Grosvenor Prints

[Man dancing?]
L. Fruÿtiers.
[Antwerp, c.1750.]
Rare etching. 90 x 65mm (3½ x 2½") very large margins.
A grotesque man wearing a comical cowl, hands behind his back, right left stretched forward, sword in his belt. A bouffon. Lodewijk Jozef Fruytiers (1713-82), dean of the Guild of St. Luke in Antwerp in 1753-4.
[Ref: 58451] £160.00 (£192.00 incl.VAT)

Voÿe ma belle mine bien en posture qui ne danseroit avec cette mesure.
L. Fruytiers.
[Antwerp, c.1750.]
Rare etching. 95 x 70mm (3¾ x 2¾") with large margins. Attached to Album sheet at corners.
A grotesque man dancing. A bouffon. Lodewijk Jozef Fruytiers (1713-82), dean of the Guild of St. Luke in Antwerp in 1753-4.
[Ref: 58450] £180.00 (£216.00 incl.VAT)

ick heb pÿy in mÿnen buÿck. Van hcter scÿt botelli [***]
L. Fruÿtiers.
[Antwerp, c.1750.]
Rare etching. 90 x 65mm (3½ x 2½") very large margins. End of title weakly inked. Attached to Album sheet at corners.
A grotesque man carrying a vessel leaking fluid. Lodewijk Jozef Fruytiers (1713-82), dean of the Guild of St. Luke in Antwerp in 1753-4.
[Ref: 58452] £180.00 (£216.00 incl.VAT)

Ian braget is mÿnen naem / tot all dingen ben ick bequam.
L. Fruytiers.
[Antwerp, c.1750.]
Etching. 90 x 65mm (3½ x 2½") very large margins. Mark in margin; attached to album sheet at corners.
A grotesque man playing a guitar. A bouffon. Lodewijk Jozef Fruytiers (1713-82), dean of the Guild of St. Luke in Antwerp in 1753-4.
[Ref: 58449] £180.00 (£216.00 incl.VAT)

Mr. C.B. Fry.
A. Chevallier Tayler 1905 [facsimile signature.]
Gilbt. Whitehead & Co., Ltd., Lith. New Eltham, S.E.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing, foxing along lower edge.
Charles Burgess Fry (1872-1956) the English polymath who was an outstanding sportsman, politician, diplomat, academic, teacher, writer, editor and publisher, but who is best remembered for his career as a cricketer. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
[Ref: 26515] £160.00 (£192.00 incl.VAT)

[Elizabeth Fry.] From a Portrait by M.rs Charles Pearson, with her kind permission. My attached and obliged friend Eliz.th Fry [facsimile signature].
Engraved by J.J. Hinchliff.
Sam.l Harris & Co, 5, Bishopsgate Street, Without, E.C. [n.d., c.1847.]
Mezzotint. 280 x 170mm (11 x 6¾"), with large margins. Bit dusty.
Elizabeth Fry (1780-1845), penal reformer and philanthropist. This portrait was also used as the frontispiece to volume II of 'Memoir of the Life of Elizabeth Fry, with Extracts from her Journal and Letters, Edited by Two of her Daughters', 1847.
[Ref: 61270] £80.00 (£96.00 incl.VAT)

Elizabeth Fry [signature in pencil.]
[n.d. c.1820.]
Lithograph. 235 x 211mm. Cut to image.
Elizabeth Fry (née Gurney) (1780-1845) was an English prison reformer, social reformer and, as a Quaker, a Christian philanthropist. Fry was a major driving force behind new legislation to make the treatment of prisoners more humane, and she was supported in her efforts by the reigning monarch. Since 2002, she has been depicted on the Bank of England £5 note. In 1817 she helped found the Association for the Reformation of the Female Prisoners in Newgate. This led to the eventual creation of the British Ladies' Society for Promoting the Reformation of Female Prisoners, widely described by biographers and historians as constituting the first "nationwide" women's organization in Britain. Fry became well known in society. Some people criticized her for having such an influential role as a woman. Others alleged that she was neglecting her duties as a wife and mother in order to conduct her humanitarian work. One admirer was Queen Victoria, who granted her an audience a few times and contributed money to her cause.
[Ref: 12559] £75.00 (£90.00 incl.VAT)

