Grosvenor Prints

Heinrich Goltzius. Kupfferstecher und Maher zu Harlem. Gebohren u Muhlbreck A.1558. Gestorben zu Harlem A.1617.
[n.d. c.1700.]
Etching and engraving, very large margins. Plate 153 x 102mm (6 x 4"). Toning down left-hand side of sheet.
Hendrik Goltzius (1558-1617), the Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism.
[Ref: 31244] £160.00 (£192.00 incl.VAT)

8 Inch Iron Gomère Howitzer.
R.Nelson & E.Lloyd.
[n.d., c.1855.]
Pen & ink diagram. Neat line 430 x 640mm (17 x 25¼"). Laid on linen.
A precise diagram of a gun-howitzer, probably contemporary to the Crimean War. 'Gomère' is French slang for an erect penis.
[Ref: 10762] £130.00 (£156.00 incl.VAT)

[Marie Louis Gonzaga] Maria de Nevers Royne de Pologne.
[Frankfurt am Main: Matthaüs Merian, 1651.]
Engraving. 160 x 110mm (6¼ x 4¼"), set in woodcut border and letterpress, very large margins.
Marie Louise Gonzaga (1611-67), born in Nevers to Charles I, Duke of Mantua, married two kings of Poland, Wladyslaw IV and his brother John II Casimir.
[Ref: 57766] £260.00 (£312.00 incl.VAT)

[Jean Francoise Paul de Gondi] Haec Domat. Illa Tuetur.
R. Nantueil Faciebat. 1650 [after Philippe de Champaigne].
Engraving. 290 x 210mm (11½ x 8¼").
A half portrait of Jean Francoise Paul de Gondi (1613-1679), wearing clerical dress and a crucifix in a trompe l'oeil stone window. Gondi was a politically motivated churchman, elected Cardinal de Retz in 1650, and was a key player in The Fronde, earning himself the longstanding emnity of Louis XIV. Throughout his career he was protected and supported by Pope Innocent X. Their relationship proved exceptionally forunate after Retz escaped from prison, during which he became the Archbishop of Paris, and was welcomed by the Pope in Rome. Innocent X refused to let him resign as archbishop despite immense pressure from the King. Eventually, yielding to the King's demands, he returned to Paris after the death of his nemesis Cardinal Mazarin but was compensated handsomely with income from twelve estates. Petitjean and Wickert assert that Nanteuil's engraving was after the portrait by Jean Morin after de Champaigne. Frontis "Histoire des Papes" 1653.
PW 199. ii/iii
[Ref: 57415] £180.00 (£216.00 incl.VAT)

Vue de la sortie de la Grande Galerie de côté de l’Italie.
[Desinée d’après...par Lory…]
[n.d. c.1811.]
Fine coloured aquatint.210 x 272mm. 8¼ x 10¾". Slight spotting and creasing in the margins.
A view of the tunnel exit leading into the gorges of Gondo. Carriages cross over the bridge where waterfalls gush from the mountain cliffs.
[Ref: 17399] £50.00 (£60.00 incl.VAT)

[Armand de Gontaut, baron de Biron] Armandus de Biron Polemarchus [...]
[1660]
Engraving with accompanying letterpress sheet, 17th century watermark; each 470 x 350mm (18½ x 13¾"), with very large margins. Foxing.
Armand de Gontaut, baron de Biron (1524-1592), French soldier who repeatedly distinguished himself in the French Wars of Religion. He was made a marshal of France in 1576 and was also known for his literary achievements. From 'Les Portraits des Hommes Illustres Francois qui sont Peints dans la Galerie du Palais Cardinal de Richelieu' (1660). The book reproduces the portraits of great men hanging in Richelieu's 'Galerie des hommes illustres' by Simon Vouet and Philippe de Champaigne (although only four of the original paintings survive). The final 'illustrious figure' was Richelieu himself.
[Ref: 39897] £260.00 (£312.00 incl.VAT)

Gonuck Ghur.
Drawn by Capt.n Barton. R.Ackermann's Lithography.
[n.d., c.1820.]
Lithograph. Printed area 230 x 330mm. Ink stamp on verso.
From '12 Views of Hill Forts in the Western Ghats near Bombay' by Captain James Barton (1793-1829), an artillery officer in the Fourth Anglo-Maratha War, 1817-19. The Western Ghats are a range of hills that reach from the state of Maharashtra to Tamil Nadu and separate Bombay, on the western coast, from central India.
[Ref: 7621] £140.00 (£168.00 incl.VAT)

