle A tanto Vates, en redivivus ades. Immortale duplez micat hic opus: Illius Arte Forma, tua a Penna Fama, perennis erit. E Pinacotheca Nobilissimi & Honoratissimi Joannis Domini Sommers &c. Cui Tabulam hanc humillimè dicat.
Gerard Honthorst pinxit. Geo: Vertue, Londini Sculp.
Amico suo Mauritio Johnson I.C. Artium Amatori redicat 1730. G. Vertue.
Engraving. Plate 372 x 252mm (14¾ x 10") Fine.
Benjamin Jonson (1572-1637) was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
[Ref: 12633] £140.00 (£168.00 incl.VAT)
Gerard Honthorst pinxit. Geo: Vertue, Londini Sculp.
Amico suo Mauritio Johnson I.C. Artium Amatori redicat 1730. G. Vertue.
Engraving. Plate 372 x 252mm (14¾ x 10") Fine.
Benjamin Jonson (1572-1637) was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
[Ref: 12633] £140.00 (£168.00 incl.VAT)
Benjaminus Johnson. Obijt Anno} Dom. 1637. aetat. 63. Fronti nulla Fides huic non dicatur: Apelle A tanto, Vates, èn redivivus ades. Immortale duplex micat hic opus: Illius Arte Forma, tuâ a Pennâ Fama, perennis erit. E Pinacotheca Nobilissimi & Honoratissimi Joannis Domini Sommers &c. Cui Tabulam hanc humillimè dicat. Amico suo Mauritio Johnson I.C. Artium Amatori redicat 1730. G. Vertue.
Gerard Honthorst pinxit. Geo: Vertue, Londini Sculp.
[n.d. c.1730.]
Engraving. Image 369 x 253mm (14½ x 10"). Trimmed and laid on sheet. Some glue staining to the corners.
Benjamin Jonson (1572-1637) was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Col The Hon. C. Lennox-Boyd. In
[Ref: 12917] £290.00 (£348.00 incl.VAT)
Gerard Honthorst pinxit. Geo: Vertue, Londini Sculp.
[n.d. c.1730.]
Engraving. Image 369 x 253mm (14½ x 10"). Trimmed and laid on sheet. Some glue staining to the corners.
Benjamin Jonson (1572-1637) was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Col The Hon. C. Lennox-Boyd. In
[Ref: 12917] £290.00 (£348.00 incl.VAT)
Passage of the Jordan.
Madeley litho 3 Wellington St. Strand.
London. John Ollivier. 59 Pall Mall. [n.d. c.
Coloured lithograph, rare. 127 x 186mm. 5 x 7¼". Trimmed.
The crossing of the river Jordan. Black men swimming across with a large raft of boxes and equipment as European travellers wait for their turn on the near-side and a group of black spiritual leaders bowing down and praying.
[Ref: 26881] £70.00 (£84.00 incl.VAT)
Madeley litho 3 Wellington St. Strand.
London. John Ollivier. 59 Pall Mall. [n.d. c.
Coloured lithograph, rare. 127 x 186mm. 5 x 7¼". Trimmed.
The crossing of the river Jordan. Black men swimming across with a large raft of boxes and equipment as European travellers wait for their turn on the near-side and a group of black spiritual leaders bowing down and praying.
[Ref: 26881] £70.00 (£84.00 incl.VAT)
The Jordan
[Edward Morrison de Courcy Short]
[1887]
Pencil sketch, 175 x 140mm. 7 x 5½".
The River Jordan, which flows into the Dead Sea. From an album of 'sketches made on a trip round the world'. By Edward Morrison de Courcy Short, b.1857, who attended Charterhouse School, Surrey (1870-6). He passed the Ceylon Civil Service exam in 1878, and in 1905 became Chairman of the Municipal Council and Mayor of Colombo, retiring in 1910.
List of Carthusians, 1800-1879, by W.D. Parrish
[Ref: 11261] £30.00 (£36.00 incl.VAT)
[Edward Morrison de Courcy Short]
[1887]
Pencil sketch, 175 x 140mm. 7 x 5½".
The River Jordan, which flows into the Dead Sea. From an album of 'sketches made on a trip round the world'. By Edward Morrison de Courcy Short, b.1857, who attended Charterhouse School, Surrey (1870-6). He passed the Ceylon Civil Service exam in 1878, and in 1905 became Chairman of the Municipal Council and Mayor of Colombo, retiring in 1910.
List of Carthusians, 1800-1879, by W.D. Parrish
[Ref: 11261] £30.00 (£36.00 incl.VAT)
Island of Faroun in the Sea of Akabah.
Capt.n R. Moresby, I.N. G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
[n.d., c.1840.]
Tinted lithograph. Printed area 130 x 185mm (5 x 7¼"), large margins.
A view of Aqaba in Jordan, at the northern end of the Red Sea. The artist, Robert Moresby of the Honorable East India Company's Navy, spent 1829 to 1833 as captain of HEICS Palinurus (seen here at anchor), working on the first accurate survey of the Red Sea, enabling safe passage of steamships from Suez to India and ultimately making a Suez Canal commercially viable. Moresby's original is in the National Maritime Museum.
Not in Abbey.
[Ref: 41443] £110.00 (£132.00 incl.VAT)
Capt.n R. Moresby, I.N. G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
[n.d., c.1840.]
Tinted lithograph. Printed area 130 x 185mm (5 x 7¼"), large margins.
A view of Aqaba in Jordan, at the northern end of the Red Sea. The artist, Robert Moresby of the Honorable East India Company's Navy, spent 1829 to 1833 as captain of HEICS Palinurus (seen here at anchor), working on the first accurate survey of the Red Sea, enabling safe passage of steamships from Suez to India and ultimately making a Suez Canal commercially viable. Moresby's original is in the National Maritime Museum.
Not in Abbey.
[Ref: 41443] £110.00 (£132.00 incl.VAT)
![[Jerash] Djerasch. Vue d'un Temple Pris du Sud.](jpegs/44607.jpg)
[Jerash] Djerasch. Vue d'un Temple Pris du Sud. View of a Temple Taken from the South.
Dessiné par l'Auteur. Lith. par Deroy et imp. chez L. Letronne.
[Paris, Firmin Didot, Frères Editeurs, 1837.]
Tinted lithograph. Sheet 300 x 450mm (11½ x 17¾") large margins. Trimmed from a larger sheet.
The Jerash Temple of Artemis, one of the most remarkable monuments left of the ancient city of Gerasa. It was completed 150AD and eleven of the twelve Corinthian columns still stand. From Léon de Laborde's 'Voyage en Syrie'.
[Ref: 44607] £180.00 (£216.00 incl.VAT)
Dessiné par l'Auteur. Lith. par Deroy et imp. chez L. Letronne.
[Paris, Firmin Didot, Frères Editeurs, 1837.]
Tinted lithograph. Sheet 300 x 450mm (11½ x 17¾") large margins. Trimmed from a larger sheet.
The Jerash Temple of Artemis, one of the most remarkable monuments left of the ancient city of Gerasa. It was completed 150AD and eleven of the twelve Corinthian columns still stand. From Léon de Laborde's 'Voyage en Syrie'.
