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[Hunting Scene.]
[Hunting Scene.]
[n.d. c.1900.]
Pen and ink. 318 x 387mm. 12½ x 15¼".
The beginning of a fox hunt. Astride his steed the first rider leads the pack of excited beagles, blowing his bugle. Other riders following behind.
[Ref: 17530]   £130.00   (£156.00 incl.VAT)
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[Fox hunting set of four] Going to Cover. L'entrée du Bois.
[Fox hunting set of four] Going to Cover. L'entrée du Bois. [&] Making a Cast at a Fault. Le Chiens cherchans a retrouver La Piste. [&] The Chace. La Chasse. [&] The Death of the Fox. La Mort du Reynard.
F. Seymour Pinx.t. T. Burford Fecit.
Published according to Act of Parliament by T. Burford, at the Golden-Head in Bridge Street, Westminster [1761].
Set of four mezzotints with etching. Each 355 x 515mm (14 x 20½"). 'Cover' with tears and wormholes, laid on paper; 'Fault' with small holes in margins; 'Chace' with small repair in bottom margin; 'Death' with worming.
A scarce set of four large mezzotint hunting scenes, first published in 1761 but this state with date removed.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iv. Siltzer p. 248, dated 1779[?].
[Ref: 64832]   £980.00   view all images for this item
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Severall Wayes of Hunting, Hawking, and Fishing, Acording to the English Manner. invented by Francis Barlow. Etched by W. Hollar.
Severall Wayes of Hunting, Hawking, and Fishing, Acording to the English Manner. invented by Francis Barlow. Etched by W. Hollar. If Hunting, Hawking, Fishing, pleasure yeald, How much may Art excede, as if in Feild, You vew'd each Sport, by figure so exprest, The Severall wayes they take, Fowle, Fish, & Beast.
And are to be Sould by John Overton, at the White Horse, without Newgate, London, A 1671.
Etching. Sheet 195 x 280mm (7¾ x 11"). Trimmed into image, old ink mss, tears, toning. Damaged.
Frontispiece to the 1671 publication 'Severall Wayes of Hunting, Hawking, and Fishing, Acording to the English Manner', etched by Wenceslaus Hollar.
P 2028 i of ii.
[Ref: 64439]   £180.00   (£216.00 incl.VAT)
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To the Right Honourable The Earl of Sandwich, This View of Huntingdon...
To the Right Honourable The Earl of Sandwich, This View of Huntingdon...
Geo. Tytler, pinxt. F.C. Lewis sculpt.
Huntingdon, Published Octr. 1817, by G. Wooll & Messrs. Cribb & Sons, 288, Holborn, London.
Scarce hand-coloured aquatint with etching, plate reworked. Image 325 x 470m, 12¾ x 18". Trimmed to plate; several filled worm holes. Damaged.
A fine prospect of Huntingdon, Cambridgeshire; in the foreground figures walking along a path through a field containing sheep, and some agricultural workers with scythes resting. The town was chartered by King John in 1205. It is the traditional county town of Huntingdonshire (formerly a separate county), and is known as the birthplace in 1599 of Oliver Cromwell.
[Ref: 56182]   £380.00  
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[Elizabeth Hastings, countess of Huntingdon]
[Elizabeth Hastings, countess of Huntingdon] Vera Effigies Dominae Elizabetha Nuper Comtissae Huntingdon
Published Jan.y 1802 by Wm Richardson York House, No 31 Strand
Engraving, platemark 190 x 140mm (7½ x 5½"); very large margins. Slight foxing.
Elizabeth Hastings, countess of Huntingdon (bap.1587-d.1633), noblewoman. A significant patroness, the writers to whom she was connected, and in whose works she features, include Spenser, Milton, Donne, John Fletcher, John Marston, and, potentially, Shakespeare. Following her death she was buried at Ashby-de-la-Zouch in Leicestershire.
O'D 3
[Ref: 40808]   £60.00   (£72.00 incl.VAT)
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His Excellency S. Huntingdon President of Congress.
His Excellency S. Huntingdon President of Congress.
[n.d., c.1783.]
Stipple. Sheet size: 115 x 75mm (4½ x 3"). Trimmed to image on 3 sides.
A portrait of Samuel Huntington (1731 - 1796), head and shoulders in profile to the left; within an oval. Huntingdon was a jurist, statesman, and Patriot in the American Revolution. As a delegate to the Continental Congress, he signed the Declaration of Independence and the Articles of Confederation. He also served as President of the Continental Congress from 1779 to 1781, chief justice of the Connecticut Supreme Court from 1784 to 1785, and was the 18th Governor of Connecticut from 1786 until his death.
[Ref: 37156]   £130.00   (£156.00 incl.VAT)
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Excellency of the Bible.
