A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![Gipsey's Stealing a Child. [&] The Child Restored.](jpegs/21749.jpg)
Gipsey's Stealing a Child. [&] The Child Restored.
Painted by H.Singleton. Engraved by R.M.Meadows.
London Published May 10, 1798, by I.R. Smith King Street Covent Garden.
Pair of stipples, each image c.350 x 435mm (13¾ x 17"). First plate lacking margins; the second with large margins and marginal tears. Both sheets rather creased.
The first composition shows a group of gipsies gathered with their animals in a landscape, including a woman in the centre who lifts a child onto the pannier of a donkey; a young man holding up an apple to tempt the child. The second is an elegant interior where a mother is embracing her child while her husband, sister and grandmother look on with grateful surprise. The child gestures towards a coachman standing on the left, beside a weeping gipsy woman and two of her children. After Henry Singleton (1766 - 1839).
See Slater p.475.
[Ref: 21749] £280.00 (£336.00 incl.VAT) view all images for this item
Painted by H.Singleton. Engraved by R.M.Meadows.
London Published May 10, 1798, by I.R. Smith King Street Covent Garden.
Pair of stipples, each image c.350 x 435mm (13¾ x 17"). First plate lacking margins; the second with large margins and marginal tears. Both sheets rather creased.
The first composition shows a group of gipsies gathered with their animals in a landscape, including a woman in the centre who lifts a child onto the pannier of a donkey; a young man holding up an apple to tempt the child. The second is an elegant interior where a mother is embracing her child while her husband, sister and grandmother look on with grateful surprise. The child gestures towards a coachman standing on the left, beside a weeping gipsy woman and two of her children. After Henry Singleton (1766 - 1839).
See Slater p.475.
[Ref: 21749] £280.00 (£336.00 incl.VAT) view all images for this item
Gypsies.
Drawn by Emma Crewe. Engrav'd by F. Bartolozzi, R.A. Historical Engraver to the King.
London, publish;d June 20th, 1790 by Cha.s Tomkins, 20, Haymarket.
Stipple. 390 x 430mm (15¼ x 17"). Small margins, repaired tear in margin on left. Crack in platemark bottom right.
A family around a camp fire. Published as a pair with 'Fortuneteller'. Emma Crewe (active c.1780 - 1818) was a 'gifted amateur artist' who painted the frontispiece to Erasmus Darwin's 'The Loves of the Plants'. She also provided designs for Josiah Wedgewood's studio, used for cameos and plaques.
[Ref: 41852] £280.00 (£336.00 incl.VAT)
Drawn by Emma Crewe. Engrav'd by F. Bartolozzi, R.A. Historical Engraver to the King.
London, publish;d June 20th, 1790 by Cha.s Tomkins, 20, Haymarket.
Stipple. 390 x 430mm (15¼ x 17"). Small margins, repaired tear in margin on left. Crack in platemark bottom right.
A family around a camp fire. Published as a pair with 'Fortuneteller'. Emma Crewe (active c.1780 - 1818) was a 'gifted amateur artist' who painted the frontispiece to Erasmus Darwin's 'The Loves of the Plants'. She also provided designs for Josiah Wedgewood's studio, used for cameos and plaques.
[Ref: 41852] £280.00 (£336.00 incl.VAT)
G. W.'s Transparencies. The Gypsies Halt.
London: Published by Reeves and Sons, Cheapside and W. Morgan, 64, Hatton Garden; T. Fisher, 1, Hanway Street, Oxford Street; J. Reynold, 174, Strand; and E. Wilson, Jun. 16, King William Street, City. [n.d., c.1840.]
Coloured lithograph, trimmed and laid on card with title label, backed with tissue, as issued. Sheet 290 x 230mm (11½ x 9'').
A moonlight scene of a camp by a river is enhanced when held up to the light.
[Ref: 58962] £230.00 (£276.00 incl.VAT)
London: Published by Reeves and Sons, Cheapside and W. Morgan, 64, Hatton Garden; T. Fisher, 1, Hanway Street, Oxford Street; J. Reynold, 174, Strand; and E. Wilson, Jun. 16, King William Street, City. [n.d., c.1840.]
Coloured lithograph, trimmed and laid on card with title label, backed with tissue, as issued. Sheet 290 x 230mm (11½ x 9'').
A moonlight scene of a camp by a river is enhanced when held up to the light.
[Ref: 58962] £230.00 (£276.00 incl.VAT)
Key to the Gypsies Oraculum. ~~~ For unfolding the Mysteries of the Future, respectfully dedicated to the Ladies, by their devoted Servant, Gabriel, Astrologer of the 19th Century. Any Lady wishing to the know the Hidden Secrets of the Future Destiny, must first allow herself to be blindfolded by a second Lady, then with a pen she must prick into the Circle, which should be held by a third Lady, the number found under the mystic Figure in the Circle should then be refered to in the explanation. [Then appears a listing of the 12 star signs and 12 fortunes based on the outcome.]
[n.d. c.1820.]
A rare letterpress. Sheet 282 x 220mm. 11¼ x 8¾". Tear to the right hand side. Laid on sheet.
A key to the gypsies oracle. An index and listing to star signs and the fortune related to the outcome.
[Ref: 12925] £140.00 (£168.00 incl.VAT)
[n.d. c.1820.]
A rare letterpress. Sheet 282 x 220mm. 11¼ x 8¾". Tear to the right hand side. Laid on sheet.
A key to the gypsies oracle. An index and listing to star signs and the fortune related to the outcome.
[Ref: 12925] £140.00 (£168.00 incl.VAT)
![[The Gypsy] Spondeo divitius... verba dedissi.](jpegs/18864.jpg)
[The Gypsy] Spondeo divitius... verba dedissi.
[C. Visscher.]
[Dutch, c.1650.]
Engraving, 365 x 305mm. 14½ x 12". Trimmed within plate, some loss image on three sides.
A seated woman in a landscape breast feeds her swaddled baby; a young child wails on her back and another clutches a jug and spoon expectant for food. By Cornelis Visscher (1628/9 - 1658).
[Ref: 18864] £160.00 (£192.00 incl.VAT)
[C. Visscher.]
[Dutch, c.1650.]
Engraving, 365 x 305mm. 14½ x 12". Trimmed within plate, some loss image on three sides.
A seated woman in a landscape breast feeds her swaddled baby; a young child wails on her back and another clutches a jug and spoon expectant for food. By Cornelis Visscher (1628/9 - 1658).
[Ref: 18864] £160.00 (£192.00 incl.VAT)
The Young Gipsy. Engraved from an original picture of Morelli in the possesion of Edw.d Fitzgerald of the temple Esq.r. To whom this plate is dedicated by his most obliged humble servant the proprietor John Boydell.