[Eleonora Gonzaga] Ferdinandi II Uxor, Dei Gratia Imperatrix semper Augusta Germaniæ, Hungariæ et Bohemiæ Regina, Austriæ, Ardux Burgundiæ Dux &.
Balthasar Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½"), very large margins.
A half-length portrait of Eleonora Gonzaga (1598-1655), daughter of the Duke of Mantua, second wife of Holy Roman Emperor Ferdinand II.
[Ref: 56403] £130.00 (£156.00 incl.VAT)

Robert Gooch, M.D.
Painted And Engraved By J. Linnell.
London. Published May 1st 1831, For J. Linnell, Porchester Terrace, Bayswater, By W.J. White, 14, Brownlow Street, Holborn.
Etching. Plate 385 x 279mm. 15¼ x 11".
Robert Gooch [1784 - 1830], Edinburgh gynaecologist. John Linnell [1792 - 1882] was one of the most highly regarded and successful artists of his day and formed an impressive network of connections through being very versatile and able to work in a number of mediums.. He was William Blake’s last patron and his daughter, Hannah, married Samuel Palmer.
Wellcome: 1162, published state.
[Ref: 3912] £260.00 (£312.00 incl.VAT)

The Right Reverend D.r Thomas Gooch, Lord Bishop of Ely, A.D. 1754.
Tho.s Hudson pinx.t. J.s M.cArdell fecit.
Mezzotint. 350 x 250mm (13¾ x 9¾"),with large margins.
A three quarter seated portrait of bishop Sir Thomas Gooch (1674-1754), 2nd Baronet. This state has been updated to the year of his death. He also served as chaplain to Queen Anne, Master of Gonville and Caius from 1716 and Vice-Chancellor of the University of Cambridge in 1717, Bishop of Bristol in 1737, Bishop of Norwich in 1738 and Bishop of Ely in 1747.
Goodwin 10, iii of iii; CS 90, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68437] £160.00 (£192.00 incl.VAT)

The Right Reverend D.r Thomas Gooch, Lord Bishop of Ely, A.D. 1749.
Tho.s Hudson pinx.t. J.s M.cArdell fecit.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Thread margins.
A three quarter seated portrait of bishop Sir Thomas Gooch (1674-1754), 2nd Baronet. He also served as chaplain to Queen Anne, Master of Gonville and Caius from 1716 and Vice-Chancellor of the University of Cambridge in 1717, Bishop of Bristol in 1737, Bishop of Norwich in 1738 and Bishop of Ely in 1747.
Goodwin 10, ii of iii; CS 90, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68438] £120.00 (£144.00 incl.VAT)

A Good Bite or Swallowing the Bait.
T.L. W.H. [William Heath] fecit.
Pub May 15th 1823 by G Humphrey 24 St James St & 74 New Bond St.
Etching with fine hand colour. 130 x 165mm (5 x 6½"), paper watermarked 'J Whatman 1832', with very large margins.
Two men stand on a river-bank fishing disconsolately; one short and obese, the other tall and thin. The latter hooks a frog. Close behind them a hound is furtively devouring fish which lie on the grass.
BM Satires 14579.
[Ref: 61110] £130.00 (£156.00 incl.VAT)

An Olio of Good Breeding: With Sketches Illustrative of the Modern Graces.
By G.M. Woodward, Author of Eccentric Excursions, &c. [Etched by Rowlandson].
London Publish'd May 27, 1801, at R. Ackermann's 101 Strand.
7 etchings with wonderful hand colour. 215 x 150mm (8½ x 6), with large margins. Frontispiece and Plate 7 on paper watermarked '1799'. Tear in Frontispiece going into image. Incomplete; missing plates 2, 3 & 4.
7 out of 10 plus titlepage and frontis (9 pages) from the second edition of 'An Olio of Good Breeding' published by Ackermann. Satire on etiquette. Plates with titles include 'The Graces! The Graces! The Graces!!' and 'Horror Personified.' The first edition was published in 1797 by Woodward, in Berners Street.
[Ref: 60536] £990.00 view all images for this item

The Good Child. [&] The Dunce.
W.R. Bigg Pinxt. W. Nutter Sculpt.
London Publishd. Jany. 1st: 1797 by W. Bond No.98 Charlotte Stt. Rathbone Place & ye. Proprietor No.60 Wilsted Street Sommers Town St Pancrass.
Pair of stipples, each sheet c.230 x 165mm. 9 x 6½". Trimmed to plates.
The contrasting fortunes of two children: the studious child at home has cheerfully mastered her lessons from a book, while her less fortunate contemporary has been told to stay behind after school to sweep the classroom; her fellow pupils are waved on their way home by the school master in the background. After William Redmore Bigg (1755 - 1828).
[Ref: 13551] £320.00 view all images for this item

