A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Mr. H.K. Foster.
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing.
Harry Knollys Foster, MBE (1873-1950) the English cricketer who played for both Oxford University and Worcestershire. Unlike his brother, Reginald Erskine Foster, Harry did not play Test match cricket, but he led the amateur side in both Gentlemen v Players matches in 1910, and was named Wisden Cricketer of the Year in 1911. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
See Ref: 26508 for Reginald Erskine Foster.
[Ref: 26511] £130.00 (£156.00 incl.VAT)
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing.
Harry Knollys Foster, MBE (1873-1950) the English cricketer who played for both Oxford University and Worcestershire. Unlike his brother, Reginald Erskine Foster, Harry did not play Test match cricket, but he led the amateur side in both Gentlemen v Players matches in 1910, and was named Wisden Cricketer of the Year in 1911. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
See Ref: 26508 for Reginald Erskine Foster.
[Ref: 26511] £130.00 (£156.00 incl.VAT)
James Foster. D.D.
J. Wills Pinx.t. Van Bleek fecit.
London. Printed for John Bowles at the Black Horse in Cornhill. [n.d., c.1745.]
Fine mezzotint. 355 x 250mm (14 x 9¾"). Small margins.
James Foster (1697-1753), nonconformist Baptist minister.
CS 4 ii of ii.
[Ref: 44188] £230.00 (£276.00 incl.VAT)
J. Wills Pinx.t. Van Bleek fecit.
London. Printed for John Bowles at the Black Horse in Cornhill. [n.d., c.1745.]
Fine mezzotint. 355 x 250mm (14 x 9¾"). Small margins.
James Foster (1697-1753), nonconformist Baptist minister.
CS 4 ii of ii.
[Ref: 44188] £230.00 (£276.00 incl.VAT)
The Reverend James Foster. D.D.
Engrav'd from an Original Painting of Will.m Smith, by S.F. Ravenet.
Publish'd January 28th. 1752, by J. Payne and J. Bouquet in Paternoster Row.
Fine engraving. 222 x 152mm. 8¾ x 6". Very large margins.
James Foster (1697-1753) was an English Baptist minister; he was a nonconformist. He attended Joseph Hallett's Presbyterian academy where he met other radicals, including Hubert Stogdon, and achieved a reputation for rejecting human authority in matters of religious controversy, belief, and practical piety, privileging what he believed to be the indubitable consequences of reason and argument over passive faith and received wisdom.
Ex Collection Norman Blackburn. NPG: D18809.
[Ref: 19087] £120.00 (£144.00 incl.VAT)
Engrav'd from an Original Painting of Will.m Smith, by S.F. Ravenet.
Publish'd January 28th. 1752, by J. Payne and J. Bouquet in Paternoster Row.
Fine engraving. 222 x 152mm. 8¾ x 6". Very large margins.
James Foster (1697-1753) was an English Baptist minister; he was a nonconformist. He attended Joseph Hallett's Presbyterian academy where he met other radicals, including Hubert Stogdon, and achieved a reputation for rejecting human authority in matters of religious controversy, belief, and practical piety, privileging what he believed to be the indubitable consequences of reason and argument over passive faith and received wisdom.
Ex Collection Norman Blackburn. NPG: D18809.
[Ref: 19087] £120.00 (£144.00 incl.VAT)
Mr. R.E. Foster.
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing.
Reginald Erskine Foster (1878-1914) the English cricketer and football player. He was the only man to have captained England at both sports. He played for both Worcestershire and England, and in 1903 he scored 287 on Test debut, setting a world record for the highest Test score. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
See Ref: 26511 for Harry Knollys Foster.
[Ref: 26508] £140.00 (£168.00 incl.VAT)
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing.
Reginald Erskine Foster (1878-1914) the English cricketer and football player. He was the only man to have captained England at both sports. He played for both Worcestershire and England, and in 1903 he scored 287 on Test debut, setting a world record for the highest Test score. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
See Ref: 26511 for Harry Knollys Foster.
[Ref: 26508] £140.00 (£168.00 incl.VAT)
John Fothergill M.D. F.R.S. Cui suas artes, sua dona laetus Et herbam et Venae salientis ictum Scire concessit, celerem et medendi Delius usum. From a Bust in the Possession of Dr. Lettsom.
R.d Livesay pinx. F. Bartolozzi sculp.
[n.d. c.1790.]
Rare stipple. 197 x 120mm. 7¾ x 4¾".
Dr John Fothergill (1712-1780) was an English physician, plant collector, philanthropist and Quaker. A great friend of Benjamin Franklin, he helped to advance the interests of the Pennsylvania Hospital in England. In 1762 he sent anatomical drawings and anatomical casts of a pregnant woman to the hospital, which were greatly admired by medical students and the public, in addition to donating the first book to the hospital library.
De Vesme: 813, iii/iii. W: 1016-5.
[Ref: 24569] £160.00 (£192.00 incl.VAT)
R.d Livesay pinx. F. Bartolozzi sculp.
[n.d. c.1790.]
Rare stipple. 197 x 120mm. 7¾ x 4¾".
Dr John Fothergill (1712-1780) was an English physician, plant collector, philanthropist and Quaker. A great friend of Benjamin Franklin, he helped to advance the interests of the Pennsylvania Hospital in England. In 1762 he sent anatomical drawings and anatomical casts of a pregnant woman to the hospital, which were greatly admired by medical students and the public, in addition to donating the first book to the hospital library.
De Vesme: 813, iii/iii. W: 1016-5.
[Ref: 24569] £160.00 (£192.00 incl.VAT)
John Fothergill M.D. F.R.S.
R.d. Livesay pinx. F.Bartolozzi sculp.
[n.d., c.1800.] From a Bust in the Possession of Dr Lettsom.
Stipple engraving. Sheet 200 x 120mm (8 x 4¾"). Trimmed.
Portrait of John Fothergill FRS (1712 - 1780), English physician, plant collector, philanthropist and Quaker. His medical writings were influential, and he built up a sizeable botanic garden in what is now West Ham Park in London.
[Ref: 68234] £90.00 (£108.00 incl.VAT)
R.d. Livesay pinx. F.Bartolozzi sculp.
[n.d., c.1800.] From a Bust in the Possession of Dr Lettsom.
Stipple engraving. Sheet 200 x 120mm (8 x 4¾"). Trimmed.
Portrait of John Fothergill FRS (1712 - 1780), English physician, plant collector, philanthropist and Quaker. His medical writings were influential, and he built up a sizeable botanic garden in what is now West Ham Park in London.
[Ref: 68234] £90.00 (£108.00 incl.VAT)
John Fothergill. M.D: F.R.S: S.A.~
Painted by G. Stuart Engraved by V. Green, Mezzotinto Engraver to his Majesty and to the Elector Palatine.