Excellency of the Bible. Written by the Late W. Huntington, S.S. Extracted from his ''History of Little Faith,'' vol vi. page 272.
Printed and Published by H. Quelch, 24, East Lane, Walworth. Price Three Pence. [n.d., c.1825.]
Letterpress broadside on card. Sheet 200 x 130mm (8 x 5¼").
A transcript of a sermon by William Huntington S.S. (1745-1813), a coalheaver and Calvinist preacher who believed that on Judgment Day he would be identified as a true prophet.
[Ref: 42357]   £95.00   (£114.00 incl.VAT)
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Revd. Wm. Huntington,
Revd. Wm. Huntington, Late Minister of the Gospel, Providence Chapel, Grays-inn Lane.
Drawn & Engraved by Thos. Overton.
London Published by Thos. Overton 51 New Bond Street Feb 7 1814.
Stipple, 355 x 265mm. 14 x 10½". A fantastic impression.
William Huntington (1745 - 1813), coal heaver and eccentric preacher. Huntington, the son of an agricultural labourer, worked in a variety of jobs including hearse driver and gardener. In 1773, he experienced a vision in which Christ appeared to him and assured him he was 'brought under the covenant love of God's elect'. He began preaching, although his views were often controversial. His doctrine was Calvinism flavoured with antinomianism, his method of interpreting scripture wholly arbitrary. He combined preaching with coal heaving and other casual work such as cobbling. Huntington had another vision in 1782, telling him to 'prophesy upon the thick boughs'. He moved to London and raised the capital to build Providence Chapel in Titchfield Street. His ministry flourished: his preaching attracted many rich and fashionable members of society and he officiated for more than a quarter of a century. A very scarce portrait, after Thomas Overton (fl.1818 - 1838), miniature painter.
[Ref: 13784]   £230.00   (£276.00 incl.VAT)
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Joesph Hunton at the Bar of the Old Bailey;
Joesph Hunton at the Bar of the Old Bailey; Tried for Forgery on October 28th 1828.
Printed by C. Hullmandel.
[n.d., c.1828.]
Lithograph, very scarce. Sheet 240 x 195mm (9½ x 7¾"). Slight soiling.
The trial for forgery of Joseph Hunton, with a mirror positioned so the public could see his face. As a wealthy Quaker his trial for forging several bills of exchange attracted much attention, as did his execution at Newgate.
[Ref: 27033]   £130.00   (£156.00 incl.VAT)
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Joseph Hunton, at the Bar of the Old Bailey: Tried for Forgery on October 28th 1828.
Joseph Hunton, at the Bar of the Old Bailey: Tried for Forgery on October 28th 1828.
Printed by C. Hullmandel.
Published by McLean, 26, Haymarket. [n.d., c.1828.]
Rare lithograph. Sheet 260 x 195mm (10¼ x 7¾"). Tear taped on left.
Joseph Hunton, a Quaker, a partner in the firm of Dickson & Co., forged bills of exchange by signing them with the name of a dead colleague. He fled to Plymouth, where he was on a ship bound for New York when he was apprehended. Found guitly, he was executed by famed hangman John Foxton at Newgate in December.
[Ref: 53144]   £140.00   (£168.00 incl.VAT)
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Hunts. Election.
Hunts. Election. Why is the above like the Blue Committee? D'ye give it up? Because it is a Body without a Head.
[Anon., c.1835.]
Illustrated printed handbill, letterpress with woodcut vignette on russet paper, sheet 185 x 140mm. 7¼ x 5½". Creasing.
Satirical broadside with a visual pun relating to Huntingdonshire politics; a headless body is enclosed in a frame and likened to a local committee. During this time Huntingdon was represented by Sir Frederick Pollock, Bt. (Attorney General and Lord Chief Baron of the Exchequer), Jonathan Peel (younger brother of Sir Robert Peel) and Thomas Baring (Banker) all Tory policitians. Coalitions were formed to remove Liberal candidates and the text suggests "Blue Committee" might be a Tory coalition.
[Ref: 18228]   £75.00   (£90.00 incl.VAT)
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[Huntsman's Fate.] Der wilde Jager.
[Huntsman's Fate.] Der wilde Jager.
Eugen. Neureuther inv.t. 1838.
Hand-coloured etching. Sheet: 380 x 260mm (15 x 10¼"). Trimmed, paper tone and creasing.
A series of scenes illustrating the decent into Hell of a cruel hunter, by German artist Eugen Napoleon Neureuther (1806-1882).
[Ref: 43662]   £95.00   (£114.00 incl.VAT)
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[The Huntsman.]
[The Huntsman.]
Mügl Staedpfuidl & Brüder [?]
Etching. 178 x 140mm. 7 x 5½". Cut.