Monstrous good dinner.
[n.d., c.1800.]
Rare hand-coloured etching. Sheet: 105 x 170mm (4 x 6¾''). Trimmed and laid on album sheet.
A comic scene showing three monsters sitting in a cave and picking at the bones of a carcase on the ground.
[Ref: 50282] £60.00 (£72.00 incl.VAT)

The Good Friends. Les Bonnes Amis.
Adrian Ostade Pinx.t J. Bouvier Lith.o
London Published by A. Friedel, 34, Surry Street, Strand. Feb.y 1830. Dean & Munday, Lith.rs Threadneedle Street.
Lithograph, rare with large margins. 406 x 266mm. 16 x 10½".
Two friends sat smoking at a table.
[Ref: 24884] £70.00 (£84.00 incl.VAT)

Good Morning to Your Nightcap.
Pub.d by S.W. at the caricature Warehouse No 3 Piccadilly July the 7 1789.
Coloured etching. 195 x 250mm, 7¾ x 9¾".
A man in spectacles and a cap faces one in a wig. The man in the spectacles is most likely Irish actor and dramatist John O'Keeffe (1747–1833), who'd had problems with his eyes since he had fallen in the river Liffy in his youth. The title refers to a line in one of his songs 'The Poor Soldier' (1783).
Not in BM.
[Ref: 66271] £360.00

Good Morning to Your Nightcap.
Pub.d by S.W. at the caricature Warehouse No 3 Piccadilly July the 8 1789.
Coloured etching. 195 x 250mm, 7¾ x 9¾".
A man in spectacles and a cap faces one in a wig. The man in the spectacles is most likely Irish actor and dramatist John O'Keeffe (1747–1833), who'd had problems with his eyes since he had fallen in the river Liffy in his youth. The title refers to a line in one of his songs 'The Poor Soldier' (1783).
Not in BM.
[Ref: 11556] £230.00 (£276.00 incl.VAT)

[Parable of the Good Samaritan.] Samaritanus Impositum Iumento Hic In Diversorium Abducit, Einsque Curam Agit. Luc 10 3.
[by Heinrich Aldegrever.]
[Soest, 1554.]
Engraving. Sheet 80 x 110mm (3½ x 4¼"). Trimmed to image, laid on card.
The third from a series of four engravings of the Parable of the Good Samaritan: here the Samaritan is taking the traveller to an inn, supporting him as he is slumped on the donkey. By Heinrich Aldegrever (c.1501-c1561).
[Ref: 45340] £450.00

[The Good Samaritan] 4 Alta 6 Lata
J. Bassan p. Q. Boel f. [c.1660]
Etching, platemark 165 x 230mm (6½ x 9"). Paper tone.
The Good Samaritan dresses the wounds of a man lying injured on the ground (robbers in the woods to right). Etched by Jan van Troyen (c.1610-66) after a painting by the Italian artist Francesco Bassano (1549-92) in the Kunsthistorisches Museum, Vienna (other version in the Courtauld Gallery, London and the Metropolitian Museum of Art, New York). Published in the 'Theatrum Pictorum' ('Theatre of Pictures') assembled by the Flemish artist David Teniers, a large volume of prints after Italian paintings then owned by the Habsburg Archduke Leopold Wilhelm (for whom Teniers worked as court painter).
[Ref: 45271] £120.00 (£144.00 incl.VAT)

The Good Samaritan. Engraved from the Original Picture, Painted by William Hogarth Esqr. on the Stair Case in St. Bartholomew's Hospital. Size of the picture, 13F, 8I by 10F, 9I in Length. Vol II No.56. St. Luke Chap: X. Ver: 30.
Willm. Hogarth pinxit. John Boydell excudit. Ravenet & Delaire sculpserant.
Published Feby. 24.th 1772 by John Boydell Engraver, in Cheapside London.
Engraving, paper watermarked. Image plate: 425 x 564mm (16¾ x 22¼"); Publication plate: 58 x 564mm (2¼ x 22¼"); Sheet: 514 x 660mm (20¼ x 26"). Large margins on 3 sides; cut to platemark at top.
The Good Samaritan tends to the wounds of the injured man who reclines against a tree.
Ex Collection Duke of Westminster.
[Ref: 38194] £220.00 (£264.00 incl.VAT)

