A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Henry Thurstan Holland] H.T. Holland [facsimile signature].](jpegs/51187.jpg)
[Henry Thurstan Holland] H.T. Holland [facsimile signature].
Drawn by H.T. Wells. Engraved by Joseph Brown.
[n.d., c.1885.]
Stipple on india. 290 x 210mm (11½ x 8¼").
Henry Thurstan Holland [1825-1914], Conservative Secretary of State for the Colonies from 1887-92. He granted the charter for Cecil Rhodes's 'British South Africa Company' in 1887. He became Viscount Knutsford in 1895.
[Ref: 51187] £75.00 (£90.00 incl.VAT)
Drawn by H.T. Wells. Engraved by Joseph Brown.
[n.d., c.1885.]
Stipple on india. 290 x 210mm (11½ x 8¼").
Henry Thurstan Holland [1825-1914], Conservative Secretary of State for the Colonies from 1887-92. He granted the charter for Cecil Rhodes's 'British South Africa Company' in 1887. He became Viscount Knutsford in 1895.
[Ref: 51187] £75.00 (£90.00 incl.VAT)
![[Wenceslaus Hollar.]](jpegs/66943.jpg)
[Wenceslaus Hollar.] Venceslas Hollar.
Seipsum Sculp.
[n.d., c.1630.]
Engraving, 140 x 100mm (5½ x 4"), with large margins
A self portrait of Wenceslaus Hollar (1607–77) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is particularly noted for his engravings and etchings. He was born in Prague, died in London, and was buried at St Margaret's Church, Westminster.
VI of VIII. P.1420
[Ref: 66943] £260.00 (£312.00 incl.VAT)
Seipsum Sculp.
[n.d., c.1630.]
Engraving, 140 x 100mm (5½ x 4"), with large margins
A self portrait of Wenceslaus Hollar (1607–77) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is particularly noted for his engravings and etchings. He was born in Prague, died in London, and was buried at St Margaret's Church, Westminster.
VI of VIII. P.1420
[Ref: 66943] £260.00 (£312.00 incl.VAT)
![[Views Near London.]](jpegs/51449.jpg)
[Views Near London.] by the Waterhouse. [&] By Islington. [&] On the North Side of London. [&] Waterhouse by Islington. [&] The Waterhouse.
W.Hollar delin: et sculp: 1665. [The Waterhouse] W.Hollar fecit 1665.
[The Waterhouse] Sold by John Overton.
Complete set of six etchings. Each c. 90 x 125mm (3½ x 5"). Three trimmed to the plate, 'Waterhouse by Islington with staining. Few small nicks. Old remains of album sheet verso; old ink stock numbers verso.
An early made up set.
Hind 915-20.
[Ref: 51449] £1,250.00 view all images for this item
W.Hollar delin: et sculp: 1665. [The Waterhouse] W.Hollar fecit 1665.
[The Waterhouse] Sold by John Overton.
Complete set of six etchings. Each c. 90 x 125mm (3½ x 5"). Three trimmed to the plate, 'Waterhouse by Islington with staining. Few small nicks. Old remains of album sheet verso; old ink stock numbers verso.
An early made up set.
Hind 915-20.
[Ref: 51449] £1,250.00 view all images for this item
![[Unknown Woman]](jpegs/43714.jpg)
[Unknown Woman]
H Holbein pinxit. W. Hollar fecit, ex. Collectione Arundeliana, Ao 1647 but later.
Etching. Sheet: 125 x 100mm (5 x 4"). Trimmed and laid on album sheet.
A portrait of a woman, facing forward in a circle. Identified as Anne of Cleves below, also been identified as Katherine of Aragon and Lady Lister.
Pennington 1549
[Ref: 43714] £160.00 (£192.00 incl.VAT)
H Holbein pinxit. W. Hollar fecit, ex. Collectione Arundeliana, Ao 1647 but later.
Etching. Sheet: 125 x 100mm (5 x 4"). Trimmed and laid on album sheet.
A portrait of a woman, facing forward in a circle. Identified as Anne of Cleves below, also been identified as Katherine of Aragon and Lady Lister.
Pennington 1549
[Ref: 43714] £160.00 (£192.00 incl.VAT)
![[Woman's head framed in roundel]](jpegs/42235.jpg)
[Woman's head framed in roundel]
W Hollar fec. 1646
Etching, sheet 100 x 90mm (4 x 3½"). Tipped into album sheet.
One of a set of thirty-seven portrait busts of women etched by Wenceslaus Hollar (1607-77), prolific and highly-regarded printmaker born in Bohemia but working mostly in England. Richard Pennington, author of the standard work on Hollar, describes the series as 'rather fashion plates than portraits', while noting similarities with living persons in some cases. This print has been identified elsewhere as Mary, princess royal (1631-60), princess of Orange and daughter of Charles I.
Pennington 1912.i; for another impression identifying sitter as princess Mary see ref. 42234
[Ref: 42235] £220.00 (£264.00 incl.VAT)
W Hollar fec. 1646
Etching, sheet 100 x 90mm (4 x 3½"). Tipped into album sheet.
One of a set of thirty-seven portrait busts of women etched by Wenceslaus Hollar (1607-77), prolific and highly-regarded printmaker born in Bohemia but working mostly in England. Richard Pennington, author of the standard work on Hollar, describes the series as 'rather fashion plates than portraits', while noting similarities with living persons in some cases. This print has been identified elsewhere as Mary, princess royal (1631-60), princess of Orange and daughter of Charles I.
Pennington 1912.i; for another impression identifying sitter as princess Mary see ref. 42234
[Ref: 42235] £220.00 (£264.00 incl.VAT)
![[Woman's head framed in roundel]](jpegs/42234.jpg)
[Woman's head framed in roundel]
W Hollar fec. 1646
Etching, sheet 100 x 90mm (4 x 3½"). Tipped into album sheet; 'Princess Mary wife of P. of Orange' in old ms.
One of a set of thirty-seven portrait busts of women etched by Wenceslaus Hollar (1607-77), prolific and highly-regarded printmaker born in Bohemia but working mostly in England. Richard Pennington, author of the standard work on Hollar, describes the series as 'rather fashion plates than portraits', while noting similarities with living persons in some cases. This print has been identified as Mary, princess royal (1631-60), princess of Orange and daughter of Charles I.
Pennington 1912.ii
[Ref: 42234] £130.00 (£156.00 incl.VAT)
W Hollar fec. 1646
Etching, sheet 100 x 90mm (4 x 3½"). Tipped into album sheet; 'Princess Mary wife of P. of Orange' in old ms.
One of a set of thirty-seven portrait busts of women etched by Wenceslaus Hollar (1607-77), prolific and highly-regarded printmaker born in Bohemia but working mostly in England. Richard Pennington, author of the standard work on Hollar, describes the series as 'rather fashion plates than portraits', while noting similarities with living persons in some cases. This print has been identified as Mary, princess royal (1631-60), princess of Orange and daughter of Charles I.
Pennington 1912.ii
[Ref: 42234] £130.00 (£156.00 incl.VAT)
Wenceslaus Hollar and his Views of London and Windsor in the Eighteenth Century. with Frontispiece and Ninety-Six Illustrations
by Arthur M. Hind of the British Museum. Slade Professor of Fine Art in the University of Oxford.
Benjamin Blom, Inc. Publishers New York 1972.
Book: 4to (259 x 180mm). pp. vii- xiv + 99. 97 b/w illustrations. Cloth binding. Some spotting.
An illustrated catalogue of particular works by Wenceslaus Hollar with a biographical introduction.
[Ref: 59873] £95.00
by Arthur M. Hind of the British Museum. Slade Professor of Fine Art in the University of Oxford.
Benjamin Blom, Inc. Publishers New York 1972.
Book: 4to (259 x 180mm). pp. vii- xiv + 99. 97 b/w illustrations. Cloth binding. Some spotting.