Morelli Pinx.t. S. F. Ravenet Sculp.
Publish'd according to act of parliament June 1st, 1762 by J. Boydell, engraver in Cheapside, London.
Engraving, very fine. Platemark: 400 x 290mm. (15¾ x 11¼"). Trimmed to platemark. Glued to sheet on one side.
Idealised representation of gypsy with child seen through trompe-l'oeil frame. A coat of arms is placed amongst the inscription underneath. After Bartolomeo Morelli (1629 - 1703).
From the Oettingen-Wallerstein Collection.
[Ref: 28397] £220.00 (£264.00 incl.VAT)
Morelli Pinx.t. S. F. Ravenet Sculp.
Publish'd according to act of parliament June 1st, 1762 by J. Boydell, engraver in Cheapside, London.
Engraving, very fine. Platemark: 400 x 290mm. (15¾ x 11¼"). Trimmed to platemark. Glued to sheet on one side.
Idealised representation of gypsy with child seen through trompe-l'oeil frame. A coat of arms is placed amongst the inscription underneath. After Bartolomeo Morelli (1629 - 1703).
From the Oettingen-Wallerstein Collection.
[Ref: 28397] £220.00 (£264.00 incl.VAT)
Gyula III, Capitaine Hongrois. Tire du Cabinet des Estampes du Roi.
Touze d. Pierre Duflos S.
A Paris chez Duflos le Jeune [n.d. c.1780].
Engraving with hand colour, 280 x 170mm (11 x 6¾"), on 18th century watermarked paper. Loss of margin top left, otherwise large margins.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 65796] £120.00 (£144.00 incl.VAT)
Touze d. Pierre Duflos S.
A Paris chez Duflos le Jeune [n.d. c.1780].
Engraving with hand colour, 280 x 170mm (11 x 6¾"), on 18th century watermarked paper. Loss of margin top left, otherwise large margins.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 65796] £120.00 (£144.00 incl.VAT)
H.M.S. "Black Eagle", (Admiralty Yacht.) To the Lords Commissioners of the Admiralty... [publisher's dedication.]
T.G. Dutton del et lith. [Signed and dated 1850 in plate.] Day & Haghe Lithrs. to The Queen.
[London: W. Foster, c.1850.]
Hand coloured lithograph, 'Proof' [lower left], image 290 x 435mm (11½ x 17"). Small tear from below into title; fine colour, unexamined out of fine maple frame.
The paddle-steamer was launched as Firebrand in 1831, and renamed in 1842; here pictured off Ryde, Isle of Wight. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
Parker: 1721. NMM: PAH8662.
[Ref: 17647] £750.00
T.G. Dutton del et lith. [Signed and dated 1850 in plate.] Day & Haghe Lithrs. to The Queen.
[London: W. Foster, c.1850.]
Hand coloured lithograph, 'Proof' [lower left], image 290 x 435mm (11½ x 17"). Small tear from below into title; fine colour, unexamined out of fine maple frame.
The paddle-steamer was launched as Firebrand in 1831, and renamed in 1842; here pictured off Ryde, Isle of Wight. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
Parker: 1721. NMM: PAH8662.
[Ref: 17647] £750.00
Her Majesty's Iron Cased Screw Steam Frigate "Minotaur", To Admiral Frederick Warden... [publisher's dedication.]
T.G. Dutton del et lith. [monogram in plate.]
London, Published Feby. 26th 1867 by Wm. Foster, 17, Billiter Street, Fenchurch Street.
Hand coloured lithograph, image 390 x 615mm. 15¼ x 24¼". Repaired chips and tears to tile area and margins; bright colour. Unexamined out of fine maple frame.
A magnificent representation of HMS Minotaur, a 50-gun armoured ironclad battleship launched at Blackwall in 1863. She served in the Mediterranean and during the 1882 Egyptian War, but spent the bulk of her active career as flagship of the Channel Fleet. She was re-named HMS Boscawen II in March 1904. Statistical lists to left and right of title. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
Parker: 1875. NMM: PAH9293.
[Ref: 17649] £990.00
T.G. Dutton del et lith. [monogram in plate.]
London, Published Feby. 26th 1867 by Wm. Foster, 17, Billiter Street, Fenchurch Street.
Hand coloured lithograph, image 390 x 615mm. 15¼ x 24¼". Repaired chips and tears to tile area and margins; bright colour. Unexamined out of fine maple frame.
A magnificent representation of HMS Minotaur, a 50-gun armoured ironclad battleship launched at Blackwall in 1863. She served in the Mediterranean and during the 1882 Egyptian War, but spent the bulk of her active career as flagship of the Channel Fleet. She was re-named HMS Boscawen II in March 1904. Statistical lists to left and right of title. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
Parker: 1875. NMM: PAH9293.
[Ref: 17649] £990.00
H.M.S. Powerful, 84 Guns. To Captn. C. Napier, & the Officers of H.M.S. Powerful. This print is most respectfully dedicated by The Publisher.
Drawn by H. John Vernon, del. et lith. Day & Hague, Lithrs. to the Queen.
A.Hinton, Portsmouth. [n.d., c.1840.]
Lithograph, sheet 360 x 450mm (14¼ x 17¾"), with large margins.. Repaired tear centre top in margins.
HMS Powerful was an 84-gun second rate ship of the line of the Royal Navy, launched on 21 June 1826 at Chatham Dockyard. From 1 January 1839 to the end of 1840 she was commanded by Captain Charles Napier, mainly in the Mediterranean and for much of the time as lead ship of a detached squadron under Napier's orders.
Parker: 1839.
[Ref: 55596] £390.00
Drawn by H. John Vernon, del. et lith. Day & Hague, Lithrs. to the Queen.
A.Hinton, Portsmouth. [n.d., c.1840.]
Lithograph, sheet 360 x 450mm (14¼ x 17¾"), with large margins.. Repaired tear centre top in margins.
HMS Powerful was an 84-gun second rate ship of the line of the Royal Navy, launched on 21 June 1826 at Chatham Dockyard. From 1 January 1839 to the end of 1840 she was commanded by Captain Charles Napier, mainly in the Mediterranean and for much of the time as lead ship of a detached squadron under Napier's orders.
Parker: 1839.
[Ref: 55596] £390.00
H.M.S. Royal Adelaide, 104 Guns. To Admiral the Right Hon.ble Lord Amelius Beauclerk, G.C.B. G.C.H. Commander in Chief at Plymouth. This Print of Her Majesty's Ship Royal Adelaide, Guard Ship at that Port, is with his Lordship's permission respectfully dedicated, by his Lordship's most oliged and very humble Servant, Oswald Walters Brierly.
