A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![''Gloucester'' (The ''New Inn'') [pencil].](jpegs/49243.jpg)
''Gloucester'' (The ''New Inn'') [pencil]. Original Etching by J. Alphege Brewer. Etched and Printed in Colour by the Artist. (Limited Edition).
J. Alphege Brewer [pencil].
[n.d., c.1930.]
Etching, printed in colour. 130 x 205mm (5¼ x 8") very large margins. In original mount with printed gallery label. Mint.
The New Inn, 16 Northgate Street, Gloucester, the most complete surviving example of a medieval courtyard inn with galleries in the UK. In 1553 the Abbott of Gloucester proclaimed Lady Jane Grey Queen from the first floor gallery.
[Ref: 49243] £50.00 (£60.00 incl.VAT)
J. Alphege Brewer [pencil].
[n.d., c.1930.]
Etching, printed in colour. 130 x 205mm (5¼ x 8") very large margins. In original mount with printed gallery label. Mint.
The New Inn, 16 Northgate Street, Gloucester, the most complete surviving example of a medieval courtyard inn with galleries in the UK. In 1553 the Abbott of Gloucester proclaimed Lady Jane Grey Queen from the first floor gallery.
[Ref: 49243] £50.00 (£60.00 incl.VAT)
Gloucester Old Bank. The Residence of the late James Wood Esq.re.
[Drawn & Printed by G. Rowe Exeter House Cheltenham.]
[Published by T. Jew, Bookseller & Printer 1839.]
Lithograph. Sheet 210 x 160mm. 8¼ x 6¼". Trimmed at bottom, losing publication line
The Gloucester Old Bank was established in 1716, making it one of the earliest private banks in England. In 1802 it was inherited by James (Jemmy) Wood (1756 - 1836), shown here standing in the doorway. He was famed as a miser and even had a toby jug modelled on him. He was said to walk around the docks collecting dropped coal in his pockets, and once travelled back to Gloucester from Tewkesbury in the back of a passing hearse, laid out in the space usually reserved for the body. After his death, the Gloucester Old Bank was absorbed by the County of Gloucestershire Banking Company in 1838, which is turn was taken over by Lloyds Bank in 1897. Notice the publisher Thomas Jew's premises are immediately adjacent, to left. By George Rowe, artist and lithographer (1796 - 1864).
[Ref: 17546] £160.00 (£192.00 incl.VAT)
[Drawn & Printed by G. Rowe Exeter House Cheltenham.]
[Published by T. Jew, Bookseller & Printer 1839.]
Lithograph. Sheet 210 x 160mm. 8¼ x 6¼". Trimmed at bottom, losing publication line
The Gloucester Old Bank was established in 1716, making it one of the earliest private banks in England. In 1802 it was inherited by James (Jemmy) Wood (1756 - 1836), shown here standing in the doorway. He was famed as a miser and even had a toby jug modelled on him. He was said to walk around the docks collecting dropped coal in his pockets, and once travelled back to Gloucester from Tewkesbury in the back of a passing hearse, laid out in the space usually reserved for the body. After his death, the Gloucester Old Bank was absorbed by the County of Gloucestershire Banking Company in 1838, which is turn was taken over by Lloyds Bank in 1897. Notice the publisher Thomas Jew's premises are immediately adjacent, to left. By George Rowe, artist and lithographer (1796 - 1864).
[Ref: 17546] £160.00 (£192.00 incl.VAT)
College School, Gloucester.
J. H. Brown del on stone by G. Hawkins Jun.r
Day & Haghe lith.rs to the Queen
Rare lithograph, sheet 165 x 230mm (6½ x 9").
View of the outside of a school in Gloucester. The pupils amuse themselves with games of cricket and hoop trundling.
[Ref: 56009] £90.00 (£108.00 incl.VAT)
J. H. Brown del on stone by G. Hawkins Jun.r
Day & Haghe lith.rs to the Queen
Rare lithograph, sheet 165 x 230mm (6½ x 9").
View of the outside of a school in Gloucester. The pupils amuse themselves with games of cricket and hoop trundling.
[Ref: 56009] £90.00 (£108.00 incl.VAT)
The White Fryers in Glocester. Aug. 24. 1721.
Stukeley delin. Browne Willys Ar. Reiquias sacras d.d. W.s Stukeley. E. Kirkall sculp.
1721.
Engraving. Platemark: 170 x 275mm (6¾ x 10¾"), with large margins. Slightly foxed.
A view of the Whitefriars buildings, also known as The College of Carmelites, Gloucester, England, once a Carmelite friary. The bowling green is seen in the foreground, with four figures playing bowls. An illustration from 'Itinerarium curiosum; or, An account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain', by William Stukeley.
[Ref: 39357] £130.00 (£156.00 incl.VAT)
Stukeley delin. Browne Willys Ar. Reiquias sacras d.d. W.s Stukeley. E. Kirkall sculp.
1721.
Engraving. Platemark: 170 x 275mm (6¾ x 10¾"), with large margins. Slightly foxed.
A view of the Whitefriars buildings, also known as The College of Carmelites, Gloucester, England, once a Carmelite friary. The bowling green is seen in the foreground, with four figures playing bowls. An illustration from 'Itinerarium curiosum; or, An account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain', by William Stukeley.
[Ref: 39357] £130.00 (£156.00 incl.VAT)
A Gloucestershire team of Oxen.
From an original drawing by R Hills in the possession of the proproeters of this work.
London, Pub. March 1. 1813, by Hassell & C.o 11. Clements inn.
Aquatint, plate 330 x 425mm (13 x 16½"). On paper watermarked 'J Whatman 1811'. Thread margins on top and bottom. Taped tear in right side that goes into the plate mark but not the image. Some creasing.
A farming scene in Gloucestershire. Men pile hay onto a cart pulled by a team of four oxen. Robert Hills (1769–1844) was an English painter and etcher who primarily focused on rural scenes, particularly farm animals.
See Abbey Life 140
[Ref: 56030] £165.00 (£198.00 incl.VAT)
From an original drawing by R Hills in the possession of the proproeters of this work.
London, Pub. March 1. 1813, by Hassell & C.o 11. Clements inn.
Aquatint, plate 330 x 425mm (13 x 16½"). On paper watermarked 'J Whatman 1811'. Thread margins on top and bottom. Taped tear in right side that goes into the plate mark but not the image. Some creasing.
A farming scene in Gloucestershire. Men pile hay onto a cart pulled by a team of four oxen. Robert Hills (1769–1844) was an English painter and etcher who primarily focused on rural scenes, particularly farm animals.
See Abbey Life 140
[Ref: 56030] £165.00 (£198.00 incl.VAT)
Phillips Glover Esqr. of Wispington in Lincolnshire. a steady disinterested Friend who never courted popularity but was ever deserving of it.
J. Russel pinxt. Crayon Painter to his Royal Highness the Prince of Wales. James Watson fecit. from the original Picture in the Possession of George Stacpoole Esqr. at Grosvenor Place.
[British, n.d., c.1790s.]
Mezzotint, with small margins, private plate. 430 x 280mm, 17 x 11". Slight surface damage top.
