A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Nicolò Isouard de Malte. Dernier Maitre de Chapelle de L'ordre.
Se vend chez Quenedey rue Neuve-des-Petits-Champs No15 à Paris / Dép. à la Bib. Imp.
[n.d., c.1810.]
Aquatint. Sheet 240 x 155mm (9½ x 6"). Trimmed slightly into plate.
Portrait of Nicolas Isouard (1773 - 1818), Maltese-born French composer. He moved to Paris, where he worked as a free composer and became friends with Rodolphe Kreutzer. The pair worked together on several operas, including Le Petit page, ou La Prison d'état (1800) and Flaminius à Corinthe (1801). Isouard adopted the pseudonym Nicolò (or Nicolò de Malte) and found rapid success in the field of opéra comique with Michel-Ange (1802) and L'Intrigue aux fenêtres (1805). He composed regularly for the Théâtre de l'Opéra-Comique, writing some thirty works for it. He composed masses, motets, cantatas, romances, and duos, along with over 45 operas.
[Ref: 63305] £160.00 (£192.00 incl.VAT)
Se vend chez Quenedey rue Neuve-des-Petits-Champs No15 à Paris / Dép. à la Bib. Imp.
[n.d., c.1810.]
Aquatint. Sheet 240 x 155mm (9½ x 6"). Trimmed slightly into plate.
Portrait of Nicolas Isouard (1773 - 1818), Maltese-born French composer. He moved to Paris, where he worked as a free composer and became friends with Rodolphe Kreutzer. The pair worked together on several operas, including Le Petit page, ou La Prison d'état (1800) and Flaminius à Corinthe (1801). Isouard adopted the pseudonym Nicolò (or Nicolò de Malte) and found rapid success in the field of opéra comique with Michel-Ange (1802) and L'Intrigue aux fenêtres (1805). He composed regularly for the Théâtre de l'Opéra-Comique, writing some thirty works for it. He composed masses, motets, cantatas, romances, and duos, along with over 45 operas.
[Ref: 63305] £160.00 (£192.00 incl.VAT)
Historical Chart of the Government of Israel under their Kings. Explanation. The above Historical Chart is designed to exhibit in one View the Government of Israel and Judah under their Kings to the Babylonish Captivity, with the cotemporary and subsequent Prophets to the Close of the Old Testament; together with the Chronology of the Books of Ezra, Esther and Nehemeah...The lines from the Kings and the Prophets are drawn obliquely to the Scales, for the purpose of placing the Names at equal distances, hence, it will be necessary, in making a Reference, to carry the Eye from the Name to the Scale for its proper Position.
Ent.d Sta. Hall. S. Straker Lith. George Yard, Lombard Street, London.
Pub.d by J. Neighbout, Saint Clements, Oxford.
Lithograph. 440 x 299mm (17¼ x 11¾"). Very scarce.
A chart of the Kings and Prophets of Israel and Judah.
[Ref: 30037] £180.00 (£216.00 incl.VAT)
Ent.d Sta. Hall. S. Straker Lith. George Yard, Lombard Street, London.
Pub.d by J. Neighbout, Saint Clements, Oxford.
Lithograph. 440 x 299mm (17¼ x 11¾"). Very scarce.
A chart of the Kings and Prophets of Israel and Judah.
[Ref: 30037] £180.00 (£216.00 incl.VAT)
The Israelites Incamp'd about the Tabernacle Erected in the Wilderness. Vol. III X2.
[London, 1732.]
Engraving, 315 x 440mm (12½ x 17¼"). Vertical folds as issued, some starting to tear.
The twelve tribes of Israel with the Tabernacle of Moses at the centre. The tabernacle was first erected in the wilderness exactly one year after the Passover when the Israelites were freed from their Egyptian slavery (c.1450 B.C.). It was a mobile tent with portable furniture that the people travelled with and set up wherever they pitched camp. From 'An Historical, Critical, Geographical, Chronological and Etymological Dictionary of the Bible'. Numbered 'P.97' upper right.
[Ref: 12600] £140.00 (£168.00 incl.VAT)
[London, 1732.]
Engraving, 315 x 440mm (12½ x 17¼"). Vertical folds as issued, some starting to tear.
The twelve tribes of Israel with the Tabernacle of Moses at the centre. The tabernacle was first erected in the wilderness exactly one year after the Passover when the Israelites were freed from their Egyptian slavery (c.1450 B.C.). It was a mobile tent with portable furniture that the people travelled with and set up wherever they pitched camp. From 'An Historical, Critical, Geographical, Chronological and Etymological Dictionary of the Bible'. Numbered 'P.97' upper right.
[Ref: 12600] £140.00 (£168.00 incl.VAT)
![[Istanbul] Mount Olympus and Scutari.](jpegs/52602.jpg)
[Istanbul] Mount Olympus and Scutari. From the Great Burial Ground.
Drawn From Nature and on Stone by Henry Cooke.
[n.d., c.1860.]
Rare tinted lithograph. Sheet 375 x 530mm (14¾ x 20¾") With small margins.
A view looking south from Istanbul across the Sea of Mamara towards the mountain Uludag, from a series of views of the city. Little is known about Cooke or this series.
[Ref: 52602] £520.00
Drawn From Nature and on Stone by Henry Cooke.
[n.d., c.1860.]
Rare tinted lithograph. Sheet 375 x 530mm (14¾ x 20¾") With small margins.
A view looking south from Istanbul across the Sea of Mamara towards the mountain Uludag, from a series of views of the city. Little is known about Cooke or this series.
[Ref: 52602] £520.00
![[Istanbul] The Outer Floating Bridge, over the Golden Horn.](jpegs/63956.jpg)
[Istanbul] The Outer Floating Bridge, over the Golden Horn.
J.W. Oldmixon, R.N. M. & N. Hanhart Imp.t.
[London: Longman, Brown, Green and Longman, 1854.]
Rare tinted lithograph. Sheet 115 x 185mm (4½ x 7¼"). Slight rubbing in top margin.
From ''Gleanings from Piccadilly to Pera'' by John Oldmixon (1788-c.1860), a naval officer who travelled from London to Constantinople in 1853 at the beginning of the Crimean War.
Not in Abbey.
[Ref: 63956] £130.00 (£156.00 incl.VAT)
J.W. Oldmixon, R.N. M. & N. Hanhart Imp.t.
[London: Longman, Brown, Green and Longman, 1854.]
Rare tinted lithograph. Sheet 115 x 185mm (4½ x 7¼"). Slight rubbing in top margin.
