Grosvenor Prints

A View of Halifax From The S.E.
Drawn on Stone by John Horner. Printed by C. Hullmandel.
Published by N: Whitley, Halifax. 1822.
Lithograph. Image 305 x 465mm (12 x 18¼"). Waterstain upper right corner of sheet.
A locally published prospect of Halifax, in West Yorkshire. A folio of 20 lithographs by Horner, ' Buildings in Halifax', was published in 1835.
Abbey: 148.
[Ref: 8941] £190.00 (£228.00 incl.VAT)

A View of Halifax From The S.E.
Drawn on Stone by John Horner. Printed by C. Hullmandel.
Published by N: Whitley, Halifax. 1822.
Coloured lithograph. Image 305 x 465mm (12 x 18¼"). Mount burn.
A locally published prospect of Halifax, in West Yorkshire. A folio of 20 lithographs by Horner, ' Buildings in Halifax', was published in 1835.
Abbey: 148.
[Ref: 53481] £180.00 (£216.00 incl.VAT)

Halifax Gibbet.
Drawn by N. Whittock From A Sketch by Hollar. J.Rogers Sc.
London, Published by I.T. Hinton. 4, Warwick Square. [n.d. c.1810.]
Engraving on india. 139 x 216mm. 5½ x 8½".
The Halifax Gibbet was an early guillotine used in the town of Halifax, West Yorkshire. Its first recorded use was in 1286 until 1650.
[Ref: 15122] £50.00 (£60.00 incl.VAT)

Entrance into Halifax Harbour.
D. Serres del. Wells Sculp.
by J. Gold, 703, Shoe Lane.
Aquatint. 140 x 230mm (5½ x 9¼"). Trimmed.
View of the harbour of Halifax, Nova Scotia. Published in the 'Naval Chronicle'.
[Ref: 53864] £130.00 (£156.00 incl.VAT)

A View of part of the Garden at Hall-Barn near Beckonsfield in Buckinghamshire, a Seat of Edmund Waller Esq.r. [&] A View of the Great Room etc. at Hall-Barn near Beckonsfield in Buckinghamshire, a Seat of Edmund Waller Esq.r.
W. Woollett del. [et sculp.]
[London: John Tinney et al., c.1760.]
Matching pair of etchings with engraving. Sheets c. 340 x 495mm (13½ x 19½"). Slight central crease. Trimmed into images and inscriptions, losing publication lines.
Hall Barn, a listed Grade II* country house near Beaconsfield, built by Edmund Waller (1606-1687), poet and MP.
Fagan 36 & 37
[Ref: 54710] £480.00 view all images for this item

A Hall Stove.
Designed, Engraved & Coloured expressly for Le Beau Monde or Library & Fashionable Magazine.
January 1808. [Published by J.B. Bell & Co.]
Hand-coloured engraving. 235 x 145mm. 9¼ x 5¾".
A hall stove, this a pyro-pneumative warming gate.
[Ref: 18985] £75.00 (£90.00 incl.VAT)

[Geo. Webb Hall Esq. From a Painting by Ja.s Lonsdale, Esq,,re Painter to H.R.H. the Duke of Sussex. Presented by the Agricultural Associations of Great Britian, to M.rs Webb Hall. In the back ground are Sneed Park & the River Avon, Kings Weston & the Bristol Channel.]
[Engraved by S.W. Reynolds, Engraver to the King.]
[Published Feb.y 7.th 1822, by M.r Lonsdale, 8, Berners St.t London.]
Scarce mezzotint, proof before letters. 630 x 400mm (24¾ x 15¾"). Trimmed into plate at bottom. Small repaired tears at bottom, rubbing of edges.
A full length portrait of George Webb Hall (1765-1824), standing in a landscape with a ploughing scene. A lawyer, he was Chairman to the Committee of the Agricultural Associations of Great Britain
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66988] £480.00

George William Hall. D.D. Vice Chancellor of the University of Oxford, and Master of Pembroke College._Sept.1824.
W. Wright Delin. Printed by P. Simonau.
[n.d. c.1825.]
Very scarce lithograph, with large margins. 342 x 265mm. 13½ x 10½". Some rubbing and scuffing.
Rev. George William Hill (1770-1843) was Master of Pembroke College, Oxford (1809-1843) and Vice-Chancellor of Oxford University (1820-1824). George Hall was educated at Abingdon School, and he was a fellow at Lincoln College and Pembroke College in Oxford.
[Ref: 24813] £95.00 (£114.00 incl.VAT)

