A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
A Night Dance by Women, in Hapaee.
J. Webber del. W.m Sharp sculp.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving with very large margins. Platemark: 270 x 400mm (10½ x 15¾"). Uncut. Edge of top margins, stained. Very slight crease & small foxmark.
A plate from 'Cook's Voyage to the Pacific'. A night scene depicting Tongan women dancing in two rows, on both side of the image, wearing cloth skirts and flower headbands. Behind the women, are a group of men sitting on the ground in a circle, holding wooden musical instruments. An audience of men and women can be seen in the background. Four White officers are depicted in the foreground, watching the performance. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 34303] £320.00
J. Webber del. W.m Sharp sculp.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving with very large margins. Platemark: 270 x 400mm (10½ x 15¾"). Uncut. Edge of top margins, stained. Very slight crease & small foxmark.
A plate from 'Cook's Voyage to the Pacific'. A night scene depicting Tongan women dancing in two rows, on both side of the image, wearing cloth skirts and flower headbands. Behind the women, are a group of men sitting on the ground in a circle, holding wooden musical instruments. An audience of men and women can be seen in the background. Four White officers are depicted in the foreground, watching the performance. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 34303] £320.00
Vue d'une rue d'Honoloulou, Capitale des Iles Sandwich. La Reine Kinau revient du Temple des Etrangers accompagnée de ses dames d'honneur.
Masselot del.t. Lith par Bichebois. Fig par Bayot.
Lith. de Thierry frères. [n.d., c.1840.]
Lithograph, printed on india paper. Image: 320 x 250mm (12½ x 9¾"), with very large margins. Some tears in edges.
A view of a street in Honolulu in Hawaii, showing Queen Rainu returning from the foreign church, she stands in the foreground followed by two of her ladies in waiting. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 44922] £320.00
Masselot del.t. Lith par Bichebois. Fig par Bayot.
Lith. de Thierry frères. [n.d., c.1840.]
Lithograph, printed on india paper. Image: 320 x 250mm (12½ x 9¾"), with very large margins. Some tears in edges.
A view of a street in Honolulu in Hawaii, showing Queen Rainu returning from the foreign church, she stands in the foreground followed by two of her ladies in waiting. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 44922] £320.00
Croydon Canal View towards Deptford from the Lockkeeper's house.
H. Browne [c.1815].
Etching, scarce, platemark 175 x 240mm (7 x 9½") very large margins. Slight tear on right margin.
Very rare view on the Croydon canal, taken from the staircase lock at Honor Oak Park in south London. This was the final lock on the stretch of the canal between New Cross and Forest Hill. The view, looking towards Deptford, also shows parts of Brockley and New Cross. From a series of views along the canal by the same printmaker. The Croydon canal extended from Croydon to New Cross (a plan to extend as far as the docks at Rotherhithe was abandoned) and opened in 1809. It was never successful and closed in 1836.
[Ref: 41286] £130.00 (£156.00 incl.VAT)
H. Browne [c.1815].
Etching, scarce, platemark 175 x 240mm (7 x 9½") very large margins. Slight tear on right margin.
Very rare view on the Croydon canal, taken from the staircase lock at Honor Oak Park in south London. This was the final lock on the stretch of the canal between New Cross and Forest Hill. The view, looking towards Deptford, also shows parts of Brockley and New Cross. From a series of views along the canal by the same printmaker. The Croydon canal extended from Croydon to New Cross (a plan to extend as far as the docks at Rotherhithe was abandoned) and opened in 1809. It was never successful and closed in 1836.
[Ref: 41286] £130.00 (£156.00 incl.VAT)
![[Honoré d'Urfé.]](jpegs/67741.jpg)
[Honoré d'Urfé.]
[n.d., c.1632.]
Fine engraving. 150 x 100mm (6 x 4"). Trimmed and backed onto album paper at edges.
Portrait of Honoré d'Urfé, marquis de Valromey, comte de Châteauneuf (1568 - 1625), French novelist and miscellaneous writer. Frontis to 'L'Astrée' by Balthazar Baro, 1623.
[Ref: 67741] £160.00 (£192.00 incl.VAT)
[n.d., c.1632.]
Fine engraving. 150 x 100mm (6 x 4"). Trimmed and backed onto album paper at edges.
Portrait of Honoré d'Urfé, marquis de Valromey, comte de Châteauneuf (1568 - 1625), French novelist and miscellaneous writer. Frontis to 'L'Astrée' by Balthazar Baro, 1623.
[Ref: 67741] £160.00 (£192.00 incl.VAT)
Honved's Farewell. Respectfully Dedicated to Frederick William Bennecke, Senior, London, by the Publisher, J. Constantin Kastner, late Hungarian Captain.
N. Ploszeggaski..
Schenck & McFarlane, Lith.rs Edinburgh. [n.d. c.1850.]
Tinted lithograph. Printed area 350 x 370mm (13¾ x 14½"), with very large dusty margins.
Honved was a term used for men who formed battalion groups; those who left their homes to join in the Hungarian Uprising and fight for freedom against the Austrians. This scene depicts a young man saying farewell to his wife, son and father. Two other men to the left on the path, already brandishing their lances.
[Ref: 64438] £360.00
N. Ploszeggaski..
Schenck & McFarlane, Lith.rs Edinburgh. [n.d. c.1850.]
Tinted lithograph. Printed area 350 x 370mm (13¾ x 14½"), with very large dusty margins.
Honved was a term used for men who formed battalion groups; those who left their homes to join in the Hungarian Uprising and fight for freedom against the Austrians. This scene depicts a young man saying farewell to his wife, son and father. Two other men to the left on the path, already brandishing their lances.
[Ref: 64438] £360.00
Honved's Farewell. Respectfully Dedicated to Frederick William Bennecke, Senior, London, by the Publisher, J. Constantin Kastner, late Hungarian Captain.
N. Ploszeggaski..
Schenck & McFarlane, Lith.rs Edinburgh. [n.d. c.1850.]
Tinted lithograph. 368 x 425mm (14½ x 17¾").
Honved was a term used for men who formed battalion groups; those who left their homes to join in the Hungarian Uprising and fight for freedom. This scene depicts a young man saying farewell to his wife, son and father. Two other men to left on the path, already brandishing their lances.
[Ref: 34627] £280.00 (£336.00 incl.VAT)
N. Ploszeggaski..
Schenck & McFarlane, Lith.rs Edinburgh. [n.d. c.1850.]
Tinted lithograph. 368 x 425mm (14½ x 17¾").
Honved was a term used for men who formed battalion groups; those who left their homes to join in the Hungarian Uprising and fight for freedom. This scene depicts a young man saying farewell to his wife, son and father. Two other men to left on the path, already brandishing their lances.
[Ref: 34627] £280.00 (£336.00 incl.VAT)
![[Filmer Honywood Esqr. M.P.]](jpegs/17635.jpg)
[Filmer Honywood Esqr. M.P.]
[Fine.]
[London, Engraved & Published by Willm. Sharp, April 1804.]
Etching and engraving, scarce proof before all letters, with large margins. Plate 395 x 305mm. 15½ x 12". Crease lower right-corner.
Filmer Honywood (1744-1809) was a British politician and statesman, and MP for Kent. In his hands he holds a sheet with written on it "Kent Petition 1780".
Baker:50: ii.
[Ref: 17635] £140.00 (£168.00 incl.VAT)
[Fine.]
[London, Engraved & Published by Willm. Sharp, April 1804.]
Etching and engraving, scarce proof before all letters, with large margins. Plate 395 x 305mm. 15½ x 12". Crease lower right-corner.
Filmer Honywood (1744-1809) was a British politician and statesman, and MP for Kent. In his hands he holds a sheet with written on it "Kent Petition 1780".
Baker:50: ii.