Memorial portrait of Phillips Glover (d.1796), a Quaker of Wispington Lincolnshire; the sitter in middle age, facing slightly left, in a plain oval border, his hair curled and wearing a brimmed hat.
Goodwin 150. Chaloner Smith 62.
[Ref: 26801] £240.00 (£288.00 incl.VAT)
J. Russel pinxt. Crayon Painter to his Royal Highness the Prince of Wales. James Watson fecit. from the original Picture in the Possession of George Stacpoole Esqr. at Grosvenor Place.
[British, n.d., c.1790s.]
Mezzotint, with small margins, private plate. 430 x 280mm, 17 x 11". Slight surface damage top.
Memorial portrait of Phillips Glover (d.1796), a Quaker of Wispington Lincolnshire; the sitter in middle age, facing slightly left, in a plain oval border, his hair curled and wearing a brimmed hat.
Goodwin 150. Chaloner Smith 62.
[Ref: 26801] £240.00 (£288.00 incl.VAT)
Nalders & Co's. Glove Factory, Shacklewell.
Eastman & Yeo, Cheapside. [n.d. c.1815.]
Engraving. 102 x 210mm. 4 x 8¼". Laid on album scrap.
A glove factory owned by Nalders & Co, in Shackewell, Hackney, London.
[Ref: 24111] £90.00 (£108.00 incl.VAT)
Eastman & Yeo, Cheapside. [n.d. c.1815.]
Engraving. 102 x 210mm. 4 x 8¼". Laid on album scrap.
A glove factory owned by Nalders & Co, in Shackewell, Hackney, London.
[Ref: 24111] £90.00 (£108.00 incl.VAT)
D. Christian Friedrich Glück. geb. 1755.
[n.d., c.1800.]
Engraving. Sheet 135 x 90mm (5¼ x 3½"). Trimmed into plate top and bottom.
A profile portrait of Christian Friedrich von Glück (1755-1831), German jurist, the frontispiece to his 'Ausführliche Erläuterung der Pandecten nach Hellfeld ein Commentar'.
[Ref: 58256] £60.00 (£72.00 incl.VAT)
[n.d., c.1800.]
Engraving. Sheet 135 x 90mm (5¼ x 3½"). Trimmed into plate top and bottom.
A profile portrait of Christian Friedrich von Glück (1755-1831), German jurist, the frontispiece to his 'Ausführliche Erläuterung der Pandecten nach Hellfeld ein Commentar'.
[Ref: 58256] £60.00 (£72.00 incl.VAT)
Gluck.
C. Jager pinx. G. Goldberg sculps.
Friedr. Bruckmann's Verlag in Munchen, Berlin & London [n.d., c.1840s].
Engraving, 285 x 230mm (11¼ x 9"). Full margins.
Christoph Willibald Gluck (1714-87) was a German opera composer of the early classical period. He spent many years at the Habsburg court in Vienna, until he left to bring about practical reform in opera. He wanted to leave opera buffa and opera seria by returning the focus to the human drama and passions and making words and music of equal importance.
[Ref: 22442] £130.00 (£156.00 incl.VAT)
C. Jager pinx. G. Goldberg sculps.
Friedr. Bruckmann's Verlag in Munchen, Berlin & London [n.d., c.1840s].
Engraving, 285 x 230mm (11¼ x 9"). Full margins.
Christoph Willibald Gluck (1714-87) was a German opera composer of the early classical period. He spent many years at the Habsburg court in Vienna, until he left to bring about practical reform in opera. He wanted to leave opera buffa and opera seria by returning the focus to the human drama and passions and making words and music of equal importance.
[Ref: 22442] £130.00 (£156.00 incl.VAT)
Gluck.
L.C. Rousseau, Sculpsit. anno 1806.
Etching. Plate 108 x 102mm. 4¼ x 4".
Christoph Willibald Gluck (1714-1787) was a German opera composer of the early classical period. He spent many years at the Habsburg court in Vienna, until he left to bring about practical reform in opera. He wanted to leave opera buffa and opera seria by returning the focus to the human drama and passions and making words and music of equal importance.
From the Collection of J.S. Bumpus.
[Ref: 17266] £130.00 (£156.00 incl.VAT)
L.C. Rousseau, Sculpsit. anno 1806.
Etching. Plate 108 x 102mm. 4¼ x 4".
Christoph Willibald Gluck (1714-1787) was a German opera composer of the early classical period. He spent many years at the Habsburg court in Vienna, until he left to bring about practical reform in opera. He wanted to leave opera buffa and opera seria by returning the focus to the human drama and passions and making words and music of equal importance.
From the Collection of J.S. Bumpus.
[Ref: 17266] £130.00 (£156.00 incl.VAT)
![[Christoph Willibald Glück.]](jpegs/63228.jpg)
[Christoph Willibald Glück.]
A. Muller [pencil]
Im Verlag der Insel bei Schusler & Zöffler, Berlin [?, c.1905].
Etching. 380 x 370mm (15 x 14½"), publisher's stamp on reverse, large margins.
Christoph Willibald Gluck (1714-1787) was a German opera composer of the early classical period. Insel Verlag was founded in 1901.
[Ref: 63228] £160.00 (£192.00 incl.VAT)
A. Muller [pencil]
Im Verlag der Insel bei Schusler & Zöffler, Berlin [?, c.1905].
Etching. 380 x 370mm (15 x 14½"), publisher's stamp on reverse, large margins.
Christoph Willibald Gluck (1714-1787) was a German opera composer of the early classical period. Insel Verlag was founded in 1901.
[Ref: 63228] £160.00 (£192.00 incl.VAT)
![[Christoph Willibald Gluck.] Gluck.](jpegs/63316.jpg)
[Christoph Willibald Gluck.] Gluck.
Se vend chez Quenedey rue Neuve-des-Petits-Champs No15 à Paris / Dép. à la Bib. Imp.
Dess: au Physionotrace et Gravé par Quenedey d'apres Le buste de.
Aquatint. Sheet 240 x 155mm (9½ x 6"). Trimmed slightly into plate.
Portrait of Christoph Willibald Gluck (1714 - 87), composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna.
[Ref: 63316] £180.00 (£216.00 incl.VAT)
Se vend chez Quenedey rue Neuve-des-Petits-Champs No15 à Paris / Dép. à la Bib. Imp.
Dess: au Physionotrace et Gravé par Quenedey d'apres Le buste de.
Aquatint. Sheet 240 x 155mm (9½ x 6"). Trimmed slightly into plate.
Portrait of Christoph Willibald Gluck (1714 - 87), composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna.
[Ref: 63316] £180.00 (£216.00 incl.VAT)
Gluck.
Henry Chapront.
[n.d., c.1930.]
Etching, signed in pencil by the artist, ''eprevve d'artiste''. 180 x 120mm (7 x 4¾"), large margins.
Head portrait of Christoph Willibald Gluck (1714-87), one of a series of 12 portraits of composers by Henry Chapront (1876-1965).
[Ref: 66201] £220.00 (£264.00 incl.VAT)
Henry Chapront.
[n.d., c.1930.]
Etching, signed in pencil by the artist, ''eprevve d'artiste''. 180 x 120mm (7 x 4¾"), large margins.
Head portrait of Christoph Willibald Gluck (1714-87), one of a series of 12 portraits of composers by Henry Chapront (1876-1965).
