A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Infant Hercules.
Painted by Sir Joshua Reynolds K.t. Engraved by William Ward Jnr.
London, Published March 1st 1819 by W.Cribb, 13 Tavistock Street, Covent Garden.
Mezzotint. 480 x 380mm. Slight surface soiling.
After Reynolds' painting 'The Infant Hercules Strangling the Serpents', 1786, now in the Hermitage Museum, St Petersburg. The engraver is William James Ward (1800-40), son of William Ward, nephew of James Ward and nephew by marriage of George Morland.
[Ref: 4857] £650.00
Painted by Sir Joshua Reynolds K.t. Engraved by William Ward Jnr.
London, Published March 1st 1819 by W.Cribb, 13 Tavistock Street, Covent Garden.
Mezzotint. 480 x 380mm. Slight surface soiling.
After Reynolds' painting 'The Infant Hercules Strangling the Serpents', 1786, now in the Hermitage Museum, St Petersburg. The engraver is William James Ward (1800-40), son of William Ward, nephew of James Ward and nephew by marriage of George Morland.
[Ref: 4857] £650.00
Soame Jenyns Esq.r.
Painted by Sir Joshua Reynolds. Engrav'd by W. Dickinson Sep.t 24th 1776.
Fine mezzotint. 355 x 255mm (14 x 10"), Small margins.
Portrait of Soame Jenyns (1704-1787), MP and writer, after the portrait by Sir Joshua Reynolds.
CS: 40; Hamilton p.41.
[Ref: 49558] £220.00 (£264.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engrav'd by W. Dickinson Sep.t 24th 1776.
Fine mezzotint. 355 x 255mm (14 x 10"), Small margins.
Portrait of Soame Jenyns (1704-1787), MP and writer, after the portrait by Sir Joshua Reynolds.
CS: 40; Hamilton p.41.
[Ref: 49558] £220.00 (£264.00 incl.VAT)
![[Samuel Johnson.]](jpegs/57841.jpg)
[Samuel Johnson.]
Will. Henderson [pencil signature].
Published 1923 by The Museum Galleries, 28, Museum Street, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 330 x 250mm (13 x 9¾"), very large margins, with a letterpress biography.
A copy of the famous half length portrait of writer Samuel Johnson (1709-84), painted by Sir Joshua Reybolds c.1772.
[Ref: 57841] £75.00 (£90.00 incl.VAT)
Will. Henderson [pencil signature].
Published 1923 by The Museum Galleries, 28, Museum Street, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 330 x 250mm (13 x 9¾"), very large margins, with a letterpress biography.
A copy of the famous half length portrait of writer Samuel Johnson (1709-84), painted by Sir Joshua Reybolds c.1772.
[Ref: 57841] £75.00 (£90.00 incl.VAT)
Samuel Johnson. Sentimental and Masonic Magazine
Sir Jos.a Reynolds Pinx.t 1756 H. Brocas Sculp.
[c.1795]
Stipple, sheet 210 x 115mm (8¼ x4½").
Samuel Johnson (1709-1784), English writer who made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history". He is also the subject of "the most famous single work of biographical art in the whole of literature": James Boswell's Life of Samuel Johnson. After working as a teacher he moved to London, where he began to write essays for The Gentleman's Magazine. His later works included essays, an influential annotated edition of William Shakespeare's plays, and the widely read novel Rasselas. In 1763, he befriended James Boswell, with whom he later travelled to Scotland; Johnson described their travels in A Journey to the Western Islands of Scotland. Towards the end of his life, he produced the massive and influential Lives of the Most Eminent English Poets, a collection of biographies and evaluations of 17th- and 18th-century poets. Engraving after the portrait by Sir Joshua Reynolds, published in the Dublin journal, the 'Sentimental and Masonic Magazine', published by John Jones of Grafton Street between 1792 and 1795.
Not in O'D; for another engraving from the same Reynolds portrait see ref. 26473.
[Ref: 43326] £95.00 (£114.00 incl.VAT)
Sir Jos.a Reynolds Pinx.t 1756 H. Brocas Sculp.
[c.1795]
Stipple, sheet 210 x 115mm (8¼ x4½").
Samuel Johnson (1709-1784), English writer who made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history". He is also the subject of "the most famous single work of biographical art in the whole of literature": James Boswell's Life of Samuel Johnson. After working as a teacher he moved to London, where he began to write essays for The Gentleman's Magazine. His later works included essays, an influential annotated edition of William Shakespeare's plays, and the widely read novel Rasselas. In 1763, he befriended James Boswell, with whom he later travelled to Scotland; Johnson described their travels in A Journey to the Western Islands of Scotland. Towards the end of his life, he produced the massive and influential Lives of the Most Eminent English Poets, a collection of biographies and evaluations of 17th- and 18th-century poets. Engraving after the portrait by Sir Joshua Reynolds, published in the Dublin journal, the 'Sentimental and Masonic Magazine', published by John Jones of Grafton Street between 1792 and 1795.
Not in O'D; for another engraving from the same Reynolds portrait see ref. 26473.
[Ref: 43326] £95.00 (£114.00 incl.VAT)
Samuel Johnson L.L.D.
Sir J. Reynolds, pinxt. Heath, sculp.
Published by Longman & Co. June 10th. 1805.
Stipple. Plate 241 x 159mm. 9½ x 6¼".
Dr. Samuel Johnson (18 September 1709 - 13 December 1784) was an English author. Beginning as a Grub Street journalist, he made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history".
[Ref: 18072] £65.00 (£78.00 incl.VAT)
Sir J. Reynolds, pinxt. Heath, sculp.
Published by Longman & Co. June 10th. 1805.
Stipple. Plate 241 x 159mm. 9½ x 6¼".
Dr. Samuel Johnson (18 September 1709 - 13 December 1784) was an English author. Beginning as a Grub Street journalist, he made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history".
[Ref: 18072] £65.00 (£78.00 incl.VAT)
Samuel Johnson L.L.D.
Sir Joshua Reynolds pinx.t H. Meyer sculp.t
London Published Oct.r 1818 by J. Coxhead, 249, High Holborn.
Stipple, with small margins. Plate 152 x 102mm. 6 x 4".
Dr. Samuel Johnson (1709-1784) was an English author, poet, critic, lexicographer. Beginning as a Grub Street journalist, he made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history".
See NPG: D34873.
[Ref: 26473] £50.00 (£60.00 incl.VAT)
Sir Joshua Reynolds pinx.t H. Meyer sculp.t
London Published Oct.r 1818 by J. Coxhead, 249, High Holborn.
Stipple, with small margins. Plate 152 x 102mm. 6 x 4".
Dr. Samuel Johnson (1709-1784) was an English author, poet, critic, lexicographer. Beginning as a Grub Street journalist, he made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history".
See NPG: D34873.
[Ref: 26473] £50.00 (£60.00 incl.VAT)
Samuel Johnson L.L.D.
Painted by Sir Joshua Reynolds. Engraved by John Hall. Engraver to his Majesty.
Publish'd as the Act directs, by the proprietors, Jan.y 1st. 1787.
Engraving. Sheet size: 230 x 150mm. (9 x 6"). Trimmed inside platemark.
A portrait of Samuel Johnson (1709-1784), in a decorative trompe l'oeil border with Johnson's date of birth and death above. Johnson was an English author who made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history". He is also the subject of "the most famous single work of biographical art in the whole of literature": James Boswell's Life of Samuel Johnson. After working as a teacher he moved to London, where he began to write essays for The Gentleman's Magazine. His later works included essays, an influential annotated edition of William Shakespeare's plays, and the widely read novel Rasselas. In 1763, he befriended James Boswell, with whom he later travelled to Scotland; Johnson described their travels in A Journey to the Western Islands of Scotland. Towards the end of his life, he produced the massive and influential Lives of the Most Eminent English Poets, a collection of biographies and evaluations of 17th- and 18th-century poets.
[Ref: 31659] £120.00 (£144.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by John Hall. Engraver to his Majesty.
Publish'd as the Act directs, by the proprietors, Jan.y 1st. 1787.
Engraving. Sheet size: 230 x 150mm. (9 x 6"). Trimmed inside platemark.