Het Tweede Deel Van de Contemplationes Sionis door Mr. Ioseph Hall. Met Privilegio voor 12 Iaren. [Oval portrait:] Mr. Ioseph Hall, in sijn Leeven Bischop tot Norwich in Engelant, geboren den 1. Iulij 1574, en gestorven den 8. Septemb. 1658.
T'Amsterdam, By Ian Rieuwetsz en Ian Hendriksz Boom, Boek-verkopers Ao. 1663.
Rare engraving. Collector's mark on verso. Plate 310 x 190mm. 12¼ x 7½".
Frontispiece to a posthumous publication of Contemplations by Joseph Hall (1574-1656), the English bishop, satirist and moralist. He contributed to several distinct literary areas: satirical verse, polemical writings, including contemplations carrying a political slant.
Ex Collection: W.B. Dukes (architect, d.1942.) Lugt: 2757a.
[Ref: 20143] £160.00 (£192.00 incl.VAT)

Vera Effigies Reverendi: Do.ni Iosephi Hall Exon Episcopi. How farre beyond a Picture is his worth Whome Pen, nor Pencill truly can sett forth! Behold his Reverend Face, his better Part Is left ungrav'd, this was beyond all Art. His holy Thoughts in sacred Meditations His ravisht Sovle w.th heavenly Contemplations Could not bee drawne. Heere onely are his Lookes The Pictures of the rest are in his Bookes.
I Sampson. IP fe.
Imprinted for Philemon Stephens & Christopher Meredith. 1628.
Engraving. Platemark: 197 x 132mm.(7¾ x 5¼"). Early manuscript, verso.
Portrait of Joseph Hall, half length in an oval, wearing a skull-cap, ruff, gown, and medallion depicting the Synod of Dort; holding a book; two shields in upper spandrils, the one on the right blank. Possibly frontispiece to his 'Works' (1628). Joseph Hall, Bishop of Norwich (1574-1656) was an English bishop, satirist and moralist.
[Ref: 30285] £130.00 (£156.00 incl.VAT)

Iosephus Hallus Episcopus Exoniensis. SVRSM mente volat caelestes Hallus ad oras Illius heic vultus picta siguna datur.
P.D. Zetter fe.
[n.d. c.1650.]
Etching and engraving with very large margins, paper watermarked. Plate 134 x 106mm (5¼ x 4¼").
Joseph Hall (1574-1656), the English bishop, satirist and moralist. He was bishop of Norwich from 1641 until his death. From Boissard's 'Bibliotheca Chalcographica'.
[Ref: 29982] £80.00 (£96.00 incl.VAT)

Vera Effigies Reverendido.ni Ioseohi Hall Norvic Episcopi.
[Crispijn van Queborn.]
[1650.]
Engraving. Plate: 310 x 180mm (12 x 7''), with large margins.
A portrait of Joseph Hall, Bishop of Norwich (1574-1656) set in a decorative oval, at the base of which are two cherubs, mathematical and scientific apparatus, instruments and music.
[Ref: 48726] £160.00 (£192.00 incl.VAT)

[Thomas Hall] Sell and Repent.
Drawn Etchd & Pubd by Richd Dighton.
1817 Novr 29th.
Coloured etching. 235 x 150mm (9¼ x 6"), with large margins. Mint.
A full length satirical portrait of Reverend Thomas Hall (1750-1825). Born in Pennsylvania, Hall had several parishes in Virginia and argued for colonists' rights, but left America when he realised that the colonies intended to split entirely with England. In 1784 he became the chaplain of the British Factory in Livorno, Italy.
BM Satires 12909.
[Ref: 63801] £280.00 (£336.00 incl.VAT)