[Ref: 66201] £220.00 (£264.00 incl.VAT)
Sir Richard Carr Glyn, Bart. Late M.P. and Father of the City of London, President of the City of London, President of the Royal Hospitals Bethlem and Bridewell.
Painted & Engraved by T.L. Busby.
Publ.d July 1835 by T.L Busby, N.o1 Streatham Paragon, Brixton Hill.
Stipple, sheet 230 x 155mm (9 x 6¼"). Trimmed within plate.
Bust-length portrait of Sir Richard Carr Glyn, 1st Baronet (1755-1838), turned to the left, dressed in a coat with a fur collar. Glyn was a British banker and politician, and on his father's death in 1773 became a partner in his late father's bank, "Vere, Glyn and Hallifax", renamed as "Hallifax, Mills, Glyn and Mitton." He served as Alderman of Bishopsgate from 1790 to 1829, and subsequently of Bridge Without from 1829 until his resignation in 1835. In 1790, he was appointed Sheriff of London and was knighted in the same year. He was elected Lord Mayor of London in 1798, a role previously held by his father, and was created a baronet (of Gaunt’s House in the County of Dorset) the following year. From 1796 to 1802, he represented St Ives in Parliament.
[Ref: 66934] £95.00 (£114.00 incl.VAT)
Painted & Engraved by T.L. Busby.
Publ.d July 1835 by T.L Busby, N.o1 Streatham Paragon, Brixton Hill.
Stipple, sheet 230 x 155mm (9 x 6¼"). Trimmed within plate.
Bust-length portrait of Sir Richard Carr Glyn, 1st Baronet (1755-1838), turned to the left, dressed in a coat with a fur collar. Glyn was a British banker and politician, and on his father's death in 1773 became a partner in his late father's bank, "Vere, Glyn and Hallifax", renamed as "Hallifax, Mills, Glyn and Mitton." He served as Alderman of Bishopsgate from 1790 to 1829, and subsequently of Bridge Without from 1829 until his resignation in 1835. In 1790, he was appointed Sheriff of London and was knighted in the same year. He was elected Lord Mayor of London in 1798, a role previously held by his father, and was created a baronet (of Gaunt’s House in the County of Dorset) the following year. From 1796 to 1802, he represented St Ives in Parliament.
[Ref: 66934] £95.00 (£114.00 incl.VAT)
Mr. Serjeant Glyn, Member of Parliament for the County of Middlesex. John Wilkes Esq.r Elected Knight of the Shire for the County of Middlesex, 29th March 1768. Alderman of the Ward of Faringdon without. The Rev.d John Horne, Minister of New Brentford. Pr. 5.s.
Rich.d Houston inv.t delin. et fecit.
Publish'd as the Act directs, Feb.y 6. 1769, by Rob.t Sayer, at No.53 in Fleet Street, & J.no Smith at No. 35 in Cheapside, London.
Very rare mezzotint. 305 x 389mm (12 x 15¼"), with wide margins Few small creases.
Group portrait, seated around a table, John Glyn (1722-1779), Serjeant-at-law and recorder of London, to left wearing bands and short wig, right hand on his knee, holding quill in left, John Horne Tooke (1736-1812), radical political writer, opposite him, leaning forward and gesturing as he speaks, and between them John Wilkes (1725-1797), politician and satirical writer, especially of "The North Briton", who wears a fur-trimmed cloak and points at papers on the table labelled 'Addresses to County County of Middlesex Constitutional Legal Liberty / General Warrants Seizure of Papers Habeas Corpus Alteration of Records Informations ex Office Close Imprisonment / Treatise on Inclosing Commons Freedom of Elections Trial by Jury Letters to Sr. J. Gibbons and Sir W. B. Proctor', with a folding screen to right and a picture behind of an allegorical female figure holding a scroll of Magna Charta.
CS: 48. Russell: 48.
[Ref: 30871] £490.00
Rich.d Houston inv.t delin. et fecit.
Publish'd as the Act directs, Feb.y 6. 1769, by Rob.t Sayer, at No.53 in Fleet Street, & J.no Smith at No. 35 in Cheapside, London.
Very rare mezzotint. 305 x 389mm (12 x 15¼"), with wide margins Few small creases.
Group portrait, seated around a table, John Glyn (1722-1779), Serjeant-at-law and recorder of London, to left wearing bands and short wig, right hand on his knee, holding quill in left, John Horne Tooke (1736-1812), radical political writer, opposite him, leaning forward and gesturing as he speaks, and between them John Wilkes (1725-1797), politician and satirical writer, especially of "The North Briton", who wears a fur-trimmed cloak and points at papers on the table labelled 'Addresses to County County of Middlesex Constitutional Legal Liberty / General Warrants Seizure of Papers Habeas Corpus Alteration of Records Informations ex Office Close Imprisonment / Treatise on Inclosing Commons Freedom of Elections Trial by Jury Letters to Sr. J. Gibbons and Sir W. B. Proctor', with a folding screen to right and a picture behind of an allegorical female figure holding a scroll of Magna Charta.
CS: 48. Russell: 48.
[Ref: 30871] £490.00
Gnasser, Samorin Souverain de Calecut; Tire de l'Histoire des Voyages.
A Paris rue St. Victor chez Duflos. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 277 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2035] £130.00 (£156.00 incl.VAT)
A Paris rue St. Victor chez Duflos. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 277 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2035] £130.00 (£156.00 incl.VAT)
Gnat Bites N.º 6. Oh Fredric! that nasty things has spunted all over Julian's sunday's!. _ what will be the consequence? / Vy cold, with running at the nose.
[signed in plate]
London Published by W. Soffe 380 Strand. Madeley Printer [n.d., c.1848.]
Coloured lithograph. Sheet 340 x 245mm (13¼ x 9½"). Nicks in edges.
An elephant in an enclosure sprays water from its trunk.
[Ref: 68064] £160.00 (£192.00 incl.VAT)
[signed in plate]
London Published by W. Soffe 380 Strand. Madeley Printer [n.d., c.1848.]
Coloured lithograph. Sheet 340 x 245mm (13¼ x 9½"). Nicks in edges.
An elephant in an enclosure sprays water from its trunk.
[Ref: 68064] £160.00 (£192.00 incl.VAT)
The Above is a Correct Representation of the Gnu, or Horned Horse. Just added to the Collection, purchased at the late Knowsley Sale. The only Specimen in Europe, and the first that has been exhibited for the last 10 years. This animal is a Native of South Africa, and is notified by Bruce, in his History of the Animal Kingdom, as being the mist Elegant Quadruped of that Country. They have two horns over their eyes, which gives them the name of the Horned Horses: they partake of the Horse, Cow and Antelope species.
[n.d. c.1830]
Wood engraving. Image 196 x 254mm (7¾ x 10"). Laid on linen. Cut.
A fanciful depiction of a wildebeest ridden by a warrior, published as an advert for a zoo.
[Ref: 15267] £160.00 (£192.00 incl.VAT)
[n.d. c.1830]
Wood engraving. Image 196 x 254mm (7¾ x 10"). Laid on linen. Cut.
A fanciful depiction of a wildebeest ridden by a warrior, published as an advert for a zoo.