An illustrated catalogue of particular works by Wenceslaus Hollar with a biographical introduction.
[Ref: 59873] £95.00
![Wenzel Hollar. Beschreibendes Verzeichniss Seiner Kupferstiche [ -p.638].](jpegs/10159.jpg)
Wenzel Hollar. Beschreibendes Verzeichniss Seiner Kupferstiche [ -p.638]. [&] "Nachträge und Verbesserungen zum Verzeichnisse der Hollar'schen Kupferstiche" (p.[625]-662)
von Gustav Parthey.
Berlin verlag der Nicolaischen Buchhandlung. 1853. [&] Berlin verlag der Nicolaischen Buchhandlung. 1858.
Book: 4to (236 x 152mm). pp v-xxii 664. No illustrations. Moroccan leather with ridges and marble board binding. Gilt title stamped into spine. Pages slightly creased at edges.
A descriptive catalogue of the etched works of Wenceslaus Hollar 1607-1677, in German.
[Ref: 10159] £380.00 view all images for this item
von Gustav Parthey.
Berlin verlag der Nicolaischen Buchhandlung. 1853. [&] Berlin verlag der Nicolaischen Buchhandlung. 1858.
Book: 4to (236 x 152mm). pp v-xxii 664. No illustrations. Moroccan leather with ridges and marble board binding. Gilt title stamped into spine. Pages slightly creased at edges.
A descriptive catalogue of the etched works of Wenceslaus Hollar 1607-1677, in German.
[Ref: 10159] £380.00 view all images for this item
The Right Hon:ble Denzil Baron Holles of Ifield. Etat: 78. Ano 1676.
Ravenet sculp. [After Robert White.]
[n.d. c.1752.]
Fine engraving with etching. 330 x 210mm. 13 x 8¼".
Portrait of Denzil Holles, half length in an oval frame on a pedestal, wearing long wig, lace cravat, and gown; coat of arms below with motto: "Spes Audaces Adjuvato". Denzil Holles (1599-1680) was an English statesman and writer, best known as one of the five members of parliament whom King Charles I of England attempted to arrest in 1642. Illustration to Collins's "Historical Collections", 1752.
[Ref: 24648] £160.00 (£192.00 incl.VAT)
Ravenet sculp. [After Robert White.]
[n.d. c.1752.]
Fine engraving with etching. 330 x 210mm. 13 x 8¼".
Portrait of Denzil Holles, half length in an oval frame on a pedestal, wearing long wig, lace cravat, and gown; coat of arms below with motto: "Spes Audaces Adjuvato". Denzil Holles (1599-1680) was an English statesman and writer, best known as one of the five members of parliament whom King Charles I of England attempted to arrest in 1642. Illustration to Collins's "Historical Collections", 1752.
[Ref: 24648] £160.00 (£192.00 incl.VAT)
![[Thomas Pelham Holles] The Most Noble Prince Thomas Holles Duke ot Newcastle](jpegs/64854.jpg)
[Thomas Pelham Holles] The Most Noble Prince Thomas Holles Duke ot Newcastle Marquis and Earl of Clare Viscount Haughton Baron Pelham of Laughton L.d Chamberlain of His Maj.ties Houshold L.d Lieu.t & Custos Rotulorum of Ye County's of Midd: & Notingham L.d Warden of the forrest of Sherwood one of His Maj.ties most Hon.ble Privy Council and K.t of the Most Noble order of the Garter. To whom this Plate is Most Humbly Dedicated by His Graces Most Obedient & Devoted Servant. John.
[G. Kne]ller S.R.I: et Mag: Brit: Baronet pinx. [Engraved by Peter Pelham.]
Sold by J. Bowles ovr against Stocks Market,, & at Mercers Hall in Cheapside [n.d. c.1730].
Mezzotint. 355 x 255mm (14 x 10". Thread margins, laid on album paper.
A half-length portrait in oval of Thomas Pelham-Holles (1693-1768), 1st Duke of Newcastle-under-Lyne, wearing ceremonial robes with cloak attached at right shoulder with a bow, chain and lace stock with a long white wig, holding staff. He served as Prime Minister 1757-62, during the Seven Years' War. The original engraver, Peter Pelham: Chaloner Smith could only find two impressions with Pelham's name on the dedication. Pelham emigrated to Boston in 1727, becoming America's first mezzotinter. In 1748 he married John Singleton Copley's mother.
CS:29: ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64854] £240.00 (£288.00 incl.VAT)
[G. Kne]ller S.R.I: et Mag: Brit: Baronet pinx. [Engraved by Peter Pelham.]
Sold by J. Bowles ovr against Stocks Market,, & at Mercers Hall in Cheapside [n.d. c.1730].
Mezzotint. 355 x 255mm (14 x 10". Thread margins, laid on album paper.
A half-length portrait in oval of Thomas Pelham-Holles (1693-1768), 1st Duke of Newcastle-under-Lyne, wearing ceremonial robes with cloak attached at right shoulder with a bow, chain and lace stock with a long white wig, holding staff. He served as Prime Minister 1757-62, during the Seven Years' War. The original engraver, Peter Pelham: Chaloner Smith could only find two impressions with Pelham's name on the dedication. Pelham emigrated to Boston in 1727, becoming America's first mezzotinter. In 1748 he married John Singleton Copley's mother.
CS:29: ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64854] £240.00 (£288.00 incl.VAT)
Mr. Charles Green, The Aeronaut. From the Original in the possession of Robert Holland Esqr. M.P. To whom this Plate is respectfully dedicated by his obliged and obedient servants Hodgson & Graves.
Painted by John Hollins, Engraved by G. T. Payne.
London Published June 6, 1838. by Hodgson & Graves Printsellers by Special Appointment to Her Majesty, 6 Pall Mall.
Mezzotint. 315 x 395mm. Two repaired tears and a crease inside the plate mark but not effecting the image left and bottom.
Green was the pilot of the 'Nassau' Balloon.
[Ref: 3252] £360.00
Painted by John Hollins, Engraved by G. T. Payne.
London Published June 6, 1838. by Hodgson & Graves Printsellers by Special Appointment to Her Majesty, 6 Pall Mall.
Mezzotint. 315 x 395mm. Two repaired tears and a crease inside the plate mark but not effecting the image left and bottom.
Green was the pilot of the 'Nassau' Balloon.
[Ref: 3252] £360.00
To Thomas Brand Hollis Esq.r These Memoirs of his Friend Thomas Hollis Esq.r are Inscribed by the Compilers. MDCCLXXX.
J.B. Cipriani del. F. Bartolozzi sculp.t.
Publish'd March 20th 1780.
Stipple and etching. 310 x 235mm (12¼ x 9¼"), with margins.
The dedication to the 'Memoirs of Thomas Hollis' by Francis Blackburne, featuring an female allegorical figure of Fame, with trumpet, shield and owl.
De Vesme 1736.
[Ref: 53330] £280.00 (£336.00 incl.VAT)
J.B. Cipriani del. F. Bartolozzi sculp.t.
Publish'd March 20th 1780.
Stipple and etching. 310 x 235mm (12¼ x 9¼"), with margins.
The dedication to the 'Memoirs of Thomas Hollis' by Francis Blackburne, featuring an female allegorical figure of Fame, with trumpet, shield and owl.
De Vesme 1736.
[Ref: 53330] £280.00 (£336.00 incl.VAT)
John Hollis Esqr.
Engraved by Charles Warren, from a picture by the late J. Opie R.A.
[n.d. c.1820.]
Line engraving. Plate 426 x 324mm. 16¾ x 12¾".
John Hollis (1757-1824). Sceptic and freethinker.
In the NPG.
[Ref: 12726] £120.00 (£144.00 incl.VAT)
Engraved by Charles Warren, from a picture by the late J. Opie R.A.
[n.d. c.1820.]