Publish'd June 1st, 1781. by G. Stuart and V. Green No. 29_Newman Stret, Oxford Street.
Mezzotint. 355 x 250mm (15 x 9¾"), with large margins. Restoration in bottom right margin.
A half-length portrait of Quaker Dr John Fothergill FRS (1712-80), leafing through a botanical book. Fothergill was a physician, plant collector and philanthropist based in London. A great friend of Benjamin Franklin, he helped to advance the interests of the Pennsylvania Hospital in England. In 1762 he sent anatomical drawings and anatomical casts of a pregnant woman to the hospital, which were greatly admired by medical students and the public, in addition to donating the first book to the hospital library. Franklin said of him: 'I can hardly concieve that a better man ever existed'. After Gabriel Stuart.
Whitman 108 ii; CS 45 ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Wellcome: 1016-1
[Ref: 65646] £390.00
Painted by G. Stuart Engraved by V. Green, Mezzotinto Engraver to his Majesty and to the Elector Palatine.
Publish'd June 1st, 1781. by G. Stuart and V. Green No. 29_Newman Stret, Oxford Street.
Mezzotint. 355 x 250mm (15 x 9¾"), with large margins. Restoration in bottom right margin.
A half-length portrait of Quaker Dr John Fothergill FRS (1712-80), leafing through a botanical book. Fothergill was a physician, plant collector and philanthropist based in London. A great friend of Benjamin Franklin, he helped to advance the interests of the Pennsylvania Hospital in England. In 1762 he sent anatomical drawings and anatomical casts of a pregnant woman to the hospital, which were greatly admired by medical students and the public, in addition to donating the first book to the hospital library. Franklin said of him: 'I can hardly concieve that a better man ever existed'. After Gabriel Stuart.
Whitman 108 ii; CS 45 ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Wellcome: 1016-1
[Ref: 65646] £390.00
![[John Fothergill.]](jpegs/9096.jpg)
[John Fothergill.]
Published as the Act Directs by Rob.t Stewart Near Great Turnstile Holborn January ye 27 1781.
Mezzotint, scratched letter proof before title, image 250 x 215mm (9¾ x 8½"). Trimmed. Two creases through image.
Dr. John Fothergill FRS (1712-80), physician, plant collector, philanthropist and Quaker, based in London. A great friend of Benjamin Franklin, he helped to advance the interests of the Pennsylvania Hospital in England. In 1762 he sent anatomical drawings and anatomical casts of a pregnant woman to the hospital, which were greatly admired by medical students and the public, in addition to donating the first book to the hospital library. Franklin said of him: 'I cana harldy concieve that a better man ever existed.' By Robert Stewart (1776 - 1786; fl), London mezzotinter and publisher.
Not in BM. Chaloner Smith: undescribed.
[Ref: 9096] £360.00
Published as the Act Directs by Rob.t Stewart Near Great Turnstile Holborn January ye 27 1781.
Mezzotint, scratched letter proof before title, image 250 x 215mm (9¾ x 8½"). Trimmed. Two creases through image.
Dr. John Fothergill FRS (1712-80), physician, plant collector, philanthropist and Quaker, based in London. A great friend of Benjamin Franklin, he helped to advance the interests of the Pennsylvania Hospital in England. In 1762 he sent anatomical drawings and anatomical casts of a pregnant woman to the hospital, which were greatly admired by medical students and the public, in addition to donating the first book to the hospital library. Franklin said of him: 'I cana harldy concieve that a better man ever existed.' By Robert Stewart (1776 - 1786; fl), London mezzotinter and publisher.
Not in BM. Chaloner Smith: undescribed.
[Ref: 9096] £360.00
![[Henry Foubert] Major Foubert.](jpegs/68578.jpg)
[Henry Foubert] Major Foubert.
T. Hudson Pinx.t. J. Faber fecit 1740.
Mezzotint. 325 x 225mm (12¾ x 8¾"). Trimmed to plate, repair in inscription area.
A half-length portrait in oval of Major Henry Foubert (d.1743), in white wig and breastplate under his jacket. Arriving in England in 1669 as a Huguenot refugee with his father Solomon, Foubert fought with the Duke of Schomberg at the Battle of the Boyne and was promoted to major for bravery. He is identified in the key of Jan Wyck's view of the battle. When Solomon Foubert died, Henry took over his riding academy, teaching the princes. It is near to 'Foubert's Place', a walkway between today's Carnaby Street and Regent Street.
CS 137. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68578] £190.00 (£228.00 incl.VAT)
T. Hudson Pinx.t. J. Faber fecit 1740.
Mezzotint. 325 x 225mm (12¾ x 8¾"). Trimmed to plate, repair in inscription area.
A half-length portrait in oval of Major Henry Foubert (d.1743), in white wig and breastplate under his jacket. Arriving in England in 1669 as a Huguenot refugee with his father Solomon, Foubert fought with the Duke of Schomberg at the Battle of the Boyne and was promoted to major for bravery. He is identified in the key of Jan Wyck's view of the battle. When Solomon Foubert died, Henry took over his riding academy, teaching the princes. It is near to 'Foubert's Place', a walkway between today's Carnaby Street and Regent Street.
CS 137. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68578] £190.00 (£228.00 incl.VAT)
![[Henry Foubert] Major Foubert.](jpegs/68580.jpg)
[Henry Foubert] Major Foubert.
T. Hudson Pinx.t. J. Faber fecit 1740.
Mezzotint. 325 x 225mm (12¾ x 8¾"), large margins Creasing and soiling.
A half-length portrait in oval of Major Henry Foubert (d.1743), in white wig and breastplate under his jacket. Arriving in England in 1769 as a Huguenot refugee with his father Solomon, Foubert fought with the Duke of Schomberg at the Battle of the Boyne and was promoted to major for bravery. He is identified in the key of Jan Wyck's view of the battle. When Solomon Foubert died, Henry took over his riding academy, teaching the princes. It is near to 'Foubert's Place', a walkway between today's Carnaby Street and Regent Street.
CS 137. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68580] £260.00 (£312.00 incl.VAT)
T. Hudson Pinx.t. J. Faber fecit 1740.
Mezzotint. 325 x 225mm (12¾ x 8¾"), large margins Creasing and soiling.
A half-length portrait in oval of Major Henry Foubert (d.1743), in white wig and breastplate under his jacket. Arriving in England in 1769 as a Huguenot refugee with his father Solomon, Foubert fought with the Duke of Schomberg at the Battle of the Boyne and was promoted to major for bravery. He is identified in the key of Jan Wyck's view of the battle. When Solomon Foubert died, Henry took over his riding academy, teaching the princes. It is near to 'Foubert's Place', a walkway between today's Carnaby Street and Regent Street.