[The Roehampton Monster] Daniel Good. No. 23.
[n.d., c.1842.]
Scarce lithograph. Sheet 285 x 225mm (11¼ x 9"). Nicks in left edge, creases at edges, slightly paper toned.
A half-length portrait of Daniel Good, a 42-year old coachman. On April 6th, 1842, a police constable visited a stable to question Good about the theft of a pair of trousers from a pawnbroker. Good admitted the crime and was arrested but was not helpful about returning the trousers. The constable started to search the stable, upon which Good fled, locking the constable inside. Under some bales was a woman's torso, headless and limbless, later identified as Good's common law wife, Jane Jones. The body parts were removed by the coroner but were returned so people could view the spectacle. For ten days the Times newspaper berated the police for their failure to capture Good, despite a reward of £150 being offered, but then Good was discovered in Tonbridge, Kent, arrested and taken to Maidstone Gaol. He was executed the following month outside Newgate,
[Ref: 62112] £260.00 (£312.00 incl.VAT)

[The good-humoured old woman] La vieille de bonne humeur / Loin du bel age ou régne Amour et ses desirs, / L'antique Alix se le rappele [...]
C. Eisen inv. et del C. Chevilet Sculp [c.1760]
A Paris chés Buldet rue de Gesvres au Grand Coeur.
Fine engraving, sheet 390 x 275mm (15½ x 11"). Trimmed to platemark; glued to album sheet at corners.
An old woman drinks with a young couple, remembering her youth and 'believing it renewed'. Verses by Moraine below. Engraving after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45068] £470.00

[The Palm Offering]
[Painted by Frederick Trevelyan Goodall R.A.]Frederick Stacpoole [signed in pencil.]
[London, Published Augt 10th 1868 by E. Gambart & Co. 1 King Street, St.James's Square.]
Mezzotint 560 x 805mm.
This Unfinished proof before all letters on plain paper, no PSA Blindstamp, is inscribed in pencil 'F. Stacpoole A.R.A.'
Printsellers:277. . Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 2779] £490.00

Thomas Goodall Esq.r. Admiral of Hayti.
Painted by Drummond. Engraved by Ridley Blood.
Published by J Apserne at the Bible, Crown & Constitution Cornhill 1 June 1808.
Stipple. Plate: 170 x 115mm (6¾ x 4½''), with large margins.
A portrait of merchant captain and Admiral of Haiti Thomas Goodall (1767-1830).
[Ref: 49074] £75.00 (£90.00 incl.VAT)

The goodly Cedar of Apostolick & Catholick Episcopacy, compared with the moderne Shoots & Slips of divided Novelties in the Church. before the Introduction of the Apostles Lives. Place this Figure at Page 1. 1675. The Church Catholick. Omnes enim illi valde posteriores sunt, quam Episcopi, quibus Apostoli tradiderunt Ecclesias. Trenaeus L4: adv. Haeeses: 29.
[n.d. c.1733.]
Etching and engraving; watermarked. Plate 280 x 323mm. 11 x 12¾". Fold as issued. Trimmed to the plate along left-hand edge.
A cedar tree representing the traditional episcopal church, inscribed on the trunk 'The Church Catholick', with two smaller shoots from the trunk labelled 'Presbytery' and 'Independency'; two men on ladders cutting away branches; to the side, two smaller trees being tended by various figures, with the inscriptions 'New, but not True, Plants' and 'These hold neither Root nor Order'. The main branches are inscribed with the names of the counties where episcopal Churches have flourished, and among the branches are labels bearing the names of the Churches, Apostles, Evangelists, and Fathers. British Museum states: This prints is in Cave's "Antiquitates Apostolicae," original edition, 1675.; this impression was probably prepared for a later issue.
BM Satires: 1997.
[Ref: 19207] £260.00 (£312.00 incl.VAT)

