A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Hempson. The Harper Of Magilligan, County of L'Derby.
Engraved from an Original Drawing by E. Scriven.
London, Published by E. Bunting Nov.r 1809.
Rare stipple, 275 x 200mm (10¾ x 8"), with large margins. Margins a little messy.
Illustration to Bunting's 'The Ancient Music of Ireland'. Almost whole length seated portrait of Donnchadh Ó hAmhsaigh (1695-1807)(known in english as Denis Hempson) eyes closed playing the harp. An Irish harpist, he also gained the nickname 'the man with two heads' as he had a large growth (wen).
[Ref: 61676] £280.00 (£336.00 incl.VAT)
Engraved from an Original Drawing by E. Scriven.
London, Published by E. Bunting Nov.r 1809.
Rare stipple, 275 x 200mm (10¾ x 8"), with large margins. Margins a little messy.
Illustration to Bunting's 'The Ancient Music of Ireland'. Almost whole length seated portrait of Donnchadh Ó hAmhsaigh (1695-1807)(known in english as Denis Hempson) eyes closed playing the harp. An Irish harpist, he also gained the nickname 'the man with two heads' as he had a large growth (wen).
[Ref: 61676] £280.00 (£336.00 incl.VAT)
Humphry Henchman, Bishop of London.
[n.d. c.1820s]
Watercolour. 155 x 190mm.
[1592 - 1675]. By George Perfect Harding [1781 - 1853], portrait painter, copyist and antiquary.
[Ref: 2969] £240.00 (£288.00 incl.VAT)
[n.d. c.1820s]
Watercolour. 155 x 190mm.
[1592 - 1675]. By George Perfect Harding [1781 - 1853], portrait painter, copyist and antiquary.
[Ref: 2969] £240.00 (£288.00 incl.VAT)
Vera Effigies Rev:mi Viri D:mi Alex: Hendersoni Scoto-Britanni. Yow that can find no object where to place / Your wonder, Come behold this gratious face. / Tis He the great Reformer of his dayes / That pow'rfull Light who spread the brighter rayes / Through Brittain half benighted, which did make / Truth to Triumph, proud Babells Whoor to quake.
W. Hollar fe 1641 [after Anthony van Dyke.]
Etching. Sheet 155 x 110mm (6 x 4¼"). Trimmed within plate, mounted in album paper
Alexander Henderson (c. 1583-1646), one finger used as a bookmark. He was a Scottish theologian mainly responsible for the final form of the 'National Covenant' of 1636 (which pledged to maintain the 'true reformed religion' against the policies of Charles I) and the 'Solemn League and Covenant' of 1643 (which, after slight alteration, became law in both Scotland and England).
NPG D26867; see Scottish National Portrait Gallery PG 2227 for van Dyke's oil. Pennington: 1415.
[Ref: 42285] £120.00 (£144.00 incl.VAT)
W. Hollar fe 1641 [after Anthony van Dyke.]
Etching. Sheet 155 x 110mm (6 x 4¼"). Trimmed within plate, mounted in album paper
Alexander Henderson (c. 1583-1646), one finger used as a bookmark. He was a Scottish theologian mainly responsible for the final form of the 'National Covenant' of 1636 (which pledged to maintain the 'true reformed religion' against the policies of Charles I) and the 'Solemn League and Covenant' of 1643 (which, after slight alteration, became law in both Scotland and England).
NPG D26867; see Scottish National Portrait Gallery PG 2227 for van Dyke's oil. Pennington: 1415.
[Ref: 42285] £120.00 (£144.00 incl.VAT)
Vera Effigies Rev:mi Viri D:mi Alex: Hendersoni Scoto-Britanni. Yow that can find no object where to place / Your wonder, Come behold this gratious face. / Tis He the great Reformer of his dayes / That pow'rfull Light who spread the brighter rayes / Through Brittain half benighted, which did make / Truth to Triumph, proud Babells Whoor to quake.
W. Hollar fe 1641 [after Anthony van Dyke.]
Etching. Sheet 165 x 110mm (6½ x 4¼"). Trimmed within plate, laid on album paper, numeral ''14'' written in print area.
Alexander Henderson (c. 1583-1646), one finger used as a bookmark. He was a Scottish theologian mainly responsible for the final form of the 'National Covenant' of 1636 (which pledged to maintain the 'true reformed religion' against the policies of Charles I) and the 'Solemn League and Covenant' of 1643 (which, after slight alteration, became law in both Scotland and England).
NPG D26867; see Scottish National Portrait Gallery PG 2227 for van Dyke's oil. Pennington: 1415
[Ref: 42118] £95.00 (£114.00 incl.VAT)
W. Hollar fe 1641 [after Anthony van Dyke.]
Etching. Sheet 165 x 110mm (6½ x 4¼"). Trimmed within plate, laid on album paper, numeral ''14'' written in print area.
Alexander Henderson (c. 1583-1646), one finger used as a bookmark. He was a Scottish theologian mainly responsible for the final form of the 'National Covenant' of 1636 (which pledged to maintain the 'true reformed religion' against the policies of Charles I) and the 'Solemn League and Covenant' of 1643 (which, after slight alteration, became law in both Scotland and England).
NPG D26867; see Scottish National Portrait Gallery PG 2227 for van Dyke's oil. Pennington: 1415
[Ref: 42118] £95.00 (£114.00 incl.VAT)
John Henderson Esq.r
Published May 16th 1786 by J. Wingrave Park Street London.
Mezzotint with small margins, platemark 380 x 280mm (15 x 11"). Open letters; fine impression; slight foxing. Slight loss on left bottom outside platemark.
Anonymous portrait of John Henderson (bap.1747-d.1785), actor known as the 'Bath Roscius'. During his brief spell acting in London, he was admired as a successor to Garrick who had recently retired. Henderson's friends included Gainsborough, who also painted him.
O'D 20; CS (not attributed) 82; Ex collection of the late Hon. C. Lennox-Boyd; for an engraving after Gainsborough's portrait of Henderson, see ref. 30777.
[Ref: 34036] £350.00
Published May 16th 1786 by J. Wingrave Park Street London.
Mezzotint with small margins, platemark 380 x 280mm (15 x 11"). Open letters; fine impression; slight foxing. Slight loss on left bottom outside platemark.
Anonymous portrait of John Henderson (bap.1747-d.1785), actor known as the 'Bath Roscius'. During his brief spell acting in London, he was admired as a successor to Garrick who had recently retired. Henderson's friends included Gainsborough, who also painted him.
O'D 20; CS (not attributed) 82; Ex collection of the late Hon. C. Lennox-Boyd; for an engraving after Gainsborough's portrait of Henderson, see ref. 30777.
[Ref: 34036] £350.00
Mr Henderson in the Character of Macbeth.
Painted by George Romney. Engraved by John Jones.
Publish'd as the Act directs Decr. 1st. 1787, by J. Jones, Engraver No. 75, Great Portland Street.
Mezzotint, 455 x 540mm. Trimmed to platemark lower left.
Portrait of John Henderson (1747 - 1785) as Macbeth, looking over his left shoulder at the Three Witches. A procession passes across the landscape in the distance.
Chaloner Smith: 37, II.
[Ref: 8339] £420.00
Painted by George Romney. Engraved by John Jones.
Publish'd as the Act directs Decr. 1st. 1787, by J. Jones, Engraver No. 75, Great Portland Street.
Mezzotint, 455 x 540mm. Trimmed to platemark lower left.
Portrait of John Henderson (1747 - 1785) as Macbeth, looking over his left shoulder at the Three Witches. A procession passes across the landscape in the distance.
Chaloner Smith: 37, II.
[Ref: 8339] £420.00
The Seat of M. Mitchell, Esq.r Hengar, Cornwall.
Drawn & Etched by Rowlandson. Stadler Aquatinta.
London, Pub. Sept. 1 1809, by T. Tegg, 111 Cheapside.
Coloured aquatint with etching. Sheet 185 x 235mm (7¼ x 9¼"), watermarked 1809. Trimmed within plate. Taped in mount.