O.W.Brierly del_L.Haghe Lith. Day & Haghe, Lithrs. to the Queen.
Edmund Fry & Son, London, & Edmund Fry Junr. Plymouth. [n.d. c.1840.]
Tinted hand-coloured lithograph on wove paper in a fine maple frame. 218 x 394mm. 8½ x 15½". Tear into the title area lower right-hand corner.
HMS Royal Adelaide was a 104-gun First rate ship of the line int eh Royal Navy, and was launched on 28 July, 1828, at Plymouth.
See NMM: PAH0840. Parker 1864.
[Ref: 17746] £650.00
O.W.Brierly del_L.Haghe Lith. Day & Haghe, Lithrs. to the Queen.
Edmund Fry & Son, London, & Edmund Fry Junr. Plymouth. [n.d. c.1840.]
Tinted hand-coloured lithograph on wove paper in a fine maple frame. 218 x 394mm. 8½ x 15½". Tear into the title area lower right-hand corner.
HMS Royal Adelaide was a 104-gun First rate ship of the line int eh Royal Navy, and was launched on 28 July, 1828, at Plymouth.
See NMM: PAH0840. Parker 1864.
[Ref: 17746] £650.00
Her Majesty's Iron Cased Screw Steam Frigate "Royal Oak", To Captain Frederick A. Campbell... [publisher's dedication.]
T.G. Dutton del et lith. [monogram in plate.]
London, Published November 21st 1863 by Wm. Foster, 114, Fenchurch Street.
Hand coloured lithograph, image 405 x 605mm. 16 x 23¾". Crease to sky upper left; otherwise appears a fine impression with bright colour and full margins.
Launched at Chatham 1862, HMS Royal Oak was the first ship of the Prince Consort class of four wooden-hulled ironclad battleships; a magnificent representation. Statistical lists to left and right of title. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
Parker: 1875. NMM: PAH9292.
[Ref: 17648] £1,250.00
T.G. Dutton del et lith. [monogram in plate.]
London, Published November 21st 1863 by Wm. Foster, 114, Fenchurch Street.
Hand coloured lithograph, image 405 x 605mm. 16 x 23¾". Crease to sky upper left; otherwise appears a fine impression with bright colour and full margins.
Launched at Chatham 1862, HMS Royal Oak was the first ship of the Prince Consort class of four wooden-hulled ironclad battleships; a magnificent representation. Statistical lists to left and right of title. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
Parker: 1875. NMM: PAH9292.
[Ref: 17648] £1,250.00
Gezigt Buiten de Haarlemmer Poort. Vue Prise Hors la Porte de Haarlem
Uitgegeven door Frans Buffa en Zonen te Amsterdam. [n.d., c.1860.]
Lithograph with fine hand colour and very large margins. Printed area 210 x 235mm (8¼ x 9¼").
A view looking towards the port of Haarlem, with the skyline dominated by windmills.
[Ref: 35805] £130.00 (£156.00 incl.VAT)
Uitgegeven door Frans Buffa en Zonen te Amsterdam. [n.d., c.1860.]
Lithograph with fine hand colour and very large margins. Printed area 210 x 235mm (8¼ x 9¼").
A view looking towards the port of Haarlem, with the skyline dominated by windmills.
[Ref: 35805] £130.00 (£156.00 incl.VAT)
![[Sr John Dellavalle] Westminster. Bought of John Shipman, Haberdasher at ye Sun, in Bridge Street.](jpegs/52252.jpg)
[Sr John Dellavalle] Westminster. Bought of John Shipman, Haberdasher at ye Sun, in Bridge Street.
[June 23 1770.]
Engraved bill head, filled in with ink mss, pt 18th century watermark. Sheet 75 x 210mm (3 x 8¼"). Trimmed, top left corner ripped off.
Bill made out to Sir John Hussey Delaval (1728-1808), later 1st Baron Delaval in the Irish peerage.
[Ref: 52252] £75.00 (£90.00 incl.VAT)
[June 23 1770.]
Engraved bill head, filled in with ink mss, pt 18th century watermark. Sheet 75 x 210mm (3 x 8¼"). Trimmed, top left corner ripped off.
Bill made out to Sir John Hussey Delaval (1728-1808), later 1st Baron Delaval in the Irish peerage.
[Ref: 52252] £75.00 (£90.00 incl.VAT)
![The Haberdasher Dandy [old ink mss.]](jpegs/58350.jpg)
The Haberdasher Dandy [old ink mss.] "He! He! nothing talked of but Dandies Mem now Mem! what is the next thing I shall have the felicity to do for you Mem!!" / ''The next thing Mr Dandy is to measure that over again, and see how much you have cut Short.''
[C.Williams fec.t]
[London Pub.d by Thos Tegg No.111 Cheapside.] [n.d., c.1817.]
Coloured etching. Sheet 235 x 340mm (9¼ x 13¼"). Trimmed to image, losing inscriptions, mounted on album paper watermarked 1814.
The interior of a shop, with the haberdasher gossiping while cutting cloth.
BM Satires 13075.
[Ref: 58350] £180.00 (£216.00 incl.VAT)
[C.Williams fec.t]
[London Pub.d by Thos Tegg No.111 Cheapside.] [n.d., c.1817.]
Coloured etching. Sheet 235 x 340mm (9¼ x 13¼"). Trimmed to image, losing inscriptions, mounted on album paper watermarked 1814.
The interior of a shop, with the haberdasher gossiping while cutting cloth.
BM Satires 13075.
[Ref: 58350] £180.00 (£216.00 incl.VAT)
![[HABERDASHERY] Bought of James Butler Haberdasher and Hosier at the Golden Ball opposite St. James’s Square in Pall Mall.](jpegs/5893.jpg)
[HABERDASHERY] Bought of James Butler Haberdasher and Hosier at the Golden Ball opposite St. James’s Square in Pall Mall.
[LONDON, ca. 1753]
A classic engraved billhead from the era of Samuel Johnson’s London, on paper, with a small engraved vignette of the aforementioned “Golden Ball” on the left. 110 x 210mm, plate size 66 x 195mm. Creased where sometime folded, short tears at the crease ends, slight staining to a small area.
An account is made out and receipted in a robust contemporary hand, in this case one Edw.d Jones on behalf of Butler, to “The Right Honble. Lady Monvon … 1753.” Docketed in ms. verso.