A portrait of Samuel Johnson (1709-1784), in a decorative trompe l'oeil border with Johnson's date of birth and death above. Johnson was an English author who made lasting contributions to English literature as a poet, essayist, moralist, novelist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has been described as "arguably the most distinguished man of letters in English history". He is also the subject of "the most famous single work of biographical art in the whole of literature": James Boswell's Life of Samuel Johnson. After working as a teacher he moved to London, where he began to write essays for The Gentleman's Magazine. His later works included essays, an influential annotated edition of William Shakespeare's plays, and the widely read novel Rasselas. In 1763, he befriended James Boswell, with whom he later travelled to Scotland; Johnson described their travels in A Journey to the Western Islands of Scotland. Towards the end of his life, he produced the massive and influential Lives of the Most Eminent English Poets, a collection of biographies and evaluations of 17th- and 18th-century poets.
[Ref: 31659] £120.00 (£144.00 incl.VAT)
Miss Kemble.
Painted by Sir Joshua Reynolds. Engraved by John Jones.
London, Published According to Act March 23 1784, by J. Jones, No 63 Great Portland Street. Bit later.
Mezzotint. 380 x 280mm (15 x 11"). Framed. Unexamined out of modern frame.
Frances Kemble (1759-1822), younger sister of Sarah Siddons, also an actress but married a Shakespeare scholar, Francis Twiss. From 1807 she ran a girls' school in Bath.
CS 42.
[Ref: 50434] £140.00 (£168.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by John Jones.
London, Published According to Act March 23 1784, by J. Jones, No 63 Great Portland Street. Bit later.
Mezzotint. 380 x 280mm (15 x 11"). Framed. Unexamined out of modern frame.
Frances Kemble (1759-1822), younger sister of Sarah Siddons, also an actress but married a Shakespeare scholar, Francis Twiss. From 1807 she ran a girls' school in Bath.
CS 42.
[Ref: 50434] £140.00 (£168.00 incl.VAT)
Miss Kemble.
Painted by Sir Joshua Reynolds. Engraved by John Jones.
London, Published According to Act March 23 1784, by J. Jones, No 63 Great Portland Street.
Mezzotint. 380 x 280mm (15 x 11"). Trimmed to image, mounted in album paper.
Frances Kemble (1759-1822), younger sister of Sarah Siddons, also an actress but married a Shakespeare scholar, Francis Twiss. From 1807 she ran a girls' school in Bath.
CS 42.
[Ref: 44342] £260.00 (£312.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by John Jones.
London, Published According to Act March 23 1784, by J. Jones, No 63 Great Portland Street.
Mezzotint. 380 x 280mm (15 x 11"). Trimmed to image, mounted in album paper.
Frances Kemble (1759-1822), younger sister of Sarah Siddons, also an actress but married a Shakespeare scholar, Francis Twiss. From 1807 she ran a girls' school in Bath.
CS 42.
[Ref: 44342] £260.00 (£312.00 incl.VAT)
Key to Mr Walker's Engraving of the Passing of the Reform Bill.
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Steel engraving, sheet 305 x 375mm (12 x 14¾"). Creases; stains; repaired tears. Damaged.
The key plate to Samuel William Reynolds's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832', identifying seventy-six figures represented including Grey, Durham, Holland, Brougham, Lansdowne, and Wellesley. The passing of the Great Reform Bill was one of the major legislative landmarks of the nineteenth century
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 37229] £95.00 (£114.00 incl.VAT)
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Steel engraving, sheet 305 x 375mm (12 x 14¾"). Creases; stains; repaired tears. Damaged.
The key plate to Samuel William Reynolds's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832', identifying seventy-six figures represented including Grey, Durham, Holland, Brougham, Lansdowne, and Wellesley. The passing of the Great Reform Bill was one of the major legislative landmarks of the nineteenth century
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 37229] £95.00 (£114.00 incl.VAT)
Key to Mr Walker's Engraving of the Passing of the Reform Bill.
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Rare steel engraving. Sheet 290 x 330mm. Edges chipped and stained; tears into image and publication line.
The key plate to Samuel William Reynold's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832'.
From the Reference Library of the Parker Gallery.
[Ref: 56076] £190.00 (£228.00 incl.VAT)
[after S.W.Reynolds.]
London June 1836; Published by Mr Walker, 64 Margaret Street, & 22 London Street, Edinburgh.
Rare steel engraving. Sheet 290 x 330mm. Edges chipped and stained; tears into image and publication line.
The key plate to Samuel William Reynold's 'The Reform Bill Receiving the King's Assent by Royal Commission, 7 June 1832'.
From the Reference Library of the Parker Gallery.
[Ref: 56076] £190.00 (£228.00 incl.VAT)
King Lear.
Engrav'd by Wm. Sharp, from a Picture of Sr. Joshua Reynolds.
Publish'd May 1.st 1783, by John Boydell Engraver in Cheapside London.
Engraving and etching. Plate 222 x 184mm (8¾ x 7¼").
King Lear, looking up, with windswept hair and a full beard; clouds behind.
Hamilton: p.151.
[Ref: 20922] £160.00 (£192.00 incl.VAT)
Engrav'd by Wm. Sharp, from a Picture of Sr. Joshua Reynolds.
Publish'd May 1.st 1783, by John Boydell Engraver in Cheapside London.
Engraving and etching. Plate 222 x 184mm (8¾ x 7¼").
King Lear, looking up, with windswept hair and a full beard; clouds behind.
Hamilton: p.151.
[Ref: 20922] £160.00 (£192.00 incl.VAT)
William Kingsley Esq.r Major General of his Majesty's Forces, Colonel of the 20 Regiment of Foot, and Governor of Fort William in North Britain.
J. Reynolds pinx.t. R. Houston fecit 1760.
Printed for Rich.d Houston at Charing Cross, Tho.s Jefferys the Corner of St. Martins Lane, & Rob.t Sayer, at the Golden Buck in Fleet Street.
Fine mezzotint. 390 x 280mm (15¼ x 11"), with very large margins.
Half-length portrait of William Kingsley (c.1698-1769). In May 1745 he served at the battle of Fontenoy, where a cannon-ball passed between his legs and killed four men behind him. In the December of the same year, during the Jacobite Rebellion and the 'March to Finchley', he was sent to Northamptonshire by the Duke of Cumberland to obtain information of the enemy's movements. During the Seven Years war he distinguished himself at the battle of Minden on 1 August 1759, and was appointed Governor of Fort William in March 1760 but did not reside there as he was still on active duty against France, becoming Lieutenant General in December that year.
CS 67, i. Hamilton p.44.I
[Ref: 59586] £420.00
J. Reynolds pinx.t. R. Houston fecit 1760.
Printed for Rich.d Houston at Charing Cross, Tho.s Jefferys the Corner of St. Martins Lane, & Rob.t Sayer, at the Golden Buck in Fleet Street.
Fine mezzotint. 390 x 280mm (15¼ x 11"), with very large margins.
Half-length portrait of William Kingsley (c.1698-1769). In May 1745 he served at the battle of Fontenoy, where a cannon-ball passed between his legs and killed four men behind him. In the December of the same year, during the Jacobite Rebellion and the 'March to Finchley', he was sent to Northamptonshire by the Duke of Cumberland to obtain information of the enemy's movements. During the Seven Years war he distinguished himself at the battle of Minden on 1 August 1759, and was appointed Governor of Fort William in March 1760 but did not reside there as he was still on active duty against France, becoming Lieutenant General in December that year.
CS 67, i. Hamilton p.44.I
[Ref: 59586] £420.00
William Kingsley Esq.r
J. Reynolds pinxit. R. Hancock fecit.
Rare mezzotint. Plate 152 x 140mm. 6 x 5½".
General William Kingsley (c.1698-1769) was Governor of Fort William and a freemason. He was Major General of His Majesty's forces, Colonel of the 20th Regiment of Foot.
CS: 5. Whitman: undescribed.
[Ref: 24001] £220.00 (£264.00 incl.VAT)
J. Reynolds pinxit. R. Hancock fecit.
Rare mezzotint. Plate 152 x 140mm. 6 x 5½".
General William Kingsley (c.1698-1769) was Governor of Fort William and a freemason. He was Major General of His Majesty's forces, Colonel of the 20th Regiment of Foot.
CS: 5. Whitman: undescribed.
[Ref: 24001] £220.00 (£264.00 incl.VAT)
![[Ladies Yorke]](jpegs/52486.jpg)
[Ladies Yorke]
[Fisher afer Reynolds.]
[n.d. c.1762.]
Very scarce & fine mezzotint, proof before letters. 493 x 340mm (19½ x 13½"). Trimmed; fold through centre. Slight silverfish losses on right & bottom.