Huntsman, probably a priest, with a gun slung over his shoulder and a powder flask hanging from his right arm; his left hand place on the head of an accompanying dog.
[Ref: 18441]   £180.00   (£216.00 incl.VAT)
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[John Hunyadi.]
[John Hunyadi.] Huniades.
[n.d., c.1700.]
Engraving. 145 x 90mm ( 5¾ x 3½"). Trimmed and backed onto album paper. Cut on upper left corner and some time staining.
Portrait of John Hunyadi (c. 146 - 1456), leading Hungarian military and political figure during the 15th century, who served as regent of the Kingdom of Hungary from 1446 to 1453, under the minor Ladislaus V.
[Ref: 64451]   £50.00   (£60.00 incl.VAT)
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[Rococo ornament.] 7.
[Rococo ornament.] 7.
huquier in sculp. et ex. CER. rüe st jacques [n.d., c.1750.]
Very fine etching. 305 x 240mm (12 x 9½"), with large margins.
Gabriel Huquier (1695-1772) operated from 'rue St Jacques près (or au coin de) celle des Mathurins' 1738-49.
[Ref: 60216]   £190.00   (£228.00 incl.VAT)
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The Rev. James Hurdis, D.D. Late Fellow of Magdalen College and Professor of Poetry in the University of Oxford.
The Rev. James Hurdis, D.D. Late Fellow of Magdalen College and Professor of Poetry in the University of Oxford.
J.H. Hurdis Fa: in aqua forte etc: 1842 Newick Sussex. J.H. AB. Coll: Mag. An. Aet. 21 Sharples delin. London 1784.
[1842.]
Rare etching, printed on chine collé. Plate: 380 x 305mm (15 x 12'').
A half-length, profile portrait of poet and clergyman James Hurdis (1763-1801) etched by his son James Henry Hurdis (1800-1857) after a drawing done in 1784 when Hurdis was 21.
[Ref: 48778]   £230.00   (£276.00 incl.VAT)
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[Le saut de haies.]  [The hurdles.]
[Le saut de haies.] [The hurdles.]
Chaurand [signed in plate lower right.]
[n.d., c.1930.]
Limited edition proof lithograph, numbered 4/24 in pencil lower left. Sheet 450 x 560mm, 17¾ x 22".
From a series of lithographs depicting Olympic sports, 'Les jeux Olympiques', possibly designs for posters, by Jean Raoul Chaurand-Naurac (1878 - 1948).
[Ref: 11360]   £240.00   (£288.00 incl.VAT)
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Hurons.
Hurons.
Ansel delin.t. Fittler Sculp.
Published by J. Trusler. Sep.t. 1. 1790.
Engraving. 190 x 130mm (7½ x 5"). Trimmed.
American scene depicting the camp and some members of the Huron or Wyandot tribe, an indigenous people of North America.
[Ref: 32098]   £130.00   (£156.00 incl.VAT)
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Ionnes. Hus. Anno Ætatis 40.
Ionnes. Hus. Anno Ætatis 40. Credo Unam Esse Ecclesiam Sanctum Catholica.
[René Boyvin.]
[n.d., c.1580.]
Engraving. Sheet: 170 x 130mm (6¾ x 5¼"). Trimmed and laid on album sheet, small nick in left side and a tear in the bottom right corner.
A profile portrait of Czech priest, philosopher and dean of Charles University of Prague, Jan Hus (1369-1415) who was a seminal figure of the Bohemian Reformation and a key predecessor of Prostestantism. The print is engraved by influential French engraver René Boyvin (1525-1598 or 1625/6) who was born in Angers and was an important figure in the diffusion of the style of the Fontainebleau school.
[Ref: 45662]   £190.00   (£228.00 incl.VAT)
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Jean Hus ne en Boheme il fut recteur de l'universite de Prague il fut Brule a Constance l'an 1415.
Jean Hus ne en Boheme il fut recteur de l'universite de Prague il fut Brule a Constance l'an 1415.
Grave par E. Desrochers
et Paris rue du soin pres la rue St. Jacques.
Engraving, 150 x 100mm (6 x 4"). Trimmed to image and laid on album paper. Toning.
A head and shoulders portrait of Jan Hus (1372-1415), left profile and framed in an oval. Jan Hus was a Czeck theologian and philosopher. He was a key predecessor of Protestantism and a leading figure in the Bohemian Reformation.
[Ref: 53811]   £70.00   (£84.00 incl.VAT)
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[The confessing husband]
[The confessing husband] Le mari confesseur
Ch. Eisen inv. Noel Le Mire Sculp
A Paris chés Basan Graveur rue du Foin [c.1770]
Engraving, platemark 135 x 80mm (5¼ x 3") very large margins.
One of a set of book illustrations after designs by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45082]   £120.00   (£144.00 incl.VAT)
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So! So! The Race was for a Husband.