A harvest scene at Hengar House, home of Matthew Mitchell, a banker, a friend and patron of Rowlandson. From the subscription issue of Rowlandson's 'Sketches from Nature', issued fortnightly and not published as a book until 1822.
This edition not in Abbey, but see 33-7 for the edition of 1822. Ex.Collection Sarah Baynton-Williams.
[Ref: 58149] £230.00 (£276.00 incl.VAT)
Drawn & Etched by Rowlandson. Stadler Aquatinta.
London, Pub. Sept. 1 1809, by T. Tegg, 111 Cheapside.
Coloured aquatint with etching. Sheet 185 x 235mm (7¼ x 9¼"), watermarked 1809. Trimmed within plate. Taped in mount.
A harvest scene at Hengar House, home of Matthew Mitchell, a banker, a friend and patron of Rowlandson. From the subscription issue of Rowlandson's 'Sketches from Nature', issued fortnightly and not published as a book until 1822.
This edition not in Abbey, but see 33-7 for the edition of 1822. Ex.Collection Sarah Baynton-Williams.
[Ref: 58149] £230.00 (£276.00 incl.VAT)
Henley.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2414] £220.00 (£264.00 incl.VAT)
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2414] £220.00 (£264.00 incl.VAT)
Henley.
J. Farington R.A. del.t J.C. Stadler sculp.t
Pub. June 1, 1793, by J. & J. Boydell. Shakspeare Gallery Pall Mall, & No.90, Cheapside London.
Hand-coloured etching and aquatint. Image with border 209 x 316mm. 8¼ x 12½". Sheet 311 x 419mm. 12¼ x 16½".
View with the Thames on the left running to Henley in the middle distance, two figures sitting on a hill in the right foreground, a forest at the foot of the hill, a rainbow in the sky; after Farington; plate 27 to the first volume of "A History of the River Thames" within 'A History of the Principal Rivers of Great Britain' (1794). 1793
Abbey Scenery: 432.27.
[Ref: 25862] £220.00 (£264.00 incl.VAT)
J. Farington R.A. del.t J.C. Stadler sculp.t
Pub. June 1, 1793, by J. & J. Boydell. Shakspeare Gallery Pall Mall, & No.90, Cheapside London.
Hand-coloured etching and aquatint. Image with border 209 x 316mm. 8¼ x 12½". Sheet 311 x 419mm. 12¼ x 16½".
View with the Thames on the left running to Henley in the middle distance, two figures sitting on a hill in the right foreground, a forest at the foot of the hill, a rainbow in the sky; after Farington; plate 27 to the first volume of "A History of the River Thames" within 'A History of the Principal Rivers of Great Britain' (1794). 1793
Abbey Scenery: 432.27.
[Ref: 25862] £220.00 (£264.00 incl.VAT)
South View of the Bridge, Henley on Thames. Fawley Court in the distance.
Drawn from Nature & on Stone by H.C. Pidgeon. Printed by C. Hullmandel.
Published, by Hickman & Stapledon, Henley, 1830.
Large scarce and fine lithograph, image 275 x 435mm. 10¾ x 17¼". Some soiling and staining to surface; filled worm holes upper right, damaged.
Impressive view looking up the River Thames at Henley in south Oxfordshire, towards the five-arched Henley Bridge, built in 1786. An angler, a female companion, and dog in a punt in foreground, small sailing craft and ferry, two men on a jetty far left; a carriage crossing over the bridge. Fawley Court is a country house standing on the banks of the Thames just to the north, at Fawley. Perhaps a separately-issued print; the Henley publishers of this print also issued 'The Henley guide. With fifteen illustrations' in 1826.
Not in Abbey. See BL 010558384.
[Ref: 20588] £230.00 (£276.00 incl.VAT)
Drawn from Nature & on Stone by H.C. Pidgeon. Printed by C. Hullmandel.
Published, by Hickman & Stapledon, Henley, 1830.
Large scarce and fine lithograph, image 275 x 435mm. 10¾ x 17¼". Some soiling and staining to surface; filled worm holes upper right, damaged.
Impressive view looking up the River Thames at Henley in south Oxfordshire, towards the five-arched Henley Bridge, built in 1786. An angler, a female companion, and dog in a punt in foreground, small sailing craft and ferry, two men on a jetty far left; a carriage crossing over the bridge. Fawley Court is a country house standing on the banks of the Thames just to the north, at Fawley. Perhaps a separately-issued print; the Henley publishers of this print also issued 'The Henley guide. With fifteen illustrations' in 1826.
Not in Abbey. See BL 010558384.
[Ref: 20588] £230.00 (£276.00 incl.VAT)
![[John Henley] A Rationalist.](jpegs/48554.jpg)
[John Henley] A Rationalist. Drawn from the Life at the Oratory Chappel near Lincoln's Inn Fields, Where the Original may be seen every Sunday Evening.
Publish'd according to Act of Parlia.t [n.d., c.1750.]
Very scarce etching. Sheet: 155 x 135mm (6 x 5¼''). Trimmed.
A portrait of English clergyman John Henley (1692-1756), rector of Chelmondiston, who was known for his showmanship and eccentricity.
[Ref: 48554] £280.00 (£336.00 incl.VAT)
Publish'd according to Act of Parlia.t [n.d., c.1750.]
Very scarce etching. Sheet: 155 x 135mm (6 x 5¼''). Trimmed.
A portrait of English clergyman John Henley (1692-1756), rector of Chelmondiston, who was known for his showmanship and eccentricity.
[Ref: 48554] £280.00 (£336.00 incl.VAT)
![[Robert Lord Henley Baron of Grainge, C.S.]](jpegs/68376.jpg)
[Robert Lord Henley Baron of Grainge, C.S.]
[Tho.s Hudson Pinx.t. J.s M.cArdell fecit.]
Sold at the Golden Head in Covent Garden. Price 5s. [n.d. c.1761.]
Mezzotint, proof before letters. Sheet 395 x 275mm (15½ x 10¾"). Trimmed to image and into plate at bottom, notches in edges. Title area uncleaned.
Robert Henley (c.1708-72) in his Lord Chancellor's robes. In 1756 he was appointed Attorney General and knighted; in 1760 he became Baron Henley of Grange; in 1761 he became Lord Chanceller, then Lord President of the Council in 1766. In 1764 he became Earl of Northington. The original oil portrait is is the National Portrait Gallery.
CS: 104. Russell: 104, i of iii. Goodwin: 82. NPG: D38786. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68376] £260.00 (£312.00 incl.VAT)
[Tho.s Hudson Pinx.t. J.s M.cArdell fecit.]
Sold at the Golden Head in Covent Garden. Price 5s. [n.d. c.1761.]
Mezzotint, proof before letters. Sheet 395 x 275mm (15½ x 10¾"). Trimmed to image and into plate at bottom, notches in edges. Title area uncleaned.
Robert Henley (c.1708-72) in his Lord Chancellor's robes. In 1756 he was appointed Attorney General and knighted; in 1760 he became Baron Henley of Grange; in 1761 he became Lord Chanceller, then Lord President of the Council in 1766. In 1764 he became Earl of Northington. The original oil portrait is is the National Portrait Gallery.
CS: 104. Russell: 104, i of iii. Goodwin: 82. NPG: D38786. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68376] £260.00 (£312.00 incl.VAT)
Robert Lord Henley Baron of Grainge, C.S.
Tho.s Hudson Pinx.t. J.s M.cArdell fecit.
Sold at the Golden Head in Covent Garden. Price 5s. [n.d. c.1761.]
Mezzotint. 387 x 272mm (15¼ x 10¾"). Cut to plate.
Robert Henley (c.1708-72) in his Lord Chancellor's robes. In 1756 he was appointed Attorney General and knighted; in 1760 he became Baron Henley of Grange; in 1761 he became Lord Chanceller, then Lord President of the Council in 1766. In 1764 he became Earl of Northington. The original oil portrait is is the National Portrait Gallery.
CS: 104. Russell: 104, ii. Goodwin: 82, ii. NPG: D38786.
[Ref: 24770] £160.00 (£192.00 incl.VAT)
Tho.s Hudson Pinx.t. J.s M.cArdell fecit.
