A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Expectation, or The well-educated Favorite.
Taylor, Holborn, excudit. [n.d. c.1820.]
Stipple. Plate 178 x 114mm. 7 x 4½".
A small spaniel sitting up on his hind legs next to a boy and girl.
[Ref: 22616] £70.00 (£84.00 incl.VAT)
Taylor, Holborn, excudit. [n.d. c.1820.]
Stipple. Plate 178 x 114mm. 7 x 4½".
A small spaniel sitting up on his hind legs next to a boy and girl.
[Ref: 22616] £70.00 (£84.00 incl.VAT)
Expectation. To bosom heaving & to Eyes that weep. / While lovers linger in a distant clime. / Fear multiplies the dangers of the deep / And expectation loads the wing of time. EW.
Designd by H.W. Bunbury Esq.r Engraved by J.R. Smith.
London Publishd Jan.r 1.1784 by J.R. Smith No.83 Oxford Street.
Stipple, printed in brown. 400 x 3602mm (15¾ x 14¼") very large margins. Some creasing in margins.
An oval scene of two young women sitting side by side at the edge of a grassy cliff overlooking the sea, worrying about their sailor beaus.
D'Oench: 232. Frankau: 132.
[Ref: 60767] £320.00
Designd by H.W. Bunbury Esq.r Engraved by J.R. Smith.
London Publishd Jan.r 1.1784 by J.R. Smith No.83 Oxford Street.
Stipple, printed in brown. 400 x 3602mm (15¾ x 14¼") very large margins. Some creasing in margins.
An oval scene of two young women sitting side by side at the edge of a grassy cliff overlooking the sea, worrying about their sailor beaus.
D'Oench: 232. Frankau: 132.
[Ref: 60767] £320.00
The Experienc'd Angler, or Angling Improved.
Vaughn sculp.
Sold by Rich. Marriott in St Dunstan's Church yard [engraved 1662 but later].
Engraving. 140 x 95mm (5½ x 3¾"), with large margins. Laid on backing sheet.
A reprint of a plate engraved as the frontispiece to a book by Robert Venables, depicting rods, hanging fish, a basket, lures and bait.
[Ref: 56369] £65.00 (£78.00 incl.VAT)
Vaughn sculp.
Sold by Rich. Marriott in St Dunstan's Church yard [engraved 1662 but later].
Engraving. 140 x 95mm (5½ x 3¾"), with large margins. Laid on backing sheet.
A reprint of a plate engraved as the frontispiece to a book by Robert Venables, depicting rods, hanging fish, a basket, lures and bait.
[Ref: 56369] £65.00 (£78.00 incl.VAT)
The First Lecture in Experimental Philosophy.
Engrav'd for the Universal Magazine for J. Hinton at the King's Arms in St Paul's Church Yard London 1748.
Engraving. 205 x 235mm. (8 x 9¼"). Folds as normal. Large margins on 3 sides. Damaged.
A chemistry demonstration before an audience of aristrocrats.
[Ref: 45343] £120.00 (£144.00 incl.VAT)
Engrav'd for the Universal Magazine for J. Hinton at the King's Arms in St Paul's Church Yard London 1748.
Engraving. 205 x 235mm. (8 x 9¼"). Folds as normal. Large margins on 3 sides. Damaged.
A chemistry demonstration before an audience of aristrocrats.
[Ref: 45343] £120.00 (£144.00 incl.VAT)
The Experimental Squadron. Dedicated by Permission to, and and the especial patronage of Her Most Gracious Majesty, The Queen [...] A Series of Drawings, on stone by L. Haghe, Esq., Lithographer to the Queen, from paintings by J.M. Gilbert, Esq., of Lymington, Marine Painter to the Royal Southern Yacht Club, Illustrative of Her Majesty's Visit to Spithead, July 15th, 1845, at the Departure of the Experimental Squadron [...]
Lymington: Published and Sold by R.A. Grove [...] M.DCCC.XLVI [1846.]