[Ref: 17635] £140.00 (£168.00 incl.VAT)
Mary Honeywood Aged 93. Who had 367 Descendants living the Year preceeding her Death.
Pub.d Sep 30 1803 by R.S. Kirby, London House Yard & I Scott 447 Strand.
Engraving, sheet 160 x 120mm (6½ x 4¾"). Trimmed within plate, light creasing, nicks to edges, loss in right corner.
Portrait of Mary Honywood, nee Waters (1527 – 1620), at the age of ninety-three, shown half-length, standing and gesturing to the right with her left hand while holding a book in the other; she wears a ruff and a hooded cloak. She was a co-heiress of Robert Waters and married Robert Honywood, settling at Marks Hall in Essex. Mary Honywood was famed for witnessing more than 360 descendants in her lifetime. She achieved this by having sixteen children herself, who in turn had 114 grandchildren. In her lifetime they had 228 great-grandchildren and they had nine great-great-grandchildren. She was also known for her charitable work in prisons, supporting those jailed for Protestant beliefs. She sustained the Marian martyrs and corresponded with John Bradford, attending his execution in 1555 to ensure his death was swift.
Colchester and Ipswich Museum Service Resource Centre have the original painting.
[Ref: 68396] £60.00 (£72.00 incl.VAT)
Pub.d Sep 30 1803 by R.S. Kirby, London House Yard & I Scott 447 Strand.
Engraving, sheet 160 x 120mm (6½ x 4¾"). Trimmed within plate, light creasing, nicks to edges, loss in right corner.
Portrait of Mary Honywood, nee Waters (1527 – 1620), at the age of ninety-three, shown half-length, standing and gesturing to the right with her left hand while holding a book in the other; she wears a ruff and a hooded cloak. She was a co-heiress of Robert Waters and married Robert Honywood, settling at Marks Hall in Essex. Mary Honywood was famed for witnessing more than 360 descendants in her lifetime. She achieved this by having sixteen children herself, who in turn had 114 grandchildren. In her lifetime they had 228 great-grandchildren and they had nine great-great-grandchildren. She was also known for her charitable work in prisons, supporting those jailed for Protestant beliefs. She sustained the Marian martyrs and corresponded with John Bradford, attending his execution in 1555 to ensure his death was swift.
Colchester and Ipswich Museum Service Resource Centre have the original painting.
[Ref: 68396] £60.00 (£72.00 incl.VAT)
S.r Philip Honywood, Knight of the most Honourable Order of Bath, General of Horse, Colonel of his Majesty's first Regiment of Dragoon Guards, Governor of Portsmouth &c.
B. Dandridge Pinxt 1751. Ia.s M.cArdell Fecit.
Sold by Ja.s M.cArdell, at the Golden Head in Covent Garden._ Price 5 shillings.
Rare mezzotint 1st state. 355 x 505mm (14 x 20"), with large margins, with Kupferstichkabinet Dreseden stamp in bottom right corner and on verso. Repaired tear in top left corner and crack in plate.
An equestrian potrait of Sir Philip Honywood (1677-1752) a British army officer, serving under John Churchill 1st Duke of Marlborough in Brabent at the start of his career and serving as the governor of Portsmouth at the end.
CS: 106, I of IV
[Ref: 42847] £380.00
B. Dandridge Pinxt 1751. Ia.s M.cArdell Fecit.
Sold by Ja.s M.cArdell, at the Golden Head in Covent Garden._ Price 5 shillings.
Rare mezzotint 1st state. 355 x 505mm (14 x 20"), with large margins, with Kupferstichkabinet Dreseden stamp in bottom right corner and on verso. Repaired tear in top left corner and crack in plate.
An equestrian potrait of Sir Philip Honywood (1677-1752) a British army officer, serving under John Churchill 1st Duke of Marlborough in Brabent at the start of his career and serving as the governor of Portsmouth at the end.
CS: 106, I of IV
[Ref: 42847] £380.00
Col: The Honble. A.N. Hood, Master of His Royal Highness Prince Albert's Harriers...
Painted by W. Corden. On Stone by G.B. Black.
Published by J.B. Brown, Castle Hill, Windsor, Ackermann, Strand and Mitchell, Bond Street, London. [n.d., c.1850.]
Lithograph on india laid paper, india 420 x 320mm. 16½ x 12½". Tear repaired from lower edge into title area.
A master of hounds by Royal appointment; leaning on fence, whip in right hand and hat in left. A pack of hare hounds and huntsman on horses to background, silhouette of Windsor Castle in distance through trees. After William Corden (1797 - 1867).
[Ref: 19966] £190.00 (£228.00 incl.VAT)
Painted by W. Corden. On Stone by G.B. Black.
Published by J.B. Brown, Castle Hill, Windsor, Ackermann, Strand and Mitchell, Bond Street, London. [n.d., c.1850.]
Lithograph on india laid paper, india 420 x 320mm. 16½ x 12½". Tear repaired from lower edge into title area.
A master of hounds by Royal appointment; leaning on fence, whip in right hand and hat in left. A pack of hare hounds and huntsman on horses to background, silhouette of Windsor Castle in distance through trees. After William Corden (1797 - 1867).
[Ref: 19966] £190.00 (£228.00 incl.VAT)
The Death of Capt.n Alex.r Hood of the Mars 74 Guns, after Engaging & Capturing L'Hercule French 74 700 Men.
Henry Singleton Pinx.t. James Daniell Sculp.t.
Published Sept.. 29, 1798, by James Daniell, No.6, Great Charlotte Street, Blackfriars Road, London.
Coloured mezzotint. 560 x 655mm. . Staining to title area and margins.
Alexander Hood [1758 - 1798], captain in the navy. He fell early in the action, shot in the thigh by a musket-bullet which cut the femoral artery, was carried below, and expired just as the sword of the French captain was placed in his hand.
[Ref: 5538] £650.00
Henry Singleton Pinx.t. James Daniell Sculp.t.
Published Sept.. 29, 1798, by James Daniell, No.6, Great Charlotte Street, Blackfriars Road, London.
Coloured mezzotint. 560 x 655mm. . Staining to title area and margins.
Alexander Hood [1758 - 1798], captain in the navy. He fell early in the action, shot in the thigh by a musket-bullet which cut the femoral artery, was carried below, and expired just as the sword of the French captain was placed in his hand.
[Ref: 5538] £650.00
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Sir Samuel Hood, K.B.K.S.F. M.P. for the City of Westminster.
Painted by Downman Esq.r. Engraved by C. Turner.
Published Nov.r 29. 1806 by George Andrews No.7 Charing Cross.
Mezzotint. 355 x 255mm (14 x 10"). Trimmed into title area and to image along top edge.
Samuel Hood, 1st Viscount Hood, admiral [1724 - 1816], in uniform, with empty sleeve.
BM: p555.
[Ref: 1885] £160.00 (£192.00 incl.VAT)
Painted by Downman Esq.r. Engraved by C. Turner.
Published Nov.r 29. 1806 by George Andrews No.7 Charing Cross.
Mezzotint. 355 x 255mm (14 x 10"). Trimmed into title area and to image along top edge.
Samuel Hood, 1st Viscount Hood, admiral [1724 - 1816], in uniform, with empty sleeve.
BM: p555.
[Ref: 1885] £160.00 (£192.00 incl.VAT)
Samuel Lord Hood Ammiraglio Iglese.
in Napoli presso Talanti e Gervasi al Gigante No. 3.7. [n.d., c.1790.]
Copper engraving, rare with very large margins, 200 x 135mm. 8 x 5¼".
Samuel Hood, 1st Viscount Hood (1724-1816), British admiral. Vignette naval scene below portrait. An Italian engraving published in Naples, loosely derived from the portrait after James Northcote (1746-1831).
