A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Horseguards &c. From St. James's Park.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Lithograph with fine hand-colour. Sheet 340 x 535mm (13½ x 21"). Left margin corner torn.
View of the Horseguards, from the south side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is". Other landmarks are the Duke of York's Column, the Spire of St Martin's-in-the-Fields and the vague outline of dome of St Paul's Cathedral.
Abbey: 240.
[Ref: 68924] £650.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Lithograph with fine hand-colour. Sheet 340 x 535mm (13½ x 21"). Left margin corner torn.
View of the Horseguards, from the south side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is". Other landmarks are the Duke of York's Column, the Spire of St Martin's-in-the-Fields and the vague outline of dome of St Paul's Cathedral.
Abbey: 240.
[Ref: 68924] £650.00
The Horseguards &c. From St. James's Park.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph. 250 x 480mm, 9¾ x 19" very large margins.
View of the Horseguards, from the south side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is". Other landmarks are the Duke of York's Column, the Spire of St Martin's-in-the-Fields and the vague outline of dome of St Paul's Cathedral.
Abbey: 240.
[Ref: 40306] £450.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph. 250 x 480mm, 9¾ x 19" very large margins.
View of the Horseguards, from the south side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is". Other landmarks are the Duke of York's Column, the Spire of St Martin's-in-the-Fields and the vague outline of dome of St Paul's Cathedral.
Abbey: 240.
[Ref: 40306] £450.00
The Horse-Guards.
P. Sandby, delin. Edw.d Rooker sculp.
[n.d., c.1820.]
Coloured etching. 415 x 550mm (16¼ x 21¾"), on laid paper, very large margins. Bottom right corner of margin clipped.
A view of John Vardy's new Horse Guards building from under a crumbling archway on Whitehall, now gone. Besides the soldiers, figures include a family of brush sellers, a coachman with whip and dog, a blind beggar and two fashionably dressed women with a child. A late printing of a plate issued 1768, with Paul Sandby's name replacing that of Michael Angelo Rooker and the publication line removed. One of Edward Rooker's 'Six Views of London'.
[Ref: 53008] £320.00
P. Sandby, delin. Edw.d Rooker sculp.
[n.d., c.1820.]
Coloured etching. 415 x 550mm (16¼ x 21¾"), on laid paper, very large margins. Bottom right corner of margin clipped.
A view of John Vardy's new Horse Guards building from under a crumbling archway on Whitehall, now gone. Besides the soldiers, figures include a family of brush sellers, a coachman with whip and dog, a blind beggar and two fashionably dressed women with a child. A late printing of a plate issued 1768, with Paul Sandby's name replacing that of Michael Angelo Rooker and the publication line removed. One of Edward Rooker's 'Six Views of London'.
[Ref: 53008] £320.00
A Perspective View of the West Front of the Royal Building for His Majesty's Horse and Foot Guards, &c.
Wm Kent Invt. J. Vardy delin: et Sculp.
According to Act of Parliamt, 1752.
Hand coloured etching, sheet 365 x 585mm. 14¼ x 23".
A military review in Horse Guards parade. After Painter, sculptor, and architect William Kent (1685 - 1748). He built the Horse Guards and the block of treasury buildings (the central portion of a design never fully executed) which overlook the parade at Whitehall. Devonshire House in Piccadilly, the Earl of Yarborough's in Arlington Street, and Holkham, Norfolk, the seat of the Earl of Leicester, are also examples of his skill in the Palladian style, and do more than any other of his existing works to justify the high patronage which he enjoyed. A scarce print.
[Ref: 11692] £480.00
Wm Kent Invt. J. Vardy delin: et Sculp.
According to Act of Parliamt, 1752.
Hand coloured etching, sheet 365 x 585mm. 14¼ x 23".
A military review in Horse Guards parade. After Painter, sculptor, and architect William Kent (1685 - 1748). He built the Horse Guards and the block of treasury buildings (the central portion of a design never fully executed) which overlook the parade at Whitehall. Devonshire House in Piccadilly, the Earl of Yarborough's in Arlington Street, and Holkham, Norfolk, the seat of the Earl of Leicester, are also examples of his skill in the Palladian style, and do more than any other of his existing works to justify the high patronage which he enjoyed. A scarce print.
[Ref: 11692] £480.00
![[Horse Guards] To the Rt. Hon'ble Viscount Combermere G.C.B. & G.C.H. and the Officers of the 1st Regiment of Life Guards. this Print is most respectfully dedicated by Their Obedient Servants. W. Robert and Lowes Dickinson. &](jpegs/6933.jpg)
[Horse Guards] To the Rt. Hon'ble Viscount Combermere G.C.B. & G.C.H. and the Officers of the 1st Regiment of Life Guards. this Print is most respectfully dedicated by Their Obedient Servants. W. Robert and Lowes Dickinson. & [Hyde Park Corner] To the most noble the Marquis of Londonderry, G.C.B. & G.C.H. and the Officers of the 2nd Regiment of Life Guards, this Print is most respectfully dedicated by their obedient Servants, W. Robert and Lowes Dickinson.
[Dated in image 1851 with monogram]
Pair of tinted lithographs with added hand colour, image size 620 x 760mm. Framed. Unexamined out of frames.
Life Guards passing the Wellington Arch at Hyde Park Corner when it still had the Statue of Wellington on the top, and the Entrance to Horse Guards from Whitehall. An extremely scarce pair, in original frames.
[Ref: 6933] £2,600.00 view all images for this item
[Dated in image 1851 with monogram]
Pair of tinted lithographs with added hand colour, image size 620 x 760mm. Framed. Unexamined out of frames.
Life Guards passing the Wellington Arch at Hyde Park Corner when it still had the Statue of Wellington on the top, and the Entrance to Horse Guards from Whitehall. An extremely scarce pair, in original frames.
[Ref: 6933] £2,600.00 view all images for this item
![[Horse Guards Parade.]](jpegs/27598.jpg)
[Horse Guards Parade.]
Sm Litten [pencil signature.]
[n.d. c.1926.]
Etching. Plate 215 x 292mm. 8½ x 11½". Crease to upper corner of sheet.