Subscribers copy. Large oblong folio, printed wrappers with list of subscribers, tinted lithographic title and three numbered plates, as called for and three sheets of text. Disbound, wrappers with some repairs, one plate with a repaired tear entering image, repaired tears in margins of the plates, text chipped and worn.
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 51343] £950.00 view all images for this item
Lymington: Published and Sold by R.A. Grove [...] M.DCCC.XLVI [1846.]
Subscribers copy. Large oblong folio, printed wrappers with list of subscribers, tinted lithographic title and three numbered plates, as called for and three sheets of text. Disbound, wrappers with some repairs, one plate with a repaired tear entering image, repaired tears in margins of the plates, text chipped and worn.
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 51343] £950.00 view all images for this item
No.3. The Experimental Squadron. Departure from Spithead, July 15.th 1845.
Painted by J.M. Gilbert _ L. Haghe Lith. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 381 x 552mm (15 x 21¾").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25060] £280.00 (£336.00 incl.VAT)
Painted by J.M. Gilbert _ L. Haghe Lith. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 381 x 552mm (15 x 21¾").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25060] £280.00 (£336.00 incl.VAT)
No.2. The Experimental Squadron. Getting under-weigh, at Spithead, July 15th. 1845.
Painted by J.M. Gilbert _ L. Haghe. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 375 x 558mm (14¾ x 22").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25059] £280.00 (£336.00 incl.VAT)
Painted by J.M. Gilbert _ L. Haghe. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 375 x 558mm (14¾ x 22").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25059] £280.00 (£336.00 incl.VAT)
Experiments on the Solidity of Bodies.
Engraved for the Universal Magazine.
[May, 1751.]
Engraving with two double-sides of letterpress text. 205 x 127mm (8 x 5").
A collection of various testing apparatus, with accompanying text entitled "A Lecture on the Solidity of Bodies".
[Ref: 28641] £60.00 (£72.00 incl.VAT)
Engraved for the Universal Magazine.
[May, 1751.]
Engraving with two double-sides of letterpress text. 205 x 127mm (8 x 5").
A collection of various testing apparatus, with accompanying text entitled "A Lecture on the Solidity of Bodies".
[Ref: 28641] £60.00 (£72.00 incl.VAT)
Express of Southampton. F.W. Paul R.N. Commander. The steamer which conveyed King Louis Philippe and Queen Marie Amelie from the port of Havre to Newhaven on the 2nd of March 1848 during the French revolution.
E. Haumont havre 1850.
Lithograph. Sheet: 245 x 315mm (9¾ x 12½'').
A view of a steam ship.
[Ref: 48571] £290.00 (£348.00 incl.VAT)
E. Haumont havre 1850.
Lithograph. Sheet: 245 x 315mm (9¾ x 12½'').
A view of a steam ship.
[Ref: 48571] £290.00 (£348.00 incl.VAT)
Acute Pain. No. 10. The curious observer of the Passion, has only to get a careless Servant to pour some hot water on his foor, in a case of the Gout, & he will soon know the nature of Acute Pain.
Woodward Del. Etched by Rowlandson.
London Pub: 21 Jan. 1800 at R. Ackermann's Repository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Acute Pain is portrayed by a man who suffers with gout crying out because his servant has poured tea on his foot. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46596] £160.00 (£192.00 incl.VAT)
Woodward Del. Etched by Rowlandson.
London Pub: 21 Jan. 1800 at R. Ackermann's Repository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Acute Pain is portrayed by a man who suffers with gout crying out because his servant has poured tea on his foot. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46596] £160.00 (£192.00 incl.VAT)
Admiration. No.3. Various are the ways this Passion might be depicted in this Delineation the subjects chosen are simple_a Hungry Boy_and a Plumb Pudding.