CS 137. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68580] £260.00 (£312.00 incl.VAT)
Fought All His Battles O'er Again and Thrice he Slew the Slain.
Mr. Bunbury del: J. Bretherton f.
Publish'd 1st Jany. 1782.
Etching, 275 x 250mm. 10¾ x 9¾". One small closed tear at left; else a fine impression.
Social satire, oval design: an old military officer with a wooden leg describes his campaigns to two cronies. He is seated in a chair (right) in profile, wearing regimentals and sword, his wig with long loosely twisted pigtail queue. He has a wooden leg and holds a map or plan taken from the wall, showing it to a stout man sitting on his right, who looks at it through spectacles. The third man standing behind, his left arm on the back of the soldier's chair, looks over their shoulders at the map. At their feet a small dog lies asleep. Through the open door (left) a man is seen dancing along while he plays a fiddle. After Henry William Bunbury (1750 - 1811).
BM Satires 6139.
[Ref: 21971] £220.00 (£264.00 incl.VAT)
Mr. Bunbury del: J. Bretherton f.
Publish'd 1st Jany. 1782.
Etching, 275 x 250mm. 10¾ x 9¾". One small closed tear at left; else a fine impression.
Social satire, oval design: an old military officer with a wooden leg describes his campaigns to two cronies. He is seated in a chair (right) in profile, wearing regimentals and sword, his wig with long loosely twisted pigtail queue. He has a wooden leg and holds a map or plan taken from the wall, showing it to a stout man sitting on his right, who looks at it through spectacles. The third man standing behind, his left arm on the back of the soldier's chair, looks over their shoulders at the map. At their feet a small dog lies asleep. Through the open door (left) a man is seen dancing along while he plays a fiddle. After Henry William Bunbury (1750 - 1811).
BM Satires 6139.
[Ref: 21971] £220.00 (£264.00 incl.VAT)
Fought All His Battles O'er Again and Thrice he Slew the Slain
Mr. Bunbury Del. J. Bretherton F.
Publish'd 1st Jany. 1782.
Engraving. 250 x 276mm.
BM: 6139.
[Ref: 1037] £160.00 (£192.00 incl.VAT)
Mr. Bunbury Del. J. Bretherton F.
Publish'd 1st Jany. 1782.
Engraving. 250 x 276mm.
BM: 6139.
[Ref: 1037] £160.00 (£192.00 incl.VAT)
The Most Esteemed Method of Curing a Foul Tongue according to Modern Practice! Put a Stout Pitch Plaister over the offending Part when the disorder is at its height, the effect is certain._ it is also a fine relief for the Ears.
[Anon., c.1830]
Rare lithograph with hand-colouring, sheet 220 x 135mm (8¾ x 5¼"). Trimmed to image and text; pasted to album sheet; etching of Calvin verso. Excellent colour.
At a time when satirical prints attacking quack doctors abounded, a simple and effective remedy for logorrhea.
[Ref: 37008] £180.00 (£216.00 incl.VAT)
[Anon., c.1830]
Rare lithograph with hand-colouring, sheet 220 x 135mm (8¾ x 5¼"). Trimmed to image and text; pasted to album sheet; etching of Calvin verso. Excellent colour.
At a time when satirical prints attacking quack doctors abounded, a simple and effective remedy for logorrhea.
[Ref: 37008] £180.00 (£216.00 incl.VAT)
![[Portraits of the founders of the colleges of Oxford & Cambridge.]](jpegs/60845.jpg)
[Portraits of the founders of the colleges of Oxford & Cambridge.]
London. Pub.d for Ackermann's History of Cambridge [& Oxford] [n.d., c.1815].
Folio, contemporary half calf with marbled boards, all edges gilt; 49 aquatints with etching, all in superb original hand colour, interleaved with tissue. A few plates on paper watermarked 'J Whatman 1812'. Binding worn, some prints offet on guards but plates unusually clean.
A complete and matching set of the founder's portraits from the 'History of the University of Cambridge' (16 plates) and 'History of the University of Oxford' (33), published 1814 & 1815. Very unusual to find both universities bound together. None of the plates are dated, as usual.
See Abbey Scenery 79 & 278 for the complete Histories.
[Ref: 60845] £750.00 view all images for this item
London. Pub.d for Ackermann's History of Cambridge [& Oxford] [n.d., c.1815].
Folio, contemporary half calf with marbled boards, all edges gilt; 49 aquatints with etching, all in superb original hand colour, interleaved with tissue. A few plates on paper watermarked 'J Whatman 1812'. Binding worn, some prints offet on guards but plates unusually clean.
A complete and matching set of the founder's portraits from the 'History of the University of Cambridge' (16 plates) and 'History of the University of Oxford' (33), published 1814 & 1815. Very unusual to find both universities bound together. None of the plates are dated, as usual.
See Abbey Scenery 79 & 278 for the complete Histories.
[Ref: 60845] £750.00 view all images for this item
![[Foundling Hospital, The Chapel.]](jpegs/61250.jpg)
[Foundling Hospital, The Chapel.]
[Rowlandson & Pugin del.t. et sculp.t. J.Bluck Aqua.t.]
[London. Pub 1.st Oct.r, 1808 at R. Ackermann’s Repository of Arts 101, Strand.]
Aquatint. Sheet 190 x 255mm (7½ x 10"). Trimmed within image, losing all inscriptions.
The Foundling Hospital in Guildford Street. It was founded in 1742 by Captain Thomas Coram, whose friends included William Hogarth (later a governor of the institution) and Handel (who donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. A rare uncoloured example.
Abbey, Scenery: 212. See reference 47227 for a coloured version.
[Ref: 61250] £60.00 (£72.00 incl.VAT)
[Rowlandson & Pugin del.t. et sculp.t. J.Bluck Aqua.t.]
[London. Pub 1.st Oct.r, 1808 at R. Ackermann’s Repository of Arts 101, Strand.]
Aquatint. Sheet 190 x 255mm (7½ x 10"). Trimmed within image, losing all inscriptions.
The Foundling Hospital in Guildford Street. It was founded in 1742 by Captain Thomas Coram, whose friends included William Hogarth (later a governor of the institution) and Handel (who donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. A rare uncoloured example.
Abbey, Scenery: 212. See reference 47227 for a coloured version.
[Ref: 61250] £60.00 (£72.00 incl.VAT)
![[Foundling Hospital Chapel.] To Sir Charles Whitworth Kn,,t Member of Parliament;](jpegs/59650.jpg)
[Foundling Hospital Chapel.] To Sir Charles Whitworth Kn,,t Member of Parliament; Vice President of the Society for the Encouragement of Arts, Manufactures, & Commerce; Treasurer of the Foundling Hospital; &c. &c. &c. this View of the Inside of the Chapel of the Foundling Hospital, is with all due Respect dedicated by his most obedient humble Servant, John Sanders.