Sold at the Golden Head in Covent Garden. Price 5s. [n.d. c.1761.]
Mezzotint. 387 x 272mm (15¼ x 10¾"). Cut to plate.
Robert Henley (c.1708-72) in his Lord Chancellor's robes. In 1756 he was appointed Attorney General and knighted; in 1760 he became Baron Henley of Grange; in 1761 he became Lord Chanceller, then Lord President of the Council in 1766. In 1764 he became Earl of Northington. The original oil portrait is is the National Portrait Gallery.
CS: 104. Russell: 104, ii. Goodwin: 82, ii. NPG: D38786.
[Ref: 24770] £160.00 (£192.00 incl.VAT)
![[John Henniker.]](jpegs/29089.jpg)
[John Henniker.]
G. Romney p.t H. Hudson f.
[n.d. c.1786.]
Rare mezzotint, with collector's mark, proof before title. Plate 330 x 252mm (13 x 10"). Fine impression. Large margins.
John Henniker-Major, 2nd Baron Henniker (1752-1821), the British peer and Member of Parliament for New Romney, Steyning, Rutland and Stamford. In 1792 he assumed by Royal license the additional surname of Major.
Horne: 68. CS: 3. Ex Collection: Earl of Bute.
[Ref: 29089] £190.00 (£228.00 incl.VAT)
G. Romney p.t H. Hudson f.
[n.d. c.1786.]
Rare mezzotint, with collector's mark, proof before title. Plate 330 x 252mm (13 x 10"). Fine impression. Large margins.
John Henniker-Major, 2nd Baron Henniker (1752-1821), the British peer and Member of Parliament for New Romney, Steyning, Rutland and Stamford. In 1792 he assumed by Royal license the additional surname of Major.
Horne: 68. CS: 3. Ex Collection: Earl of Bute.
[Ref: 29089] £190.00 (£228.00 incl.VAT)
![[John Henniker]](jpegs/61601.jpg)
[John Henniker]
G. Romney p.t. H. Hudson f.t.
[n.d. c.1786]
Fine mezzotint proof before title, 18th century watermarked paper; 325 x 250mm (12¾ x 9¾"), with large margins. Some light foxing in margins.
Half-length portrait of British peer and Member of Parliament, John Henniker-Major, 2nd Baron Henniker (1752-1821). He wears a powdered wig, dark coat and cravat.
CS 3. Horne 68 I.
[Ref: 61601] £260.00 (£312.00 incl.VAT)
G. Romney p.t. H. Hudson f.t.
[n.d. c.1786]
Fine mezzotint proof before title, 18th century watermarked paper; 325 x 250mm (12¾ x 9¾"), with large margins. Some light foxing in margins.
Half-length portrait of British peer and Member of Parliament, John Henniker-Major, 2nd Baron Henniker (1752-1821). He wears a powdered wig, dark coat and cravat.
CS 3. Horne 68 I.
[Ref: 61601] £260.00 (£312.00 incl.VAT)
![[Facsimile:] Major Henniker 2nd Life Guards.](jpegs/24831.jpg)
[Facsimile:] Major Henniker 2nd Life Guards.
George Richmond del.t Lowes Dickinson lithog.
Printed by C. Hullmandel. [n.d. c.1840.]
Lithograph, rare. 420 x 305mm. 16½ x 12".
John Major-Henniker, 4th Baron Henniker (1801-1870), was a British peer and Member of Parliament. In 1849 he was appointed High Sheriff of Suffolk.
NAM: 1996-06-190.
[Ref: 24831] £140.00 (£168.00 incl.VAT)
George Richmond del.t Lowes Dickinson lithog.
Printed by C. Hullmandel. [n.d. c.1840.]
Lithograph, rare. 420 x 305mm. 16½ x 12".
John Major-Henniker, 4th Baron Henniker (1801-1870), was a British peer and Member of Parliament. In 1849 he was appointed High Sheriff of Suffolk.
NAM: 1996-06-190.
[Ref: 24831] £140.00 (£168.00 incl.VAT)
Henricus III D. G. Francorum et Eoniae Rex MDLXXXVI.
Hieronymus Wierix sculp.
[Antwerp, n.d., c.1586.]
Engraving. Sheet 60 x 80mm (2½ x 3¼"). Trimmed to plate.
Henri III (1551-89), son of Henri II and Catherine de' Medici, king of the Polish-Lithuanian Commonwealth 1573-5 and king of France from 1574 until his death. His childless marriage sparked the last of the French Wars of Religion. He was assassinated by Dominican monk Jacques Clément. The engraver, Hieronymus Wierix (1553-1619) was a child prodigy, becoming a master aged 19.
[Ref: 51655] £620.00
Hieronymus Wierix sculp.
[Antwerp, n.d., c.1586.]
Engraving. Sheet 60 x 80mm (2½ x 3¼"). Trimmed to plate.
Henri III (1551-89), son of Henri II and Catherine de' Medici, king of the Polish-Lithuanian Commonwealth 1573-5 and king of France from 1574 until his death. His childless marriage sparked the last of the French Wars of Religion. He was assassinated by Dominican monk Jacques Clément. The engraver, Hieronymus Wierix (1553-1619) was a child prodigy, becoming a master aged 19.
[Ref: 51655] £620.00
![[Henry IV] Le Roy part pour la guerre d'Allemagne.](jpegs/66868.jpg)
[Henry IV] Le Roy part pour la guerre d'Allemagne.
Rubens Pinxit J.B. Nattier delineavit. J. Audran sculpsit.
A Paris chez le S.r Duchange Graveur du Roy rüe S.t Jacques audessus de la rüe des Mathurins. Avec Privilege du Roy [n.d., c.1710.]
Etching with engraving. 505 x 345mm (20 x 13½"), large margins. Mount burn.
Henri IV conferring the Regency to Marie de' Medici when he leaves for the war in Germany in 1609 (The War of the Jülich Succession). The Dauphin (later Louix XIII) takes her hand. Behind the queen are Prudence and Generosity.
[Ref: 66868] £280.00 (£336.00 incl.VAT)
Rubens Pinxit J.B. Nattier delineavit. J. Audran sculpsit.
A Paris chez le S.r Duchange Graveur du Roy rüe S.t Jacques audessus de la rüe des Mathurins. Avec Privilege du Roy [n.d., c.1710.]
Etching with engraving. 505 x 345mm (20 x 13½"), large margins. Mount burn.
Henri IV conferring the Regency to Marie de' Medici when he leaves for the war in Germany in 1609 (The War of the Jülich Succession). The Dauphin (later Louix XIII) takes her hand. Behind the queen are Prudence and Generosity.
[Ref: 66868] £280.00 (£336.00 incl.VAT)
![[Henri IV of France]](jpegs/40068.jpg)
[Henri IV of France] Henricus Magnus IIIIid Rex Gallorum [...]
[1660]
Engraving with accompanying letterpress sheet, 17th century watermark; each 470 x 350mm (18½ x 13¾"). Large margins on 3 sides. Remargined on left.
Henri IV (1553-1610), king of France from 1589 until his death. Baptised as a Catholic but raised as a Protestant, the conflict between the two faiths in 16th century France was the leitmotif of Henri's rule. He had already led Protestant forces against the royal army before succeeding his brother-in-law and distant cousin Henri III as king of France, and although he promulgated the Edict of Nantes in 1598 which effectively ended the French Wars of Religion, the underlying tensions remained. Despite his moderacy, Henri was viewed with suspicion by both Catholics and Protestants, and after surviving at least twelve assassination attempts, he was murdered by the fanatical Catholic François Ravaillac in 1610. From 'Les Portraits des Hommes Illustres Francois qui sont Peints dans la Galerie du Palais Cardinal de Richelieu' (1660). The book reproduces the portraits of great men (and women) hanging in Richelieu's 'Galerie des hommes illustres' by Simon Vouet and Philippe de Champaigne (although only four of the original paintings survive). The final 'illustrious figure' was Richelieu himself.