Double portrait of the ladies Yorke after Reynolds (Mannings 1956); as children, whole-length to front, in garden beside sphinx on pedestal; Lady Amabel Grey standing at left with dove perched on her right hand, Lady Mary Jemima running towards her holding another dove, dog at her heels; proof before letters, before the plate cleaned.
CS: 61 [undescribed].
[Ref: 52486] £490.00
[Fisher afer Reynolds.]
[n.d. c.1762.]
Very scarce & fine mezzotint, proof before letters. 493 x 340mm (19½ x 13½"). Trimmed; fold through centre. Slight silverfish losses on right & bottom.
Double portrait of the ladies Yorke after Reynolds (Mannings 1956); as children, whole-length to front, in garden beside sphinx on pedestal; Lady Amabel Grey standing at left with dove perched on her right hand, Lady Mary Jemima running towards her holding another dove, dog at her heels; proof before letters, before the plate cleaned.
CS: 61 [undescribed].
[Ref: 52486] £490.00
![[Mrs Lascelles.]](jpegs/29051.jpg)
[Mrs Lascelles.]
[J. Reynolds pinxit. J. Watson fecit.]
[London, Printed for Robt. Sayer, Map & Printseller, at the Golden Buck near Serjeants Inn, Fleet Street.] [n.d. c.1780.]
Mezzotint, very scarce proof before all letters. 510 x 355mm (20 x 14"), with wide margins.
Portrait of Mrs Anne Lascelles and her daughter Frances, after Joshua Reynolds; seated almost whole-length slightly to left, eyes to front, resting on her left arm, wearing loose robe and band in her hair, her child lying back on her lap, hands on her mother's face; curtain and pillar behind, with trees beyond at left. Lady Anne Lascelles (c.1742-1805), wife of Edward Lascelles, 1st Earl of Harewood. Frances Douglas (1762-1817), wife of Hon. John Douglas, son of James, Earl of Morton.
Hamilton 114: i/ii. CS 87: i/ii. Goodwin 31: i/ii. See Ref: 29028 for portrait of Edward Lascelles. Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 29051] £620.00
[J. Reynolds pinxit. J. Watson fecit.]
[London, Printed for Robt. Sayer, Map & Printseller, at the Golden Buck near Serjeants Inn, Fleet Street.] [n.d. c.1780.]
Mezzotint, very scarce proof before all letters. 510 x 355mm (20 x 14"), with wide margins.
Portrait of Mrs Anne Lascelles and her daughter Frances, after Joshua Reynolds; seated almost whole-length slightly to left, eyes to front, resting on her left arm, wearing loose robe and band in her hair, her child lying back on her lap, hands on her mother's face; curtain and pillar behind, with trees beyond at left. Lady Anne Lascelles (c.1742-1805), wife of Edward Lascelles, 1st Earl of Harewood. Frances Douglas (1762-1817), wife of Hon. John Douglas, son of James, Earl of Morton.
Hamilton 114: i/ii. CS 87: i/ii. Goodwin 31: i/ii. See Ref: 29028 for portrait of Edward Lascelles. Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 29051] £620.00
General Lawrence.
Sherlock sculp.
[n.d., c.1757.]
Engraving. Platemark: 125 x 105mm (5 x 4¼"). Large margins on 3 sides, very small margins on left.
A bust portrait of General Stringer Lawrence (1697-1775), known as the 'Father of the Indian army'. Lawrence was the first Commander-in-Chief in India, and was actively engaged in a number of battles including Cuddalore, Pondicherry, and was in command at the capture of Devicota in 1749. In 1759 failing health compelled him to return to England. The East India Company erected a monument to his memory in Westminster Abbey. A plate from Tobias Smollett's 'History of England', published in 1757.
[Ref: 35633] £60.00 (£72.00 incl.VAT)
Sherlock sculp.
[n.d., c.1757.]
Engraving. Platemark: 125 x 105mm (5 x 4¼"). Large margins on 3 sides, very small margins on left.
A bust portrait of General Stringer Lawrence (1697-1775), known as the 'Father of the Indian army'. Lawrence was the first Commander-in-Chief in India, and was actively engaged in a number of battles including Cuddalore, Pondicherry, and was in command at the capture of Devicota in 1749. In 1759 failing health compelled him to return to England. The East India Company erected a monument to his memory in Westminster Abbey. A plate from Tobias Smollett's 'History of England', published in 1757.
[Ref: 35633] £60.00 (£72.00 incl.VAT)
Major General Stringer Lawrence, who Commanded in India from 1747 to 1767. Died 10th Jan.y 1775, Ageed 78. From the Original Painting in the Possession of S.r Rob.t Palk Bar.t to whom this Place is most respectfully Inscribed by his obliged humble Servant, E.A. Ezekiel.
Painted by Sir Joshua Reynolds. Engraved by E.A. Ezekiel.
[London: c.1795 by E. A. Ezekiel.]
Stipple with etching, scarce. Sheet 580 x 360mm (22¾ x 14¼"). Trimmed within plate.
Stringer Lawrence (1697 - 1775), 'Father of the Indian army', standing at the door of a tent before an Indian fort, wearing uniform, with a stick in his right hand and his sword in his left. Lawrence served in Gibraltar and fought in the Battle of Culloden before being placed in command of the East India Company's troops in 1748. While acting as the governor of Fort St. David, he recognised the abilities of his junior, Robert Clive and assisted in his rise. He left India in 1759 after being elevated to the rank of Major-General. A rare portrait, after Sir Joshua Reynolds (1723 - 1792).
See BM 1849,1031.181 for state with different lettering.
[Ref: 44436] £480.00
Painted by Sir Joshua Reynolds. Engraved by E.A. Ezekiel.
[London: c.1795 by E. A. Ezekiel.]
Stipple with etching, scarce. Sheet 580 x 360mm (22¾ x 14¼"). Trimmed within plate.
Stringer Lawrence (1697 - 1775), 'Father of the Indian army', standing at the door of a tent before an Indian fort, wearing uniform, with a stick in his right hand and his sword in his left. Lawrence served in Gibraltar and fought in the Battle of Culloden before being placed in command of the East India Company's troops in 1748. While acting as the governor of Fort St. David, he recognised the abilities of his junior, Robert Clive and assisted in his rise. He left India in 1759 after being elevated to the rank of Major-General. A rare portrait, after Sir Joshua Reynolds (1723 - 1792).
See BM 1849,1031.181 for state with different lettering.
[Ref: 44436] £480.00
John Fleming, Lord de Tabley.
[after Sir Joshua Reynolds, James Northcote and John Simpson.]
London, Published July 1, 1829, by M. Colnaghi, 23, Cockspur Street, Charing Cross.
Very rare mezzotint. 705 x 480mm (27¾ x 19"). Several tears in the margins, one entering the inscription area, with spotting.
Full-length portrait of Sir John Fleming Leicester (1762-1827), 1st Lord de Tabley, in peer's robes. It was incomplete when Joshua Reynolds died in 1792, so it was finished by his pupil, James Northcote. According to the Tabley House Collection (owned by the University of Manchester) the painting was reworked in 1826 (a year before Leicester's death) by John Simpson. This mezzotint was engraved after Leicester had died. The engraver is unknown; the BM describes an untitled plate (1852,1116.547) with the same description, published by John Jeffryes (d.1804.),
[Ref: 51402] £480.00
[after Sir Joshua Reynolds, James Northcote and John Simpson.]
London, Published July 1, 1829, by M. Colnaghi, 23, Cockspur Street, Charing Cross.
Very rare mezzotint. 705 x 480mm (27¾ x 19"). Several tears in the margins, one entering the inscription area, with spotting.
Full-length portrait of Sir John Fleming Leicester (1762-1827), 1st Lord de Tabley, in peer's robes. It was incomplete when Joshua Reynolds died in 1792, so it was finished by his pupil, James Northcote. According to the Tabley House Collection (owned by the University of Manchester) the painting was reworked in 1826 (a year before Leicester's death) by John Simpson. This mezzotint was engraved after Leicester had died. The engraver is unknown; the BM describes an untitled plate (1852,1116.547) with the same description, published by John Jeffryes (d.1804.),
[Ref: 51402] £480.00
The Right Hon.ble John Lord Viscount Ligonier, One of His Majesty's most Hon.ble Privy Council, Knight of the most Hon.ble Order of Bath. Colonel of His Majesty's First Regm.t of Foot Guards, Field Marshall & Commander in Chief of His Majesty's Forces & Master General of the Ordnance.