J. Sanders, delin et Fait.
Publish'd & Sold by the Author in Great Ormond Street, And at W: Sharp's N.o 9, Bartholomew Lane, according to Act, Jan.y 1774.
Scarce & rare etching. Sheet 385 x 510mm (15¼ x 20"). Trimmed within plate, folds flattened.
A view of the interior of the chapel of Foundling Hospital, looking west, with some of the pupils.
Wellcome Library: 23506i.
[Ref: 59650] £420.00
J. Sanders, delin et Fait.
Publish'd & Sold by the Author in Great Ormond Street, And at W: Sharp's N.o 9, Bartholomew Lane, according to Act, Jan.y 1774.
Scarce & rare etching. Sheet 385 x 510mm (15¼ x 20"). Trimmed within plate, folds flattened.
A view of the interior of the chapel of Foundling Hospital, looking west, with some of the pupils.
Wellcome Library: 23506i.
[Ref: 59650] £420.00
![[A perspective view of the Foundling Hospital, with emblematic figures]](jpegs/38685.jpg)
[A perspective view of the Foundling Hospital, with emblematic figures] [Myriads of Proselites sustain thy Cause / Throng to thy Altars and obey thy Laws...]
[S. Wale delin / Grignion & Canot sculp]
[Published 14th of April 1749 according to Act of Parliament]
Engraving, 18th century watermark; sheet 285 x 330mm (11¼ x 13"). Trimmed to image, losing text.
Romanticised view of the Foundling Hospital, established in 1739 in Bloomsbury, London, showing foundlings playing outside the hospital gates, surounded by philanthropic benefactors. The sheet originally had eight lines of verse below, since trimmed.
[Ref: 38685] £160.00 (£192.00 incl.VAT)
[S. Wale delin / Grignion & Canot sculp]
[Published 14th of April 1749 according to Act of Parliament]
Engraving, 18th century watermark; sheet 285 x 330mm (11¼ x 13"). Trimmed to image, losing text.
Romanticised view of the Foundling Hospital, established in 1739 in Bloomsbury, London, showing foundlings playing outside the hospital gates, surounded by philanthropic benefactors. The sheet originally had eight lines of verse below, since trimmed.
[Ref: 38685] £160.00 (£192.00 incl.VAT)
Hospital For The Maintenance And Education Of Exposed And Deserted Young Children.
Stothard RA del. Rothwell fc.
[n.d., c.1820.]
Two bound letterpress broadsheets, large 4to (320 x 235mm, 12½ x 9¼"), with engraved vignette on overlaid india paper.
The text exhorts 'graduates' leaving London's Foundling Hospital to lead a virtuous and industrious life. The allegorical vignette shows Charity standing in the centre embracing infants, Faith seated at right reading from a bible, and Hope standing with anchor at left. A banner which reads "But the greatest of these in Charity" is supported by two putti above. After Thomas Stothard (1755 - 1834). The Foundling Hospital was founded in 1739 in London, north of Great Ormond Street and west of Gray's Inn Lane, by the philanthropic sea captain Thomas Coram. It was a children's home established for the 'education and maintenance of exposed and deserted young children.'
[Ref: 10931] £320.00
Stothard RA del. Rothwell fc.
[n.d., c.1820.]
Two bound letterpress broadsheets, large 4to (320 x 235mm, 12½ x 9¼"), with engraved vignette on overlaid india paper.
The text exhorts 'graduates' leaving London's Foundling Hospital to lead a virtuous and industrious life. The allegorical vignette shows Charity standing in the centre embracing infants, Faith seated at right reading from a bible, and Hope standing with anchor at left. A banner which reads "But the greatest of these in Charity" is supported by two putti above. After Thomas Stothard (1755 - 1834). The Foundling Hospital was founded in 1739 in London, north of Great Ormond Street and west of Gray's Inn Lane, by the philanthropic sea captain Thomas Coram. It was a children's home established for the 'education and maintenance of exposed and deserted young children.'
[Ref: 10931] £320.00
The Fountain. - N. Berchem.
[Ralph Cockburn c.1816.]
Aquatint with fantastic colour. Sheet: 175 x 240mm (7 x 9½"). Trimmed to printed image and mounted on card with captions pasted below as issued.
Woman, surrounded by cows and sheep gather at a fountain. From a collection of aquatints of popular paintings in the Dulwich Picture Gallery's collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwich Picture Gallery, between 1816-1820.
[Ref: 43556] £140.00 (£168.00 incl.VAT)
[Ralph Cockburn c.1816.]
Aquatint with fantastic colour. Sheet: 175 x 240mm (7 x 9½"). Trimmed to printed image and mounted on card with captions pasted below as issued.
Woman, surrounded by cows and sheep gather at a fountain. From a collection of aquatints of popular paintings in the Dulwich Picture Gallery's collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwich Picture Gallery, between 1816-1820.
[Ref: 43556] £140.00 (£168.00 incl.VAT)
Fountain's Abbey, from the South East; Situate two Miles West of Rippon in Yorkshire.
Tho. Smith Pinx. F. Vivares sculp.
Publish'd 1769 by J. Boydell Engraver in Cheapside No 90, H. Parker in Cornhill No 82, & J. Bowles No 13. in Cornhill.
Coloured engraving. Sheet 380 x 530mm (15 x 20¾"). Trimmed into image on three sides, into inscription area at bottom, laid on board.
Fountains Abbey, the largest and best preserved Cistercian houses in England. Founded in 1132 it lasted for over 400 years, until Henry VIII ordered the Dissolution of the Monasteries in 1539. It is now part of the Studley Royal Park, a UNESCO World Heritage Site. This view was published the year after William Aislabie (1700-81) bought the Fountains estate for £16,000 and added it to the Studley estate that he had inherited, expanding his father's water garden around the abbey.
[Ref: 68275] £260.00 (£312.00 incl.VAT)
Tho. Smith Pinx. F. Vivares sculp.
Publish'd 1769 by J. Boydell Engraver in Cheapside No 90, H. Parker in Cornhill No 82, & J. Bowles No 13. in Cornhill.
Coloured engraving. Sheet 380 x 530mm (15 x 20¾"). Trimmed into image on three sides, into inscription area at bottom, laid on board.
Fountains Abbey, the largest and best preserved Cistercian houses in England. Founded in 1132 it lasted for over 400 years, until Henry VIII ordered the Dissolution of the Monasteries in 1539. It is now part of the Studley Royal Park, a UNESCO World Heritage Site. This view was published the year after William Aislabie (1700-81) bought the Fountains estate for £16,000 and added it to the Studley estate that he had inherited, expanding his father's water garden around the abbey.