[Ref: 40068] £240.00 (£288.00 incl.VAT)
[1660]
Engraving with accompanying letterpress sheet, 17th century watermark; each 470 x 350mm (18½ x 13¾"). Large margins on 3 sides. Remargined on left.
Henri IV (1553-1610), king of France from 1589 until his death. Baptised as a Catholic but raised as a Protestant, the conflict between the two faiths in 16th century France was the leitmotif of Henri's rule. He had already led Protestant forces against the royal army before succeeding his brother-in-law and distant cousin Henri III as king of France, and although he promulgated the Edict of Nantes in 1598 which effectively ended the French Wars of Religion, the underlying tensions remained. Despite his moderacy, Henri was viewed with suspicion by both Catholics and Protestants, and after surviving at least twelve assassination attempts, he was murdered by the fanatical Catholic François Ravaillac in 1610. From 'Les Portraits des Hommes Illustres Francois qui sont Peints dans la Galerie du Palais Cardinal de Richelieu' (1660). The book reproduces the portraits of great men (and women) hanging in Richelieu's 'Galerie des hommes illustres' by Simon Vouet and Philippe de Champaigne (although only four of the original paintings survive). The final 'illustrious figure' was Richelieu himself.
[Ref: 40068] £240.00 (£288.00 incl.VAT)
The Duke of Bordeaux.
N. d. Natur gez v. Prof. Kruger. Konigl. lith. Institut zu Berlin. Lith. v. C. Wildt.
London, Published by Hering & Remington; 137, Regent Street. [n.d., c.1855.]
Lithograph on india laid paper, india 395 x 300mm. 15½ x 11¾".
Henri V of France and Navarre (Henri Charles Ferdinand Marie Dieudonné d'Artois de France, 1820 - 1883), best known by his title comte de Chambord, was Duke of Bordeaux and Count of Chambord, and disputedly King of France and Navarre from 2-9 August 1830 and afterwards the Legitimist pretender to the throne of France from 1844 to 1883. Henri was the posthumous son of Charles Ferdinand, duc de Berry, younger son of Charles X of France, by his wife, Princess Caroline Ferdinande Louise of the Two Sicilies, daughter of Francis I of the Two Sicilies.
[Ref: 12369] £140.00 (£168.00 incl.VAT)
N. d. Natur gez v. Prof. Kruger. Konigl. lith. Institut zu Berlin. Lith. v. C. Wildt.
London, Published by Hering & Remington; 137, Regent Street. [n.d., c.1855.]
Lithograph on india laid paper, india 395 x 300mm. 15½ x 11¾".
Henri V of France and Navarre (Henri Charles Ferdinand Marie Dieudonné d'Artois de France, 1820 - 1883), best known by his title comte de Chambord, was Duke of Bordeaux and Count of Chambord, and disputedly King of France and Navarre from 2-9 August 1830 and afterwards the Legitimist pretender to the throne of France from 1844 to 1883. Henri was the posthumous son of Charles Ferdinand, duc de Berry, younger son of Charles X of France, by his wife, Princess Caroline Ferdinande Louise of the Two Sicilies, daughter of Francis I of the Two Sicilies.
[Ref: 12369] £140.00 (£168.00 incl.VAT)
Andreas Henrickson. A Shore Laplander in his Winter Dress.
Drawn from Nature by Capn. de C. Brooke: Drawn on Stone by D: Dighton.
London Pubd. by Rodwell and Martin New Bond Street. Printed by C. Hullmandel. [n.d. c.1825.]
Lithograph. 260 x 184mm. 10¼ x 7¼".
From a collection of drawings made by Captain A. deC. Brooke during two journeys to Scandinavia, 1820 and 1820-21.
Abbey: 248.
[Ref: 15134] £120.00 (£144.00 incl.VAT)
Drawn from Nature by Capn. de C. Brooke: Drawn on Stone by D: Dighton.
London Pubd. by Rodwell and Martin New Bond Street. Printed by C. Hullmandel. [n.d. c.1825.]
Lithograph. 260 x 184mm. 10¼ x 7¼".
From a collection of drawings made by Captain A. deC. Brooke during two journeys to Scandinavia, 1820 and 1820-21.
Abbey: 248.
[Ref: 15134] £120.00 (£144.00 incl.VAT)
Henriette d'Angletterre, Duchesse d'Orleans derniere fille de Charles 1,err du nom Roy de la grande Bretagne et de Henriette Marie de France [...]
Graignon sculpsit.
A Paris chez L Boisseuvin. Avec privile du Roy [n.d., c.1665].
Fine etching, pl 17th century watermark. 205 x 150mm (8 x 6"). Narrow margins, old ink mss. in inscription area.
A portrait of Henrietta of England (1644-1670), daughter of Charles I and Henrietta Maria of France. She fled England with her mother as an infant in the midst of the English Civil War, to the court of King Louis XIV and married her cousin Phillipe of France, Duc D'Orleans.
[Ref: 69006] £130.00 (£156.00 incl.VAT)
Graignon sculpsit.
A Paris chez L Boisseuvin. Avec privile du Roy [n.d., c.1665].
Fine etching, pl 17th century watermark. 205 x 150mm (8 x 6"). Narrow margins, old ink mss. in inscription area.
A portrait of Henrietta of England (1644-1670), daughter of Charles I and Henrietta Maria of France. She fled England with her mother as an infant in the midst of the English Civil War, to the court of King Louis XIV and married her cousin Phillipe of France, Duc D'Orleans.
[Ref: 69006] £130.00 (£156.00 incl.VAT)
![[Henrietta of England] Henriette Stuard, Duchesse d'Orleans](jpegs/69007.jpg)
[Henrietta of England] Henriette Stuard, Duchesse d'Orleans Fille de Charles Stuard Roy d'Angleterre [...]
De Larmessin sculpsit.
A Paris chez P. Bertrand Rüe St Jacques à la Pomme d'or Proche St Severin Avec Privil. du Roy [n.d., c.1665.]
Engraving. 155 x 220mm (6 x 8¾"), with large margins.
A portrait of Henrietta of England (1644-1670), daughter of Charles I and Henrietta Maria of France. She fled England with her mother as an infant in the midst of the English Civil War, to the court of King Louis XIV and married her cousin Phillipe of France, Duc D'Orleans.
[Ref: 69007] £130.00 (£156.00 incl.VAT)
De Larmessin sculpsit.
A Paris chez P. Bertrand Rüe St Jacques à la Pomme d'or Proche St Severin Avec Privil. du Roy [n.d., c.1665.]
Engraving. 155 x 220mm (6 x 8¾"), with large margins.
A portrait of Henrietta of England (1644-1670), daughter of Charles I and Henrietta Maria of France. She fled England with her mother as an infant in the midst of the English Civil War, to the court of King Louis XIV and married her cousin Phillipe of France, Duc D'Orleans.
[Ref: 69007] £130.00 (£156.00 incl.VAT)
Henrica Maria Dei Gratia Magnae Britaniae Franciaae Hibern. Regina.
Anton van Dyck Pinxit. [Ioan. Meyssens] fecit et excud.
[n.d. c.1650. Bit later]
Engraving with etching, 17th century watermark, sheet 235 x 175mm (9¼ x 7"). Trimmed to plate, glued on album sheet at edges. Slightly scuffed.
Half-length portrait of Henrietta Maria, Queen of Charles I (1609-1669). Looking towards the viewer, wearing a low-cut dress with puffed sleeves and laced cuffs, with pearl chains in her hair, around her neck and on the dress, and precious stones around her upper body and arm. A crown is in the background.
NH 118.IV. Mauquoy-Hendrickx 142 .IV of IV.
[Ref: 59394] £180.00 (£216.00 incl.VAT)
Anton van Dyck Pinxit. [Ioan. Meyssens] fecit et excud.
[n.d. c.1650. Bit later]
Engraving with etching, 17th century watermark, sheet 235 x 175mm (9¼ x 7"). Trimmed to plate, glued on album sheet at edges. Slightly scuffed.
Half-length portrait of Henrietta Maria, Queen of Charles I (1609-1669). Looking towards the viewer, wearing a low-cut dress with puffed sleeves and laced cuffs, with pearl chains in her hair, around her neck and on the dress, and precious stones around her upper body and arm. A crown is in the background.