Line engraving. Plate 426 x 324mm. 16¾ x 12¾".
John Hollis (1757-1824). Sceptic and freethinker.
In the NPG.
[Ref: 12726] £120.00 (£144.00 incl.VAT)
Thomae Hollis Angli R. Et Ant. SS. Lond. Sodalis MDCCLXVII
[c.1767.]
Etching, frontispiece?, 280 x 210mm. 11 x 8¼".
Thomas Hollis (1720 - 1774), libertarian, writer, bibliophile and patron of the arts, his medallion bust on an inscribed obelisk. Hollis was trained in public service and spent the years 1740 to 1748 practicing law. Hollis toured Europe twice, in 1748-9 and again from 1750 to 1753 mixing with French philosophers and Italian painters such as Canaletto and Piranesi. Hollis's main contribution to public service was to protect and advance English liberty by circulating books on government. From 1754 he reprinted and distributed literature from the seventeenth century, including works such as Toland's Life of Milton, tracts by Marchmont Nedham, Henry Neville, and Philip Sidney, and John Locke's Two Treatises of Government. By Giovanni Battista Cipriani (1727 - 1785).
[Ref: 13392] £220.00 (£264.00 incl.VAT)
[c.1767.]
Etching, frontispiece?, 280 x 210mm. 11 x 8¼".
Thomas Hollis (1720 - 1774), libertarian, writer, bibliophile and patron of the arts, his medallion bust on an inscribed obelisk. Hollis was trained in public service and spent the years 1740 to 1748 practicing law. Hollis toured Europe twice, in 1748-9 and again from 1750 to 1753 mixing with French philosophers and Italian painters such as Canaletto and Piranesi. Hollis's main contribution to public service was to protect and advance English liberty by circulating books on government. From 1754 he reprinted and distributed literature from the seventeenth century, including works such as Toland's Life of Milton, tracts by Marchmont Nedham, Henry Neville, and Philip Sidney, and John Locke's Two Treatises of Government. By Giovanni Battista Cipriani (1727 - 1785).
[Ref: 13392] £220.00 (£264.00 incl.VAT)
![[Hollyhocks.]](jpegs/51307.jpg)
[Hollyhocks.]
March 10 1857. G Baxter Proprietor and Patentee London. [after Bartholomew Valentine.]
A fine Baxter print, with vibrant colour. Image 370 x 265mm (14½ x 10½"), on backboard. Backboard stained at edges.
A group of Hollyhocks after Valentine Bartholomew (1799-1879), 'Flower Painter in Ordinary to the Queen' from 1837. His 'Azaleas ' and 'Camellias' are in the Victoria & Albert Museum. A fine example of a Baxter print, in which oil-based paints were printed from multiple woodblocks over an etched or aquatint outline. Despite the fine results the process was soon superceded by chromolithography, which was much more cost-effective.
CL 276A
[Ref: 51307] £420.00
March 10 1857. G Baxter Proprietor and Patentee London. [after Bartholomew Valentine.]
A fine Baxter print, with vibrant colour. Image 370 x 265mm (14½ x 10½"), on backboard. Backboard stained at edges.
A group of Hollyhocks after Valentine Bartholomew (1799-1879), 'Flower Painter in Ordinary to the Queen' from 1837. His 'Azaleas ' and 'Camellias' are in the Victoria & Albert Museum. A fine example of a Baxter print, in which oil-based paints were printed from multiple woodblocks over an etched or aquatint outline. Despite the fine results the process was soon superceded by chromolithography, which was much more cost-effective.
CL 276A
[Ref: 51307] £420.00
![[John Holman R.N.]](jpegs/14474.jpg)
[John Holman R.N.]
Painted by J.P.Knight R.A. Engraved by J. Richardson Jackson.
London Published May 23, 1849, by Henry Squires & Compy. (Late Colnaghi & Puckle) Printsellers & Publishers to Her Majesty, and to the Royal Family. 23, Cockspur Street.
Mezzotint. Plate 406 x 318mm. 16 x 12½". Large margins.
James Holman FRS (1786-1857), known as the "Blind Traveler," was a British adventurer, author and social observer, best known for his writings on his extensive travels. He entered the British Royal Navy in 1798 and by 1807 he was appointed lieutenant. From 1819 to 1821 he journeyed through France, Italy, Switzerland, the parts of Germany bordering on the Rhine, Belgium and the Netherlands. In 1822 he set off again towards Russia, returning home via Austria, Saxony, Prussia and Hanover. He was elected a Fellow of the Royal Society and of the Linnaean Society. His last journeys were through Spain, Portugal, Moldavia, Montenegro, Syria and Turkey.
[Ref: 14474] £340.00
Painted by J.P.Knight R.A. Engraved by J. Richardson Jackson.
London Published May 23, 1849, by Henry Squires & Compy. (Late Colnaghi & Puckle) Printsellers & Publishers to Her Majesty, and to the Royal Family. 23, Cockspur Street.
Mezzotint. Plate 406 x 318mm. 16 x 12½". Large margins.
James Holman FRS (1786-1857), known as the "Blind Traveler," was a British adventurer, author and social observer, best known for his writings on his extensive travels. He entered the British Royal Navy in 1798 and by 1807 he was appointed lieutenant. From 1819 to 1821 he journeyed through France, Italy, Switzerland, the parts of Germany bordering on the Rhine, Belgium and the Netherlands. In 1822 he set off again towards Russia, returning home via Austria, Saxony, Prussia and Hanover. He was elected a Fellow of the Royal Society and of the Linnaean Society. His last journeys were through Spain, Portugal, Moldavia, Montenegro, Syria and Turkey.
[Ref: 14474] £340.00
![[James Holman] '... the book of the knowledge fair, Presented with an universal blank Of nature's works, to me expung'd amd ras'd; And wisdom at one entrance quite shut out.' Milton](jpegs/2371.jpg)
[James Holman] '... the book of the knowledge fair, Presented with an universal blank Of nature's works, to me expung'd amd ras'd; And wisdom at one entrance quite shut out.' Milton
Fabroni Pinxt. R.Cooper Sculp.
Stipple. 209 x 131mm.
James Holman (October 15, 1786 – July 29, 1857), known as the 'Blind Traveller,' was noted for his writings about his extensive travels. Holman was born in Exeter. He entered the British Royal Navy in 1798 as first-class volunteer, and was appointed lieutenant in April 1807. In 1810, while on the Guerriere off the coast of the Americas, he was invalided by an illness which resulted in total loss of sight.
[Ref: 2371] £45.00 (£54.00 incl.VAT)
Fabroni Pinxt. R.Cooper Sculp.
Stipple. 209 x 131mm.
James Holman (October 15, 1786 – July 29, 1857), known as the 'Blind Traveller,' was noted for his writings about his extensive travels. Holman was born in Exeter. He entered the British Royal Navy in 1798 as first-class volunteer, and was appointed lieutenant in April 1807. In 1810, while on the Guerriere off the coast of the Americas, he was invalided by an illness which resulted in total loss of sight.
[Ref: 2371] £45.00 (£54.00 incl.VAT)
![[James Holman] "Total eclipse! Nor sun; nor moon; All dark amidst the blaze of noon."](jpegs/24677.jpg)
[James Holman] "Total eclipse! Nor sun; nor moon; All dark amidst the blaze of noon."
Fabroni Pinxt. R.Cooper Sculp.
[n.d. c.1820.]
Stipple. 158 x 114mm. Tear lower right
James Holman (October 15, 1786 – July 29, 1857), known as the 'Blind Traveller,' was noted for his writings about his extensive travels. Holman was born in Exeter. He entered the British Royal Navy in 1798 as first-class volunteer, and was appointed lieutenant in April 1807. In 1810, while on the Guerriere off the coast of the Americas, he was invalided by an illness which resulted in total loss of sight.