From ''Gleanings from Piccadilly to Pera'' by John Oldmixon (1788-c.1860), a naval officer who travelled from London to Constantinople in 1853 at the beginning of the Crimean War.
Not in Abbey.
[Ref: 63956] £130.00 (£156.00 incl.VAT)
A Cremonese Lady. In the Collection of John Taylor Esqr.
Painted by Wm. Peters. Engraved by J.R.Smith.
Published July 1st, 1776 by John Boydell Engraver in Cheapside London.
Mezzotint. 260 x 200mm (10¼ x 8").
Half-length portrait within an oval border. One of four 'Ladies in Foreign Dress'. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
D'Oench: 77. From the Oettingen-Wallerstein Collection, Sotheby's London 1997; Lady Victoria Manners, 'Matthew William Peters, R.A.' p.60, ii/ii
[Ref: 4610] £220.00 (£264.00 incl.VAT)
Painted by Wm. Peters. Engraved by J.R.Smith.
Published July 1st, 1776 by John Boydell Engraver in Cheapside London.
Mezzotint. 260 x 200mm (10¼ x 8").
Half-length portrait within an oval border. One of four 'Ladies in Foreign Dress'. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
D'Oench: 77. From the Oettingen-Wallerstein Collection, Sotheby's London 1997; Lady Victoria Manners, 'Matthew William Peters, R.A.' p.60, ii/ii
[Ref: 4610] £220.00 (£264.00 incl.VAT)
A Venetian Lady in the Sindall Dress. In the Collection of John Taylor Esqr.
Painted by Wm. Peters. Engraved by J.R.Smith.
Published July 30th, 1776 by John Boydell Engraver in Cheapside London.
Mezzotint. 260 x 200mm.
Half-length portrait within an oval border. One of four 'Ladies in Foreign Dress'. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
D'Oench: 78. From the Oettingen-Wallerstein Collection, Sotheby's London 1997; Lady Victoria Manners, 'Matthew William Peters, R.A.' p.65, ii/ii
[Ref: 4617] £220.00 (£264.00 incl.VAT)
Painted by Wm. Peters. Engraved by J.R.Smith.
Published July 30th, 1776 by John Boydell Engraver in Cheapside London.
Mezzotint. 260 x 200mm.
Half-length portrait within an oval border. One of four 'Ladies in Foreign Dress'. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
D'Oench: 78. From the Oettingen-Wallerstein Collection, Sotheby's London 1997; Lady Victoria Manners, 'Matthew William Peters, R.A.' p.65, ii/ii
[Ref: 4617] £220.00 (£264.00 incl.VAT)
Fragments choisis dans les Peintures et les Tableaux les plus intéressants des Palais et des Eglises de L'Italie, Première Suite. Rome [&] ... Second Suite. Rome. [&] ... Cinquieme Suite. Venice. [&] Troisieme Suite. Bologne.
[Paris: Lavoy, 1770-75.]
Small folio, 265 x 210mm (10¼ x 8¼"), original half calf gilt, marbled boards. Four parts: 1 & 2 (Rome) with 55 of 60 numbered aquatints (one unnumbered, bound at end of book); part 4 (Venice) 40 numbered plates, as called for; part 3 (Bologna) 40 numbered plates, as called for. Total 135 aquatints printed in sepia of 140. Wear to binding, inner hinges strained, parts three and four misbound, ink stamp on engraved title
A collection of the first four parts of the 'Fragments' (Five & Six related to Naples and Herculanum, with 60 more plates), containing sketches mostly by Fragonard after paintings by Michaelangelo. Raphael, Carrachi and others. The plates were etched in aquatint by Jean-Claude Richard, abbé de Saint-Non, an early use of the technique.
[Ref: 53762] £950.00 view all images for this item
[Paris: Lavoy, 1770-75.]
Small folio, 265 x 210mm (10¼ x 8¼"), original half calf gilt, marbled boards. Four parts: 1 & 2 (Rome) with 55 of 60 numbered aquatints (one unnumbered, bound at end of book); part 4 (Venice) 40 numbered plates, as called for; part 3 (Bologna) 40 numbered plates, as called for. Total 135 aquatints printed in sepia of 140. Wear to binding, inner hinges strained, parts three and four misbound, ink stamp on engraved title
A collection of the first four parts of the 'Fragments' (Five & Six related to Naples and Herculanum, with 60 more plates), containing sketches mostly by Fragonard after paintings by Michaelangelo. Raphael, Carrachi and others. The plates were etched in aquatint by Jean-Claude Richard, abbé de Saint-Non, an early use of the technique.
[Ref: 53762] £950.00 view all images for this item
The Italian Boy. Supposed to have been assassinated_whose body was sold for dissection at the Kings College. See Times Nov. 8th 1831
Painted, & Litho: by W. Franquinet. W. Day Lith.r to the King, 17, Gate St.
Pub.d by H. Lacy, 1 Wells Street._ Oxford Street
Lithograph, sheet 215 x 180mm (8½ x 7").
The 'Italian boy', Carlo Ferrari posing with his monkey. In December of 1831, Williams, Bishop and May were found guilty of the murder of this Italian boy in order to sell his body to anatomy professors at King's College, when the criminal trade of procuring bodies for this purpose was at its height. The case of Carlo Ferrari aroused great public interest, resulting in many prints being published depicting the victim and murderers.
see Sarah Wise, 'The Italian Boy'; for other portraits of the sitter see refs. 26199 and 18416
[Ref: 26928] £120.00 (£144.00 incl.VAT)
Painted, & Litho: by W. Franquinet. W. Day Lith.r to the King, 17, Gate St.
Pub.d by H. Lacy, 1 Wells Street._ Oxford Street
Lithograph, sheet 215 x 180mm (8½ x 7").
The 'Italian boy', Carlo Ferrari posing with his monkey. In December of 1831, Williams, Bishop and May were found guilty of the murder of this Italian boy in order to sell his body to anatomy professors at King's College, when the criminal trade of procuring bodies for this purpose was at its height. The case of Carlo Ferrari aroused great public interest, resulting in many prints being published depicting the victim and murderers.
see Sarah Wise, 'The Italian Boy'; for other portraits of the sitter see refs. 26199 and 18416
[Ref: 26928] £120.00 (£144.00 incl.VAT)
An Italian Boy and his Monkey.
S. Lane Pinxt.
E.L. 1830.
Lithograph, rare. Image area 216 x 152mm. 8½ x 6". Creasing above and below image, including through title area.
