A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Henry Duke of Norfolk, Earle Marshall of England, Earle of Arundell, Surry, Norfolk, & Norwich...]](jpegs/65452.jpg)
[Henry Duke of Norfolk, Earle Marshall of England, Earle of Arundell, Surry, Norfolk, & Norwich...]
Becket fe: & ex:
[n.d., c.1685.]
Scarce mezzotint, proof before letters. 340 x 250mm (13½ x 9¾"). Ink collector's stamp 'HH' on reverse Trimmed to plate, some surface scuffing in unprinted areas.
A head and shoulders portrait in oval identified by Challoner Smith and the British Museum as Henry Howard (1655-1701), 7th Duke of Norfolk, in long wig, armour and lace cravat. However it is more likely to be his father the 6th Duke, also Henry (1628-84).
CS 77, two known, state i of iii. Ex collections of E.W.Martin & H.P. Horne.
[Ref: 65452] £380.00
Becket fe: & ex:
[n.d., c.1685.]
Scarce mezzotint, proof before letters. 340 x 250mm (13½ x 9¾"). Ink collector's stamp 'HH' on reverse Trimmed to plate, some surface scuffing in unprinted areas.
A head and shoulders portrait in oval identified by Challoner Smith and the British Museum as Henry Howard (1655-1701), 7th Duke of Norfolk, in long wig, armour and lace cravat. However it is more likely to be his father the 6th Duke, also Henry (1628-84).
CS 77, two known, state i of iii. Ex collections of E.W.Martin & H.P. Horne.
[Ref: 65452] £380.00
Her Grace Jane Dutchesse of Norfolk Wife of Henry Duke of Norfolk Earle Marshall of Ingland &c.
P. Lely pinxit 1677. Rich. Collin Calcogr. Regis sculpsit Bruxellae 1681.
Fine copper engraving. 450 x 320mm. 17¾ x 12½". Trimmed to image with small false margins attached.
Jane Bickerton (1634-1693), married Henry Howard, 6th Duke of Norfolk, and they had two daughters.
[Ref: 23972] £260.00 (£312.00 incl.VAT)
P. Lely pinxit 1677. Rich. Collin Calcogr. Regis sculpsit Bruxellae 1681.
Fine copper engraving. 450 x 320mm. 17¾ x 12½". Trimmed to image with small false margins attached.
Jane Bickerton (1634-1693), married Henry Howard, 6th Duke of Norfolk, and they had two daughters.
[Ref: 23972] £260.00 (£312.00 incl.VAT)
John Howard Esq.r Literary Magazine.
J. Holloway ad vivum delin et Sculp.
Published as the Act directs: August 1791 by C. Forster N 41 Poultry.
Etching and engraving. Plate 190 x 127mm. 7½ x 5". Uncut.
John Howard (1726?-1790), was a prison reformer and social campaigner. He experienced imprisonment himself in France in 1756. It was not until 1773 when he became High Sherriff of Bedfordshire that he initiated an important campaign to transform prision conditions. He spent a lot of his time visiting prisons in Britain and Europe, leading him to write his influential book "The State of Prisons", first published in 1777. A highly resrved man, Howard shunned public recognition throughout his life.
[Ref: 20175] £75.00 (£90.00 incl.VAT)
J. Holloway ad vivum delin et Sculp.
Published as the Act directs: August 1791 by C. Forster N 41 Poultry.
Etching and engraving. Plate 190 x 127mm. 7½ x 5". Uncut.
John Howard (1726?-1790), was a prison reformer and social campaigner. He experienced imprisonment himself in France in 1756. It was not until 1773 when he became High Sherriff of Bedfordshire that he initiated an important campaign to transform prision conditions. He spent a lot of his time visiting prisons in Britain and Europe, leading him to write his influential book "The State of Prisons", first published in 1777. A highly resrved man, Howard shunned public recognition throughout his life.
[Ref: 20175] £75.00 (£90.00 incl.VAT)
John Howard Esq.t. F.R.S. Taken from Nature, March 1788.
Gent. Mag. Aug.t. 1790.
Etching. 165 x 105mm (6½ x 4"). Trimmed into right side of plate.
Portrait of John Howard (1726 - 1790), English philanthropist known for his work as an early prison reformer.
W1454
[Ref: 68334] £60.00 (£72.00 incl.VAT)
Gent. Mag. Aug.t. 1790.
Etching. 165 x 105mm (6½ x 4"). Trimmed into right side of plate.
Portrait of John Howard (1726 - 1790), English philanthropist known for his work as an early prison reformer.
W1454
[Ref: 68334] £60.00 (£72.00 incl.VAT)
John Howard Esq.r
T. Holloway ad vivum delin et Sculp.
[n.d. c.1790.]
Etching. 152 x 120mm. 6 x 4¾".
John Howard (1753-1799) was a British schoolmaster and poet, who was a mathematician working on the geometry of the sphere.
W: 1454-8.
[Ref: 24602] £65.00 (£78.00 incl.VAT)
T. Holloway ad vivum delin et Sculp.
[n.d. c.1790.]
Etching. 152 x 120mm. 6 x 4¾".
John Howard (1753-1799) was a British schoolmaster and poet, who was a mathematician working on the geometry of the sphere.
W: 1454-8.
[Ref: 24602] £65.00 (£78.00 incl.VAT)
The Virtues adorning the Bust of the Ever Memorable Howard. No single tract of earth could bind, / The active virtues of his mind, / To all the lands where'er the tear [...]
Stothard del.t Dumee sculp.t
Published 10.th July 1797 by John Fairburn, 116 Minories, London.
Rare stipple printed in sepia, sheet 130 x 175mm (5 x 7"). Trimmed;
Tribute to the philanthropist John Howard (1726?-1790), with the Virtues adorning his bust and verses from William Hayley's 'Ode, inscribed to John Howard, Esq' (1780) below. The print was first published by Thomas Prattent shortly after Howard's death; this is a reprint from several years later after the plate had been acquired by another publisher, John Fairburn.
[Ref: 45704] £95.00 (£114.00 incl.VAT)
Stothard del.t Dumee sculp.t
Published 10.th July 1797 by John Fairburn, 116 Minories, London.
Rare stipple printed in sepia, sheet 130 x 175mm (5 x 7"). Trimmed;
Tribute to the philanthropist John Howard (1726?-1790), with the Virtues adorning his bust and verses from William Hayley's 'Ode, inscribed to John Howard, Esq' (1780) below. The print was first published by Thomas Prattent shortly after Howard's death; this is a reprint from several years later after the plate had been acquired by another publisher, John Fairburn.
[Ref: 45704] £95.00 (£114.00 incl.VAT)
![[John Howard.]](jpegs/6941.jpg)
[John Howard.]
Engraved by Edmund Scott, from an Original Picture by Mather Brown.
[n.d., c.1790.]
Stipple. 440 x 350mm. Narrow margins, small tear.
John Howard (1726?-90), prison reformer. Having experienced French prison in 1756 he started a campaign to improve prison conditions when he became High Sherriff of Bedfordshire in 1773. He published an influential book, 'The State of the Prisons', in 1777.
[Ref: 6941] £130.00 (£156.00 incl.VAT)
Engraved by Edmund Scott, from an Original Picture by Mather Brown.
[n.d., c.1790.]
Stipple. 440 x 350mm. Narrow margins, small tear.
John Howard (1726?-90), prison reformer. Having experienced French prison in 1756 he started a campaign to improve prison conditions when he became High Sherriff of Bedfordshire in 1773. He published an influential book, 'The State of the Prisons', in 1777.
[Ref: 6941] £130.00 (£156.00 incl.VAT)
This Portrait of John Howard Esq. F.R.S. in respectfully dedicated to the Noblemen & Gentlemen who subscribed for the purpose of erecting a Statue to him, By their most obedient Servants, ~ William Ellis & Edmund Scott. Can we forget the generous Man, / Who touch'd with human woe, / redressive sought / Into the horrors of the gloomy jail. Thomson.
Engraved by Edmund Scott, from an Original Picture by Mather Brown.
Published Sepr. 14th 1789, by E. Scott. Brunswick Row, Queens Square, Bloomsbury, & W. Ellis, Gwynes Buildings. Islington.~
A rare stipple. 502 x 350mm. 19¾ x 13¾. Some staining and ink spot in the title area.