Fridericus Andreas Hallbauer. Theol. Doct. et Prof. P.O. Serenis. Sax. Ducu, Consil. Eccles. Civ. Goth. et Altenb. Insp. Societ. Lat. Direct. nat.d.13. Septembr. MDCXCII. Dec. VIII.
I. Gunther Helmshausen pinx. I.I. Haid Sculps. et exc. Aug. Vind.
[n.d. c.1740.]
Mezzotint, with very large margins. Collector's stamp on Verso. Plate 323 x 202mm (12¾ x 8").
Friedrich Andreas Hallbauer (1692-1750) was Professor of Rhetoric and Poetry from 1731-1740 and then Professor of Theology from 1740 until death; both positions at Jena. He was a Lutheran theologian of the 18th century.
Ex Collection: Kupferstichkarinett der Staatlichen Mussen zu Berlin [Lugt: 1606.]
[Ref: 28974] £130.00 (£156.00 incl.VAT)

Hal in Saxen, zoo als het te zien is van den weg naar Merseburg. Halla in Saxonia, qua ad eam prospectus est e via Merseburgum versus.
Pet: Schenk ex: Amstelod: cum Privil.
[n.d. c.1702.]
Engraving with very large margins. Plate 210 x 260mm (8¼ x 10¼").
Halle, in eastern Germany, on the river Saale, with the great Marktkirche Unser Lieben Frauen towering in the centre, the cathedral celebrates its 460th anniversary next year. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 28701] £220.00 (£264.00 incl.VAT)

Vüe de l'interieur Cour de la maison des Orphelins à Halle en Saxe. Prospect des mern Hoss im Baüsen Hause zu Halle in Sachsen.
Gründler del. Leizel sculps.
Se vend à Augsbourg au Negoce comun de l'Academie Imperiale d Empire des Arts libereaux avec Privilege de Sa Majesté Imperiale et avec Defense ni de vendre les Copies. [n.d., c.1760.]
Colured engraving, 320 x 435mm. 12½ x 17". Some creasing; slight tears, paper scuffing at top. stains at top; hole on right.
A view d'optique of the orphanage courtyard at Halle in Saxony, Germany. Vues d’optique are hand-coloured etchings and engravings intended to be viewed through a convex lens. The devices, known variously as zograscopes, optiques, optical machines and peepshows, were an optical entertainment of the late 18th and early 19th centuries. Vues d’optiques were rendered in high-key color and dramatic linear perspective, which enhanced the illusion of three-dimensionality when viewed through the lens.
[Ref: 9111] £240.00 (£288.00 incl.VAT)

Haller.
Pf. ad vivum delinevit.
[n.d. c.1790.]
Stipple and etching. Plate 127 x 82mm. 5 x 3¼".
Albrecht von Haller (1708-77), Swiss anatomist, physiologist, naturalist and poet.
[Ref: 26016] £60.00 (£72.00 incl.VAT)

Iacobus Wilibaldus Haller. Ab Hallerstein in Kalckreuth et Bukenhof. S.C.M...
G. Held, et P. Decker. jun del. et Sculp. Norimb.
[n.d., c.1750.]
Mezzotint. Sheet 440 x 410mm. Trimmed to image.
Jakob Bilibald Haller von Hallerstein.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 3163] £260.00 (£312.00 incl.VAT)

Edmundus Halley, Soc. Reg. Soc. Astronomus Regius Geometriæ Professor Savilianus.
G.Kneller S.R.I. Eq. et Mag Brit. Baron.s pinx. G. White fec et excudit.
[London, n.d., c.1725.]
Mezzotint. 340 x 235mm (13½ x 9").
Edmond Halley (1656-1742), British Astronomer, made Astronomer Royal in 1721. He was the first astronomer to calculate a comet's orbit, predicting the return of the comet that bears his name in 1758, several years after his death.
CS 20, state i of ii.
[Ref: 45949] £260.00 (£312.00 incl.VAT)