An Italian boy and and his monkey; referring probably to Carl and Jocko.
See Ref: 19337 for an etching of Jocko by J.F. Lewis.
[Ref: 26199] £220.00 (£264.00 incl.VAT)
S. Lane Pinxt.
E.L. 1830.
Lithograph, rare. Image area 216 x 152mm. 8½ x 6". Creasing above and below image, including through title area.
An Italian boy and and his monkey; referring probably to Carl and Jocko.
See Ref: 19337 for an etching of Jocko by J.F. Lewis.
[Ref: 26199] £220.00 (£264.00 incl.VAT)
Danse a l'Italienne. Il vous est doux, Iris, que tous ces Spaetateurs...Qu'inspirent a mon Coeur vos divins agrements. C. Moraine.
C. Parrocel delineavit. Le Bas Sculp.
a Paris chez le Bas graveur du Roy, au bas de la rue de la Harpe vis a vis la rue Percee chez un Fayancier. [n.d. c.1736.]
Etching and engraving with large margins. Plate 260 x 375 One small fox mark in sky.
Italian dance: party of young men and women gathered in a park and watching a couple dancing; on the left, a fountain, and on the right several figures leaning on the parapet of a terrace.
[Ref: 30054] £280.00 (£336.00 incl.VAT)
C. Parrocel delineavit. Le Bas Sculp.
a Paris chez le Bas graveur du Roy, au bas de la rue de la Harpe vis a vis la rue Percee chez un Fayancier. [n.d. c.1736.]
Etching and engraving with large margins. Plate 260 x 375 One small fox mark in sky.
Italian dance: party of young men and women gathered in a park and watching a couple dancing; on the left, a fountain, and on the right several figures leaning on the parapet of a terrace.
[Ref: 30054] £280.00 (£336.00 incl.VAT)
Danse a l'Italienne Il vous est doux, Iris, que tous ces Spectateurs/ De vos pas gracieux approuvent la Cadence,/ Et deviennent pour vous autant d'admirateurs;/ Mais d'un plaisir plus grand j'aurois la jouissance,/ Si vous applaudissiez aux tendres mouvements/ Qu'inspirent à mon Coeur vos divins agréments. C. Moraine
C. Parrocel delineavit Le Bas Sculp
a Paris chez Le Bas graveur du Roy, au bas de la rüe de la Harpe vis a vis la rüe Percée chez un Fayancier.
Etching, 260 x 380mm. 10¼ x 15". Wide margins. Uncut sheet.
A large group of spectators watch a couple dancing, as described in the French verses by Moraine inscribed beneath.
[Ref: 8676] £320.00
C. Parrocel delineavit Le Bas Sculp
a Paris chez Le Bas graveur du Roy, au bas de la rüe de la Harpe vis a vis la rüe Percée chez un Fayancier.
Etching, 260 x 380mm. 10¼ x 15". Wide margins. Uncut sheet.
A large group of spectators watch a couple dancing, as described in the French verses by Moraine inscribed beneath.
[Ref: 8676] £320.00
A Portrait Of An Italian Dancing Dog Master.
Painted by E. Bird. Engraved by Will.m Ward Engraver to His Royal Highness the Duke of York.
Bristol Published July 1805, by E. Bird.
Coloured mezzotint. 500 x 355mm (19¾ x 14").
A street entertainer posing with his bagpipe, a monkey sitting on the back of his chair.
[Ref: 8530] £450.00
Painted by E. Bird. Engraved by Will.m Ward Engraver to His Royal Highness the Duke of York.
Bristol Published July 1805, by E. Bird.
Coloured mezzotint. 500 x 355mm (19¾ x 14").
A street entertainer posing with his bagpipe, a monkey sitting on the back of his chair.
[Ref: 8530] £450.00
The Italian Fruit Girl.
[n.d., c.1800.]
Fine colour-printed stipple. Oval, 185 x 150mm (7¼ x 6). Trimmed to oval printed border, laid on album paper with title underneath.
A young girl with feathered hat, with two boys, grapes and peaches. Possibly engraved by Robert Samuel Marcuard after Peters.
[Ref: 44150] £130.00 (£156.00 incl.VAT)
[n.d., c.1800.]
Fine colour-printed stipple. Oval, 185 x 150mm (7¼ x 6). Trimmed to oval printed border, laid on album paper with title underneath.
A young girl with feathered hat, with two boys, grapes and peaches. Possibly engraved by Robert Samuel Marcuard after Peters.
[Ref: 44150] £130.00 (£156.00 incl.VAT)
Italian Girls. preparing for a Festa. Dedicated by Permission to the Rt Honble Lord Charles Townshend by His Lordships most obedient and Obliged Servants Colnaghi Son & Co.
F. Williams pinxt. D. Lucas sculp.
London, Robert Simpson, 20, St. Paul's Terrace, Camden Town [n.d., c.1840].
Mezzotint, sheet 400 x 310mm. 15¾ x 12¼". Trimmed to plate. Slightly tatty and chipped extremities.
One girl dresses another's hair. A tambourine to right.
[Ref: 9674] £160.00 (£192.00 incl.VAT)
F. Williams pinxt. D. Lucas sculp.
London, Robert Simpson, 20, St. Paul's Terrace, Camden Town [n.d., c.1840].
Mezzotint, sheet 400 x 310mm. 15¾ x 12¼". Trimmed to plate. Slightly tatty and chipped extremities.
One girl dresses another's hair. A tambourine to right.
[Ref: 9674] £160.00 (£192.00 incl.VAT)
![[Whippet or Italian Greyhound.]](jpegs/19454.jpg)
[Whippet or Italian Greyhound.]
[Anon., n.d., c.1845.]
Fine lithograph with original hand colour, heightened in white. Sheet 210 x 220mm. 8¼ x 8¾". Sheet trimmed; corners clipped.
A delightful head study of an Italian Greyhound or a Whippet, the smallest of the sighthounds; a detail copied from a larger composition.
[Ref: 19454] £180.00 (£216.00 incl.VAT)
[Anon., n.d., c.1845.]
Fine lithograph with original hand colour, heightened in white. Sheet 210 x 220mm. 8¼ x 8¾". Sheet trimmed; corners clipped.
A delightful head study of an Italian Greyhound or a Whippet, the smallest of the sighthounds; a detail copied from a larger composition.
[Ref: 19454] £180.00 (£216.00 incl.VAT)
Near Airolo on the St Gotthard Road 8th Sept. 1853. Yellow + brown rocks green grass [...]