The goodly Cedar of Apostolick & Catholick Episcopacy, compared with the moderne Shoots & Slips of divided Novelties in the Church.1662. Before the Uxbridge Treaty. Place this Figure at Page 412. The Church Catholick. Omnes enim illi valde posteriores sunt, quam Episcopi, quibus Apostoli tradiderunt Ecclesias. Trenaeus L4: adv. Haeeses: 29.
[n.d. c.1733.]
Etching and engraving. 291 x 342mm (11½ x 13½"). Laid. Repairs.
A satire in defence of episcopacy. A flourishing tree at the foot of which is a cartouche lettered with the title; the trunk is lettered "Governed by Episcopacy 1541 years", and round the trunk of which is wound a band reading "Jesus Christ/Bishop of our Soules ..."; the main branches are also labelled with the names of places where episcopacy flourished and with the names of apostles, evangelists and saints. Two smaller trees grow up from the roots on either side of the main tree: that on the left lettered "Presbytery" and with a band lettered "Began 1541" and that on the right lettered "Independency" with a band lettered "began 1647". A man on either side of the main tree climbs a ladder, balance one foot on the small tree and reaches up to cut off branches from the main tree. Behind them in the background on each side men plant young trees labelled, "New, but not True Plants." and "These hold neither Root nor Order." British Museum states: This print is in Cave's "Antiquitates Apostolicae," original edition, 1675.
BM Satires: 1997.
[Ref: 52386] £260.00 (£312.00 incl.VAT)

Goodrich Castle.
London, Published by Thomas McLean, Haymarket, 1822.
Hand coloured aquatint, part printed on 1821 J. Whatman watermarked paper. Platemark: 160 x 228mm (6¼ x 8¾"). Fine hand colouring. Light smudge on left side of print.
An attractive landscape view of the ruins of Goodrich Castle, Monmoth, North Wales. From 'A Picturesque Description of North Wales: Embelished with Twenty Select Views From Nature', published in 1823 by Howlett and Brimmer, 10 Frith Street, Soho.
Abbey: 525.
[Ref: 33342] £70.00 (£84.00 incl.VAT)

The R.t Hon.ble S.r Henry Goodricke K.t. & Bar.t &c.
T. Hill pinx: J. Smith fec:
[n.d., 1695.]
Fine mezzotint. 250 x 185 (9¾ x 7¼"). Narrow margins, mounted on album paper at corners.
A half-length portrait in oval of Sir Henry Goodriche (c.1642-c.1705), 2nd baronet, wearing long wig and armour. A politician and diplomat, he served as ambassador to Spain from 1679 until 1683, when he was placed under house arrest by Charles II of Spain because Charles considered Britain was not doing enough to counter piracy in the South Seas. He escaped back to England and, after supporting William of Orange's 'Glorious Revolution', was rewarded with the office of Lieutenant-General of the Ordnance.
CS 117, ii of ii.. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68614] £260.00 (£312.00 incl.VAT)

Sir Harry Goodricke [with facsimile signature].
A D'Orsay fecit 1833 [signed in plate].
London, Published by Mitchell, No.33, Old Bond St. Printed by Graf & Soret.
Lithograph on india paper, india 200 x 160mm. 8 x 6¼".
Portrait of Sir Henry James Goodricke, 7th Bt (1797 - 1833), hunting squire. He was High Sheriff of Yorkshire during the reign of the House of Hanover from 1831 to 1832. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
See O'Donoghue. See NPG 4026(29).
[Ref: 21818] £60.00 (£72.00 incl.VAT)

Goodrington Sands, Torbay.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 65 x 90mm (2½ x 3½''), very large margins. Mint.
A view of Goodrington Sands, near Paignton. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49329] £65.00 (£78.00 incl.VAT)

[Pair with same title] Capt.n Bullock's Safety Beacon, on the Goodwin Sands, This humble but earnest effort to save the Lives of Shipwrecked Mariners of all Nations was erected 10th Sept.r 1840 under the sanction of the the R.t Hon.ble the Lords Commissioners of the Admiralty, by Frederick Bullock, Captain R.N.
S. Owen del.t. P. Gauci lith. [&] Drawn by A.R. Grieve. J. Grieve, Zincographer, 33 Nicholas Lane, London.
[n.d., c.1840.]
Scarce matching pair of a lithograph and a zincograph, printed areas c.330 x 420mm (13 x 16½"), with very large margins. Some restoration to the lithograph.
Captain Bullock, of her Majesty's steamer Boxer, erected a 40-foot column with a sheltered platform, a water barrel and a ten-foot flagpole for signalling distress. The first image shows the beacon being erected at low tide, with an artist (Owen?) sketching the scene; the second during a storm, with mariners using the platform.
[Ref: 41340] £380.00 view all images for this item