J. Reynolds pinx.t. E. Fisher fec.t.
Sold by E. Fisher at the Golden Head in Leicester Square price 10.s. 6.d.
Rare mezzotint; in ink verso April 1819; Sheet: 470 x 645mm (18½ x 25½"). Trimmed on left inside platemark.
A mounted portrait of John Ligonier, 1st Earl Ligonier (1680-1770), leading official of the Pitt-Newcastle ministery and officer in the British army and Commander-in-Chief during the Seven Years War. Ligonier is depicted upon a rearing horse, in the midst of battle, while the battle goes on behind him in the background.
Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 40633] £550.00
J. Reynolds pinx.t. E. Fisher fec.t.
Sold by E. Fisher at the Golden Head in Leicester Square price 10.s. 6.d.
Rare mezzotint; in ink verso April 1819; Sheet: 470 x 645mm (18½ x 25½"). Trimmed on left inside platemark.
A mounted portrait of John Ligonier, 1st Earl Ligonier (1680-1770), leading official of the Pitt-Newcastle ministery and officer in the British army and Commander-in-Chief during the Seven Years War. Ligonier is depicted upon a rearing horse, in the midst of battle, while the battle goes on behind him in the background.
Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 40633] £550.00
C: Lucas M:D:
J. Reynolds Pinx.t. J.s McArdell fecit.
Sold at the Golden Head in Covent Garden [n.d., c.1760]
Mezzotint, rare. 330 x 230mm (13 x 9"). Repaired tears in inscription areas. Very small margins.
Portrait of Charles Lucas (1713-71), politician and physician, holding the thesis about gangrene that he wrote for his doctor's degree, engraved by James McArdell, a prominent Irish mezzotinter working in London, after a painting by Joshua Reynolds now in the National Gallery of Ireland. Lucas began as an apothecary in Dublin; however he published a number of pamphlets decrying the corruption of Dublin's aldermen, for which he was threatened with prosecution for seditious publications. He moved to London before going to the continent to study medicine. Returning to Dublin in 1760, he was soon elected MP, a post he held until his death.
CS 123 ii/iii; Hamilton p48 ii/iii; Goodwin: 56 ii of iii; Wellcome 1823 i.
[Ref: 48146] £190.00 (£228.00 incl.VAT)
J. Reynolds Pinx.t. J.s McArdell fecit.
Sold at the Golden Head in Covent Garden [n.d., c.1760]
Mezzotint, rare. 330 x 230mm (13 x 9"). Repaired tears in inscription areas. Very small margins.
Portrait of Charles Lucas (1713-71), politician and physician, holding the thesis about gangrene that he wrote for his doctor's degree, engraved by James McArdell, a prominent Irish mezzotinter working in London, after a painting by Joshua Reynolds now in the National Gallery of Ireland. Lucas began as an apothecary in Dublin; however he published a number of pamphlets decrying the corruption of Dublin's aldermen, for which he was threatened with prosecution for seditious publications. He moved to London before going to the continent to study medicine. Returning to Dublin in 1760, he was soon elected MP, a post he held until his death.
CS 123 ii/iii; Hamilton p48 ii/iii; Goodwin: 56 ii of iii; Wellcome 1823 i.
[Ref: 48146] £190.00 (£228.00 incl.VAT)
Macbeth.
Sir Joshua Reynolds Pinxt. S.W. Reynolds Sculpt.
[n.d., c.1825.]
Mixed media, 230 x 260mm. 9 x 10¼".
William Shakespeare's Macbeth, seen from the back, faces the witches and the apparitions. By his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree. Behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far right, Hecate in the middle, with her forefinger pointing upwards. For Samuel William Reynold's (1774 - 1835) 'Engravings from the Works of Sir Joshua Reynolds'.
Whitman: Appendix, pg. 149, 56.
[Ref: 9567] £140.00 (£168.00 incl.VAT)
Sir Joshua Reynolds Pinxt. S.W. Reynolds Sculpt.
[n.d., c.1825.]
Mixed media, 230 x 260mm. 9 x 10¼".
William Shakespeare's Macbeth, seen from the back, faces the witches and the apparitions. By his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree. Behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far right, Hecate in the middle, with her forefinger pointing upwards. For Samuel William Reynold's (1774 - 1835) 'Engravings from the Works of Sir Joshua Reynolds'.
Whitman: Appendix, pg. 149, 56.
[Ref: 9567] £140.00 (£168.00 incl.VAT)
Macbeth. Proof.
Sir Joshua Reynolds Pinx.t S.W. Reynolds Sculp.t.
Stipple and etching. Plate 228 x 253mm (9 x 10"). Trimmed inside left platemark.
Macbeth in the foreground to left, seen from the back, faces the witches and the apparitions; by his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree, behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far, Hecate in the middle, with her forefinger pointing upwards.
Whitman: p.149 (Appendix): 56*. For a later state see ref. 9567.
[Ref: 21501] £120.00 (£144.00 incl.VAT)
Sir Joshua Reynolds Pinx.t S.W. Reynolds Sculp.t.
Stipple and etching. Plate 228 x 253mm (9 x 10"). Trimmed inside left platemark.
Macbeth in the foreground to left, seen from the back, faces the witches and the apparitions; by his feet, inside a coiled snake, stand a small bloody child and a child wearing a crown and holding a tree, behind them are the kings, one holding a mirror, and a large figure of a soldier, pointing; the witches sit on the far, Hecate in the middle, with her forefinger pointing upwards.
Whitman: p.149 (Appendix): 56*. For a later state see ref. 9567.
[Ref: 21501] £120.00 (£144.00 incl.VAT)
![[Man with Hat.]](jpegs/23619.jpg)
[Man with Hat.]
Hayden Mackey [signed in the plate.]
[n.d. c.1920.]
Coloured woodcut, signed. 298 x 152mm. 11¾ x 6". Trimmed and laid on board.
An old man wearing a hat and a cravat. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker of bold coloured linocuts and woodcuts. He was a leader in representing an innovative and bold departure away from the traditional and recognised methods of printmaking.
[Ref: 23619] £220.00 (£264.00 incl.VAT)
Hayden Mackey [signed in the plate.]
[n.d. c.1920.]
Coloured woodcut, signed. 298 x 152mm. 11¾ x 6". Trimmed and laid on board.
An old man wearing a hat and a cravat. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker of bold coloured linocuts and woodcuts. He was a leader in representing an innovative and bold departure away from the traditional and recognised methods of printmaking.
[Ref: 23619] £220.00 (£264.00 incl.VAT)
The Most Noble John Manners, Marquis of Granby.
J. Reynolds pinxt.
[n.d., c.1770.]
Mezzotint. 150 x 110mm (6 x 4¼"), very large margins. Laid on album paper.
Portrait of John Manners (1721-70), Marquess of Granby, Commander-in-Chief of the Army during the Seven Years' War. A detail of the three-quarter length portrait by Sir Joshua Reynolds, perhaps a reworked version of the mezzotint by John Spilsbury (BM 1925,0608.1).
Hamilton: Not in.
[Ref: 58551] £140.00 (£168.00 incl.VAT)
J. Reynolds pinxt.
[n.d., c.1770.]
Mezzotint. 150 x 110mm (6 x 4¼"), very large margins. Laid on album paper.
Portrait of John Manners (1721-70), Marquess of Granby, Commander-in-Chief of the Army during the Seven Years' War. A detail of the three-quarter length portrait by Sir Joshua Reynolds, perhaps a reworked version of the mezzotint by John Spilsbury (BM 1925,0608.1).
Hamilton: Not in.
[Ref: 58551] £140.00 (£168.00 incl.VAT)
The Most Noble John Manners, Marquis of Granby, &c.
J. Reynolds pinxt. R. Houston fecit.
London, Printed for Bowles & Carver, No.69 St. Paul's Church Yard [n.d., c.1760s].
Mezzotint, 150 x 110mm. 6 x 4¼".
Portrait of John Manners, Marquess of Granby (1721 - 1770), Commander-in-Chief of the Army. John Manners was the oldest son and heir of John Manners, third Duke of Rutland, who survived him. He was known by his father's subsidiary title of Marquess of Granby. Granby entered Parliament as an MP in 1741. His fame is based on his activities as a commander in the Seven Years War, where he served in Western Germany under Ferdinand of Brunswick. He was extremely popular as a commander, and this is reflected in the number of inns and pubs named after him. Granby became master-general of the ordnance in 1763, and the twelfth commander-in-chief from 1766 until 1770 when he retired from office. Numbered '36' lower right. After Sir Joshua Reynolds (1723 - 1792), in reverse direction to the other versions of this portrait by Richard Houston.