[Ref: 44607] £180.00 (£216.00 incl.VAT)
![[Jerash] Djerasch. Petir Temple Ruiné près de la Colonnade.](jpegs/44608.jpg)
[Jerash] Djerasch. Petir Temple Ruiné près de la Colonnade. Ruins of a Little Temple near the Colonade.
Dessiné par l'Auteur. Lith. par Deroy et imp. chez L. Letronne.
[Paris, Firmin Didot, Frères Editeurs, 1837.]
Tinted lithograph. Sheet 310 x 450mm (12¼ x 17¾") large margins. Trimmed from a larger sheet.
One of the Roman ruins in Jerash, the ancient city of Gerasa. From Léon de Laborde's 'Voyage en Syrie'.
[Ref: 44608] £150.00 (£180.00 incl.VAT)
Dessiné par l'Auteur. Lith. par Deroy et imp. chez L. Letronne.
[Paris, Firmin Didot, Frères Editeurs, 1837.]
Tinted lithograph. Sheet 310 x 450mm (12¼ x 17¾") large margins. Trimmed from a larger sheet.
One of the Roman ruins in Jerash, the ancient city of Gerasa. From Léon de Laborde's 'Voyage en Syrie'.
[Ref: 44608] £150.00 (£180.00 incl.VAT)
![[Middle East.] Arabien.](jpegs/46028.jpg)
[Middle East.] Arabien. Der Kasneh Pharao in Petra.
[Emil Wendt.][n.d.,c.,1850]
[Leipzig, verlag von Dürffling und Frante.]
Engraving, platemark 270 x 315mm (10½ x 12½"), with very large margins.
A collection of vignettes of views of the Middle East arranged around a central view of the ancient temple in Petra; other views include 'Mekka', 'Amphitheater in Petra', 'Katharienkloster auf dem Sinai'. A plate from Emil Wendt's 'Bilderatlas der Länderkunde...'
[Ref: 46028] £160.00 (£192.00 incl.VAT)
[Emil Wendt.][n.d.,c.,1850]
[Leipzig, verlag von Dürffling und Frante.]
Engraving, platemark 270 x 315mm (10½ x 12½"), with very large margins.
A collection of vignettes of views of the Middle East arranged around a central view of the ancient temple in Petra; other views include 'Mekka', 'Amphitheater in Petra', 'Katharienkloster auf dem Sinai'. A plate from Emil Wendt's 'Bilderatlas der Länderkunde...'
[Ref: 46028] £160.00 (£192.00 incl.VAT)
Sr: Joseph Jordan Admirall.
P. Lely Pinxit. R. Tompson excudit.
[R. Tompson n.d. c.1670.]
A very rare mezzotint. 338 x 250mm. Cut to the platemark.
Sir Joseph Jordan, (1603-1685) was a naval officer and admiral. From a Thames shipowning family, he is initially recorded as importing tobacco from Nevis and Barbados aboard the Amity. During the English Civil War, he served in the parliamentary navy commanding the merchantman Caesar in the summer guard of 1642; later that year he was recorded taking castles around the Isle of Wight. In 1643 he served as rear-admiral in the Irish guard and the following year was active off the Channel Islands and at the relief of Lyme Regis and, in 1645, the siege of Weymouth. He remained loyal to parliament during the 1648 naval revolt and in February 1649 signed remonstrance congratulating the army and the Commons for restoring liberty. Following a short period abroad, Jordan resumed his naval career in 1650, was a flag-officer in the First Anglo-Dutch War and a member of the expedition against Algiers and Tunis under Robert Blake in April 1655. He was brought into service again in 1664 and served as a flag-officer in the Second Anglo-Dutch War, 1665-7, knighted in 1665 after the Battle of Lowestoft; was rear-admiral of the Red squadron, with George Monck, 1st Duke of Albemarle, in the inconclusive Four Days Battle, June 1-4 1666, and vice-admiral of the Red at the victory in the St. James's Day Battle, 25 July 1666. In the Third Anglo-Dutch War, 1672-4., as vice-admiral of the Blue, he led the fleet into action in HMS Sovereign of the Seas, 100 guns, in the Battle of Solebay, 28th. May 1672. At the time it was alleged he had deliberately chosen to expose to danger Admiral Edward Montagu, 1st Earl of Sandwich, HMS Royal James, who died in the battle, in order to protect the Duke of York, later James II of England.
Parker: 498. In the NMM. From the Collection of Viscount Hood.
[Ref: 12479] £360.00
P. Lely Pinxit. R. Tompson excudit.
[R. Tompson n.d. c.1670.]
A very rare mezzotint. 338 x 250mm. Cut to the platemark.
Sir Joseph Jordan, (1603-1685) was a naval officer and admiral. From a Thames shipowning family, he is initially recorded as importing tobacco from Nevis and Barbados aboard the Amity. During the English Civil War, he served in the parliamentary navy commanding the merchantman Caesar in the summer guard of 1642; later that year he was recorded taking castles around the Isle of Wight. In 1643 he served as rear-admiral in the Irish guard and the following year was active off the Channel Islands and at the relief of Lyme Regis and, in 1645, the siege of Weymouth. He remained loyal to parliament during the 1648 naval revolt and in February 1649 signed remonstrance congratulating the army and the Commons for restoring liberty. Following a short period abroad, Jordan resumed his naval career in 1650, was a flag-officer in the First Anglo-Dutch War and a member of the expedition against Algiers and Tunis under Robert Blake in April 1655. He was brought into service again in 1664 and served as a flag-officer in the Second Anglo-Dutch War, 1665-7, knighted in 1665 after the Battle of Lowestoft; was rear-admiral of the Red squadron, with George Monck, 1st Duke of Albemarle, in the inconclusive Four Days Battle, June 1-4 1666, and vice-admiral of the Red at the victory in the St. James's Day Battle, 25 July 1666. In the Third Anglo-Dutch War, 1672-4., as vice-admiral of the Blue, he led the fleet into action in HMS Sovereign of the Seas, 100 guns, in the Battle of Solebay, 28th. May 1672. At the time it was alleged he had deliberately chosen to expose to danger Admiral Edward Montagu, 1st Earl of Sandwich, HMS Royal James, who died in the battle, in order to protect the Duke of York, later James II of England.
Parker: 498. In the NMM. From the Collection of Viscount Hood.
[Ref: 12479] £360.00
![[Joseph in Egypt] Tum Josephum patrem suum Jacobum adduxit et in conspectu Pharaonis statuit.](jpegs/43540.jpg)
[Joseph in Egypt] Tum Josephum patrem suum Jacobum adduxit et in conspectu Pharaonis statuit. And Joseph brought in Jacob his father, and set him before Pharaoh. Genesis Caput XLVII Ver. VII.
Ferdinand Bol pinxit. J. Seydelmann delin.t Dresden. W. Ward Sculpsit.
Published Jan.y 1. 1792 by A.C. Poggi, St George's Row, Hyde Park, London.