NH 118.IV. Mauquoy-Hendrickx 142 .IV of IV.
[Ref: 59394] £180.00 (£216.00 incl.VAT)
Henrietta Maria Dei Gratia Angliae Scotiae Franciae et Hiberniae Regina & c.
Antonius Van Dyck Eques Pinxit.
Sold by Alexander Browne at y.e blew balcony in little Queen Street. [n.d. c.1680]
Mezzotint. 335 x 250mm (13¼ x 9¾"). Taped into mount at top. Light foxing, top right corner repaired tear, thread margins and light creasing top left.
Three-quarter length portrait of Henrietta Maria of France, Queen of Charles I (1609-69). She wears a low dress with a wide collar, pearl necklace and ornaments. Her hands are folded before her holding a rose. There is a table to the right with a crown on it.
CS13. O'Donoghue 11. Turner B17 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64928] £280.00 (£336.00 incl.VAT)
Antonius Van Dyck Eques Pinxit.
Sold by Alexander Browne at y.e blew balcony in little Queen Street. [n.d. c.1680]
Mezzotint. 335 x 250mm (13¼ x 9¾"). Taped into mount at top. Light foxing, top right corner repaired tear, thread margins and light creasing top left.
Three-quarter length portrait of Henrietta Maria of France, Queen of Charles I (1609-69). She wears a low dress with a wide collar, pearl necklace and ornaments. Her hands are folded before her holding a rose. There is a table to the right with a crown on it.
CS13. O'Donoghue 11. Turner B17 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64928] £280.00 (£336.00 incl.VAT)
Henrietta, Queen of Charles I.
Ravenet sculp [c.1750]
Engraving, sheet 100 x 95mm (4 x 3¾"). Trimmed inside platemark.
Henrietta Maria (1609-69), queen consort to Charles I. Engraved after a portrait by Anthony van Dyck by Simon Francois Ravenet (1704-74), French engraver who moved to England and worked with artists including William Hogarth (on his 'Marriage à la Mode').
[Ref: 48008] £25.00 (£30.00 incl.VAT)
Ravenet sculp [c.1750]
Engraving, sheet 100 x 95mm (4 x 3¾"). Trimmed inside platemark.
Henrietta Maria (1609-69), queen consort to Charles I. Engraved after a portrait by Anthony van Dyck by Simon Francois Ravenet (1704-74), French engraver who moved to England and worked with artists including William Hogarth (on his 'Marriage à la Mode').
[Ref: 48008] £25.00 (£30.00 incl.VAT)
![[Henrietta Maria of France and her daughters.]](jpegs/43039.jpg)
[Henrietta Maria of France and her daughters.]
[Anon., c.1640.]
Engraving, sheet 270 x 215mm (10½ x 8½"). Tipped into album sheet; small hole upper left.
Henrietta Maria (1609-1669), queen of England, Scotland and Ireland, and consort of Charles I, with her daughters Mary (1631-60), Anne (1637-40), and Elizabeth (1635-50). Henrietta Maria was the daughter of Henri IV, King of France and Marie de Medici. In 1625 she married Charles I, but the Civil War forced her to flee to France in 1644; she returned to England following the restoration (1660) and spent a few years at Somerset House as Dowager Queen until she returned to France in 1665.
[Ref: 43039] £360.00
[Anon., c.1640.]
Engraving, sheet 270 x 215mm (10½ x 8½"). Tipped into album sheet; small hole upper left.
Henrietta Maria (1609-1669), queen of England, Scotland and Ireland, and consort of Charles I, with her daughters Mary (1631-60), Anne (1637-40), and Elizabeth (1635-50). Henrietta Maria was the daughter of Henri IV, King of France and Marie de Medici. In 1625 she married Charles I, but the Civil War forced her to flee to France in 1644; she returned to England following the restoration (1660) and spent a few years at Somerset House as Dowager Queen until she returned to France in 1665.
[Ref: 43039] £360.00
Henriette Marie par la grace de Dieu Royne d'Angleterre.
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins Slight stain.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56411] £130.00 (£156.00 incl.VAT)
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins Slight stain.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56411] £130.00 (£156.00 incl.VAT)
Mary Queen of Engl: Scotl: Fran: & Ireland.
Van Dyke pinx. I. Smith fe: E. Cooper ex:
[n.d. c.1740.]
Mezzotint. Plate 190 x 140mm. 7½ x 5½". Damaged & loss on left, trimmed close to plate along left edge.
Henrietta Maria (1609-1669), Queen of Charles I, married in 1625; her Catholicism alienated many of her English subjects. She gave strong, loving support of Charles I during his troubles, and practical assistance during the Civil War by personally bringing munitions from France, and pawning her jewellery to raise funds.
CS: 127.ii/ii.
[Ref: 24328] £70.00 (£84.00 incl.VAT)
Van Dyke pinx. I. Smith fe: E. Cooper ex:
[n.d. c.1740.]
Mezzotint. Plate 190 x 140mm. 7½ x 5½". Damaged & loss on left, trimmed close to plate along left edge.
Henrietta Maria (1609-1669), Queen of Charles I, married in 1625; her Catholicism alienated many of her English subjects. She gave strong, loving support of Charles I during his troubles, and practical assistance during the Civil War by personally bringing munitions from France, and pawning her jewellery to raise funds.
CS: 127.ii/ii.
[Ref: 24328] £70.00 (£84.00 incl.VAT)
![[Henrietta Maria.]](jpegs/24632.jpg)
[Henrietta Maria.] Reyne dont les vertus egalent la beaute Ces trois Divinites vous cedent la Victoire Confessant qu'auiourd huy vous leur ostes la Gloire Des Grandeurs, des Appas, et de la Chastote.
NV Horst L. Cor. Galle fecit.
[n.d. c.1660.]
Engraving. 185 x 140mm. 7¼ x 5½".
Henrietta Maria with allegorical figures; Juno to right with peacock and cupid to left. Henrietta Maria of France (1609-1669) was the Queen Consort of England, Scotland and Ireland as the wife of King Charles I.
[Ref: 24632] £140.00 (£168.00 incl.VAT)
NV Horst L. Cor. Galle fecit.
[n.d. c.1660.]
Engraving. 185 x 140mm. 7¼ x 5½".
Henrietta Maria with allegorical figures; Juno to right with peacock and cupid to left. Henrietta Maria of France (1609-1669) was the Queen Consort of England, Scotland and Ireland as the wife of King Charles I.
[Ref: 24632] £140.00 (£168.00 incl.VAT)
Henrietta Maria, Queen of Great Britain.
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 323mm. 20½ x 12¾". Large margins.
Portrait of Queen Henrietta Maria (1609-1669), Queen of Charles I, standing with hand resting on a table with a crown and vase of roses. She was the daughter of Henri IV, King of France and Marie de Medicis. In 1625 she married Charles I, but the Civil War forced her to flee to France in 1644; she returned to England following the restoration (1660) and spent a few years at Somerset House as Dowager Queen until she returned to France in 1665.
[Ref: 21534] £260.00 (£312.00 incl.VAT)
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 323mm. 20½ x 12¾". Large margins.
Portrait of Queen Henrietta Maria (1609-1669), Queen of Charles I, standing with hand resting on a table with a crown and vase of roses. She was the daughter of Henri IV, King of France and Marie de Medicis. In 1625 she married Charles I, but the Civil War forced her to flee to France in 1644; she returned to England following the restoration (1660) and spent a few years at Somerset House as Dowager Queen until she returned to France in 1665.
[Ref: 21534] £260.00 (£312.00 incl.VAT)
Serenissima Potertissimaqs Henrica Maria dei gratia Magnae Britannia, Francia, Hibern. Regina.
Ant. van Dyck pinxit. Ioseph Couchet Sculp.
Gillis Hendricxs exc.
Engraving. Sheet: 220 x 310mm (8¾ x 12"). Trimmed and tipped into album sheet. Some damage.