John Howard (1726?-1790), was a prison reformer and social campaigner, here holding a 'plan for a Lazaretto', a quarantine station for maritime travellers. Howard experienced imprisonment himself in France in 1756. It was not until 1773 when he became High Sheriff of Bedfordshire that he initiated an important campaign to transform prison conditions. He spent a lot of his time visiting prisons in Britain and Europe, leading him to write his influential book "The State of Prisons", first published in 1777. A highly reserved man, Howard shunned public recognition throughout his life.
see Ref: 6941 for proof.
[Ref: 14988] £230.00 (£276.00 incl.VAT)
Engraved by Edmund Scott, from an Original Picture by Mather Brown.
Published Sepr. 14th 1789, by E. Scott. Brunswick Row, Queens Square, Bloomsbury, & W. Ellis, Gwynes Buildings. Islington.~
A rare stipple. 502 x 350mm. 19¾ x 13¾. Some staining and ink spot in the title area.
John Howard (1726?-1790), was a prison reformer and social campaigner, here holding a 'plan for a Lazaretto', a quarantine station for maritime travellers. Howard experienced imprisonment himself in France in 1756. It was not until 1773 when he became High Sheriff of Bedfordshire that he initiated an important campaign to transform prison conditions. He spent a lot of his time visiting prisons in Britain and Europe, leading him to write his influential book "The State of Prisons", first published in 1777. A highly reserved man, Howard shunned public recognition throughout his life.
see Ref: 6941 for proof.
[Ref: 14988] £230.00 (£276.00 incl.VAT)
![[John Howard Esq. Visiting and Relieving the Miseries of a Prison.]](jpegs/47707.jpg)
[John Howard Esq. Visiting and Relieving the Miseries of a Prison.]
[Painted by F. Wheatley. Engraved by Ja.s Hogg.
T. Simpson Excud.t. Publish.d April 9 1790 by Thomas Simpson St. Pauls Church Yard, and James Hogg No. 52 Berwick Street, Soho, London.]
Etching with engraving, unfinished proof before letters. Probably a unique working proof; 480 x 600mm (19 x 23½"). Trimmed within plate, loss in right edge, two printer's creases through inscription area just into image.
A visit of John Howard (1726-90) to a prison, illustrating the conditions he attempted to alleviate, with a poor family, including a breast-feeding mother and a dying old man. Howard was appointed High Sheriff of Bedfordshire in 1773 and, taking his role seriously instead of as a sinecure, inspected the county prison himself. He was so shocked that he spent the rest of his life campaigning for prison reform. His 'The State of the Prisons' was published in 1777. He travelled all over Europe and died in Ukraine, where he was buried. A statue was erected in St Paul's Cathedral, London, the first for a civilian.
[Ref: 47707] £550.00
[Painted by F. Wheatley. Engraved by Ja.s Hogg.
T. Simpson Excud.t. Publish.d April 9 1790 by Thomas Simpson St. Pauls Church Yard, and James Hogg No. 52 Berwick Street, Soho, London.]
Etching with engraving, unfinished proof before letters. Probably a unique working proof; 480 x 600mm (19 x 23½"). Trimmed within plate, loss in right edge, two printer's creases through inscription area just into image.
A visit of John Howard (1726-90) to a prison, illustrating the conditions he attempted to alleviate, with a poor family, including a breast-feeding mother and a dying old man. Howard was appointed High Sheriff of Bedfordshire in 1773 and, taking his role seriously instead of as a sinecure, inspected the county prison himself. He was so shocked that he spent the rest of his life campaigning for prison reform. His 'The State of the Prisons' was published in 1777. He travelled all over Europe and died in Ukraine, where he was buried. A statue was erected in St Paul's Cathedral, London, the first for a civilian.
[Ref: 47707] £550.00
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John Howard Esq. Visiting and Relieving the Miseries of a Prison.
Painted by F. Wheatley. Engraved by Ja.s Hogg.
T. Simpson Excud.t. Publish.d April 9 1790 by Thomas Simpson St. Pauls Church Yard, and Darling & Thompson G.t. Newport Str.t London.
Etching with engraving. 480 x 600mm (19 x 23½"). Trimmed to plate, damage to left corners. Toned.
A visit of John Howard (1726-90) to a prison, illustrating the conditions he attempted to alleviate, with a poor family, including a breast-feeding mother and a dying old man. Howard was appointed High Sheriff of Bedfordshire in 1773 and, taking his role seriously instead of as a sinecure, inspected the county prison himself. He was so shocked that he spent the rest of his life campaigning for prison reform. His 'The State of the Prisons' was published in 1777. He travelled all over Europe and died in Ukraine, where he was buried. A statue was erected in St Paul's Cathedral, London, the first for a civilian. Originally published by Simpson & Hogg, this is a later state with a new publishers, Darling & Thompson (fl. 1775-98).
Ex Collection of the Hon. Christopher Lennox Boyd
[Ref: 49983] £350.00
Painted by F. Wheatley. Engraved by Ja.s Hogg.
T. Simpson Excud.t. Publish.d April 9 1790 by Thomas Simpson St. Pauls Church Yard, and Darling & Thompson G.t. Newport Str.t London.
Etching with engraving. 480 x 600mm (19 x 23½"). Trimmed to plate, damage to left corners. Toned.
A visit of John Howard (1726-90) to a prison, illustrating the conditions he attempted to alleviate, with a poor family, including a breast-feeding mother and a dying old man. Howard was appointed High Sheriff of Bedfordshire in 1773 and, taking his role seriously instead of as a sinecure, inspected the county prison himself. He was so shocked that he spent the rest of his life campaigning for prison reform. His 'The State of the Prisons' was published in 1777. He travelled all over Europe and died in Ukraine, where he was buried. A statue was erected in St Paul's Cathedral, London, the first for a civilian. Originally published by Simpson & Hogg, this is a later state with a new publishers, Darling & Thompson (fl. 1775-98).
Ex Collection of the Hon. Christopher Lennox Boyd
[Ref: 49983] £350.00
![[Maria Howard] The R,,t Hon,,ble Maria Constantia Countess of Suffolk and Berkshire. AD: 1766. Æ: 23.](jpegs/66373.jpg)
[Maria Howard] The R,,t Hon,,ble Maria Constantia Countess of Suffolk and Berkshire. AD: 1766. Æ: 23.
C. Read Pinx.t. J. Watson Fecit.
[n.d., c.1766.]
Mezzotint with engraved title plate, total 405 x 280mm (16 x 11"). Small margins.
Half-length portrait of Maria Trevor (c.1743-67), who married Henry Howard, 12th Earl of Suffolk, in 1764, dying in childbirth three years later.
CS 138, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66373] £360.00
C. Read Pinx.t. J. Watson Fecit.
[n.d., c.1766.]
Mezzotint with engraved title plate, total 405 x 280mm (16 x 11"). Small margins.
Half-length portrait of Maria Trevor (c.1743-67), who married Henry Howard, 12th Earl of Suffolk, in 1764, dying in childbirth three years later.
CS 138, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66373] £360.00
![[Maria Howard] The R,,t Hon,,ble Maria Constantia Countess of Suffolk and Berkshire. AD: 1766. Æ: 23.](jpegs/66374.jpg)
[Maria Howard] The R,,t Hon,,ble Maria Constantia Countess of Suffolk and Berkshire. AD: 1766. Æ: 23.
C. Read Pinx.t. J. Watson Fecit.
[n.d., c.1766.]
Mezzotint with engraved title plate. Sheet 410 x 285mm (16 x 11¼"). Trimmed to image, into title plate at bottom, laid on album paper.
Half-length portrait of Maria Trevor (c.1743-67), who married Henry Howard, 12th Earl of Suffolk, in 1764, dying in childbirth three years later.
CS 138, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66374] £280.00 (£336.00 incl.VAT)
C. Read Pinx.t. J. Watson Fecit.
[n.d., c.1766.]
Mezzotint with engraved title plate. Sheet 410 x 285mm (16 x 11¼"). Trimmed to image, into title plate at bottom, laid on album paper.
Half-length portrait of Maria Trevor (c.1743-67), who married Henry Howard, 12th Earl of Suffolk, in 1764, dying in childbirth three years later.
CS 138, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 66374] £280.00 (£336.00 incl.VAT)
![[Mary Howard] The Lady Abbess of the English Nuns at Antwerp.](jpegs/61588.jpg)
[Mary Howard] The Lady Abbess of the English Nuns at Antwerp.
Gab. Mathyas pinxt. Faber fect.
London, Printed for Tho.s Bowles in S.t Paul's Church Y.d & John Bowles & Son, at the Black Horse in Cornhill [n.d., c.1750.]