View of Horse Guards from the Green Park side, looking across Horse Guards Parade. Sidney Mackenzie Litten (1887 - 1949), etcher and engraver who studied at the RCS. The William Monk style of an undated Trafalgar Square suggests there may be works by Litten earlier than those of 1926.
[Ref: 27598] £180.00 (£216.00 incl.VAT)
Sm Litten [pencil signature.]
[n.d. c.1926.]
Etching. Plate 215 x 292mm. 8½ x 11½". Crease to upper corner of sheet.
View of Horse Guards from the Green Park side, looking across Horse Guards Parade. Sidney Mackenzie Litten (1887 - 1949), etcher and engraver who studied at the RCS. The William Monk style of an undated Trafalgar Square suggests there may be works by Litten earlier than those of 1926.
[Ref: 27598] £180.00 (£216.00 incl.VAT)
No 5. Cheval d'après H. Vernet. Études d'Animaux d'après Nature, Lithographies aux deux crayons par Émile Lasalle.
New York _ Goupil Vilbert & Co. 289 Broadway. Paris _ Goupil Vilbert & C.ie Editeurs, Boulev' Montmatre, 19 et rue d'Enghien, 12. London _ E. Gambart & Co., 25 Berniers St, Oxford St. [n.d., c.1860.]
Lithograph with fine hand colour. Sheet 630 x 500mm (24¾ x 19¾"). A little surface soiling.
The head of a bay with bridle.
[Ref: 50351] £380.00
New York _ Goupil Vilbert & Co. 289 Broadway. Paris _ Goupil Vilbert & C.ie Editeurs, Boulev' Montmatre, 19 et rue d'Enghien, 12. London _ E. Gambart & Co., 25 Berniers St, Oxford St. [n.d., c.1860.]
Lithograph with fine hand colour. Sheet 630 x 500mm (24¾ x 19¾"). A little surface soiling.
The head of a bay with bridle.
[Ref: 50351] £380.00
![[Horse Jumping.]](jpegs/31172.jpg)
[Horse Jumping.]
Pub.d by R. Pollard, Spafields, London. [n.d. c.1800.]
Rare hand-coloured etching with engraving. 210 x 285mm (8¼ x 11¼"). Trimmed.
A horse jumping from a rock, its head down, from a set of horses published by Pollard.
[Ref: 31172] £140.00 (£168.00 incl.VAT)
Pub.d by R. Pollard, Spafields, London. [n.d. c.1800.]
Rare hand-coloured etching with engraving. 210 x 285mm (8¼ x 11¼"). Trimmed.
A horse jumping from a rock, its head down, from a set of horses published by Pollard.
[Ref: 31172] £140.00 (£168.00 incl.VAT)
Commander in Chief of the Horse Marines. A Sketch at the Review.
W.G.
London Pub.d by O. Hodgson, Cloth Fair. [n.d., c.1832.]
Fine coloured etching. Sheet 225 x 260mm (9 x 10¼"). Trimmed within plate, evidence of a crack in the printing plate.
An officer sitting astride a mount that is a horse with the stern and rudder of a ship, with a bow gun on its bridle and an anchor on its harness. Although the 17th Lancers were nicknamed "The Horse Marines" after their service on HMS Hermione in the West Indies in 1795, the term was a music hall term for a pointless military unit.
[Ref: 51680] £190.00 (£228.00 incl.VAT)
W.G.
London Pub.d by O. Hodgson, Cloth Fair. [n.d., c.1832.]
Fine coloured etching. Sheet 225 x 260mm (9 x 10¼"). Trimmed within plate, evidence of a crack in the printing plate.
An officer sitting astride a mount that is a horse with the stern and rudder of a ship, with a bow gun on its bridle and an anchor on its harness. Although the 17th Lancers were nicknamed "The Horse Marines" after their service on HMS Hermione in the West Indies in 1795, the term was a music hall term for a pointless military unit.
[Ref: 51680] £190.00 (£228.00 incl.VAT)
![[Horse market.]](jpegs/38100.jpg)
[Horse market.]
[French, c.1750.]
Scarce engraving, unfinished proof before letters. 590 x 470mm (23¼ x 18½") Small margins on three sides, cut at bottom.
A horse market in an idealised Italianate landscape.
Private Collection.
[Ref: 38100] £260.00 (£312.00 incl.VAT)
[French, c.1750.]
Scarce engraving, unfinished proof before letters. 590 x 470mm (23¼ x 18½") Small margins on three sides, cut at bottom.
A horse market in an idealised Italianate landscape.
Private Collection.
[Ref: 38100] £260.00 (£312.00 incl.VAT)
The Horse Race.
London, Published 1826 by J. Brooker, 5, Southampton Row, Russell Sq.r
Lithograph, very rare. Sheet 265 x 405mm, 10½ x 16". Trimmed, some spotting,
Asatirical scene of an amateur horse race. Bringing up up the rear is a cart-horse.
[Ref: 24698] £160.00 (£192.00 incl.VAT)
London, Published 1826 by J. Brooker, 5, Southampton Row, Russell Sq.r
Lithograph, very rare. Sheet 265 x 405mm, 10½ x 16". Trimmed, some spotting,
Asatirical scene of an amateur horse race. Bringing up up the rear is a cart-horse.
[Ref: 24698] £160.00 (£192.00 incl.VAT)
![[The Horse Race.]](jpegs/28676.jpg)
[The Horse Race.]
Gericault pinx.t P. de Laage lith.
Imp. A Lemercier. Paris. [n.d. c.1824.]
Lithograph on india paper with very large margins. Image area 280 x 368mm (11 x 14½").
The Horse Race; three horses galloping along an open track. Géricault's original painting is held in the Musée du Louvre, Paris.
[Ref: 28676] £180.00 (£216.00 incl.VAT)
Gericault pinx.t P. de Laage lith.
Imp. A Lemercier. Paris. [n.d. c.1824.]
Lithograph on india paper with very large margins. Image area 280 x 368mm (11 x 14½").