Mezzotint, printed in colours. 475 x 565mm (18¾ x 22¼"), with large margins. Creasing, staining on right in margin.
Despite being extremely rare there is evidence of re-engraving, especially around Pharoah's face.
Not listed in Frankau. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 43540] £240.00 (£288.00 incl.VAT)
Ferdinand Bol pinxit. J. Seydelmann delin.t Dresden. W. Ward Sculpsit.
Published Jan.y 1. 1792 by A.C. Poggi, St George's Row, Hyde Park, London.
Mezzotint, printed in colours. 475 x 565mm (18¾ x 22¼"), with large margins. Creasing, staining on right in margin.
Despite being extremely rare there is evidence of re-engraving, especially around Pharoah's face.
Not listed in Frankau. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 43540] £240.00 (£288.00 incl.VAT)
To Abraham Goldsmid Esq.r This Plate of Joseph's Bretheren Presenting his Bloody Coat to Jacob their Father, is by Permission Dedicated by his Oblidg'd Serv.t John Jeffryes.
T. Stothard Pinx.t. J. Young Sculp.t.
London Published June 1st 1798 by John Jeffryes Ludgate Hill.
Mezzotint. 445 x 545mm (17½ x 21½"). Very large margins.
Jacob clasping his hands together grief-stricken at the sight of Joseph's striped coat which Joseph's brothers hold up for him as evidence of his death, while Benjamin, a little boy, looks up. Abraham Goldsmid (c. 1756-1810) was a bill-broker in London in partnership with his brother Benjamin, dealing with the government during the Napoleonic wars. In 1810 Abraham was joint contractor with Thomas Baring for a government loan of £14,000,000; , but owing to a depreciation of the scrip he was forced into bankruptcy and committed suicide.
Ex collection of the Hon. Christopher Lennox-Boyd. From the Oettingen-Wallerstein Collection, Sotheby's London Lot 627 13/11/97.
[Ref: 38224] £260.00 (£312.00 incl.VAT)
T. Stothard Pinx.t. J. Young Sculp.t.
London Published June 1st 1798 by John Jeffryes Ludgate Hill.
Mezzotint. 445 x 545mm (17½ x 21½"). Very large margins.
Jacob clasping his hands together grief-stricken at the sight of Joseph's striped coat which Joseph's brothers hold up for him as evidence of his death, while Benjamin, a little boy, looks up. Abraham Goldsmid (c. 1756-1810) was a bill-broker in London in partnership with his brother Benjamin, dealing with the government during the Napoleonic wars. In 1810 Abraham was joint contractor with Thomas Baring for a government loan of £14,000,000; , but owing to a depreciation of the scrip he was forced into bankruptcy and committed suicide.
Ex collection of the Hon. Christopher Lennox-Boyd. From the Oettingen-Wallerstein Collection, Sotheby's London Lot 627 13/11/97.
[Ref: 38224] £260.00 (£312.00 incl.VAT)
To Abraham Goldsmid Esq.r This Plate of Joseph Interpreting the Dream of Pharaoh's Chief Butler & Baker is by Permission Dedicated by his Oblidg'd Serv.t John Jeffryes.
T. Stothard Pinx.t. J. Young Sculp.t.
London Published June 1st 1798 by John Jeffryes Ludgate Hill.
Mezzotint. 445 x 545mm (17½ x 21½"). Very large margins.
Joseph and Pharaoh's butler and baker: the butler to right, rejoicing; the baker turning aside to weep as he hears he will be hanged Abraham Goldsmid (c. 1756-1810) was a bill-broker in London in partnership with his brother Benjamin, dealing with the government during the Napoleonic wars. In 1810 Abraham was joint contractor with Thomas Baring for a government loan of £14,000,000; , but owing to a depreciation of the scrip he was forced into bankruptcy and committed suicide.
Ex collection of the Hon. Christopher Lennox-Boyd. From the Oettingen-Wallerstein Collection, Sotheby's London Lot 627 13/11/97.
[Ref: 38220] £260.00 (£312.00 incl.VAT)
T. Stothard Pinx.t. J. Young Sculp.t.
London Published June 1st 1798 by John Jeffryes Ludgate Hill.
Mezzotint. 445 x 545mm (17½ x 21½"). Very large margins.
Joseph and Pharaoh's butler and baker: the butler to right, rejoicing; the baker turning aside to weep as he hears he will be hanged Abraham Goldsmid (c. 1756-1810) was a bill-broker in London in partnership with his brother Benjamin, dealing with the government during the Napoleonic wars. In 1810 Abraham was joint contractor with Thomas Baring for a government loan of £14,000,000; , but owing to a depreciation of the scrip he was forced into bankruptcy and committed suicide.
Ex collection of the Hon. Christopher Lennox-Boyd. From the Oettingen-Wallerstein Collection, Sotheby's London Lot 627 13/11/97.
[Ref: 38220] £260.00 (£312.00 incl.VAT)
Joseph sold by his Brethren to the Ishmeelites. Then there passed by Midianites merchant-men: and they drew and lift up Joseph out of the pit [...]
Printed for & sold by Carington Bowles. No. 69 in St Pauls Church Yard, London. Publish'd as the Act directs 2 Sep.r 1783.
Engraving, sheet 175 x 250mm (7 x 9¾"). Trimmed and glued to backing sheet.
Illustration from the Book of Genesis, showing the moment when Joseph was sold into slavery by his brothers, who then told their father Jacob that Joseph had been killed. One of a set of Biblical illustrations published by Carington Bowles. The camels are particularly splendid.
[Ref: 44210] £95.00 (£114.00 incl.VAT)
Printed for & sold by Carington Bowles. No. 69 in St Pauls Church Yard, London. Publish'd as the Act directs 2 Sep.r 1783.
Engraving, sheet 175 x 250mm (7 x 9¾"). Trimmed and glued to backing sheet.
Illustration from the Book of Genesis, showing the moment when Joseph was sold into slavery by his brothers, who then told their father Jacob that Joseph had been killed. One of a set of Biblical illustrations published by Carington Bowles. The camels are particularly splendid.
[Ref: 44210] £95.00 (£114.00 incl.VAT)
Joseph and his Brethren.
[n.d., c.1840.]
Rare wood engraving with bright original hand colour. Printed area 160 x 345mm (6¼ x 13½"). Tear entering image on left.
Joseph, wearing his coast of many colours, takes Jacob's hand and gestures towards Egypt.
[Ref: 53452] £95.00 (£114.00 incl.VAT)
[n.d., c.1840.]
Rare wood engraving with bright original hand colour. Printed area 160 x 345mm (6¼ x 13½"). Tear entering image on left.
Joseph, wearing his coast of many colours, takes Jacob's hand and gestures towards Egypt.
[Ref: 53452] £95.00 (£114.00 incl.VAT)
Erat fames in Terra Chanàan. Et Joseph erat Princeps in terra Aegypti...
Barth. Breenbergh inventor et Pinxit.
P.Schenck Junior Excudit. N.º. 65 [n.d., c.1700].
Very fine etching. Sheet 480 x 690mm (19 x 27¼"). Trimmed within plate, laid on album paper.