Fine & rare mezzotint. Sheet 380 x 285mm (15 x 11¼"), 18th century watermark. Trimmed and tipped into album sheet at sides.
A three-quarter length portrait of a nun of the Poor Clares, seated to the right, wearing the habit. Her right hand lifted to the edge of her veil, and her left hand is resting on an open book on a table beside her, below a crucifix and skull. The sitter is indentified as English nun Mary Howard, of the Holy Cross (1653-1735), daughter of English playwright and politician Sir Robert Howard (1626-98).
CS 195 i of ii.
[Ref: 61588] £260.00 (£312.00 incl.VAT)
Gab. Mathyas pinxt. Faber fect.
London, Printed for Tho.s Bowles in S.t Paul's Church Y.d & John Bowles & Son, at the Black Horse in Cornhill [n.d., c.1750.]
Fine & rare mezzotint. Sheet 380 x 285mm (15 x 11¼"), 18th century watermark. Trimmed and tipped into album sheet at sides.
A three-quarter length portrait of a nun of the Poor Clares, seated to the right, wearing the habit. Her right hand lifted to the edge of her veil, and her left hand is resting on an open book on a table beside her, below a crucifix and skull. The sitter is indentified as English nun Mary Howard, of the Holy Cross (1653-1735), daughter of English playwright and politician Sir Robert Howard (1626-98).
CS 195 i of ii.
[Ref: 61588] £260.00 (£312.00 incl.VAT)
![[Mary Howard] The Lady Abbess of the English Nuns at Antwerp.](jpegs/67523.jpg)
[Mary Howard] The Lady Abbess of the English Nuns at Antwerp.
Gab. Mathyas pinxt. Faber fect.
London, Printed for John Bowles at the Black Horse in Cornhil, & Carington Bowles in St Paul's Church Yard [n.d., c.1760].
Mezzotint. 355 x 255mm (14 x 10). Trimmed to plate, bottom left corner chipped.
A three-quarter length portrait of Mary Howard (1653-1735), a nun in the habit of the Poor Clares, her right hand lifted to the edge of her veil, her left hand resting on an open book next to a skull, a crucifix behind. Mary was the daughter of English playwright and politician Sir Robert Howard (1626-98)
CS 195, ii of ii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67523] £190.00 (£228.00 incl.VAT)
Gab. Mathyas pinxt. Faber fect.
London, Printed for John Bowles at the Black Horse in Cornhil, & Carington Bowles in St Paul's Church Yard [n.d., c.1760].
Mezzotint. 355 x 255mm (14 x 10). Trimmed to plate, bottom left corner chipped.
A three-quarter length portrait of Mary Howard (1653-1735), a nun in the habit of the Poor Clares, her right hand lifted to the edge of her veil, her left hand resting on an open book next to a skull, a crucifix behind. Mary was the daughter of English playwright and politician Sir Robert Howard (1626-98)
CS 195, ii of ii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67523] £190.00 (£228.00 incl.VAT)
![[Mary Howard] The Lady Abbess of the English Nuns at Antwerp.](jpegs/67524.jpg)
[Mary Howard] The Lady Abbess of the English Nuns at Antwerp.
Gab. Mathyas pinxt. Faber fect.
London, Printed for John Bowles at the Black Horse in Cornhil, & Carington Bowles in St Paul's Church Yard [n.d., c.1760].
Fine mezzotint, 355 x 255mm (14 x 10), on 18th century watermarked paper.
A three-quarter length portrait of Mary Howard (1653-1735), a nun in the habit of the Poor Clares, her right hand lifted to the edge of her veil, her left hand resting on an open book next to a skull, a crucifix behind. Mary was the daughter of English playwright and politician Sir Robert Howard (1626-98)
CS 195, ii of ii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67524] £320.00
Gab. Mathyas pinxt. Faber fect.
London, Printed for John Bowles at the Black Horse in Cornhil, & Carington Bowles in St Paul's Church Yard [n.d., c.1760].
Fine mezzotint, 355 x 255mm (14 x 10), on 18th century watermarked paper.
A three-quarter length portrait of Mary Howard (1653-1735), a nun in the habit of the Poor Clares, her right hand lifted to the edge of her veil, her left hand resting on an open book next to a skull, a crucifix behind. Mary was the daughter of English playwright and politician Sir Robert Howard (1626-98)
CS 195, ii of ii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67524] £320.00
Philip Howard and Catherine Howard his Sister of Corby Castle Cumberland. Proof.
Painted by James Northcote Esq.re R.A. Engraved by W.m Say.
[London Published Jan.y. 1.st 1806, by the Engraver, 92 Norton Street, Marylebone.]
Mezzotint, sheet 500 x 355mm (19¾ x 14"). On 19th century watermarked paper. Trimmed into plate at bottom, losing publication line, thread margins elsewhere.
A portrait of Philip Henry Howard (1801-83) and Catherine (c.1802-61), as children. Philip sits on a lepoard skin with his hand resting on a sleeping lion; Catherine stands behind in a grape vine. Philip became a Whig politician, MP for Carlisle from 1830 until 1852, apart from losing his seat in 1847, which he reclaimed the following year after the result was declared void. He was appointed High Sheriff of Cumberland for 1860-1.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68185] £320.00
Painted by James Northcote Esq.re R.A. Engraved by W.m Say.
[London Published Jan.y. 1.st 1806, by the Engraver, 92 Norton Street, Marylebone.]
Mezzotint, sheet 500 x 355mm (19¾ x 14"). On 19th century watermarked paper. Trimmed into plate at bottom, losing publication line, thread margins elsewhere.
A portrait of Philip Henry Howard (1801-83) and Catherine (c.1802-61), as children. Philip sits on a lepoard skin with his hand resting on a sleeping lion; Catherine stands behind in a grape vine. Philip became a Whig politician, MP for Carlisle from 1830 until 1852, apart from losing his seat in 1847, which he reclaimed the following year after the result was declared void. He was appointed High Sheriff of Cumberland for 1860-1.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68185] £320.00
![[Philip Howard, 20th Earl of Arundel.]](jpegs/37780.jpg)
[Philip Howard, 20th Earl of Arundel.]
[Engraved by R. Grave after Lucas Vorsterman.]
[n.d., c.1820.]
Engraving. 120 x 95mm (4¾ 3¾"). Old ink mss. title over lower plate.
Saint Philip Howard (1557-95), one of the Forty Martyrs of England and Wales, famed for his supposed last words: 'Tell Her Majesty if my religion be the cause for which I suffer, sorry I am that I have but one life to lose'.
[Ref: 37780] £75.00 (£90.00 incl.VAT)
[Engraved by R. Grave after Lucas Vorsterman.]
[n.d., c.1820.]
Engraving. 120 x 95mm (4¾ 3¾"). Old ink mss. title over lower plate.
Saint Philip Howard (1557-95), one of the Forty Martyrs of England and Wales, famed for his supposed last words: 'Tell Her Majesty if my religion be the cause for which I suffer, sorry I am that I have but one life to lose'.
[Ref: 37780] £75.00 (£90.00 incl.VAT)
Eminentissimus Ac Reverendissus. Dnus Frater Philippus Thomas Howard S.R. Eccl: Cardinalis Ord: F.F. Predicato: Titulo sanctae Ceciliae trans Tiberium, e ductibus de Nortfolck, et Comitibus de Arundel, 23 Marty anno 1676 declaratus assistens quatuor Congregationem nempe Episcoporum et Regularium, Concilii; Propagandae fidei, et Sacrorum rituum. Pater Thomas Howardus Cardina: Anagramma. Cardo Romae Aptus In Altis Arduus.
Du Chatel pinxit. J. Vander Bruggen fecit.
[n.d. c.1685.]
Mezzotint. 215 x 305mm. Narrow margins left and right, no margins at base, trimmed into oval at top.
Philip Thomas Howard, Dominican and cardinal, commonly called the 'Cardinal of Norfolk' [1629 - 1694]. Born at Arundel House, the third son of Henry Frederick Howard, Earl of Arundel and Surrey and head of the great Catholic House of Norfolk, restored in 1660. At the age of sixteen he joined the Dominican Order in Italy. He was thenceforth wholly devoted to the conversion of England and to the progress of his order in that country. In the reign of Charles II Father Howard was made grand almoner to Queen Catherine of Braganza. He left England when he foresaw the crisis of James II's reign and died in Rome in 1694.
Ex Collection of The Hon. C. Lennox-Boyd.