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 290 x 235mm (11½ x 9¼"). Hole in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46593] £180.00 (£216.00 incl.VAT)
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 290 x 235mm (11½ x 9¼"). Hole in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46593] £180.00 (£216.00 incl.VAT)
Simple Bodily Pain. No.11. A termagent Wife- a hen-peck'd Husband & a Cudgel are three principal ingredients for bringing forward the Passion of Simple Bodily Pain, as many an unfortunate sufferer can witness.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. The emotion of 'Simple Bodily Pain' is shown by an angry woman attacking her husband. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46597] £130.00 (£156.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. The emotion of 'Simple Bodily Pain' is shown by an angry woman attacking her husband. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46597] £130.00 (£156.00 incl.VAT)
Compassion. No. 14. He whose misfortunes can draw two-pence from the purse of a Miser, is certainly an object of Compassion, & the most capable of giving that passion its full force.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Compassion is portrayed in a scene in which a miser gives a penny to a beggar. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46600] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Compassion is portrayed in a scene in which a miser gives a penny to a beggar. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46600] £140.00 (£168.00 incl.VAT)
Hatred or Jealousy. No. 19. Mons le Brun in his delineation of the Passions, makes a Man jealous, without assigning a cause why or wherefore_If the connoisseurs will give himself the trouble to look behind the curtain in the above sketch, he will find sufficient reason for the excitement of the Passion.
[Woodward. Rowlandson.]
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing and paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Hatred is portrayed by the response of a husband walking in on his wife with another man. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46604] £180.00 (£216.00 incl.VAT)
[Woodward. Rowlandson.]
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing and paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Hatred is portrayed by the response of a husband walking in on his wife with another man. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46604] £180.00 (£216.00 incl.VAT)
Horror. No.16. It is impossible to account for Antipithies in this instance Horror is excited by the appearance of a harmless Mouse.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Horror is portrayed by a woman scared of a mouse carried by a young boy. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46601] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Horror is portrayed by a woman scared of a mouse carried by a young boy. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46601] £140.00 (£168.00 incl.VAT)
Joy with Tranquility. No. 8. This passion is represented by a Philosophical Brewer, who having gained a considerable Prize in the Lottery, receives it with the most perfect composure- a useful lesson for those persons who are too apt to be over elated at an unexpected change of Fortune.
Woodward del. Etched by Rowlandson.
London Pub. 21 Jan: 1800. at R. Ackermann's Respository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. A brewer, having won five thousand pounds in the lottery receives his prize with composure. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46595] £150.00 (£180.00 incl.VAT)
Woodward del. Etched by Rowlandson.
London Pub. 21 Jan: 1800. at R. Ackermann's Respository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. A brewer, having won five thousand pounds in the lottery receives his prize with composure. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46595] £150.00 (£180.00 incl.VAT)
Terror or Fright. This Passion is frequently exited by dressing up firghtful objects to represent Sprites, Apparitions &c: frequently practiced with success in Country Villages, as delineated in the above sketch of the Countryman & the Ghost.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Terror is portrayed by a countryman being terrified by a person dressed up as a ghost. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46602] £160.00 (£192.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Terror is portrayed by a countryman being terrified by a person dressed up as a ghost. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46602] £160.00 (£192.00 incl.VAT)
Weeping. No. 13. As Laughter is often exited by the most simple causes, so frequently is Weeping in this instance the hard & obourate features, that would be callous to real sufferings melts at the fancied sorrows of a Village love Ballad.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46598] £130.00 (£156.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46598] £130.00 (£156.00 incl.VAT)
Weeping. No. 13. As Laughter is often exited by the most simple causes, so frequently is Weeping in this instance the hard & obourate features, that would be callous to real sufferings melts at the fancied sorrows of a Village love Ballad.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46599] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46599] £140.00 (£168.00 incl.VAT)
![[The Expulsion (from Paradise).]](jpegs/22885.jpg)
[The Expulsion (from Paradise).] Tulit Igitur Mulier de Fructu, et Comedit...
Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello. Dom. Cunego del. et sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 305 x 480mm. 12 x 19". A fine impression with full margins.