So! So! The Race was for a Husband.
[Henry Kingsbury]
Pub May 1 1788 by S W Fores Saterist N° 3 Piccadilly.
Hand coloured etching, sheet 265 x 430mm (10¼ x 17"), on I Taylor laid water marked paper. Trimmed to plate on left sides, thread margins on others.
A very fat Other Windsor (1751-1799), 5th Earl of Plymouth, and Sarah Archer (1762–1838) (Windsor, Countess of Plymouth, then later Countess Amherst) walk together arm in arm towards a country Church where the vicar and his clerk wait in the porch. Plymouth comments on this and Sarah Archer replies getting married will "repair" her virginity and on her mother's surly temper. Her discontented mother Lady Sarah Archer (nee West) walks away from them remarking that marriage hampers a hedonist lifestyle and that is not for herself. Sister's Maria, Harriet and Anne are behind the couple, two hold hands walking together where another turns her back on her mother running away. Lady Sarah Archer (nee West) was a gambler known as one of "Faro Ladies" whose virtues were scrutinized because of belief of domestic duty and sexual misconduct; women gamblers, after having lost their limited personal income (Pin-money), thus without legal or monetary credit to their name, could only wager their sexuality.
BM Satires 7430
[Ref: 56460]   £360.00  
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[Hush]
[Hush]
C.W.C. 1878
Etching. Plate: 260 x 190mm (10¼ x 7½"). Uncut sheet; signed by artist in pencil. Creasing on Chine paper.
Etching by history painter Charles West Cope (1811-90), widely regarded as the finest of his prints. Cope is primarily remembered for his frescoes in the House of Lords and the peers' corridor, but in addition to his academic renderings of historical and literary subjects, he was a talented printmaker. He was a founder member of the Etching Club (whose members also included Samuel Palmer). This late etching of a woman caring for a baby (made soon before Cope left London to retire to the country) was originally one of a pair with 'Hope Deferred'.
[Ref: 49447]   £140.00   (£168.00 incl.VAT)
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The Right Hon.ble William Huskisson, M.P.
The Right Hon.ble William Huskisson, M.P. Engraved after the original picture in 1830, in the possession of M.rs Huskisson. Proof.
Painted by R. Rothwell. M.R.H.A. Engraved by Thomas Hodgetts.
London, August 1832, Published by M. Colnaghi, 23, Cockspur Street, Charing Cross.
Proof mezzotint. 370 x 280mm (14½ x 11"), large margins.
Half-length seated portrait of William Huskisson (1770-1830), who served as colonial secretary and leader of the House of Commons under Viscount Goderich and the Duke of Wellington (1827-28), resigning after a dispute with Wellington over parliamentary reform. He was killed by George Stephenson's 'Rocket' at the opening of the Manchester and Liverpool Railway.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66651]   £240.00   (£288.00 incl.VAT)
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[Wellington & William Huskisson] A Naughty Boy Turn'd out of School.
[Wellington & William Huskisson] A Naughty Boy Turn'd out of School.
[Monogram of Paul Pry, pseudonym of William Heath] he seems let them know who is master of th House
Pub by T McLean 26 Haymarket. [n.d. c. May 1828].
Coloured etching. Framed. 245 x 350mm (9¾ x 13¾"). Unexamined out of frame.
Satire on the departure from Wellington's cabinet of William Huskisson, represented here as a schoolboy in a fool's cap kneeling before a closed door placarded 'Wellington House Academy'. Huskisson, who had entertained hopes of becoming prime minister before the position was offered to Wellington, voted against the government over the East Retford Bill and subsequently offered to resign 'as a matter of form, not substance' (DNB). Wellington, however, took him at his word and seized the opportunity to rid himself of an uncomfortable colleague. As a result Huskisson's friends Dudley, Palmerston and Grant, along with the Irish Secretary Lamb all resigned (their names are written on a slate next to Huskisson in the print), a situation described by the Duke as a 'mutiny'.
BM Satires: 15532.
[Ref: 61195]   £230.00   (£276.00 incl.VAT)
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[William Huskisson.]
[William Huskisson.]
Painted by R.Rothwell, M.R.I.A. Engraved by Thomas Hodgetts.
London, August 1832, Published by M.Colnaghi, 23, Cockspur Street, Charing Cross.
Mezzotint, proof before title, 370 x 280mm (14½ x 11"), large margins.
Portrait of William Huskisson PC (1770 - 1830), British statesman, financier, and Member of Parliament for several constituencies, including Liverpool. He is commonly known as the world's first widely reported railway passenger casualty, since he was run over and fatally injured by Robert Stephenson's pioneering locomotive Rocket at the opening of the Liverpool and Manchester Railway in 1830. However, a number of fatal railway accidents had already occurred before this.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67238]   £280.00   (£336.00 incl.VAT)
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[The Right Hon.ble William Huskisson, M.P.