[Ref: 1910] £240.00 (£288.00 incl.VAT)
Du Chatel pinxit. J. Vander Bruggen fecit.
[n.d. c.1685.]
Mezzotint. 215 x 305mm. Narrow margins left and right, no margins at base, trimmed into oval at top.
Philip Thomas Howard, Dominican and cardinal, commonly called the 'Cardinal of Norfolk' [1629 - 1694]. Born at Arundel House, the third son of Henry Frederick Howard, Earl of Arundel and Surrey and head of the great Catholic House of Norfolk, restored in 1660. At the age of sixteen he joined the Dominican Order in Italy. He was thenceforth wholly devoted to the conversion of England and to the progress of his order in that country. In the reign of Charles II Father Howard was made grand almoner to Queen Catherine of Braganza. He left England when he foresaw the crisis of James II's reign and died in Rome in 1694.
Ex Collection of The Hon. C. Lennox-Boyd.
[Ref: 1910] £240.00 (£288.00 incl.VAT)
Thomas Howard.
Adr.n vander Werff pinx. P. à Gunst sculpt.
[Rotterdam, Reinier Leers, c.1707.]
Fine engraving, 18th century watermark. 360 x 235mm (14¼ x 9¼"), with large margins.
Portrait of Thomas Howard (1473-1554), 3rd Duke of Norfolk, uncle of both Anne Boleyn and Catherine Howard. An illustration to Isaac de Larrey's 'L'Histoire de l'Angleterre'.
[Ref: 45006] £140.00 (£168.00 incl.VAT)
Adr.n vander Werff pinx. P. à Gunst sculpt.
[Rotterdam, Reinier Leers, c.1707.]
Fine engraving, 18th century watermark. 360 x 235mm (14¼ x 9¼"), with large margins.
Portrait of Thomas Howard (1473-1554), 3rd Duke of Norfolk, uncle of both Anne Boleyn and Catherine Howard. An illustration to Isaac de Larrey's 'L'Histoire de l'Angleterre'.
[Ref: 45006] £140.00 (£168.00 incl.VAT)
![[Thomas Howard.]](jpegs/23986.jpg)
[Thomas Howard.]
J. Houbraken sculps. Amst. 1743. Signed by J Houbraken on verso in ink.
Engraving, scarce, proof before title. Plate 370 x 235mm. 14½ x 9¼". First state. Slight stain through middle.
Thomas Howard (1585-1646) 14th Earl of Arundel was a prominent English courtier during the reigns of King James I and King Charles I, but he made his name as a Grand Tourist and art collector rather than as a politician. From Thomas Birch's "The Heads of Ilustrious Persons of Great Britain".
Collector's Stamp: Julian Marshall (1836-1903) [Lugt: 1494.]
[Ref: 23986] £320.00
J. Houbraken sculps. Amst. 1743. Signed by J Houbraken on verso in ink.
Engraving, scarce, proof before title. Plate 370 x 235mm. 14½ x 9¼". First state. Slight stain through middle.
Thomas Howard (1585-1646) 14th Earl of Arundel was a prominent English courtier during the reigns of King James I and King Charles I, but he made his name as a Grand Tourist and art collector rather than as a politician. From Thomas Birch's "The Heads of Ilustrious Persons of Great Britain".
Collector's Stamp: Julian Marshall (1836-1903) [Lugt: 1494.]
[Ref: 23986] £320.00
![[Thomas Howard.]](jpegs/3305.jpg)
[Thomas Howard.]
J. Houbraken sculps. Amst. 1743.
Engraving, proof before title. 240 x 375mm.
Thomas Howard, 2nd Earl of Arundel and Surrey [1585-1646], patron of art and collector, after the painting by Rubens. From the collection of H.P. Horne, with 'HH' collector's stamp on verso. 'H.P. Horne - Sothebys - June 24th 1926' annotated in pencil on verso. Included in the 'Heads of Illustrious Persons of Great Britain' published in folio in London by Knapton between 1743 and 1752. Extremely rare and fine.
Ex: collection of H.R.M. Howard (L.1318);Ver Huell 92.
[Ref: 3305] £330.00
J. Houbraken sculps. Amst. 1743.
Engraving, proof before title. 240 x 375mm.
Thomas Howard, 2nd Earl of Arundel and Surrey [1585-1646], patron of art and collector, after the painting by Rubens. From the collection of H.P. Horne, with 'HH' collector's stamp on verso. 'H.P. Horne - Sothebys - June 24th 1926' annotated in pencil on verso. Included in the 'Heads of Illustrious Persons of Great Britain' published in folio in London by Knapton between 1743 and 1752. Extremely rare and fine.
Ex: collection of H.R.M. Howard (L.1318);Ver Huell 92.
[Ref: 3305] £330.00
Thomas Howardus Dux-et Comes Norfolciae, Comes Surriae, DNS Howard, Moubray, Segrave. Bruse, Comes Marescallus SVM? Thesaurarius et Admirallus Angliae, &c: ~
Hans Holbain pinxit. [Lucas Vorsterman.]
[n.d. c.1620.]
Engraving. Mounted on an album page. Plate 276 x 202mm. 10¾ x 8". Late impression. Some staining in the margins.
Thomas Howard, 3rd Duke of Norfolk (1473-1554). Norfolk was one of the most powerful noblemen in Tudor England. He was instrumental in the downfall of Cardinal Wolsey and Thomas Cromwell and presided over the trial of his niece, Ann Boleyn.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12811] £100.00 (£120.00 incl.VAT)
Hans Holbain pinxit. [Lucas Vorsterman.]
[n.d. c.1620.]
Engraving. Mounted on an album page. Plate 276 x 202mm. 10¾ x 8". Late impression. Some staining in the margins.
Thomas Howard, 3rd Duke of Norfolk (1473-1554). Norfolk was one of the most powerful noblemen in Tudor England. He was instrumental in the downfall of Cardinal Wolsey and Thomas Cromwell and presided over the trial of his niece, Ann Boleyn.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12811] £100.00 (£120.00 incl.VAT)
Thomas Howard, Comes Arundellæ.
Peter Paul Rubens Pinxt. James Basire del et Sculpt.
[n.d., 1763.]
Engraving. 540 x 360mm (21¼ x 14¼"), large margins. Some spotting, laid on card, time stained.
Head and shoulders portrait of Thomas Howard (1585-1646), fourteenth Earl of Arundel, in armour, a second of the half-length portrait by Rubens in the Isabella Stewart Gardner Museum in Boston, Massachusetts.
[Ref: 56443] £140.00 (£168.00 incl.VAT)
Peter Paul Rubens Pinxt. James Basire del et Sculpt.
[n.d., 1763.]
Engraving. 540 x 360mm (21¼ x 14¼"), large margins. Some spotting, laid on card, time stained.
Head and shoulders portrait of Thomas Howard (1585-1646), fourteenth Earl of Arundel, in armour, a second of the half-length portrait by Rubens in the Isabella Stewart Gardner Museum in Boston, Massachusetts.
[Ref: 56443] £140.00 (£168.00 incl.VAT)
![[Earl of Effingham.]](jpegs/60017.jpg)
[Earl of Effingham.]
JS ff. [James Sayers.]
Published 14.th May 1782 by C. Bretherton.
Etching, watermark 1808, 175 x 110mm (7 x 4¼") with large margins. Nicks and tape stains on margins.
Portrait of Thomas Howard, 3rd Earl of Effingham (1747-1791), holding a long slender staff in his right hand and a short staff in the left, the two staffs of office for which he was known as 'the Devil on two sticks'. He died while serving as Governor of Jamaica (1790-1).
BM Satires 6061.
[Ref: 60017] £120.00 (£144.00 incl.VAT)
JS ff. [James Sayers.]
Published 14.th May 1782 by C. Bretherton.
Etching, watermark 1808, 175 x 110mm (7 x 4¼") with large margins. Nicks and tape stains on margins.
Portrait of Thomas Howard, 3rd Earl of Effingham (1747-1791), holding a long slender staff in his right hand and a short staff in the left, the two staffs of office for which he was known as 'the Devil on two sticks'. He died while serving as Governor of Jamaica (1790-1).
BM Satires 6061.
[Ref: 60017] £120.00 (£144.00 incl.VAT)
The High And Mightie Prince Thomas Lord Howard, Duke Of Norfolke, Earle Of Surry And Earle Marshal Of England, Lord Mowbrey, Segreve, & Brusse Of Gore, And Knight Of the most honorable order of the Garter and of St. Michael ec. He decesed 1572, ye 2. of June.