The Horse Race; three horses galloping along an open track. Géricault's original painting is held in the Musée du Louvre, Paris.
[Ref: 28676] £180.00 (£216.00 incl.VAT)
![Before. [&] The Beginning. [&] The End. [&] After.](jpegs/60664.jpg)
Before. [&] The Beginning. [&] The End. [&] After. Herring's Sporting Sketches.
J.F. Herring Sen.r. Vincent Brooks Lith. London.
London Published Dec.r 1.st 1853 by Lloyd Brothers & C.o 22 Ludgate Hill.
Four coloured lithographs, sheet 335 x 420mm (13¼ x 16½"). Bit dusty.
A rare set of four horse racing scenes. John Frederick Herring Senior (1795-1865), also known as John Frederick Herring I, was a painter, sign maker and coachman in Victorian England. He amended his signature "SR" in 1836, with the growing fame of his teenage son John Frederick Herring Jr.
[Ref: 60664] £480.00 view all images for this item
J.F. Herring Sen.r. Vincent Brooks Lith. London.
London Published Dec.r 1.st 1853 by Lloyd Brothers & C.o 22 Ludgate Hill.
Four coloured lithographs, sheet 335 x 420mm (13¼ x 16½"). Bit dusty.
A rare set of four horse racing scenes. John Frederick Herring Senior (1795-1865), also known as John Frederick Herring I, was a painter, sign maker and coachman in Victorian England. He amended his signature "SR" in 1836, with the growing fame of his teenage son John Frederick Herring Jr.
[Ref: 60664] £480.00 view all images for this item
Manifesto Delle Corse di Cavalli che avranno luogo nel Giovedi` 24 Febbraio 1848 a Tor di Quinto. Corsa Prima. Per i cavalli detti cavalcature appartenenti agli affittuarii delle tenute... Corsa Seconda. Handicap Per i Cavalli di ogni razza e qualità, equilibrati con pesi diversi... Corsa Terza. Steeple-chase ossia corsa al Campanile, per i Cavalli di ogni età, peso lib. 161 inglese, prezzo d’ammissione 15 Napoleoni d’oro... Corsa Quarta. Steeple chase ossia Corsa al Campanile, per i Cavalli Romani di ogni età, peso lib. 154 Inglese, prezzo d’ammissione Scudi 20, aggiunti ad un premio di Scudi 100.
[1848.]
Scarce letterpress. 330 x 228mm (13 x 9").
A programme for a horse-racing event held on 24th February 1848 in Rome, the day that marked the change in leadership in France during the revolution. The races include some racers such as George William Featherstonhaugh, a British geologist and geographer who initiated the Albany and Schenectady Railroad and was a surveyor of the Louisiana Purchase for the American Government; Conte Branticki; Prince Odescalchi, of the aristocratic Roman family; and Count Litchfield.
[Ref: 18381] £230.00 (£276.00 incl.VAT)
[1848.]
Scarce letterpress. 330 x 228mm (13 x 9").
A programme for a horse-racing event held on 24th February 1848 in Rome, the day that marked the change in leadership in France during the revolution. The races include some racers such as George William Featherstonhaugh, a British geologist and geographer who initiated the Albany and Schenectady Railroad and was a surveyor of the Louisiana Purchase for the American Government; Conte Branticki; Prince Odescalchi, of the aristocratic Roman family; and Count Litchfield.
[Ref: 18381] £230.00 (£276.00 incl.VAT)
The Winning Post.
Lib. [Liborio Prosperi]. Vincent Brooks, Day & Son Lith.
Vanity Fair Dec.r 8 1888.
Chromolithograph, sheet 390 x 505mm (15¼ x 19¾"). Central fold as issued.
Horse racing scene featuring Judge Clarke, Sir John Astley Bart with jockeys: J. Osborne, Tom Cannon, J. Watt, P. Webb, P. Barrett and G. Barrett, as labelled underneath.
[Ref: 63794] £140.00 (£168.00 incl.VAT)
Lib. [Liborio Prosperi]. Vincent Brooks, Day & Son Lith.
Vanity Fair Dec.r 8 1888.
Chromolithograph, sheet 390 x 505mm (15¼ x 19¾"). Central fold as issued.
Horse racing scene featuring Judge Clarke, Sir John Astley Bart with jockeys: J. Osborne, Tom Cannon, J. Watt, P. Webb, P. Barrett and G. Barrett, as labelled underneath.
[Ref: 63794] £140.00 (£168.00 incl.VAT)
The Winning Post.
Lib. [Liborio Prosperi]. Vincent Brooks, Day & Son Lith.
Vanity Fair Dec.r 8 1888.
Chromolithograph, unpublished sheet, mint. Sheet 405 x 555mm (15¾ x 21¾"), with extra-wide margins and without the usual centre fold.
Horse racing scene featuring Judge Clarke, Sir John Astley Bart with jockeys: J. Osborne, Tom Cannon, J. Watt, P. Webb, P. Barrett and G. Barrett, as labelled underneath.
[Ref: 63866] £190.00 (£228.00 incl.VAT)
Lib. [Liborio Prosperi]. Vincent Brooks, Day & Son Lith.
Vanity Fair Dec.r 8 1888.
Chromolithograph, unpublished sheet, mint. Sheet 405 x 555mm (15¾ x 21¾"), with extra-wide margins and without the usual centre fold.
Horse racing scene featuring Judge Clarke, Sir John Astley Bart with jockeys: J. Osborne, Tom Cannon, J. Watt, P. Webb, P. Barrett and G. Barrett, as labelled underneath.
[Ref: 63866] £190.00 (£228.00 incl.VAT)
The Horse Stealer A Dream 1757.
To be Had at the Acorn facing Hungerford.
Etching, platemark 85 x 110mm (3 x 4¼"), large margins. Bit foxed.
Unusual 'dream scene' showing a horse's owner looking on as the horse is stolen. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print read 'Tis easily seen through as to what the Satirist intends. It alludes to a remarkable Transaction in the year 1757, on the other side the Weser'. This suggests that the print refers to the Battle of Hastenbeck in 1757, in which a French victory led to the occupation of the Electorate of Hanover. The Weser is a river which marked the limit of the territory which Hanover was willing to defend.