[Ref: 15267] £160.00 (£192.00 incl.VAT)
![[Bijapur] Nuptiarum ritus, et epule in Provincia Ballagate supra Goam.](jpegs/59679.jpg)
[Bijapur] Nuptiarum ritus, et epule in Provincia Ballagate supra Goam. Maniere van bruijloft in Ladt van Ballagate achter Goa gelegen.
J.v. Linchoten [monogram]. Joa à Doe: fec.
[Amsterdam, 1596.]
Scarce engraving, 16th century watermark. 255 x 320mm (10 x 12½"), large margins. Old ink mss. correction to plate number.
A wedding procession in Bijapur, India. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
See Ref: 51621 (trimmed)
[Ref: 59679] £290.00 (£348.00 incl.VAT)
J.v. Linchoten [monogram]. Joa à Doe: fec.
[Amsterdam, 1596.]
Scarce engraving, 16th century watermark. 255 x 320mm (10 x 12½"), large margins. Old ink mss. correction to plate number.
A wedding procession in Bijapur, India. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
See Ref: 51621 (trimmed)
[Ref: 59679] £290.00 (£348.00 incl.VAT)
Goa, Een vermaerde koopstad in het Portugals indie, aen den mond der rivier Gacis.
Pet. Schenk.
Amsteld. C.P. [n.d., c.1702.]
Engraving, 215 x 265mm. 8½ x 10½". Two tears to upper margin, two small foxing spots to image.
Panoramic view in Goa, on the west coast of India, with some native inhabitants in the foreground, one riding an elephant. Portuguese first landed in Goa as merchants, in the early 16th century, and conquered it soon thereafter. The Portuguese overseas territory existed for about 450 years, until it was annexed by India in 1961. Engraved and published in Amsterdam by Pieter Schenk (1660 - 1718/1719). Titles in Dutch, to left, and Latin. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
Hollstein, vol XV, nos.1306-1405.
[Ref: 11078] £280.00 (£336.00 incl.VAT)
Pet. Schenk.
Amsteld. C.P. [n.d., c.1702.]
Engraving, 215 x 265mm. 8½ x 10½". Two tears to upper margin, two small foxing spots to image.
Panoramic view in Goa, on the west coast of India, with some native inhabitants in the foreground, one riding an elephant. Portuguese first landed in Goa as merchants, in the early 16th century, and conquered it soon thereafter. The Portuguese overseas territory existed for about 450 years, until it was annexed by India in 1961. Engraved and published in Amsterdam by Pieter Schenk (1660 - 1718/1719). Titles in Dutch, to left, and Latin. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
Hollstein, vol XV, nos.1306-1405.
[Ref: 11078] £280.00 (£336.00 incl.VAT)
![Homme de Goa. [&] Femme de Goa.](jpegs/35077.jpg)
Homme de Goa. [&] Femme de Goa.
J. G. S. Sauveur Inv. Direx. Labrousse Sculp.
[n.d., c.1800].
Pair of coloured engravingd. Plate: 140 x 190mm (5½ x 7½").
Portraits of a wealthy man and woman of Goa, wearing elaborate dress, from ''Costumes de Différent Pays'' by Jacques Grasset de Saint-Sauveur (1757-1810).
[Ref: 35077] £160.00 (£192.00 incl.VAT)
J. G. S. Sauveur Inv. Direx. Labrousse Sculp.
[n.d., c.1800].
Pair of coloured engravingd. Plate: 140 x 190mm (5½ x 7½").
Portraits of a wealthy man and woman of Goa, wearing elaborate dress, from ''Costumes de Différent Pays'' by Jacques Grasset de Saint-Sauveur (1757-1810).
[Ref: 35077] £160.00 (£192.00 incl.VAT)
![[Goa] Hoc Habitu, qui e Lusitanis Nobilitate aut dignitate clariores in India fere conspiciuntur per plateas obequitant.](jpegs/59678.jpg)
[Goa] Hoc Habitu, qui e Lusitanis Nobilitate aut dignitate clariores in India fere conspiciuntur per plateas obequitant. Op dese maniere rijden gemeenlick over straeten die Portugeesche Edellieden Rigierders en Raetsheeren.
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"), large margins. A very small hole in centre fold.
A Portuguese dignitary on horseback, surrounded by servants (one of whom shelters the rider with a 'Sombreiro', a large parasol), rides through the streets of India. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
See Ref: 51620 (trimmed)
[Ref: 59678] £290.00 (£348.00 incl.VAT)
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"), large margins. A very small hole in centre fold.
A Portuguese dignitary on horseback, surrounded by servants (one of whom shelters the rider with a 'Sombreiro', a large parasol), rides through the streets of India. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
See Ref: 51620 (trimmed)
[Ref: 59678] £290.00 (£348.00 incl.VAT)
Goa, From the Upper Curtain.
Drawn on the Spot by J.T. Rawlins. On Stone by Dean & Co.
[1847.]
Tinted lithograph. Sheet: 145 x 235mm (5¾ x 9¼''). Slight cockling.
A view of the Western port town of Goa. An illustration from 'The History of China and India Pictorial and Descriptive...' by Julia Corner 1847.
Abbey 468, Plate 3.
[Ref: 50122] £160.00 (£192.00 incl.VAT)
Drawn on the Spot by J.T. Rawlins. On Stone by Dean & Co.
[1847.]
Tinted lithograph. Sheet: 145 x 235mm (5¾ x 9¼''). Slight cockling.
A view of the Western port town of Goa. An illustration from 'The History of China and India Pictorial and Descriptive...' by Julia Corner 1847.
Abbey 468, Plate 3.
[Ref: 50122] £160.00 (£192.00 incl.VAT)
![[Goa] Indorum casæ villæ, et vici circa Goam.](jpegs/62372.jpg)
[Goa] Indorum casæ villæ, et vici circa Goam.
AvLinschoten. Joan à Doet: fe:.
[Amsterdam: Joost Gillis Saeghman, 1596.]
Coloured engraving, 16th century watermark. 250 x 320mm (9¾ x 12½"), large margins. Wax stain in image.
A Goan village with women bathing. From ''Itinerario: Voyage ofte schipvaert van Jan Huygen van Linschoten naer Oost ofte Portugaels Indien'', an account to the travels of Jan Huygen van Linschoten to the Portuguese East India.
[Ref: 62372] £450.00
AvLinschoten. Joan à Doet: fe:.
[Amsterdam: Joost Gillis Saeghman, 1596.]
Coloured engraving, 16th century watermark. 250 x 320mm (9¾ x 12½"), large margins. Wax stain in image.
A Goan village with women bathing. From ''Itinerario: Voyage ofte schipvaert van Jan Huygen van Linschoten naer Oost ofte Portugaels Indien'', an account to the travels of Jan Huygen van Linschoten to the Portuguese East India.
[Ref: 62372] £450.00
Hac forma Lusitanorum nobiliores et qui opulentiores se gestari jubent Op dese maniere laeten haer die Portugeesen draegen die van affcompste en vermoegen zyn.
J.v. Linchoten [monogram]. Joannes à Doetechum: fecit.
[Amsterdam, 1596.]
Scarce engraving, 16th century watermark. 255 x 320mm (10 x 12½"), large margins. Repaired split in lower centre fold.