Pencil sketch, sheet 180 x 145mm (7 x 5¾").
The municipality of Airolo in the canton of Ticino, Switzerland, on the southern flank of the St Gotthard Pass connecting northern and southern Switzerland through the Alps. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41096] £35.00 (£42.00 incl.VAT)
Pencil sketch, sheet 180 x 145mm (7 x 5¾").
The municipality of Airolo in the canton of Ticino, Switzerland, on the southern flank of the St Gotthard Pass connecting northern and southern Switzerland through the Alps. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41096] £35.00 (£42.00 incl.VAT)
Lago Maggiore near Baveno Sep.r 7th 1853
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View near Baveno, on the west shore of Lago Maggiore in Piedmont, Italy, looking towards Laveno on the east shore. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41099] £120.00 (£144.00 incl.VAT)
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View near Baveno, on the west shore of Lago Maggiore in Piedmont, Italy, looking towards Laveno on the east shore. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41099] £120.00 (£144.00 incl.VAT)
Baveno on Lago Maggiore Sep.r 7th 1853
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Baveno, on the west shore of Lago Maggiore in Piedmont, Italy. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41100] £130.00 (£156.00 incl.VAT)
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Baveno, on the west shore of Lago Maggiore in Piedmont, Italy. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41100] £130.00 (£156.00 incl.VAT)
Lago Maggiore Looking down from the Inn Window Baveno. Sept. 6th 1853
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View from Baveno, on the west shore of Lago Maggiore in Piedmont, Italy, looking out towards the Isola dei Pescatori and Isola Bella. These are two of the Borromean Islands (Isole Borromee), a group of three islands and two islets named after the Borromeo family, which once owned all five. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41101] £140.00 (£168.00 incl.VAT)
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View from Baveno, on the west shore of Lago Maggiore in Piedmont, Italy, looking out towards the Isola dei Pescatori and Isola Bella. These are two of the Borromean Islands (Isole Borromee), a group of three islands and two islets named after the Borromeo family, which once owned all five. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41101] £140.00 (£168.00 incl.VAT)
Lago di Como or Lecco looking towards Lecco from near Belaggio Sept 3d 1853
Pencil sketch with watercolour, sheet 180 x 265mm (7 x 10½").
View of Lake Como in Lombardy, Italy. The view is taken from Bellaggio, famous for its location at the point where the lake separates into Como (west) and Lecco (east) arms. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41105] £80.00 (£96.00 incl.VAT)
Pencil sketch with watercolour, sheet 180 x 265mm (7 x 10½").
View of Lake Como in Lombardy, Italy. The view is taken from Bellaggio, famous for its location at the point where the lake separates into Como (west) and Lecco (east) arms. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41105] £80.00 (£96.00 incl.VAT)
Lago D'Orta looking up from below the Monte Sacro aug.t 31st 1853
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Lago d'Orta in the Piedmont region of northern Italy, from near the Roman Catholic complex Sacro Monte di Orta on the lake's eastern shore. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41104] £140.00 (£168.00 incl.VAT)
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Lago d'Orta in the Piedmont region of northern Italy, from near the Roman Catholic complex Sacro Monte di Orta on the lake's eastern shore. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41104] £140.00 (£168.00 incl.VAT)
Fluellen on the Lake of Lucerne 9th Sept 1853.
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Flüelen, towards the south of Lake Lucerne in Switzerland, looking towards the Bristen mountain in the distance. JMW Turner often painted the municipality on his Alpine tours (see sketches and watercolours in Tate collection). One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41098] £130.00 (£156.00 incl.VAT)
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Flüelen, towards the south of Lake Lucerne in Switzerland, looking towards the Bristen mountain in the distance. JMW Turner often painted the municipality on his Alpine tours (see sketches and watercolours in Tate collection). One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41098] £130.00 (£156.00 incl.VAT)
Lago Maggiore from the Inn Window Sept 7th 1853.
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Lago Maggiore, the large lake on the south side of the Alps divided between Italy and Switzerland. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41097] £120.00 (£144.00 incl.VAT)
Pencil sketch, sheet 180 x 265mm (7 x 10½").
View of Lago Maggiore, the large lake on the south side of the Alps divided between Italy and Switzerland. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41097] £120.00 (£144.00 incl.VAT)
From the Col de Colina de Varallo Sept.r 1st 1853
Pencil sketch with painted accents, sheet 180 x 265mm (7 x 10½").
View from Varallo Sesia in the Piedmont region of Italy, looking towards Monte Rosa, the second highest mountain in the Alps, on the right. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41106] £110.00 (£132.00 incl.VAT)
Pencil sketch with painted accents, sheet 180 x 265mm (7 x 10½").
View from Varallo Sesia in the Piedmont region of Italy, looking towards Monte Rosa, the second highest mountain in the Alps, on the right. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41106] £110.00 (£132.00 incl.VAT)
Lago di Como looking down from Varenna Sept. 3 1853
Pencil sketch with watercolour, sheet 180 x 265mm (7 x 10½").
View from the municipality of Varenna on the east shore of Lake Como in Lombardy, Italy. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41102] £140.00 (£168.00 incl.VAT)
Pencil sketch with watercolour, sheet 180 x 265mm (7 x 10½").
View from the municipality of Varenna on the east shore of Lake Como in Lombardy, Italy. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41102] £140.00 (£168.00 incl.VAT)
Looking up Lago di Como from near Varenna Sept 3. 1853
Pencil sketch with chalk accents, sheet 180 x 265mm (7 x 10½").
View from near the municipality of Varenna on the east shore of Lake Como in Lombardy, Italy. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41103] £140.00 (£168.00 incl.VAT)
Pencil sketch with chalk accents, sheet 180 x 265mm (7 x 10½").
View from near the municipality of Varenna on the east shore of Lake Como in Lombardy, Italy. One of a collection of sketches made by a traveller around the lakes of Switzerland and northern Italy in 1853.
[Ref: 41103] £140.00 (£168.00 incl.VAT)
![[A Landscape.] From a Picture in the Collection of Robert Wigram Esqr M.P.](jpegs/8083.jpg)
[A Landscape.] From a Picture in the Collection of Robert Wigram Esqr M.P. To whom this Plate is dedicated by his obedient servant. Chas. Turner.
Painted by Dominichino. Engraved by C. Turner.
London, Published Jany. 18. 1810. by C. Turner No.50, Warren Street, Fitzroy Square.
Mezzotint in sepia, 430 x 480mm.