For 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743.
[Ref: 43818] £65.00 (£78.00 incl.VAT)
To be Had at the Acorn facing Hungerford.
Etching, platemark 85 x 110mm (3 x 4¼"), large margins. Bit foxed.
Unusual 'dream scene' showing a horse's owner looking on as the horse is stolen. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print read 'Tis easily seen through as to what the Satirist intends. It alludes to a remarkable Transaction in the year 1757, on the other side the Weser'. This suggests that the print refers to the Battle of Hastenbeck in 1757, in which a French victory led to the occupation of the Electorate of Hanover. The Weser is a river which marked the limit of the territory which Hanover was willing to defend.
For 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743.
[Ref: 43818] £65.00 (£78.00 incl.VAT)
Selle Anglaise (Pl. IV.) Dessiné par Léné et Janson Selliers Harnacheurs.
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins.
A fine portrait of a chestnut horse with an English Saddle, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52718] £320.00
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins.
A fine portrait of a chestnut horse with an English Saddle, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52718] £320.00
Harnais Riche (Pl. XXIII.) Dessiné par Léné et Janson Selliers Harnacheurs 95 & 97 A_nue des Champes-Elysées.
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾"), with very wide margins. Tears in edges of wide margins.
A fine horse with the harness of a small carriage, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52719] £290.00 (£348.00 incl.VAT)
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾"), with very wide margins. Tears in edges of wide margins.
A fine horse with the harness of a small carriage, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52719] £290.00 (£348.00 incl.VAT)
Harnais de Tilbury (Pl. XII.) Dessiné par Léné et Janson Selliers Harnacheurs 95 Avenue des Champes-Elysées.
AAdam [signature in plate]. A. Adam Lith. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") with very wide margins.
A fine horse with the harness of a small carriage, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52720] £260.00 (£312.00 incl.VAT)
AAdam [signature in plate]. A. Adam Lith. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") with very wide margins.
A fine horse with the harness of a small carriage, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52720] £260.00 (£312.00 incl.VAT)
Harnais de Phaéton (Pl. X.) Dessiné par Léné et Janson Selliers Harnacheurs 95 Avenue des Champes-Elysées.
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins. Wear in edges of wide margins.
A fine pair of horses with the harness for a phaeton, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52721] £380.00
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins. Wear in edges of wide margins.
A fine pair of horses with the harness for a phaeton, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52721] £380.00
Tenue de Sortie (Pl. VIII.) Dessiné par Léné et Janson Selliers Harnacheurs 95 Avenue des Champes-Elysées.
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins.
A fine horse wearing blinkers and blankets under its saddle, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52724] £320.00
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins.
A fine horse wearing blinkers and blankets under its saddle, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52724] £320.00
![[Untitled plate of a horse wearing a harness.]](jpegs/52725.jpg)
[Untitled plate of a horse wearing a harness.]
AAdam [signature in plate]. A. Adam lith. Imp. Lemercier et C.ie Paris.
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins. Damaged. Tear entering image, damage to margins.
A horse standing wearing a harness apparently designed to get it used to its reins, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52725] £90.00 (£108.00 incl.VAT)
AAdam [signature in plate]. A. Adam lith. Imp. Lemercier et C.ie Paris.
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") very large margins. Damaged. Tear entering image, damage to margins.
A horse standing wearing a harness apparently designed to get it used to its reins, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52725] £90.00 (£108.00 incl.VAT)
Grande Tenue de Jour, couverture a carreaux bleus (Pl. VII.) Dessiné par Léné et Janson Selliers Harnacheurs 95 Avenue des Champes-Elysées.
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") with very wide margins.
A fine horse tied in a stable, wearing blue-checked blankets with hood, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52726] £320.00
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Rare coloured lithograph. Sheet 475 x 630mm (18¾ x 24¾") with very wide margins.
A fine horse tied in a stable, wearing blue-checked blankets with hood, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52726] £320.00
![[Untitled plate of a horse wearing a blanket with a crown emblem.]](jpegs/52727.jpg)
[Untitled plate of a horse wearing a blanket with a crown emblem.]
AAdam [signature in plate]. A. Adam lith. Imp. Lemercier et C.ie Paris.
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Rare coloured lithograph, proof; Sheet 475 x 630mm (18¾ x 24¾") with very wide margins. Repaired tear bottom margin.
From the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52727] £260.00 (£312.00 incl.VAT)
AAdam [signature in plate]. A. Adam lith. Imp. Lemercier et C.ie Paris.
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Rare coloured lithograph, proof; Sheet 475 x 630mm (18¾ x 24¾") with very wide margins. Repaired tear bottom margin.
From the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52727] £260.00 (£312.00 incl.VAT)
Harnais de Coupe (Pl. XXI.) Dessiné par Léné et Janson Selliers Harnacheurs 95 Avenue des Champes-Elysées.
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 400 x 630mm (15¾ x 24¾") with very wide margins.
A fine horse with the harness for a light carriage, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52728] £320.00
AAdam [signature in plate]. Imp. Lemercier et C.ie Paris.
Publié par le Guide du Carrossier, 164, boulevard Hausseman, Paris. [n.d., c.1878.]
Rare coloured lithograph. Sheet 400 x 630mm (15¾ x 24¾") with very wide margins.
A fine horse with the harness for a light carriage, from the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52728] £320.00
![[Untitled plate of a horse wearing blankets with matching hood.]](jpegs/52731.jpg)
[Untitled plate of a horse wearing blankets with matching hood.]
[Lithographed by Albert Adam, printed by Lemercier et C.ie.]
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Fine coloured lithograph, proof. Sheet 475 x 630mm (18¾ x 24¾"). Indentation in margins.
From the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52731] £260.00 (£312.00 incl.VAT)
[Lithographed by Albert Adam, printed by Lemercier et C.ie.]
[Published in the 'Guide du Carrossier', Paris, c.1878.]
Fine coloured lithograph, proof. Sheet 475 x 630mm (18¾ x 24¾"). Indentation in margins.