A half-length portrait of Henrietta Maria (1609-1669), queen consort of Charles I of England and daughter of King Henry IV of France.
[Ref: 41945] £130.00 (£156.00 incl.VAT)
Ant. van Dyck pinxit. Ioseph Couchet Sculp.
Gillis Hendricxs exc.
Engraving. Sheet: 220 x 310mm (8¾ x 12"). Trimmed and tipped into album sheet. Some damage.
A half-length portrait of Henrietta Maria (1609-1669), queen consort of Charles I of England and daughter of King Henry IV of France.
[Ref: 41945] £130.00 (£156.00 incl.VAT)
![[Henrietta Maria.]](jpegs/42031.jpg)
[Henrietta Maria.] Les uns admirent sa Conduite. [/] Les autres sa Constance en sa juste douleur, [/] Mais pour exprimer son Merite; [/] On le Compare a son Malheur.
[n.d., c.1650.]
Engraving. Sheet: 130 x 180mm (5 x 7"). Trimmed within plate and tipped into album sheet.
A portrait of Charles I's queen consort Henrietta Maria (1609-1669), a French princess who became queen of England on her marriage to Charles I in 1625, shown here in her mourning attire. After the execution of Charles I, Henrietta Maria escaped to Paris and returned briefly on the Restoration of her son Charles II. The poem below is by Francois Matthieu Chatelet de Beauchateau, a child poet, born in 1645, who entertained the French Court and the Parliament of Oliver Cromwell with his poetry.
[Ref: 42031] £140.00 (£168.00 incl.VAT)
[n.d., c.1650.]
Engraving. Sheet: 130 x 180mm (5 x 7"). Trimmed within plate and tipped into album sheet.
A portrait of Charles I's queen consort Henrietta Maria (1609-1669), a French princess who became queen of England on her marriage to Charles I in 1625, shown here in her mourning attire. After the execution of Charles I, Henrietta Maria escaped to Paris and returned briefly on the Restoration of her son Charles II. The poem below is by Francois Matthieu Chatelet de Beauchateau, a child poet, born in 1645, who entertained the French Court and the Parliament of Oliver Cromwell with his poetry.
[Ref: 42031] £140.00 (£168.00 incl.VAT)
Henriette Marie de France Reine d'Angleterre Epouse de Charles I
Ant. Vandyck pinx. Chambers Sculp.
A Paris chez Chereau rue des Malhurins [c.1770]
Engraving with very large margins, platemark 290 x 210mm (11½ x 8¼").
Henrietta Maria (1609-1669), Queen of Charles I, married in 1625; her Catholicism alienated many of her English subjects. She gave strong, loving support of Charles I during his troubles, and practical assistance during the Civil War by personally bringing munitions from France, and pawning her jewellery to raise funds.
[Ref: 34255] £85.00 (£102.00 incl.VAT)
Ant. Vandyck pinx. Chambers Sculp.
A Paris chez Chereau rue des Malhurins [c.1770]
Engraving with very large margins, platemark 290 x 210mm (11½ x 8¼").
Henrietta Maria (1609-1669), Queen of Charles I, married in 1625; her Catholicism alienated many of her English subjects. She gave strong, loving support of Charles I during his troubles, and practical assistance during the Civil War by personally bringing munitions from France, and pawning her jewellery to raise funds.
[Ref: 34255] £85.00 (£102.00 incl.VAT)
England's Royal Pattern; or the History of King Charles ye first, from his Marriage to his Death. The Marriage of the King 1625.
L. Cheron Pinx.
[n.d., c.1750.]
Engraving, 18th century watermark. 405 x 460mm (16 x 18") very large margins. Small split in centre fold margin.
The marriage by proxy of Charles I and Henrietta Maria, after Louis Chéron (1660 - 1725). A copy of the print engraved by Nicholas Gabriel Depuis for the series 'The Most Remarkable Transactions of the Reign of Charles I', commissioned by Thomas Bowles in 1728.
[Ref: 59340] £290.00 (£348.00 incl.VAT)
L. Cheron Pinx.
[n.d., c.1750.]
Engraving, 18th century watermark. 405 x 460mm (16 x 18") very large margins. Small split in centre fold margin.
The marriage by proxy of Charles I and Henrietta Maria, after Louis Chéron (1660 - 1725). A copy of the print engraved by Nicholas Gabriel Depuis for the series 'The Most Remarkable Transactions of the Reign of Charles I', commissioned by Thomas Bowles in 1728.
[Ref: 59340] £290.00 (£348.00 incl.VAT)
Henry & Emma.
London, Publish'd 1.st July 1787, by R. Sayer 53 Fleet Street.
Hand coloured mezzotint with very large margins. Platemark: 150 x 110mm (6 x 4¼").
A scene depicting a couple in a landscape. A young woman in fashionable dress, holds a ribbon in both hands above a man's head. The well dressed man leans against a tree trunk with his feet crossed and a handkerchief held up to his left cheek.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33007] £140.00 (£168.00 incl.VAT)
London, Publish'd 1.st July 1787, by R. Sayer 53 Fleet Street.
Hand coloured mezzotint with very large margins. Platemark: 150 x 110mm (6 x 4¼").
A scene depicting a couple in a landscape. A young woman in fashionable dress, holds a ribbon in both hands above a man's head. The well dressed man leans against a tree trunk with his feet crossed and a handkerchief held up to his left cheek.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33007] £140.00 (£168.00 incl.VAT)
Henricus Walliae Princeps Natus Anno MDXCIII XIX Die Febuarii.
Crispin van de Pass excudit [n.d., 1604].
Engraving, 2 collector's marks verso. 145 x 90mm (5¾ x 3½"). Mounted in album paper at edges.
A half-length portrait in oval of Henry Frederick (1594-1612), Prince of Wales as the eldest son of James I & VI before he died of typhoid aged 18..
[Ref: 63583] £230.00 (£276.00 incl.VAT)
Crispin van de Pass excudit [n.d., 1604].
Engraving, 2 collector's marks verso. 145 x 90mm (5¾ x 3½"). Mounted in album paper at edges.
A half-length portrait in oval of Henry Frederick (1594-1612), Prince of Wales as the eldest son of James I & VI before he died of typhoid aged 18..
[Ref: 63583] £230.00 (£276.00 incl.VAT)
![[Portrait of Prince Henry]](jpegs/58978.jpg)
[Portrait of Prince Henry]
William Hole Sculp:
[n.d. c.1612]
Engraving, 17th century watermark, plate 195 x 125mm (7¾ x 5"), with large margins. Stains in margins. Wormhole that turns into a tear just enters plate in top left corner.
Full length portrait of Henry Frederick Stuart, Prince of Wales (1594-1612), wearing armour and sword, and holding a pike; beside him, a plumed helmet.
[Ref: 58978] £280.00 (£336.00 incl.VAT)
William Hole Sculp:
[n.d. c.1612]
Engraving, 17th century watermark, plate 195 x 125mm (7¾ x 5"), with large margins. Stains in margins. Wormhole that turns into a tear just enters plate in top left corner.
Full length portrait of Henry Frederick Stuart, Prince of Wales (1594-1612), wearing armour and sword, and holding a pike; beside him, a plumed helmet.
[Ref: 58978] £280.00 (£336.00 incl.VAT)
The trial of Mr. Cumberland for spreading the Distemper among the horned Cattle at St. Albans & other Parts
Engrav'd for the Oxford Magazine.
[n.d., c.1770.]
Engraving. Plate: 110 x 170mm (4¼ x 6¾''), with large margins. Marking.
An satirical print representing the Court of King's Bench during the trial of Prince Henry, Duke of Cumberland and Strathearn, for 'criminal conversation' (i.e. adultery) with Lady Grosvenor. The majority have animal heads.
BM Satire 4401.
[Ref: 48427] £120.00 (£144.00 incl.VAT)
Engrav'd for the Oxford Magazine.
[n.d., c.1770.]
Engraving. Plate: 110 x 170mm (4¼ x 6¾''), with large margins. Marking.
An satirical print representing the Court of King's Bench during the trial of Prince Henry, Duke of Cumberland and Strathearn, for 'criminal conversation' (i.e. adultery) with Lady Grosvenor. The majority have animal heads.