[Engraved by George Vertue after R. Elstracke.]
[n.d. c.1750.]
Engraving. Sheet 250 x 360mm (9¾ x 14¼"). Trimmed.
A portrait of Thomas Howard, 4th Duke of Norfolk (1536-1572) with his arms, after the engraving by Renold Elstracke, c.1600.
See Walpole Society Vol XXVI, p.74 Not in Alexander.
[Ref: 57344] £130.00 (£156.00 incl.VAT)
[Engraved by George Vertue after R. Elstracke.]
[n.d. c.1750.]
Engraving. Sheet 250 x 360mm (9¾ x 14¼"). Trimmed.
A portrait of Thomas Howard, 4th Duke of Norfolk (1536-1572) with his arms, after the engraving by Renold Elstracke, c.1600.
See Walpole Society Vol XXVI, p.74 Not in Alexander.
[Ref: 57344] £130.00 (£156.00 incl.VAT)
Thomas Howard Amiral Anglois et Thresorier de la Reine Elisabeth. d'Apres Wandik.
Touze d. P Duflos. S
A Paris chez Duflos le Jeune. [n.d..c1780]
Engraving with hand colour. 279 x 168mm.
Thomas Howard, Duke of Norfolk. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2047] £70.00 (£84.00 incl.VAT)
Touze d. P Duflos. S
A Paris chez Duflos le Jeune. [n.d..c1780]
Engraving with hand colour. 279 x 168mm.
Thomas Howard, Duke of Norfolk. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2047] £70.00 (£84.00 incl.VAT)
![[The Earl of Effingham.]](jpegs/21357.jpg)
[The Earl of Effingham.]
JS[ayers] f.
Published 14th May 1782 by C.Bretherton.
Etching on thick watermarked laid paper, 175 x 110mm. 7 x 4¼". A fine impression with wide margins.
Caricature portrait of Thomas Howard, 3rd Earl of Effingham (1746 - 1791; standing in profile to right, holding a long slender staff in his right hand, a short staff in the left - the two staffs of office for which he was known as the Devil on two sticks. Though he is plainly dressed, without a wig, he wears a sword. By James Sayers (1748 - 1823). Sayers's caricatures were so powerful and direct in their purpose that Fox is said to have declared that they did him more harm than all the attacks made on him in parliament or the press. Effingham County, Georgia and Effingham County, Illinois are named after him in commoration for his support of the American Colonies as he is best known for resigning his commission in protest against the war. Numbered faintly '10'? upper left. The publisher Charles Bretherton (c.1760 fl - 1783) was the younger brother of James Bretherton.
BM Satires 6061. NPG D2298.
[Ref: 21357] £80.00 (£96.00 incl.VAT)
JS[ayers] f.
Published 14th May 1782 by C.Bretherton.
Etching on thick watermarked laid paper, 175 x 110mm. 7 x 4¼". A fine impression with wide margins.
Caricature portrait of Thomas Howard, 3rd Earl of Effingham (1746 - 1791; standing in profile to right, holding a long slender staff in his right hand, a short staff in the left - the two staffs of office for which he was known as the Devil on two sticks. Though he is plainly dressed, without a wig, he wears a sword. By James Sayers (1748 - 1823). Sayers's caricatures were so powerful and direct in their purpose that Fox is said to have declared that they did him more harm than all the attacks made on him in parliament or the press. Effingham County, Georgia and Effingham County, Illinois are named after him in commoration for his support of the American Colonies as he is best known for resigning his commission in protest against the war. Numbered faintly '10'? upper left. The publisher Charles Bretherton (c.1760 fl - 1783) was the younger brother of James Bretherton.
BM Satires 6061. NPG D2298.
[Ref: 21357] £80.00 (£96.00 incl.VAT)
![[Thomas Howard.]](jpegs/24280.jpg)
[Thomas Howard.]
J. Houbraken sculps. Amst. 1735.
Engraving with collector's stamp on verso, 1st state before title and large margins. Plate 368 x 234mm. 14½ x 9¼".
Thomas Howard, 2nd Earl of Arundel and Surrey [1585-1646], patron of art and collector, after the painting by Rubens. From 'Heads of Illustrious Persons of Great Britain' published in folio in London by Knapton between 1743 and 1752.
Ver Huell 15. See Ref: 3305 [unlettered state]. Collector's Stamp: Julian Marshall (1836-1903) [Lugt: 1494.]
[Ref: 24280] £220.00 (£264.00 incl.VAT)
J. Houbraken sculps. Amst. 1735.
Engraving with collector's stamp on verso, 1st state before title and large margins. Plate 368 x 234mm. 14½ x 9¼".
Thomas Howard, 2nd Earl of Arundel and Surrey [1585-1646], patron of art and collector, after the painting by Rubens. From 'Heads of Illustrious Persons of Great Britain' published in folio in London by Knapton between 1743 and 1752.
Ver Huell 15. See Ref: 3305 [unlettered state]. Collector's Stamp: Julian Marshall (1836-1903) [Lugt: 1494.]
[Ref: 24280] £220.00 (£264.00 incl.VAT)
![[Thomas Earl of Arundel.]](jpegs/68277.jpg)
[Thomas Earl of Arundel.] Illustris.us & Excellent.muss D.nus Dominus Thomas Howard, Comes Arundeliae & Surriae [...]
Ant. van Dyck Eques pinxit W Hollar fecit 1646.
Etching, sheet 260 x 195mm (10¼ x 7¾"). Trimmed to platemark and laid on album paper. Faint foxing along the lower margin. Damage to bottom right corner of image affecting the title area.
Thomas Howard, fourteenth earl of Arundel, fourth earl of Surrey, and first earl of Norfolk (1585-1646), art collector and politician. This print was first made for the 'Iconographiae', a collection of prints after van Dyck portraits, which was published in the Netherlands from 1630 onwards. Arundel almost certainly played a pivotal role in bringing van Dyck to England. British Museum cataloguing for the print claims that it is based on van Dyck's 'Madagascar portrait' of Arundel and his wife (Arundel Castle, West Sussex) which showed the earl sat next to a globe, pointing to Madagascar. The Arundels had devised a scheme to colonize the island and obtained a royal licence to move there, although the plan came to nothing, perhaps because of the earl of Arundel's deteriorating health. Despite obvious differences between the Madagascar portrait and this print, there is a strong resemblance. Etched by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting the earl of Arundel in Cologne in 1636. Hollar subsequently followed him to England, took up lodgings in Arundel House, married one of Lady Arundel's servants, and made prints of numerous works in the Arundel collection. This plate was etched in 1646 in Antwerp, where Hollar moved for several years, following the Arundels there. He also etched a portrait of Lady Arundel adapted from the Madagascar portrait, and a straightforward copy of the double portrait.
Pennington 1353 ii/iii; see cataloguing for BM 1888,0612.78.
[Ref: 68277] £140.00 (£168.00 incl.VAT)
Ant. van Dyck Eques pinxit W Hollar fecit 1646.
Etching, sheet 260 x 195mm (10¼ x 7¾"). Trimmed to platemark and laid on album paper. Faint foxing along the lower margin. Damage to bottom right corner of image affecting the title area.
Thomas Howard, fourteenth earl of Arundel, fourth earl of Surrey, and first earl of Norfolk (1585-1646), art collector and politician. This print was first made for the 'Iconographiae', a collection of prints after van Dyck portraits, which was published in the Netherlands from 1630 onwards. Arundel almost certainly played a pivotal role in bringing van Dyck to England. British Museum cataloguing for the print claims that it is based on van Dyck's 'Madagascar portrait' of Arundel and his wife (Arundel Castle, West Sussex) which showed the earl sat next to a globe, pointing to Madagascar. The Arundels had devised a scheme to colonize the island and obtained a royal licence to move there, although the plan came to nothing, perhaps because of the earl of Arundel's deteriorating health. Despite obvious differences between the Madagascar portrait and this print, there is a strong resemblance. Etched by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting the earl of Arundel in Cologne in 1636. Hollar subsequently followed him to England, took up lodgings in Arundel House, married one of Lady Arundel's servants, and made prints of numerous works in the Arundel collection. This plate was etched in 1646 in Antwerp, where Hollar moved for several years, following the Arundels there. He also etched a portrait of Lady Arundel adapted from the Madagascar portrait, and a straightforward copy of the double portrait.
Pennington 1353 ii/iii; see cataloguing for BM 1888,0612.78.