An important Portuguese nobleman in a pallanquin carried by slaves. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 59680] £290.00 (£348.00 incl.VAT)
J.v. Linchoten [monogram]. Joannes à Doetechum: fecit.
[Amsterdam, 1596.]
Scarce engraving, 16th century watermark. 255 x 320mm (10 x 12½"), large margins. Repaired split in lower centre fold.
An important Portuguese nobleman in a pallanquin carried by slaves. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 59680] £290.00 (£348.00 incl.VAT)
The Sea Ingagement betwixt the Portuges and Dutch near Goa.
[London: Awnsham & John Churchill, 1732.]
Engraving. 130 x 165mm (5 x 6½"), set in text, very large margins.
The Battle of Goa, January 1638. One of a series of battles which the Portugese won. From the account of Philips Baelde (or Father Philippus Baldaeus) of India and Sri Lanka, as published in 'Churchill's Collection of Voyages'.
[Ref: 58628] £220.00 (£264.00 incl.VAT)
[London: Awnsham & John Churchill, 1732.]
Engraving. 130 x 165mm (5 x 6½"), set in text, very large margins.
The Battle of Goa, January 1638. One of a series of battles which the Portugese won. From the account of Philips Baelde (or Father Philippus Baldaeus) of India and Sri Lanka, as published in 'Churchill's Collection of Voyages'.
[Ref: 58628] £220.00 (£264.00 incl.VAT)
Scaphe piscatorie Goensium et Cochinensium...
J.v. Linchoten [monogram]. Joannes à Doetechum: fec.
[Amsterdam, 1596.]
Scarce engraving, 16th century watermark. 255 x 320mm (10 x 12½") very large margins.
Illustrations of fishing boats of the East Indies. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 51996] £380.00
J.v. Linchoten [monogram]. Joannes à Doetechum: fec.
[Amsterdam, 1596.]
Scarce engraving, 16th century watermark. 255 x 320mm (10 x 12½") very large margins.
Illustrations of fishing boats of the East Indies. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 51996] £380.00
The Sea Ingagement betwixt the Portuges and Dutch near Goa
[London, 1702]
Etching with letterpress, sheet 320 x 205mm (12½ x 8").
The Battle of Goa (a port city in India then a Portuguese colony) in 1638, in which Portuguese forces defeated a large Dutch fleet attempting to block the port. This conflict took place during the Dutch-Portuguese War of 1601-61. Sheet from 'A Description of ye East India Coasts of Malabar and Cormandel with their adjacent Kingdoms and Provinces; and of the Empire of Ceylon and of the Idolatry of the Pagans in the East Indies', the 1702 translation of a work originally published in Dutch in 1672, by Philip Baldaeus (1632-71). Baldaeus was a Dutch minister who spent time in Ceylon (now Sri Lanka) while it was governed by the Dutch, and wrote a compendious account of his observations.
[Ref: 42457] £130.00 (£156.00 incl.VAT)
[London, 1702]
Etching with letterpress, sheet 320 x 205mm (12½ x 8").
The Battle of Goa (a port city in India then a Portuguese colony) in 1638, in which Portuguese forces defeated a large Dutch fleet attempting to block the port. This conflict took place during the Dutch-Portuguese War of 1601-61. Sheet from 'A Description of ye East India Coasts of Malabar and Cormandel with their adjacent Kingdoms and Provinces; and of the Empire of Ceylon and of the Idolatry of the Pagans in the East Indies', the 1702 translation of a work originally published in Dutch in 1672, by Philip Baldaeus (1632-71). Baldaeus was a Dutch minister who spent time in Ceylon (now Sri Lanka) while it was governed by the Dutch, and wrote a compendious account of his observations.
[Ref: 42457] £130.00 (£156.00 incl.VAT)
Legati Regis Ballagatte in urbe Goa comitatus. Die staet des Ambassateurs van den Coninck van Ballagatte binnen Goa.
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"). Trimmed at sides to image, laid on card, old ink mss. pagination.
'The Ambassador of the King of Ballagatte in Goa', showing him in a sedan chair, surrounded by guards. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 51619] £320.00
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"). Trimmed at sides to image, laid on card, old ink mss. pagination.
'The Ambassador of the King of Ballagatte in Goa', showing him in a sedan chair, surrounded by guards. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 51619] £320.00
![[Trees of India.]](jpegs/59682.jpg)
[Trees of India.]
J.v. Linchoten [monogram]. Baptista à Doetechum: fecit.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"), very large margins. Repaired split in lower centre fold.
An illustration of cash crop trees of India, including Coco palms, pepper, areca and fig. Engraved by Baptista van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 59682] £360.00
J.v. Linchoten [monogram]. Baptista à Doetechum: fecit.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"), very large margins. Repaired split in lower centre fold.
An illustration of cash crop trees of India, including Coco palms, pepper, areca and fig. Engraved by Baptista van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
[Ref: 59682] £360.00
![Nupiarum ritus, et epule in Provincia Ballagare supra Goam. [Nupt]](jpegs/51621.jpg)
Nupiarum ritus, et epule in Provincia Ballagare supra Goam. [Nupt]
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"). Trimmed at sides to image, laid on card, old ink mss. pagination.
A marriage procession, with musicians playing pipes and drums. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
See Ref 59678
[Ref: 51621] £240.00 (£288.00 incl.VAT)
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"). Trimmed at sides to image, laid on card, old ink mss. pagination.
A marriage procession, with musicians playing pipes and drums. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
See Ref 59678
[Ref: 51621] £240.00 (£288.00 incl.VAT)
![[Goa] Hoc Habitu, qui e Lusitanis Nobilitate aut dignitate clariores in India fere conspiciuntur per plateas obequitant.](jpegs/51620.jpg)
[Goa] Hoc Habitu, qui e Lusitanis Nobilitate aut dignitate clariores in India fere conspiciuntur per plateas obequitant.
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"). Trimmed at sides, small loss of image top corners, laid on card, old ink mss. pagination.
A Portuguese dignitary on horseback, surrounded by servants, one of whom shelters the rider with a 'Sombreiro', a large parasol. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
Ref: See 59678
[Ref: 51620] £240.00 (£288.00 incl.VAT)
J.v. Linchoten [monogram]. Joann à Doete: fec.
[Amsterdam, 1596.]
Scarce engraving. 255 x 320mm (10 x 12½"). Trimmed at sides, small loss of image top corners, laid on card, old ink mss. pagination.
A Portuguese dignitary on horseback, surrounded by servants, one of whom shelters the rider with a 'Sombreiro', a large parasol. Engraved by Jan van Doetechum for 'Histoire de la navigation de Jean Hugues de Linschot Hollandois', Jan Huygen van Linschoten's account of the East Indies. Known as the ''Itinerio'', this work broke the Portuguese monopoly on the trade routes to the Far East.
Ref: See 59678
[Ref: 51620] £240.00 (£288.00 incl.VAT)
''Goal''. The Boys Own Paper.
Painted for the ''Boy's Own Paper'' by Thomas M. Hemy.
Alf. Cooke Leeds. [56 Paternoster Row E.C.][n.d., c.1890.]
Chromolithograph. Sheet: 285 x 420mm (11¼ x 16½''). Folds as normal.