[Ref: 12186] £85.00 (£102.00 incl.VAT)
in Napoli presso Talanti e Gervasi al Gigante No. 3.7. [n.d., c.1790.]
Copper engraving, rare with very large margins, 200 x 135mm. 8 x 5¼".
Samuel Hood, 1st Viscount Hood (1724-1816), British admiral. Vignette naval scene below portrait. An Italian engraving published in Naples, loosely derived from the portrait after James Northcote (1746-1831).
[Ref: 12186] £85.00 (£102.00 incl.VAT)
Thomas Hood.
F. Croll.
[n.d. c.1840.]
Engraving. 260 x 171mm. 10¼ x 6¾".
Thomas Hood (1835-1874) was an English humourist and playwright. A prolific author, he was appointed, in 1865, editor of the magazine 'Fun'. He also founded Tom Hood's Comic annual in 1867.
[Ref: 18995] £45.00 (£54.00 incl.VAT)
F. Croll.
[n.d. c.1840.]
Engraving. 260 x 171mm. 10¼ x 6¾".
Thomas Hood (1835-1874) was an English humourist and playwright. A prolific author, he was appointed, in 1865, editor of the magazine 'Fun'. He also founded Tom Hood's Comic annual in 1867.
[Ref: 18995] £45.00 (£54.00 incl.VAT)
![Theodore E. Hook [facsimile signature.]](jpegs/21819.jpg)
Theodore E. Hook [facsimile signature.]
A D'Orsay fecit 1839 [signed in plate].
London, Published Augst. 1839 by J. Mitchell, Royal Library 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph on india paper, india 205 x 165mm. 8 x 6½".
Portrait of Theodore Edward Hook (1788 - 1841), novelist and wit. Noted for his ebullient personality and wayward lifestyle, Hook procured post as accountant-general in Mauritius, 1813, but was later imprisoned for mismanagement of funds. He became editor of the anti-Radical John Bull, 1820, and enjoyed popular success for his novels collected as Sayings and Doings, 1826-29. His last years, in his own words, were spent 'done up in purse, in mind, and in body'. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
See O'Donoghue.
[Ref: 21819] £70.00 (£84.00 incl.VAT)
A D'Orsay fecit 1839 [signed in plate].
London, Published Augst. 1839 by J. Mitchell, Royal Library 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph on india paper, india 205 x 165mm. 8 x 6½".
Portrait of Theodore Edward Hook (1788 - 1841), novelist and wit. Noted for his ebullient personality and wayward lifestyle, Hook procured post as accountant-general in Mauritius, 1813, but was later imprisoned for mismanagement of funds. He became editor of the anti-Radical John Bull, 1820, and enjoyed popular success for his novels collected as Sayings and Doings, 1826-29. His last years, in his own words, were spent 'done up in purse, in mind, and in body'. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
See O'Donoghue.
[Ref: 21819] £70.00 (£84.00 incl.VAT)
Hook and Eye.
[Count D'Orsay.]
Published by M. Humphrey, St. James St.
Lithograph. Sheet: 365 x 265mm (14¼ x 10½").
A satirical double portrait of Tory supporter Theodore Hook (1788-1841) and Tory politician Sir Charles Manners Sutton (1780-1845).
[Ref: 43627] £85.00 (£102.00 incl.VAT)
[Count D'Orsay.]
Published by M. Humphrey, St. James St.
Lithograph. Sheet: 365 x 265mm (14¼ x 10½").
A satirical double portrait of Tory supporter Theodore Hook (1788-1841) and Tory politician Sir Charles Manners Sutton (1780-1845).
[Ref: 43627] £85.00 (£102.00 incl.VAT)
![[Sir Joseph Dalton Hooker]](jpegs/26227.jpg)
[Sir Joseph Dalton Hooker]
C.H.Jeens 75 [Etched in plate with signature]
[n.d. c.1875]
Engraving on india paper, proof before title. Signed in pencil. Plate 225 x 152mm. 8¾ x 6".
Joseph Dalton Hooker (1817-1911) was a Botanist, who with Lyell persuaded Darwin to publish his Origin of Species and a forceful proponent of evolutionary theory in later controversies. He published extensively on botany and succeeded his father Sir William Jackson Hooker, as director of Kew Gardens in 1865. He was also founder of geographical botany and was awarded the highest honour of British Science.
W: 1437-2.
[Ref: 26227] £130.00 (£156.00 incl.VAT)
C.H.Jeens 75 [Etched in plate with signature]
[n.d. c.1875]
Engraving on india paper, proof before title. Signed in pencil. Plate 225 x 152mm. 8¾ x 6".
Joseph Dalton Hooker (1817-1911) was a Botanist, who with Lyell persuaded Darwin to publish his Origin of Species and a forceful proponent of evolutionary theory in later controversies. He published extensively on botany and succeeded his father Sir William Jackson Hooker, as director of Kew Gardens in 1865. He was also founder of geographical botany and was awarded the highest honour of British Science.
W: 1437-2.
[Ref: 26227] £130.00 (£156.00 incl.VAT)
Mr. Richard Hooker. Author of the Bookes of Eccle=siasticall Politye. Obyt. 1600 Ao. Ætatis suæ 50.
W. Hollar fecit.
[n.d., c.1650.]
Etching. Sheet: 115 x 75mm (4½ x 3''). Trimmed. Small hole.
A portrait of English priest and theologian Mr Richard Hooker (1554-1600).
Pennington: 1421
[Ref: 49720] £95.00 (£114.00 incl.VAT)
W. Hollar fecit.
[n.d., c.1650.]
Etching. Sheet: 115 x 75mm (4½ x 3''). Trimmed. Small hole.
A portrait of English priest and theologian Mr Richard Hooker (1554-1600).
Pennington: 1421
[Ref: 49720] £95.00 (£114.00 incl.VAT)
Richardus Hooker Exoniensis scholaris... Sunt Meloria Mihi.
Guil: Faithorne sculp.
[n.d. c.1662]
Engraving, 260 x 165mm (10 x 6½), with large margins. Some light creasing and foxing.
Frontispiece to his 'Works', ed. Gauden (1662). Portrait of Richard Hooker (c.1554-1600), shown half-length within an oval frame, slightly turned to the left; wearing an academic gown, a Canterbury cap, and a ruff around his neck.
Fagan 1888 p. 42.
[Ref: 67009] £180.00 (£216.00 incl.VAT)
Guil: Faithorne sculp.
[n.d. c.1662]
Engraving, 260 x 165mm (10 x 6½), with large margins. Some light creasing and foxing.
Frontispiece to his 'Works', ed. Gauden (1662). Portrait of Richard Hooker (c.1554-1600), shown half-length within an oval frame, slightly turned to the left; wearing an academic gown, a Canterbury cap, and a ruff around his neck.
Fagan 1888 p. 42.
[Ref: 67009] £180.00 (£216.00 incl.VAT)
Hooly and Fairly.
Printed for & sold by Carington Bowles, No.69 St. Paul's Church Yard, London. Publishes as the Act directs, 4 June, 1787.
Rare hand coloured mezzotint. Platemark: 150 x 110mm (6 x 4¼").
An elderly Scottish man in a landscape, directed to left. He wears a tartan scarf over his left shoulder, and a round Scots bonnet, with his right arm extended in front of him. A cane is looped pver his left wrist, as he holds a cup and lid in his left hand. Behind, to the left is a cottage, outside which stands a woman smoking a clay pipe, raising a glass above her head as she leans against a fence. An empty bottle can be seen in front of her on the floor. On the right is a farm building with a horse and two cows outside. In the foreground to the right is a large thistle.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33019] £120.00 (£144.00 incl.VAT)
Printed for & sold by Carington Bowles, No.69 St. Paul's Church Yard, London. Publishes as the Act directs, 4 June, 1787.