Two Latin biblical quotations from the Book of Genesis to lower margin, from a series of 37 plates published under the title 'La volta della Cappella Sistina' between 1772 and 1834 after the master painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome, by Domenico Cunego (Italian, 1727 - 1803).
See V&A DYCE.1655.
[Ref: 22885] £260.00 (£312.00 incl.VAT)
Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello. Dom. Cunego del. et sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 305 x 480mm. 12 x 19". A fine impression with full margins.
Two Latin biblical quotations from the Book of Genesis to lower margin, from a series of 37 plates published under the title 'La volta della Cappella Sistina' between 1772 and 1834 after the master painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome, by Domenico Cunego (Italian, 1727 - 1803).
See V&A DYCE.1655.
[Ref: 22885] £260.00 (£312.00 incl.VAT)
![[Expulsion of Paradise.]](jpegs/49731.jpg)
[Expulsion of Paradise.] Reddita lux oculus; pudor et gravis...
A. Bloemaert. [After Jan Saenredam.]
[1604, but later.]
Engraving. Sheet: 270 x 190mm (10½ x 7½''). Trimmed. Laid on sheet at top corner.
A biblical scene showing a penitent Eve and a shocked Adam reacting to an Angel with a flaming sword chasing them from Eden. An engraving after an engraving by Jan Saenredam.
[Ref: 49731] £140.00 (£168.00 incl.VAT)
A. Bloemaert. [After Jan Saenredam.]
[1604, but later.]
Engraving. Sheet: 270 x 190mm (10½ x 7½''). Trimmed. Laid on sheet at top corner.
A biblical scene showing a penitent Eve and a shocked Adam reacting to an Angel with a flaming sword chasing them from Eden. An engraving after an engraving by Jan Saenredam.
[Ref: 49731] £140.00 (£168.00 incl.VAT)
The Extinguisher.
Geo. Dance Esq.r R.A., del.t. W. Daniell sculp.t. 1806.
London, Published by W. Daniell R.A. 14 Russell Place, Fitzroy Square, May 1, 1826.
Aquatint. Plate: 330 x 240mm (9 x 9½"). Trimmed within plate on left and right margins.
A scene showing an old miser sitting at a desk while a demonic figure lowers a candle snuffer over him.
[Ref: 47619] £230.00 (£276.00 incl.VAT)
Geo. Dance Esq.r R.A., del.t. W. Daniell sculp.t. 1806.
London, Published by W. Daniell R.A. 14 Russell Place, Fitzroy Square, May 1, 1826.
Aquatint. Plate: 330 x 240mm (9 x 9½"). Trimmed within plate on left and right margins.
A scene showing an old miser sitting at a desk while a demonic figure lowers a candle snuffer over him.
[Ref: 47619] £230.00 (£276.00 incl.VAT)
A Save All and Extinguisher.
Geo. Dance Esq.r R.A., del.t. W. Daniell sculp.t. 1806.
London, Published as the Act directs, Aug.t 1st. 1831, by S. Knights, Sweetings Alley Cornhill & King Str.t Holborn.
Aquatint with hand-colour. Plate: 320 x 260mm (12½ x 10¼''), Trimmed within plate.
A scene showing an old miser sitting at a desk while a demonic figure lowers a candle snuffer over him.
A later edition of ref: 47619.
[Ref: 50093] £230.00 (£276.00 incl.VAT)
Geo. Dance Esq.r R.A., del.t. W. Daniell sculp.t. 1806.
London, Published as the Act directs, Aug.t 1st. 1831, by S. Knights, Sweetings Alley Cornhill & King Str.t Holborn.
Aquatint with hand-colour. Plate: 320 x 260mm (12½ x 10¼''), Trimmed within plate.
A scene showing an old miser sitting at a desk while a demonic figure lowers a candle snuffer over him.
A later edition of ref: 47619.