Joseph stands on a platform of a palatial building, with a servant holding a parasol over his head, overseeing the distribution of grain. Despite the setting being Egypt the scenery is distinctly Roman, with what appears to be Trajan's Column and the three pillars of the Temple of Castor and Pollux in the Forum. Dutch painter Bartholomeus Breenbergh (c.1598-c.1657) spent a decade living and working in Rome in the 1620s.
Hollstein 1, state iii of iii.
[Ref: 67766] £280.00 (£336.00 incl.VAT)
Barth. Breenbergh inventor et Pinxit.
P.Schenck Junior Excudit. N.º. 65 [n.d., c.1700].
Very fine etching. Sheet 480 x 690mm (19 x 27¼"). Trimmed within plate, laid on album paper.
Joseph stands on a platform of a palatial building, with a servant holding a parasol over his head, overseeing the distribution of grain. Despite the setting being Egypt the scenery is distinctly Roman, with what appears to be Trajan's Column and the three pillars of the Temple of Castor and Pollux in the Forum. Dutch painter Bartholomeus Breenbergh (c.1598-c.1657) spent a decade living and working in Rome in the 1620s.
Hollstein 1, state iii of iii.
[Ref: 67766] £280.00 (£336.00 incl.VAT)
![[Joseph in Egypt] Tum Josephum patrem suum Jacobum adduxit et in conspectu Pharaonis statuit.](jpegs/56667.jpg)
[Joseph in Egypt] Tum Josephum patrem suum Jacobum adduxit et in conspectu Pharaonis statuit. And Joseph brought in Jacob his father, and set him before Pharaoh. Genesis Caput XLVII Ver. VII.
Ferdinand Bol pinxit. J. Seydelmann delin.t Dresden. W. Ward Sculpsit.
Published Jan.y 1. 1792 by A.C. Poggi, St George's Row, Hyde Park, London.
Mezzotint. Sheet 475 x 565mm (18¾ x 22¼"). Trimmed into plate, two vertical folds.
Joseph stands beside Pharaoh, both dressed extravagently, presenting his soberly-dressed father, who kneels.
Not listed in Frankau. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 56667] £140.00 (£168.00 incl.VAT)
Ferdinand Bol pinxit. J. Seydelmann delin.t Dresden. W. Ward Sculpsit.
Published Jan.y 1. 1792 by A.C. Poggi, St George's Row, Hyde Park, London.
Mezzotint. Sheet 475 x 565mm (18¾ x 22¼"). Trimmed into plate, two vertical folds.
Joseph stands beside Pharaoh, both dressed extravagently, presenting his soberly-dressed father, who kneels.
Not listed in Frankau. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 56667] £140.00 (£168.00 incl.VAT)
![[Joseph and Potiphar's wife.]](jpegs/64549.jpg)
[Joseph and Potiphar's wife.]
[after Raphael.]
I. King exc. [but John Boydell, c.1805].
Mezzotint. 160 x 190mm (6¼ x 7½"). Thread margins, corners with damage and stains.
Zuleika tries to stop Joseph leaving her bedchamber by grabbing his cloak. From one of the frescos in the series known as 'Raphael's Bible', in the vault of the Vatican Loggie. Boydell re-issued the plate in his 'Collection of Portraits', 1805.
BM 1870,0514.2754, 'doubtless a re-issue by King of an earlier plate'. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64549] £80.00 (£96.00 incl.VAT)
[after Raphael.]
I. King exc. [but John Boydell, c.1805].
Mezzotint. 160 x 190mm (6¼ x 7½"). Thread margins, corners with damage and stains.
Zuleika tries to stop Joseph leaving her bedchamber by grabbing his cloak. From one of the frescos in the series known as 'Raphael's Bible', in the vault of the Vatican Loggie. Boydell re-issued the plate in his 'Collection of Portraits', 1805.
BM 1870,0514.2754, 'doubtless a re-issue by King of an earlier plate'. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64549] £80.00 (£96.00 incl.VAT)
![[Joseph and Potiphar's wife.]](jpegs/64550.jpg)
[Joseph and Potiphar's wife.]
[after Raphael.]
I. King exc. [but John Boydell, c.1805].
Mezzotint. 160 x 190mm (6¼ x 7½"). Thread margins, corners with damage and stains, printer's crease, mounted on album paper at corners.
Zuleika tries to stop Joseph leaving her bedchamber by grabbing his cloak. From one of the frescos in the series known as 'Raphael's Bible', in the vault of the Vatican Loggie. Boydell re-issued the plate in his 'Collection of Portraits', 1805.
BM 1870,0514.2754, 'doubtless a re-issue by King of an earlier plate'. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64550] £180.00 (£216.00 incl.VAT)
[after Raphael.]
I. King exc. [but John Boydell, c.1805].
Mezzotint. 160 x 190mm (6¼ x 7½"). Thread margins, corners with damage and stains, printer's crease, mounted on album paper at corners.
Zuleika tries to stop Joseph leaving her bedchamber by grabbing his cloak. From one of the frescos in the series known as 'Raphael's Bible', in the vault of the Vatican Loggie. Boydell re-issued the plate in his 'Collection of Portraits', 1805.
BM 1870,0514.2754, 'doubtless a re-issue by King of an earlier plate'. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64550] £180.00 (£216.00 incl.VAT)
![[Joseph and Potiphar's wife.]](jpegs/64551.jpg)
[Joseph and Potiphar's wife.]
[after Raphael.]
I. King exc. [but John Boydell, c.1805].
Mezzotint. 160 x 190mm (6¼ x 7½"). Thread margins.
Zuleika tries to stop Joseph leaving her bedchamber by grabbing his cloak. From one of the frescos in the series known as 'Raphael's Bible', in the vault of the Vatican Loggie. Boydell re-issued the plate in his 'Collection of Portraits', 1805.
BM 1870,0514.2754, 'doubtless a re-issue by King of an earlier plate'. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64551] £140.00 (£168.00 incl.VAT)
[after Raphael.]
I. King exc. [but John Boydell, c.1805].
Mezzotint. 160 x 190mm (6¼ x 7½"). Thread margins.
Zuleika tries to stop Joseph leaving her bedchamber by grabbing his cloak. From one of the frescos in the series known as 'Raphael's Bible', in the vault of the Vatican Loggie. Boydell re-issued the plate in his 'Collection of Portraits', 1805.
BM 1870,0514.2754, 'doubtless a re-issue by King of an earlier plate'. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64551] £140.00 (£168.00 incl.VAT)
![[Joseph and Potiphar's wife.]](jpegs/14712.jpg)
[Joseph and Potiphar's wife.] Al Senatore Cavaliere Marco Martelli...[dedication by the engraver.]
Gio. Francesco Biliverti dip: Carlo Bozzolini dis: Franco. Rainaldi inc: in Fire. l'An: 1796.
In Firenze nella R. Galleria. In Roma presso Niccola de Antoni in via del corso N 35.
Engraving, 405 x 425mm. 16 x 16¾". Uncut.