An Italianate landscape, with figures in classical dress under a tree in the foreground to the left. A thatched barn is on the other side of a lake, a castle can be seen on a hill in the background. Coat of arms from small separate plate in centre of inscription. After Italian painter Domenico Zampieri, known as Domenichino (1581 - 1641).
Whitman: 721, II of II.
[Ref: 8083] £240.00 (£288.00 incl.VAT)
Painted by Dominichino. Engraved by C. Turner.
London, Published Jany. 18. 1810. by C. Turner No.50, Warren Street, Fitzroy Square.
Mezzotint in sepia, 430 x 480mm.
An Italianate landscape, with figures in classical dress under a tree in the foreground to the left. A thatched barn is on the other side of a lake, a castle can be seen on a hill in the background. Coat of arms from small separate plate in centre of inscription. After Italian painter Domenico Zampieri, known as Domenichino (1581 - 1641).
Whitman: 721, II of II.
[Ref: 8083] £240.00 (£288.00 incl.VAT)
Engraved after an Original Picture of Mr Paul Sandby, in the Possession of Mr Meyer.
P. Sandby pinxit. B. Green Aqua forte fecit. J. Peake sculpt. Londini.
T. Bradford Fleet Street, excudit. [n.d., c.1770.]
Etching and engraving, sheet 495 x 375mm. 19½ x 14¾". Trimmed within plate. Some foxing.
Italian landscape in oval frame with a family of beggars receiving charity from one of two men on horseback in the foreground. Castle, river and bridge in middle-distance, mountains in the background. After Paul Sandby (1725 - 1809).
From the Capper album.
[Ref: 10942] £220.00 (£264.00 incl.VAT)
P. Sandby pinxit. B. Green Aqua forte fecit. J. Peake sculpt. Londini.
T. Bradford Fleet Street, excudit. [n.d., c.1770.]
Etching and engraving, sheet 495 x 375mm. 19½ x 14¾". Trimmed within plate. Some foxing.
Italian landscape in oval frame with a family of beggars receiving charity from one of two men on horseback in the foreground. Castle, river and bridge in middle-distance, mountains in the background. After Paul Sandby (1725 - 1809).
From the Capper album.
[Ref: 10942] £220.00 (£264.00 incl.VAT)
![[Italian Landscape.]](jpegs/43554.jpg)
[Italian Landscape.] From an Original Picture by J. Both.
[Ralph Cockburn c.1816.]
Aquatint. Sheet: 170 x 230mm (6¾ x 9"). Trimmed to printed image and mounted on card with captions pasted below as issued.
An Italian landscape in which figures, mules and cows gather by a river. From a collection of aquatints of popular paintings in the Dulwich Picture Gallery's collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwich Picture Gallery, between 1816-1820.
[Ref: 43554] £85.00 (£102.00 incl.VAT)
[Ralph Cockburn c.1816.]
Aquatint. Sheet: 170 x 230mm (6¾ x 9"). Trimmed to printed image and mounted on card with captions pasted below as issued.
An Italian landscape in which figures, mules and cows gather by a river. From a collection of aquatints of popular paintings in the Dulwich Picture Gallery's collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwich Picture Gallery, between 1816-1820.
[Ref: 43554] £85.00 (£102.00 incl.VAT)
![Pinxit in pariete Gaspar Pussinus Romae In Aedibus Exccell. Princ. Column. Mag. Comestab. Reg. Neapolis. [Three figures in a landscape; a city beside a bay in the distance.]](jpegs/21745.jpg)
Pinxit in pariete Gaspar Pussinus Romae In Aedibus Exccell. Princ. Column. Mag. Comestab. Reg. Neapolis. [Three figures in a landscape; a city beside a bay in the distance.]
Joseph Cunego del. et sculp Romae 1782.
Romae ex Caleographia R.C.A.
Etching. Plate 565 x 438mm. 22¼ x 17¼". Some creasing through the image.
Three figures in the centr by a waterfall and stream, trees to left, behind a plume of smoke rises from a building in the hill town with in the distance; sea and mountains beyond. Engraved in 1781-82 by Giuseppe Cunego (Italian, 1760 - 1782 after), Draughtsman and reproductive engraver. Giuseppe (Joseph) Cunego did engrave a set of scene from the Frescoes by Gaspar (Poussin) Dughet in the Palazzo Colonna Rome. While this may be similar it is not thought to be part of that set.
See Grosvenor Prints '18th Century English Prints': 240. Different publication to 21649.
[Ref: 21745] £290.00 (£348.00 incl.VAT)
Joseph Cunego del. et sculp Romae 1782.
Romae ex Caleographia R.C.A.
Etching. Plate 565 x 438mm. 22¼ x 17¼". Some creasing through the image.
Three figures in the centr by a waterfall and stream, trees to left, behind a plume of smoke rises from a building in the hill town with in the distance; sea and mountains beyond. Engraved in 1781-82 by Giuseppe Cunego (Italian, 1760 - 1782 after), Draughtsman and reproductive engraver. Giuseppe (Joseph) Cunego did engrave a set of scene from the Frescoes by Gaspar (Poussin) Dughet in the Palazzo Colonna Rome. While this may be similar it is not thought to be part of that set.
See Grosvenor Prints '18th Century English Prints': 240. Different publication to 21649.
[Ref: 21745] £290.00 (£348.00 incl.VAT)
![[Landscape with figures and cattle by a stream.]](jpegs/8080.jpg)
[Landscape with figures and cattle by a stream.] Engraved by Wm. Wilson, from an Original Picture of Zuccarelli, in the Collection of Wm. Herring Esqr.
[n.d., c.1775.]
Etching with engraving, 307 x 405mm. Light even age toning.
Landscape with a woman lying asleep at the edge of a stream, her head on her basket, one arm around her gourd and staff, which trails in the water. Two children are beside her, one reaching out with a stick to tickle her face. Another woman stands next to them, with basket, staff and a dog, pointing towards the town in the distance on the left. A man driving cattle along the bank behind them turns to look at the travellers. On watermarked laid paper, inscribed '3' upper right. After Francesco Zuccarelli (1702 - 1788)
[Ref: 8080] £220.00 (£264.00 incl.VAT)
[n.d., c.1775.]
Etching with engraving, 307 x 405mm. Light even age toning.