Edmundus Halleius, Astronomus Regius et Geometriae Professor Savilianus.
T. Murray pinx 1712. John Faber Fecit 1722
Sold by Faber in fountain Court near ye Fountain Taverne in the Strande
Mezzotint with very large margins on 3 sides, 1817 watermark; sheet 360 x 280mm (14¼ x 11"). Trimmed inside platemark lower edge.
Edmond Halley (1656-1742), astronomer. He went to the University of Oxford, where he studied the theories of Sir Isaac Newton. Because he was so intrigued with these theories, it inspired him to write the Principle which he published with his own money in 1687. In 1721 he was made Astronomer Royal and began an 18 year study of the moon's complete revolution through its ascending and descending nodes. During his life he also wrote another important treatise called Astronomiae Cometicae Synopsis (Synopsis on Cometary Astronomy). It was started in 1682 and published in 1705. In this he mathematically demonstrated that comets move in a elliptic orbits around the sun and how over time they would pass the same point. He had such an accurate prediction that when the comet (now Halley's Comet) returned in 1758, it validated his theory. Engraved from a portrait by Thomas Murray (Bodleian Libraries, University of Oxford). Murray's painting shows Halley pointing to a globe with buildings behind him, although the composition has been reduced and the background removed here.
Ex: collection of the late Hon. C. Lennox-Boyd; CS II of III; for first state see ref. 34102.
[Ref: 34112] £240.00 (£288.00 incl.VAT)

Edmundus Halley, Soc Reg Soc Astronomus Regius, et Geometriae Professor Savilianus
G.Kneller S.R.I.Eq. et Mag. Brit. Baron.t pinx. G.White fec et excudt.
[George White, c.1705.]
Mezzotint
Edmond Halley, Astronimer, Scientist & Naturalist 1656 - 1742) famed for the discovery of the comet which bears his name. While at Oxford University, Halley was introduced to John Flamsteed, the astronomer royal. Influenced by Flamsteed's project to compile a catalogue of northern stars, Halley proposed to do the same for the Southern Hemisphere. To this end in 1676 he travelled to the South Atlantic island of St Helena. By the time he returned home in January 1678 he had recorded the celestial longitudes and latitudes of 341 stars and observed a transit of Mercury across the Sun's disk. Halley's star catalogue of 1678 was the first to contain telescopically determined locations of southern stars and in the same year he was elected a fellow of the Royal Society. In 1704, Halley was appointed Savilian professor of geometry at Oxford University, but continued his work in astronomy. Halley succeeded Flamsteed as astronomer royal at Greenwich.
CS:20.i. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 15806] £230.00 (£276.00 incl.VAT)

Edmundus Halleius. Astronomus Regius Geometriæ Professor Savilianus.
T. Murray pinx. 1712. John Faber Fecit 1722.
Printed for Bowles & Carver, No 69 St Paul's Church Yard London. [n.d., but watermarked 1817.]
Mezzotint with very large margins. 350 x 250mm (13¾ x 9¾").
Edmond Halley (1656-1742), astronomer, the first to calculate a comet's orbit. At the University of Oxford his studies of the theories of Sir Isaac Newton inspired him to write his own 'Principles', which he published with his own money in 1687. In 1721 he was made Astronomer Royal and began an 18 year study of the moon's complete revolution through its ascending and descending nodes. He also wrote another important treatise called Astronomiae Cometicae Synopsis (Synopsis on Cometary Astronomy), which he started in 1682 and published in 1705. In this he mathematically demonstrated that comets move in a elliptic orbits around the sun and how over time they would pass the same point. His accurate prediction of the return of what is now Halley's Comet in 1758 validated his theory.
CS:173, this late state not listed. Ex: Collection of The Hon. C. Lennox-Boyd. Wellcome Library no. 3948i.
[Ref: 34139] £220.00 (£264.00 incl.VAT)

Halley.
From an original Picture ascribed to Dahl, in the possession of the Royal Society. Engraved by W.T. Fry.
[n.d., c.1820.]
Stipple on steel. Sheet 195 x 140mm (7¾ x 5½"). Trimmed within plate.
Edmond Halley as an old man, said to be after Swedish painter Michael Dahl (1659-1743)
[Ref: 53175] £50.00 (£60.00 incl.VAT)

Dr. Halley. Engraved for the Universal Magazine.
From J. Hinton at the King's Arms in Newgate Street. [n.d. c
Engraving. Plate 185 x 115mm (7¼ x 4½").
Edmond Halley (1656-1742) the astronomer, scientist and naturalist, famed for the discovery of the comet which bears his name. While at Oxford University, Halley was introduced to John Flamsteed, the astronomer royal. Influenced by Flamsteed's project to compile a catalogue of northern stars, Halley proposed to do the same for the Southern Hemisphere. To this end in 1676 he travelled to the South Atlantic island of St Helena. By the time he returned home in January 1678 he had recorded the celestial longitudes and latitudes of 341 stars and observed a transit of Mercury across the Sun's disk. Halley's star catalogue of 1678 was the first to contain telescopically determined locations of southern stars and in the same year he was elected a fellow of the Royal Society. In 1704, Halley was appointed Savilian professor of geometry at Oxford University, but continued his work in astronomy. Halley succeeded Flamsteed as astronomer royal at Greenwich.
[Ref: 29898] £95.00 (£114.00 incl.VAT)