Zuleika tries to stop Joseph leaving her bedchamber; at far left a turban and a pearl necklace on a table. An illustration from the Book of Genesis's account of Joseph. Joseph, sold into slavery by his brothers, is taken to Egypt where he is sold to Potiphar as a household slave. Potiphar makes Joseph the head of his household, but Potiphar's wife Zuleika, furious at Joseph for resisting her attempts to seduce him into sleeping with her, accuses him falsely of attempting to rape her. Potiphar casts Joseph into prison, where he comes to the notice of Pharaoh through his ability to interpret the dreams of other prisoners. The story appears in the Koran also, where the name Zuleika is given. After the painting by Giovanni Biliverti (1585 - 1644) in the Palazzo Pitti, Florence.
[Ref: 14712] £280.00 (£336.00 incl.VAT)
Gio. Francesco Biliverti dip: Carlo Bozzolini dis: Franco. Rainaldi inc: in Fire. l'An: 1796.
In Firenze nella R. Galleria. In Roma presso Niccola de Antoni in via del corso N 35.
Engraving, 405 x 425mm. 16 x 16¾". Uncut.
Zuleika tries to stop Joseph leaving her bedchamber; at far left a turban and a pearl necklace on a table. An illustration from the Book of Genesis's account of Joseph. Joseph, sold into slavery by his brothers, is taken to Egypt where he is sold to Potiphar as a household slave. Potiphar makes Joseph the head of his household, but Potiphar's wife Zuleika, furious at Joseph for resisting her attempts to seduce him into sleeping with her, accuses him falsely of attempting to rape her. Potiphar casts Joseph into prison, where he comes to the notice of Pharaoh through his ability to interpret the dreams of other prisoners. The story appears in the Koran also, where the name Zuleika is given. After the painting by Giovanni Biliverti (1585 - 1644) in the Palazzo Pitti, Florence.
[Ref: 14712] £280.00 (£336.00 incl.VAT)
![[Joseph trying to escape from Zuleika.]](jpegs/9823.jpg)
[Joseph trying to escape from Zuleika.]
I. King exc [n.d., c.1730].
Mezzotint, 155 x 190mm. 6 x 7½".
Zuleika pulls at Joseph's cloak in an attempt to draw him towards the couch behind her to left, in a rich interior, she wearing a loose grecian gown with pearls in her hair. The story of Zuleika, wife of Potiphar, and Joseph appears in the Judaeo-Christian Old Testament and in the Koran. In the Old Testament she is described simply as Potiphar's wife, her name being given only in the Koran. Mezzotint after the fresco in the vault of the Vatican Loggie, part of the series known as 'Raphael's Bible' and probably taken from Marcantonio's engraving or another 17th century engraving of the scene. Published by John King (1698 - 1748; fl.), a large-scale printseller of the eighteenth century whose name and address at the Globe against the Church in the Poultry are found on many later re-issues of seventeenth-century engravings.
Chaloner Smith: undescribed. BM: 1870,0514.2754.
[Ref: 9823] £95.00 (£114.00 incl.VAT)
I. King exc [n.d., c.1730].
Mezzotint, 155 x 190mm. 6 x 7½".
Zuleika pulls at Joseph's cloak in an attempt to draw him towards the couch behind her to left, in a rich interior, she wearing a loose grecian gown with pearls in her hair. The story of Zuleika, wife of Potiphar, and Joseph appears in the Judaeo-Christian Old Testament and in the Koran. In the Old Testament she is described simply as Potiphar's wife, her name being given only in the Koran. Mezzotint after the fresco in the vault of the Vatican Loggie, part of the series known as 'Raphael's Bible' and probably taken from Marcantonio's engraving or another 17th century engraving of the scene. Published by John King (1698 - 1748; fl.), a large-scale printseller of the eighteenth century whose name and address at the Globe against the Church in the Poultry are found on many later re-issues of seventeenth-century engravings.
Chaloner Smith: undescribed. BM: 1870,0514.2754.
[Ref: 9823] £95.00 (£114.00 incl.VAT)
![[Joseph with Zuleika.]](jpegs/30880.jpg)
[Joseph with Zuleika.]
[Raphael.]
I. King exc. [n.d. c.1730.]
Mezzotint. 158 x 190mm (6¼ x 7½"). Cut inside image.
Joseph trying to escape from Zuleika, Potiphar's wife, who pulls at his cloak in an attempt to draw him towards the couch behind her to left, in a rich interior, she wearing a loose grecian gown with pearls in her hair. After the fresco in the vault of the Vatican Loggie, part of the series known as 'Raphael's Bible'. Probably taken from the engraving by Marcantonio, or one of the early 17th century sets of plates of the series. According to the BM, this is doubtless a re-issue by King of an earlier plate, though Ganz records no other edition.
[Ref: 30880] £90.00 (£108.00 incl.VAT)
[Raphael.]
I. King exc. [n.d. c.1730.]
Mezzotint. 158 x 190mm (6¼ x 7½"). Cut inside image.
Joseph trying to escape from Zuleika, Potiphar's wife, who pulls at his cloak in an attempt to draw him towards the couch behind her to left, in a rich interior, she wearing a loose grecian gown with pearls in her hair. After the fresco in the vault of the Vatican Loggie, part of the series known as 'Raphael's Bible'. Probably taken from the engraving by Marcantonio, or one of the early 17th century sets of plates of the series. According to the BM, this is doubtless a re-issue by King of an earlier plate, though Ganz records no other edition.
[Ref: 30880] £90.00 (£108.00 incl.VAT)
Iosephus Rex Portugalliae. nat: d: 6. Juny 1714.
J: E: Nilson, inv: sculps: et excud: A:V.
[n.d. c.1760.]
Etching. 223 x 165mm. 8¾ x 6½". Trimmed and laid on album page. Foxing down left-hand edge.
Joseph I (1714-1777) the Reformer, King of Portugal. His private life was aired by his wife, Spanish Infanta, Mariana Victoria of Spain, who did not like the King's affairs and only exposed them to acquaintances. He was devoted to the Church and opera, and assembled one of the greatest collections of operatic scores in Europe. With Joseph's ascent to the throne in 1750, he placed power in the hands of Sebastiao Jose de Carvalho e Melo, Marquis of Pombal, who sought to overhaul all aspects of economic, social and colonial policy to make Portugal a more efficient contender with other European powers.
[Ref: 17588] £60.00 (£72.00 incl.VAT)
J: E: Nilson, inv: sculps: et excud: A:V.
[n.d. c.1760.]
Etching. 223 x 165mm. 8¾ x 6½". Trimmed and laid on album page. Foxing down left-hand edge.
Joseph I (1714-1777) the Reformer, King of Portugal. His private life was aired by his wife, Spanish Infanta, Mariana Victoria of Spain, who did not like the King's affairs and only exposed them to acquaintances. He was devoted to the Church and opera, and assembled one of the greatest collections of operatic scores in Europe. With Joseph's ascent to the throne in 1750, he placed power in the hands of Sebastiao Jose de Carvalho e Melo, Marquis of Pombal, who sought to overhaul all aspects of economic, social and colonial policy to make Portugal a more efficient contender with other European powers.