[The Right Hon.ble William Huskisson, M.P. Engraved after the original picture in 1830, in the possession of M.rs Huskisson.]
Painted by R. Rothwell. M.R.H.A. Engraved by Thomas Hodgetts.
London, August 1832, Published by M. Colnaghi, 23, Cockspur Street, Charing Cross.
Mezzotint engraving, proof before title, printed on chine collé. 370 x 280mm (14½ x 11"), with large margins. Creasing in margins.
Half-length seated portrait of William Huskisson (1770-1830), who served as colonial secretary and leader of the House of Commons under Viscount Goderich and the Duke of Wellington (1827-28), resigning after a dispute with Wellington over parliamentary reform. He was killed by George Stephenson's 'Rocket' at the opening of the Manchester and Liverpool Railway.
[Ref: 66652]   £180.00   (£216.00 incl.VAT)
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[The Right Hon.ble William Huskisson, M.P.
[The Right Hon.ble William Huskisson, M.P. Engraved after the original picture in 1830, in the possession of M.rs Huskisson.]
Painted by R. Rothwell. M.R.H.A. Engraved by Thomas Hodgetts.
London, August 1832, Published by M. Colnaghi, 23, Cockspur Street, Charing Cross.
Mezzotint engraving, proof before title, printed on chine collé. 370 x 280mm (14½ x 11"). Occasional foxing around plate mark. Some surface grubbiness and rubbing to the mezzotint surface.
Half-length seated portrait of William Huskisson (1770-1830), who served as colonial secretary and leader of the House of Commons under Viscount Goderich and the Duke of Wellington (1827-28), resigning after a dispute with Wellington over parliamentary reform. He was killed by George Stephenson's 'Rocket' at the opening of the Manchester and Liverpool Railway.
[Ref: 5188]   £130.00   (£156.00 incl.VAT)
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Studies of a 'Huskie'.  Jules, son of 'Chinook'.
Studies of a 'Huskie'. Jules, son of 'Chinook'.
Diana Thorne [pencil signature].
[n.d. c. 1920]
Etching. 325 x 215mm. Background rubbed top left.
[Ref: 6129]   £160.00   (£192.00 incl.VAT)
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[Showery autumn weather.]
[Showery autumn weather.]
Thos. Huson, 1880.
Etching, printed in sepia, with very large margins, printed on J. Whatman paper. 200 x 300mm, 8 x 11¾".
A marshy upland plain, etched by Thomas Huson, R.I., R.P.E. (1844-1920). Apparently a reversed version of Huson's oil painting 'Showery autumn weather'.
See Christie's Sale 5125 for the original oil.
[Ref: 26552]   £110.00   (£132.00 incl.VAT)
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[Prussian Hussar]
[Prussian Hussar] Houssard Noir du Roy de Pruse
[unsigned, c.1750]
Rare engraving, sheet 240 x 180mm (9½ x 7"). Trimmed and glued to backing sheet at corners.
Plate from a volume depicting soldiers from various European countries.
[Ref: 47780]   £140.00   (£168.00 incl.VAT)
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[A Hussar]
[A Hussar]
Tho.s Worlidge Invent. et Fecit 1753.
Etching, platemark 155 x 100mm (6 x 4"). Trimmed on platemark; laid on backing sheet; slight foxing and discoloration. Good impression.
Figure in oriental dress in the manner of Rembrandt. By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with number '53' added top right to correspond with the catalogue of his prints she produced. In Mary Worlidge's catalogue the print was listed as 'a hussar's full length'.
State i/iii; W53; D109; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32851]   £140.00   (£168.00 incl.VAT)
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[A Hussar]
[A Hussar]
Tho.s Worlidge Invent. et Fecit 1753.
Etching, platemark 155 x 100mm (6 x 4"). Small margins.
Figure in oriental dress in the manner of Rembrandt. By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with number '53' added top right to correspond with the catalogue of his prints she produced. In Mary Worlidge's catalogue the print was listed as 'a hussar's full length'.
State i/iii; W53; D109.
[Ref: 32850]   £130.00   (£156.00 incl.VAT)
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[A Hussar]
[A Hussar]
Tho.s Worlidge Invent. et Fecit 1753.
Etching, platemark 155 x 100mm (6 x 4"). Good impression; thread margins; glued to backing sheet at corners; printed on india paper.
Figure in oriental dress in the manner of Rembrandt. By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with number '53' added top right to correspond with the catalogue of his prints she produced. In Mary Worlidge's catalogue the print was listed as 'a hussar's full length'.
State ii/iii; W53; D109.