[Ref: 68275] £260.00 (£312.00 incl.VAT)
![[Four Views of Fountains Abbey.]](jpegs/15223.jpg)
[Four Views of Fountains Abbey.]
[n.d., c.1720.]
Four engravings. Each sheet 140 x 350mm, 5½ x 13¾". Trimmed and laid on album sheet, folded.
Four views of Fountains Abbey, the largest and best preserved Cistercian houses in England. Founded in 1132 it lasted for over 400 years, until Henry VIII ordered the Dissolution of the Monasteries in 1539. It is now part of the Studley Royal Park, a UNESCO World Heritage Site.
[Ref: 15223] £360.00 view all images for this item
[n.d., c.1720.]
Four engravings. Each sheet 140 x 350mm, 5½ x 13¾". Trimmed and laid on album sheet, folded.
Four views of Fountains Abbey, the largest and best preserved Cistercian houses in England. Founded in 1132 it lasted for over 400 years, until Henry VIII ordered the Dissolution of the Monasteries in 1539. It is now part of the Studley Royal Park, a UNESCO World Heritage Site.
[Ref: 15223] £360.00 view all images for this item
Eight Views of Fountains Abbey, Intended to Illustrate the Architecture and Pictureque Scenery of that Celebrated Ruin.
Etched on copperplate from original drawings by J.Metcalf and J.W. Carmichael: With a Historical and Architectural Description, by T.Sopwith.
Published by J.Metcalf, Ripon: and J.W.Carmichael, Newcastle Upon Tyne.[n.d, 1832.]
Folio, original printed wrappers, 8 etchings on india. In modern card folder, with holes punched for string ties. Wrappers chipped & soiled, some foxing, mainly to margins.
[Ref: 7150] £280.00
Etched on copperplate from original drawings by J.Metcalf and J.W. Carmichael: With a Historical and Architectural Description, by T.Sopwith.
Published by J.Metcalf, Ripon: and J.W.Carmichael, Newcastle Upon Tyne.[n.d, 1832.]
Folio, original printed wrappers, 8 etchings on india. In modern card folder, with holes punched for string ties. Wrappers chipped & soiled, some foxing, mainly to margins.
[Ref: 7150] £280.00
Eight Views of Fountains Abbey Intended to Illustrate the Architecture and Picturesque Scenery of that Celebrated Ruin.
Etched on Copperplate from Original Drawings, by J. Metcalf and J.W. Carmichael: with a Historical and Architectural Description by T. Sopwith.
Published by J. Metcalf, Ripon: and J.W. Carmichael, Newcastle upon Tyne. Newcastle: Printed by J. Blackwell and Co. Pilgrim Street. [1832.]
Bound set of 8 etchings in wrappers. Rare artist's presentation copy. In ink on Frontis "To Miss Hodge with Mr. Carmichael compliments" Folio: 380 x 550mm (15 x 21¾"), with very large margins. Uncut. Edges torn and creased.
A bound series of eight etchings of Fountains Abbey, views include 'East View of the Abbey', 'Interior of the Lady Chapel', 'Interior of the Church','East Window from the Interior', 'Chapter House from the Cloister Garden', 'Interior of the Refectory', 'The Hospitum' and 'West View of the Abbey'. Some scenes etched after drawings by James Wilson Carmichael (1800-1868).
Abbey Scenery: 373
[Ref: 44886] £360.00 view all images for this item
Etched on Copperplate from Original Drawings, by J. Metcalf and J.W. Carmichael: with a Historical and Architectural Description by T. Sopwith.
Published by J. Metcalf, Ripon: and J.W. Carmichael, Newcastle upon Tyne. Newcastle: Printed by J. Blackwell and Co. Pilgrim Street. [1832.]
Bound set of 8 etchings in wrappers. Rare artist's presentation copy. In ink on Frontis "To Miss Hodge with Mr. Carmichael compliments" Folio: 380 x 550mm (15 x 21¾"), with very large margins. Uncut. Edges torn and creased.
A bound series of eight etchings of Fountains Abbey, views include 'East View of the Abbey', 'Interior of the Lady Chapel', 'Interior of the Church','East Window from the Interior', 'Chapter House from the Cloister Garden', 'Interior of the Refectory', 'The Hospitum' and 'West View of the Abbey'. Some scenes etched after drawings by James Wilson Carmichael (1800-1868).
Abbey Scenery: 373
[Ref: 44886] £360.00 view all images for this item
![[Fountains Abbey.]](jpegs/46910.jpg)
[Fountains Abbey.] No. 5.
I. Smith del.t.
Pub.d by R. Bowyer, Pall Mall, 1825.
Fine hand-coloured aquatint, with letterpress sheet. Printed area: 260 x 340mm (10¼ x 13¼"), with very large margins. Uncut. Slight staining at top edges.
A view of the ruins of Fountains Abbey in Yorkshire. Plate 5 from a series of 12 plates from Bowyer's series 'A Selection of Fac-Similies of Water-Colour Drawings from the Works of the Most Distinguished British Artists' published in 1825.
Abbey 197.
[Ref: 46910] £220.00 (£264.00 incl.VAT)
I. Smith del.t.
Pub.d by R. Bowyer, Pall Mall, 1825.
Fine hand-coloured aquatint, with letterpress sheet. Printed area: 260 x 340mm (10¼ x 13¼"), with very large margins. Uncut. Slight staining at top edges.
A view of the ruins of Fountains Abbey in Yorkshire. Plate 5 from a series of 12 plates from Bowyer's series 'A Selection of Fac-Similies of Water-Colour Drawings from the Works of the Most Distinguished British Artists' published in 1825.
Abbey 197.
[Ref: 46910] £220.00 (£264.00 incl.VAT)
South West View of Fountain Abbey.
R. Dunning Pinx.t. Engraved by R. & D. Havell.
Publish'd May 1, 1813 by R. Dunning, Ripon Yorkshire.
Coloured aquatint. Sheet 260 x 345mm (10¼ x 13½"). Trimmed into plate
A view of Fountains Abbey from the banks of the River Skell, one of Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 37047] £220.00 (£264.00 incl.VAT)
R. Dunning Pinx.t. Engraved by R. & D. Havell.
Publish'd May 1, 1813 by R. Dunning, Ripon Yorkshire.
Coloured aquatint. Sheet 260 x 345mm (10¼ x 13½"). Trimmed into plate
A view of Fountains Abbey from the banks of the River Skell, one of Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 37047] £220.00 (£264.00 incl.VAT)
East view of Fountain's Abbey from Studley Park.