Rare hand coloured mezzotint. Platemark: 150 x 110mm (6 x 4¼").
An elderly Scottish man in a landscape, directed to left. He wears a tartan scarf over his left shoulder, and a round Scots bonnet, with his right arm extended in front of him. A cane is looped pver his left wrist, as he holds a cup and lid in his left hand. Behind, to the left is a cottage, outside which stands a woman smoking a clay pipe, raising a glass above her head as she leans against a fence. An empty bottle can be seen in front of her on the floor. On the right is a farm building with a horse and two cows outside. In the foreground to the right is a large thistle.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33019] £120.00 (£144.00 incl.VAT)
The Hoop Makers.
Forster & Co. Lith. [n.d., c.1840s.]
Rare sepia tinted lithograph, sheet 110 x 180mm (4¼ x 7").
A man making hoops surrounded by women and children, which he uses for barrels; a woman uses them as a dress support.
[Ref: 15433] £60.00 (£72.00 incl.VAT)
Forster & Co. Lith. [n.d., c.1840s.]
Rare sepia tinted lithograph, sheet 110 x 180mm (4¼ x 7").
A man making hoops surrounded by women and children, which he uses for barrels; a woman uses them as a dress support.
[Ref: 15433] £60.00 (£72.00 incl.VAT)
The Hoop Race.
Published Aug. 26.th, by John Fairburn, Minories London.
Stipple printed in red. 134 x 108mm. 5¼ x 4¼". Cut. Small tear to right, nicks along lower edge.
Three boys racing down the hill with three hoops; a man walking his dog seen in the middleground and a church up on the hill in the background.
[Ref: 27009] £110.00 (£132.00 incl.VAT)
Published Aug. 26.th, by John Fairburn, Minories London.
Stipple printed in red. 134 x 108mm. 5¼ x 4¼". Cut. Small tear to right, nicks along lower edge.
Three boys racing down the hill with three hoops; a man walking his dog seen in the middleground and a church up on the hill in the background.
[Ref: 27009] £110.00 (£132.00 incl.VAT)
![[Hoorn Islands?]](jpegs/53717.jpg)
[Hoorn Islands?]
[after Jacob Le Maire.]
[n.d., c.1620.]
Engraving 195 x 170mm (7¾ x 6¾"), set in text. Some overprinting of letterpress, as usual.
A view of the crew of the 'Eendracht' and 'Hoorn' enjoying the hospitality of islanders, during the circumnavigation of Jacob Le Maire and Willem Schouten, 1615-7. The letterpress overprinting '1616 Majus' suggests the view is of the Hoorn Islands where they rested for three weeks, April 28th - May 12th, 1616.
[Ref: 53717] £140.00 (£168.00 incl.VAT)
[after Jacob Le Maire.]
[n.d., c.1620.]
Engraving 195 x 170mm (7¾ x 6¾"), set in text. Some overprinting of letterpress, as usual.
A view of the crew of the 'Eendracht' and 'Hoorn' enjoying the hospitality of islanders, during the circumnavigation of Jacob Le Maire and Willem Schouten, 1615-7. The letterpress overprinting '1616 Majus' suggests the view is of the Hoorn Islands where they rested for three weeks, April 28th - May 12th, 1616.
[Ref: 53717] £140.00 (£168.00 incl.VAT)
The Kentish hop merchant and the lecturer on optics! 103.
Woodward del. I C.
Published by T. Tegg 111 Cheapside. [n.d., c.1809.]
Very fine hand coloured etching, plate 245 x 350mm (9¾ x 13¾"), with large margins on three sides. On J. Whatman paper watermarked '1816.' Small top margins. Repaired tears in top margin, one goes into printed border. Slight central crease.
The lecturer, wearing glasses, leans on a table, lit by four candles, to address a small well-dressed audience, seated on chairs. On the table are a telescope and a magic-lantern. A dog, with 'Hop Mer...' on its collar, watches the lecturer from below. The lecturer explains how he is going to 'deliver a lectur on Optics', with the gentleman at the front of the audience replying, 'in this country we do not call them Hop Sticks, but Hop Poles'.
BM Satires 11470.
[Ref: 62896] £290.00 (£348.00 incl.VAT)
Woodward del. I C.
Published by T. Tegg 111 Cheapside. [n.d., c.1809.]
Very fine hand coloured etching, plate 245 x 350mm (9¾ x 13¾"), with large margins on three sides. On J. Whatman paper watermarked '1816.' Small top margins. Repaired tears in top margin, one goes into printed border. Slight central crease.
The lecturer, wearing glasses, leans on a table, lit by four candles, to address a small well-dressed audience, seated on chairs. On the table are a telescope and a magic-lantern. A dog, with 'Hop Mer...' on its collar, watches the lecturer from below. The lecturer explains how he is going to 'deliver a lectur on Optics', with the gentleman at the front of the audience replying, 'in this country we do not call them Hop Sticks, but Hop Poles'.
BM Satires 11470.
[Ref: 62896] £290.00 (£348.00 incl.VAT)
Hope.
R. Marcuard Pupil to Mr. Bartolozzi feci.t
Pub.d May 1. 1792 by Molteno, Colnaghi & Co. No.132 Pall Mall.
Stipple and etching. 203 x 152mm. 8 x 6". Trimmed.
A winged figure standing holding an anchor with both hands; his head looks up towards the sky.
De Vesme: 633; [state between I and II].
[Ref: 20454] £160.00 (£192.00 incl.VAT)
R. Marcuard Pupil to Mr. Bartolozzi feci.t
Pub.d May 1. 1792 by Molteno, Colnaghi & Co. No.132 Pall Mall.
Stipple and etching. 203 x 152mm. 8 x 6". Trimmed.
A winged figure standing holding an anchor with both hands; his head looks up towards the sky.
De Vesme: 633; [state between I and II].
[Ref: 20454] £160.00 (£192.00 incl.VAT)
Hope.
I.H. Ramberg delin. F. Bartolozzi Sculpt.
London Published 1st. July 1787. by Robert Wilkinson No 58 Cornhill.
Stipple, 205 x 230mm. 8 x 9". Trimmed to plate top and bottom.
Hope, one of the three theological virtues in Christian tradition, represented as a classical female figure. Hope is seen as "an anchor of the soul", as referenced in the Epistle to the Hebrews of the New Testament. Hence she holds an anchor over her left shoulder. After Johann Heinrich Ramberg (1763 - 1840).
[Ref: 11588] £130.00 (£156.00 incl.VAT)
I.H. Ramberg delin. F. Bartolozzi Sculpt.
London Published 1st. July 1787. by Robert Wilkinson No 58 Cornhill.
Stipple, 205 x 230mm. 8 x 9". Trimmed to plate top and bottom.
Hope, one of the three theological virtues in Christian tradition, represented as a classical female figure. Hope is seen as "an anchor of the soul", as referenced in the Epistle to the Hebrews of the New Testament. Hence she holds an anchor over her left shoulder. After Johann Heinrich Ramberg (1763 - 1840).
[Ref: 11588] £130.00 (£156.00 incl.VAT)
Hope
[n.d., c.1780].
Hand coloured mezzotint, small margins on 3 sides. Sheet size: 190 x 130mm (7½ x 5¼"). Creases to sheet. Trimmed, loosing lower platemark.
Within an oval, the figure of a standing woman directed to the front, facing and looking to the left. She holds her right hand to her cheek, with her elbow leaning against a large anchor. Behind is a seascape, with a ship in the distance to the left.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33018] £120.00 (£144.00 incl.VAT)
[n.d., c.1780].
Hand coloured mezzotint, small margins on 3 sides. Sheet size: 190 x 130mm (7½ x 5¼"). Creases to sheet. Trimmed, loosing lower platemark.