From the 'Guide du Carrossier', illustrating horse tack.
[Ref: 52731] £260.00 (£312.00 incl.VAT)
![[Two figures on horseback, with other figures behind]](jpegs/45995.jpg)
[Two figures on horseback, with other figures behind]
[Anon. northern European, 1544]
Woodcut, scarce, printed area 230 x 310mm (9 x 12¼"). Trimmed with false margin added right.
[Ref: 45995] £450.00
[Anon. northern European, 1544]
Woodcut, scarce, printed area 230 x 310mm (9 x 12¼"). Trimmed with false margin added right.
[Ref: 45995] £450.00
Officers of the British Army, No. 60. Royal Horseguards. Marching Order. Dedicated by Permission to the Adjatant General of his Majesty's Forces.
L. Mansion & S.t Eschauzier inv. & del. Printed by Lefevre & Co.
London, Published by W. Spooner 253, Regent St. Coloured by C.H. Martin. [n.d., c.1830.]
Rare & fine coloured lithograph. Framed. Printed area: 360 x 280mm (14 x 11''). Frame: 520 x 440mm (20½ x 17¼''). Unexamined out of frame. Little foxing.
A mounted portrait of an officer of the Royal Horse Guards in marching order. The Royal Horse Guards was amalgamated with the Royal Dragoons (1st Dragoons) to form the Blues and Royals (Royal Horse Guards and 1st Dragoons) in 1969.
[Ref: 48963] £280.00 (£336.00 incl.VAT)
L. Mansion & S.t Eschauzier inv. & del. Printed by Lefevre & Co.
London, Published by W. Spooner 253, Regent St. Coloured by C.H. Martin. [n.d., c.1830.]
Rare & fine coloured lithograph. Framed. Printed area: 360 x 280mm (14 x 11''). Frame: 520 x 440mm (20½ x 17¼''). Unexamined out of frame. Little foxing.
A mounted portrait of an officer of the Royal Horse Guards in marching order. The Royal Horse Guards was amalgamated with the Royal Dragoons (1st Dragoons) to form the Blues and Royals (Royal Horse Guards and 1st Dragoons) in 1969.
[Ref: 48963] £280.00 (£336.00 incl.VAT)
The Parade.
Publish'd Sept.r 30.th 1794. by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½"). Few marks.
View of the Parade; the Horse Guards on the left, looking towards the Treasury; a few soldiers marching in formation outside Horse Guards, members from the marching band standing on the left, near to a man with two horses; on the right a carriage entering scene; illustration in Malton's 'Picturesque Tour'.
[Ref: 58999] £180.00 (£216.00 incl.VAT)
Publish'd Sept.r 30.th 1794. by T. Malton.
Fine coloured aquatint with etching, sheet 310 x 420mm (12¼ x 16½"). Few marks.
View of the Parade; the Horse Guards on the left, looking towards the Treasury; a few soldiers marching in formation outside Horse Guards, members from the marching band standing on the left, near to a man with two horses; on the right a carriage entering scene; illustration in Malton's 'Picturesque Tour'.
[Ref: 58999] £180.00 (£216.00 incl.VAT)
Manege, Le Galop désuni du devant à droite; et le Galop désuni du devant à gauche.
[c.1751-7]
Engraving, platemark 355 x 220mm (14 x 8¾"), with very large margins.
Disunited gallop of front leg on right lead and disunited gallop of front leg on left lead. Plate showing movements in the 'manege' (riding academy), from the huge 'Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts', published from 1751-7 and edited by Denis Diderot and Jean Baptiste Le Rond d'Alembert. The encyclopaedia is famous for its attempt to encapsulate the thought of the Enlightenment, including contributions from Voltaire, Rousseau, Montesquieu and other major thinkers of the age.
[Ref: 40228] £95.00 (£114.00 incl.VAT)
[c.1751-7]
Engraving, platemark 355 x 220mm (14 x 8¾"), with very large margins.
Disunited gallop of front leg on right lead and disunited gallop of front leg on left lead. Plate showing movements in the 'manege' (riding academy), from the huge 'Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts', published from 1751-7 and edited by Denis Diderot and Jean Baptiste Le Rond d'Alembert. The encyclopaedia is famous for its attempt to encapsulate the thought of the Enlightenment, including contributions from Voltaire, Rousseau, Montesquieu and other major thinkers of the age.
[Ref: 40228] £95.00 (£114.00 incl.VAT)
Manege, Le Galop désuni du derrière a gauche et Galop désuni du derriere à droite.
[c.1751-7]
Engraving, platemark 355 x 220mm (14 x 8¾"), with very large margins.
Disunited gallop of rear leg on left lead and disunited gallop of rear leg on right lead. Plate showing movements in the 'manege' (riding academy), from the huge 'Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts', published from 1751-7 and edited by Denis Diderot and Jean Baptiste Le Rond d'Alembert. The encyclopaedia is famous for its attempt to encapsulate the thought of the Enlightenment, including contributions from Voltaire, Rousseau, Montesquieu and other major thinkers of the age.
[Ref: 40229] £95.00 (£114.00 incl.VAT)
[c.1751-7]
Engraving, platemark 355 x 220mm (14 x 8¾"), with very large margins.
Disunited gallop of rear leg on left lead and disunited gallop of rear leg on right lead. Plate showing movements in the 'manege' (riding academy), from the huge 'Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts', published from 1751-7 and edited by Denis Diderot and Jean Baptiste Le Rond d'Alembert. The encyclopaedia is famous for its attempt to encapsulate the thought of the Enlightenment, including contributions from Voltaire, Rousseau, Montesquieu and other major thinkers of the age.
[Ref: 40229] £95.00 (£114.00 incl.VAT)
![[Series of 6 Horses.]](jpegs/49679.jpg)
[Series of 6 Horses.]
P.D. Laer.
[n.d., c.1640.] Bit later.
Set of 6 etchings. Sheet: 80 x 100mm (3 x 4''). Trimmed and laid on album sheet.
A series of six plates showing scenes with horses, each with a plate number, by Dutch printmaker Pieter van Laer (1599-1642).