[Ref: 5893] £160.00 (£192.00 incl.VAT)
[LONDON, ca. 1753]
A classic engraved billhead from the era of Samuel Johnson’s London, on paper, with a small engraved vignette of the aforementioned “Golden Ball” on the left. 110 x 210mm, plate size 66 x 195mm. Creased where sometime folded, short tears at the crease ends, slight staining to a small area.
An account is made out and receipted in a robust contemporary hand, in this case one Edw.d Jones on behalf of Butler, to “The Right Honble. Lady Monvon … 1753.” Docketed in ms. verso.
[Ref: 5893] £160.00 (£192.00 incl.VAT)
Martin Nunn & Co. Juvenile Depot. The New French Bassinette or Berceau
M. & N. Hanhart, lith. Printers. 64 Charlotte St, Rathbone Pl. [c.1846]
Lithograph, very scarce; sheet 185 x 215mm (7¼ x 8½"). Creases; trimmed.
Elaborate advertisement/billhead for a premises located on Regent Street in London's West End, offering 'Ladues dressing gowns & under Clothing of every description' in addition to a large childrens' department.
[Ref: 45886] £140.00 (£168.00 incl.VAT)
M. & N. Hanhart, lith. Printers. 64 Charlotte St, Rathbone Pl. [c.1846]
Lithograph, very scarce; sheet 185 x 215mm (7¼ x 8½"). Creases; trimmed.
Elaborate advertisement/billhead for a premises located on Regent Street in London's West End, offering 'Ladues dressing gowns & under Clothing of every description' in addition to a large childrens' department.
[Ref: 45886] £140.00 (£168.00 incl.VAT)
Habitants of our Shores. 14.
R: Ansdell R.A.
[London, 1872.]
Etching. Plate 178 x 248. 7 x 9¾".
A bird returning to the nest at twilight; other birds flock. Plate 14 from "Etchings for The Art-Union of London By The Etching Club, 1872".
[Ref: 19383] £65.00 (£78.00 incl.VAT)
R: Ansdell R.A.
[London, 1872.]
Etching. Plate 178 x 248. 7 x 9¾".
A bird returning to the nest at twilight; other birds flock. Plate 14 from "Etchings for The Art-Union of London By The Etching Club, 1872".
[Ref: 19383] £65.00 (£78.00 incl.VAT)
The Rev.d James Hackman.
Dighton ad vivum del. I. Taylor Aqua-forte fecit.
Publish'd by G. Kearsley in Fleet Street, April 24th 1779.
Etching. Sheet 160 x 110mm (6¼ x 4¼"). Trimmed within plate, backed with album paper.
A profile portrait of James Hackman (1752-1779), hanged for the shooting murder of Martha Ray (1746-1779), singer and long-time mistress of John Montagu, 4th Earl of Sandwich. He gained much sympathy for his 'crime of passion'. Engraved by Isaac Taylor after Robert Dighton. Frontis to the 4th edition "Memoirs of the late Rev. Mr. James Hackman".
[Ref: 62534] £130.00 (£156.00 incl.VAT)
Dighton ad vivum del. I. Taylor Aqua-forte fecit.
Publish'd by G. Kearsley in Fleet Street, April 24th 1779.
Etching. Sheet 160 x 110mm (6¼ x 4¼"). Trimmed within plate, backed with album paper.
A profile portrait of James Hackman (1752-1779), hanged for the shooting murder of Martha Ray (1746-1779), singer and long-time mistress of John Montagu, 4th Earl of Sandwich. He gained much sympathy for his 'crime of passion'. Engraved by Isaac Taylor after Robert Dighton. Frontis to the 4th edition "Memoirs of the late Rev. Mr. James Hackman".
[Ref: 62534] £130.00 (£156.00 incl.VAT)
![[The Rev.d James Hackman, From the Original Drawing by M,,r Dighton.]](jpegs/62533.jpg)
[The Rev.d James Hackman, From the Original Drawing by M,,r Dighton.]
[Dighton del. Laurie Sc.]
Publish'd as the Act Directs May 17th 1779.
Mezzotint, proof state with scratched publication line only. 160 x 110mm (6¼ x 4¼") very large margins. Small crease top left margin.
A profile portrait of James Hackman (1752-1779), hanged for the shooting murder of Martha Ray (1746-1779), singer and long-time mistress of John Montagu, 4th Earl of Sandwich. He gained much sympathy for his 'crime of passion'. Engraved by Robert Laurie after Robert Dighton.
CS 26.
[Ref: 62533] £280.00 (£336.00 incl.VAT)
[Dighton del. Laurie Sc.]
Publish'd as the Act Directs May 17th 1779.
Mezzotint, proof state with scratched publication line only. 160 x 110mm (6¼ x 4¼") very large margins. Small crease top left margin.
A profile portrait of James Hackman (1752-1779), hanged for the shooting murder of Martha Ray (1746-1779), singer and long-time mistress of John Montagu, 4th Earl of Sandwich. He gained much sympathy for his 'crime of passion'. Engraved by Robert Laurie after Robert Dighton.
CS 26.
[Ref: 62533] £280.00 (£336.00 incl.VAT)
Harvest Scene with a View of the Old Tower & Part of the Town of Hackney, taken from the Downs.
Drawn by W. Walker. Engraved by W.J. Bennett.
Published Aug 1. 1814, by W. Walker, London Fields, Hackney.
Very rare aquatint printed in brown. 480 x 705mm (19 x 27¾"). Small margins.
A family pauusing while gathering whear sheaves, St Augustine's Tower behind. W. J. Bennett worked in America.
[Ref: 49577] £550.00
Drawn by W. Walker. Engraved by W.J. Bennett.
Published Aug 1. 1814, by W. Walker, London Fields, Hackney.
Very rare aquatint printed in brown. 480 x 705mm (19 x 27¾"). Small margins.
A family pauusing while gathering whear sheaves, St Augustine's Tower behind. W. J. Bennett worked in America.
[Ref: 49577] £550.00
Hackney.
H. Alken del.t I. Clark sculp.t
London, Published by T. Mc.Lean, Jany. 1. 1820.
Coloured aquatint. Plate 222 x 275mm. 8¾ x 10¾".
A gentleman riding on his horse, closely followed by his dog.
[Ref: 18421] £190.00 (£228.00 incl.VAT)
H. Alken del.t I. Clark sculp.t
London, Published by T. Mc.Lean, Jany. 1. 1820.
Coloured aquatint. Plate 222 x 275mm. 8¾ x 10¾".
A gentleman riding on his horse, closely followed by his dog.
[Ref: 18421] £190.00 (£228.00 incl.VAT)
![[Hackney]](jpegs/56701.jpg)
[Hackney]
[C.J. Greenwood Del.t et Lith.] [****] & Son Litho. Ludgate Hill. London.