Within an oval, the figure of a standing woman directed to the front, facing and looking to the left. She holds her right hand to her cheek, with her elbow leaning against a large anchor. Behind is a seascape, with a ship in the distance to the left.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33018] £120.00 (£144.00 incl.VAT)
Hope.
Publish'd by T. Hancock Birm.m. [n.d., c.1800.]
Stipple. Sheet: 105 x 60mm (4 x 2¼''). Trimmed.
An allegorical portrait of Hope shown alongside an anchor (the sailor's symbol of Hope), probably engraved by T. Hancock. Hancock, Thomas, Engraver, Printseller, Congreve St, Birmingham. A skilful engraver working in Birmingham during the latter part of the eighteenth and early part of the nineteenth centuries.
[Ref: 48115] £70.00 (£84.00 incl.VAT)
Publish'd by T. Hancock Birm.m. [n.d., c.1800.]
Stipple. Sheet: 105 x 60mm (4 x 2¼''). Trimmed.
An allegorical portrait of Hope shown alongside an anchor (the sailor's symbol of Hope), probably engraved by T. Hancock. Hancock, Thomas, Engraver, Printseller, Congreve St, Birmingham. A skilful engraver working in Birmingham during the latter part of the eighteenth and early part of the nineteenth centuries.
[Ref: 48115] £70.00 (£84.00 incl.VAT)
Hope. Hope springs eternal in the human breast...[etc.]
Angelica Kauffman Invt. et Delint. [Wm. Wynne Ryland Sculpt.]
[Publish'd Feby. 7th. 1775 by W.W. Ryland, Engraver to his Majesty, No. 159, Strand London.]
Very fine stipple and etching, printed in sanguine. Proof before engraver and publisher. 225 x 190mm (9 x 7½"), with very large margins. Staining in margins just going inside plate mark on right.
Portrait after a self-portrait of Angelica Kauffman (1741-1807), in a circle, her head resting on her hands, leaning on an anchor and looking dreamily at the viewer, wearing a turban. Four lines of verse by Alexander Pope (1680 - 1744) below image.
[Ref: 66025] £320.00
Angelica Kauffman Invt. et Delint. [Wm. Wynne Ryland Sculpt.]
[Publish'd Feby. 7th. 1775 by W.W. Ryland, Engraver to his Majesty, No. 159, Strand London.]
Very fine stipple and etching, printed in sanguine. Proof before engraver and publisher. 225 x 190mm (9 x 7½"), with very large margins. Staining in margins just going inside plate mark on right.
Portrait after a self-portrait of Angelica Kauffman (1741-1807), in a circle, her head resting on her hands, leaning on an anchor and looking dreamily at the viewer, wearing a turban. Four lines of verse by Alexander Pope (1680 - 1744) below image.
[Ref: 66025] £320.00
![[Hope Nursing Love.]](jpegs/62678.jpg)
[Hope Nursing Love.]
Sir I Reynolds pinx.t. F.co Bartolozzi sculp.t.
London. Published June 1.st 1784 by A. Poggi, N.º 7, St Georges Row, Hyde Park.
Stipple with etching, printed in brown. 205 x 160mm (8 x 6¼"). Trimmed to plate At Bowood.
A young woman, identified as the actor Miss Morris, suckles Cupid in a woodland. According to the BM it is an unmounted fan-leaf.
De Vesme: 2218, iv of vi; See BM 1839,1012.62 for titled state.
[Ref: 62678] £140.00 (£168.00 incl.VAT)
Sir I Reynolds pinx.t. F.co Bartolozzi sculp.t.
London. Published June 1.st 1784 by A. Poggi, N.º 7, St Georges Row, Hyde Park.
Stipple with etching, printed in brown. 205 x 160mm (8 x 6¼"). Trimmed to plate At Bowood.
A young woman, identified as the actor Miss Morris, suckles Cupid in a woodland. According to the BM it is an unmounted fan-leaf.
De Vesme: 2218, iv of vi; See BM 1839,1012.62 for titled state.
[Ref: 62678] £140.00 (£168.00 incl.VAT)
Hope Told a Flattering Tale.
[Paul Pry monogram of William Heath] Del. et sculpt.
Pub by Tho. Mclean 26 Haymarket London [n.d., c.1827].
Fine coloured etching with hand colour. Sheet 370 x 260mm (14½ x 16¼"), paper watermarked 'J Whatman 1827'. Trimmed within plate.
A grotesque dandy singing, sheet music in his left hand, accompanied on the guitar by a lady with elaborate bonnet.
BM Satires 16511†. See George Vol XI, p.72.
[Ref: 59474] £360.00
[Paul Pry monogram of William Heath] Del. et sculpt.
Pub by Tho. Mclean 26 Haymarket London [n.d., c.1827].
Fine coloured etching with hand colour. Sheet 370 x 260mm (14½ x 16¼"), paper watermarked 'J Whatman 1827'. Trimmed within plate.
A grotesque dandy singing, sheet music in his left hand, accompanied on the guitar by a lady with elaborate bonnet.
BM Satires 16511†. See George Vol XI, p.72.
[Ref: 59474] £360.00
The Right Hon.ble Charles Hope, His Majesty's Advocate for Scotland, Member of Parliament for the City of Edinburgh [...]
H. Raeburn pinx.t G. Dawe sculp.t
Published by P Garof, Printseller, Edinburgh Oct.r 10, 1804.
Mezzotint, platemark 510 x 350mm (20 x 13¾"), with very large margins. Slightly time stained.
Charles Hope, Lord Granton (1763-1851), judge. Hope was appointed lord advocate in 1801 and was presented with the freedom of the city of Edinburgh shortly afterwards for his assistance to magistrates in obtaining a bill for the poor of the city. This print was published shortly before Hope was appointed as an ordinary lord of session and lord justice clerk, and given the title of Lord Granton. Hope's distinguished legal career lasted until his retirement from the bench in 1841. When the volunteer movement began during the Napoleonic Wars, Hope enlisted firstly as a private, later being appointed lieutenant-corporal. Fine engraving after a portrait by Henry Raeburn now in the Scottish National Portrait Gallery. The print is one of few published by Pasquale Garof (1774-1808), a carver and gilder born in Como, Italy who established a business in Edinburgh.
[Ref: 44086] £280.00 (£336.00 incl.VAT)
H. Raeburn pinx.t G. Dawe sculp.t
Published by P Garof, Printseller, Edinburgh Oct.r 10, 1804.
Mezzotint, platemark 510 x 350mm (20 x 13¾"), with very large margins. Slightly time stained.
Charles Hope, Lord Granton (1763-1851), judge. Hope was appointed lord advocate in 1801 and was presented with the freedom of the city of Edinburgh shortly afterwards for his assistance to magistrates in obtaining a bill for the poor of the city. This print was published shortly before Hope was appointed as an ordinary lord of session and lord justice clerk, and given the title of Lord Granton. Hope's distinguished legal career lasted until his retirement from the bench in 1841. When the volunteer movement began during the Napoleonic Wars, Hope enlisted firstly as a private, later being appointed lieutenant-corporal. Fine engraving after a portrait by Henry Raeburn now in the Scottish National Portrait Gallery. The print is one of few published by Pasquale Garof (1774-1808), a carver and gilder born in Como, Italy who established a business in Edinburgh.
[Ref: 44086] £280.00 (£336.00 incl.VAT)
![FW. Hope M.A. [facsimile signature]](jpegs/44832.jpg)
FW. Hope M.A. [facsimile signature] President of the Entomological Society. F.R.S. F.L.S. F.G.S.
Drawn from life & on Stone by J. Dickson Esq.r M & N Hanhart lith. Printers
Published by J. Dickinson 114 New Bond St. [c.1845]
Lithograph with tintstone, scarce, printed area 335 x 225mm (13¼ x 8¾") very large margins.