BM Satire 4401.
[Ref: 48427] £120.00 (£144.00 incl.VAT)
![[Henry Prince of Wales, Eldest Son of King James 1st.]](jpegs/18062.jpg)
[Henry Prince of Wales, Eldest Son of King James 1st.]
[Engraved by R. Dunkarton.]
[London: S. Woodburn, 1813-1814.]
Mezzotint, proof before all letters on india laid paper. 355 x 265mm (14 x 10½"). A fine, rich impression.
Henry Frederick Stuart (1594 - 1612), first child of King James VI of Scotland (later King James I of England) and Anne of Denmark, was born on February 19, 1594, at Stirling Castle in Scotland. The pride of his parents, the heir apparent was groomed for kingship from the beginning. Henry was created Prince of Wales at Westminster in June 1610, the paragon of a prince: he was intelligent, well read, an excellent swordsman, an avid patron of the arts, and possessed of a strict sense of morality. In November 1612 Henry suddenly took ill and died, probably of typhoid fever, though rumours circulated that the Prince was poisoned. Here he is depicted in armour during a lance drill, a jousting tournament in the background. A copy of the engraving by Willem de Passe, by Robert Dunkarton (1744 - c. 1815). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816. Another edition was published in 1830.
[Ref: 18062] £220.00 (£264.00 incl.VAT)
[Engraved by R. Dunkarton.]
[London: S. Woodburn, 1813-1814.]
Mezzotint, proof before all letters on india laid paper. 355 x 265mm (14 x 10½"). A fine, rich impression.
Henry Frederick Stuart (1594 - 1612), first child of King James VI of Scotland (later King James I of England) and Anne of Denmark, was born on February 19, 1594, at Stirling Castle in Scotland. The pride of his parents, the heir apparent was groomed for kingship from the beginning. Henry was created Prince of Wales at Westminster in June 1610, the paragon of a prince: he was intelligent, well read, an excellent swordsman, an avid patron of the arts, and possessed of a strict sense of morality. In November 1612 Henry suddenly took ill and died, probably of typhoid fever, though rumours circulated that the Prince was poisoned. Here he is depicted in armour during a lance drill, a jousting tournament in the background. A copy of the engraving by Willem de Passe, by Robert Dunkarton (1744 - c. 1815). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816. Another edition was published in 1830.
[Ref: 18062] £220.00 (£264.00 incl.VAT)
Henricus Princeps Walliae etc.
R. White Sculp.
Sam Mearne Excudit. [n.d. c.1700, but later?]
Engraving. Plate 157 x 102mm. 6¼ x 4".
Henry Frederick, Prince of Wales (1594-1612) was the eldest son of James I and VI and Anne of Denmark. He was widely seen as a bright and promising heir to his father's thrones; however, at the age of 18, he predeceased his father when he died of typhoid fever.
[Ref: 24344] £40.00 (£48.00 incl.VAT)
R. White Sculp.
Sam Mearne Excudit. [n.d. c.1700, but later?]
Engraving. Plate 157 x 102mm. 6¼ x 4".
Henry Frederick, Prince of Wales (1594-1612) was the eldest son of James I and VI and Anne of Denmark. He was widely seen as a bright and promising heir to his father's thrones; however, at the age of 18, he predeceased his father when he died of typhoid fever.
[Ref: 24344] £40.00 (£48.00 incl.VAT)
![[Henry Frederick] The Duke of Cumberland refusing to treat with the Rebels.](jpegs/59974.jpg)
[Henry Frederick] The Duke of Cumberland refusing to treat with the Rebels.
S,, Wale delin. C,, Grignion sculp.
[Oxford Magazine, 1769.]
Engraving. 90 x 110mm (3½ x 4¼").
A satire comparing the conduct of Henry Frederick, Duke of Cumberland, with that of his uncle, 'Butcher' Cumberland. In 1769 Henry Frederick was sued by Lord Grosvenor for 'criminal conversation' (that is, adultery) after the Duke and Lady Grosvenor were discovered in the act.
BM 4333.
[Ref: 59974] £65.00 (£78.00 incl.VAT)
S,, Wale delin. C,, Grignion sculp.
[Oxford Magazine, 1769.]
Engraving. 90 x 110mm (3½ x 4¼").
A satire comparing the conduct of Henry Frederick, Duke of Cumberland, with that of his uncle, 'Butcher' Cumberland. In 1769 Henry Frederick was sued by Lord Grosvenor for 'criminal conversation' (that is, adultery) after the Duke and Lady Grosvenor were discovered in the act.
BM 4333.
[Ref: 59974] £65.00 (£78.00 incl.VAT)
![[King Henry IV] Falstaffs Cowardice Detected, from an Original Painting in Vaux-hall Gardens.](jpegs/46151.jpg)
[King Henry IV] Falstaffs Cowardice Detected, from an Original Painting in Vaux-hall Gardens. 12 Prints being The Second Part of Dramatic and Humourous Pieces in Vaux-hall Gardens.
[after Francis Hayman]
Printed for Rob.t Sayer, at the Golden Buck in Fleet Street. [c.1750.]
Hand-coloured engraving. Plate: 175 x 275mm (7 x 11"). Staining in margins. Slight hole off image.
A scene showing Falstaff being arrested by two men who stand either side of him in a tavern. From a series of paintings exhibited in Vauxhall Gardens.
[Ref: 46151] £110.00 (£132.00 incl.VAT)
[after Francis Hayman]
Printed for Rob.t Sayer, at the Golden Buck in Fleet Street. [c.1750.]
Hand-coloured engraving. Plate: 175 x 275mm (7 x 11"). Staining in margins. Slight hole off image.
A scene showing Falstaff being arrested by two men who stand either side of him in a tavern. From a series of paintings exhibited in Vauxhall Gardens.
[Ref: 46151] £110.00 (£132.00 incl.VAT)
![[Henry IV] Falstaff with Hotspur on His Back. Vide 1.st part Henry 4.th Act 5 Sc. 4.th.](jpegs/64411.jpg)
[Henry IV] Falstaff with Hotspur on His Back. Vide 1.st part Henry 4.th Act 5 Sc. 4.th. From the original drawing in the collection of Her Royal Highness the Duchess of York to whom this Plate is by Her Royal Highness's most Gracious Permission humbly Dedicated by Her most Obed.t Serv.t Tho.s Macklin.
H. Bunbury Esq.r del. J.J. Vanden Bergh, sculp.t.
London, Publish'd April 30.th 1793. by Tho.s Macklin, Poets Gallery, Fleet Street.
Stipple with etching, J. Whatman watermark. 415 x 480mm (16¼ x 18¾") large margins. Chips and stains in the margins.
Falstaff carrys the body of the rebel Harry Hotspur (Henry Percy) from the battlefield, intending to claim the kill. Act 2, Scene 6 from 'Romeo & Juliet', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64411] £220.00 (£264.00 incl.VAT)
H. Bunbury Esq.r del. J.J. Vanden Bergh, sculp.t.
London, Publish'd April 30.th 1793. by Tho.s Macklin, Poets Gallery, Fleet Street.
Stipple with etching, J. Whatman watermark. 415 x 480mm (16¼ x 18¾") large margins. Chips and stains in the margins.
Falstaff carrys the body of the rebel Harry Hotspur (Henry Percy) from the battlefield, intending to claim the kill. Act 2, Scene 6 from 'Romeo & Juliet', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64411] £220.00 (£264.00 incl.VAT)
Falstaff at Justice Shallow's Mustering his Recruits. Vide, Second part of Henry IV, Act 3, Sc.3. From an Original Drawing in the Collection of Her Royal Highness the Dutchess of York, to whom this Plate is by Her Royal Highnesses most Gracious Permission humbly Dedicated by Her Royal Highnesses most obed.t Serv.t Tho.s Macklin.
H. Bunbury Esq.r Del.t. N. Gardiner Sculp.t.
London, Published June 1, 1792 by Thos. Macklin, Poets Gallery Fleet Street.