[Ref: 32852]   £85.00   (£102.00 incl.VAT)
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[A Hussar]
[A Hussar]
Tho.s Worlidge Invent. et Fecit 1753.
Etching, platemark 155 x 100mm (6 x 4"). Good impression; good margins; on white laid paper.
Figure in oriental dress in the manner of Rembrandt. By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with number '53' added top right to correspond with the catalogue of his prints she produced. In Mary Worlidge's catalogue the print was listed as 'a hussar's full length'.
State ii/iii; W53; D109.
[Ref: 32853]   £70.00   (£84.00 incl.VAT)
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Officier Supérieur des Guides de l'Empereur.
Officier Supérieur des Guides de l'Empereur. N:o 9.
Dessiné par H.ce Vernet. Levachez sculp.
à Paris, rue St Lazare No. 42. [n.d., c.1807].
Fine & rare mezzotint. 285 x 340mm (11¼ x 13½") with large margins.
A mounted hussar. From a 'Suite de Chevaux' by Carle and Horace Vernet.
[Ref: 59441]   £380.00   (£456.00 incl.VAT)
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[Hussar Firing at another Soldier.]
[Hussar Firing at another Soldier.]
Carle Vernet.
Lithog. de C. de. Lasteyrie.
Lithograph. Printed area: 375 x 260mm (14¾ x 10¼"), with large margins.. Uncut.
A military scene in which a mounted hussar fires at a second mounted soldier who falls off his horse. C. les de Lasteyrie was a distinguished lithographer (1759-1849)
[Ref: 44773]   £180.00   (£216.00 incl.VAT)
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[Trait de Devouement Courageux de Michel Hachet, Hussard, au quatrieme regiment. (30th November 1793)]
[Trait de Devouement Courageux de Michel Hachet, Hussard, au quatrieme regiment. (30th November 1793)] [French Royalist troops so admire the courage of Michel Hachet, a Hussar of the 4th Regiment, they decide to spare his life.]
[French, Deroy? 1796 - 1805.]
Etching and aquatint with descriptive letterpress sheet, 185 x 130mm. 7¼ x 5".
From a series of propaganda prints publicising the heroic exploits of French soldiers of the Revolutionary army; probably 'Les Fastes du Peuple français, ou tableaux raisonnés de toutes les actions héroïques et civiques du soldat et du citoyen français' by Jacques Grasset Saint-Sauveur.
See BNF: FRBNF40253477.
[Ref: 15813]   £90.00   (£108.00 incl.VAT) view all images for this item
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Officers of the British Army, No. 19. 4th. (the Queens own) Light Dragoons.
Officers of the British Army, No. 19. 4th. (the Queens own) Light Dragoons. Dedicated by Permission to the Adjatant General of his Majesty's Forces.
L. Mansion & S.t Eschauzier inv. & del. Printed by Lefevre & Co.
London, Published by W. Spooner 253, Regent St. Coloured by C.H. Martin. [n.d., c.1830.]
Rare & fine coloured lithograph. Framed. Printed area: 360 x 280mm (14 x 11''). Frame: 520 x 440mm (20½ x 17¼''). Unexamined out of frame. Little foxing.
A mounted portrait of an officer in the 4th (the Queens own) regiment of Light Dragoons, now the 4th Queens Own Hussars.
[Ref: 48961]   £280.00   (£336.00 incl.VAT)
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Hussein Pacha Dey d'Alger, 1831.
Hussein Pacha Dey d'Alger, 1831.
A. Maurin del.
à Paris, chez Chaillou Editeur rue St. honoré, 140. Lith. de Delaporte, rue de l'Abbaye No4.
Lithograph. Printsellers blindstamp. Sheet: 265 x 185mm (10½ x 7¼").
A portrait of Hussein Dey (1765-1838) the last of the Ottoman provincial rulers of the Regency of Algiers.
[Ref: 47055]   £50.00   (£60.00 incl.VAT)
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Hussein Pacha.  Dey of Algiers.  From a Drawing in the possession of Mr. Thierry. Late Consul of France at Algiers.
Hussein Pacha. Dey of Algiers. From a Drawing in the possession of Mr. Thierry. Late Consul of France at Algiers.
Printed by W. Day. 17 Gate Strt. [n.d., c.1825].
Lithograph, sheet 440 x 300mm. Foxing.
Hussein Dey (1765 - 1838) was the last of the Ottoman provincial rulers of Algiers (or Deys). Hussein hit the French consul with a fly-whisk as an expression of his anger over France's large (and growing) unpaid debt to Algeria. The French Minister of War used this offence as a pretext for an invasion of Algeria, which began three years later. The French army landed on July 5, 1830, near the capital Algiers, and they beat the Ottoman forces in short order. Hussein Dey accepted a French offer for exile, and with it France seized and looted the country, ending the three-century rule of the Ottomans.