Landscape with a woman lying asleep at the edge of a stream, her head on her basket, one arm around her gourd and staff, which trails in the water. Two children are beside her, one reaching out with a stick to tickle her face. Another woman stands next to them, with basket, staff and a dog, pointing towards the town in the distance on the left. A man driving cattle along the bank behind them turns to look at the travellers. On watermarked laid paper, inscribed '3' upper right. After Francesco Zuccarelli (1702 - 1788)
[Ref: 8080] £220.00 (£264.00 incl.VAT)
![[The Italian Puppet Show.]](jpegs/32836.jpg)
[The Italian Puppet Show.]
[Printed and Sold by Carington Bowles, No 69 in St Pauls Church Yard, London. Published as the Act directs, 24th June 1785.]
Engraving with original hand colour, rare. Trimmed to oval 160 x 240mm (6½ x 9½"). Trimmed within plate, laid on album paper with the title written in ink underneath.
A street puppet show, with the main character the traditional 'Pulcinella' (Punchinello or Punch), with his wife 'Joan', later Judy. In the audience a fish-wife drops fish from her basket, distracted by the show. This appears to be from a series of acts or amusements making headlines in the mid-1780s.
[Ref: 32836] £160.00 (£192.00 incl.VAT)
[Printed and Sold by Carington Bowles, No 69 in St Pauls Church Yard, London. Published as the Act directs, 24th June 1785.]
Engraving with original hand colour, rare. Trimmed to oval 160 x 240mm (6½ x 9½"). Trimmed within plate, laid on album paper with the title written in ink underneath.
A street puppet show, with the main character the traditional 'Pulcinella' (Punchinello or Punch), with his wife 'Joan', later Judy. In the audience a fish-wife drops fish from her basket, distracted by the show. This appears to be from a series of acts or amusements making headlines in the mid-1780s.
[Ref: 32836] £160.00 (£192.00 incl.VAT)
Corona Ferrea.
Monza, presso Luca Corbetta Stampatore Libra[missing]. [n.d., c.1820s.]
Hand coloured engraving, sheet 155 x 215mm. 6 x 8½". Trimmed within plate.
The Corona Ferrea, or Corona del Ferro (Iron Crown) was used until the 19th century to crown Kings of Italy and Holy Roman Emperors. Tradition has it that it was forged with the iron of one of the nails that were used in the crucifixion of Jesus. The crown is venerated as a relic, and is kept in the cathedral of Monza, in the Lombardy region of Italy. Published for the cathedral library at Monza, possibly from a larger print or broadside.
[Ref: 11471] £80.00 (£96.00 incl.VAT)
Monza, presso Luca Corbetta Stampatore Libra[missing]. [n.d., c.1820s.]
Hand coloured engraving, sheet 155 x 215mm. 6 x 8½". Trimmed within plate.
The Corona Ferrea, or Corona del Ferro (Iron Crown) was used until the 19th century to crown Kings of Italy and Holy Roman Emperors. Tradition has it that it was forged with the iron of one of the nails that were used in the crucifixion of Jesus. The crown is venerated as a relic, and is kept in the cathedral of Monza, in the Lombardy region of Italy. Published for the cathedral library at Monza, possibly from a larger print or broadside.
[Ref: 11471] £80.00 (£96.00 incl.VAT)
No 5. Italian Still Life.
Publish'd by H. Lacey, 59 Oxford St London, Jan.y 1830.
Scarce aquatint with very fine hand colour. Sheet 165 x 205mm (6½ x 8"). Trimmed to image on three sides, into plate at bottom.
A table with a coffee cup, spoon, jar of cherries, bowl of plums, wine bottle and potted bush.
[Ref: 53273] £160.00 (£192.00 incl.VAT)
Publish'd by H. Lacey, 59 Oxford St London, Jan.y 1830.
Scarce aquatint with very fine hand colour. Sheet 165 x 205mm (6½ x 8"). Trimmed to image on three sides, into plate at bottom.
A table with a coffee cup, spoon, jar of cherries, bowl of plums, wine bottle and potted bush.
[Ref: 53273] £160.00 (£192.00 incl.VAT)
A General Table of the Italian Verbs, Regular and Irregular, By which the formation of any Tense of Person required may be immediately found. Executed by R. Zotti, after the French plan laid down by R. Juigné, in his table of the French verbs [...]
Sold by Simpkin and Marshall, Stationers'-Hall-Court; A.B. Dulau & Co. Soho-Square; Longman & Co. Paternoster-Row; Whittaker & Co. Avemaria Lane; and all Booksellers.
Letterpress on linen, sheet 670 x 515mm (26½ x 20¼"). Folded.
A fantastic design showing large table for conjugating Italian verbs.
[Ref: 41288] £360.00
Sold by Simpkin and Marshall, Stationers'-Hall-Court; A.B. Dulau & Co. Soho-Square; Longman & Co. Paternoster-Row; Whittaker & Co. Avemaria Lane; and all Booksellers.
Letterpress on linen, sheet 670 x 515mm (26½ x 20¼"). Folded.
A fantastic design showing large table for conjugating Italian verbs.
[Ref: 41288] £360.00
A General Table of the Italian Verbs, Regular and Irregular. By which, the Formation of any Tense or Person required, may be immediately found.
By R.Zotti, after the table of the French Verbs by R.Juigné.
Sold by R.Zotti, No. 16, Broad Street, Golden Square. [n.d., c.1810.]
Letterpress broadsheet, some colour highlights, backed with paper. Sheet 640 x 485mm. Some wear.
[Ref: 7182] £290.00 (£348.00 incl.VAT)
By R.Zotti, after the table of the French Verbs by R.Juigné.
Sold by R.Zotti, No. 16, Broad Street, Golden Square. [n.d., c.1810.]
Letterpress broadsheet, some colour highlights, backed with paper. Sheet 640 x 485mm. Some wear.
[Ref: 7182] £290.00 (£348.00 incl.VAT)
![[Untitled landscape.]](jpegs/40324.jpg)
[Untitled landscape.]
[n.d., c.1780.]
Sepia ink drawing with pink wash border. Border 315 x 470mm (12½ x 18½"), watermarked 'J. Honig & Zoonen'.
A town above a lake.
[Ref: 40324] £230.00 (£276.00 incl.VAT)
[n.d., c.1780.]
Sepia ink drawing with pink wash border. Border 315 x 470mm (12½ x 18½"), watermarked 'J. Honig & Zoonen'.
A town above a lake.
[Ref: 40324] £230.00 (£276.00 incl.VAT)
![[Untitled scene of a town and lake..]](jpegs/40325.jpg)
[Untitled scene of a town and lake..]
[n.d., c.1780.]