A scene showing a football match watched by schoolboys from Eton sitting in the front row.
[Ref: 49193] £160.00 (£192.00 incl.VAT)
Painted for the ''Boy's Own Paper'' by Thomas M. Hemy.
Alf. Cooke Leeds. [56 Paternoster Row E.C.][n.d., c.1890.]
Chromolithograph. Sheet: 285 x 420mm (11¼ x 16½''). Folds as normal.
A scene showing a football match watched by schoolboys from Eton sitting in the front row.
[Ref: 49193] £160.00 (£192.00 incl.VAT)
![[Man with goat.]](jpegs/14296.jpg)
[Man with goat.]
Huett delt. B. Green Sc.
Pubd. Augst. 1st. 1780 by Wm. Davis No. 25 Ludgate Hill.
A fine etching. 278 x 368mm. 11 x 14½". Some spotting. Wormholes to the left-hand margin and bottom right-hand margin. Crease vertically through left-hand margin. Uncut sheet.
[Ref: 14296] £160.00 (£192.00 incl.VAT)
Huett delt. B. Green Sc.
Pubd. Augst. 1st. 1780 by Wm. Davis No. 25 Ludgate Hill.
A fine etching. 278 x 368mm. 11 x 14½". Some spotting. Wormholes to the left-hand margin and bottom right-hand margin. Crease vertically through left-hand margin. Uncut sheet.
[Ref: 14296] £160.00 (£192.00 incl.VAT)
Ye Wicked Goat.
Joaquin Macias [signed in pencil lower right.]
[n.d., c.1940.]
Etching, 150 x 225mm. 6 x 9". Upper left corner missing.
A goat in a yard eating washing hanging on a line. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 9944] £250.00 (£300.00 incl.VAT)
Joaquin Macias [signed in pencil lower right.]
[n.d., c.1940.]
Etching, 150 x 225mm. 6 x 9". Upper left corner missing.
A goat in a yard eating washing hanging on a line. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 9944] £250.00 (£300.00 incl.VAT)
![[Four winged named children, sacrificing a goat.]](jpegs/25575.jpg)
[Four winged named children, sacrificing a goat.]
G.B. Cipriani del. F. Bartolozzi sculp.
[n.d. c.1779; but later c.1815.]
Etching and engraving, small margins. Plate 135 x 184mm. 5¼ x 7¼".
Four winged naked children standing, sacrificing a goat; on the left, one child holding an olive branch, another leading a goat to a fire in the centre; on the right, two children holding a torch and a trumpet embracing each other; in an oval frame as an antique cameo. Illustration to 'Ornaments' by Michel Angelo Pergolesi (London: 1777-92).
De Vesme: 2065.
[Ref: 25575] £160.00 (£192.00 incl.VAT)
G.B. Cipriani del. F. Bartolozzi sculp.
[n.d. c.1779; but later c.1815.]
Etching and engraving, small margins. Plate 135 x 184mm. 5¼ x 7¼".
Four winged naked children standing, sacrificing a goat; on the left, one child holding an olive branch, another leading a goat to a fire in the centre; on the right, two children holding a torch and a trumpet embracing each other; in an oval frame as an antique cameo. Illustration to 'Ornaments' by Michel Angelo Pergolesi (London: 1777-92).
De Vesme: 2065.
[Ref: 25575] £160.00 (£192.00 incl.VAT)
Le Bouc de Juda. Tom. XV. Pl. XX Pag. 196.
De Seve delin. C. Baquoy Sculp.
[n.d. c.1766.]
Coloured engraving; paper watermarked. Plate 215 x 166mm (8½ x 6½"). Small margins.
Short-horned white goat with short untamed coat; palm tree and domed building in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Buffon's "L’Histoire Naturelle, générale et particulière, avec la description du Cabinet du Roi" and particularly from his "douze volumes sur les quadrupèdes (de 1753 à 1767)".
[Ref: 52382] £65.00 (£78.00 incl.VAT)
De Seve delin. C. Baquoy Sculp.
[n.d. c.1766.]
Coloured engraving; paper watermarked. Plate 215 x 166mm (8½ x 6½"). Small margins.
Short-horned white goat with short untamed coat; palm tree and domed building in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Buffon's "L’Histoire Naturelle, générale et particulière, avec la description du Cabinet du Roi" and particularly from his "douze volumes sur les quadrupèdes (de 1753 à 1767)".
[Ref: 52382] £65.00 (£78.00 incl.VAT)
Buck of Juda. Plate 254.
A. Bell Sculp.t.
[n.d. c.1812.]
Engraving. 210 x 124mm (8¼ x 5").
A short-horned goat; lighthouse in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Volume 8 of "Natural History, General and Particular, by the Count de Buffon, illustrated with above 600 copper plates. The History of Man and Quadrupeds .[and] The History of Birds. In Twenty Volumes"; Publised by T Cadell and W. Davies; RC and J Rivington; et al, London, 1812.
[Ref: 52380] £40.00 (£48.00 incl.VAT)
A. Bell Sculp.t.
[n.d. c.1812.]
Engraving. 210 x 124mm (8¼ x 5").
A short-horned goat; lighthouse in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Volume 8 of "Natural History, General and Particular, by the Count de Buffon, illustrated with above 600 copper plates. The History of Man and Quadrupeds .[and] The History of Birds. In Twenty Volumes"; Publised by T Cadell and W. Davies; RC and J Rivington; et al, London, 1812.
[Ref: 52380] £40.00 (£48.00 incl.VAT)
She-Goat of Juda. Plate CXCII.
A. Bell Sculp.t.
[n.d. c.1780.]
Engraving, paper watermarked. 210 x 124mm (8¼ x 5").
Short-horned female goat with accentuated white hind leg 'socks'; castle in left-hand background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Volume 6 of "Natural history: general and particular, by the Count de Buffon, translated into English. Illustrated with above 260 copper-plates, and occasional notes and observations by the translator"; printed for William Creech, Edinburgh.
[Ref: 52381] £40.00 (£48.00 incl.VAT)
A. Bell Sculp.t.
[n.d. c.1780.]
Engraving, paper watermarked. 210 x 124mm (8¼ x 5").
Short-horned female goat with accentuated white hind leg 'socks'; castle in left-hand background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Volume 6 of "Natural history: general and particular, by the Count de Buffon, translated into English. Illustrated with above 260 copper-plates, and occasional notes and observations by the translator"; printed for William Creech, Edinburgh.
[Ref: 52381] £40.00 (£48.00 incl.VAT)
![[Milking Goats.]](jpegs/46818.jpg)
[Milking Goats.]
J. Smith ex.
[n.d., c.1730.]
Mezzotint. Plate: 160 x 185mm (6¼ x 7¼"). Laid on album sheet.
A rural scene showing figures milking a pair of goats into large wooden barrels.
[Ref: 46818] £180.00 (£216.00 incl.VAT)
J. Smith ex.
[n.d., c.1730.]
Mezzotint. Plate: 160 x 185mm (6¼ x 7¼"). Laid on album sheet.
A rural scene showing figures milking a pair of goats into large wooden barrels.
[Ref: 46818] £180.00 (£216.00 incl.VAT)
Le Bouc de Juida. Tom. III. Pl. XIII. pag. 96.