[Dr. Fryer.]
R. White ad vivum delin et sculpsit.
[n.d., 1698.]
Engraving. 230 x 165mm, 9 x 6½". Trimmed.
The frontis. portrait from Dr Fryer's travel book, 'A new account of East India and Persia'.
[Ref: 15081] £160.00 (£192.00 incl.VAT)

[Augusta Fuchs] Quadrilles. From Auber's Celebrated Opera, Le Dieu et la Bayadére._ Respectfully dedicated to Mad.lle Augusta, by S.M.
N. Currier's Lith. N.Y.
New York. Published by James L. Hewitt & Co, 239 Broadway. [n.d., c.1840.]
Rare lithograph. Sheet 340 x 255mm (13½ x 10"). With music-seller's ink stamp, mount burn.
A music cover with a portrait of Mademoiselle Augusta (Caroline Augusta Josephine Thérèse Fuchs, 1806-1901) en pointe. Born in France, she debuted in London in 1833, toured America with great success, starring in 'Le Dieu et la Bayadére' in 1836, 'La Sylphide' in 1838 and 'Giselle' in 1858. On her marriage she became Comtesse de Saint-James and died at the age of 95.
[Ref: 53233] £230.00 (£276.00 incl.VAT)

Vista de la Fuente del Cisne. En el Rl. Sitio de Aranjuez.
F. Brambilla lo pintó. Asselineau lo lithogó
J. de Madrazo lo dirigió. Estda. En el Re. Esto. Litho. De Madrid. [n.d. c.1845.]
Lithograph. Lithographers Stamp. 610 x 451mm. 24 x 17¾". Some water staining.
Los Jardines de Aranjuez: a series of woods and parks beautifully landscapes and ornamented with numerous fountains and statues. This particular fountian, a work of Joaquin Dumandre and inspired by Palacio Real de La Granja de San Ildefonso, presents a boulder on which stand two boys of marble grabbing a swan. Resotred in 2009 having been destroyed and left unattended after the War of Spanish Independence.
[Ref: 15156] £240.00 (£288.00 incl.VAT)

Fulham.
Thos: Preist Pinx: et Sculp:
Publish'd According to Act of Parliament September 25. 1738.
Etching. 255 x 370mm (10 x 14½"). Margin trimmed.
View of Fulham showing All Saints Church, the wooden Putney Bridge over the River Thames, and figures including a ferryman on his boat in the foreground. Numbered '4' lower right.
Guildhall Library Record: 23145.
[Ref: 11482] £220.00 (£264.00 incl.VAT)

Fulham.
Thos: Preist Pinx: et Sculp:
Publish'd According to Act of Parliament September 25. 1738.
Etching. 255 x 370mm (10 x 14½"), large margins. Some staining at bottom.
View of Fulham showing All Saints Church, the wooden Putney Bridge over the River Thames, and figures including a ferryman on his boat in the foreground. Numbered '4' lower right.
Guildhall Library Record: 23145.
[Ref: 64151] £260.00 (£312.00 incl.VAT)

A View Near Fulham.
T. Thornton, Pinxit. Hassell, Sc.
[n.d., c.1800.]
Etching and aquatint in sepia, sheet 225 x 275mm. 9 x 10¾". Trimmed to plate, publication line and part of title missing.
View of the timber-built Putney Bridge, replaced 1886, also showing the River Thames and All Saints in Fulham. A rare and fine aquatint.
Guildhall Library Record: 23148.
[Ref: 8725] £220.00 (£264.00 incl.VAT)

[Fulham & Battersea.] London. Sheet C. Edition of 1894-96.
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1897.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stencilled sheet number and mss. notes. Laid on linen.
A large-scale plan (1/2500) of Fulham & Battersea, with the junction of New King's Road with Wandsworth Bridge Road, Wandsworth Bridge itself, York Road extending to Battersea Bridge Road with part of Battersea Park.. This sheet has been used to record the property of the Port of London Authority.
From the Port of London Authority archives.
[Ref: 10994] £360.00

Fulham Church.
E.H. Browne, Architect, 13 Beaufort Buildings. March 7th 1838. G.Hawkins Jun.r. Lith. _ Day & Hague Lith.rs to the Queen.
Lithograph. Printed area 340 x 480mm, 13½ x 19". Centre fold, as issued, some spotting to edges.
Elevations and ground plans of the existing All Saints Church Fulham and the proposed enlargement. The plan had to maintain the tower, which dates back to 1440.
[Ref: 9244] £220.00 (£264.00 incl.VAT)