For a similar portrait of Holman see ref. 2371
[Ref: 24677] £90.00 (£108.00 incl.VAT)
Fabroni Pinxt. R.Cooper Sculp.
[n.d. c.1820.]
Stipple. 158 x 114mm. Tear lower right
James Holman (October 15, 1786 – July 29, 1857), known as the 'Blind Traveller,' was noted for his writings about his extensive travels. Holman was born in Exeter. He entered the British Royal Navy in 1798 as first-class volunteer, and was appointed lieutenant in April 1807. In 1810, while on the Guerriere off the coast of the Americas, he was invalided by an illness which resulted in total loss of sight.
For a similar portrait of Holman see ref. 2371
[Ref: 24677] £90.00 (£108.00 incl.VAT)
M.r Holman and Miss Brunton in the Characters of Romeo and Juliet. Act 5. scene last.
Painted by M. Brown. Engraved by T. Park.
London Published by T. Park, No 106 Pall Mall, Jan.y 1st 1787.
Mezzotint, very fine impression, 655 x 450mm (25¾ x 17¾"), with title on separate plate, 40 x 450 (1¼ x 17¾"). Small tear entering inscription plate. Slight repair bottom right.
Portraits of Joseph George Holman (1764-1817) and Ann Brunton Merry (1769-1808) as Romeo and Juliet, by the American painter Mather Brown (1761-1831). Exhibited at the Royal Academy in 1786 it shows a happy ending to Romeo and Juliet, with the lovers emerging from the tomb.
CS II of II. The original oil is in the University of Bristol Theatre Collection.
[Ref: 63266] £480.00
Painted by M. Brown. Engraved by T. Park.
London Published by T. Park, No 106 Pall Mall, Jan.y 1st 1787.
Mezzotint, very fine impression, 655 x 450mm (25¾ x 17¾"), with title on separate plate, 40 x 450 (1¼ x 17¾"). Small tear entering inscription plate. Slight repair bottom right.
Portraits of Joseph George Holman (1764-1817) and Ann Brunton Merry (1769-1808) as Romeo and Juliet, by the American painter Mather Brown (1761-1831). Exhibited at the Royal Academy in 1786 it shows a happy ending to Romeo and Juliet, with the lovers emerging from the tomb.
CS II of II. The original oil is in the University of Bristol Theatre Collection.
[Ref: 63266] £480.00
Ann Holme Aet suae 77.
J. Smith pinx 1782 P. M Morland delin 1799 Caroline Watson engraver to her Majesty sculp
Stipple, platemark 240 x 200mm (9½ x 8"). Small margins.
Portrait engraved by Caroline Watson (1760/1-1814), printmaker specializing in the stipple technique, and daughter of the Irish mezzotinter James Watson. Watson was made engraver to the queen in 1785, and was also patronized by the Bute family. While she did not exhibit in public exhibitions, Watson was one of few women who maintained an independent printmaking practice, signing her name rather than working unacknowledged, and seemingly operating a successful business judging from her wealth at the time of her death.
[Ref: 43523] £75.00 (£90.00 incl.VAT)
J. Smith pinx 1782 P. M Morland delin 1799 Caroline Watson engraver to her Majesty sculp
Stipple, platemark 240 x 200mm (9½ x 8"). Small margins.
Portrait engraved by Caroline Watson (1760/1-1814), printmaker specializing in the stipple technique, and daughter of the Irish mezzotinter James Watson. Watson was made engraver to the queen in 1785, and was also patronized by the Bute family. While she did not exhibit in public exhibitions, Watson was one of few women who maintained an independent printmaking practice, signing her name rather than working unacknowledged, and seemingly operating a successful business judging from her wealth at the time of her death.
[Ref: 43523] £75.00 (£90.00 incl.VAT)
William Holme Esq.r. Proof.
Painted by T. Stewardson Esq.r _ Engraved by W. Ward A.R.A. Engraver to His Majesty & to H.R.H. the Duke of York.
[n.d., c.1820.]
Mezzotint. 355 x 255mm (14 x 10"), with large margins. Margins spotted.
A half-length portrait of a man wearing a dark coat and cravat.
Ex collection of the Hon. Christopher Lennox-Boyd. Frankau 159 & CS 48 (cursory mentions with no inscription quoted); BM 1913,1015.113; NPG D3036 ''exhibited 1820''. None give a biography.
[Ref: 43538] £130.00 (£156.00 incl.VAT)
Painted by T. Stewardson Esq.r _ Engraved by W. Ward A.R.A. Engraver to His Majesty & to H.R.H. the Duke of York.
[n.d., c.1820.]
Mezzotint. 355 x 255mm (14 x 10"), with large margins. Margins spotted.
A half-length portrait of a man wearing a dark coat and cravat.
Ex collection of the Hon. Christopher Lennox-Boyd. Frankau 159 & CS 48 (cursory mentions with no inscription quoted); BM 1913,1015.113; NPG D3036 ''exhibited 1820''. None give a biography.
[Ref: 43538] £130.00 (£156.00 incl.VAT)
![[John Baker Holroyd, 1st Earl of Sheffield.]](jpegs/46135.jpg)
[John Baker Holroyd, 1st Earl of Sheffield.]
Angelica Kauffman pinxit. J. R. Smith fecit.
Published March the 12th 1777 by J.R. Smith No. 10 Batemans Buildings Soho Square.
Mezzotint. 610 x 390mm (24 x 15¼"), with large margins. Margins creased.
A wonderful impression of a fine image showing a full length portrait of politician John Baker Holroyd, 1st Earl of Sheffield (1735-1821) dressed in 17th century costume, his hand resting on a sword and armour piled at his feet.
D'Oench: 91; Frankau: 181; CS: 85.
[Ref: 46135] £750.00
Angelica Kauffman pinxit. J. R. Smith fecit.
Published March the 12th 1777 by J.R. Smith No. 10 Batemans Buildings Soho Square.
Mezzotint. 610 x 390mm (24 x 15¼"), with large margins. Margins creased.
A wonderful impression of a fine image showing a full length portrait of politician John Baker Holroyd, 1st Earl of Sheffield (1735-1821) dressed in 17th century costume, his hand resting on a sword and armour piled at his feet.
D'Oench: 91; Frankau: 181; CS: 85.
[Ref: 46135] £750.00
Verscheyde Aerdig Kinderspel uyt Gebeelt door Cornelis Hostein. Pleusieurs Jeus d'Enfants desseigné de Cornelle Holstein. A Amsterdam.
Corelius Holstein inventer. Michiel Mosÿn Sculpsit.
Clement de Jonghe excudit [n.d., c.1650.]
Engraving, 215 x 275mm (8½ x 10¾"), with large margins. On 17th century watermarked paper.
The engraved title page to a book of plates of children's games played by naked cherubs. One plays with a hoop and stick while the other holds up a blown bubble. A croquet mallet, balls, a drum and another musical isntrument lay on the ground between them.
Provenance Cornwell House
[Ref: 66770] £420.00
Corelius Holstein inventer. Michiel Mosÿn Sculpsit.
Clement de Jonghe excudit [n.d., c.1650.]
Engraving, 215 x 275mm (8½ x 10¾"), with large margins. On 17th century watermarked paper.
The engraved title page to a book of plates of children's games played by naked cherubs. One plays with a hoop and stick while the other holds up a blown bubble. A croquet mallet, balls, a drum and another musical isntrument lay on the ground between them.
Provenance Cornwell House
[Ref: 66770] £420.00
![[Cherubs wrestling.]](jpegs/66771.jpg)
[Cherubs wrestling.] 3.
[Engraved by Michiel Mosyn after Cortelius Holstein.]
[Amsterdam, Clement de Jonghe, c.1650.]
Engraving, 215 x 275mm (8½ x 10¾"), with large margins. On 17th century watermarked paper. Spot
A child lifts another child upside down. Another boy touches another child on the buttocks. A plate from 'Verscheyde Aerdig Kinderspel uyt Gebeelt door Cornelis Hostein', a book of plates of children's games played by naked cherubs.