De Seve del. Baron Sc.
[n.d. c.1766.]
Coloured engraving; paper watermarked. Plate 215 x 171mm (8½ x 6¾). Small margins.
A long-horned goat with long white coat stands in the moonlight; building with minaret stands to the left in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Buffon's "L’Histoire Naturelle, générale et particulière, avec la description du Cabinet du Roi" and particularly from his "douze volumes sur les quadrupèdes (de 1753 à 1767)".
[Ref: 52383] £65.00 (£78.00 incl.VAT)
De Seve del. Baron Sc.
[n.d. c.1766.]
Coloured engraving; paper watermarked. Plate 215 x 171mm (8½ x 6¾). Small margins.
A long-horned goat with long white coat stands in the moonlight; building with minaret stands to the left in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Buffon's "L’Histoire Naturelle, générale et particulière, avec la description du Cabinet du Roi" and particularly from his "douze volumes sur les quadrupèdes (de 1753 à 1767)".
[Ref: 52383] £65.00 (£78.00 incl.VAT)
Buck of Juda. Plate CXCIII.
A. Bell Sculp.t.
[Edinburgh: William Creech, n.d. c.1780.]
Engraving. 210 x 124mm (8¼ x 5"), paper watermarked.
A well-horned goat with thick coat; castle in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Volume 6 of "Natural history: general and particular, by the Count de Buffon, translated into English. Illustrated with above 260 copper-plates, and occasional notes and observations by the translator".
[Ref: 52379] £40.00 (£48.00 incl.VAT)
A. Bell Sculp.t.
[Edinburgh: William Creech, n.d. c.1780.]
Engraving. 210 x 124mm (8¼ x 5"), paper watermarked.
A well-horned goat with thick coat; castle in background. A Judas goat is a trained goat used in general animal herding. It is trained to associate with sheep or cattle, leading them to a specific destination. From Volume 6 of "Natural history: general and particular, by the Count de Buffon, translated into English. Illustrated with above 260 copper-plates, and occasional notes and observations by the translator".
[Ref: 52379] £40.00 (£48.00 incl.VAT)
![[Two Goats Resting in the Shade of a Tree.]](jpegs/49675.jpg)
[Two Goats Resting in the Shade of a Tree.]
[Johann Heinrich Roos.]
[1671.]
Etching. Plate: 125 x 140mm (5 x 5½'') very large margins.
An etching from a series of scenes of sheep and goats by German printmaker Johann Heinrich Roos (1631-1685).
[Ref: 49675] £120.00 (£144.00 incl.VAT)
[Johann Heinrich Roos.]
[1671.]
Etching. Plate: 125 x 140mm (5 x 5½'') very large margins.
An etching from a series of scenes of sheep and goats by German printmaker Johann Heinrich Roos (1631-1685).
[Ref: 49675] £120.00 (£144.00 incl.VAT)
Graphic Illustrations Of Animals. Shewing Their Utility To Man, In Their Services During Life And Uses After Death. The Goat.
Designed and Drawn on Stone by W Hawkins.
London Published by Thomas Varty, Adelaide Street Strand. [n.d., c.1850.]
Hand coloured lithograph, sheet 360 x 415mm. 14 x 16¼". Vertical centrefold as normal.
A central illustration of two goats is surrounded by nine vignette scenes depicting the animal's commercial uses and relationship to man, in life and death (each captioned). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 15.' upper right.
[Ref: 10531] £130.00 (£156.00 incl.VAT)
Designed and Drawn on Stone by W Hawkins.
London Published by Thomas Varty, Adelaide Street Strand. [n.d., c.1850.]
Hand coloured lithograph, sheet 360 x 415mm. 14 x 16¼". Vertical centrefold as normal.
A central illustration of two goats is surrounded by nine vignette scenes depicting the animal's commercial uses and relationship to man, in life and death (each captioned). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 15.' upper right.
[Ref: 10531] £130.00 (£156.00 incl.VAT)
La Galerie de l'hostel royal des Gobelins ou l'on fait voir A Monseig.r Colbert...
Seb. le Clerc fecit.
[n.d. c.1696] [Nicolas Langlois]
Engraving, 150 x 250mm (6 x 9¾"). Slight staining.
From a series of six, 'Les Batailles d'Alexandre.' An interior gallery of the Hôtel des Gobelins (Gobelins Royal Manufactory) in Paris, France, decorated with statues on the left and tapestries on the right; at the center, Edouard Colbert, , Marquess of Villacerf (1629-99) surrounded by courtiers, is presented with tapestries depicting the story of Alexander the Great, with Colbert’s coat of arms shown in the lower margin.
Jombert 1774: 257.
[Ref: 68156] £160.00 (£192.00 incl.VAT)
Seb. le Clerc fecit.
[n.d. c.1696] [Nicolas Langlois]
Engraving, 150 x 250mm (6 x 9¾"). Slight staining.
From a series of six, 'Les Batailles d'Alexandre.' An interior gallery of the Hôtel des Gobelins (Gobelins Royal Manufactory) in Paris, France, decorated with statues on the left and tapestries on the right; at the center, Edouard Colbert, , Marquess of Villacerf (1629-99) surrounded by courtiers, is presented with tapestries depicting the story of Alexander the Great, with Colbert’s coat of arms shown in the lower margin.
Jombert 1774: 257.
[Ref: 68156] £160.00 (£192.00 incl.VAT)
![[Gobions] A perspective view of the Canal at Gubbins in Hertfordshire, a Seat of S.r Jeremy Sambrooke Bart.](jpegs/58259.jpg)
[Gobions] A perspective view of the Canal at Gubbins in Hertfordshire, a Seat of S.r Jeremy Sambrooke Bart.
Chatelain delin.
[Publish'd according to Act of Parliament March 1746. & Sold by] John Tinney at the Golden Lion in Fleet Street, London.
Engraving, 18th century watermark. Sheet 280 x 460mm (11 x 18"). Trimmed to plate on three sides and into plate at bottom, losing part of publication line, damage in title repaired, bottom right corner replaced, folds flattened. Creasing.
A view of an ornamental lake surrounded by hedges and woodland, with a man fishing in the water watched by promenaders. The famous Pleasure Grounds at Gobions, in North Mymms, were created by Charles Bridgeman for Sir Jeremy Sambrooke, 5th Baronet (d.1754), with money earned in the East India Company by his ancestors. Daniel Defoe called Gobions 'one of the most remarkable curiosities in England'. Queen Caroline visited in 1732.
See Ref: 58260
[Ref: 58259] £220.00 (£264.00 incl.VAT)
Chatelain delin.
[Publish'd according to Act of Parliament March 1746. & Sold by] John Tinney at the Golden Lion in Fleet Street, London.
Engraving, 18th century watermark. Sheet 280 x 460mm (11 x 18"). Trimmed to plate on three sides and into plate at bottom, losing part of publication line, damage in title repaired, bottom right corner replaced, folds flattened. Creasing.
A view of an ornamental lake surrounded by hedges and woodland, with a man fishing in the water watched by promenaders. The famous Pleasure Grounds at Gobions, in North Mymms, were created by Charles Bridgeman for Sir Jeremy Sambrooke, 5th Baronet (d.1754), with money earned in the East India Company by his ancestors. Daniel Defoe called Gobions 'one of the most remarkable curiosities in England'. Queen Caroline visited in 1732.