[Ref: 7505]   £95.00   (£114.00 incl.VAT)
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Hussein Pasha,
Hussein Pasha, mit seinem Leibmamelucken, oder der Grosse Unbekannte undter den Tüurken
Wunder sc.
[Nuremberg, c.1829.]
Etching with original hand colour. Sheet 170 x 205mm (6¾ x 8"). Trimmed.
A scene from Russo-Turkish War (1827-29), a rather romantic portrait of Hussein Pasha, commander of the Ottoman forces, astride a charger at the head of his mamlukes. The war started after the Russians helped the Greek independence movement fight the Battle of Navarino in 1827: the Turks closed the Dardanelles to Russian ships and revoked the Akkerman Convention. The war ended with the Treaty of Adrianople, which increased Russian dominance around the Black Sea area and Georgia, and, most importantly, forced the Sultan to promise autonomy for Greece.
[Ref: 29831]   £220.00   (£264.00 incl.VAT)
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Hussein Pacha.
Hussein Pacha. Hussein Pacha, aujourd'hui Général en chef de l'Armée du Danube, de simple Janissaire, devint Janissaire Aga, puis Pacha des Janissaires, il se mit à la tête de la révolution du 16 Juin 1826.
Peint à Constantinople chez l'Auteur, place Royale, No 1., et chez Caillou, rue St Honoré No 140.
[n.d., c.1828.]
Mixed-method engraving with large margins, scarce. 440 x 320mm (13½ x 12½"). Bit dusty.
'Hussein Pacha, today General-in-chief of the Army of the Danube, rose from simple Janissary to Aga then Pasha of the Janissaries; he was head of the revolution of June 16, 1826.' For centuries the Janissaries had held the reins of power in the Ottoman Empire, forcing the Sultan to bend to their wishes or be deposed. Attempts at reform were often countered with murder, preventing the Ottoman army from being modernised and resulting in huge territory losses as the empire failed to win wars. However in 1826 Sultan Mahmud II was ready and in the 'Auspicious Incident' provoked a Janissairy revolt and then destroyed their barracks with artillery, killing 4,000. All survivors were exiled or executed. Hussein Agha Pasha (1776-1849) sided against his former comrades and was made commander of the new Mansure Army.
[Ref: 31098]   £420.00  
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Bouclier Hussitique. O Mors quam est amara memoria tua hominibus injustis viro quieto cuius omnes res fiunt ordinate & ad huc &c.
Bouclier Hussitique. O Mors quam est amara memoria tua hominibus injustis viro quieto cuius omnes res fiunt ordinate & ad huc &c.
W. Jongman, Sculp.
[M.DCC.XXXI. Jacques Lenfant.] [n.d. c.1731.]
Engraving. Plate 203 x 150mm (8 x 6").
Hussite Shield: three winged figures, around a shield, upon which is seen a man with a lance and sword. The Hussites were a Christian movement following the teachings of Czech reformer Jan Hus (c.1369-1415), who became one of the forerunners of the Protestant Reformation. This predominantly religious movement was propelled by social issues and strengthened Czech national awareness. From "Historie de la Guerre des Hussites et du Concile de Basle, par Jaques Lenfant...Tome Premier".
[Ref: 28634]   £75.00   (£90.00 incl.VAT)
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View of the Hustings in Covent Garden, _ Vide. The Westminnster Election, Novr. 1806.
View of the Hustings in Covent Garden, _ Vide. The Westminnster Election, Novr. 1806. [Publish'd for the History of the Westminster & Middlesex Elections, Novr. 1806.]
Js. Gillray dest, & fect.
Publish'd Decr. 15th 1806 by H. Humphrey, 27 St James's Street, J. Budd, Pall-Mall, & R. Bagshaw. Brydges Street.
Hand-coloured etching, 275 x 340mm (10¾ x 13½"). Damaged. Trimmed within plate and glued to backing sheet
Published more than a month after the election, this print was issued as a supplement to Gillray's earlier series on the Westminster election of 1806 produced during the actual campaign. The three main contenders for seats in Parliament for the borough of Westminster appear under the hustings: Sir Samuel Hood chuckling to himself at the left, red-faced and angry Sheridan near the center, and the Radical James Paull with his arm outstretched at the right. The real contest for the two Westminster seats was between Paull and Sheridan since Hood, a respected war hero and the incumbent, had nothing to fear in his expectation of being re-elected. Paull's Radical supporters Cobbett, Burdett and Bosville stand beside him and a dog whose collar reads Peter Moore barks at Paull from the left. Moore was one of Sheridan's prime supporters and had nominated him. Whitbread (of the brewery fame) another of Sheridan's supporters, rests his hand on Sheridan's shoulder and offers him a foaming glass of beer. Hood won the Westminster election of 1806 decisively with 5,478 votes. Sheridan won the second seat with 4,757 votes and Paull lost with 4,481 votes. Good early colour.