Provenance Cornwell House
[Ref: 66771] £320.00
[Engraved by Michiel Mosyn after Cortelius Holstein.]
[Amsterdam, Clement de Jonghe, c.1650.]
Engraving, 215 x 275mm (8½ x 10¾"), with large margins. On 17th century watermarked paper. Spot
A child lifts another child upside down. Another boy touches another child on the buttocks. A plate from 'Verscheyde Aerdig Kinderspel uyt Gebeelt door Cornelis Hostein', a book of plates of children's games played by naked cherubs.
Provenance Cornwell House
[Ref: 66771] £320.00
![[Cherubs with a skipping rope.]](jpegs/66772.jpg)
[Cherubs with a skipping rope.] 6.
[Engraved by Michiel Mosyn after Cortelius Holstein.]
[Amsterdam, Clement de Jonghe, c.1650.]
Engraving, 215 x 275mm (8½ x 10¾"), with large margins. On 17th century watermarked paper.
A plate from 'Verscheyde Aerdig Kinderspel uyt Gebeelt door Cornelis Hostein', a book of plates of children's games played by naked cherubs.
Provenance Cornwell House
[Ref: 66772] £360.00
[Engraved by Michiel Mosyn after Cortelius Holstein.]
[Amsterdam, Clement de Jonghe, c.1650.]
Engraving, 215 x 275mm (8½ x 10¾"), with large margins. On 17th century watermarked paper.
A plate from 'Verscheyde Aerdig Kinderspel uyt Gebeelt door Cornelis Hostein', a book of plates of children's games played by naked cherubs.
Provenance Cornwell House
[Ref: 66772] £360.00
Plan of the River Severn and the Jetties at Holt Fleet near Worcester.
[n.d., c.1820.]
mss. on black and red ink,with blue wash. Sheet 285 x 410mm (11¼ x 16¼"). Folds, a few ink blots.
A sketch map of Holt Fleet just prior to the building of Holt Fleet Bridge by Thomas Telford in 1828. 'The Holt Fleet' hotel is marked.
Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 52290] £480.00
[n.d., c.1820.]
mss. on black and red ink,with blue wash. Sheet 285 x 410mm (11¼ x 16¼"). Folds, a few ink blots.
A sketch map of Holt Fleet just prior to the building of Holt Fleet Bridge by Thomas Telford in 1828. 'The Holt Fleet' hotel is marked.
Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 52290] £480.00
The Right Honble. Sr. John Holt Knt. Lord Chief Justrice of the Court of Kings Bench And one of their Maties most Honble Privy Council Ano. 1689.
G: Kneller pinxit. R: White Sculpsit.
Printed and Sold by John King at the Globe against the Church in the Poultry. [n.d. c.1670.]
Engraving. Mounted on an album page. Image 387 x 273mm. 15¼ x 10¾". Cut and laid on sheet. Some glue staining to the corners.
Sir John Holt (1642-1710) was Lord Chief Justice of England and Wales from 17 April 1689 to his death. He purchased Redgrave Manor in Suffolk, which had been the seat of the Bacon family in 1702, when debts forced the fifth baronet, Sir Robert Bacon, to sell the estate. A letter in the Bodleian Library reads: "The celebrated Dr Radcliffe, the physician ... took special pains to preserve the life of LCJ Holt's wife, whom he attended out of spite to her husband, who wished her dead." Sir John Holt's sister Susan was married to Francis Levett, Esq., tobacco merchant and brother of Sir Richard Levett, Lord Mayor of London.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12891] £220.00 (£264.00 incl.VAT)
G: Kneller pinxit. R: White Sculpsit.
Printed and Sold by John King at the Globe against the Church in the Poultry. [n.d. c.1670.]
Engraving. Mounted on an album page. Image 387 x 273mm. 15¼ x 10¾". Cut and laid on sheet. Some glue staining to the corners.
Sir John Holt (1642-1710) was Lord Chief Justice of England and Wales from 17 April 1689 to his death. He purchased Redgrave Manor in Suffolk, which had been the seat of the Bacon family in 1702, when debts forced the fifth baronet, Sir Robert Bacon, to sell the estate. A letter in the Bodleian Library reads: "The celebrated Dr Radcliffe, the physician ... took special pains to preserve the life of LCJ Holt's wife, whom he attended out of spite to her husband, who wished her dead." Sir John Holt's sister Susan was married to Francis Levett, Esq., tobacco merchant and brother of Sir Richard Levett, Lord Mayor of London.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12891] £220.00 (£264.00 incl.VAT)
The Holy Alliance Unmasked.
E. Purcell.
Rare hand-coloured lithograph. Sheet: 290 x 245mm (11½ x 9½"). Trimmed within plate. Slight central crease.
The rulers of Britain (Wellington), Spain, Russia and Austria sit around a table plotting how to restore Ferdinand VII of Spain to his throne following the invasion of France in 1823.
[Ref: 37334] £240.00 (£288.00 incl.VAT)
E. Purcell.
Rare hand-coloured lithograph. Sheet: 290 x 245mm (11½ x 9½"). Trimmed within plate. Slight central crease.
The rulers of Britain (Wellington), Spain, Russia and Austria sit around a table plotting how to restore Ferdinand VII of Spain to his throne following the invasion of France in 1823.
[Ref: 37334] £240.00 (£288.00 incl.VAT)
The Holy Alliance Unmasked.
E. Purcell.
London Pub, Feb 1823, by J Dickinson 114 New Bond St.
Hand-coloured lithograph, printed area 250 x 290mm (11¾ x 9½"). Large tear on left going just into image; rare.
Satire, presumably on the 1822 Congress of Verona, in which representatives of the Quintuple Alliance (Russia, Austria, Prussia, France and the United Kingdom) debated, amongst other matters, the 'Spanish Question'. This concerned the proposed French intervention in Spain to restore Ferdinand VII to his throne and bring an end to the 'Trienio Liberal' of 1820-3, three years of liberal democracy following a popular uprising against the king. Those assembled are in favour of restoring the king with the exception of Wellington, on the right, who denounces this 'Unholy Alliance' and insists 'I will have no hand in it'.
For another impression see ref. 37334.
[Ref: 47118] £240.00 (£288.00 incl.VAT)
E. Purcell.
London Pub, Feb 1823, by J Dickinson 114 New Bond St.
Hand-coloured lithograph, printed area 250 x 290mm (11¾ x 9½"). Large tear on left going just into image; rare.
Satire, presumably on the 1822 Congress of Verona, in which representatives of the Quintuple Alliance (Russia, Austria, Prussia, France and the United Kingdom) debated, amongst other matters, the 'Spanish Question'. This concerned the proposed French intervention in Spain to restore Ferdinand VII to his throne and bring an end to the 'Trienio Liberal' of 1820-3, three years of liberal democracy following a popular uprising against the king. Those assembled are in favour of restoring the king with the exception of Wellington, on the right, who denounces this 'Unholy Alliance' and insists 'I will have no hand in it'.
For another impression see ref. 37334.
[Ref: 47118] £240.00 (£288.00 incl.VAT)
![[March of the Holy Catholic League.] Procession der Ligue.](jpegs/49066.jpg)
[March of the Holy Catholic League.] Procession der Ligue. Tantum Religio Potuit Suadere Malorum...
[After Francois Bunel.]
[n.d., c.1770.]
Engraving. Sheet: 190 x 235mm (7½ x 9¼''). Crease as normal.
A scene showing a procession of the Holy Catholic League protesting against Henri IV as King of France in 1593.
[Ref: 49066] £50.00 (£60.00 incl.VAT)
[After Francois Bunel.]
[n.d., c.1770.]
Engraving. Sheet: 190 x 235mm (7½ x 9¼''). Crease as normal.