See Chaloner Smith 50. See NPG D2649. Hamilton Pg.33
[Ref: 22357] £120.00 (£144.00 incl.VAT)
J. Reynolds pinxt. R. Houston fecit.
London, Printed for Bowles & Carver, No.69 St. Paul's Church Yard [n.d., c.1760s].
Mezzotint, 150 x 110mm. 6 x 4¼".
Portrait of John Manners, Marquess of Granby (1721 - 1770), Commander-in-Chief of the Army. John Manners was the oldest son and heir of John Manners, third Duke of Rutland, who survived him. He was known by his father's subsidiary title of Marquess of Granby. Granby entered Parliament as an MP in 1741. His fame is based on his activities as a commander in the Seven Years War, where he served in Western Germany under Ferdinand of Brunswick. He was extremely popular as a commander, and this is reflected in the number of inns and pubs named after him. Granby became master-general of the ordnance in 1763, and the twelfth commander-in-chief from 1766 until 1770 when he retired from office. Numbered '36' lower right. After Sir Joshua Reynolds (1723 - 1792), in reverse direction to the other versions of this portrait by Richard Houston.
See Chaloner Smith 50. See NPG D2649. Hamilton Pg.33
[Ref: 22357] £120.00 (£144.00 incl.VAT)
The Most Noble John Manners, Marquis of Granby, Commander in Chief of the British Forces in Germany. Lieutenant General of the Ordnance and Colonel of the Royal Regiment of Horse Guards.
J. Reynolds Pinx.t Richd. Houston fecit.
Printed for Rob.t Sayer, at the Golden Buck in Fleet Street.
Mezzotint. Plate 349 x 248mm. 13¾ x 9¾". Rubbed and creasing.
Portrait of John Manners, Marquess of Granby (1721 - 1770), Commander-in-Chief of the Army; in profile to left, wearing uniform, his right hand leaning on his sword, his left arm resting on a rock to right, with his hand in his sash. Battle beyond to left; John Manners was the oldest son and heir of John Manners, third Duke of Rutland, who survived him. He was known by his father's subsidiary title of Marquess of Granby. Granby entered Parliament as an MP in 1741. His fame is based on his activities as a commander in the Seven Years War, where he served in Western Germany under Ferdinand of Brunswick. He was extremely popular as a commander, and this is reflected in the number of inns and pubs named after him. Granby became master-general of the ordnance in 1763, and the twelfth commander-in-chief from 1766 until 1770 when he retired from office. After Sir Joshua Reynolds (1723 - 1792).
CS: 33. Hamilton p.32. See Ref: 22380 for Published by Richd. Houston.
[Ref: 24418] £140.00 (£168.00 incl.VAT)
J. Reynolds Pinx.t Richd. Houston fecit.
Printed for Rob.t Sayer, at the Golden Buck in Fleet Street.
Mezzotint. Plate 349 x 248mm. 13¾ x 9¾". Rubbed and creasing.
Portrait of John Manners, Marquess of Granby (1721 - 1770), Commander-in-Chief of the Army; in profile to left, wearing uniform, his right hand leaning on his sword, his left arm resting on a rock to right, with his hand in his sash. Battle beyond to left; John Manners was the oldest son and heir of John Manners, third Duke of Rutland, who survived him. He was known by his father's subsidiary title of Marquess of Granby. Granby entered Parliament as an MP in 1741. His fame is based on his activities as a commander in the Seven Years War, where he served in Western Germany under Ferdinand of Brunswick. He was extremely popular as a commander, and this is reflected in the number of inns and pubs named after him. Granby became master-general of the ordnance in 1763, and the twelfth commander-in-chief from 1766 until 1770 when he retired from office. After Sir Joshua Reynolds (1723 - 1792).
CS: 33. Hamilton p.32. See Ref: 22380 for Published by Richd. Houston.
[Ref: 24418] £140.00 (£168.00 incl.VAT)
The Right Hon.ble John Manners, Marquis of Granby, One of his Majesty's most Honourable Privy Council, Colonel of his Majesties Royal Regiment of Horse Guards, Commander in Chief of his Majesties Forces, and Master General of the Ordnance &c. &c.
J. Reynolds pinx.t J. Watson fecit.
Sold by Ryland, Bryer, & Co at the King's Arms, in Cornhill. [n.d., c.1766.]
Mezzotint. 610 x 470mm (24 x 18½"). Scratch in sky area, a few repairs, laid on archival paper. Small margins.
Portrait of John Manners (1721 - 1770), Marquess of Granby, standing by his horse, a negro groom behind. In the background a battle rages.
CS 64.
[Ref: 50086] £450.00
J. Reynolds pinx.t J. Watson fecit.
Sold by Ryland, Bryer, & Co at the King's Arms, in Cornhill. [n.d., c.1766.]
Mezzotint. 610 x 470mm (24 x 18½"). Scratch in sky area, a few repairs, laid on archival paper. Small margins.
Portrait of John Manners (1721 - 1770), Marquess of Granby, standing by his horse, a negro groom behind. In the background a battle rages.
CS 64.
[Ref: 50086] £450.00
Mary Isabella, Duchess of Rutland.
Painted by Sir Joshua Reynolds, & Engraved by the late J.K.Sherwin, Historical Engraver to his Majesty, & his royal highness the Prince of Wales, finish'd since his decease.
London Published June 4th. 1791 by Robt. Wilkinson No. 58 Cornhill.
Engraving, very fine published state, 510 x 380mm. 20 x 15".
Mary Isabella Manners (née Somerset), Duchess of Rutland (1756 - 1831), politician and society hostess; seated to right with her head in profile, resting on her left hand, a book in her right; seascape through window behind. After Sir Joshua Reynolds (1723 - 1792).
Hamilton p.129. NPG D39956.
[Ref: 21779] £320.00
Painted by Sir Joshua Reynolds, & Engraved by the late J.K.Sherwin, Historical Engraver to his Majesty, & his royal highness the Prince of Wales, finish'd since his decease.
London Published June 4th. 1791 by Robt. Wilkinson No. 58 Cornhill.
Engraving, very fine published state, 510 x 380mm. 20 x 15".
Mary Isabella Manners (née Somerset), Duchess of Rutland (1756 - 1831), politician and society hostess; seated to right with her head in profile, resting on her left hand, a book in her right; seascape through window behind. After Sir Joshua Reynolds (1723 - 1792).
Hamilton p.129. NPG D39956.
[Ref: 21779] £320.00
The Right Hon.ble Lord Robert Manners. Captain of His Majesty's Ship the Resolution April 12, 1782
Painted by Sir Joshua Reynolds. Engraved by W. Dickinson
London Publish'd July 1.st 1783 by W.m Dickinson No 158 New Bond Street.
Mezzotint, sheet 640 x 390mm (25¼ x 15¼"). Trimmed to platemark; repaired tears to top and right edges.
Full-length portrait of Lord Robert Manners (1758-82), naval officer. Manners was made captain of the 'Resolution' in 1780 and was left in command of the ship in the West Indies that year. Manners, and the 'Resolution', were involved in the action of Cape Henry in 1781 and the battle of the Saints in 1782, in which Manners was severely wounded. It was hoped that Manners would recover, and he was put on board a frigate bound for England, but he died at sea after tetanus set in. This engraving is taken from a posthumous portrait by Reynolds now in the possession of the duke of Rutland at Belvoir Castle.
CS 16; Hamilton p.49 ii/ii
[Ref: 46859] £380.00
Painted by Sir Joshua Reynolds. Engraved by W. Dickinson
London Publish'd July 1.st 1783 by W.m Dickinson No 158 New Bond Street.
Mezzotint, sheet 640 x 390mm (25¼ x 15¼"). Trimmed to platemark; repaired tears to top and right edges.
Full-length portrait of Lord Robert Manners (1758-82), naval officer. Manners was made captain of the 'Resolution' in 1780 and was left in command of the ship in the West Indies that year. Manners, and the 'Resolution', were involved in the action of Cape Henry in 1781 and the battle of the Saints in 1782, in which Manners was severely wounded. It was hoped that Manners would recover, and he was put on board a frigate bound for England, but he died at sea after tetanus set in. This engraving is taken from a posthumous portrait by Reynolds now in the possession of the duke of Rutland at Belvoir Castle.