Edmundus Halleius, Astronomus Regius et Geometriae Professor Savilianus.
T. Murray pinx 1712. John Faber Fecit 1722
Sold by Faber in fountain Court near ye Fountain Taverne in the Strande
Mezzotint, sheet 365 x 260mm (14¼ x 10¼"). Repaired damage upper right; rare in this state.
Edmond Halley (1656-1742), astronomer. He went to the University of Oxford, where he studied the theories of Sir Isaac Newton. Because he was so intrigued with these theories, it inspired him to write the Principle which he published with his own money in 1687. In 1721 he was made Astronomer Royal and began an 18 year study of the moon's complete revolution through its ascending and descending nodes. During his life he also wrote another important treatise called Astronomiae Cometicae Synopsis (Synopsis on Cometary Astronomy). It was started in 1682 and published in 1705. In this he mathematically demonstrated that comets move in a elliptic orbits around the sun and how over time they would pass the same point. He had such an accurate prediction that when the comet (now Halley's Comet) returned in 1758, it validated his theory. Engraved from a portrait by Thomas Murray (Bodleian Libraries, University of Oxford). Murray's painting shows Halley pointing to a globe with buildings behind him, although the composition has been reduced and the background removed here.
Ex: collection of the late Hon. C. Lennox-Boyd; CS i/iii ('one known')
[Ref: 34102] £290.00 (£348.00 incl.VAT)

[Smiling man and woman.]
F:Hals Pinx. N. Verkolje Fec.
[n.d., c.1730.]
Scarce mezzotint. 140 x 105mm (5½ x 4"), wih large margins. A good impression.
Engraved by Nicolaas Verkolje (1673-1746), who like his father Jan was a painter (influenced by Lairesse, van der Werff and Metsu) and printmaker. Supposedly after Frans Hals (1585 - 1666), who had died before Verkolje was born.
Ex: Collection of the Late Hon. C. Lennox-Boyd. Not recorded by Le Blanc.
[Ref: 34658] £390.00

Franciscus Hals Pictor. In the Collection of John Blackwood Esq.r
Wbaillie sculp. Seipse Pinxit
[n.d., c.1800.]
Etching, 300 x 240mm. 12 x 9½".
Portrait of Dutch portrait painter Frans Hals (?1581-1666). Engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Timothy Clayton and Anita McConnell, ‘Baillie, William (1723–1810)’, Oxford Dictionary of National Biography
[Ref: 12269] £180.00 (£216.00 incl.VAT)

The Annual Account of the Income and Expenditure of the Haltwhistle Friendly Society Held at the House of Mr. William Birkett, Black Bull Inn, Haltwhistle. From the 1st day of January, 1870, until the 31st day of December, 1870.
W. Graham, Printer, West Gate, Haltwhistle.
[1871.]
Letterpress, sheet 450 x 285mm (17¾ x 11¼"). Folds.
A yearly account sheet for a benevolent society based in Haltwhistle, Northumberland. That year the society had 649 members and had assets of £3333. The sheet lists the sickness payments to the members, death payments and other running costs.
[Ref: 41600] £120.00 (£144.00 incl.VAT)

The Annual Account of the Income and Expenditure of the Haltwhistle Friendly Society Held at the House of Mr. William Birkett, Black Bull Inn, Haltwhistle. From the Thirty-First Day of December, 1870, until the 31st day of December, 1871.
W. Graham, Printer, West Gate, Haltwhistle.
[1872.]
Letterpress, sheet 450 x 285mm (17¾ x 11¼"). Folds.
A yearly account sheet for a benevolent society based in Haltwhistle, Northumberland. That year the society had 722 members and had assets of £3433. The sheet lists the sickness payments to the members, death payments and other running costs.
[Ref: 41601] £120.00 (£144.00 incl.VAT)