Frederick William Hope (1797-1862), entomologist and collector of insects and engravings (he owned over 14,000 portraits, 70,000 topographical prints and 20,000 natural history prints). Hope's collections were given to the University of Oxford), the insects to the Museum of Natural History and the prints to the Ashmolean Museum. Hope also established the Hope professorship of zoology at Oxford. He was elected a fellow of the Linnean Society (1822) and the Royal Society (1834), and was president of the Entomological Society on three separate occasions.
[Ref: 44832] £330.00
Drawn from life & on Stone by J. Dickson Esq.r M & N Hanhart lith. Printers
Published by J. Dickinson 114 New Bond St. [c.1845]
Lithograph with tintstone, scarce, printed area 335 x 225mm (13¼ x 8¾") very large margins.
Frederick William Hope (1797-1862), entomologist and collector of insects and engravings (he owned over 14,000 portraits, 70,000 topographical prints and 20,000 natural history prints). Hope's collections were given to the University of Oxford), the insects to the Museum of Natural History and the prints to the Ashmolean Museum. Hope also established the Hope professorship of zoology at Oxford. He was elected a fellow of the Linnean Society (1822) and the Royal Society (1834), and was president of the Entomological Society on three separate occasions.
[Ref: 44832] £330.00
Admiral of the Fleet, Sir James Hope G.C.B.
Painted by Sydney Hodges. Engraved by W.T. Davey.
London, Published July 2nd. 1883, by Thomas McLean, 7, Haymarket.
Mezzotint. 495 x 370mm, 19½ x 14½". Proof before letters. Fine.
Admiral of the Fleet Sir James Hope, GCB (1808-1881) was a Royal Navy officer and Admiral of the Fleet. He entered the Royal Naval College, Portsmouth in 1820. Promoted to Vice Admiral in 1864, Admiral in 1870 and finally to Admiral of the Fleet on June 15, 1879, he was also appointed GCB in 1865. He was Commander-in-Chief in the East Indian and China seas from 1859 to 1862, in the West Indies and North America in 1864, and at Portsmouth from 1869 to 1872. James Hope helped the Japanese repell the intrusion of a Russian fleet at Tsushima Island in 1861 in the Tsushima Incident. He was similarly involved in the Second Opium War (1856-1860) and the Battle of Shanghai (1861).
In the NMM. P.S.A. 25 in this state.
[Ref: 12617] £190.00 (£228.00 incl.VAT)
Painted by Sydney Hodges. Engraved by W.T. Davey.
London, Published July 2nd. 1883, by Thomas McLean, 7, Haymarket.
Mezzotint. 495 x 370mm, 19½ x 14½". Proof before letters. Fine.
Admiral of the Fleet Sir James Hope, GCB (1808-1881) was a Royal Navy officer and Admiral of the Fleet. He entered the Royal Naval College, Portsmouth in 1820. Promoted to Vice Admiral in 1864, Admiral in 1870 and finally to Admiral of the Fleet on June 15, 1879, he was also appointed GCB in 1865. He was Commander-in-Chief in the East Indian and China seas from 1859 to 1862, in the West Indies and North America in 1864, and at Portsmouth from 1869 to 1872. James Hope helped the Japanese repell the intrusion of a Russian fleet at Tsushima Island in 1861 in the Tsushima Incident. He was similarly involved in the Second Opium War (1856-1860) and the Battle of Shanghai (1861).
In the NMM. P.S.A. 25 in this state.
[Ref: 12617] £190.00 (£228.00 incl.VAT)
![[Admiral of the Fleet, Sir James Hope G.C.B.]](jpegs/12938.jpg)
[Admiral of the Fleet, Sir James Hope G.C.B.]
[Painted by Sydney Hodges. Engraved by W.T. Davey.]
[London, Published July 2nd. 1883, by Thomas McLean, 7, Haymarket.]
Mezzotint, proof before letters. 495 x 370mm, 19½ x 14½".
Admiral of the Fleet Sir James Hope, GCB (1808-1881) was a Royal Navy officer and Admiral of the Fleet. He entered the Royal Naval College, Portsmouth in 1820. Promoted to Vice Admiral in 1864, Admiral in 1870 and finally to Admiral of the Fleet on June 15, 1879, he was also appointed GCB in 1865. He was Commander-in-Chief in the East Indian and China seas from 1859 to 1862, in the West Indies and North America in 1864, and at Portsmouth from 1869 to 1872. James Hope helped the Japanese repell the intrusion of a Russian fleet at Tsushima Island in 1861 in the Tsushima Incident. He was similarly involved in the Second Opium War (1856-1860) and the Battle of Shanghai (1861).
In the NMM.
[Ref: 12938] £190.00 (£228.00 incl.VAT)
[Painted by Sydney Hodges. Engraved by W.T. Davey.]
[London, Published July 2nd. 1883, by Thomas McLean, 7, Haymarket.]
Mezzotint, proof before letters. 495 x 370mm, 19½ x 14½".
Admiral of the Fleet Sir James Hope, GCB (1808-1881) was a Royal Navy officer and Admiral of the Fleet. He entered the Royal Naval College, Portsmouth in 1820. Promoted to Vice Admiral in 1864, Admiral in 1870 and finally to Admiral of the Fleet on June 15, 1879, he was also appointed GCB in 1865. He was Commander-in-Chief in the East Indian and China seas from 1859 to 1862, in the West Indies and North America in 1864, and at Portsmouth from 1869 to 1872. James Hope helped the Japanese repell the intrusion of a Russian fleet at Tsushima Island in 1861 in the Tsushima Incident. He was similarly involved in the Second Opium War (1856-1860) and the Battle of Shanghai (1861).
In the NMM.
[Ref: 12938] £190.00 (£228.00 incl.VAT)
Henry Hope, Esq.r of Amsterdam.
Painted by Sir Joshua Reynolds. Engraved by Hodges.
Published Jan.y 1.st 1788, by John & Josiah Boydell, No.90, Cheapside London.
Mezzotint with very large margins. Plate 406 x 292mm (16 x 11½").
Portrait of Boston-born Henry Hope (1735-1811), merchant and partner in the Amsterdam-based Hope & Co. He settled in England in 1794 and then lived in Harley Street. Text from 'Gainsborough and Reynolds in the BM', BM 1984 cat.154: "The Hopes, descended from a Scotch family which settled in Holland in the seventeenth century, were bankers in Amsterdam. By the middle of the eighteenth century, they had become the greatest financiers in Europe. Henry Hope (1736-1811) was the head of the family. In the notes that he made of a journey to Holland in 1781 Reynolds records frequent visits to his collection "acknowledged to be the first in Amsterdam". The portrait by Reynolds from which this is taken, with a prominent Turkish rug symbolising Hope's riches and the reach of his business, is now lost.
CS 17. Hamilton p.38. NPG: D35972.
[Ref: 28505] £220.00 (£264.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by Hodges.
Published Jan.y 1.st 1788, by John & Josiah Boydell, No.90, Cheapside London.
Mezzotint with very large margins. Plate 406 x 292mm (16 x 11½").
Portrait of Boston-born Henry Hope (1735-1811), merchant and partner in the Amsterdam-based Hope & Co. He settled in England in 1794 and then lived in Harley Street. Text from 'Gainsborough and Reynolds in the BM', BM 1984 cat.154: "The Hopes, descended from a Scotch family which settled in Holland in the seventeenth century, were bankers in Amsterdam. By the middle of the eighteenth century, they had become the greatest financiers in Europe. Henry Hope (1736-1811) was the head of the family. In the notes that he made of a journey to Holland in 1781 Reynolds records frequent visits to his collection "acknowledged to be the first in Amsterdam". The portrait by Reynolds from which this is taken, with a prominent Turkish rug symbolising Hope's riches and the reach of his business, is now lost.