[Ref: 17588] £60.00 (£72.00 incl.VAT)
![Augustus Germ: Hungariae q' Rex Iosephus I. die 13. Iuly e venatione redux, cum Sam. Eucharistiam cleferentem Sacerdotem obuium habaret...[etc.]](jpegs/13826.jpg)
Augustus Germ: Hungariae q' Rex Iosephus I. die 13. Iuly e venatione redux, cum Sam. Eucharistiam cleferentem Sacerdotem obuium habaret...[etc.]
C. Luyken fecit.
Chr: Weigel exc: [Nuremberg, c.1700.]
Copper engraving, 290 x 360mm. 11½ x 14¼". Centrefold as normal.
Joseph I (1678 - 1711), Holy Roman Emperor, King of Bohemia, King of Hungary, King of the Romans, kneeling with his retinue before a delegation of priests in front of a hospital; a town prospect in the background. Published by Christoph Weigel (1654 - 1725).
[Ref: 13826] £280.00 (£336.00 incl.VAT)
C. Luyken fecit.
Chr: Weigel exc: [Nuremberg, c.1700.]
Copper engraving, 290 x 360mm. 11½ x 14¼". Centrefold as normal.
Joseph I (1678 - 1711), Holy Roman Emperor, King of Bohemia, King of Hungary, King of the Romans, kneeling with his retinue before a delegation of priests in front of a hospital; a town prospect in the background. Published by Christoph Weigel (1654 - 1725).
[Ref: 13826] £280.00 (£336.00 incl.VAT)
![[Joseph I] Den 17 April 1711 des morgens tußen 10 en 11 nuren, is den Rooms Keisser Iosephus de Ist. tot Weenen naa een seikte van 10 dagen in de Outderdom van 32 iaaren (aan de kingerpokjes) overleden.](jpegs/15483.jpg)
[Joseph I] Den 17 April 1711 des morgens tußen 10 en 11 nuren, is den Rooms Keisser Iosephus de Ist. tot Weenen naa een seikte van 10 dagen in de Outderdom van 32 iaaren (aan de kingerpokjes) overleden. Mors Iosephus Romanorum Imperatoris, variolis extincti 17 Aprilis, aetaties suae anno 32.
P: Schenk exc: Amst: C. Pr. [n.d. c.1780.]
Engraving printed in red. 158 x 196mm. 6¼ x 7¾".
Joseph I (1678-1711) Holy Roman Emperor, King of Bohemia, Hungary, and of the Romans. Here he is on his death bed in Vienna where he died from smallpox.
[Ref: 15483] £70.00 (£84.00 incl.VAT)
P: Schenk exc: Amst: C. Pr. [n.d. c.1780.]
Engraving printed in red. 158 x 196mm. 6¼ x 7¾".
Joseph I (1678-1711) Holy Roman Emperor, King of Bohemia, Hungary, and of the Romans. Here he is on his death bed in Vienna where he died from smallpox.
[Ref: 15483] £70.00 (£84.00 incl.VAT)
![[Banquet for the Coronation of Joseph I.] Die kaÿserle: Taffel in der Ritterstüben.](jpegs/56017.jpg)
[Banquet for the Coronation of Joseph I.] Die kaÿserle: Taffel in der Ritterstüben.
J.C. Hackhofer del. J.A. Pfeffel et C. Engelbrecht fec.
[Vienna: Johann Jacob Kürner, 1705.]
Engraving with etching. 335 x 480mm (13¼ x 19"). Framed. Centre fold as issued. Unexamined out of frame.
An orchestra plays from a balcony. Delegates approach to pay homage to the new Holy Roman Emperor at a dining table, during the celebrations for the coronation of Joseph I in Vienna, 22nd September 1705. Plate VI of Ludwig von Gülich's ''Erb-Huldigung, so... Josepho dem Ersten Von Denen gesambten Nider-Oesterreichische Ständen...''. The author was a delegate from Lower Austria.
[Ref: 56017] £480.00
J.C. Hackhofer del. J.A. Pfeffel et C. Engelbrecht fec.
[Vienna: Johann Jacob Kürner, 1705.]
Engraving with etching. 335 x 480mm (13¼ x 19"). Framed. Centre fold as issued. Unexamined out of frame.
An orchestra plays from a balcony. Delegates approach to pay homage to the new Holy Roman Emperor at a dining table, during the celebrations for the coronation of Joseph I in Vienna, 22nd September 1705. Plate VI of Ludwig von Gülich's ''Erb-Huldigung, so... Josepho dem Ersten Von Denen gesambten Nider-Oesterreichische Ständen...''. The author was a delegate from Lower Austria.
[Ref: 56017] £480.00
![[Banquet for the Coronation of Joseph I.]](jpegs/56125.jpg)
[Banquet for the Coronation of Joseph I.]
J.C. Hackhofer del. J.A. Pfeffel et C. Engelbrecht fec.
[Vienna: Johann Jacob Kürner, 1705.]
Engraving with etching. 285 x 500mm (11¼ x 19¾"). Framed. Centre fold as issued. Unexamined out of frame.
A banquet during the celebrations for the coronation of Joseph I in Vienna, 22nd September 1705. An impressive image of a feast scene including an orchestra. Plate VIII of Ludwig von Gülich's ''Erb-Huldigung, so... Josepho dem Ersten Von Denen gesambten Nider-Oesterreichische Ständen...''. The author was a delegate from Lower Austria.
[Ref: 56125] £450.00
J.C. Hackhofer del. J.A. Pfeffel et C. Engelbrecht fec.
[Vienna: Johann Jacob Kürner, 1705.]
Engraving with etching. 285 x 500mm (11¼ x 19¾"). Framed. Centre fold as issued. Unexamined out of frame.
A banquet during the celebrations for the coronation of Joseph I in Vienna, 22nd September 1705. An impressive image of a feast scene including an orchestra. Plate VIII of Ludwig von Gülich's ''Erb-Huldigung, so... Josepho dem Ersten Von Denen gesambten Nider-Oesterreichische Ständen...''. The author was a delegate from Lower Austria.
[Ref: 56125] £450.00
![[Banquet for the Coronation of Joseph I.] Freÿ Taffel der M:D: dreÿ obern H.n. Ständten.](jpegs/56016.jpg)
[Banquet for the Coronation of Joseph I.] Freÿ Taffel der M:D: dreÿ obern H.n. Ständten.
J.C. H.akhofer delin. C. Engelbrecht et J.A. Pfeffel fec.
[Vienna: Johann Jacob Kürner, 1705.]
Engraving with etching. 530 x 395mm (21 x 15½"). Framed. Centre fold as issued. Unexamined out of frame.
An elevated view of the food presented at a banquet celebrating the coronation of Joseph I in Vienna, 22nd September 1705. An impressive image of a feast scene. Engraved by Christian Engelbrecht and Johann Andreas Pfeffel after Johan Cyriak Hackhofer, plate VII of Ludwig von Gülich's ''Erb-Huldigung, so... Josepho dem Ersten Von Denen gesambten Nider-Oesterreichische Ständen...''. The author was a delegate from Lower Austria, who was present at this banquet.