A View of Fulham Church from the Bridge. La Veüe de l'Eglise de Fulham representée de Pont.
Printed for and Sold by Henry Overton at the White Horse without Newgate, London. [n.d., c.1750.]
Hand-coloured engraving. Sheet: 260 x 400mm (10¼ x 15¾''). Trimmed within plate, mount burn.
A fine view of Fulham from the south showing All Saints Church in the distance and the old wooden toll bridge spanning the Thames from Putney to Fulham.
[Ref: 50553] £360.00

Fulham, from the White Lion Putney. No.4.
J. Dillon, del. R. Laurie sculpsit.
Publish'd Feb.y 24.th 1783, by John Harris, Sweetings Alley, Cornhill, London.
Coloured aquatint with etching. Image area 228 x 316mm (9 x 12½"). Crease in centre; paper tone.
Rare view of Fulham from the White Lion Inn, Putney. Boats and horses can be seen waiting by the shore of the River Thames in the foreground.
[Ref: 28920] £260.00 (£312.00 incl.VAT)

Fulham, from the White Lion Putney. No.4.
J. Dillon, del. R. Laurie sculpsit.
Publish'd Feb.y 24.th 1783, by John Harris, Sweetings Alley, Cornhill, London.
Hand-coloured aquatint with etching, 18th century watermark. 255 x 355mm (10 x 14"). Small hole repaired, some spotting.
Rare view of Fulham from the White Lion Inn, Putney. Boats and horses can be seen waiting by the shore of the River Thames in the foreground.
[Ref: 64152] £240.00 (£288.00 incl.VAT)

[The Fully Licensed Man.]
S. Van Abbé A.R.E [signed in pencil.]
[n.d, 1923.]
Signed etching, 38/100 Limited. 272 x 270mm. Surface scratch in the plate.
A cigar-smoking publican at the bar with a glass of stout, Salomon van Abbe (Dutch, 1883-1972). Born in Amsterdam, he came to England as a child. Studied in London and was elected Associate of the Royal Society of Painter Etchers and Exhibited at the Salon, Royal Academy.
[Ref: 6249] £250.00 (£300.00 incl.VAT)

He_He_He_ I Loves Fun. 390
Printed for & Sold by Bowles & Carver, No.69 St. Paul's Church Yard, London. [n.d., 1790].
Hand coloured mezzotint with small margins. Platemark: 150 x 110mm (6 x 4¼"). Light horizintal crease.
A boy shown half-length with his back to the viewer and turned to right, grinning back over his shoulder at the viewer and holding up a mouse; in an oval with margins.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 33008] £120.00 (£144.00 incl.VAT)

Fun Box.
[n.d. c.1880.]
Wood engraving. 197 x 146mm. 7¾ x 5¾".
Inside a tavern, three men look-on at a wicker box that springs open with a small black boy inside; underneath the table a cat, with a lionesque head.
[Ref: 21023] £45.00 (£54.00 incl.VAT)

Funchal. From the Anchorage
Drawn on Stone by W. Westall, A.R.A. From a Sketch by J.B.
Printed by Engelmann Graf Coindet & Co. [1827]
Lithograph, printed area 240 x 305mm (9½ x 12").
A view of the city of Funchal, the largest city and capital of the island of Madeira. Plate from the scarce volume 'Views in the Madeiras executed on Stone' (1827) by the Rev James Bulwer (1794-1879), antiquary and amateur watercolourist (he was taught by John Sell Cotman while at Cambridge). This lithograph was made by the well-known William Westall (1781-1850), who unlike many printmakers working from travellers' topographical views, had visited Madeira himself (in 1801 and 1805).
Not in Abbey
[Ref: 43171] £260.00 (£312.00 incl.VAT)