CS 17. Hamilton p.38. NPG: D35972.
[Ref: 28505] £220.00 (£264.00 incl.VAT)
Mr A J Hopkins.
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Slight creasing.
Albert John Young Hopkins (1874-1931) the Australian cricketer who played in 20 test matches between 1902 and 1909. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting.
[Ref: 26486] £160.00 (£192.00 incl.VAT)
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Slight creasing.
Albert John Young Hopkins (1874-1931) the Australian cricketer who played in 20 test matches between 1902 and 1909. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting.
[Ref: 26486] £160.00 (£192.00 incl.VAT)
![[Benj.n Hopkins Esqr. Chamberlain of London/]](jpegs/644.jpg)
[Benj.n Hopkins Esqr. Chamberlain of London/]
[J. Best Pinxt.]
[Publish'd as the Act directs June 1st 1776 by James Delegal Engraver and Printseller Great Piazza Covent Garden London.]
Mezzotint with original hand colouring, proof before letters. 500 x 355mm.
CS: Delegal 1. From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 644] £480.00
[J. Best Pinxt.]
[Publish'd as the Act directs June 1st 1776 by James Delegal Engraver and Printseller Great Piazza Covent Garden London.]
Mezzotint with original hand colouring, proof before letters. 500 x 355mm.
CS: Delegal 1. From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 644] £480.00
William Hopley, Virger of the Cathedral Church of Worcester.
I.Wright Pinx.t. R.Hancock fecit.
Pub.d by W.Richardson Antient & Modern Print Warehouse 174 Strand. [n.d., c.1790.]
Mezzotint. 355 x 255mm.
CS 4, State iii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 6739] £420.00
I.Wright Pinx.t. R.Hancock fecit.
Pub.d by W.Richardson Antient & Modern Print Warehouse 174 Strand. [n.d., c.1790.]
Mezzotint. 355 x 255mm.
CS 4, State iii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 6739] £420.00
Johannes Hoppius, Philosophiae & Medicinae Doctor, Facultarits Sentor Academiae Lipsiensis X-VIR, Pathologiae publicus Professor & utriusq, Principum Col. Leij Collegiatus. Fugiter ut lupulus palo confurgit in altum; Sic Virtus Hoppi tendit ad astrapoli…Cum Sereniss: Elector: Sax; Privilegio Duffgerichtet in Leipzig, von M. Johan: Frenkeln.
Christoph Spetner Pingebat. Johann Bürr Sculpebat.
[n.d. c1750.]
Copper engraving, rare. 273 x 165mm.10¾ x 6½". Repair.
John Hoppe (1616-1653) was a German physician. By 1644 he had graduated from Universität Leipzig as Doctor in Medicine and was made Professor of Anatomy and Surgery in the same year. By 1647 he had become professor of pathology, which also made him a senior of the medical faculty.
W: 1444.
[Ref: 15754] £120.00 (£144.00 incl.VAT)
Christoph Spetner Pingebat. Johann Bürr Sculpebat.
[n.d. c1750.]
Copper engraving, rare. 273 x 165mm.10¾ x 6½". Repair.
John Hoppe (1616-1653) was a German physician. By 1644 he had graduated from Universität Leipzig as Doctor in Medicine and was made Professor of Anatomy and Surgery in the same year. By 1647 he had become professor of pathology, which also made him a senior of the medical faculty.
W: 1444.
[Ref: 15754] £120.00 (£144.00 incl.VAT)
![[Phoebe Hoppner as 'The Primrose Girl'.]](jpegs/67159.jpg)
[Phoebe Hoppner as 'The Primrose Girl'.]
Painted by J. Hoppner. Engraved by J. Dean.
Published May 2d 1785 by J. Walker Strand.
Mezzotint, scratched letter proof before title and rework. 380 x 275mm (15 x 20¾"), with large margins.
A half length portrait of Phoebe Hoppner, wife of the artist, as a flower seller, holding a bunch of primroses, with a basket on her arm, wearing a plain gown with a spotted fichu, cloak and hat.
CS 14, before listed state..
[Ref: 67159] £360.00
Painted by J. Hoppner. Engraved by J. Dean.
Published May 2d 1785 by J. Walker Strand.
Mezzotint, scratched letter proof before title and rework. 380 x 275mm (15 x 20¾"), with large margins.
A half length portrait of Phoebe Hoppner, wife of the artist, as a flower seller, holding a bunch of primroses, with a basket on her arm, wearing a plain gown with a spotted fichu, cloak and hat.
CS 14, before listed state..
[Ref: 67159] £360.00
Hop Picking.
Drawn & Etch'd by W.H. Pyne.
Pub. by Pyne & Nattes 1804. London, Pub.d Sep.r 1804 by Pyne & Nattes.
Aquatint. 225 x 290mm (8¾ x 11¼"), large margins.
Vignette scenes of hop picking, from Pyne's ‘Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers, &c. of Great Britain…'. William Henry Pyne was an English writer, painter and illustrator. He trained at a drawing academy in London. He first exhibited at the Royal Academy in 1790. He specialized in picturesque settings including groups of people rendered in pen, ink and watercolour. Pyne was one of the founders of Royal Watercolour Society in 1804.
[Ref: 62457] £130.00 (£156.00 incl.VAT)
Drawn & Etch'd by W.H. Pyne.
Pub. by Pyne & Nattes 1804. London, Pub.d Sep.r 1804 by Pyne & Nattes.
Aquatint. 225 x 290mm (8¾ x 11¼"), large margins.
Vignette scenes of hop picking, from Pyne's ‘Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers, &c. of Great Britain…'. William Henry Pyne was an English writer, painter and illustrator. He trained at a drawing academy in London. He first exhibited at the Royal Academy in 1790. He specialized in picturesque settings including groups of people rendered in pen, ink and watercolour. Pyne was one of the founders of Royal Watercolour Society in 1804.
[Ref: 62457] £130.00 (£156.00 incl.VAT)
![Horace. A Roman Poet, justly admired for his delicacy amd eligence [...]](jpegs/64650.jpg)
Horace. A Roman Poet, justly admired for his delicacy amd eligence [...] Ex marmore antiquo.
P.P. Rubens Del.t. J. Faber sen.r Fecit.
Printed & Sold by Tho: Bowles next the Chapter House in S.t Pauls Church Yard and John Bowles at the Black Horse in Cornhill [n.d., c.1735].
Rare & fine mezzotint, 18th century watermark. 355 x 255mm (14 x 10"), with large margins. Chips and stains in edges of margins.
A portrait of Roman lyric poet Quintus Horatius Flaccus (65- 8BC), taken from a marble bust. He was famed for his 'Odes'. One of twelve busts in the series 'Ancient Philosophers and Poets', probably originally published by Faber, but no earlier state is listed in Challoner Smith.
CS 2. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64650] £320.00
P.P. Rubens Del.t. J. Faber sen.r Fecit.
Printed & Sold by Tho: Bowles next the Chapter House in S.t Pauls Church Yard and John Bowles at the Black Horse in Cornhill [n.d., c.1735].
Rare & fine mezzotint, 18th century watermark. 355 x 255mm (14 x 10"), with large margins. Chips and stains in edges of margins.
A portrait of Roman lyric poet Quintus Horatius Flaccus (65- 8BC), taken from a marble bust. He was famed for his 'Odes'. One of twelve busts in the series 'Ancient Philosophers and Poets', probably originally published by Faber, but no earlier state is listed in Challoner Smith.
CS 2. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64650] £320.00
Horace. [When young and tir'd with sport and play / and bound with pleasing Sleep I Lay, / Doves coverd me with Myrtle Boughs, / And with soft murmurs sweeten'd my repose. / From the original Picture in the possession of Geo. Bowles Esquire.]