CS 16; Hamilton p.49 ii/ii
[Ref: 46859] £380.00
![The Mask. [&] The Ghost.](jpegs/54223.jpg)
The Mask. [&] The Ghost.
[Mask after Joshua Reynolds, Ghost after Richard Westall.]
Dublin Publish'd by W. Allen, 32 Dame Street.
Pair of stipples. Each c. 210 x 265mm (8¼ x 10½") large margins A few repairs.
A pair of scenes of children playing games, close copies of stipples by Luigi and Niccolo Schiavonetti. 'Mask' depicts two of the daughters of George Spencer, 4th Duke of Marlborough, who owned the painting: Charlotte (1769-1802), holding a Graecian theatrical mask, and Anne (1773-1865).
[Ref: 54223] £480.00 (£576.00 incl.VAT) view all images for this item
[Mask after Joshua Reynolds, Ghost after Richard Westall.]
Dublin Publish'd by W. Allen, 32 Dame Street.
Pair of stipples. Each c. 210 x 265mm (8¼ x 10½") large margins A few repairs.
A pair of scenes of children playing games, close copies of stipples by Luigi and Niccolo Schiavonetti. 'Mask' depicts two of the daughters of George Spencer, 4th Duke of Marlborough, who owned the painting: Charlotte (1769-1802), holding a Graecian theatrical mask, and Anne (1773-1865).
[Ref: 54223] £480.00 (£576.00 incl.VAT) view all images for this item
Middlesex Hertforshire, Bedfordshire and Buckinghamshire. Railways. 2.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 240 x 185mm (9½ x 7¼"). Folded as issued, time staining along taped fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56920] £40.00
[James Reynolds, London 1863]
Hand coloured engraving, sheet 240 x 185mm (9½ x 7¼"). Folded as issued, time staining along taped fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56920] £40.00
Lady Elizabeth Montagu, Daughter of George Earl of Cardigan.
J. Reynolds pinx.t Js. Mc.Ardell fecit.
Publish'd according to Act of Parliam.t 1756, by Js. Mc.Ardell; & Sold at the Golden Head in Covent Garden.
Mezzotint. Plate 330 x 229mm. 13 x 9". Large margins.
Elizabeth Montagu (1743-1825), the daughter of George Montagu, first Duke of Montagu; in 1767 she married Henry Scott, third Duke of Buccleuch.
CS 131: ii/ii. Goodwin 55: iii/v. Hamilton: iii/iii.
[Ref: 23060] £220.00 (£264.00 incl.VAT)
J. Reynolds pinx.t Js. Mc.Ardell fecit.
Publish'd according to Act of Parliam.t 1756, by Js. Mc.Ardell; & Sold at the Golden Head in Covent Garden.
Mezzotint. Plate 330 x 229mm. 13 x 9". Large margins.
Elizabeth Montagu (1743-1825), the daughter of George Montagu, first Duke of Montagu; in 1767 she married Henry Scott, third Duke of Buccleuch.
CS 131: ii/ii. Goodwin 55: iii/v. Hamilton: iii/iii.
[Ref: 23060] £220.00 (£264.00 incl.VAT)
[The Right Hon.ble Charles, William, Henry, Earl of Dalkeith. Eldest son of His Grace Henry, Duke of Buccleugh.]
Painted by Sir Joshua Reynolds. Engraved by V Green. Engraver to his Majesty and the Elector Palatine.
[Published Jan 1 1778 by W Shropshire No 158 New Bond Street.]
Mezzotint. Sheet 490 x 355mm (19¼ x 14"). Trimmed into plate, losing publisher's line.
Portrait of Charles William Henry Montagu-Scott (1772-1819), fourth Duke of Buccleugh and sixth Duke of Queensberry, K.T., as a young boy, stroking an owl. Educated at Eton and Christ Church, Oxford, he served as MP for Marlborough, Ludgershall and Mitchell before entering the House of Lords as Baron Scott of Tyndale in 1807. A member of Marylebone Cricket Club, he made four known appearances in first-class cricket matches in 1797.
CS: 33, state i of ii; Whitman 68, ii of iii.
[Ref: 4842] £550.00
Painted by Sir Joshua Reynolds. Engraved by V Green. Engraver to his Majesty and the Elector Palatine.
[Published Jan 1 1778 by W Shropshire No 158 New Bond Street.]
Mezzotint. Sheet 490 x 355mm (19¼ x 14"). Trimmed into plate, losing publisher's line.
Portrait of Charles William Henry Montagu-Scott (1772-1819), fourth Duke of Buccleugh and sixth Duke of Queensberry, K.T., as a young boy, stroking an owl. Educated at Eton and Christ Church, Oxford, he served as MP for Marlborough, Ludgershall and Mitchell before entering the House of Lords as Baron Scott of Tyndale in 1807. A member of Marylebone Cricket Club, he made four known appearances in first-class cricket matches in 1797.
CS: 33, state i of ii; Whitman 68, ii of iii.
[Ref: 4842] £550.00
The Right Hon.ble Charles, William, Henry, Earl of Dalkeith. Eldest-Son of His Grace Henry, Duke of Buccleugh.
Painted by Sir Joshua Reynolds. Engrav'd by V. Green Engraver to His Majesty the Elector Palatine.
Publish'd Jan.y. 1.st. 1778, by W.m. Shropshire, N.o. 158 New Bond Street.
Mezzotint. 350 x 510mm (13¾ 20"), with very large margins Some slight damage to margin in lower left corner. Laid on album sheet.
A potrait of Charles Montagu-Scott, Earl of Dalkeith eldest son of Henry Scott, 3rd Duke of Buccleuch and Lady Elizabeth Montagu. Montagu-Scott is depicted in an exterior setting resting on a stone bench on which a owl is resting, while a spaniel watches the owl closely.
Whitman: 68; CS: 33 II of II.
[Ref: 35739] £650.00
Painted by Sir Joshua Reynolds. Engrav'd by V. Green Engraver to His Majesty the Elector Palatine.
Publish'd Jan.y. 1.st. 1778, by W.m. Shropshire, N.o. 158 New Bond Street.
Mezzotint. 350 x 510mm (13¾ 20"), with very large margins Some slight damage to margin in lower left corner. Laid on album sheet.
A potrait of Charles Montagu-Scott, Earl of Dalkeith eldest son of Henry Scott, 3rd Duke of Buccleuch and Lady Elizabeth Montagu. Montagu-Scott is depicted in an exterior setting resting on a stone bench on which a owl is resting, while a spaniel watches the owl closely.
Whitman: 68; CS: 33 II of II.
[Ref: 35739] £650.00
[The Right Hon.ble Charles William, Henry Earl of Dalkeith. Eldest son of His Grace Henry, Duke of Buccleugh.]
Painted by Sir Joshua Reynolds. Engraved by V Green. Engraver to his Majesty and the Elector Palatine.
Published Jan 1 1778 by W Shropshire No 158 New Bond Street.
Mezzotint, very fine impression. Sheet 505 x 355mm (19¾ x 14"). Trimmed to image on 3 sides
Portrait of Charles William Henry Montagu-Scott (1772-1819), fourth Duke of Buccleugh and sixth Duke of Queensberry, K.T., as a young boy, stroking an owl. Educated at Eton and Christ Church, Oxford, he served as MP for Marlborough, Ludgershall and Mitchell before entering the House of Lords as Baron Scott of Tyndale in 1807. A member of Marylebone Cricket Club, he made four known appearances in first-class cricket matches in 1797.
CS: 33, state i of ii; Whitman 68, ii of iii.
[Ref: 46991] £460.00
Painted by Sir Joshua Reynolds. Engraved by V Green. Engraver to his Majesty and the Elector Palatine.
Published Jan 1 1778 by W Shropshire No 158 New Bond Street.
Mezzotint, very fine impression. Sheet 505 x 355mm (19¾ x 14"). Trimmed to image on 3 sides
Portrait of Charles William Henry Montagu-Scott (1772-1819), fourth Duke of Buccleugh and sixth Duke of Queensberry, K.T., as a young boy, stroking an owl. Educated at Eton and Christ Church, Oxford, he served as MP for Marlborough, Ludgershall and Mitchell before entering the House of Lords as Baron Scott of Tyndale in 1807. A member of Marylebone Cricket Club, he made four known appearances in first-class cricket matches in 1797.