BM: 10619.
[Ref: 67309]   £240.00   (£288.00 incl.VAT)
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[Two photographic copies of pencil sketches of the inside of a hut.
[Two photographic copies of pencil sketches of the inside of a hut.
SY [monogram] 1865.
Photographs. Each c. 100 x 150mm (4 x 6"). Edges hidden under contemporary mount.
Apparently the two ends of the same hut, with cots along the sides for the male occupants. In one scene two men play dominoes.
[Ref: 49545]   £160.00   (£192.00 incl.VAT)
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[The Hut near the Tunnel.][Set of Three States.]
[The Hut near the Tunnel.][Set of Three States.]
Dietrey f.
[n.d., c.1751]
Set of three etchings. Plate: 140 x 85mm, (5½ x 3¼"). Small margins. Some foxing and marks.
A very scarce set of three different states of a landscape view showing a hillside road leading to a tunnel in a hill by German artist and engraver Christian Wilhelm Ersnt Dietrich (1712-1774). Dietrich was a major German artist in the eighteenth century, having studied under his father a court painter he was sent to Dresden to study under Theile, during his lifetime he served as court painted to Augustus II, King of Poland, Keeper of the Dresden Gallery and Professor of the Academy of Arts, Dresden amongst other posts.
J. Linck: 140.
[Ref: 40768]   £320.00  
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Equestrian Match against Time for 600 Guineas, to Ride from Canterbury to London Bridge, in Three Hours.
Equestrian Match against Time for 600 Guineas, to Ride from Canterbury to London Bridge, in Three Hours.
J. Pardon del.t Canterbury from the life. Eng.d by H. Meyer.
London Published by J. Hudson, 85 Cheapside 4 June 1819.
Scarce coloured aquatint. Sheet 295 x 370mm (11½ x 17½"), paper watermarked 'Turkey Mills'. Trimmed within plate on three sides, several repairs.
William Hutchinson, a horse dealer from Canterbury in Kent, took a wager of 600 guineas that he could ride from his home city to London Bridge, a distance of 55½ miles, in three hours or less. Setting off on the 6th May 1819 at 3.30am, he changed horses ten times and he ran the distance in just 2 hours, 25 minutes and 51 seconds. He was awarded the Freedom of the City of Canterbury for his acheivement. This print was published less than a month after the ride.
The original oil is in Canterbury Museums and Galleries, unattributed. Siltzer: not in.
[Ref: 59174]   £380.00  
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A Hut on the West Coast of America, Lat. 65º 30 N.
A Hut on the West Coast of America, Lat. 65º 30 N.
W. Ellis del. W. Ellis dirext.
Published Decr. 14th. 1781. by G. Robinson.
Copper engraving, 125 x 160mm. 5 x 6¼". Lacking upper margin. A very fine impression.
A Native American structure. From 'An authentic narrative of a voyage performed by Captain Cook and Captain Clerke, in His Majesty’s ships Resolution and Discovery during the years 1776, 1777, 1778, 1779 and 1780 : in search of a North-West passage between the continents of Asia and America…', by William Ellis, published 1782. Ellis was a surgeon's mate during Cook's third voyage, first on the Discovery and later on the Resolution, and gives quite a good history of this expedition. His account was published two years before the 'official' version. Ellis was also an amateur artist of some skill and the illustrations in the book are after his own drawings; they include eight of Hawaii, two of Alaska and three of the Northwest Coast.
[Ref: 13448]   £70.00   (£84.00 incl.VAT)
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Chas Hutton [fasimile signature.] LLD. F.R.S. &c.&c.
Chas Hutton [fasimile signature.] LLD. F.R.S. &c.&c. Fulmina Belli Pondusq Terrae Aestimata.
Wyon Fecit. Thomson, sculp.
Published by Henry Fisher, Caxton, London, April 1. 1823.
Stipple engraving. 210 x 127mm. 8¼ x 5".
Taken from Benjamin Wyon's bronze medal. Charles Hutton (1737-1823) was an English mathematician. He was a self-progressor through constant study in the evenings and going on to teach distinguished figures, such as Lord Eldon. In 1764 he published his first work "The Schoolmasters Guide, or a Complete System of Practical Arithmetic," which in 1770 was followed by his "Treatise on Mensuration both in Theory and Practice." In 1773 he assumed the post of Professor of Mathematics at the Royal Military Academy, Woolwich, and in the following year was elected fellow of the Royal Society of London.
W: 1481-7. NPG: 5783 [for the medal.]
[Ref: 15778]   £65.00   (£78.00 incl.VAT)
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