[Ref: 49679] £300.00
P.D. Laer.
[n.d., c.1640.] Bit later.
Set of 6 etchings. Sheet: 80 x 100mm (3 x 4''). Trimmed and laid on album sheet.
A series of six plates showing scenes with horses, each with a plate number, by Dutch printmaker Pieter van Laer (1599-1642).
[Ref: 49679] £300.00
The Connamara Horse. Gelding, 13½ hands high, from the County of Galway, the property of Mr. John Bindon Scott of Cahircon. Professor Low's Illustrations of the Breeds of the Domestic Animals.
Drawn by Mr. Nicholson, R.S.A., from a painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland
Published December, 1840, by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Lithograph with hand-colouring, large margins; printed area approx. 270 x 350mm (10½ x 13¾"). Rare.
Plate from Professor David Low's (1786-1859) 'The Breeds of the Domesticated Animals of the British Islands' (1842), which contained fifty-six lithographs after paintings by William Shiels (1783-1857). Low, professor of agriculture at Edinburgh university and the founder of an agricultural museum, commissioned Shiels to paint 100 scientifically accurate illustrations of domestic livestock for his collection. A selection of these paintings, many of which depict breeds now extinct, were selected by Low to illustrate his ideas on breeding and preservation of indigenous species.
DNB
[Ref: 31940] £320.00
Drawn by Mr. Nicholson, R.S.A., from a painting by Mr Shiels, R.S.A. Drawn on Stone and Printed by Fairland
Published December, 1840, by Longman, Orme, Brown, Green & Longmans, Paternoster Row, London.
Lithograph with hand-colouring, large margins; printed area approx. 270 x 350mm (10½ x 13¾"). Rare.
Plate from Professor David Low's (1786-1859) 'The Breeds of the Domesticated Animals of the British Islands' (1842), which contained fifty-six lithographs after paintings by William Shiels (1783-1857). Low, professor of agriculture at Edinburgh university and the founder of an agricultural museum, commissioned Shiels to paint 100 scientifically accurate illustrations of domestic livestock for his collection. A selection of these paintings, many of which depict breeds now extinct, were selected by Low to illustrate his ideas on breeding and preservation of indigenous species.
DNB
[Ref: 31940] £320.00
![[Two horses.]](jpegs/8018.jpg)
[Two horses.]
H. Bernard Chalon Del 1804.
Lithograph, sheet 240 x 335mm. Small creases.
A very early lithograph, by Henry Bernard Chalon (1771 - 1849), animal painter, especially of horses, and son of Jan Chalon. In 1793 he married Sarah Ward, sister of the painters William and James Ward.
[Ref: 8018] £320.00
H. Bernard Chalon Del 1804.
Lithograph, sheet 240 x 335mm. Small creases.
A very early lithograph, by Henry Bernard Chalon (1771 - 1849), animal painter, especially of horses, and son of Jan Chalon. In 1793 he married Sarah Ward, sister of the painters William and James Ward.
[Ref: 8018] £320.00
![[Two Horses and Chickens.]](jpegs/48372.jpg)
[Two Horses and Chickens.]
T. Sidney Cooper from Nature 1839.
London Published by Ackermann & Co. 30th March 1839. Printed by C. Hullmandel.
Tinted lithograph. Sheet: 360 x 545mm (14¼ x 21½'') very large margins..
An animal scene by landscape artist Thomas Sidney Cooper (1803-1902).
[Ref: 48372] £95.00 (£114.00 incl.VAT)
T. Sidney Cooper from Nature 1839.
London Published by Ackermann & Co. 30th March 1839. Printed by C. Hullmandel.
Tinted lithograph. Sheet: 360 x 545mm (14¼ x 21½'') very large margins..
An animal scene by landscape artist Thomas Sidney Cooper (1803-1902).
[Ref: 48372] £95.00 (£114.00 incl.VAT)
![[A Donkey and Horse.]](jpegs/48373.jpg)
[A Donkey and Horse.]
T.S. Cooper 1838.
London Published by Ackermann & Co. 30th March 1839. Printed by C. Hullmandel.
Tinted lithograph. Sheet: 360 x 545mm (14¼ x 21½'') very large margins.
An animal scene by landscape artist Thomas Sidney Cooper (1803-1902).
[Ref: 48373] £95.00 (£114.00 incl.VAT)
T.S. Cooper 1838.
London Published by Ackermann & Co. 30th March 1839. Printed by C. Hullmandel.
Tinted lithograph. Sheet: 360 x 545mm (14¼ x 21½'') very large margins.
An animal scene by landscape artist Thomas Sidney Cooper (1803-1902).
[Ref: 48373] £95.00 (£114.00 incl.VAT)
![[Horses in a Wood.]](jpegs/44724.jpg)
[Horses in a Wood.]
[H. Alken]
[n.d., c.1840.]
Lithograph. Sheet: 210 x 130mm (8¼ x 5"). Trimmed.
A scene showing horses in a wood.
[Ref: 44724] £30.00 (£36.00 incl.VAT)
[H. Alken]
[n.d., c.1840.]
Lithograph. Sheet: 210 x 130mm (8¼ x 5"). Trimmed.
A scene showing horses in a wood.
[Ref: 44724] £30.00 (£36.00 incl.VAT)
![[Two horses.]](jpegs/53300.jpg)
[Two horses.]
H. Bernard Chalon Del [1804].
Lithograph. Sheet 230 x 320mm (9 x 12½"). Trimmed to printed border, date obscured in inking.
A very early lithograph, by Henry Bernard Chalon (1771 - 1849), animal painter, especially of horses, and son of Jan Chalon. In 1793 he married Sarah Ward, sister of the painters William and James Ward.
Man 32. See 8018.
[Ref: 53300] £450.00
H. Bernard Chalon Del [1804].
Lithograph. Sheet 230 x 320mm (9 x 12½"). Trimmed to printed border, date obscured in inking.
A very early lithograph, by Henry Bernard Chalon (1771 - 1849), animal painter, especially of horses, and son of Jan Chalon. In 1793 he married Sarah Ward, sister of the painters William and James Ward.