Arthur Goodwin. Father of Jane his sole Daughter and Hieress, second Lady of Philip Lord Wharton.
A. v. Dyck pinx. 1639 P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm. 20½ x 13". Large margins.
Arthur Goodwin (c.1593-1643), full-length standing in a room in riding boots with a curtain behind him. He was an English member of parliament from Buckinghamshire who supported the Parliamentary cause during the English Civil War. His daughter Jane (1618-1658) married Philip Wharton in 1637.
[Ref: 21539] £190.00 (£228.00 incl.VAT)

Jane, Daughter and Heiress of Arthur Goodwin of Winchendon in Com. Buck. Esq. Married Philip Lord Wharton, Father to the late Marquis of Wharton.
A. v. Dyck pinx. 1639 P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm. 20½ x 13". Large margins.
Jane Goodwin, Lady Wharton, whole length, standing, plucking a rose from a tree in a large vase. Jane Goodwin (1618-1658) married Philip Wharton in 1637. She was daughter of the MP Arthur Goodwin (c.1593-1643).
[Ref: 21540] £280.00 (£336.00 incl.VAT)

Iohannes Goodwin. S: Theol: Cantabrig: Ao. Aetat 47: 1641. Thou See'st not whome thou See'st: then doe not Say That this is Hee: who calls a lump of clay. Without it's Soule a mans thou See'st noe more, Nay, but the Shadow of that lumpe. What store Of gifts and graces, what perfections rare, Among ten thousand persons Scatt'red are: Gather in one, Imagine it to bee This Shadowes sustance: and then Say 'tis Hee. D.T.
G: G: fecit.
[n.d. c.1642, but later.]
Engraving. Plate 165 x 115mm. 6½ x 4½".
Portrait of John Goodwin, half length within an arch, bearded, wearing skull-cap, collar and gown, holding a book with his hands on a cushion. Frontispiece to his 'Treatise on Justification' (1642). John Goodwin (c.1594-1665) was an Independent minister, radical, supporter of the Commonwealth and of the execution of Charles I.
Ex Collection: R. Hobson of Hove. NPG: D28839.
[Ref: 25198] £75.00 (£90.00 incl.VAT)

Plan of the Park, Gardens and Plantations of Goodwood in Sussex the Seat of his Grace the Duke of Richmond and Lenox &c.
Ca: Campbell delin: H: Hulsbergh Sculp:
[n.d. c.1731.]
Copper Engraving, 18th century watermark. Plate 375 x 495mm (14¾ x 19½"). Vertical fold through centre as usual. Two small splits in centrefold top and bottom. Some creasing to outer margins.
Garden plan from Henry Hulsbergh's "Vitruvius Brittanicus" series. Goodwood House, West Sussex. The 1st Duke of Richmond, a natural son of Charles II, first rented and then, in 1697, bought the house and park so that he could hunt in the neighbouring village of Charlton, where one of the earliest and most fashionable hunts in the country was based. The 2nd Duke enlarged and modified the existing house using the architect Roger Morris, who was also responsible for the charming banqueting house, Carné's Seat, situated in a commanding position on the hill overlooking Goodwood and its park. The 2nd Duke was very interested in trees, planting up not only High Wood, but also other areas around the house. Some of these trees still survive, including the cork oak trees and cedars of Lebanon.
[Ref: 60053] £180.00 (£216.00 incl.VAT)

[The Lawn at Goodwood]
Dickinson [signed in pencil].
London, published July 1st 1886 by Dickinsons, Publishers to Her Majesty the Queen, 114 New Bond StreetW. Copyright Registered.
Proof photogravure on india, sheet 750 x 125mm (29½ x 49½"). Remarque of a jockey on horseback. Blind stamp. Foxed.
A society gathering on the lawns at Goodwood racecourse in Sussex. A large crowd watches as the horses parade past the grandstand; which can only be assumed by the shadows of the horses and jockeys that can be seen in the foreground. The Prince of Wales, the future King Edward VII (1841–1910), can be seen at the front of the picture with his mistress, Lilly Langtry (1853 –1929), seated at a discreet distance to the left.
[Ref: 59612] £690.00