R. Dunning Pinx.t. Engraved by R. & D. Havell.
Publish'd Jan.y 5th, 1813 by R. Dunning, Ripon Yorkshire.
Coloured aquatint. 265 x 350mm (10½ x 13¾").
A view of Fountains Abbey, one of Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 39229] £230.00 (£276.00 incl.VAT)
R. Dunning Pinx.t. Engraved by R. & D. Havell.
Publish'd Jan.y 5th, 1813 by R. Dunning, Ripon Yorkshire.
Coloured aquatint. 265 x 350mm (10½ x 13¾").
A view of Fountains Abbey, one of Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 39229] £230.00 (£276.00 incl.VAT)
Mill Bridge near Fountain's Abbey.
R. Dunning Pinx.t. Engraved by R. & D. Havell.
Published Jan.y 5, 1813 by R. Dunning, Ripon, Yorkshire.
Coloured aquatint with very large margins. 260 x 345mm (10¼ x 13½").
A bridge over the River Skell in a wood, with the tower of Fountains Abbey behind, one of four views in Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 30916] £220.00 (£264.00 incl.VAT)
R. Dunning Pinx.t. Engraved by R. & D. Havell.
Published Jan.y 5, 1813 by R. Dunning, Ripon, Yorkshire.
Coloured aquatint with very large margins. 260 x 345mm (10¼ x 13½").
A bridge over the River Skell in a wood, with the tower of Fountains Abbey behind, one of four views in Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 30916] £220.00 (£264.00 incl.VAT)
Refectory in Fountain's Abbey
R. Dunning pinx.t. Engraved by R. & D. Havell.
Published June 1, 1813 by R. Dunning, Ripon _ Yorkshire.
Coloured aquatint with very large margins. 260 x 345mm (10¼ x 13½").
The ruins of the dining hall of Fountains Abbey, one of four views in Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 30924] £240.00 (£288.00 incl.VAT)
R. Dunning pinx.t. Engraved by R. & D. Havell.
Published June 1, 1813 by R. Dunning, Ripon _ Yorkshire.
Coloured aquatint with very large margins. 260 x 345mm (10¼ x 13½").
The ruins of the dining hall of Fountains Abbey, one of four views in Dunning's 'Four Views of Fountains Abbey'. In 1986 the abbey and surrounding parkland was designated a World Heritage Site by UNESCO.
Abbey Scenery 368.
[Ref: 30924] £240.00 (£288.00 incl.VAT)
Views of Fountains Abbey.
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of 12 steel engraved views on six leaves, 8vo, complete; original printed card wrappers, embossed upper cover. Binding stained to lower right corner; upper cover with tears.
Fountains Abbey is a ruined Cistercian monastery, founded in 1132, near Ripon in North Yorkshire. No text save captions; all views numbered and dated.
[Ref: 18578] £95.00 view all images for this item
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of 12 steel engraved views on six leaves, 8vo, complete; original printed card wrappers, embossed upper cover. Binding stained to lower right corner; upper cover with tears.
Fountains Abbey is a ruined Cistercian monastery, founded in 1132, near Ripon in North Yorkshire. No text save captions; all views numbered and dated.
[Ref: 18578] £95.00 view all images for this item
Charles Louis Auguste Foucquel de Belle-isle Duke of Gisors, Prince of the Holy Empire, Marechal of France &c.
Rigaud pinxit. G. Johnson fecit.
[n.d., c.1740.]
Scarce mezzotint. Sheet 335 x 245mm (13¼ x 9¾"). Crease in centre. Trimmed into image on three sides, inscription area shaved.
Charles Louis Auguste Fouquet, duc de Belle-Isle (1684-1791), the French general and statesman. In 1758, King Louis XV made him Secretary of State of War, a position that Belle-Isle held until his death. He also had an interest in literature and was elected a member of the French National Academy in 1740.
Not in Chaloner Smith. Not in BM.
[Ref: 52784] £280.00 (£336.00 incl.VAT)
Rigaud pinxit. G. Johnson fecit.
[n.d., c.1740.]
Scarce mezzotint. Sheet 335 x 245mm (13¼ x 9¾"). Crease in centre. Trimmed into image on three sides, inscription area shaved.
Charles Louis Auguste Fouquet, duc de Belle-Isle (1684-1791), the French general and statesman. In 1758, King Louis XV made him Secretary of State of War, a position that Belle-Isle held until his death. He also had an interest in literature and was elected a member of the French National Academy in 1740.
Not in Chaloner Smith. Not in BM.
[Ref: 52784] £280.00 (£336.00 incl.VAT)
![[Quatre chevaux a l'ecurie.]](jpegs/34648.jpg)
[Quatre chevaux a l'ecurie.]
AKlein, 1831. [Engraved by Johann Adam Klein after [Johann Adam Klein.]
[n.d. c.1843.]
Mezzotint with very large margins. Plate 179 x 222mm (7 x 8¾").
Interior of a vaulted stable, in centre a grey horse stands, directed to right, tethered to a hay-rack, from which hangs a water-butt, in the background are three other horses, one of which lies on the ground.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 34648] £80.00 (£96.00 incl.VAT)
AKlein, 1831. [Engraved by Johann Adam Klein after [Johann Adam Klein.]
[n.d. c.1843.]
Mezzotint with very large margins. Plate 179 x 222mm (7 x 8¾").
Interior of a vaulted stable, in centre a grey horse stands, directed to right, tethered to a hay-rack, from which hangs a water-butt, in the background are three other horses, one of which lies on the ground.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 34648] £80.00 (£96.00 incl.VAT)
The Four-In-Hand Club. _Hyde Park. Respectfully dedicated to its distinguished Members, by The Publishers.
Painted By Jas. Pollard. Engraved By J. Harris.
London__Published By Dean & Co. Threadneedle Street. [n.d., c.1860.]
Coloured aquatint with gum arabic highlights. 425 x 605mm. Repaired tear c.25mm into image at left. Margin missing lower left corner.
[Ref: 4688] £850.00
Painted By Jas. Pollard. Engraved By J. Harris.
London__Published By Dean & Co. Threadneedle Street. [n.d., c.1860.]
Coloured aquatint with gum arabic highlights. 425 x 605mm. Repaired tear c.25mm into image at left. Margin missing lower left corner.
[Ref: 4688] £850.00
May Fashions, or Hints for a four in Hand Exhibition.
[Charles Williams]
Pub.d May 1st 1813 by the Proprietor of Town Talk.
Coloured etching. 270 x 430mm (10½ x 17"). Some creasing, laid on album paper at sides.
Elaborate coaches drive in procession through Cavendish Square. The first has a roof shaped like a pagoda; the second is driver by eccentric amateur actor Robert ''Romeo'' Coates (1772-1848), who is dressed as Lothario, with three huge feathers in his hat. A huge crowd wave and cheer. A satire of the Four-in-Hand Club and their desire for publicity.