Sepia ink and wash drawing. Border 315 x 470mm (12½ x 18½"), watermarked 'C. & I. Honig'.
A walled building, with trees and cow.
[Ref: 40325] £230.00 (£276.00 incl.VAT)
[n.d., c.1780.]
Sepia ink and wash drawing. Border 315 x 470mm (12½ x 18½"), watermarked 'C. & I. Honig'.
A walled building, with trees and cow.
[Ref: 40325] £230.00 (£276.00 incl.VAT)
![[Italianate landscape.] No 202.](jpegs/55611.jpg)
[Italianate landscape.] No 202.
Zuaurelli del. [Francesco Zuccarelli?] Joh: Georg Hertel excud. A.V. 3.
[Augsburg: Johann Georg Hertel, c.1750.]
Etching. 190 x 295mm (7½ x 11½"). Trimmed within plate.
An untitled Italianate landscape, with a building and a tower by a river. From a series of landscapes after various artists
[Ref: 55611] £130.00 (£156.00 incl.VAT)
Zuaurelli del. [Francesco Zuccarelli?] Joh: Georg Hertel excud. A.V. 3.
[Augsburg: Johann Georg Hertel, c.1750.]
Etching. 190 x 295mm (7½ x 11½"). Trimmed within plate.
An untitled Italianate landscape, with a building and a tower by a river. From a series of landscapes after various artists
[Ref: 55611] £130.00 (£156.00 incl.VAT)
![[Three figures in a landscape; a city beside a bay in the distance.]](jpegs/21649.jpg)
[Three figures in a landscape; a city beside a bay in the distance.] Pinxit in pariete Gaspar Pussinus Romae In Aedibus Exccell. Princ. Column. Mag. Comestab. Reg. Neapolis.
Joseph Cunego del. et sculp Romae 1782.
Romae apud Dom. Cunego.
Etching, early impression,image 520 x 400mm. 20½ x 15¾". Trimmed to plate; a strong impression.
Three figures in the centr by a waterfall and stream, trees to left, behind a plume of smoke rises from a building in the hill town with in the distance; sea and mountains beyond. Engraved in 1781-82 by Giuseppe Cunego (Italian, 1760 - 1782 after), Draughtsman and reproductive engraver. Giuseppe (Joseph) Cunego did engrave a set of scene from the Frescoes by Gaspar (Poussin) Dughet in the Palazzo Colonna Rome. While this may be similar it is not thought to be part of that set.
See Grosvenor Prints '18th Century English Prints': 240.
[Ref: 21649] £360.00
Joseph Cunego del. et sculp Romae 1782.
Romae apud Dom. Cunego.
Etching, early impression,image 520 x 400mm. 20½ x 15¾". Trimmed to plate; a strong impression.
Three figures in the centr by a waterfall and stream, trees to left, behind a plume of smoke rises from a building in the hill town with in the distance; sea and mountains beyond. Engraved in 1781-82 by Giuseppe Cunego (Italian, 1760 - 1782 after), Draughtsman and reproductive engraver. Giuseppe (Joseph) Cunego did engrave a set of scene from the Frescoes by Gaspar (Poussin) Dughet in the Palazzo Colonna Rome. While this may be similar it is not thought to be part of that set.
See Grosvenor Prints '18th Century English Prints': 240.
[Ref: 21649] £360.00
Jeanetta. (Costume d'Ischia)
Numa pinxt. Imp. par Lemercier. Regnier et Bettannier lith.
Paris publie par H. Gache, editeur, rue de la Victoire, 58. London, 30 Decr. published by J. Bouvier, 70 St. Martin's Lane [n.d., c.1845].
Lithograph in fine contemporary colour by hand, image 250 x 195mm. 9¾ x 7¾". Margins slightly trimmed.
A woman in traditional southern Italian dress posed with her hand on a ceramic vessel in a landscape; a shrine in the background. From a series of national costume plates.
[Ref: 23938] £140.00 (£168.00 incl.VAT)
Numa pinxt. Imp. par Lemercier. Regnier et Bettannier lith.
Paris publie par H. Gache, editeur, rue de la Victoire, 58. London, 30 Decr. published by J. Bouvier, 70 St. Martin's Lane [n.d., c.1845].
Lithograph in fine contemporary colour by hand, image 250 x 195mm. 9¾ x 7¾". Margins slightly trimmed.
A woman in traditional southern Italian dress posed with her hand on a ceramic vessel in a landscape; a shrine in the background. From a series of national costume plates.
[Ref: 23938] £140.00 (£168.00 incl.VAT)
![[Lake Como.]](jpegs/66691.jpg)
[Lake Como.] Veduta della Villa D'Esta altre volte il Garuvo sul Lago di Como.
G.Castellini dis. L.Rados inc.
[c.1830.] Milano presso Francesco Bernucca Contrada de'tre Alberghi No.4091.
Very fine lithograph. 195 x 225mm (7¾ x 9"), large margins on 3 sides. Trimmed into lower plate and backed onto album paper.
A view of Lake Como, Italy. In the foreground are two boats, in the background the Villa d'Este, originally Villa del Garovo, a Renaissance patrician residence in Cernobbio on the shores of Lake Como in northern Italy. In 1815, the villa became the residence of Caroline of Brunswick, estranged wife of the future King George IV.
[Ref: 66691] £180.00 (£216.00 incl.VAT)
G.Castellini dis. L.Rados inc.
[c.1830.] Milano presso Francesco Bernucca Contrada de'tre Alberghi No.4091.
Very fine lithograph. 195 x 225mm (7¾ x 9"), large margins on 3 sides. Trimmed into lower plate and backed onto album paper.
A view of Lake Como, Italy. In the foreground are two boats, in the background the Villa d'Este, originally Villa del Garovo, a Renaissance patrician residence in Cernobbio on the shores of Lake Como in northern Italy. In 1815, the villa became the residence of Caroline of Brunswick, estranged wife of the future King George IV.
[Ref: 66691] £180.00 (£216.00 incl.VAT)
![[Italy.] Ober=Italiaen. Taf. I.](jpegs/46038.jpg)
[Italy.] Ober=Italiaen. Taf. I. Der Dom in Mailand.
[Emil Wendt.][n.d.,c.,1850]
[Leipzig, Berlag von Dürffling und Frante.]
Engraving, platemark 270 x 315mm (10½ x 12½") very large margins.
A collection of vignettes of views of Northern Italy arranged around a central view of the cathedral in Milan, other views include 'Isola Bella in Laggo-Maggiore' and 'Ein Mönch mit einen-Reliquie'. A plate from Emil Wendt's 'Bilderatlas der Länderkunde...'