A scene showing a procession of the Holy Catholic League protesting against Henri IV as King of France in 1593.
[Ref: 49066] £50.00 (£60.00 incl.VAT)
The Holy Family.
Inventor & Patentee G. Baxter 11 & 12 Northampton Square. [Embossed.]
Printed in oil colours by G. Baxter, Patentee. [n.d. c.1850.]
Baxter print. 209 x 165mm.
A scene of the holy family.
Baxter: 246.
[Ref: 12525] £80.00 (£96.00 incl.VAT)
Inventor & Patentee G. Baxter 11 & 12 Northampton Square. [Embossed.]
Printed in oil colours by G. Baxter, Patentee. [n.d. c.1850.]
Baxter print. 209 x 165mm.
A scene of the holy family.
Baxter: 246.
[Ref: 12525] £80.00 (£96.00 incl.VAT)
The Holy Family. From the Original Picture, painted by Bartholomew Murillo, In the Collection of Sr. Lawrence Dundas Bar.t To Whom this Plate is Dedicated, By his Most Obliged, and most humble Servant, J. Boydell. Size of the Picture 5F. 6I by 6F. 9I in Height. No.15.
Bartholo. Murillo Pinxt. E.Edwards delt. Thomas Chambars Sculpsit.
Published according to Act of Parliament, By J. Boydell, Engraver, in Cheapside, London; Decr. 1st. 1764.
Engraving, paper watermarked. Plate 509 x 387mm (20 x 15¼"). Very large margins. Small crease to upper margin.
The Holy Family, with the Virgin sitting on the left and reaching out as St Joseph stands before her with the Christ Child in his arms; a cat lies on the left; in the bottom margin a coat-of-arms with the motto 'Essayez'. After the painting in the National Gallery, Dublin.
Ex Collection Duke of Westminster.
[Ref: 38279] £320.00
Bartholo. Murillo Pinxt. E.Edwards delt. Thomas Chambars Sculpsit.
Published according to Act of Parliament, By J. Boydell, Engraver, in Cheapside, London; Decr. 1st. 1764.
Engraving, paper watermarked. Plate 509 x 387mm (20 x 15¼"). Very large margins. Small crease to upper margin.
The Holy Family, with the Virgin sitting on the left and reaching out as St Joseph stands before her with the Christ Child in his arms; a cat lies on the left; in the bottom margin a coat-of-arms with the motto 'Essayez'. After the painting in the National Gallery, Dublin.
Ex Collection Duke of Westminster.
[Ref: 38279] £320.00
The Holy Family. From the Original Picture of the same size, Painted by Federico Barocci; In the Collection of his Grace the Duke of Devonshire. Vol II No.15.
Federico Barocci Pinx.t. R. Earlom delin.t. J.S. Miller Sculpsit.
John Boydell excudit, London 1767.
Engraving. Platemark: Very large margins.
The Holy Family; an infant John the Baptist, holding a reed cross, presents flowers to the child Christ, sitting in the Virgins lap, grasping at them with his right hand. Saint Joseph observes the scene from behind. After Barocci's painting, then in the collection of Duke of Devonshire (1748 - 1811). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38274] £160.00 (£192.00 incl.VAT)
Federico Barocci Pinx.t. R. Earlom delin.t. J.S. Miller Sculpsit.
John Boydell excudit, London 1767.
Engraving. Platemark: Very large margins.
The Holy Family; an infant John the Baptist, holding a reed cross, presents flowers to the child Christ, sitting in the Virgins lap, grasping at them with his right hand. Saint Joseph observes the scene from behind. After Barocci's painting, then in the collection of Duke of Devonshire (1748 - 1811). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38274] £160.00 (£192.00 incl.VAT)
![[The Holy Family.]](jpegs/10502.jpg)
[The Holy Family.]
P.P. Rubens Eqs,, pinxt. John & Andw, Van Rymsdyk Fecit.
[London, c.1760s.]
Mezzotint, sheet 415 x 320mm. 16¼ x 12½". Trimmed within plate, lacking title.
The Virgin Mary holding Christ in her lap with a lamb beside them, over which St John stands, left hand on the animal's ear. St Anne stands to right, smilng and presenting St John to the others. After Peter Paul Rubens (1577 - 1640).
Chaloner Smith: undescribed. Capper Archive.
[Ref: 10502] £230.00 (£276.00 incl.VAT)
P.P. Rubens Eqs,, pinxt. John & Andw, Van Rymsdyk Fecit.
[London, c.1760s.]
Mezzotint, sheet 415 x 320mm. 16¼ x 12½". Trimmed within plate, lacking title.
The Virgin Mary holding Christ in her lap with a lamb beside them, over which St John stands, left hand on the animal's ear. St Anne stands to right, smilng and presenting St John to the others. After Peter Paul Rubens (1577 - 1640).
Chaloner Smith: undescribed. Capper Archive.
[Ref: 10502] £230.00 (£276.00 incl.VAT)
![[The Holy Family.]](jpegs/19839.jpg)
[The Holy Family.]
P.P. Rubbens Eq.s Pinx.t. John & And.r Van Rymsdyk Fecit.
[n.d., c.1770.]
Fine mezzotint. Sheet 410 x 320mm, 16 x 12½". Laid on album paper, creased, damage in margins, cut to image on 3 sides. Unidentified collector's stamp verso.
The Virgin Mary crouched, holding the infant Christ. On the right stands the infant John the Baptist, astride a sheeep, and the elderly St. Anne. Jan van Rymsdyk (1730-90), is best known for his engravings for William Hunter's 'Anatomia uteri umani gravidi' (The anatomy of the human gravid uterus exhibited in figures), published 1774. Challoner Smith describes a portrait of the Prince & Princess of Orange as 'his only known mezzotinto' (CS p.1044). He was a collector of drawings, and owned thirty-odd important items, including ones by Rembrandt and Van Dyck. He engraved this plate with his son, Andreas.
[Ref: 19839] £95.00 (£114.00 incl.VAT)
P.P. Rubbens Eq.s Pinx.t. John & And.r Van Rymsdyk Fecit.
[n.d., c.1770.]
Fine mezzotint. Sheet 410 x 320mm, 16 x 12½". Laid on album paper, creased, damage in margins, cut to image on 3 sides. Unidentified collector's stamp verso.
The Virgin Mary crouched, holding the infant Christ. On the right stands the infant John the Baptist, astride a sheeep, and the elderly St. Anne. Jan van Rymsdyk (1730-90), is best known for his engravings for William Hunter's 'Anatomia uteri umani gravidi' (The anatomy of the human gravid uterus exhibited in figures), published 1774. Challoner Smith describes a portrait of the Prince & Princess of Orange as 'his only known mezzotinto' (CS p.1044). He was a collector of drawings, and owned thirty-odd important items, including ones by Rembrandt and Van Dyck. He engraved this plate with his son, Andreas.
[Ref: 19839] £95.00 (£114.00 incl.VAT)
The Holy Family.
P.P. Rubbens Eq.s Pinx.t. John & And.r Van Rymsdyk Fecit.
[n.d., c.1770.]
Mezzotint. 445 x 325mm, 17 x 13".
The Virgin Mary crouched, holding the infant Christ. On the right stands the infant John the Baptist, astride a sheep, and the elderly St. Anne. Jan van Rymsdyk (1730-90), is best known for his engravings for William Hunter's 'Anatomia uteri umani gravidi' (The anatomy of the human gravid uterus exhibited in figures), published 1774. Challoner Smith describes a portrait of the Prince & Princess of Orange as 'his only known mezzotinto' (CS p.1044). He was a collector of drawings, and owned thirty-odd important items, including ones by Rembrandt and Van Dyck. He engraved this plate with his son, Andreas.
[Ref: 19840] £130.00 (£156.00 incl.VAT)
P.P. Rubbens Eq.s Pinx.t. John & And.r Van Rymsdyk Fecit.