[Ref: 56016] £550.00
J.C. H.akhofer delin. C. Engelbrecht et J.A. Pfeffel fec.
[Vienna: Johann Jacob Kürner, 1705.]
Engraving with etching. 530 x 395mm (21 x 15½"). Framed. Centre fold as issued. Unexamined out of frame.
An elevated view of the food presented at a banquet celebrating the coronation of Joseph I in Vienna, 22nd September 1705. An impressive image of a feast scene. Engraved by Christian Engelbrecht and Johann Andreas Pfeffel after Johan Cyriak Hackhofer, plate VII of Ludwig von Gülich's ''Erb-Huldigung, so... Josepho dem Ersten Von Denen gesambten Nider-Oesterreichische Ständen...''. The author was a delegate from Lower Austria, who was present at this banquet.
[Ref: 56016] £550.00
Joseph Benoit Archiduc D'Autriche &.a &.a &a...
Invente et Grave par F: Harrewyn.
Dedie par son tres humble et tres Obeisant Serviteur F. Harrewyn ABruxelles 17[illegible]. [n.d. c1771]
Very rare engraving, sheet 390 x 280mm (15½ x 11"). Damaged to margins top & right. Small margins on 3 sides. Cut at bottom.
Full-length portrait of Joseph II (1741–90), swishing his volumnous robes and touching the hilt of his sword, against a background of curtains an ornate chair and a crown on a table. Frans Harrewyn (1700-64) was an etcher and bookseller, mainly active in Brussels. Son of Jacobus (1660-1727) and a pupil of Romeyn de Hooghe (1645–1708)
[Ref: 66919] £260.00 (£312.00 incl.VAT)
Invente et Grave par F: Harrewyn.
Dedie par son tres humble et tres Obeisant Serviteur F. Harrewyn ABruxelles 17[illegible]. [n.d. c1771]
Very rare engraving, sheet 390 x 280mm (15½ x 11"). Damaged to margins top & right. Small margins on 3 sides. Cut at bottom.
Full-length portrait of Joseph II (1741–90), swishing his volumnous robes and touching the hilt of his sword, against a background of curtains an ornate chair and a crown on a table. Frans Harrewyn (1700-64) was an etcher and bookseller, mainly active in Brussels. Son of Jacobus (1660-1727) and a pupil of Romeyn de Hooghe (1645–1708)
[Ref: 66919] £260.00 (£312.00 incl.VAT)
The Present Emperor of Germany Receiving Petitions from, and Redressing the Grievances of the meanest of his Subjects. To which Sacred and Benevolent purpose he dedicates one day in every Week. How happy would other Princes be could they, or would they do the Same.
For the Oxford Mag.
[1770.]
Etching. 125 x 175 (5 x 7"). Trimmed at top affecting sur-title, three worm holes in image.
Holy Roman Emperor Joseph II (1741-90), son of Maria Theresa, regarded as as one of the great Enlightenment monarchs.
BM Satires 4388.
[Ref: 54389] £95.00 (£114.00 incl.VAT)
For the Oxford Mag.
[1770.]
Etching. 125 x 175 (5 x 7"). Trimmed at top affecting sur-title, three worm holes in image.
Holy Roman Emperor Joseph II (1741-90), son of Maria Theresa, regarded as as one of the great Enlightenment monarchs.
BM Satires 4388.
[Ref: 54389] £95.00 (£114.00 incl.VAT)
Joseph Interpreting the Dreams of Pharoah. In the Collection of his Grace the Duke of Norfolk.
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 2.d 1797 by John Boydell Engraver in Cheapside London.
Mezzotint, printed in colours and hand finished, J. Whatman 1794 watermark, 530 x 610mm (20¾ x 24"). Some foxing to margins.
A young Joseph stands before Pharaoh and his mages. A magnificent & fine impression.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64604] £650.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 2.d 1797 by John Boydell Engraver in Cheapside London.
Mezzotint, printed in colours and hand finished, J. Whatman 1794 watermark, 530 x 610mm (20¾ x 24"). Some foxing to margins.
A young Joseph stands before Pharaoh and his mages. A magnificent & fine impression.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64604] £650.00
Joseph Interpreting the Dreams of Pharoah. In the Collection of his Grace the Duke of Norfolk.
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1786 by John Boydell Engraver in Cheapside London.
Mezzotint. 530 x 610mm (20¾ x 24"). Some foxing to margins.
A young Joseph stands before Pharaoh and his mages.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64605] £420.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1786 by John Boydell Engraver in Cheapside London.
Mezzotint. 530 x 610mm (20¾ x 24"). Some foxing to margins.
A young Joseph stands before Pharaoh and his mages.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64605] £420.00
[Joseph Interpreting the Dreams of Pharoah. In the Collection of his Grace the Duke of Norfolk.]
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1786 by John Boydell Engraver in Cheapside London.
Mezzotint, proof before title, with scratched publication line. 530 x 610mm (20¾ x 24"). Some foxing to margins.
A young Joseph stands before Pharaoh and his mages.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64606] £420.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1786 by John Boydell Engraver in Cheapside London.
Mezzotint, proof before title, with scratched publication line. 530 x 610mm (20¾ x 24"). Some foxing to margins.
A young Joseph stands before Pharaoh and his mages.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64606] £420.00
Joseph's Brethren Bringing Him Presents. In the Collection of his Grace the Duke of Norfolk.
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 2.nd 1797 by John Boydell Engraver in Cheapside London.
Mezzotint, printed in colours and hand finished. 530 x 610mm (20¾ x 24") Trimmed close to image at top, large margins elsewhere.
Joseph, moved to tears by seeing his youngest brother Benjamin, refusing the gifts of fruit and oil offered by his brothers. After Giovanni Andrea di Ferrari, not Guerchino, first published 1784. A fine example of colour printing.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64602] £650.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 2.nd 1797 by John Boydell Engraver in Cheapside London.
Mezzotint, printed in colours and hand finished. 530 x 610mm (20¾ x 24") Trimmed close to image at top, large margins elsewhere.
Joseph, moved to tears by seeing his youngest brother Benjamin, refusing the gifts of fruit and oil offered by his brothers. After Giovanni Andrea di Ferrari, not Guerchino, first published 1784. A fine example of colour printing.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64602] £650.00
Joseph's Brethren Bringing Him Presents. In the Collection of his Grace the Duke of Norfolk.
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Feb.y 2.d 1784 by John Boydell Engraver in Cheapside London.
Mezzotint. 530 x 610mm (20¾ x 24"). Small margins.
Joseph, moved to tears by seeing his youngest brother Benjamin, refuses the gifts of fruit and oil offered by his brothers. After Giovanni Andrea di Ferrari, not Guerchino. Republished in 1797.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64603] £420.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Feb.y 2.d 1784 by John Boydell Engraver in Cheapside London.
Mezzotint. 530 x 610mm (20¾ x 24"). Small margins.