Goody-Two-Shoes turned Barber. or Colonial Conciliation.
HB [John Doyle.] A. Ducote's Lithogy 70 St Martins Lane.
Published by Tho.s Mc.Lean, 26, Haymarket June 28.th 1832.
Lithograph. 305 x 444mm (12 x 17½"). Creased, soiling.
Negro slaves are being shaved by Goderich, fitted with shoes by Howick, and threatened by an overseer. A Negro with lathered chin sits full-face on a stool tightly swathed in a sheet, while Goderich holds him by the nose and flourishes a razor. The overseer, who dominates the design, stands in back view, legs apart, brandishing a scourge towards two deprecating Negroes. Before him is a sack inscribed 'Al. Thorp Northampton', and filled to overflowing with clumsy shoes. On the right Howick sits on a Negro's lap, gripping his leg and forcing on a shoe with a shoe-horn. The Negro registers distress. On the extreme right a newly-shod Negro hobbles off painfully. Behind is a palm-tree. This appears to be an attack on the pending measure of emancipation, demanded by public opinion and the Abolitionists, which was to be a leading issue at the general election, when the country was placarded with the Abolitionists' bill: "Am I not a man and a brother." Goderich, Colonial Secretary, was under the influence of Howick his Under-Secretary: both were in favour of immediate emancipation. When Goderich was removed from the Colonial Office on account of opposition (said to be Brougham's) to the Bill which he had in preparation, Howick resigned.
BM Satires: 17158.
[Ref: 30663] £130.00 (£156.00 incl.VAT)

Presented to His Excellency Sir Hamilton Goold-Adams G.C.M.G., C.B., Governor of the Orange River Colony by the Members and Staff of the O.R.C. Land Settlement Board on his leaving the Colony as a Memento of the Nine Years His Excellency has been their esteemed Chief.
[n.d. c.1910.]
Unique original in gold by H. Renton, illuminalist original document, 343 x 432mm. 13½ x 17".
Major Sir Hamilton John Goold-Adams (1858-1920) was made Deputy Commissioner and late Lieutenant-Governor of the Orange River Colony under Governor Alfred Milner from 1901 to 1907, at which point which point he took over as Governor. The Orange River Colony was a British colony after Britain occupied then annexed the independent Orange Free State in the Second Boer War. The colony ceased to exixt in 1910, after which is was absorbed into the Union of South Africa as Orange Free State Province. For the nine years that Goold-Adams was in Africa, he held a position as chief of the Land Settlement Board to focus on the affairs of British families who chose to settle in the Orange River Colony.
[Ref: 18478] £360.00

View of the Port of Goole, Taken in March 1828. Plan of the Port of Goole, with the Indended Improvements.
Geo. Leather, C.E. 1828.
[c.1828.]
Rare lthograph. Sheet 340 x 285mm (13½ x 11¼"). Trimmed to image upper left, folded horizontally.
A plan and view of the port of Goole by George Leather (1786-1870), who became Resident Engineer at the port in 1821.
[Ref: 56770] £260.00 (£312.00 incl.VAT)

Carte vivante du Restaurateur. Une Oie. Et un Lapin.
Panneuier Lith d'apres grandville. Lith de Delaporte.
Ches Aubert, E.eur du J.al la caricature galerie véro dodat. [n.d., c.1830.]
Hand coloured lithograph with large margins. Sheet size: 280 x 365mm (11 x 14¼"). Paper toning. Top left corner missing.
Plate 5 from Jean Grandville's series 'Carte vivante du Restaurateur' (You Are What You Eat). Originally published in the early 1830s the prints are from a folio printed for the French pharmaceutical company 'Laboratoires Robert et Carriére' as a gift for clients in the mid 1900s.
[Ref: 36184] £75.00 (£90.00 incl.VAT)

[Gordon Riots] The Mob destroying & setting Fire to the Kings Bench Prison & House of Correction in S.t Georges Fields.
[London: Fielding & Walker, n.d., c.1780.]
Engraving, 18th century watermark. Sheet 190 x 315mm (7½ x 12½"). Trimmed, mounted in album paper, original fold.
A satirical scene of the mob rampaging in the street, with the building behind ablaze. One man carries a flag 'No Popery'.
See Ref: 63615
[Ref: 63772] £230.00 (£276.00 incl.VAT)

[Gordon Riots] St. James, Westminster. Upon the present Tumults and riotous Assemblies, you are requested immediately to repair to the Standard in St. James's Square, on which the Name of the Street where you reside is painted, to assist your Neighbours, who are duly sworn Special Constables. to quell and disperse the same, and to preserve the Peace.
[n.d., c.1780.]
Letterpress. Sheet 90 x 155mm (3½ x 6¼"). Etching with engraving. Sheet 150 x 190mm (5¾ x 7½"). Paper distressed, mounted in album paper. Etching trimmed within plate, losing publication line, close to image at top, folded, mounted in album paper.
A rare mobilisation notice, calling the Volunteers to report for service. A scarce survivor. Sold with 'View of the late Encampment in St. James's Park, August 1780', etched by James Fittler after Paul Sandby, and published in 'The Virtuosi's Museum: containing select views, in England, Scotland and Ireland drawn by P. Sandby' (Kearsley, 1781).
[Ref: 63615] £260.00 (£312.00 incl.VAT) view all images for this item