[Ref: 68277] £140.00 (£168.00 incl.VAT)
Plate I. Lord Howe in the Queen Charlotte, Breaking the Enemy's Line_May 29.th. 1794.
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub.March 1 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing Lord Howe, commander of the Queen Charlotte braking through the enemy's line in the battle between the British fleet, under the command of Lord Howe, and the French fleet which had sailed from Brest. At the end of the battle, though many French ships had got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker 102.
[Ref: 39069] £240.00 (£288.00 incl.VAT)
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub.March 1 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing Lord Howe, commander of the Queen Charlotte braking through the enemy's line in the battle between the British fleet, under the command of Lord Howe, and the French fleet which had sailed from Brest. At the end of the battle, though many French ships had got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker 102.
[Ref: 39069] £240.00 (£288.00 incl.VAT)
![Quae caret ora cruore nostro! Egregias Animas Quae Sanguine Nobis Hance Laudem Peperere Suo Decorate Supremis Muneribus. [&] Arduus Agmen Agens Cui Belli Insigne Superbum Tempora Navali Fulgent Rostrata Corona. Virtus, repulsae nescia fordidae,](jpegs/14283.jpg)
Quae caret ora cruore nostro! Egregias Animas Quae Sanguine Nobis Hance Laudem Peperere Suo Decorate Supremis Muneribus. [&] Arduus Agmen Agens Cui Belli Insigne Superbum Tempora Navali Fulgent Rostrata Corona. Virtus, repulsae nescia fordidae, incontaminatis fulget honoribus; Nec fumit aut ponit fecures Arbitrio popularis aurae.
CK [bottom left-hand corner.] Kal. Jun. 1794.
[1794.]
A pair of etchings in red ink. 177 x 152mm. 7 x 6". Trimmed close.
A pair of etchings to celebrate the victories of Admiral Howe who's service came to an end in 1794 after retiring.
[Ref: 14283] £360.00 view all images for this item
CK [bottom left-hand corner.] Kal. Jun. 1794.
[1794.]
A pair of etchings in red ink. 177 x 152mm. 7 x 6". Trimmed close.
A pair of etchings to celebrate the victories of Admiral Howe who's service came to an end in 1794 after retiring.
[Ref: 14283] £360.00 view all images for this item
Lord Howe's Victory, June 1.st. 1794. Plate II.
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub. April. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievments.
Handcoloured aquatint; printed on J. Whatman 1831 watermarked paper. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing the battle between the British fleet under the command of Lord Howe and the French fleet which had sailed from Brest. At the end of the battle, though many French ships has got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 102.
[Ref: 39068] £240.00 (£288.00 incl.VAT)
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub. April. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievments.
Handcoloured aquatint; printed on J. Whatman 1831 watermarked paper. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing the battle between the British fleet under the command of Lord Howe and the French fleet which had sailed from Brest. At the end of the battle, though many French ships has got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 102.
[Ref: 39068] £240.00 (£288.00 incl.VAT)
![[Admiral Howe.]](jpegs/38441.jpg)
[Admiral Howe.]
[J.F. Bolt.]
[n.d., c.1795.]
Stipple, printed in sanguine. Rare. Collectors stamps on verso of the Museum Alexis Forel, Switzerland, and the Kupferstichkabinett (Museum of Prints and Drawings), Berlin. Platemark: 155 x 100mm (6¼ x 4"). Very large margins.
Head and shoulders portrait, set in a roundel of General Richard Howe (1726 -1799) a British army officer notable for his role during the American Revolutionary War, when he acted as a naval commander and a peace commissioner with the American rebels. He later commanded the victorious British fleet during the Glorious First of June in June 1794 during the French Revolutionary Wars. A figure bearing it's naked backside, is etched within the plate above the portrait. By Johann Friedrich Bolt (1769 - 1836), a German draftsman, engraver and etcher.
[Ref: 38441] £160.00 (£192.00 incl.VAT)
[J.F. Bolt.]
[n.d., c.1795.]
Stipple, printed in sanguine. Rare. Collectors stamps on verso of the Museum Alexis Forel, Switzerland, and the Kupferstichkabinett (Museum of Prints and Drawings), Berlin. Platemark: 155 x 100mm (6¼ x 4"). Very large margins.
Head and shoulders portrait, set in a roundel of General Richard Howe (1726 -1799) a British army officer notable for his role during the American Revolutionary War, when he acted as a naval commander and a peace commissioner with the American rebels. He later commanded the victorious British fleet during the Glorious First of June in June 1794 during the French Revolutionary Wars. A figure bearing it's naked backside, is etched within the plate above the portrait. By Johann Friedrich Bolt (1769 - 1836), a German draftsman, engraver and etcher.
[Ref: 38441] £160.00 (£192.00 incl.VAT)
The Right Hon.ble Richard Lord Howe. Commander in Chief of his Majesty's Fleets in America.
Corbutt delin. Se vend chez J.M.Will à Augsburg.
London: Published as the Act directs, 10 May 1778, by John Morris, Rathbone Place.
Mezzotint. 365 x 240mm. Trimmed to plate, laid on album paper.
Corbutt was a pseudonym of Richard Purcell.
Not in CS. A later state published by Laurie & Whittle, 1794, has him commander of the "Fleet in the Channel". Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4742] £650.00
Corbutt delin. Se vend chez J.M.Will à Augsburg.
London: Published as the Act directs, 10 May 1778, by John Morris, Rathbone Place.
Mezzotint. 365 x 240mm. Trimmed to plate, laid on album paper.
Corbutt was a pseudonym of Richard Purcell.
Not in CS. A later state published by Laurie & Whittle, 1794, has him commander of the "Fleet in the Channel". Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4742] £650.00
![[Lord Richard Howe?] No. XXVIII. The Fair American. No. XXIX. Old Nauticus.](jpegs/45421.jpg)
[Lord Richard Howe?] No. XXVIII. The Fair American. No. XXIX. Old Nauticus.
London, Publish'd by A. Hamilton Jun.r Fleet Street Nov.r 1: 1788.
Engraving. Plate: 110 x 170mm (4½ x 6¾"). Cut.
A pair of portraits, set in ovals of a widow and a naval officer (perhaps Lord Richard Howe) who seduced the widow on the promise of marriage, brought her back to England where she was unfaithful to him. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7412.
[Ref: 45421] £70.00 (£84.00 incl.VAT)
London, Publish'd by A. Hamilton Jun.r Fleet Street Nov.r 1: 1788.
Engraving. Plate: 110 x 170mm (4½ x 6¾"). Cut.
A pair of portraits, set in ovals of a widow and a naval officer (perhaps Lord Richard Howe) who seduced the widow on the promise of marriage, brought her back to England where she was unfaithful to him. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7412.
[Ref: 45421] £70.00 (£84.00 incl.VAT)
Commodore Howe.
Engrav'd for the Naval Chronicle 1760.
Sold by J: Fuller [n.d., c.1760].
Rare engraving, sheet 155 x 115mm. 6 x 4½". Trimmed to plate. Diagonal crease through lower left corner.
Richard Howe, 1st Earl Howe (1726 - 1799). His long naval career began in 1739; he was Commander-in-Chief, North America, 1775-8, during the War of American Independence. He relieved Gibraltar from the Spanish siege, 1782. He led the Channel Fleet to victory over the French in 1794 in the battle known as 'The Glorious First of June'. A popular commander with his men, he was brought out of retirement to mediate in the Fleet mutiny in 1797. For 'The Naval Chronicle: or, Voyages, travels, expeditions of the most celebrated English navigators, travellers, and sea-commanders, from the earliest account to the end of the year 1759 Including the lives of the most eminent British admirals and seamen, etc'.
See BM General Reference Collection 10497.aaa.33.
[Ref: 24089] £120.00 (£144.00 incl.VAT)
Engrav'd for the Naval Chronicle 1760.
Sold by J: Fuller [n.d., c.1760].
Rare engraving, sheet 155 x 115mm. 6 x 4½". Trimmed to plate. Diagonal crease through lower left corner.
Richard Howe, 1st Earl Howe (1726 - 1799). His long naval career began in 1739; he was Commander-in-Chief, North America, 1775-8, during the War of American Independence. He relieved Gibraltar from the Spanish siege, 1782. He led the Channel Fleet to victory over the French in 1794 in the battle known as 'The Glorious First of June'. A popular commander with his men, he was brought out of retirement to mediate in the Fleet mutiny in 1797. For 'The Naval Chronicle: or, Voyages, travels, expeditions of the most celebrated English navigators, travellers, and sea-commanders, from the earliest account to the end of the year 1759 Including the lives of the most eminent British admirals and seamen, etc'.