[London: n.d., c.1845.]
Scarce tinted lithograph. Image 220 x 345mm (8¾ x 13½"). Trimmed, losing most of the inscriptions, new margins added.
A railway bridge over a London street, with a locomotive passing.
[Ref: 56701] £180.00 (£216.00 incl.VAT)
[C.J. Greenwood Del.t et Lith.] [****] & Son Litho. Ludgate Hill. London.
[London: n.d., c.1845.]
Scarce tinted lithograph. Image 220 x 345mm (8¾ x 13½"). Trimmed, losing most of the inscriptions, new margins added.
A railway bridge over a London street, with a locomotive passing.
[Ref: 56701] £180.00 (£216.00 incl.VAT)
View of Hackney. Engraved for The Modern Universal British Traveller.
[n.d., c.1779.]
Engraving. 180 x 280mm (7 x 11"); large margins.
View of the village of Hackney, centred on St Augustine's Tower, with fields and milk-maid.
[Ref: 42015] £95.00 (£114.00 incl.VAT)
[n.d., c.1779.]
Engraving. 180 x 280mm (7 x 11"); large margins.
View of the village of Hackney, centred on St Augustine's Tower, with fields and milk-maid.
[Ref: 42015] £95.00 (£114.00 incl.VAT)
Hackney School.
Engraved by R. Reeve.
[n.d., c1820]
Hand coloured aquatint; J. Whatman watermark. Plate: 475 x 325mm, (18¾ x 12¾"). Staining and damage in thread margins.
A view of a large school building in Hackney, in which several boys play ball games in the grounds.
[Ref: 40206] £480.00
Engraved by R. Reeve.
[n.d., c1820]
Hand coloured aquatint; J. Whatman watermark. Plate: 475 x 325mm, (18¾ x 12¾"). Staining and damage in thread margins.
A view of a large school building in Hackney, in which several boys play ball games in the grounds.
[Ref: 40206] £480.00
Hackney School.
Engraved by R. Reeve.
[n.d., c.1820.]
Aquatint, 330 x 480mm. 13 x 18¾". Small scrape to image.
School Buildings with children playing ball games, including cricket.
Guildhall Library Record: 8429.
[Ref: 11950] £320.00
Engraved by R. Reeve.
[n.d., c.1820.]
Aquatint, 330 x 480mm. 13 x 18¾". Small scrape to image.
School Buildings with children playing ball games, including cricket.
Guildhall Library Record: 8429.
[Ref: 11950] £320.00
![St Augustine's, Hackney [pencil.]](jpegs/11648.jpg)
St Augustine's, Hackney [pencil.]
M. Douglas. [pencil signature.]
[n.d., c.1920.]
Etching. 225 x 150mm, 9 x 6".
St Augustine's Tower, all that remains of an early C16th parish church. The Grade 1 listed building is in the grounds of St Johns' Church in Hackney.
[Ref: 11648] £120.00 (£144.00 incl.VAT)
M. Douglas. [pencil signature.]
[n.d., c.1920.]
Etching. 225 x 150mm, 9 x 6".
St Augustine's Tower, all that remains of an early C16th parish church. The Grade 1 listed building is in the grounds of St Johns' Church in Hackney.
[Ref: 11648] £120.00 (£144.00 incl.VAT)
Simon the Dutch Skipper.
G. Aikman pinx. J. Smith fec. 1719.
Mezzotint. 345 x 250mm, 13½ x 9¾". Mounted on album paper.
Thomas, sixth Earl of Haddington (1680-1735), anti-Jacobite who fought at Sheriffmuir in 1715, and agriculturalist. His dress of a Dutch sea captain is apparently alluding to his Hanoverian sympathies.
Ex collections of the Hon. Christopher Lennox-Boyd and Norman Blackburn.
[Ref: 18449] £280.00 (£336.00 incl.VAT)
G. Aikman pinx. J. Smith fec. 1719.
Mezzotint. 345 x 250mm, 13½ x 9¾". Mounted on album paper.
Thomas, sixth Earl of Haddington (1680-1735), anti-Jacobite who fought at Sheriffmuir in 1715, and agriculturalist. His dress of a Dutch sea captain is apparently alluding to his Hanoverian sympathies.
Ex collections of the Hon. Christopher Lennox-Boyd and Norman Blackburn.
[Ref: 18449] £280.00 (£336.00 incl.VAT)
Nicholas Haddock, Esq. Admiral of the Blue Squadron.
Page sculp.
Pub. Feb.29 1812.by Joyce Gold, 103 Shoe Lane, Fleet Street, London.
Stipple. Sheet: 140 x 230mm (5½ x 9"). Trimmed within plate.
Half portrait in roundel of Nicholas Haddock (1686-1746), a British Admiral who served as MP for Rochester from 1734 until his death.
[Ref: 35352] £75.00 (£90.00 incl.VAT)
Page sculp.
Pub. Feb.29 1812.by Joyce Gold, 103 Shoe Lane, Fleet Street, London.
Stipple. Sheet: 140 x 230mm (5½ x 9"). Trimmed within plate.
Half portrait in roundel of Nicholas Haddock (1686-1746), a British Admiral who served as MP for Rochester from 1734 until his death.
[Ref: 35352] £75.00 (£90.00 incl.VAT)
A North-West View of Haddon &c, an Ancient Seat belonging to his Grace the Duke of Rutland; To Whom this Plate is humbly inscrib'd, by his Grace's most dutiful and most obed:t Serv:t T: Smith.
T. Smith Pinx. Vivares Sculp.
Publish'd Oct: ye 25.th 1744.
Engraving, slight 18th century watermark. 400 x 545mm (15¾ x 21½"), with large margins Repaired tear in lower margin.
A view of the parkland surrounding Haddon Hall, the seat of the Duke of Rutland on the River Wye, Derbyshire. After Thomas Smith of Derby (c.1720-67), a painter who specialised in landscapes with historic houses.
See Tim Clayton 'The English Print' (New Haven and London, 1997) p. 165.
[Ref: 54944] £420.00
T. Smith Pinx. Vivares Sculp.
Publish'd Oct: ye 25.th 1744.
Engraving, slight 18th century watermark. 400 x 545mm (15¾ x 21½"), with large margins Repaired tear in lower margin.
A view of the parkland surrounding Haddon Hall, the seat of the Duke of Rutland on the River Wye, Derbyshire. After Thomas Smith of Derby (c.1720-67), a painter who specialised in landscapes with historic houses.
See Tim Clayton 'The English Print' (New Haven and London, 1997) p. 165.