Gordon Setter. (Naar Mentor agricola). Geïllustr. Weekbl. Avicultura. No. 102.
Kleurendr. v. P. W. M. Trap, Leiden. Uitgave Firma W. van Gorcum, Assen.
[n.d., c.1845.]
Chromolithograph. Sheet: 240 x 325mm (9½ x 12½"), with large margins Vertical crease.
[Ref: 47769] £70.00 (£84.00 incl.VAT)

[Gun dogs at rest.]
[Painted by James Hardy, Etched by E. G. Hester.]
[n.d. c.1880.]
Etching on india, proof before letters. 265 x 375mm.
A Gordon Setter and a Pointer at rest, with the day's bag behind. A remarque of 'a drive' lower left.
[Ref: 3019] £420.00

[Gordon Setters]
Henry Wilkinson.
Coloured etching signed by the artist. 241 x 349mm (9½" x 13¾"). Limited edition 193/200.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 9695] £230.00 (£276.00 incl.VAT)

Colonel Gordon mortally Wounded. Battle of Waterloo.
London, Published by Thomas Kelly, Paternoster Row, Sept.r 28 1816.
Engraving. Sheet 265 x 205mm (10 x 8"). Trimmed within plate.
Sir Alexander Gordon (1786-1815), ADC to the Duke of Wellington at Waterloo.
[Ref: 46101] £60.00 (£72.00 incl.VAT)

Alexander 4th Duke of Gordon, Marquis of Huntley, Earl of Norwich & Baron Mordaunt of Turvey, K.t. Aged 82. Keeper [of the] Great Seal of Scotland, Chancellor of King's College Aberdeen, &c. &c.
Painted by Colvin Smith. Engraved by S.W. Reynolds. Engraver to the King.
[n.d., 1825.]
Mezzotint. 340 x 260mm (13½ x 10¼"). Trimmed within plate at bottom, damaged.
Alexander Gordon (1743-1827), 'the Cock o' the North' (as chief of the Gordon Clan). He raised the Gordon Highlanders in 1794, with his son, George Duncan Gordon, taking command.
[Ref: 47545] £60.00 (£72.00 incl.VAT)

[General C. Gordon G. C.B., R.E., in his Palace at Khartoum writing his journal and last Dispatch, December 14, 1884.]
[Painted by Alexander Melville, engraved by James Faed, pencil signatures]
London Published March 15th 1886 by F. C. McQueen & Son 181 Tottenham Court Road, W. Stiebold & Co Berlin Knoedler & Co New York Copyright registeredEntered according to Act of Congress in the year 1886 by Messrs. Knoedler &Co. in the office of the Librarian of Congress at Washington.
Mezzotint 560 x 440mm. Printsellers Blind Stamp, Ltd to 75 artist proof. Only 325 impressions issued prior to the plate being destroyed.
General Charles Gordon (1833 - 1885)In I882 there arose in the Soudan, a province of Upper Egypt, one Mohammed Ahmed, who called himself the Mahdi or Messiah, and invited all true believers to join in a holy war against the Christians. Thousands of wild tribesmen flocked to his banner, and in the following year he annihilated an army of eleven thousand English and Egyptians that had attempted to subdue the revolt. Rather than send more soldiers to die in the deserts of the Upper Nile, England decided to abandon the province. But first the thousands of Europeans who had taken refuge in Khartoum and other towns of the Soudan must be rescued from their perilous position. In this crisis the Government turned to the one man who could effect the withdrawal if it was still possible, and in January, 1884, appointed General Gordon to superintend the evacuation of the Soudan.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4185] £650.00

[Gordon's Last Watch.] In Memoriam. LCD [monogram] 1885.
Lowes Dickinson. T.L. Atkinson assisted by Sam.l Cousins [pencil signatures]
London, Published June 1st 1886 by Arthur Dickinson, All Souls Place.
Photogravure on chine collé, artist's proof limited to 175, Printsellers' blindstamp. 565 x 415mm (22¼ x 16¼"), with large margins. Some slight soiling & creasing.
General Charles George Gordon (1833 - 1885), on the ramparts of Khartoum, bible and field glasses in his hands, the night before his death at the hands of the Mahdi's rebels.
Printsellers' Association 148.
[Ref: 41338] £490.00

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