[Funeral Invitation.] Regina de Papp nata Contessa Abriani, dà parte con sommo cordoglio della dolorosa perdita dell'amatissimo suo Consorte, S.E. Il Tenente Maresciallo Cav. Francesco Papp de Vrakzna, passato agli eterni riposi quest' oggi alle ore 2 pomeridiane, dopo penosa malattia, nell' età di anni 62, munito di tutti i SS. Sacramenti. La tumulazione delle spoglie mortali segiurà dopo domani, Mercoledi 9 corrente, alle ore 3 pomeridiane. La Vedova dolente, pregna di essere dispensata da visite di condoglianza. Trieste, il di 7 Marzo 1836.
[1836.]
Scarce letterpress with decorative border. 140 x 210mm (5½ x 8¼'').
A funeral invitation to the memorial of Lieutenant Marshall Cav. Francesco Papp de Vrakzna who died aged 62 after a hard illness. ''The burial is to be held on Wednesday 9th March 1836''. The border is decorated with symbols of death such as hour glasses, skeletons, scyths and urns.
[Ref: 49578] £130.00 (£156.00 incl.VAT)

[Funeral of Fancesco de' Medici.]
Al. Parigi In. Stef. della bella Fe,
[n.d., 1637.]
Etcching. Sheet 395 x 210mm (15½ x 8¼"). Trimmed to image.
A view of the interior of the church of San Lorenzo in Florence during the funeral of Francesco de' Medici in 1634, with the Medici arms above and funerary decoration along the nave, including a skeleton on each pillar. Etched by Stefano Della Bella (1610-64) after Alfonso Parigi (1606-56).
BM 1874,0808.1398.
[Ref: 65560] £260.00 (£312.00 incl.VAT)

To the Right Honourable John Earl of Rothes, &.ca these plate exhibiting the Funeral Solemnities observed at the Interment of his Grace John Duke of Rothes Lord High Chancelor of Scotland 23 of August 1681, are respectfully inscribed by his Lordship's most obedient & Devoted humble servant, Thomas Summers.
[Etched by Johann Sebastian Muller.]
[Privately printed for Thomas Summers, 1769.]
Four etched plates. Each c.. 490 x 600mm (19¼ x 23½") very large margins. Damaged, some staining. Tatty.
A panorama of the state funeral procession of John Leslie (c.1630-1681), first (and last) Duke of Rothes. An elaborate affair, it stretched over seventeen miles, with regiments of ceremonial guards, soldiers, banners, trumpets, heralds and coaches. The cost ruined the family finances forever.
[Ref: 49513] £650.00 view all images for this item

O Death, where is thy Sting? / O Grave, where is thy Victory?
Dent sculp, Ball Alley, Lombard Street.
Furnish'd by Henry Rutt No 165 Fenchurch Street London [n.d., c.1770].
Engraved funeral ticket, filled in with old ink mss, in ink bottom left "Mr. Cox". In centre in ink "You are desired to attend the funeral of Mr In.o Cater from No 3 Watling Street to Stains in Middlesex on Monday the 5th May to set out at six o'clock in the morning precisely". 175 x 190mm (7 x 7½"), wax seal on right margin, large margins. Corners of margin snipped, slight soiling, laid on album paper.
A funeral ticket, engraved by Thomas Dent after a watchpaper engraved by William Woollett for Robert Sanderson. It depicts a large stone plinth inscribed at the base with a Biblical quotation, on which is Father Time kneeling on the edge of a tomb with a skeleton.
See BM 1873.0809.1480.
[Ref: 58953] £480.00

[A Fairground.]
G.Harrison [pencil signature in image.]
[n.d., c.1930.]
Coloured lithograph. Printed area 430 x 385mm (17 x 15"). Edges chipped.
A fairground with a carousel and helter-skelter, by Yorkshire artist George Harrison (1882-1936)
[Ref: 67672] £120.00 (£144.00 incl.VAT)

[Head of a Turk wearing a veil]
Tho. Worlidge Fecit 1751
Etching, platemark 195 x 145mm (7½ x 5¼"). Good impression; very large margins; faint crease through upper image.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced (in which this plate was listed as 'Large Turk's head, with a veil). Lifetime impression before the number '62' was added in top right.
State i/iii; W62; D219; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32868] £220.00 (£264.00 incl.VAT)

[Head of a Turk wearing a veil]
Tho. Worlidge Fecit 1751.
Etching, platemark 195 x 145mm (7½ x 5¼"). Good impression; large margins; slight staining.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced (in which this plate was listed as 'Large Turk's head, with a veil). Lifetime impression before the number '62' was added in top right.
State ii/iii; W62; D219; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32869] £140.00 (£168.00 incl.VAT)