Joseph, moved to tears by seeing his youngest brother Benjamin, refuses the gifts of fruit and oil offered by his brothers. After Giovanni Andrea di Ferrari, not Guerchino. Republished in 1797.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64603] £420.00
Joseph Sold by his Brethren to the Ishmaelites. In the Collection of his Grace the Duke of Norfolk.
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1782 by John Boydell Engraver in Cheapside London.
Mezzotint, 18th century watermark. 535 x 620mm (21 x 24½"). Small tear entering inscription area taped, some foxing to margins.
Joseph's brothers and the Ismaelites count out coins on a tree stump.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64608] £420.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1782 by John Boydell Engraver in Cheapside London.
Mezzotint, 18th century watermark. 535 x 620mm (21 x 24½"). Small tear entering inscription area taped, some foxing to margins.
Joseph's brothers and the Ismaelites count out coins on a tree stump.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64608] £420.00
[Joseph Sold by his Brethren to the Ishmaelites. In the Collection of his Grace the Duke of Norfolk.]
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1782 by John Boydell Engraver in Cheapside London.
Mezzotint, scratched letter proof before title, 18th century watermark. 535 x 620mm (21 x 24½").
Joseph's brothers and the Ismaelites count out coins on a tree stump.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64609] £420.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd Jan.y 1.st 1782 by John Boydell Engraver in Cheapside London.
Mezzotint, scratched letter proof before title, 18th century watermark. 535 x 620mm (21 x 24½").
Joseph's brothers and the Ismaelites count out coins on a tree stump.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64609] £420.00
Joseph's Cup Found in Benjamin's Sack. In the Collection of his Grace the Duke of Norfolk.
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd April 1st. 1785 by John Boydell Engraver in Cheapside London.
Mezzotint, printed in colours and hand finished, J. Whatman 1794 watermark. 530 x 610mm (20¾ x 24"), with large margins. A few small tears in edges of margins.
On their departure from Egypt, Joseph's brothers are stopped and searched. Pharaoh's servant pulls a golden cup from Benjamin's sack. A magnificent & fine image.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64600] £650.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd April 1st. 1785 by John Boydell Engraver in Cheapside London.
Mezzotint, printed in colours and hand finished, J. Whatman 1794 watermark. 530 x 610mm (20¾ x 24"), with large margins. A few small tears in edges of margins.
On their departure from Egypt, Joseph's brothers are stopped and searched. Pharaoh's servant pulls a golden cup from Benjamin's sack. A magnificent & fine image.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64600] £650.00
Joseph's Cup Found in Benjamin's Sack. In the Collection of his Grace the Duke of Norfolk.
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd April 1st. 1785 by John Boydell Engraver in Cheapside London.
Mezzotint. 530 x 610mm (20¾ x 24"), with large margins. Some spotting to margins and inscription area.
On their departure from Egypt, Joseph's brothers are stopped and searched. Pharaoh's servant pulls a golden cup from Benjamin's sack. A fine example of colour printing.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64601] £420.00
Guerchino Pinxit. Josiah Boydell delin.t. Dunkarton Sculpsit.
Publish'd April 1st. 1785 by John Boydell Engraver in Cheapside London.
Mezzotint. 530 x 610mm (20¾ x 24"), with large margins. Some spotting to margins and inscription area.
On their departure from Egypt, Joseph's brothers are stopped and searched. Pharaoh's servant pulls a golden cup from Benjamin's sack. A fine example of colour printing.
Ex collections of Oettingen & the Hon. Christopher Lennox-Boyd.
[Ref: 64601] £420.00
![[France] The Empress Josephine. First wife of Napoleon Bonaparte.](jpegs/24120.jpg)
[France] The Empress Josephine. First wife of Napoleon Bonaparte. Born 1763. Married to Bonaparte 1796. Divorced 1810. Died 1814. An authentice portrait engraved exclusively for the Court Magazine. No.93 of the series of ancient portraits.
Ed. Hargarve Sculp.t
Vol. XIX. 1840. No.11, Carey street Lincoln's Inn, London.
Fine hand-coloured engraving. 252 x 165mm (10 x 6½").
Josephine de Beauharnais (1763-1814) was the first wife of Napoleon Bonaparte, and thus the first Empress of France. Her husband Alexandre de Beauharnais was guillotined during the Reign of Terror. She did not bear Napoleon any children and as a result he divorced her in 1810 to marry Marie Louise of Austria, although he still held her in high regard.
[Ref: 24120] £70.00 (£84.00 incl.VAT)
Ed. Hargarve Sculp.t
Vol. XIX. 1840. No.11, Carey street Lincoln's Inn, London.
Fine hand-coloured engraving. 252 x 165mm (10 x 6½").
Josephine de Beauharnais (1763-1814) was the first wife of Napoleon Bonaparte, and thus the first Empress of France. Her husband Alexandre de Beauharnais was guillotined during the Reign of Terror. She did not bear Napoleon any children and as a result he divorced her in 1810 to marry Marie Louise of Austria, although he still held her in high regard.
[Ref: 24120] £70.00 (£84.00 incl.VAT)
Joshua Commanding The Sun To Stand Still. 'He said in the sight of Israel, Sun, stand thou still upon Gibeon; and thou, Moon, in the Valley of Ajalon.' Joshua Chap 10. Verse 12.
Drawn on Stone by R.J. Lane from the original Drawing by J. Martin in the Possession of Edwd. Hodges Esqre.
Published by J. Dickinson, 114, New Bond Street, Jany. 27th 1827. Printed by C. Hullmandel.
Lithograph on india-laid paper. Sheet 230 x 275mm. Margins trimmed.
Balston: Pg. 283.
[Ref: 4120] £260.00
Drawn on Stone by R.J. Lane from the original Drawing by J. Martin in the Possession of Edwd. Hodges Esqre.
Published by J. Dickinson, 114, New Bond Street, Jany. 27th 1827. Printed by C. Hullmandel.
Lithograph on india-laid paper. Sheet 230 x 275mm. Margins trimmed.
Balston: Pg. 283.
[Ref: 4120] £260.00
Henry Josi Esq.
W. Carpenter 1845.
1845.
Etching, stipple. 215 x 190mm (8¾ x 7½"), with large margins.
Head and shoulders portrait of Henry Josi (1802-1845). After moving to London from Amsterdam with his father he began his independent professional life as a printseller. He applied to be Keeper of Prints and Drawings at the BM and was finally granted the position in 1836. Josi was recognised and praised for his breadth of knowledge and the unmatched energy he brought to the role, which he maintained until his untimely death.
[Ref: 53875] £90.00 (£108.00 incl.VAT)
W. Carpenter 1845.
1845.
Etching, stipple. 215 x 190mm (8¾ x 7½"), with large margins.
Head and shoulders portrait of Henry Josi (1802-1845). After moving to London from Amsterdam with his father he began his independent professional life as a printseller. He applied to be Keeper of Prints and Drawings at the BM and was finally granted the position in 1836. Josi was recognised and praised for his breadth of knowledge and the unmatched energy he brought to the role, which he maintained until his untimely death.
[Ref: 53875] £90.00 (£108.00 incl.VAT)