See BM General Reference Collection 10497.aaa.33.
[Ref: 24089] £120.00 (£144.00 incl.VAT)
General Howe.
J. Chapman sculp.
Published as the Act directs April 1st. 1801.
Stipple with large margins. Plate: 110 x 160mm (4¼ x 6¼").
Half portrait, set in a roundel of General William Howe (1729-1814) a British army officer notable for his service during the American War of Independence and the French Revolutionary Wars.
[Ref: 33531] £75.00 (£90.00 incl.VAT)
J. Chapman sculp.
Published as the Act directs April 1st. 1801.
Stipple with large margins. Plate: 110 x 160mm (4¼ x 6¼").
Half portrait, set in a roundel of General William Howe (1729-1814) a British army officer notable for his service during the American War of Independence and the French Revolutionary Wars.
[Ref: 33531] £75.00 (£90.00 incl.VAT)
James Howel. One of the Clerks of his Ma'ties moist Hon.ble Privy Counsel.
Will: Marshall sculp.
[n.d., c.1650.]
Engraving. Sheet 90 x 55mm (3½ x 2¼"). Trimmed and stuck onto album paper.
A portrait of James Howel (1594-1666), Welsh writer and historian. From the Frontis for Familiar Letters Domestic & Forren.
[Ref: 67627] £70.00 (£84.00 incl.VAT)
Will: Marshall sculp.
[n.d., c.1650.]
Engraving. Sheet 90 x 55mm (3½ x 2¼"). Trimmed and stuck onto album paper.
A portrait of James Howel (1594-1666), Welsh writer and historian. From the Frontis for Familiar Letters Domestic & Forren.
[Ref: 67627] £70.00 (£84.00 incl.VAT)
![[Certificate of Authenticity.] W.R. Howell & Co., Fine Art Publishers.](jpegs/51300.jpg)
[Certificate of Authenticity.] W.R. Howell & Co., Fine Art Publishers. Ref No. Please Quote [1395].
Dec.r 20th 1909.
Etching. 120 x 190mm (4¾ x 7½") with writing sheet below. Some toning, folded.
A sheet of printed notepaper guaranteeing the limited edition number of the recipient's purchase.
[Ref: 51300] £95.00 (£114.00 incl.VAT)
Dec.r 20th 1909.
Etching. 120 x 190mm (4¾ x 7½") with writing sheet below. Some toning, folded.
A sheet of printed notepaper guaranteeing the limited edition number of the recipient's purchase.
[Ref: 51300] £95.00 (£114.00 incl.VAT)
![[James Howell]](jpegs/59383.jpg)
[James Howell]
C. Melan et Bosse Sculp.
[n.d. c.1641.]
Etching and engraving, sheet 200 x 145mm (8 x 5¾"). Trimmed to image, glued on album sheet. Slightly stained and scuufed.
Full length portrait of Welsh historian and writer James Howell (1594-1666). Standing in a wood and leaning against a tree, with his coat of arms on the left. The portrait was the frontispiece to a French edition of James Howell's Dendrologia: Dodona's Grove, or the Vocall Forrest' (Paris, Augustin Courbé, 1641).
IFF 338.IV. Montaiglon 195.III. Blum 197. Duplessis 1243. Lothe 1309.
[Ref: 59383] £280.00 (£336.00 incl.VAT)
C. Melan et Bosse Sculp.
[n.d. c.1641.]
Etching and engraving, sheet 200 x 145mm (8 x 5¾"). Trimmed to image, glued on album sheet. Slightly stained and scuufed.
Full length portrait of Welsh historian and writer James Howell (1594-1666). Standing in a wood and leaning against a tree, with his coat of arms on the left. The portrait was the frontispiece to a French edition of James Howell's Dendrologia: Dodona's Grove, or the Vocall Forrest' (Paris, Augustin Courbé, 1641).
IFF 338.IV. Montaiglon 195.III. Blum 197. Duplessis 1243. Lothe 1309.
[Ref: 59383] £280.00 (£336.00 incl.VAT)
Laurence Howel A.M.
J. Fellows pinx.
[British, c.1740.]
Rare engraving, sheet 315 x 210mm. 12½ x 8¼". Trimmed to image.
Portrait in oval frame of Laurence Howell (c.1664 - 1720), nonjuring Church of England clergyman. According to DNB "There is an engraving which professes to be a portrait of him, but Noble says the plate was altered from a portrait of Robert Newton, D.D." The nonjuring schism was a split in the Church of England in the aftermath of the Glorious Revolution of 1688, over whether William of Orange and his wife Mary could legally be recognised as King and Queen of England. Many of the Anglican clergy felt legally bound by their previous oaths of allegiance to James II and, though they could accept William as Regent, they could not accept him as king. It was not necessarily a split on matters of religious doctrine, but more of a political issue and a matter of conscience, though most of the nonjurors were high church Anglicans. The nonjurors thus supported Jacobitism, although they generally did not actively support the Jacobite rebellions in 1715 or 1745. Howell wrote a pamphlet for private circulation entitled ‘The Case of Schism in the Church of England truly stated.’ In this seditious work George I was denounced as a usurper, and all that had been done in the church, subsequently to Archbishop Sancroft's deprivation, was condemned as illegal and uncanonical. Howell was arrested at his house in Bull Head Court, Jewin Street, and about a thousand copies of the pamphlet were seized there. Howell was tried at the Old Bailey on 28 Feb. 1716-17 before the lord mayor and Justices Powys and Dormer. The jury found him guilty, and two days afterwards he was sentenced to pay a fine of 500l., to be imprisoned for three years without bail, to find four sureties of 500l. each, and himself to be bound in 1,000l. for his good behaviour during life, and to be twice whipped. On his hotly protesting against the last indignity on the ground that he was a clergyman, the court answered that he was a disgrace to his cloth, and that his ordination by the so-called bishop of Thetford was illegal. By the court's direction the common executioner there and then roughly pulled his gown off his back. A few days later, on his humble petition to the king, the corporal punishment was remitted. He died in Newgate on 19 July 1720. After James Fellowes (Fellows) (fl.1710 - 1751).
NPG: D36355. Sharp: 426. Ex Collection Norman Blackburn.
[Ref: 18543] £140.00 (£168.00 incl.VAT)
J. Fellows pinx.
[British, c.1740.]
Rare engraving, sheet 315 x 210mm. 12½ x 8¼". Trimmed to image.
Portrait in oval frame of Laurence Howell (c.1664 - 1720), nonjuring Church of England clergyman. According to DNB "There is an engraving which professes to be a portrait of him, but Noble says the plate was altered from a portrait of Robert Newton, D.D." The nonjuring schism was a split in the Church of England in the aftermath of the Glorious Revolution of 1688, over whether William of Orange and his wife Mary could legally be recognised as King and Queen of England. Many of the Anglican clergy felt legally bound by their previous oaths of allegiance to James II and, though they could accept William as Regent, they could not accept him as king. It was not necessarily a split on matters of religious doctrine, but more of a political issue and a matter of conscience, though most of the nonjurors were high church Anglicans. The nonjurors thus supported Jacobitism, although they generally did not actively support the Jacobite rebellions in 1715 or 1745. Howell wrote a pamphlet for private circulation entitled ‘The Case of Schism in the Church of England truly stated.’ In this seditious work George I was denounced as a usurper, and all that had been done in the church, subsequently to Archbishop Sancroft's deprivation, was condemned as illegal and uncanonical. Howell was arrested at his house in Bull Head Court, Jewin Street, and about a thousand copies of the pamphlet were seized there. Howell was tried at the Old Bailey on 28 Feb. 1716-17 before the lord mayor and Justices Powys and Dormer. The jury found him guilty, and two days afterwards he was sentenced to pay a fine of 500l., to be imprisoned for three years without bail, to find four sureties of 500l. each, and himself to be bound in 1,000l. for his good behaviour during life, and to be twice whipped. On his hotly protesting against the last indignity on the ground that he was a clergyman, the court answered that he was a disgrace to his cloth, and that his ordination by the so-called bishop of Thetford was illegal. By the court's direction the common executioner there and then roughly pulled his gown off his back. A few days later, on his humble petition to the king, the corporal punishment was remitted. He died in Newgate on 19 July 1720. After James Fellowes (Fellows) (fl.1710 - 1751).