Halvergate Marshes [in pencil].
C.H. Baskett del et imp. [pencil signature.]
[n.d., c.1920.]
Pure aquatint, 170 x 320mm. 6¾ x 12½".
View of the Halvergate Marshes south of the River Bure on the Norfolk Broads in Norfolk, England; several windmills. Charles Henry Baskett (British, 1872 - 1953).
[Ref: 19860] £130.00 (£156.00 incl.VAT)

River Niester & Ruins of Halitz.
A.N.del. I.Clark sc.
[Published by Mess.rs Longman, Hurst, Rees, Orme & Brown, Paternoster Row, 1818.]
Coloured aquatint, rare. Image area 102 x 165mm (4 x 6½"). Cut.
A view of the ruins of Halych Castle on the Dniester River in western Ukraine. From Adam Neal, M.D. 'Travels through some parts of Germany, Poland, Moldavia and Turkey', London, 1818.
[Ref: 31169] £70.00 (£84.00 incl.VAT)

[Ham Green the Seat of Rich.d Bright Esq.][in pencil.]
[n.d., c.1830.]
A rare lithograph. Sheet: 270 x 380mm (10½ x 15''), with very large margins.
A view across to Ham Green House near Bristol. Ham Green House was the home of physician Richard Bright (1789-1858).
[Ref: 50595] £85.00 (£102.00 incl.VAT)

Ham Place. (East Front.) From The Park.
Kell Bros. Lithrs. Castle St. Holborn. [n.d., c.1860.]
Chromolithograph, sheet 280 x 445mm. 11 x 17½". Light foxing. Extremities tatty and chipped.
[Ref: 12052] £160.00 (£192.00 incl.VAT)

The South West Prospect of the Parsonage of Hambleden, Bucks. 1752.
S: Wale delint. F. Vivares Sculpt.
[n.d. c.1750.]
Scarce engraving. 280 x 411mm (11 x 16¼"). Cut; slight fold down centre of image. Small hole repairs in title area.
A view of Kendricks, Hambleden. Later additions, include ball finials aligned with the giant pilasters, this was done in 1724 as the rectory for the Reverend Scawen Kendrick. Prior to this the property belonged to Philadelphia Carey Lady Scrope, a cousing and Lady-In-Waiting to Queen Elizabeth I. It ceased to be a rectory in 1938 and was acquired by the 3rd Viscount Hambleden and renamed Kendricks.
[Ref: 38404] £220.00 (£264.00 incl.VAT)

The South West Prospect of the Parsonage of Hambleden, Bucks. 1752.
S: Wale delin.t F. Vivares Sculp.t.
Very scarce etching. Plate: 425 x 290mm (16¾ x 11½"), with large margins. Some creasing and light foxing.
A view of a parsonage in Hambleden, Buckinghamshire several groups of figures can be seen in the grounds and gardens including family with children, a milkmaid milking a cow, a coach drawn by four horses and a man smoking a pipe at a gate.
[Ref: 41815] £320.00

Hamburg, de vornaemste Koop Stad van ganz Duytchland. Hamburgum Emporium totius Germaniae praeclarissimum florentissimuq.
Pet Schenk ex: Amset cum Privil.
[n.d. c.1702.]
Engraving with very large margins. Plate 214 x 266mm (8½ x 10½").
A view across the River Elbe towards Hamburg; with vessels in the foreground and horses on the shoreline outside the city walls. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 28697] £290.00 (£348.00 incl.VAT)

Panorama von Hamburg aufgenommen aus der obersten Etage der Elb=Wasserkunst beim Jonashafen in St. Pauli.
n.d. Natur gez. u. lith v. Wilhekm. Heuer. Druck u. Verlag d. lith v Charles Fuchs. Hamburg.
Druck u. Verlag d. lith v Charles Fuchs. Hamburg [n.d., c.1860].
Tinted lithograph with hand colour. Sheet 525 x 700mm (20¾ x 27½"). Faint mount burn around image. Some restoration at top in sky.
A large prospect of Hamburg, with the harbour on the right, filled with ships.
[Ref: 57964] £390.00

Das neue Hafenthor im Hamburg und er neue Hafendamm.
Nach der Natur gez. gedr. und verlegt v P. Suhr in Hamburg 1846.
Lithograph with hand colour. Sheet 300 x 445mm (11¾ x 17½"), large margins.
A view of the new harbour walls at Hamburg.
[Ref: 63006] £230.00 (£276.00 incl.VAT)