BM Satires 12129, with extensive description.
[Ref: 64207] £260.00 (£312.00 incl.VAT)
[Charles Williams]
Pub.d May 1st 1813 by the Proprietor of Town Talk.
Coloured etching. 270 x 430mm (10½ x 17"). Some creasing, laid on album paper at sides.
Elaborate coaches drive in procession through Cavendish Square. The first has a roof shaped like a pagoda; the second is driver by eccentric amateur actor Robert ''Romeo'' Coates (1772-1848), who is dressed as Lothario, with three huge feathers in his hat. A huge crowd wave and cheer. A satire of the Four-in-Hand Club and their desire for publicity.
BM Satires 12129, with extensive description.
[Ref: 64207] £260.00 (£312.00 incl.VAT)
Canning. 1818. Wollaston. 1827. Scott. 1820. Crabbe. 1826. From Sketches made in the years above named, by F. Chantry, Sculptor in testimony of his esteem.
Plate 16 of Lithographic Imitations of Sketches by Modern Artists by R.J. Lane A.R.A.
Printed by Hullmandel. London. 1832. Published by Dickinson.
Lithograph on chine collé. 325 x 280mm. 12¾ x 11". Small tear into the margin.
Portrait heads of four men, Canning at top left in profile to right, Wollaston at top right in profile to left, Scott at lower left in profile to right and Crabbe at lower right with head bowed in three-quarter profile to left. George Canning (1770-1827) Prime Minister; William Hyde Wollaston (1766-1828) scientist, known for his preparation of malleable platinum; Sir Walter Scott (1771-1832) poet and novelist; and George Crabbe (1754-1832), poet.
[Ref: 24823] £95.00 (£114.00 incl.VAT)
Plate 16 of Lithographic Imitations of Sketches by Modern Artists by R.J. Lane A.R.A.
Printed by Hullmandel. London. 1832. Published by Dickinson.
Lithograph on chine collé. 325 x 280mm. 12¾ x 11". Small tear into the margin.
Portrait heads of four men, Canning at top left in profile to right, Wollaston at top right in profile to left, Scott at lower left in profile to right and Crabbe at lower right with head bowed in three-quarter profile to left. George Canning (1770-1827) Prime Minister; William Hyde Wollaston (1766-1828) scientist, known for his preparation of malleable platinum; Sir Walter Scott (1771-1832) poet and novelist; and George Crabbe (1754-1832), poet.
[Ref: 24823] £95.00 (£114.00 incl.VAT)
The East Prospect of Four Oaks Hall in Warwickshire, the seat of the R.t Hon.ble the late Lord Folliot.
Hen. Beighton F.R.S. delin. E. Kirkall Fecit.
[London: John Osborn & Thomas Longman, 1730.]
Engraving. 365 x 410mm (14½ x 16"), with very large margins.
Four Oaks Hall, Sutton Coldfield, built by Henry Folliott, 1st Baron Folliott, in 1677, demolished 1898. Four Oaks Park is now a wealthy residential area.
[Ref: 49816] £380.00
Hen. Beighton F.R.S. delin. E. Kirkall Fecit.
[London: John Osborn & Thomas Longman, 1730.]
Engraving. 365 x 410mm (14½ x 16"), with very large margins.
Four Oaks Hall, Sutton Coldfield, built by Henry Folliott, 1st Baron Folliott, in 1677, demolished 1898. Four Oaks Park is now a wealthy residential area.
[Ref: 49816] £380.00
Mr John Dryden Sr Samuel Garth Sr John Vanbrugh Sr Richard Steele.
I.Simon fec et Ex. [n.d., c.1740.]
Mezzotint, four oval portraits to one plate. 350 x 250mm (13¾ x 9¾"). A fine and rich impression with full margins.
One of the great mezzotints. Poet John Dryden (1631 - 1700), physician and poet Sir Samuel Garth (1661 - 1719), architect Sir John Vanbrugh (1664 - 1726), and essayist, dramatist and politician Sir Richard Steele (1672 - 1729); their names on scrolls under the upper pair and on inscription space under the lower pair. From a set of six plates, 'Poets and Philosophers of England', each having four oval portraits; by mezzotinter and publisher John Simon (c.1675 - 1751).
Chaloner Smith: 55, I, first state before division into separate portraits and letters erased.
[Ref: 18321] £490.00
I.Simon fec et Ex. [n.d., c.1740.]
Mezzotint, four oval portraits to one plate. 350 x 250mm (13¾ x 9¾"). A fine and rich impression with full margins.
One of the great mezzotints. Poet John Dryden (1631 - 1700), physician and poet Sir Samuel Garth (1661 - 1719), architect Sir John Vanbrugh (1664 - 1726), and essayist, dramatist and politician Sir Richard Steele (1672 - 1729); their names on scrolls under the upper pair and on inscription space under the lower pair. From a set of six plates, 'Poets and Philosophers of England', each having four oval portraits; by mezzotinter and publisher John Simon (c.1675 - 1751).
Chaloner Smith: 55, I, first state before division into separate portraits and letters erased.
[Ref: 18321] £490.00
The Four -- Prices. High Price. Low Price. Full Price. Half Price.
[William Heath?]
London Published Jan.y 26 1825 by S.W. Fores Piccadilly [but later].
Coloured etching. 250 x 355mm (9¾ x 14"), very large margins.
Four fashionably dressed women promenade, probably in Hyde Park. One is tall, the others short, fat and thin.
BM Satires 14902, in imitation of 14901. See Ref: 58270
[Ref: 58294] £280.00 (£336.00 incl.VAT)
[William Heath?]
London Published Jan.y 26 1825 by S.W. Fores Piccadilly [but later].
Coloured etching. 250 x 355mm (9¾ x 14"), very large margins.
Four fashionably dressed women promenade, probably in Hyde Park. One is tall, the others short, fat and thin.
BM Satires 14902, in imitation of 14901. See Ref: 58270
[Ref: 58294] £280.00 (£336.00 incl.VAT)
Frontispiece. The Four Quarters of the World. Plate. 1. No. 1.
H. Gravelot inv. C. Grignon sculp.
[n.d., c.1780.]
Engraving. Plate: 235 x 160mm (9¼ x 6¼''). Trimmed on left.
An allegorical scene showing Asia, America, Africa and Europe represented by female figures by a large column.
[Ref: 51031] £160.00 (£192.00 incl.VAT)
H. Gravelot inv. C. Grignon sculp.
[n.d., c.1780.]
Engraving. Plate: 235 x 160mm (9¼ x 6¼''). Trimmed on left.