[Man in fur-trimmed gown.]
Etched by T. Worlidge.
Etching with aquatint, sheet 160 x 125mm (6¼ x 5"). Trimmed inside platemark.
Interesting posthumous impression of an etching by Thomas Worlidge (1700-66). Worlidge etched this plate in 1751 without aquatint, which had not been used in England at the time. After Worlidge's death, his plates were sold at auction and Robert Pollard published this impression in 1790, presumably after having the aquatint added to capitalise on the widespread use of the medium in the late 18th century. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with the numbers in the corners, but very few impressions were issued and sold by Worlidge during his lifetime.
for the first state of this print see ref. 32591. W 121; D 205. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32568] £95.00 (£114.00 incl.VAT)

[Man in fur-trimmed gown]
Tho.s Worlidge 1751
Etching, with large margins; sheet 165 x 125mm (6¼ x 5").
Excellent early impression of an etching by Thomas Worlidge (1700-66). After Worlidge's death, his plates were sold at auction and Robert Pollard re-published this print in 1790 after having aquatint added to the plate. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W121; D205 I B. Ex: collection of the Late Hon. C. Lennox-Boyd; for the later state with aquatint see ref. 32568.
[Ref: 32591] £140.00 (£168.00 incl.VAT)

Home on a Furlough. To the Loyal Mothers, Wives and Daughters, of our Country This Engraving is Respectfully Dedicated.
From the Original design by C. Schussele. Engraved by John Sartain, Phil.a.
Bradley & Co. Publishers, 66 N. Fourth St. Philadelphia,
Mezzotint. Sheet 355 x 455mm (14 x 18"). Tears in edges.
A Union soldier is greeted by his family during a break in fighting in the American Civil War. Christian Schussele (1824-79), a German-born artist, is credited with designing the American Medal of Honor.
[Ref: 59780] £260.00 (£312.00 incl.VAT)

[Azores] Vista das Caldeiras Sulfuricas No Val das Furnas Na Ilha De S. Miguel. Tirada por detraz das caza dos Banhos do Exmo. Snr Barao das Larangeiras.
[n.d. c.1830.]
Lithograph. 286 x 400mm. 11¼ x 15¾". Title area cut. Cut.
A view of the sulphuric steam in the Furnas Valley, a hot bed of volcanic activity, with thermal springs and boiling mud.
[Ref: 16092] £160.00 (£192.00 incl.VAT)

[Papier mâché manufacturers] Jennens & Bettridge, Manufacturers, London & Birmingham. Birmingham Exposition of Arts and Manufactures, 1849.
T. Underwood Lith. High S.t Birm.m.
[Birmingham, 1849.]
Tinted lithograph. Sheet 275 x 380mm (10¾ x 15").
A display of ornate furnishings at the Birmingham Exposition of Arts and Manufactures, a precursor of the Great Exhibition of 1851, published in the exhibition brochure. Jennens and Bettridge (fl. 1815-64) produced quality papier-mâché wares, expaning from Birmingham to Belgravia, Paris and New York.
[Ref: 63036] £85.00 (£102.00 incl.VAT)

Hewetson, Milner & Thexton LTED. House Furnishers 200, 203, 204, 211, 212, 213, 214, 215 Tottenham Ct. Road London. W.
[n.d., c.1890.]
A brass nameplate. Size: 25 x 70mm (1 x 2¾").
A small oval brass plate with the details of Hewetson, Milner & Thexton Ltd, House Furnishers, Tottenham Court Road, London. These makers nameplates were attached to furniture and fittings made during the nineteenth century.
[Ref: 37820] £95.00 (£114.00 incl.VAT)

Furniture for an Artist's, or Amateur's Apartment. Plate 3. Vol. XIV.
No.79, of Ackermann's Repository of Arts &c. Pub. July 1. 1815, at 101 Strand, London.
Hand-coloured aquatint. Sheet: 150 x 240mm (6 x 9½''), with Whatman 1814 watermark. Trimmed.
A print showing a mount rack, desk with a display stand and a chair.
[Ref: 49363] £75.00 (£90.00 incl.VAT)