[Ref: 54944] £420.00
[A North-West View of Haddon &c, an Ancient Seat belonging to his Grace the Duke of Rutland; To Whom this Plate is humbly inscrib'd, by his Grace's most dutiful and most obed:t Serv:t T: Smith.]
Vivares fecit [after Thomas Smith of Derby].
[Publish'd Oct: ye 25.th 1744.]
Engraving, unique progress proof with only engraver's name. 400 x 545mm (15¾ x 21½"). Repaired tear in lower margin.
A view of the parkland surrounding Haddon Hall, the seat of the Duke of Rutland on the River Wye, Derbyshire, after Thomas Smith of Derby (c.1720-67), a painter who specialised in landscapes with historic houses. On this progress plate the sky and remarque armorial are unfinished.
See Tim Clayton 'The English Print' (New Haven and London, 1997) p. 165.
[Ref: 54945] £580.00
Vivares fecit [after Thomas Smith of Derby].
[Publish'd Oct: ye 25.th 1744.]
Engraving, unique progress proof with only engraver's name. 400 x 545mm (15¾ x 21½"). Repaired tear in lower margin.
A view of the parkland surrounding Haddon Hall, the seat of the Duke of Rutland on the River Wye, Derbyshire, after Thomas Smith of Derby (c.1720-67), a painter who specialised in landscapes with historic houses. On this progress plate the sky and remarque armorial are unfinished.
See Tim Clayton 'The English Print' (New Haven and London, 1997) p. 165.
[Ref: 54945] £580.00
![[Little Calais Pier.]](jpegs/38026.jpg)
[Little Calais Pier.]
Seymour Haden. [Signed in pencil.]
Calais. S. Haden 1865. 3am.
Etching. Platemark: 75 x 150mm (3 x 6").
An attractive view of the pier at Calais, France. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:98.
[Ref: 38026] £170.00 (£204.00 incl.VAT)
Seymour Haden. [Signed in pencil.]
Calais. S. Haden 1865. 3am.
Etching. Platemark: 75 x 150mm (3 x 6").
An attractive view of the pier at Calais, France. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:98.
[Ref: 38026] £170.00 (£204.00 incl.VAT)
![[Little Moat House.]](jpegs/38025.jpg)
[Little Moat House.]
Seymour Haden. [Signed in pencil.]
1866.
Etching. Platemark: 150 x 225mm (6 x 9"). Very large margins. Some foxing.
An attractive view at the waters edge, with a house to the left. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:114.
[Ref: 38025] £250.00 (£300.00 incl.VAT)
Seymour Haden. [Signed in pencil.]
1866.
Etching. Platemark: 150 x 225mm (6 x 9"). Very large margins. Some foxing.
An attractive view at the waters edge, with a house to the left. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:114.
[Ref: 38025] £250.00 (£300.00 incl.VAT)
![[Little Shere Mill Pond.]](jpegs/38027.jpg)
[Little Shere Mill Pond.]
Seymour Haden. [Signed in pencil.]
[n.d., c.1860.]
Etching. Platemark: 110 x 170mm (4¼ x 6¾"). Slight staining.
A view of Shere Mill Pond, surrounded by trees and reeds, with a building in the background in the centre. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:37.
[Ref: 38027] £160.00 (£192.00 incl.VAT)
Seymour Haden. [Signed in pencil.]
[n.d., c.1860.]
Etching. Platemark: 110 x 170mm (4¼ x 6¾"). Slight staining.
A view of Shere Mill Pond, surrounded by trees and reeds, with a building in the background in the centre. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:37.
[Ref: 38027] £160.00 (£192.00 incl.VAT)
![[Hades.] Quid non mortalia pectora cogis, Auri sacra sames. Virg. Æn III, v.56.](jpegs/8211.jpg)
[Hades.] Quid non mortalia pectora cogis, Auri sacra sames. Virg. Æn III, v.56. From the Original Picture of the same size, in the Collection of Sir Joshua Reynolds.
Teniers pinxit. Ric.d Earlom Sculpsit. John & Josiah Boydell Excudit 1786.
Published Jany. 2d 1786 by John & Josiah Boydell, Cheapside, London.
Mezzotint. 495 x 680mm. A few small tears to edges, some surface marks.
A woman passing Cerberus on the way to Hades, with malformed demons, in the tradition of Hieronymus Bosch, shying away from her sword. Painted by David Teniers the younger.
[Ref: 8211] £550.00
Teniers pinxit. Ric.d Earlom Sculpsit. John & Josiah Boydell Excudit 1786.
Published Jany. 2d 1786 by John & Josiah Boydell, Cheapside, London.
Mezzotint. 495 x 680mm. A few small tears to edges, some surface marks.
A woman passing Cerberus on the way to Hades, with malformed demons, in the tradition of Hieronymus Bosch, shying away from her sword. Painted by David Teniers the younger.
[Ref: 8211] £550.00
![[James Hadfield.]](jpegs/68825.jpg)
[James Hadfield.]
[John Cawse.]
[n.d., c.1800. S.W.Fores.]
Coloured etching. Sheet 210 x 145mm (8¼ x 5¾"). Very cut and backed onto album paper.
Portrait of James Hadfield (1771/1772-1841) who attempted to assassinate George III of Great Britain in 1800 but was acquitted of attempted murder by reason of insanity. Hadfield was defended by Thomas Erskine (1750-1853), leading barrister of the era.
VI 712
[Ref: 68825] £160.00 (£192.00 incl.VAT)
[John Cawse.]
[n.d., c.1800. S.W.Fores.]
Coloured etching. Sheet 210 x 145mm (8¼ x 5¾"). Very cut and backed onto album paper.
Portrait of James Hadfield (1771/1772-1841) who attempted to assassinate George III of Great Britain in 1800 but was acquitted of attempted murder by reason of insanity. Hadfield was defended by Thomas Erskine (1750-1853), leading barrister of the era.
VI 712
[Ref: 68825] £160.00 (£192.00 incl.VAT)
Hadjar Silsilis.
David Roberts. R.A. L. Haghe. Lith.
London, Published F. G. Moon, 20 Threadneedle Street, May 1st, 1847.
Tinted lithograph, printed area 345 x 500mm.
Looking down river on the Nile north of Kom Ombo.
[Ref: 4958] £750.00
David Roberts. R.A. L. Haghe. Lith.
London, Published F. G. Moon, 20 Threadneedle Street, May 1st, 1847.
Tinted lithograph, printed area 345 x 500mm.
Looking down river on the Nile north of Kom Ombo.
[Ref: 4958] £750.00
Hager Setselis.