See Ref: 58260
[Ref: 58259] £220.00 (£264.00 incl.VAT)
![[Gobions] A perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a Seat of S.r Jeremy Sambrooke Bart.](jpegs/58260.jpg)
[Gobions] A perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a Seat of S.r Jeremy Sambrooke Bart.
Chatelain delin.
[Publish'd according to Act of Parliament March 1746. & Sold by John Tinney at the Gol]den Lion in Fleet Street, London.
Engraving, 18th century watermark. Sheet 280 x 460mm (11 x 18"). Trimmed to plate on three sides and into plate at bottom, losing part of publication line, damage in title repaired, bottom right corner replaced, folds flattened, creasing.
A view of a bowling green surrounded by hedges and woodland, with a man fishing in the water watched by promenaders. The famous Pleasure Grounds at Gobions, in North Mymms, were created by Charles Bridgeman for Sir Jeremy Sambrooke, 5th Baronet (d.1754), with money earned in the East India Company by his ancestors. Daniel Defoe called Gobions 'one of the most remarkable curiosities in England'. Queen Caroline visited in 1732. One of the earliest images of bowls.
See Ref: 58259
[Ref: 58260] £220.00 (£264.00 incl.VAT)
Chatelain delin.
[Publish'd according to Act of Parliament March 1746. & Sold by John Tinney at the Gol]den Lion in Fleet Street, London.
Engraving, 18th century watermark. Sheet 280 x 460mm (11 x 18"). Trimmed to plate on three sides and into plate at bottom, losing part of publication line, damage in title repaired, bottom right corner replaced, folds flattened, creasing.
A view of a bowling green surrounded by hedges and woodland, with a man fishing in the water watched by promenaders. The famous Pleasure Grounds at Gobions, in North Mymms, were created by Charles Bridgeman for Sir Jeremy Sambrooke, 5th Baronet (d.1754), with money earned in the East India Company by his ancestors. Daniel Defoe called Gobions 'one of the most remarkable curiosities in England'. Queen Caroline visited in 1732. One of the earliest images of bowls.
See Ref: 58259
[Ref: 58260] £220.00 (£264.00 incl.VAT)
![La Deesse. [The Goddess.]](jpegs/19265.jpg)
La Deesse. [The Goddess.]
A. Watteau inv. Huquier Sculp.
AParis chez laveuve Chereau rüe S. Jacques aux deux pilliers d'or et chez Huquier vis avis le grand Chatellet.___ C.P.R. [n.d., c.1730.]
Etching, design for wood panelling (boiserie). Sheet 410 x 275mm, 16 x 10¾". Trimmed to plate.
Ornamental rococo frame surrounding a scene representing Artemis/Diana sitting on clouds with, behind her, a monumental doorway and hunters in a landscape. Boiseries were popular in seventeenth and eighteenth century French interior design and the Palace of Versailles has many fine examples. The panels were not confined just to the walls of a room but were also used to decorate doors, frames, cupboards and shelves. Often pictures would be set into the boiseries, the carving framing the picture rather like a conventional frame. After Antoine Watteau ( 1684 - 1721), from the 'Recueil Jullienne' series, Plate 87 to 'L'Oeuvre d'Antoine Watteau Peintre du Roy'. Jean de Jullienne (1686 - 1766) was a Parisian collector and patron of the arts who owned some 450 drawings by Watteau, and had them engraved.
[Ref: 19265] £230.00 (£276.00 incl.VAT)
A. Watteau inv. Huquier Sculp.
AParis chez laveuve Chereau rüe S. Jacques aux deux pilliers d'or et chez Huquier vis avis le grand Chatellet.___ C.P.R. [n.d., c.1730.]
Etching, design for wood panelling (boiserie). Sheet 410 x 275mm, 16 x 10¾". Trimmed to plate.
Ornamental rococo frame surrounding a scene representing Artemis/Diana sitting on clouds with, behind her, a monumental doorway and hunters in a landscape. Boiseries were popular in seventeenth and eighteenth century French interior design and the Palace of Versailles has many fine examples. The panels were not confined just to the walls of a room but were also used to decorate doors, frames, cupboards and shelves. Often pictures would be set into the boiseries, the carving framing the picture rather like a conventional frame. After Antoine Watteau ( 1684 - 1721), from the 'Recueil Jullienne' series, Plate 87 to 'L'Oeuvre d'Antoine Watteau Peintre du Roy'. Jean de Jullienne (1686 - 1766) was a Parisian collector and patron of the arts who owned some 450 drawings by Watteau, and had them engraved.
[Ref: 19265] £230.00 (£276.00 incl.VAT)
![[Hindu Goddess.]](jpegs/49910.jpg)
[Hindu Goddess.] Typus Pullae seu cybelis aut Isidis Sinensium. Characteres Sacri quos Sinae a Brachmanib acceperunt ÿsq magnae suae Deastrae attributa experimunt.
[n.d., c.1770.]
Engraving. Plate: 305 x 210mm (12 x 8¼''). Trimmed and laid on album sheet at corners.
A portrait of Hindu multiarmed goddess sitting upon a lotus. Above her are sanskrit like characters.
[Ref: 49910] £65.00 (£78.00 incl.VAT)
[n.d., c.1770.]
Engraving. Plate: 305 x 210mm (12 x 8¼''). Trimmed and laid on album sheet at corners.
A portrait of Hindu multiarmed goddess sitting upon a lotus. Above her are sanskrit like characters.
[Ref: 49910] £65.00 (£78.00 incl.VAT)
Gotofridus Bullionius Rex Jerusalem. Regumque matres barbarorum et/ Purpurei metuunt tyranni Horat. carm. l. 4.
[after Claude Vignon]
I.I. Haid exc. A.V. [Augsburg, c.1760.]
Mezzotint, 400 x 270mm. 15¾ x 10½". Horizontal centre crease.
Godfrey of Bouillon (c.1060 - 1100), one of the leaders of the First Crusade from 1096 until his death. He was the Lord of Bouillon from 1076 and the Duke of Lower Lorraine from 1087. After the fall of Jerusalem in 1099, Godfrey became the first ruler of the Kingdom of Jerusalem. From a series of mezzotint portraits copied from a set of small engravings after Claude Vignon published in the early seventeenth century.
for another in the series see ref. 2880
[Ref: 10488] £230.00 (£276.00 incl.VAT)
[after Claude Vignon]
I.I. Haid exc. A.V. [Augsburg, c.1760.]
Mezzotint, 400 x 270mm. 15¾ x 10½". Horizontal centre crease.
Godfrey of Bouillon (c.1060 - 1100), one of the leaders of the First Crusade from 1096 until his death. He was the Lord of Bouillon from 1076 and the Duke of Lower Lorraine from 1087. After the fall of Jerusalem in 1099, Godfrey became the first ruler of the Kingdom of Jerusalem. From a series of mezzotint portraits copied from a set of small engravings after Claude Vignon published in the early seventeenth century.
for another in the series see ref. 2880
[Ref: 10488] £230.00 (£276.00 incl.VAT)