Der Jungfernstieg in Hamburg.
Nach der Natur u. auf Stein gez. gedr. u. verlegt v P. Suhr in Hamburg [n.d., c.1846].
Lithograph with hand colour. Sheet 300 x 445mm (11¾ x 17½"), large margins. Tear entering image at top repaired.
Promenaders in the Jungfernstieg ('Maiden's Walk'), the first street in Germany to be asphalted, and still a shopping area. Ahead is St Peter's Church; to the left is the Alsterpavillon.
[Ref: 63007] £180.00 (£216.00 incl.VAT)

Hamburgh.
Publish'd by R. Bowyer, Pall Mall, 1815.
Coloured aquatint. Plate 312 x 419mm. 12¼ x 16½". Trimmed to the platemark along the bottom.
From "An Illustrated Record of Important Events in the Annals of Europe, During the Years 1812, 1813, 1814 & 1815, Comprising a series of Views of Paris, Moscow, The Kremlin, Dresden, Berlin..... together with a History of those Momentous Transactions."
[Ref: 15191] £220.00 (£264.00 incl.VAT)

Hamburg. Alster-Arkaden u. Alter Jungfernstieg.
nach der Natur gez. u. lith v. wilh. Heuer. Druck d. lith Just v Ch.s Fuchs Hbg.
Verlag v. Carl Gassman in Hamburg Nuerwall 46 [n.d., c.1862].
Tinted lithograph with fine hand colour. Printed area 205 x 275mm (8 x 10¾"). Margins discoloured.
A view of the Alsterdamm and Alten Jungfernstieg, with the Alsterarkaden on the left.
[Ref: 57574] £160.00 (£192.00 incl.VAT)

Incendie de Hambourg. [Descriptive text.]
Dessine d'apres nature. Lith de P. Cremetti, Editeur, rue Middeleer, 5, Bruxelles.
(Depose a la Direction le 26, Mai 1842.)
Lithograph, sheet 305 x 390mm. 12 x 15¼".
Soldiers, civilians and fire fighters in the streets as buildings are ablaze. In 1842, about a quarter of the inner city of Hamburg, Germany, was destroyed in the 'Great Fire'. This fire started on the night of the 4 May 1842 and was extinguished on May 8. It destroyed three churches, the town hall, and many other buildings, killed 51 people, and left an estimated 20,000 homeless. Reconstruction took more than 40 years. The spires of St. Peter's Church and St. Jacobi Church (dedicated to St. James) in the distance, captioned below the image.
[Ref: 15147] £140.00 (£168.00 incl.VAT)

Die neue Borse in Hamburg, eingeweiht am 2ten und 4ten December 1841.
Nach der Natur gez. gedr. und verlegt v. P. Suhr in Hamburg.
[n.d. c.1845]
Rare lithograph with hand colouring. Sheet 335 x 490mm (13¼ x 19¼"). Small tears in margin repaired. Some very light staining.
A view of the "New Stock Exchange" building on the Adolphsplatz, with various pedestrians and carriages passing by.
[Ref: 61500] £320.00

A Hamburger Volunteer.
Published, 1st. June 1813, for No.54, of R. Ackermann's, Repository of Arts, 101, Strand.
Hand-coloured engraving. 242 x 153mm. 9½ x 6".
A Hamburger Volunteer of the Prussian Army, during the Napoleonic Wars. Ackermann's Repository of Arts was an illustrated, British periodical published from 1809-1829 by Rudolph Ackermann. The formal title of the publication was "Respository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it did cover all of these fields. At the time, it was considered to be of great influence to the English taste in fashion, architecture, and literature.
[Ref: 18960] £65.00 (£78.00 incl.VAT)