NPG: D36355. Sharp: 426. Ex Collection Norman Blackburn.
[Ref: 18543] £140.00 (£168.00 incl.VAT)
William Howitt, Celebrated as 'Jackson, the American Deer, ' Height, 5 Feet, 3 Inches. Born at Norwich, February 15th, 1821.
London: Published Feb. 25th, 1862, by George Newbold, 303, & 304, Strand, - W.C.
Very scarce coloured lithograph. Printed area 410 x 310mm. Some marks around edges.
A long distance runner who attempted to run 10 miles in under an hour. Although he was timed at just under 61 minutes the judges awarded him the prize as he had been obstructed.
[Ref: 8400] £950.00
London: Published Feb. 25th, 1862, by George Newbold, 303, & 304, Strand, - W.C.
Very scarce coloured lithograph. Printed area 410 x 310mm. Some marks around edges.
A long distance runner who attempted to run 10 miles in under an hour. Although he was timed at just under 61 minutes the judges awarded him the prize as he had been obstructed.
[Ref: 8400] £950.00
This Portrait of Humphrey Howorth, Esqr M.P. for the Borough of Evesham is presented as a token in remembrance from their Brother Freeman John Suffield, Engraver, No 233 Strand, London Oct 6th 1808
'Mr J. Suffield Bengworth' in ms lower margin.
Very fine stipple, platemark 175 x 110mm (7 x 4¼"). Very large margins. Uncut.
Humphrey Howorth (1749-1827), surgeon and politician. From an old Herefordshire family, Howorth went out to India as an assistant surgeon and joined the Whig Club after returning to England in 1787. He became MP for Evesham at the fourth attempt in 1806 (soon after which this print was made), taking a particular interest in Indian affairs. He retired in 1820.
O'D 1 (only portrait listed)
[Ref: 39208] £130.00 (£156.00 incl.VAT)
'Mr J. Suffield Bengworth' in ms lower margin.
Very fine stipple, platemark 175 x 110mm (7 x 4¼"). Very large margins. Uncut.
Humphrey Howorth (1749-1827), surgeon and politician. From an old Herefordshire family, Howorth went out to India as an assistant surgeon and joined the Whig Club after returning to England in 1787. He became MP for Evesham at the fourth attempt in 1806 (soon after which this print was made), taking a particular interest in Indian affairs. He retired in 1820.
O'D 1 (only portrait listed)
[Ref: 39208] £130.00 (£156.00 incl.VAT)
![[Rebecca Howse] Mother Goose of Oxford.](jpegs/63810.jpg)
[Rebecca Howse] Mother Goose of Oxford.
Dighton. ad Vivam del.t.
Pub. July 1807 by Dighton, Char.g Cross.
Coloured etching. 280 x 195mm (11 x 7¾"), large margins. Old ink mss. in lower margin. Mint
Portrait of Rebecca Howse (1737-1818, née Wildgoose), a one-time procuress who took to selling flowers after going blind, being known to the undergraduates as 'Flora'.
[Ref: 63810] £180.00 (£216.00 incl.VAT)
Dighton. ad Vivam del.t.
Pub. July 1807 by Dighton, Char.g Cross.
Coloured etching. 280 x 195mm (11 x 7¾"), large margins. Old ink mss. in lower margin. Mint
Portrait of Rebecca Howse (1737-1818, née Wildgoose), a one-time procuress who took to selling flowers after going blind, being known to the undergraduates as 'Flora'.
[Ref: 63810] £180.00 (£216.00 incl.VAT)
![[Rebecca Howse] Mother Goose of Oxford.](jpegs/28344.jpg)
[Rebecca Howse] Mother Goose of Oxford. Aged 73.
HL. [Unidentified] delin. A. Cardon sculp.t.
London published June 25th 1811, by Molteno, Pall Mall.
Stipple engraving with large margins, platemark: 365 x 250mm. (14¼ x 9¾").
Portrait of Rebecca Howse (née Wildgoose), a one-time procuress who took to selling flowers after going blind.
[Ref: 28344] £70.00 (£84.00 incl.VAT)
HL. [Unidentified] delin. A. Cardon sculp.t.
London published June 25th 1811, by Molteno, Pall Mall.
Stipple engraving with large margins, platemark: 365 x 250mm. (14¼ x 9¾").
Portrait of Rebecca Howse (née Wildgoose), a one-time procuress who took to selling flowers after going blind.
[Ref: 28344] £70.00 (£84.00 incl.VAT)
![Elias Hoyle. 113 years old [in pencil].](jpegs/15096.jpg)
Elias Hoyle. 113 years old [in pencil]. [Accompanied by two sheets, double-sided, of letterpress]: Elias Hoyle. This venerable man was a native of Sowerby, in Yorkshire, being, at the time the accompanying portrait was taken, 113 years of age...[followed by a list of other centenarians.]
Pub. Jan.1.1820 by G. Smeeton, St. Martin's Church Yard.
Two sheets of letterpress and one etching. 210 x 147mm. 8¼ x 5¾".
Elias Hoyle (1692-1805), Centenarian at Sowerby, Yorkshire.
[Ref: 15096] £60.00 (£72.00 incl.VAT)
Pub. Jan.1.1820 by G. Smeeton, St. Martin's Church Yard.
Two sheets of letterpress and one etching. 210 x 147mm. 8¼ x 5¾".
Elias Hoyle (1692-1805), Centenarian at Sowerby, Yorkshire.
[Ref: 15096] £60.00 (£72.00 incl.VAT)
View near Hoyle-Lake, Cheshire.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London July 1. 1815.
Coloured aquatint. Plate 228 x 298mm. 9 x 11¾".
A view of Hoylake, a seaside town on Merseyside. It is where the River Dee estuary meets the Irish Sea. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18085] £120.00 (£144.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London July 1. 1815.
Coloured aquatint. Plate 228 x 298mm. 9 x 11¾".
A view of Hoylake, a seaside town on Merseyside. It is where the River Dee estuary meets the Irish Sea. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18085] £120.00 (£144.00 incl.VAT)
Hu Kcu Hyen tiré de Nieuhof.
[n.d. c.1760.]
Copper Engraving. 190 x 178mm. 7½ x 7". Vertical fold through centre.
Junks in the bay of a pastoral coastal town in China.
[Ref: 18870] £120.00 (£144.00 incl.VAT)
[n.d. c.1760.]
Copper Engraving. 190 x 178mm. 7½ x 7". Vertical fold through centre.
Junks in the bay of a pastoral coastal town in China.
[Ref: 18870] £120.00 (£144.00 incl.VAT)
Scene in Fare, Island of Huanheine.
Drawn by John Dennis From a sketch by D. Tyerman. Engraved by Fenner Sears & C.º.
[n.d., c.1840.]
Steel engraving. Sheet 140 x 220mm (5½ x 8¾"). Trimmed
A view of Huahine in the Society Islands of French Polynesia, with a native climbing a tree.
[Ref: 63292] £45.00 (£54.00 incl.VAT)
Drawn by John Dennis From a sketch by D. Tyerman. Engraved by Fenner Sears & C.º.
[n.d., c.1840.]
Steel engraving. Sheet 140 x 220mm (5½ x 8¾"). Trimmed
A view of Huahine in the Society Islands of French Polynesia, with a native climbing a tree.
[Ref: 63292] £45.00 (£54.00 incl.VAT)
View of Wampooh China.
Owen del. Wells sc.
Publish'd by Bunney & Gold, June 1, 1802.
Aquatint. 140 x 225mm (5½ x 8¾").
Huangpu, in the Guanghzou region of China. Published in the 'Naval Chronicle' in 1802, where it was described as 'a small but populous village, pleasantly situated on the eastern bank of the Pe-kiang river, about twenty miles below the city of Canton'. It was the docking area for many nations trading with China in the 18th century and was the site of a battle between Chinese and British forces in 1841 during the Opium Wars.
[Ref: 37027] £130.00 (£156.00 incl.VAT)
Owen del. Wells sc.
Publish'd by Bunney & Gold, June 1, 1802.
Aquatint. 140 x 225mm (5½ x 8¾").
Huangpu, in the Guanghzou region of China. Published in the 'Naval Chronicle' in 1802, where it was described as 'a small but populous village, pleasantly situated on the eastern bank of the Pe-kiang river, about twenty miles below the city of Canton'. It was the docking area for many nations trading with China in the 18th century and was the site of a battle between Chinese and British forces in 1841 during the Opium Wars.
[Ref: 37027] £130.00 (£156.00 incl.VAT)