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street,
Tinted lithograph, printed area 330 x 490mm (13 x 19¼").
A view of the Nile at sunset near Gebel Silisia, north of Kom Ombo. To the right are men operating a shaduf, a balanced crane for lifting irrigation water from the Nile. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition. The title of this plate was altered to 'Hadjar Silsilis' for the First Edition.
Abbey Travel 272.
[Ref: 40902] £550.00
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street,
Tinted lithograph, printed area 330 x 490mm (13 x 19¼").
A view of the Nile at sunset near Gebel Silisia, north of Kom Ombo. To the right are men operating a shaduf, a balanced crane for lifting irrigation water from the Nile. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition. The title of this plate was altered to 'Hadjar Silsilis' for the First Edition.
Abbey Travel 272.
[Ref: 40902] £550.00
![[Hadleigh Castle near the Nore.]](jpegs/66966.jpg)
[Hadleigh Castle near the Nore.]
[Painted by John Constable R.A. Engraved by David Lucas.]
[n.d. c1829.]
Fine & rare cut mezzotint proof on india. Plate: 285 x 375mm (11¼ x 14¾"). Laid on card.
A view of Hadleigh Castle in Essex after John Constable's 1814 oil painting. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. They worked very closely together with Constable often hand touching up the prints himself, this is a larger version and not from this series.
Shirley: 11.
[Ref: 66966] £240.00 (£288.00 incl.VAT)
[Painted by John Constable R.A. Engraved by David Lucas.]
[n.d. c1829.]
Fine & rare cut mezzotint proof on india. Plate: 285 x 375mm (11¼ x 14¾"). Laid on card.
A view of Hadleigh Castle in Essex after John Constable's 1814 oil painting. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. They worked very closely together with Constable often hand touching up the prints himself, this is a larger version and not from this series.
Shirley: 11.
[Ref: 66966] £240.00 (£288.00 incl.VAT)
Hadleigh Castle near the Nore.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square. 1832.
Very fine mezzotint. Plate: 175 x 255mm (7 x 10"), with very large margins. Slight mount burn.
A view of Hadleigh Castle in Essex after John Constable's 1814 oil painting. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. They worked very closely together with Constable often hand touching up the prints himself.
Wedmore 21. Shirley: 34.: II of V.
[Ref: 58195] £380.00
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square. 1832.
Very fine mezzotint. Plate: 175 x 255mm (7 x 10"), with very large margins. Slight mount burn.
A view of Hadleigh Castle in Essex after John Constable's 1814 oil painting. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. They worked very closely together with Constable often hand touching up the prints himself.
Wedmore 21. Shirley: 34.: II of V.
[Ref: 58195] £380.00
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![[A View Near Hadley in Suffolk'] Drawn after Nature.](jpegs/59631.jpg)
[A View Near Hadley in Suffolk'] Drawn after Nature. No 2.
Tho.s Gainsborough del.t. John Boydell sculp.t.
Published by J. Boydell Engraver in Cheapside London [n.d., c.1790].
Engraving, very faint 18th century watermark. 255 x 350mm (10 x 13¾"), with large margins. Repaired tears in edges.
A view of rural Suffolk, one of a set of four originally published as 'Four Landskips Engrav'd by John Boydell' in 1747, but this example from Boydell's 'Collection of Views of England and Wales', issued to celebrated his becoming Lord Mayor of London.
[Ref: 59631] £140.00 (£168.00 incl.VAT)
Tho.s Gainsborough del.t. John Boydell sculp.t.
Published by J. Boydell Engraver in Cheapside London [n.d., c.1790].
Engraving, very faint 18th century watermark. 255 x 350mm (10 x 13¾"), with large margins. Repaired tears in edges.
A view of rural Suffolk, one of a set of four originally published as 'Four Landskips Engrav'd by John Boydell' in 1747, but this example from Boydell's 'Collection of Views of England and Wales', issued to celebrated his becoming Lord Mayor of London.
[Ref: 59631] £140.00 (£168.00 incl.VAT)
Miss Haffey
J. Foldson Pinx.t Rob.t Laurie fecit
London. Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 1 May 1777.
Mezzotint, platemark 355 x 255 (14 x 10"). Small margins.
Elizabeth Haffey, daughter of John Haffey of Walthamstow and the India Office. Elizabeth and her brother John Burgess Haffey were painted by the portrait painter John Foldsone (d.1784); the portraits were engraved by Robert Laurie and sold as a pair.
CS: 27
[Ref: 43768] £240.00 (£288.00 incl.VAT)
J. Foldson Pinx.t Rob.t Laurie fecit
London. Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 1 May 1777.
Mezzotint, platemark 355 x 255 (14 x 10"). Small margins.
Elizabeth Haffey, daughter of John Haffey of Walthamstow and the India Office. Elizabeth and her brother John Burgess Haffey were painted by the portrait painter John Foldsone (d.1784); the portraits were engraved by Robert Laurie and sold as a pair.
CS: 27
[Ref: 43768] £240.00 (£288.00 incl.VAT)
Master John Burges Haffey
J. Foldson pinx.t. Rob.t Laurie fecit
London, Printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs 1 May 1777
Mezzotint with very large margins, 18th century watermarked paper; platemark 350 x 250mm (13¾ x 9¾"). Crease on right.
John Burges Haffey entered the army and died in Jamaica in 1814 as Lieutenant-Colonel of the 18th Royal Irish Regiment. Pendant to portrait of his sister Elizabeth.
Ex collection of the late Hon. C. Lennox-Boyd; CS 28 II of II.
[Ref: 34039] £260.00 (£312.00 incl.VAT)
J. Foldson pinx.t. Rob.t Laurie fecit
London, Printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs 1 May 1777
Mezzotint with very large margins, 18th century watermarked paper; platemark 350 x 250mm (13¾ x 9¾"). Crease on right.
John Burges Haffey entered the army and died in Jamaica in 1814 as Lieutenant-Colonel of the 18th Royal Irish Regiment. Pendant to portrait of his sister Elizabeth.
Ex collection of the late Hon. C. Lennox-Boyd; CS 28 II of II.
[Ref: 34039] £260.00 (£312.00 incl.VAT)
Hagar comforted by the Angel. Copied by H. Wyatt, from an Original Drawing by Claude Lorraine, in the possession of Mr. Ford.
H. Wyatt, aquat. John Ford, Lithographed.
[n.d., c.1820.]
Lithograph, very rare. Top left in pencil "For the Rt. Hon. Earl Spencer"; Printed area 200 x 240mm (8 x 9½").