Angelica Kauffman R.A. pinx.t. F. Bartolozzi R.A. Eng.r to his Majesty sculp.t.
London: Publish'd as the Act directs 16 March 1792 for the Proprietor by T. Ryder, No. 43 Titchfield Street, Mess.rs Colnaghi & Co No. 132 Pall Mall & M. Bovi No. 207 Piccadilly.
Stipple, open letter proof before verse. 380 x 405mm (15 x 16"). Narrow margins, tears. Unidentified collector's stamp on reverse. Repaired.
A scene from Horace's Ode IV, 'To the Muses, acknowledging their Power and Kindness', showing the poet asleep as a Muse approaches.
Du Vesme 1358, state iv of v.
[Ref: 44051] £140.00 (£168.00 incl.VAT)
Angelica Kauffman R.A. pinx.t. F. Bartolozzi R.A. Eng.r to his Majesty sculp.t.
London: Publish'd as the Act directs 16 March 1792 for the Proprietor by T. Ryder, No. 43 Titchfield Street, Mess.rs Colnaghi & Co No. 132 Pall Mall & M. Bovi No. 207 Piccadilly.
Stipple, open letter proof before verse. 380 x 405mm (15 x 16"). Narrow margins, tears. Unidentified collector's stamp on reverse. Repaired.
A scene from Horace's Ode IV, 'To the Muses, acknowledging their Power and Kindness', showing the poet asleep as a Muse approaches.
Du Vesme 1358, state iv of v.
[Ref: 44051] £140.00 (£168.00 incl.VAT)
![[Frontispiece to volume of works by Horace]](jpegs/33978.jpg)
[Frontispiece to volume of works by Horace] Quinti Horatii Flacci Opera
N. Blakey inv. et del. / C. Grignion sculp.
Londini MDCCXXXXIX
Engraved titlepage, sheet 140 x 90mm (5½ x 3½"). Staining. Cut.
Titlepage with rococo designs and profile portrait.
[Ref: 33978] £50.00 (£60.00 incl.VAT)
N. Blakey inv. et del. / C. Grignion sculp.
Londini MDCCXXXXIX
Engraved titlepage, sheet 140 x 90mm (5½ x 3½"). Staining. Cut.
Titlepage with rococo designs and profile portrait.
[Ref: 33978] £50.00 (£60.00 incl.VAT)
![[The Horae? v - xii]](jpegs/34609.jpg)
[The Horae? v - xii]
Published as the Act directs Nov.r 23d 1776.
Two engravings, large margins. Each 250 x 205mm (9¾ x 8").
Eight [of twelve] classical deities, most likely the Horae, personifications of the phases of the day, shown as winged women. Three carry time tools: a clock, hourglass and a sundial.
[Ref: 34609] £220.00 (£264.00 incl.VAT) view all images for this item
Published as the Act directs Nov.r 23d 1776.
Two engravings, large margins. Each 250 x 205mm (9¾ x 8").
Eight [of twelve] classical deities, most likely the Horae, personifications of the phases of the day, shown as winged women. Three carry time tools: a clock, hourglass and a sundial.
[Ref: 34609] £220.00 (£264.00 incl.VAT) view all images for this item
This Sepulcre Erected to the Memory of the Horatii and Curiatii, who lived in the Reign of Tullus Hostilius, Third King of the Romans; Is Inscribed to Sir John Taylor Baronet by his most obliged humble Servant_Peter Benazech.
Hugh Deane pinxt. P. Benazech sculpt.
[London, Published as the Act directs Octr. 20th. 1783, and Sold by P. Benazech No.15 King Street St Anns, facing Frith Street.]
Engraving. 260 x 318mm (10¼ x 12½"). Trimmed to border.
View of the ruined sepulcre erected to the memory of the Horatii and Curiatii, before which a reclining half nuder figure gestures for the benefit of a traveller standing beside him, the tomb with two conical towers remaining largely intact at right; figures on a winding path at left, a building beside and a tower on a hill in the left distance; oval frame.
[Ref: 38406] £140.00 (£168.00 incl.VAT)
Hugh Deane pinxt. P. Benazech sculpt.
[London, Published as the Act directs Octr. 20th. 1783, and Sold by P. Benazech No.15 King Street St Anns, facing Frith Street.]
Engraving. 260 x 318mm (10¼ x 12½"). Trimmed to border.
View of the ruined sepulcre erected to the memory of the Horatii and Curiatii, before which a reclining half nuder figure gestures for the benefit of a traveller standing beside him, the tomb with two conical towers remaining largely intact at right; figures on a winding path at left, a building beside and a tower on a hill in the left distance; oval frame.
[Ref: 38406] £140.00 (£168.00 incl.VAT)
Hordle Church South Side.
M.A.T.W. [Mary Anne Theresa Whitby] Litho. Newlands 1830.
Rare lithograph. Printed area 110 x 180mm (4¼ x 7"), with large margins. Foxing, mostly to edges.
The ancient church at Hordle, Hampshire around the time the old church was demolished in 1830. As the enclosure of previously common ground led to the town's population moving further north, the old church was demolished and a new one built closer to the new population centre The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868).
Ex: Collection of the late Hon. C. Lennox-Boyd.
[Ref: 35697] £65.00 (£78.00 incl.VAT)
M.A.T.W. [Mary Anne Theresa Whitby] Litho. Newlands 1830.
Rare lithograph. Printed area 110 x 180mm (4¼ x 7"), with large margins. Foxing, mostly to edges.
The ancient church at Hordle, Hampshire around the time the old church was demolished in 1830. As the enclosure of previously common ground led to the town's population moving further north, the old church was demolished and a new one built closer to the new population centre The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868).
Ex: Collection of the late Hon. C. Lennox-Boyd.
[Ref: 35697] £65.00 (£78.00 incl.VAT)
The Horizon. Plate 5.
G. Wright Esq. inv et del. et pinx. Engraved by V. Woodthorpe, No 29 Fetter Lane London.
Published Dec.r 1st 1801 by R. Woolsey Islington.
Rare aquatint. 440 x 780mm (17¼ x 30¾"). Trimmed to plate at sides, some creasing.
An astronomical diagram, illustrating the celestial horizon. Underneath is large illustration of a bay lit by moonlight, with a man with a telescope sitting by a ruined classical arch.
[Ref: 40914] £360.00
G. Wright Esq. inv et del. et pinx. Engraved by V. Woodthorpe, No 29 Fetter Lane London.
Published Dec.r 1st 1801 by R. Woolsey Islington.
Rare aquatint. 440 x 780mm (17¼ x 30¾"). Trimmed to plate at sides, some creasing.
An astronomical diagram, illustrating the celestial horizon. Underneath is large illustration of a bay lit by moonlight, with a man with a telescope sitting by a ruined classical arch.
[Ref: 40914] £360.00
The Horizontal Moon
[London: David Bogue, c. 1845.]
Coloured lithograph on card. Sheet 150 x 190mm (6 x 7½"). Edges clipped at corners.
An illustration of a optical effect that makes the moon look oval, over an Italian city. Plate 92 of 'The Beauty of the Heavens: a pictorial display of the astronomical phenomena of the universe' by Charles F Blunt.
[Ref: 56793] £85.00 (£102.00 incl.VAT)
[London: David Bogue, c. 1845.]
Coloured lithograph on card. Sheet 150 x 190mm (6 x 7½"). Edges clipped at corners.
An illustration of a optical effect that makes the moon look oval, over an Italian city. Plate 92 of 'The Beauty of the Heavens: a pictorial display of the astronomical phenomena of the universe' by Charles F Blunt.
[Ref: 56793] £85.00 (£102.00 incl.VAT)