An allegorical scene showing Asia, America, Africa and Europe represented by female figures by a large column.
[Ref: 51031] £160.00 (£192.00 incl.VAT)
No.4 Campanelas de Las Seguidillas Boleras.
[Marcos Tellez Villar.]
[n.d. c.1810.]
Copper engraving, 291 x 218mm. 11½ x 8½". Repaired tear above head of central figure.
Dancers in elaborate and beautiful Spanish costumes, with a guitarist accompaniment.
Museo de San Isidro.
[Ref: 16305] £160.00 (£192.00 incl.VAT)
[Marcos Tellez Villar.]
[n.d. c.1810.]
Copper engraving, 291 x 218mm. 11½ x 8½". Repaired tear above head of central figure.
Dancers in elaborate and beautiful Spanish costumes, with a guitarist accompaniment.
Museo de San Isidro.
[Ref: 16305] £160.00 (£192.00 incl.VAT)
First Stage of Cruelty...
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins, tear in bottom margin taped
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3221] £480.00
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins, tear in bottom margin taped
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3221] £480.00
Second Stage of Cruelty...
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3222] £480.00
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3222] £480.00
Cruelty in Perfection...
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of i. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3223] £480.00
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of i. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3223] £480.00
![[Four vignettes]](jpegs/67731.jpg)
[Four vignettes]
[n.d c.1800]
Hand-coloured etching, 200 x 275mm (8 x 10¾"). Trimmed to plate at top. Creasing. Surface dirt.
Four crude comedic vignettes. Top left: two yokels finding a man hanging in a barn. Top right: two vagabonds walk past a stone marker to London. Bottom left: a man trips and is about to fall while watching the horseraces. Bottom right: a prisoner on a ship holds a lady hostage, an officer seems to try and calm the situation.
[Ref: 67731] £220.00 (£264.00 incl.VAT)
[n.d c.1800]
Hand-coloured etching, 200 x 275mm (8 x 10¾"). Trimmed to plate at top. Creasing. Surface dirt.
Four crude comedic vignettes. Top left: two yokels finding a man hanging in a barn. Top right: two vagabonds walk past a stone marker to London. Bottom left: a man trips and is about to fall while watching the horseraces. Bottom right: a prisoner on a ship holds a lady hostage, an officer seems to try and calm the situation.
[Ref: 67731] £220.00 (£264.00 incl.VAT)
Rubens's Wife. In the Collection of His Grace the Duke of Marlborough.
Rubens, Pinxit. Josiah Boydell, delin.t. Rich.d Earlom, Sculpsit.
Published July 15th, 1782, by, John Boydell, Engraver, in Cheapside London.
Fine mezzotint. 505 x 355mm (20 x 14"). 18th century watermarked paper. Small creases in corners. Small margins.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. II of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64656] £360.00
Rubens, Pinxit. Josiah Boydell, delin.t. Rich.d Earlom, Sculpsit.
Published July 15th, 1782, by, John Boydell, Engraver, in Cheapside London.
Fine mezzotint. 505 x 355mm (20 x 14"). 18th century watermarked paper. Small creases in corners. Small margins.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. II of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64656] £360.00
![[Rubens's Wife.]](jpegs/64657.jpg)
[Rubens's Wife.]
[P.P.Rubens pinx.t. R.Earlom Sculp.]
[J.Boydell. Exudia. Publish'd July 15, 1782.]
Fine mezzotint proof before title, 505 x 355mm (20 x 14"). 18th century watermarked paper. Small stain in upper left corner, faint foxing.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. I of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64657] £320.00
[P.P.Rubens pinx.t. R.Earlom Sculp.]
[J.Boydell. Exudia. Publish'd July 15, 1782.]
Fine mezzotint proof before title, 505 x 355mm (20 x 14"). 18th century watermarked paper. Small stain in upper left corner, faint foxing.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. I of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64657] £320.00
Ruben's 2.d Wife. From the Original at Houghton Hall, in the Collection of the Earl of Orford.
S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Small tear in top margin top left, small margins.
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
CS 69, iii of iii; Goodwin 120, iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68432] £190.00 (£228.00 incl.VAT)
S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Small tear in top margin top left, small margins.
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
CS 69, iii of iii; Goodwin 120, iv of v. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68432] £190.00 (£228.00 incl.VAT)
[Ruben's 2.d Wife. From the Original at Houghton Hall, in the Collection of the Earl of Orford.]
[S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.]
Fine mezzotint, proof before all letters. 350 x 250mm (13¾ x 9¾").
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68434] £380.00
[S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.]
Fine mezzotint, proof before all letters. 350 x 250mm (13¾ x 9¾").
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68434] £380.00
[Ruben's 2.d Wife. From the Original at Houghton Hall, in the Collection of the Earl of Orford.]
[S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.]
Fine mezzotint, proof before all letters. 350 x 250mm (13¾ x 9¾"). Old ink mss. in inscription area, thread margins.
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68435] £360.00
[S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.]
Fine mezzotint, proof before all letters. 350 x 250mm (13¾ x 9¾"). Old ink mss. in inscription area, thread margins.
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68435] £360.00
[Ruben's 2.d Wife. From the Original at Houghton Hall, in the Collection of the Earl of Orford.]
S. Ant. Van Dyke pinxit. J.s M.cArdell fecit.
Mezzotint, scratched letter proof before title. 350 x 250mm (13¾ x 9¾"). Trimmed to plate.
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, iii of v; CS 69, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68436] £280.00 (£336.00 incl.VAT)
S. Ant. Van Dyke pinxit. J.s M.cArdell fecit.
Mezzotint, scratched letter proof before title. 350 x 250mm (13¾ x 9¾"). Trimmed to plate.
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, iii of v; CS 69, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68436] £280.00 (£336.00 incl.VAT)
[Ruben's 2.d Wife. From the Original at Houghton Hall, in the Collection of the Earl of Orford.]
[S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.]
Mezzotint, proof before all letters. 350 x 250mm (13¾ x 9¾").
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. With a collector's mark in the character of Jon's Heywood Hawkin (1800-80); as described in Lugt: 3022.
[Ref: 18195] £360.00
[S.r Ant. Van Dyke pinxit. J.s M.cArdell fecit.]
Mezzotint, proof before all letters. 350 x 250mm (13¾ x 9¾").
A full-length portrait of Helena Fourment (1614-73), the daughter of a wealthy silk and tapesty merchant in Antwerp, who married Peter Paul Rubens in 1630, aged sixteen. Dressed in a fine gown, she holds an ostrich feather.
Goodwin 120, i of v; CS 69, i of iii. With a collector's mark in the character of Jon's Heywood Hawkin (1800-80); as described in Lugt: 3022.
[Ref: 18195] £360.00