Vanity Fair Supplement. Men of the Day No. 2284. "Flight" (M.r Gustave Hamel).
WH [Wallace Hester]. Vincent Brooks, Day & Son Lt.d lith.
[n.d., 31 Jul 1912].
Chromolithograph with supplementary text, sheet 380 x 260mm (15 x 10¼"), large margins.
Full length portrait of the British aviator Gustav Wilhelm Hamel (1889 - 1914). He learned to fly at the Blériot school at Pau, France in 1910; after observing his first flight Louis Blériot commented that he had never seen a pilot with such natural ability. He paricipated in various competitions, flying displays and a pioneer in aviation; Hamel made the first cross-channel flight with a woman as passenger on 2nd April 1912, when he flew Eleanor Trehawke Davies from Hendon to Paris, he also enabled her to be the first woman to experience looping the loop on 2nd January 1914. Hamel disapeared over the English Channel on 23rd May 1914, it was speculated that this was sabotage but there was no trace of the aircraft and a fishing vessel on 6th July 1914 found a body that matched the description of Hamel.
[Ref: 56970] £120.00 (£144.00 incl.VAT)

[Ottomans] Hamet, companion to Mahomet. Taken Prisoner, & Escaped with him. 8.
Painted & Etch'd by Tho. Worlidge, in the Piazza Covent Garden.
[n.d. c.1767.]
Etching with drypoint, small margins. 190 x 140mm. 7½ x 5½". Fine. Very slight foxmarks in upper left.
Hamet (18th century) was a companion to Mahomet, a Turkish merchant; they were both taken prisoner in Malta but escaped in a Dutch vessel. By Thomas Worlidge (1700-1766), portrait painter and etcher. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with additional numbers in the corners. This is a lifetime impression before the number '67' was added in reverse in the lower left corner.
W66 D96. Ex: Collection of the Late Honourable Christopher Lennox-Boyd.
[Ref: 32590] £220.00 (£264.00 incl.VAT)

[Ottomans] Hamet, companion to Mahomet. Taken Prisoner, & Escaped with him. 8.
Painted & Etch'd by Tho. Worlidge, in the Piazza Covent Garden.
[n.d. c.1767.]
Etching with drypoint. 190 x 140mm. 7½ x 5½". Trimmed to the plate mounteed on album page.
Hamet (18th century) was a companion to Mahomet, a Turkish merchant; they were both taken prisoner in Malta but escaped in a Dutch vessel. Thomas Worlidge (1700-1766) portrait painter and etcher. Born in Peterborough. Pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with the numbers in the corners. Very fiew impressions were issued and sold by Worlidge during his lifetime.
BM:1859,0806.18
[Ref: 23970] £160.00 (£192.00 incl.VAT)

[The Fair.]
F. Wheatley inv. F. Bartolozzi Sculp.t.
[n.d., c.1789.]
Stipple, fine with very large margins. Proof impression before letters. Platemark: 200 x 230mm (8 x 9").
An exterior scene at a country fair, with five children standing beside a stall. The two boys in the centre play a small drum, hanging from one of their necks, as a girl sits on a basket to the left, playing a small clarinet shaped instrument. To the right, a girl holds a rifle over her shoulder, most likely used at the shooting gallery at the fair to win prizes.
De Vesme. 1274: I of III.
[Ref: 36416] £260.00 (£312.00 incl.VAT)

Semper Pauperes habetis vobiscum, me autem non semper habetis. Math. C. XXVI. V.11. 23.
Paulo Veronese pinxit. Giovanni Volpato sculpsit Romae 1772.
Genuae in Aedibus Durazzo.
Engraving, with very large margins. Plate 310 x 391mm (12¼ x 15½"). Water staining and tear to left edge.
Christ in the House of Simon; a group of figures seated around a table, party beneath a colonnade; Christ seated at right with Mary Magdalene crouched on the floor washing his feet. After a painting commissioned in 1556 for the dining room for the Benedictines for Verona, and now in the Galleria Sabauda, Turin. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31009] £220.00 (£264.00 incl.VAT)

[Woman in profile.]
H.D. Hamilton pinx.t. R. Laurie fecit.
London, Printed for Robt Sayer No 53 Fleet Street, as the Act directs 20 Octr 1771.
Mezzotint, very rare, sheet 150 x 115mm (6 x 4½"). Trimmed to image.
Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after an early work by the Irish portrait and subject painter Hugh Douglas Hamilton (1740-1808). After building up a reputation in Ireland, Hamilton moved to Italy for thirteen years in 1779, where his work was popular among Irish Grand Tourists, before reluctantly returning to Ireland due to political events on the continent. One of few engravings made from Hamilton's work.
CS 41.
[Ref: 41433] £120.00 (£144.00 incl.VAT)

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