Stipple. Sheet 415 x 480mm (16¼ x 19"). Trimmed to plate, repaired tear in unprinted area on left.
Falstaff seated at a table, preparing to interview a timid young man, as another potential recruit is sent away with bowed head.
[Ref: 55395] £280.00 (£336.00 incl.VAT)
H. Bunbury Esq.r Del.t. N. Gardiner Sculp.t.
London, Published June 1, 1792 by Thos. Macklin, Poets Gallery Fleet Street.
Stipple. Sheet 415 x 480mm (16¼ x 19"). Trimmed to plate, repaired tear in unprinted area on left.
Falstaff seated at a table, preparing to interview a timid young man, as another potential recruit is sent away with bowed head.
[Ref: 55395] £280.00 (£336.00 incl.VAT)
![[Henry IV Part 1, Act II, Scene IV.]](jpegs/10646.jpg)
[Henry IV Part 1, Act II, Scene IV.]
[Painted by Richard Westall. Engraved by Peter Simon.]
[London: John & Josiah Boydell, 1795.]
Stripple engraving, proof before all letters, 645 x 465mm. 25½ x 18¼". Foxing. Small marginal tears, one into plate from lower edge.
Hotspur, Worcester, Mortimer and Owen Glendower sitting around a table and dividing up England, in the Archdeacon's House, Bangor. Illustrating William Shakespeare's 'Henry IV', for Boydell's 'Shakespeare Gallery'. After Richard Westall (1765 - 1836).
[Ref: 10646] £260.00 (£312.00 incl.VAT)
[Painted by Richard Westall. Engraved by Peter Simon.]
[London: John & Josiah Boydell, 1795.]
Stripple engraving, proof before all letters, 645 x 465mm. 25½ x 18¼". Foxing. Small marginal tears, one into plate from lower edge.
Hotspur, Worcester, Mortimer and Owen Glendower sitting around a table and dividing up England, in the Archdeacon's House, Bangor. Illustrating William Shakespeare's 'Henry IV', for Boydell's 'Shakespeare Gallery'. After Richard Westall (1765 - 1836).
[Ref: 10646] £260.00 (£312.00 incl.VAT)
![[Henry IV] [Falstaff with Hotspur on His Back. Vide 1.st part Henry 4.th Act 5 Sc. 4.th.](jpegs/64412.jpg)
[Henry IV] [Falstaff with Hotspur on His Back. Vide 1.st part Henry 4.th Act 5 Sc. 4.th. From the original drawing in the collection of Her Royal Highness the Duchess of York to whom this Plate is by Her Royal Highness's most Gracious Permission humbly Dedicated by Her most Obed.t Serv.t Tho.s Macklin.]
[H. Bunbury Esq.r del. J.J. Vanden Bergh, sculp.t.]
[London, Publish'd April 30.th 1793. by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple with etching, unfinished proof before title. Sheet 380 x 480mm (15 x 19"). Trimmed within plate, tear through inscription area taped.
Falstaff carrys the body of the rebel Harry Hotspur (Henry Percy) from the battlefield, intending to claim the kill. Act 2, Scene 6 from 'Romeo & Juliet', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64412] £240.00 (£288.00 incl.VAT)
[H. Bunbury Esq.r del. J.J. Vanden Bergh, sculp.t.]
[London, Publish'd April 30.th 1793. by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple with etching, unfinished proof before title. Sheet 380 x 480mm (15 x 19"). Trimmed within plate, tear through inscription area taped.
Falstaff carrys the body of the rebel Harry Hotspur (Henry Percy) from the battlefield, intending to claim the kill. Act 2, Scene 6 from 'Romeo & Juliet', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64412] £240.00 (£288.00 incl.VAT)
![[Henry IV] Falstaff.](jpegs/630.jpg)
[Henry IV] Falstaff.
Revd. J. Beresford, Invt. & Delint. W. Bromley sc.
London Published Jany. 2d. 1809, by W. Miller, Albermarle Street.
Engraving. 375 x 480mm (14¾ x 19"). Repaired tear c.3cm into image on left.
Sir John Falstaff, one of the most famous comic characters in all English literature, appears in four of Shakespeare's plays. Entirely the creation of Shakespeare, Falstaff is said to have been partly modeled on Sir John Oldcastle, a soldier and the martyred leader of the Lollard sect.
[Ref: 630] £230.00 (£276.00 incl.VAT)
Revd. J. Beresford, Invt. & Delint. W. Bromley sc.
London Published Jany. 2d. 1809, by W. Miller, Albermarle Street.
Engraving. 375 x 480mm (14¾ x 19"). Repaired tear c.3cm into image on left.
Sir John Falstaff, one of the most famous comic characters in all English literature, appears in four of Shakespeare's plays. Entirely the creation of Shakespeare, Falstaff is said to have been partly modeled on Sir John Oldcastle, a soldier and the martyred leader of the Lollard sect.
[Ref: 630] £230.00 (£276.00 incl.VAT)
Falstaff at Justice Shallows Mustering his Recruits. Vide, Second part of Henry IV, Act 3, Sc.3.
H. Bunbury Esq.r Del.t. N. Gardiner Sculp.t.
London, Published June 1, 1792 by Thos. Macklin, Poets Gallery Fleet Street.
Stipple, printed in brown, proof with scratched letter title and no dedication. 415 x 480mm (16¼ x 19"). Repaired tears in margin, one entering title. Creasing bottom left. Very large margins on 3 sides.
Falstaff seated at a table, preparing to interview a timid young man, as another potential recruit is sent away with bowed head. This state lacks the dedication to Frederica Charlotte, Duchess of York, owner of the original drawing.
[Ref: 55394] £260.00 (£312.00 incl.VAT)
H. Bunbury Esq.r Del.t. N. Gardiner Sculp.t.
London, Published June 1, 1792 by Thos. Macklin, Poets Gallery Fleet Street.
Stipple, printed in brown, proof with scratched letter title and no dedication. 415 x 480mm (16¼ x 19"). Repaired tears in margin, one entering title. Creasing bottom left. Very large margins on 3 sides.
Falstaff seated at a table, preparing to interview a timid young man, as another potential recruit is sent away with bowed head. This state lacks the dedication to Frederica Charlotte, Duchess of York, owner of the original drawing.
[Ref: 55394] £260.00 (£312.00 incl.VAT)
![[Henry the Great, King of France, as he lay in State after his murder, Anno 1610.]](jpegs/18065.jpg)
[Henry the Great, King of France, as he lay in State after his murder, Anno 1610.]
[Engraved by R. Dunkarton.]
[London: S. Woodburn, 1813-1814.]
Mezzotint, proof before all letters on india laid paper, 360 x 270mm. 14¼ x 10½".
Henry IV (Henry of Navarre, 1553 - 1610) was King of France from 1589 to 1610 and King of Navarre from 1572 to 1610. He was the first monarch of the Bourbon branch of the Capetian dynasty in France. Henry was ultimately assassinated in Paris on 14th May 1610 by a Catholic fanatic, François Ravaillac, who stabbed the king to death while his coach's progress was stopped by traffic congestion. A copy of the engraving by I. Briot, by Robert Dunkarton (1744 - c. 1815). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816. Another edition was published in 1830.
Chaloner Smith: undescribed.
[Ref: 18065] £160.00 (£192.00 incl.VAT)
[Engraved by R. Dunkarton.]
[London: S. Woodburn, 1813-1814.]
Mezzotint, proof before all letters on india laid paper, 360 x 270mm. 14¼ x 10½".
Henry IV (Henry of Navarre, 1553 - 1610) was King of France from 1589 to 1610 and King of Navarre from 1572 to 1610. He was the first monarch of the Bourbon branch of the Capetian dynasty in France. Henry was ultimately assassinated in Paris on 14th May 1610 by a Catholic fanatic, François Ravaillac, who stabbed the king to death while his coach's progress was stopped by traffic congestion. A copy of the engraving by I. Briot, by Robert Dunkarton (1744 - c. 1815). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816. Another edition was published in 1830.
Chaloner Smith: undescribed.
[Ref: 18065] £160.00 (£192.00 incl.VAT)