CS: 33, state i of ii; Whitman 68, ii of iii.
[Ref: 46991] £460.00
Lady Caroline Montagu, Daughter of his Grace the Duke of Buccleugh
Sir Joshua Reynolds Pinxit. J.R. Smith Sculpsit.
Published Novr. 1st, 1777 by John Boydell Engraver in Cheapside London.
Mezzotint. 357 x 509mm, 14½ x 20".
A child wearing dark cape, muff and dark hat with ribbon, small dog beside her. Lady Caroline Douglas [1774 - 1854], daughter of Henry Scott, 3rd Duke of Buccleuch; married Charles Douglas, 6th Marquess of Queensbury, in 1803.
D'Oench:109CS:10.II, Frankau:244.II.
[Ref: 12353] £420.00
Sir Joshua Reynolds Pinxit. J.R. Smith Sculpsit.
Published Novr. 1st, 1777 by John Boydell Engraver in Cheapside London.
Mezzotint. 357 x 509mm, 14½ x 20".
A child wearing dark cape, muff and dark hat with ribbon, small dog beside her. Lady Caroline Douglas [1774 - 1854], daughter of Henry Scott, 3rd Duke of Buccleuch; married Charles Douglas, 6th Marquess of Queensbury, in 1803.
D'Oench:109CS:10.II, Frankau:244.II.
[Ref: 12353] £420.00
![[Lady Elizabeth Montagu.]](jpegs/13423.jpg)
[Lady Elizabeth Montagu.]
J.Reynolds pin.t. J:McArdell fecit.
[Publish'd according to Act of Parliam.t, 1756, by J.s. McArdell; & sold at the Golden Head in Covent Garden.]
Mezzotint, proof before title. 330 x 230mm, 13 x 9".
Elizabeth Montagu (1743-1825), daughter of the Earl of Cardigan, who was created the Duke of Montagu in 1766. She married Henry, 3rd Duke of Buccleuch in 1767.
[Ref: 13423] £230.00 (£276.00 incl.VAT)
J.Reynolds pin.t. J:McArdell fecit.
[Publish'd according to Act of Parliam.t, 1756, by J.s. McArdell; & sold at the Golden Head in Covent Garden.]
Mezzotint, proof before title. 330 x 230mm, 13 x 9".
Elizabeth Montagu (1743-1825), daughter of the Earl of Cardigan, who was created the Duke of Montagu in 1766. She married Henry, 3rd Duke of Buccleuch in 1767.
[Ref: 13423] £230.00 (£276.00 incl.VAT)
![[Lady Elizabeth Montagu]](jpegs/14328.jpg)
[Lady Elizabeth Montagu]
J. Reynolds pint. J: Mc.Ardell fecit.
[n.d. c.1756.]
Mezzotint. Artists names only, before title. Plate 330 x 229mm. 13 x 9".
Born 1743, daughter of George Brudenell 4th Earl of Cardigan, whoe assumed the name and arms of Montague in 1749. She married Henry Scott, 3rd Duke of Buccleugh, in 1767; died at Richmond, aged 84, in 1827.
Ex. Collection: CLB. CS 131: II of III.
[Ref: 14328] £260.00 (£312.00 incl.VAT)
J. Reynolds pint. J: Mc.Ardell fecit.
[n.d. c.1756.]
Mezzotint. Artists names only, before title. Plate 330 x 229mm. 13 x 9".
Born 1743, daughter of George Brudenell 4th Earl of Cardigan, whoe assumed the name and arms of Montague in 1749. She married Henry Scott, 3rd Duke of Buccleugh, in 1767; died at Richmond, aged 84, in 1827.
Ex. Collection: CLB. CS 131: II of III.
[Ref: 14328] £260.00 (£312.00 incl.VAT)
Lady Elizabeth Montague Daughter of George Earl of Cardigan.
Sir Jos. Reynolds pinx.t. R. Brookshaw fecit.
[n.d., c.1760.]
Rare mezzotint. Sheet 150 x 115mm (5¾ x 4½"). Trimmed within plate at bottom, thread margins elsewhere.
Elizabeth Montague (1743-1827), eldest daughter of George Montagu, 1st Duke of Montagu, later married Henry Scott, 3rd Duke of Buccleuch.
Not in CS or Hamilton.
[Ref: 56517] £320.00
Sir Jos. Reynolds pinx.t. R. Brookshaw fecit.
[n.d., c.1760.]
Rare mezzotint. Sheet 150 x 115mm (5¾ x 4½"). Trimmed within plate at bottom, thread margins elsewhere.
Elizabeth Montague (1743-1827), eldest daughter of George Montagu, 1st Duke of Montagu, later married Henry Scott, 3rd Duke of Buccleuch.
Not in CS or Hamilton.
[Ref: 56517] £320.00
![[Elizabeth, Duchess of Buccleugh, with her daughter Lady Mary Scott]](jpegs/61709.jpg)
[Elizabeth, Duchess of Buccleugh, with her daughter Lady Mary Scott]
[James Watson after Sir Joshua Reynolds]
Publish'd according to Act of Parliament, March 1st 1775 by Ja. Watson, No. 64 Little Queen Anne Street, Portland Chapel, & B. Clowes, No. 8 Gutter Lane Cheapside.
Mezzotint, sheet 625 x 380mm (24½ x 15"). Trimmed to platemark. Nicks to edges.
Elizabeth Scott (née Montagu), Duchess of Buccleuch (1743-1827), the only daughter and heir of George, duke of Montagu. In 1767 she married Henry Scott, third Duke of Bucchleuch. She inherited the Montagu estates, largely in Northamptonshire, in 1790. Together with her husband she was involved in charitable work such as the founding of Edinburgh's Royal Blind Asylum and School.
Hamilton p.86 ii/iii; Goodwin 100 ii/iii. CS 16.I.
[Ref: 61709] £420.00
[James Watson after Sir Joshua Reynolds]
Publish'd according to Act of Parliament, March 1st 1775 by Ja. Watson, No. 64 Little Queen Anne Street, Portland Chapel, & B. Clowes, No. 8 Gutter Lane Cheapside.
Mezzotint, sheet 625 x 380mm (24½ x 15"). Trimmed to platemark. Nicks to edges.
Elizabeth Scott (née Montagu), Duchess of Buccleuch (1743-1827), the only daughter and heir of George, duke of Montagu. In 1767 she married Henry Scott, third Duke of Bucchleuch. She inherited the Montagu estates, largely in Northamptonshire, in 1790. Together with her husband she was involved in charitable work such as the founding of Edinburgh's Royal Blind Asylum and School.
Hamilton p.86 ii/iii; Goodwin 100 ii/iii. CS 16.I.
[Ref: 61709] £420.00
Landing Stage, Montserrat. To Bob Davis. [in pencil.]
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 170 x 245mm (6¾ x 9½''). Plate: 470 x 550mm (18½ x 21¾''). Unexamined out of frame.
A view of a harbour on the Caribbean island of Montserrat by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49440] £320.00
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 170 x 245mm (6¾ x 9½''). Plate: 470 x 550mm (18½ x 21¾''). Unexamined out of frame.
A view of a harbour on the Caribbean island of Montserrat by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49440] £320.00
M.rs Mordaunt.
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
Publish'd November the 2.d 1776 by J. Boydell Engraver in Cheapside London.
Mezzotint, very large margins, scratched-letter proof. 380 x 280mm, 15 x 11".
Half-length portrait within an oval of Charlotte Mordaunt (née Musgrave, died 1810), wife of Rev Charles Mordaunt. She was daughter of Sir Philip Musgrave (c.1711-1795), the British politician who was MP for Westmorland from 1741 to 1747.
D'Oench 82; CS 114, i of ii.; NPG D5705. Hamilton: p.121, i/ii.
[Ref: 27187] £260.00 (£312.00 incl.VAT)
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
Publish'd November the 2.d 1776 by J. Boydell Engraver in Cheapside London.
Mezzotint, very large margins, scratched-letter proof. 380 x 280mm, 15 x 11".
Half-length portrait within an oval of Charlotte Mordaunt (née Musgrave, died 1810), wife of Rev Charles Mordaunt. She was daughter of Sir Philip Musgrave (c.1711-1795), the British politician who was MP for Westmorland from 1741 to 1747.
D'Oench 82; CS 114, i of ii.; NPG D5705. Hamilton: p.121, i/ii.