Man 32. See 8018.
[Ref: 53300] £450.00
![[A woman riding side-saddle.]](jpegs/33827.jpg)
[A woman riding side-saddle.]
Design'd and Publishd, as the Act directs, by T. Burford, June 1.st 1762.
Mezzotint with etching. Sheet 250 x 350mm (9¾ x 13¾"). Trimmed to image on three sides, into inscription area at bottom, laid on card. Very fine impression.
An elegant lady in hunting dress, riding side-saddle, a male rider and a country house in the background and a church spire in the distance.
BM: 2010,7081.2865.
[Ref: 33827] £290.00 (£348.00 incl.VAT)
Design'd and Publishd, as the Act directs, by T. Burford, June 1.st 1762.
Mezzotint with etching. Sheet 250 x 350mm (9¾ x 13¾"). Trimmed to image on three sides, into inscription area at bottom, laid on card. Very fine impression.
An elegant lady in hunting dress, riding side-saddle, a male rider and a country house in the background and a church spire in the distance.
BM: 2010,7081.2865.
[Ref: 33827] £290.00 (£348.00 incl.VAT)
Dr, A. Rueff, Wandtafeln zur Darstellung der Roren, Gangarten und Farben de Pferdes. Tafel II. 1. WEISS-JSABELLE, Glausauge, bläulich oder weiss, Schritt. Act in der gleichseitigen Folge. / 2. DUNKELMAUSFALBE. Schritt. Act in diagonaler Folge. / 3. LEHMFUHS mit Spitzstern und Schippe. Angehen zum Schritt. 4. SCHWEISSFUCHS. Blässenstern und Schnippe, hinten hochgefesselt. Vom Schritt zur Ruhe. / 5. FORELLENSCHIMMEL. Pass der gleichseitigen. Fusspaare. Gleichzeitige Bewgung. / 6. ZIMMTSCHIMMEL. Fliegender Pass. / 7 GLANZRAPPE ohne Abzeichen. Kurzer Trab. / 8. KASTANIENBRAUN. Durchgehende unregelmässige Blässe, Hinterfuss bekrönt. Gestreckter Trab. 9. DUNKELROTHFUHS, schmale durchgehende Blässe. Versammelter Galop rechts. / 10. GELBSCHÄCK mit unregelmässiger Blässe. Natürlicher Galop rechts. / 11. MOHRENKOPF. Bümchen, hinten weiss gefesselt. Versammelter Galop links. / 12. AGATSCHÄCKE. Natürlicher Galop link / 13. ROTHSCHIMMEL. Rennlauf Carriere meist in Galop link / 14. FALBE. Extremitaiten Schwarz, auf d. Rücken Aalstrich Galop über’s Kreuz, falscher Galop. / 15. GELB-JSABELLE oder PERLFALBE, helbraunes Birkauge. Ausschlagen. / 16. SCHWARTZIGER mit Krötenmaul. Steigen.
Gez.u.lith. v. Ch. Votteler. Farbendruck v. J.C. Henzler, Stuttg.
Verlag v. Eugen Ulmer, Ravensburg. [n.d. c.1875.]
Chromolithograph. Sheet 584 x 743mm. 23" x 29¼".
A fantastic sheet of horses in different movements.
[Ref: 8645] £480.00
Gez.u.lith. v. Ch. Votteler. Farbendruck v. J.C. Henzler, Stuttg.
Verlag v. Eugen Ulmer, Ravensburg. [n.d. c.1875.]
Chromolithograph. Sheet 584 x 743mm. 23" x 29¼".
A fantastic sheet of horses in different movements.
[Ref: 8645] £480.00
![[An Italian Venturino]](jpegs/1043.jpg)
[An Italian Venturino]
Mr.Bunbury del. J.Bretherton f.
Publish'd Jan. 10th 1774.
Etching. 285 x 165mm. Trimmed to platemark
BM Satire 4735.
[Ref: 1043] £95.00 (£114.00 incl.VAT)
Mr.Bunbury del. J.Bretherton f.
Publish'd Jan. 10th 1774.
Etching. 285 x 165mm. Trimmed to platemark
BM Satire 4735.
[Ref: 1043] £95.00 (£114.00 incl.VAT)
![[The Stables and Two Famous Running Horses Belonging to His Grace, the Duke of Bolton]](jpegs/40126.jpg)
[The Stables and Two Famous Running Horses Belonging to His Grace, the Duke of Bolton]
Seymour pinx. T. Burford sc.
[n.d., c.1750.]
Mezzotint. Platemark: 255 x 355mm (10 x 13¾"), with large margins. Light surface rubbing. A few light spots.
A groom bringing grain to feed two hunters. The original oil, by James Seymour (1702-52), is now in the Yale Center for British Art (B2001.2.26)
Ex: Collection of The Hon. C. Lennox-Boyd, his state iii of iii.
[Ref: 40126] £240.00 (£288.00 incl.VAT)
Seymour pinx. T. Burford sc.
[n.d., c.1750.]
Mezzotint. Platemark: 255 x 355mm (10 x 13¾"), with large margins. Light surface rubbing. A few light spots.
A groom bringing grain to feed two hunters. The original oil, by James Seymour (1702-52), is now in the Yale Center for British Art (B2001.2.26)
Ex: Collection of The Hon. C. Lennox-Boyd, his state iii of iii.
[Ref: 40126] £240.00 (£288.00 incl.VAT)
![[Two horses pulling large log.]](jpegs/36952.jpg)
[Two horses pulling large log.]
[Anon., c.1807]
Pen lithograph, sheet 215 x 305mm (8½ x 12"). Creasing, trimmed.
Early pen lithograph. The new medium allowed artists to draw directly onto a prepared stone, allowing them to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the late H. C. Lennox-Boyd.
[Ref: 36952] £190.00 (£228.00 incl.VAT)
[Anon., c.1807]
Pen lithograph, sheet 215 x 305mm (8½ x 12"). Creasing, trimmed.
Early pen lithograph. The new medium allowed artists to draw directly onto a prepared stone, allowing them to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the late H. C. Lennox-Boyd.