[n.d., c.1770.]
Mezzotint. 445 x 325mm, 17 x 13".
The Virgin Mary crouched, holding the infant Christ. On the right stands the infant John the Baptist, astride a sheep, and the elderly St. Anne. Jan van Rymsdyk (1730-90), is best known for his engravings for William Hunter's 'Anatomia uteri umani gravidi' (The anatomy of the human gravid uterus exhibited in figures), published 1774. Challoner Smith describes a portrait of the Prince & Princess of Orange as 'his only known mezzotinto' (CS p.1044). He was a collector of drawings, and owned thirty-odd important items, including ones by Rembrandt and Van Dyck. He engraved this plate with his son, Andreas.
[Ref: 19840] £130.00 (£156.00 incl.VAT)
![[The Holy Family?]](jpegs/46507.jpg)
[The Holy Family?]
[Unidentified, c.1600]
Engraving, sheet 360 x 265mm (14 x 10½"). Glued to backing sheet; severe damage; trimmed, losing text beneath image.
[Ref: 46507] £70.00 (£84.00 incl.VAT)
[Unidentified, c.1600]
Engraving, sheet 360 x 265mm (14 x 10½"). Glued to backing sheet; severe damage; trimmed, losing text beneath image.
[Ref: 46507] £70.00 (£84.00 incl.VAT)
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![[The Holy Family with St. Anna, holding the child.]](jpegs/19400.jpg)
[The Holy Family with St. Anna, holding the child.] Tenui eum; nec dimittam, donec Introducam illum in Domum Matris meae. Et in Cubiculum Genitricis Meae. Cant. 3.
[Abraham a Diepenbeke inventit.] Petrus de Iode Sculpsit Antwerpiae.
[n.d. c.1670.]
Engraving Plate 311 x 407mm. 12¼ x 16". Repaired tear in bottom centre.
By Pieter de Jode II (1601-74) after Abraham van Diepenbeeck (1596-1675), a painter and designer of prints and tapestries much influenced by Rubens.
Hollstein 3.II
[Ref: 19400] £160.00 (£192.00 incl.VAT)
[Abraham a Diepenbeke inventit.] Petrus de Iode Sculpsit Antwerpiae.
[n.d. c.1670.]
Engraving Plate 311 x 407mm. 12¼ x 16". Repaired tear in bottom centre.
By Pieter de Jode II (1601-74) after Abraham van Diepenbeeck (1596-1675), a painter and designer of prints and tapestries much influenced by Rubens.
Hollstein 3.II
[Ref: 19400] £160.00 (£192.00 incl.VAT)
The Holy Friar.
Woodward del. Rowlandson sc.
Lond. Pub. June 15th 1807 by T. Tegg, 111 Cheapside.
Etching with hand-colouring. Sheet 270 x 215mm (10½ x 8½"). Trimmed within platemark.
Two gluttenous friars feast in a Gothic cloister, seated in easy chairs. A lean old friar or lay brother brings in a sucking-pig. An illustrated songsheet, containing the lines 'What Baron, or Squire, or Knight of the Shire, Lives half so well as a Holy Friar'.
BM Satires 10924; Grego: ii 72.
[Ref: 51679] £190.00 (£228.00 incl.VAT)
Woodward del. Rowlandson sc.
Lond. Pub. June 15th 1807 by T. Tegg, 111 Cheapside.
Etching with hand-colouring. Sheet 270 x 215mm (10½ x 8½"). Trimmed within platemark.
Two gluttenous friars feast in a Gothic cloister, seated in easy chairs. A lean old friar or lay brother brings in a sucking-pig. An illustrated songsheet, containing the lines 'What Baron, or Squire, or Knight of the Shire, Lives half so well as a Holy Friar'.
BM Satires 10924; Grego: ii 72.
[Ref: 51679] £190.00 (£228.00 incl.VAT)
![[Holy Island Cathl.]](jpegs/39784.jpg)
[Holy Island Cathl.]
H.y G.Webb [pencil signature.]
[n.d. c.1900.]
Etching, signed in pencil. Plate: 175 x 270mm (7 x 10½"). Small tear into lower left of margin.
The ruined priory on Lindisfarne, also known as Holy Island, Northumberland. It was founded c.635 with the backing of the King of Northumbria at nearby Bamburgh Castle but, after constant viking raids, was abandoned in 875 in favour of Durham. It was re-established in 1093 as a Benedictine house and continued until its suppression in 1536 under Henry VII. It is now an English Heritage property Harry George Webb (1882-1914) was a landscape and architectural painter and etcher, who exhibited at the Royal Academy and the Royal Society of Etchers. He set up the Caradoc Press in Chiswick in 1899 with his wife Hesba.
[Ref: 39784] £70.00 (£84.00 incl.VAT)
H.y G.Webb [pencil signature.]
[n.d. c.1900.]
Etching, signed in pencil. Plate: 175 x 270mm (7 x 10½"). Small tear into lower left of margin.
The ruined priory on Lindisfarne, also known as Holy Island, Northumberland. It was founded c.635 with the backing of the King of Northumbria at nearby Bamburgh Castle but, after constant viking raids, was abandoned in 875 in favour of Durham. It was re-established in 1093 as a Benedictine house and continued until its suppression in 1536 under Henry VII. It is now an English Heritage property Harry George Webb (1882-1914) was a landscape and architectural painter and etcher, who exhibited at the Royal Academy and the Royal Society of Etchers. He set up the Caradoc Press in Chiswick in 1899 with his wife Hesba.
[Ref: 39784] £70.00 (£84.00 incl.VAT)
The Holy Land. Exhibiting The Places & Cities Mentioned In The Old & New Testament.
[n.d., c.1845.]
Aquatint engraving on india laid paper, image 230 x 660mm. Bad vertical centre crease.
Panoramic view of Palestine and its coastline, the geographic features, towns and cities referenced in the Bible are numbered in the plate, with key text below image.
[Ref: 8047] £260.00 (£312.00 incl.VAT)
[n.d., c.1845.]
Aquatint engraving on india laid paper, image 230 x 660mm. Bad vertical centre crease.
Panoramic view of Palestine and its coastline, the geographic features, towns and cities referenced in the Bible are numbered in the plate, with key text below image.
[Ref: 8047] £260.00 (£312.00 incl.VAT)
Et Apparverut Illis Dispertitae Liguae Taqua Ignis, Sedito Super Sigulos Eorv et Repleti Oes Spiritu Scto. Act.2.
M. de Vos Invent. Johannes Sadeler fecit et excud:
Cum privilegio. [n.d., c.1585.]
Engraving. Plate: 205 x 240mm (8 x 9½''). Staining in margins top left.
A biblical scene showing the apparition of the Holy Spirit in the form of a dove. Engraved by Jan Sadeler after Maarten de Vos.
[Ref: 49740] £50.00 (£60.00 incl.VAT)
M. de Vos Invent. Johannes Sadeler fecit et excud:
Cum privilegio. [n.d., c.1585.]
Engraving. Plate: 205 x 240mm (8 x 9½''). Staining in margins top left.
A biblical scene showing the apparition of the Holy Spirit in the form of a dove. Engraved by Jan Sadeler after Maarten de Vos.
[Ref: 49740] £50.00 (£60.00 incl.VAT)
![[The Holy Trinity]](jpegs/46505.jpg)
[The Holy Trinity] Lass.ma Trinita
Millo inc. in Nizza 1833
Engraving, platemark 200 x 140mm (8 x 5½"). Small margins.
Provenance: Rokeby Park Durham.
[Ref: 46505] £120.00 (£144.00 incl.VAT)
Millo inc. in Nizza 1833
Engraving, platemark 200 x 140mm (8 x 5½"). Small margins.
Provenance: Rokeby Park Durham.