De Kuyp aen Duygen [Door 't vervoeren van den Prins Willem van Furstenberg...]
[Romeyn de Hooghe.]
[n.d. c.1674.]
Etching. 245 x 330mm. 9¾ x 13". Cut and laid on album sheet.
Image to a Dutch broadside on the abduction of Prince Wilhelm Egon von Fürstenberg in Cologne on 16 February 1674, showing the attack on his coach by night; at the top of the print a banner with an allegorical depiction of Louis XIV's ambitions for political domination shown as a barrel being constructed around a globe. William Egon von Fürstenberg (1629-1704), the German clergyman who was bishop of Strasbourg. He served as political adviser and intriguer on behalf of Louis XIV and his ally Maximilian Heinrich von Bayern, Archbishop-elector of Cologne. Furstenberg began his career as Colonel in the French army during the Thirty Years' War, subsequently serving Maximilian Heinrich. In 1664 he was made Prince of the Holy Roman Empire, however ten years later in February of 1674 he was abducted while at the peace congress in Cologne and imprisoned by the Emperor in Austria for five years.
BM Satires: 1046.
[Ref: 27964] £260.00 (£312.00 incl.VAT)

[Joseph Furttenbach] Vera Effigies Viri Nobilissimi et Prudentissimi Dn. Josephi Furtenbachi, Reipubl. Ulm. Senatoris et Architecti Ingeniosissimi, debiti honoris, et gratitudinis ergo, picta et oblata, ab Andrea Schuch, Pictor. A.º M.D.C.L.I. Ætat 60.
Melchir Küsell fec. [after Andreas Schuch]
[n.d., c.1661.]
Engraving, 17th century watermark. 235 x 150mm (9¼ x 6"). Trimmed to printed border at sides, mounted in album paper.
A three-quarter portrait of Joseph Furttenbach the Elder (1591-1667), a German architect, mathematician, engineer and diarist, who had a particular interest in theatre and stage design. His building designs included a hospital, waterworks system, schoolhouse and theatre.
Collector's stamp of Comte C. W. de Renesse-Breidbach (1776-1833), Belgian soldier and politician on back (Lugt 1209).
[Ref: 62203] £140.00 (£168.00 incl.VAT)

The Furze Cutter.
Painted by J. Barney. Engraved by W. S. Reynolds.
London, published Aug.t 21st, 1799, by S. Morgan. No.22 Margaret Street, Cavendish Square.
Mezzotint and etching with large margins. Platemark: 640 x 445mm. (25¼ x 17½").
An agricultural worker holding a bill-hook and carrying a bundle of furze on his back; after Joseph Barney (1751 - 1829). Joseph Barney studied with Angelica Kauffmann and Antonio Zucchi, assisted Matthew Boulton at Wolverhapton in finishing mechanical paintings, exhibited at the Royal Academy and British Institute, and became Drawing Master at Royal Military Academy, Woolwich. Unusually, the engraver Samuel William Reynolds' initials have been inscribed incorrectly (as 'W.S. Reynolds')!
From the Oettingen-Wallerstein Collection; Whitman: 327
[Ref: 28393] £220.00 (£264.00 incl.VAT)

Michael Fuscareno Senator Venetus Obÿt 1692 Ætat: suæ LX. Quæsitor, Sapiens, Fastorum Conditor Urbem Iuuit, et Imperium Legibus, Ore, Sytlo.
[n.d., c.1693.]
Engraving, 17th century watermark. 190 x 145mm (7½ x 5¾"), with large margins set in Italian letterpress. Creased.
A portrait of a Venetian senator from Vincenzo Coronelli's 'Atlante Veneto: Isolario descrittione geografico-historia'.
[Ref: 62470] £140.00 (£168.00 incl.VAT)

Henry Fuseli Esqr. R.A.
Engraved by Evans from a Miniature Picture Painted by Moses Haughton.
Published as the Act directs March 1, 1808, by Moses Haughton, Royal Academy, Somerset House.
Stipple, 290 x 205mm. 11½ x 8". Some foxng.
Henry Fuseli (1741 - 1825), Swiss painter of heroic, literary and surreal themes who first came to London in 1764. He became professor of Painting (1799-1805) and then Keeper (1804-25) at the Royal Academy, where he taught a whole generation of artists, including Constable, Haydon and Lawrence. His inclination towards the fantastic was given scope in his paintings for Boydell's Shakespeare Gallery. After Moses Haughton the elder (1734 - 1804).
[Ref: 13574] £160.00 (£192.00 incl.VAT)