[Ref: 36952] £190.00 (£228.00 incl.VAT)
![[Study: Horses Drinking.]](jpegs/6919.jpg)
[Study: Horses Drinking.]
Agasse pinxt. Schencker Sculpt.
[n.d., c.1790.]
Etching. 255 x 175mm.
A fine etching by Nicolas Schenker, [1760-1848] after the best known of the Swiss animal artists, Jacques-Laurent Agasse. Schenker worked for Bartolozzi in England and France and held the position of Director of the 'Ecole de gravure de Genève' (1817-1822).
[Ref: 6919] £190.00 (£228.00 incl.VAT)
Agasse pinxt. Schencker Sculpt.
[n.d., c.1790.]
Etching. 255 x 175mm.
A fine etching by Nicolas Schenker, [1760-1848] after the best known of the Swiss animal artists, Jacques-Laurent Agasse. Schenker worked for Bartolozzi in England and France and held the position of Director of the 'Ecole de gravure de Genève' (1817-1822).
[Ref: 6919] £190.00 (£228.00 incl.VAT)
Horses Exercising.
T. Gericault inv.t. C. Hullmadel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Hand coloured lithograph. Framed. Printed area: 285 x 405mm (11¼ x 16"). Unexamined out of frame. Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. This print is from the only edition printed by Rodwell and Martin, issued as No. 6 in the series, 'Various Subjects drawn from life on Stone', known as the 'English Series', 1821. Despite their commercial failure in England at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
Ex Collection of William Weston.
[Ref: 35439] £480.00
T. Gericault inv.t. C. Hullmadel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Hand coloured lithograph. Framed. Printed area: 285 x 405mm (11¼ x 16"). Unexamined out of frame. Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. This print is from the only edition printed by Rodwell and Martin, issued as No. 6 in the series, 'Various Subjects drawn from life on Stone', known as the 'English Series', 1821. Despite their commercial failure in England at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
Ex Collection of William Weston.
[Ref: 35439] £480.00
Horses Exercising.
T. Gericault inv.t. C. Hullmandel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Fine lithograph, watermark 1820. Printed area: 285 x 405mm (11¼ x 16"). Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now extremely rare and have always been amongst the most sought after of his original printed works.
See Refs: 35439, 58910 & 58710
[Ref: 58709] £850.00
T. Gericault inv.t. C. Hullmandel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Fine lithograph, watermark 1820. Printed area: 285 x 405mm (11¼ x 16"). Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now extremely rare and have always been amongst the most sought after of his original printed works.
See Refs: 35439, 58910 & 58710
[Ref: 58709] £850.00
Horses Watering.
Designed, etched & published Dec.br 1st 1802 by S,. Howitt, Panton Street Hay Market.
Coloured aquatint. 290 x 365mm (11½ x 14½"). Colour faded
Riders walking horses into a river to drink.
[Ref: 54696] £360.00
Designed, etched & published Dec.br 1st 1802 by S,. Howitt, Panton Street Hay Market.
Coloured aquatint. 290 x 365mm (11½ x 14½"). Colour faded
Riders walking horses into a river to drink.
[Ref: 54696] £360.00
Portrait of Joseph Charles Horsley, carried off by Charles Rennett, on the 8th. November, and recovered again at Brake, near Bremen, Novr. 23rd 1818.
J. Green pinxt. R. Cooper sculpt.
Published May 25th. 1819, at R. Ackermann's, 101, Strand.
Aquatint and etching, sheet 295 x 225mm (11½ x 9"). Trimmed to plate. Small amounts of foxing occur in the margins, over the title of the print and across the image itself.
Portrait of a young boy sitting facing the viewer and holding a flower, a terrier beside at right with sad expression. A dramatic mask with snake lies on the ground in the left foreground, sea behind. By sweet-talking a nursery-servant, Rennett kidnapped the three-year-old son of his first cousin, who had inherited an estate that Rennett felt should have been his. He absconded to Germany, where he was apprehended and brought back to England. Found guilty, Rennett was sentenced to seven years’ transportation to Australia.
See 53141 for a portrait of Rennell
[Ref: 53549] £190.00 (£228.00 incl.VAT)
J. Green pinxt. R. Cooper sculpt.
Published May 25th. 1819, at R. Ackermann's, 101, Strand.
Aquatint and etching, sheet 295 x 225mm (11½ x 9"). Trimmed to plate. Small amounts of foxing occur in the margins, over the title of the print and across the image itself.
Portrait of a young boy sitting facing the viewer and holding a flower, a terrier beside at right with sad expression. A dramatic mask with snake lies on the ground in the left foreground, sea behind. By sweet-talking a nursery-servant, Rennett kidnapped the three-year-old son of his first cousin, who had inherited an estate that Rennett felt should have been his. He absconded to Germany, where he was apprehended and brought back to England. Found guilty, Rennett was sentenced to seven years’ transportation to Australia.
See 53141 for a portrait of Rennell
[Ref: 53549] £190.00 (£228.00 incl.VAT)
Mother of Grace Darling.
L. Corbauce. R.Hastings delt.
London Ackermann & Co. Strand, Dickinson, Bond St. & Newcastle Carrie & Bowman. Printed by C Hallmandel.
Etching. Sheet 234 x 184mm. Slight foxing
Thomasin Horsley, married Lighthouse Keeper, William Darling in 1805. Grace Horsley Darling was born 24 Nov 1815 and became a heroine for her courageous rescue of nine sailors in 1838 has become one of Northumberland’s most famous legends.
[Ref: 3070] £75.00 (£90.00 incl.VAT)
L. Corbauce. R.Hastings delt.
London Ackermann & Co. Strand, Dickinson, Bond St. & Newcastle Carrie & Bowman. Printed by C Hallmandel.
Etching. Sheet 234 x 184mm. Slight foxing
Thomasin Horsley, married Lighthouse Keeper, William Darling in 1805. Grace Horsley Darling was born 24 Nov 1815 and became a heroine for her courageous rescue of nine sailors in 1838 has become one of Northumberland’s most famous legends.
[Ref: 3070] £75.00 (£90.00 incl.VAT)