An amateur lithograph copied from a sketch from Claude's 'Liber Veritatis', the 'Book of Truth' that authenticated his paintings.
Ex Collection of Christopher Lennox-Boyd.
[Ref: 36489] £130.00 (£156.00 incl.VAT)
H. Wyatt, aquat. John Ford, Lithographed.
[n.d., c.1820.]
Lithograph, very rare. Top left in pencil "For the Rt. Hon. Earl Spencer"; Printed area 200 x 240mm (8 x 9½").
An amateur lithograph copied from a sketch from Claude's 'Liber Veritatis', the 'Book of Truth' that authenticated his paintings.
Ex Collection of Christopher Lennox-Boyd.
[Ref: 36489] £130.00 (£156.00 incl.VAT)
![[Abraham casting out Hagar and Ishmael]](jpegs/32770.jpg)
[Abraham casting out Hagar and Ishmael]
Rembrandt [Thomas Worlidge after]
Etching, platemark 130 x 100mm (5¼ x 4"). Fine impression; good margins; slight foxing around margins.
Abraham casting out Hagar and Ishmael, with Sarah and Isaac watching on the left. This Biblical scene was a popular way of depicting expulsion and outcasts, as in Rembrandt's 1637 etching here copied by Thomas Worlidge (1700-66), 'the English Rembrandt'. Lifetime impression before Worlidge's widow issued new impressions in 1767 with additional number in top right.
State i/ii; W29; D95
[Ref: 32770] £220.00 (£264.00 incl.VAT)
Rembrandt [Thomas Worlidge after]
Etching, platemark 130 x 100mm (5¼ x 4"). Fine impression; good margins; slight foxing around margins.
Abraham casting out Hagar and Ishmael, with Sarah and Isaac watching on the left. This Biblical scene was a popular way of depicting expulsion and outcasts, as in Rembrandt's 1637 etching here copied by Thomas Worlidge (1700-66), 'the English Rembrandt'. Lifetime impression before Worlidge's widow issued new impressions in 1767 with additional number in top right.
State i/ii; W29; D95
[Ref: 32770] £220.00 (£264.00 incl.VAT)
William Hage. The Celebrated guide to Haddon Hall Derbyshire, the descendant of a family which has served in the house of Manners upwards of three centuries. He was born in 1745 and in his present capacity has been known to visitors sixty one years.
Drawn on Stone by Rayner, from a drawing by Oakley.
[n.d., c.1830.]
Fine & rare hand-coloured lithograph, proof. Sheet: 255 x 190mm (10 x 7½''). Trimmed.
A portrait of the William Hage, caretaker of Haddon Hall, one of the seats of the Dukes of Rutland.
[Ref: 50626] £220.00 (£264.00 incl.VAT)
Drawn on Stone by Rayner, from a drawing by Oakley.
[n.d., c.1830.]
Fine & rare hand-coloured lithograph, proof. Sheet: 255 x 190mm (10 x 7½''). Trimmed.
A portrait of the William Hage, caretaker of Haddon Hall, one of the seats of the Dukes of Rutland.
[Ref: 50626] £220.00 (£264.00 incl.VAT)
![[Five landscape etchings by Christian Ludwig von Hagedorn]](jpegs/38362.jpg)
[Five landscape etchings by Christian Ludwig von Hagedorn]
[All bearing vHD monogram and dated 1765-6]
Five etchings, platemark dimensions each between 75 x 100mm (3 x 4") and 90 x 120mm (3½ x 4¾"). All glued to backing sheets.
Five etchings, probably all from a set of 'Neue Versuche' by Christian Ludwig von Hagedorn (1712 - 1780). Born in Hamburg; Hagedorn was a diplomat, art theoretician, and general director of arts at the Saxon court in Dresden as well as an amateur printmaker. His brother Friedrich was an important poet.
[Ref: 38362] £280.00 (£336.00 incl.VAT) view all images for this item
[All bearing vHD monogram and dated 1765-6]
Five etchings, platemark dimensions each between 75 x 100mm (3 x 4") and 90 x 120mm (3½ x 4¾"). All glued to backing sheets.
Five etchings, probably all from a set of 'Neue Versuche' by Christian Ludwig von Hagedorn (1712 - 1780). Born in Hamburg; Hagedorn was a diplomat, art theoretician, and general director of arts at the Saxon court in Dresden as well as an amateur printmaker. His brother Friedrich was an important poet.
[Ref: 38362] £280.00 (£336.00 incl.VAT) view all images for this item
![["She"]](jpegs/63683.jpg)
["She"]
Spy [Sir Leslie Ward]. [Vincent Brooks, Day & Son, Lith.]
[Vanity Fair. May 21 1887]
Chromolithograph proof, with text, sheet 385 x 260mm (15¼ x 10¼"), large margins.
Full length caricature portrait of writer, Henry Rider Haggard (1856-1925).
[Ref: 63683] £70.00 (£84.00 incl.VAT)
Spy [Sir Leslie Ward]. [Vincent Brooks, Day & Son, Lith.]
[Vanity Fair. May 21 1887]
Chromolithograph proof, with text, sheet 385 x 260mm (15¼ x 10¼"), large margins.
Full length caricature portrait of writer, Henry Rider Haggard (1856-1925).
[Ref: 63683] £70.00 (£84.00 incl.VAT)
W.H. Haggard.
[John Stevens.][William Drummond.]
[n.d, c.1829.]
Lithograph, scarce, printed on india. Sheet: 255 x 190mm (10 x 7½"). Marking in large margins.
A bust portrait of William Henry Haggard (1783-1843), from Norfolk, in profile. Facsimilie signature below image.
[Ref: 46325] £60.00 (£72.00 incl.VAT)
[John Stevens.][William Drummond.]
[n.d, c.1829.]
Lithograph, scarce, printed on india. Sheet: 255 x 190mm (10 x 7½"). Marking in large margins.
A bust portrait of William Henry Haggard (1783-1843), from Norfolk, in profile. Facsimilie signature below image.
[Ref: 46325] £60.00 (£72.00 incl.VAT)
W. H. Haggard.
Engraved by W.D. March, 1837. from the Original by John Stevens, 1829.
Soft ground etching. 269 x 198mm.
William Henry Haggard of Bradenham Hall, Norfolk. [1783-1843], a director of the Bank of England.
[Ref: 4054] £65.00 (£78.00 incl.VAT)
Engraved by W.D. March, 1837. from the Original by John Stevens, 1829.
Soft ground etching. 269 x 198mm.
William Henry Haggard of Bradenham Hall, Norfolk. [1783-1843], a director of the Bank of England.
[Ref: 4054] £65.00 (£78.00 incl.VAT)