Henry Fuseli Esqr. R.A. [Extract from Homer in Greek below].
Engraved by J. Holloway after a drawing by T. Lawrence._ R.A._
Published as the Act directs by T. Holloway and the other Proprietors Octr. 28th. 1796.
Etching. 273 x 210mm. Trimmed to platemark lower right corner. Some foxing/staining.
Henry Fuseli [1741 - 1825], Swiss painter of heroic, literary and surreal themes who first came to London in 1764. He became professor of Painting (1799-1805) and then Keeper (1804-25) at the Royal Academy, where he taught a whole generation of artists, including Constable, Haydon and Lawrence. His inclination towards the fantastic was given scope in his paintings for Boydell's Shakespeare Gallery.
[Ref: 3770] £65.00 (£78.00 incl.VAT)

Ascent of Fusiyama.
G. J. Gower, del.t. Hanhart, lith.
[n.d., c.1870.]
Chromolithograph. Sheet: 210 x 125mm (8¼ x 5").
A view of climbers walking up the sacred mountain of Fusiyama in Japan.
[Ref: 47888] £65.00 (£78.00 incl.VAT)

[Fuzhou] Fû chew fû, or Hoksyew, Capital of Fo Kyen, from Montanus.
[London: Henry Lintot, 1744.]
Engraving. Plate 220 x 340mm (8¾ x 13½") very large margins. Some nicks to the margins.
Fuzhou, Fujian province. From 'A Collection of Voyages and Travels by Philip Baldaeus, accompanying The True & Exact Description of the Most Celebrated East'.
[Ref: 53067] £230.00 (£276.00 incl.VAT)

[Bridge connecting Fuzhou and Nantai Island, China] Die große Siesische Brücke zwischen der Haupt-Statt Focheu und deren Borstatt Nantai [...]
J.B.F. v. E. del.
Cum Priv. Suc. Cae. Mai: [Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to margins only.
Early bridge in China's Fujian province. Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
[Ref: 33407] £480.00

Great fall of the Fynach.
J. Smith del.t. J.C. Stadler Sculp.t.
[London: Pub.d Jan.y 1st 1809 by J. White, Fleet Street] [but later]
Coloured aquatint with small margins. 400 x 550mm (15¾ x 21¾"). Stained, edges chipped.
One of thirteen plates in James Edward Smith's 'A Tour to Hafod, in Cardiganshire: the Seat of Thomas Johnes, Esq', with views by John Smith.
Abbey: Scenery 533.
[Ref: 30829] £300.00

Fetiche Dance, Cape Lopez.
On Stone by T.M. Baynes from a Drawing by T. Boteler.
Printed by C. Hullmandel [n.d., c.1825].
Lithograph, sheet 135 x 190mm. Light spotting to right. Tear outside image upper left.
Cape Lopez is a 55 km-long peninsula on the coast of west central Africa, in the country of Gabon
[Ref: 7522] £130.00 (£156.00 incl.VAT)

Gabriella di Vergy. Ballo Gabriella di Vergy. Cost. Francesi No.5.
Milano presso l'incisore Stucchi. [n.d. c.1830.]
Coloured aquatint. Plate 236 x 171mm (9¼ x 6¾").
Costume for Gabriella di Vergy, an opera seria in two acts by Donizetti, written in 1826 and revised in 1838. After Donizetti's death, his Gabriella di Vergy finally received its first performance on 29 November 1869 at the Teatro San Carlo in Naples with the title of Gabriella.
[Ref: 52452] £65.00 (£78.00 incl.VAT)

Johannes Gadburgus. [Greek lettering] Natus Comitat Oxon: xbris? Anno 93. Demo? Aetatis Suae : 16?
[n.d. c.1660].
Engraving. 80 x 120mm. Trimmed to plate.
John Gadbury, astrologer [1627 - 1704].
Not in BM.
[Ref: 3471] £120.00 (£144.00 incl.VAT)

Johannes Gadburgus. Natus Comitat Oxon: xbris: 31. Annos Com: 1627. Aetatis Suae: 48.
[Anon., c.1675.]
Engraving, frontispiece, sheet 125 x 80mm. 5 x 3¼". Trimmed to plate.
John Gadbury (1627 - 1704), astrologer.
Wellcome: 1065.
[Ref: 13980] £60.00 (£72.00 incl.VAT)

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