[Ref: 27187] £260.00 (£312.00 incl.VAT)
![[Muscipula] The Mouse in Danger.](jpegs/27496.jpg)
[Muscipula] The Mouse in Danger.
Drawn by Thos. Fairland after Sir Josha. Reynolds. Printed by Engelmann, Graf & Coindet, Lithrs. to the King.
London Published by W. Spooner, 259 Regent St [n.d., c.1835]. Of whom may be had every description of Whitewood Manufacture, and a large variety of the best subjects for Transfer.
Lithograph, sheet 220 x 185mm. 8¾ x 7¼". Slight horizontal creases. Stitch-holes to left edge.
A girl holding up a mouse in a cage trap, watched by a cat standing on a table to left; large urn behind to right, landscape with cottage through window at left. After Sir Joshua Reynolds's (1723 - 1792) 'Muscipula'; from a series of designs for transfer on to pottery by the innovative publisher William Spooner (1833 - 1847; fl.).
Not in Hamilton.
[Ref: 27496] £90.00 (£108.00 incl.VAT)
Drawn by Thos. Fairland after Sir Josha. Reynolds. Printed by Engelmann, Graf & Coindet, Lithrs. to the King.
London Published by W. Spooner, 259 Regent St [n.d., c.1835]. Of whom may be had every description of Whitewood Manufacture, and a large variety of the best subjects for Transfer.
Lithograph, sheet 220 x 185mm. 8¾ x 7¼". Slight horizontal creases. Stitch-holes to left edge.
A girl holding up a mouse in a cage trap, watched by a cat standing on a table to left; large urn behind to right, landscape with cottage through window at left. After Sir Joshua Reynolds's (1723 - 1792) 'Muscipula'; from a series of designs for transfer on to pottery by the innovative publisher William Spooner (1833 - 1847; fl.).
Not in Hamilton.
[Ref: 27496] £90.00 (£108.00 incl.VAT)
The Rev.d M.r Zachariah Mudge, Prebend of Exeter &c. &c.
Reynolds pinx.t. Watson fecit.
Sold by Ryland & Bryer, at the Kings Arms Cornhill [n.d., c.1766].
Mezzotint, 18th century watermark. 330 x 230mm (13 x 9"), very large margins. Repaired tears.
Reverend Zachariah Mudge (1694-1769), a clergyman known for his sermons, painted by Reynolds three times, in 1761, 1762 & 1766. When his friend John Smeaton finished the Eddystone Lighthouse in 1759, the pair sang the Old Hundredth Psalm as a thanksgiving from the top of the lighthouse.
[Ref: 61378] £260.00 (£312.00 incl.VAT)
Reynolds pinx.t. Watson fecit.
Sold by Ryland & Bryer, at the Kings Arms Cornhill [n.d., c.1766].
Mezzotint, 18th century watermark. 330 x 230mm (13 x 9"), very large margins. Repaired tears.
Reverend Zachariah Mudge (1694-1769), a clergyman known for his sermons, painted by Reynolds three times, in 1761, 1762 & 1766. When his friend John Smeaton finished the Eddystone Lighthouse in 1759, the pair sang the Old Hundredth Psalm as a thanksgiving from the top of the lighthouse.
[Ref: 61378] £260.00 (£312.00 incl.VAT)
Miss Greenway.
J. Reynolds pinx.t C. Corbutt fecit.
Printed for Rob.t Sayer, at No.53 in Fleet Street, London. [n.d. c.1765.]
Mezzotint. Paper watermarked. Plate 355 x 255mm. 14 x 10". Tear top right.
Elizabeth Napier, nee Greenway (fl.1765) was wife of Francis, 3rd Son of Francis Scott, 6th Baron Napier. This print was engraved by Richard Purcell, using Corbutt as one of his many pseudonyms, as his prints were mainly piracies of other mezzotints. Both he and Sayer managed to avoid prosecution for copyright infringement.
NPG: D34916. CS: 34: ii of ii. Hamilton: p.174.
[Ref: 17112] £140.00 (£168.00 incl.VAT)
J. Reynolds pinx.t C. Corbutt fecit.
Printed for Rob.t Sayer, at No.53 in Fleet Street, London. [n.d. c.1765.]
Mezzotint. Paper watermarked. Plate 355 x 255mm. 14 x 10". Tear top right.
Elizabeth Napier, nee Greenway (fl.1765) was wife of Francis, 3rd Son of Francis Scott, 6th Baron Napier. This print was engraved by Richard Purcell, using Corbutt as one of his many pseudonyms, as his prints were mainly piracies of other mezzotints. Both he and Sayer managed to avoid prosecution for copyright infringement.
NPG: D34916. CS: 34: ii of ii. Hamilton: p.174.
[Ref: 17112] £140.00 (£168.00 incl.VAT)
Beach at Nevis. To Bob Davis. [in pencil.]
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 170 x 245mm (6¾ x 9¾''). Frame: 470 x 545mm (18½ x 21½''). Unexamined out of frame.
A view of a beach on Caribbean island of Nevis by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49437] £320.00
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 170 x 245mm (6¾ x 9¾''). Frame: 470 x 545mm (18½ x 21½''). Unexamined out of frame.
A view of a beach on Caribbean island of Nevis by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49437] £320.00
![[The Right Reverend Thomas Newton D.D. Lord Bishop of Bristol, and Dean of St Pauls.]](jpegs/22370.jpg)
[The Right Reverend Thomas Newton D.D. Lord Bishop of Bristol, and Dean of St Pauls.]
Painted by Sir Joshua Reynolds. Engrav'd by Thos: Watson.
Publish'd May 1st 1775 for Thos: Watson No 142 New Bond Street.
Mezzotint, proof before title, 455 x 330mm. 18 x 13". Small margins.
Portrait of Thomas Newton (1704 - 1782), Bishop of Bristol from 1761; standing holding mortar board cap in left hand, wearing bishop's robes and short wig; curtain behind partially drawn to reveal St Paul's Cathedral at left. After Sir Joshua Reynolds (1723 - 1792).
Chaloner Smith 27, ii. Hamilton p.53, ii. Whitman: 23, ii/iii.
[Ref: 22370] £140.00 (£168.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engrav'd by Thos: Watson.
Publish'd May 1st 1775 for Thos: Watson No 142 New Bond Street.
Mezzotint, proof before title, 455 x 330mm. 18 x 13". Small margins.
Portrait of Thomas Newton (1704 - 1782), Bishop of Bristol from 1761; standing holding mortar board cap in left hand, wearing bishop's robes and short wig; curtain behind partially drawn to reveal St Paul's Cathedral at left. After Sir Joshua Reynolds (1723 - 1792).
Chaloner Smith 27, ii. Hamilton p.53, ii. Whitman: 23, ii/iii.
[Ref: 22370] £140.00 (£168.00 incl.VAT)
Norfolk. Railways. 21.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56921] £40.00
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56921] £40.00
![[Nelly O'Brien.]](jpegs/35346.jpg)
[Nelly O'Brien.] "Near a thick Grove whose deep embow'ring Shade, [/] Seem'd most for Love and contemplation made, [/] Thither retir'd from Phoebus sultry Ray_" Dryden.
Engraved from and Original Picture Painted by S.r. Joshua Reynolds by Cha.s. Phillips & Published According to Act of Parliament Aug.t. 24 1770.
Mezzotint. Framed. Sheet: 320 x 450mm, (12½ x 17¾"). Trimmed to plate. Some slight foxing. Laid on card.
Half-length portrait of Nelly O'Brien a famous beauty and courtesan who, as a friend of Reynolds, sat for several of his paintings. O'Brien sits, wearing a large brimmed hat and facing directly out holding a small lap-dog on her knee. The original painting by Reynolds is in the Wallace Collection.
BM 1902,1011.3655
[Ref: 35346] £320.00
Engraved from and Original Picture Painted by S.r. Joshua Reynolds by Cha.s. Phillips & Published According to Act of Parliament Aug.t. 24 1770.
Mezzotint. Framed. Sheet: 320 x 450mm, (12½ x 17¾"). Trimmed to plate. Some slight foxing. Laid on card.
Half-length portrait of Nelly O'Brien a famous beauty and courtesan who, as a friend of Reynolds, sat for several of his paintings. O'Brien sits, wearing a large brimmed hat and facing directly out holding a small lap-dog on her knee. The original painting by Reynolds is in the Wallace Collection.
BM 1902,1011.3655
[Ref: 35346] £320.00