[Ref: 46505] £120.00 (£144.00 incl.VAT)
![[The Baptism of Christ]](jpegs/48003.jpg)
[The Baptism of Christ]
H. Bol Inv. A.C. Scu. [...] Sadl. excu [c.1590]
Engraving, platemark 215 x 250mm (8½ x 10"). Glued to backing sheet at top.
One of a set of three plates depicting the Holy Trinity, engraved by Adriaen Collaert after Hans Bol (1534-93). Bol was a Flemish painter active in various towns in what is now Belgium and the Netherlands. He moved to the northern Netherlands in 1584 to escape religious persecution, and died in Amsterdam. A gifted draughtsman, many of his drawings were made into prints.
[Ref: 48003] £220.00 (£264.00 incl.VAT)
H. Bol Inv. A.C. Scu. [...] Sadl. excu [c.1590]
Engraving, platemark 215 x 250mm (8½ x 10"). Glued to backing sheet at top.
One of a set of three plates depicting the Holy Trinity, engraved by Adriaen Collaert after Hans Bol (1534-93). Bol was a Flemish painter active in various towns in what is now Belgium and the Netherlands. He moved to the northern Netherlands in 1584 to escape religious persecution, and died in Amsterdam. A gifted draughtsman, many of his drawings were made into prints.
[Ref: 48003] £220.00 (£264.00 incl.VAT)
A Perspective View of the Palace of Holyrood house from the South East.
Pub. H. Paton 21 Horse Wynd College Edin.r. [n.d., c.1830.]
Engraving, with large margins. 205 x 330mm, 8 x 13". Edges frayed.
A reissue of the view after John Elphinstone, originally published c.1740, still showing the roof of the abbey church that collapsed in 1768 and never replaced.
[Ref: 26544] £85.00 (£102.00 incl.VAT)
Pub. H. Paton 21 Horse Wynd College Edin.r. [n.d., c.1830.]
Engraving, with large margins. 205 x 330mm, 8 x 13". Edges frayed.
A reissue of the view after John Elphinstone, originally published c.1740, still showing the roof of the abbey church that collapsed in 1768 and never replaced.
[Ref: 26544] £85.00 (£102.00 incl.VAT)
Inside of the Chappel Royal of Holyroodhouse.
Wyck Delint. P. Mazell Sculpt.
[n.d., c.1745.]
Etching, 415 x 485mm.
The Palace of Holyroodhouse, or informally Holyrood Palace, founded as a monastery by David I of Scotland in 1128, has served as the principal residence of the Kings and Queens of Scotland since the 15th century. The Palace stands in Edinburgh at the bottom of the Royal Mile. The Palace of Holyroodhouse is the official residence in Scotland of the Queen.
[Ref: 7719] £320.00
Wyck Delint. P. Mazell Sculpt.
[n.d., c.1745.]
Etching, 415 x 485mm.
The Palace of Holyroodhouse, or informally Holyrood Palace, founded as a monastery by David I of Scotland in 1128, has served as the principal residence of the Kings and Queens of Scotland since the 15th century. The Palace stands in Edinburgh at the bottom of the Royal Mile. The Palace of Holyroodhouse is the official residence in Scotland of the Queen.
[Ref: 7719] £320.00
Inside of the Chapel Royal of Holyroodhouse.
Wyck Delin.t. P. Mazell Sculp.t.
[n.d. c.1760]
Engraving, plate 415 x 485mm (16¼ x 19). Small margins. Small tears going into plate but not into image top and bottom. Central crease
An interior view of Holyrood Palace with its high vaulted ceiling, stone columns and throne at the end of the hall.
[Ref: 62935] £260.00 (£312.00 incl.VAT)
Wyck Delin.t. P. Mazell Sculp.t.
[n.d. c.1760]
Engraving, plate 415 x 485mm (16¼ x 19). Small margins. Small tears going into plate but not into image top and bottom. Central crease
An interior view of Holyrood Palace with its high vaulted ceiling, stone columns and throne at the end of the hall.
[Ref: 62935] £260.00 (£312.00 incl.VAT)
Front View of the Royal Palace of Holy Rood House.
Ph. Mercier delin 1781.
Publish'd according to Act of Parliament Dec.r 1782.
Aquatint and etching, a very rich aquatint; paper watermarked. 280 x 375mm (11 x 14¾"). Crease, cut.
A front view of Holyrood Palace with the 16th century north-west tower on the left; the rest of the palace dates fron the 17th century. Holyrood Abbey was founded in 118 by David, King of Scots, and in the early 16th century, James IV constructed a palace adjacent to the abbey.
In the Hunteratina Museum and Art Gallery: GLAHA 9126.
[Ref: 30983] £240.00 (£288.00 incl.VAT)
Ph. Mercier delin 1781.
Publish'd according to Act of Parliament Dec.r 1782.
Aquatint and etching, a very rich aquatint; paper watermarked. 280 x 375mm (11 x 14¾"). Crease, cut.
A front view of Holyrood Palace with the 16th century north-west tower on the left; the rest of the palace dates fron the 17th century. Holyrood Abbey was founded in 118 by David, King of Scots, and in the early 16th century, James IV constructed a palace adjacent to the abbey.
In the Hunteratina Museum and Art Gallery: GLAHA 9126.
[Ref: 30983] £240.00 (£288.00 incl.VAT)
![[Holyrood Palace, Scotland.] 72.](jpegs/25816.jpg)
[Holyrood Palace, Scotland.] 72. [Holyrood Palace is the chief royal palace in Scotland, and the residence of Mary, Queen of Scots, for the six tragic years. The buildings are in an unimposing French style forming a quadrangle, with the historical apartments on one side the state apartments on the other. The Palace was begun in 1500 by James IV. Since the departure of James VI (1603) to ascend the English throne, Holyrood has seldom been visited, and never occupied for any length of time, by any crowned head. Queen Victoria occassionally used the Palace, and George V. and Queen Mary were in residence for some days n 1927.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching with accompanying letterpress text. 255 x 286mm. 10 x 11¼". Small crease to lower right corner
The Palace of Holyroodhouse, with a view of the ruined Augustinian abbey, founded in 1128 at the order of King David I of Scotland.
[Ref: 25816] £50.00 (£60.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching with accompanying letterpress text. 255 x 286mm. 10 x 11¼". Small crease to lower right corner
The Palace of Holyroodhouse, with a view of the ruined Augustinian abbey, founded in 1128 at the order of King David I of Scotland.
[Ref: 25816] £50.00 (£60.00 incl.VAT)
![The Palace of Holyrood [in image.]](jpegs/27374.jpg)
The Palace of Holyrood [in image.]
J.D. Harding [signed on stone].
[London: E. Gambert and J. Hogarth, c.1850s.]
Hand-coloured lithograph with gum arabic, image 300 x 440mm. 11¾ x 17¼". Wide margins.
The Palace of Holyroodhouse in Edinburgh, the Queen's official residence in Scotland; as seen over rooftops, figures on high road in foreground. For John Parker Lawson's folio 'Scotland delineated in a series of Views...' (1847-1854, 2 vols), after various artists; the majority of plates were lithographed by James Duffield Harding (1798 - 1863). This print seems to be after Harding's own design.
Abbey Scenery 493, 3.
[Ref: 27374] £95.00 (£114.00 incl.VAT)
J.D. Harding [signed on stone].
[London: E. Gambert and J. Hogarth, c.1850s.]
Hand-coloured lithograph with gum arabic, image 300 x 440mm. 11¾ x 17¼". Wide margins.
The Palace of Holyroodhouse in Edinburgh, the Queen's official residence in Scotland; as seen over rooftops, figures on high road in foreground. For John Parker Lawson's folio 'Scotland delineated in a series of Views...' (1847-1854, 2 vols), after various artists; the majority of plates were lithographed by James Duffield Harding (1798 - 1863). This print seems to be after Harding's own design.
Abbey Scenery 493, 3.
[Ref: 27374] £95.00 (£114.00 incl.VAT)