[Ref: 46038] £130.00 (£156.00 incl.VAT)
[Emil Wendt.][n.d.,c.,1850]
[Leipzig, Berlag von Dürffling und Frante.]
Engraving, platemark 270 x 315mm (10½ x 12½") very large margins.
A collection of vignettes of views of Northern Italy arranged around a central view of the cathedral in Milan, other views include 'Isola Bella in Laggo-Maggiore' and 'Ein Mönch mit einen-Reliquie'. A plate from Emil Wendt's 'Bilderatlas der Länderkunde...'
[Ref: 46038] £130.00 (£156.00 incl.VAT)
Napoléon accepte la coronne de fer.
Courtin del, les figures par Adam. Lithogr: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 320 x 410mm (12½ x 16"), with large margins. Foxing in margins.
Napoleon Bonaparte accepting the Iron Crown of Lombardy at Milan Cathedral. becoming King of Italy, 17th March 1805. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55877] £160.00 (£192.00 incl.VAT)
Courtin del, les figures par Adam. Lithogr: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 320 x 410mm (12½ x 16"), with large margins. Foxing in margins.
Napoleon Bonaparte accepting the Iron Crown of Lombardy at Milan Cathedral. becoming King of Italy, 17th March 1805. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55877] £160.00 (£192.00 incl.VAT)
L'Italie. A.9.
Huquier ex.
[A Paris chez Huquier rue des Mathurins près celle de Sorbonne. C.P.R.] [n.d., c.1760.]
Fine and rare etching, pt 18th century watermark. Plate 190 x 140mm (7½ x 5½"), with large margins. Slightly foxed, nick on bottom left corner.
A rococo design representing Italy, engraved and published by Gabriel Huquier (1695-1772).
[Ref: 59307] £120.00 (£144.00 incl.VAT)
Huquier ex.
[A Paris chez Huquier rue des Mathurins près celle de Sorbonne. C.P.R.] [n.d., c.1760.]
Fine and rare etching, pt 18th century watermark. Plate 190 x 140mm (7½ x 5½"), with large margins. Slightly foxed, nick on bottom left corner.
A rococo design representing Italy, engraved and published by Gabriel Huquier (1695-1772).
[Ref: 59307] £120.00 (£144.00 incl.VAT)
![[Italian Landscape.]](jpegs/58997.jpg)
[Italian Landscape.] 29.
P. Bril Inventor. Nieulant fecit.
A Bon enfant excud. Avec Privilege du Roy. [n.d. c.1605.]
Etching, plate 240 x 315mm (9½ x 12½"). Trimmed to plate on three sides and glued on album sheet. Slightly stained on inscription area, one wormhole.
Italian landscape with people resting in the foreground and two figures walking down a hill in the background. This is Plate 29 from a series of thirty-six plates showing Italian landscapes after Paul Bril by Willem van Nieulandt.
See Hollstein: 76-111.
[Ref: 58997] £260.00 (£312.00 incl.VAT)
P. Bril Inventor. Nieulant fecit.
A Bon enfant excud. Avec Privilege du Roy. [n.d. c.1605.]
Etching, plate 240 x 315mm (9½ x 12½"). Trimmed to plate on three sides and glued on album sheet. Slightly stained on inscription area, one wormhole.
Italian landscape with people resting in the foreground and two figures walking down a hill in the background. This is Plate 29 from a series of thirty-six plates showing Italian landscapes after Paul Bril by Willem van Nieulandt.
See Hollstein: 76-111.
[Ref: 58997] £260.00 (£312.00 incl.VAT)
Huitieme Vue D'Italie. Dedié a Madame la Marquise De Villefort Par son très humble et très obeissant Serviteur Le Bas. 21.
Vernet P. Le Bas d. Helman sculp.
a Paris chés J. Ph. Le Bas Graveur du Cabinet du Roi, rue de la Harpe. [n.d., c.1760.]
Engraving. 360 x 460mm (14 x 18"). Very large margins.
A storm off the Italian coast with townspeople trying to rescue shipwreck victims.
[Ref: 38118] £260.00 (£312.00 incl.VAT)
Vernet P. Le Bas d. Helman sculp.
a Paris chés J. Ph. Le Bas Graveur du Cabinet du Roi, rue de la Harpe. [n.d., c.1760.]
Engraving. 360 x 460mm (14 x 18"). Very large margins.
A storm off the Italian coast with townspeople trying to rescue shipwreck victims.
[Ref: 38118] £260.00 (£312.00 incl.VAT)
A View in Italy. In the Collection of Henry Hoare Esq.r.
Claud Lorraine Pinx.t. J. Mason Sculp.t.
Published by John Boydell Engraver in Cheapside London 1774.
Engraving, fine impression. 410 x 530mm (16 x 20¾"), very large margins.
A landscape scene with two figures walking towards the centre, and a herd of goats in the foreground. Woods can be seen at the right with hills and forest in the background. After Claude Lorrain (c. 1600-82).
[Ref: 38665] £350.00
Claud Lorraine Pinx.t. J. Mason Sculp.t.
Published by John Boydell Engraver in Cheapside London 1774.
Engraving, fine impression. 410 x 530mm (16 x 20¾"), very large margins.
A landscape scene with two figures walking towards the centre, and a herd of goats in the foreground. Woods can be seen at the right with hills and forest in the background. After Claude Lorrain (c. 1600-82).
[Ref: 38665] £350.00
![[Italy - The Twelve Cæsars.]](jpegs/37526.jpg)
[Italy - The Twelve Cæsars.]
[after Jan van der Straet.]
[n.d., c.1720.]
10 plates [of twelve]. Each 330 x 220mm (13 x 8¾").
Portraits of ten of the twelve cæsars, presented as equestrian statues on pedestals, with scenes from their reigns behind. The missing plates are (1) Julius Cæsar and (9) Vitellius. The original plates were published Crispijn de Passe in 1600. These images are reversed.
[Ref: 37526] £1,500.00 view all images for this item
[after Jan van der Straet.]
[n.d., c.1720.]
10 plates [of twelve]. Each 330 x 220mm (13 x 8¾").
Portraits of ten of the twelve cæsars, presented as equestrian statues on pedestals, with scenes from their reigns behind. The missing plates are (1) Julius Cæsar and (9) Vitellius. The original plates were published Crispijn de Passe in 1600. These images are reversed.
[Ref: 37526] £1,500.00 view all images for this item