[Ref: 50093] £230.00 (£276.00 incl.VAT)
![[Woman extinguishing a firework]](jpegs/57325.jpg)
[Woman extinguishing a firework]
JS
[n.d., c.1650]
Engraving sheet 125 x 125mm (5 x 5"). Trimmed within plate. Miniscule tear on left.
A woman in mid-16th/17th century dress extinguishes a firework in a fountain.
[Ref: 57325] £120.00 (£144.00 incl.VAT)
JS
[n.d., c.1650]
Engraving sheet 125 x 125mm (5 x 5"). Trimmed within plate. Miniscule tear on left.
A woman in mid-16th/17th century dress extinguishes a firework in a fountain.
[Ref: 57325] £120.00 (£144.00 incl.VAT)
Cascades du Parc d'Exton à M. de Gainsborough. Projet d'une Cascade.
[n.d., c.1777.]
Rare engraving. Plate: 225 x 340mm (9 x 13½'') very large margins. Staining.
A view of the waterfalls at Exton Park in Rutland, the home of the Earls of Gainsborough. An illustration from 'Detail Des Nouveaux Jardins a La Mode' 1777.
[Ref: 48900] £160.00 (£192.00 incl.VAT)
[n.d., c.1777.]
Rare engraving. Plate: 225 x 340mm (9 x 13½'') very large margins. Staining.
A view of the waterfalls at Exton Park in Rutland, the home of the Earls of Gainsborough. An illustration from 'Detail Des Nouveaux Jardins a La Mode' 1777.
[Ref: 48900] £160.00 (£192.00 incl.VAT)
A View in Exton Park belonging to the Rt: Hon.ble the Earl of Gainsborough; to whom this Plate is inscrib'd by his Lordships most dutiful & most obed:t Serv.t T: Smith.
T. Smith Pin: J Mason Sculp.
Publish'd Oct: 1749.
Engraving. Plate 394 x 545mm (15½ x 21½"). Margins messy. Small margins
Exton Park, the large country estate in the county of Rutland. It has been home to the Noel family for over four centuries; the Earls of Gainsborough. After Thomas Smith of Derby (c.1720-1767) who was landscape painter who painted many landscapes including historic houses like Chatsworth.
[Ref: 47752] £390.00
T. Smith Pin: J Mason Sculp.
Publish'd Oct: 1749.
Engraving. Plate 394 x 545mm (15½ x 21½"). Margins messy. Small margins
Exton Park, the large country estate in the county of Rutland. It has been home to the Noel family for over four centuries; the Earls of Gainsborough. After Thomas Smith of Derby (c.1720-1767) who was landscape painter who painted many landscapes including historic houses like Chatsworth.
[Ref: 47752] £390.00
Extra Duty_ or, The Priest taking proper Care of his legacy.
[n.d. 1790].
Printed for Carington Bowles, No. 69 St. Paul's Church Yard, London. Publish'd as the Act directs.
Mezzotint, 155 x 115mm.
Priests ransacking the house of a dying woman.
Plate 275.
[Ref: 772] £100.00 (£120.00 incl.VAT)
[n.d. 1790].
Printed for Carington Bowles, No. 69 St. Paul's Church Yard, London. Publish'd as the Act directs.
Mezzotint, 155 x 115mm.
Priests ransacking the house of a dying woman.
Plate 275.
[Ref: 772] £100.00 (£120.00 incl.VAT)
Extraordinary Trotting Match Against Time. This match made against time for £100, in which Mr. Burke, of Hereford notoriety, undertook to drive two horses in the same vehicle, alternately, 45 Miles in Three successive hours, was decided on Tuesday June 25.th 1839, over 5 miles on Sunbury Common, from the Staines end to the 5 mile stone towards Hampton, which was complete in 2 hours, 55½ minutes. The wheeler, Tommy, trotted 20 miles in harness, two months previous to the above match...and now, for any sum, to the amount of £1000 Mr. B. challenges the distance of the Train from Birmingham to London, & give ½ and hour start! and the money is ready at Mr. Dowlings, Editor of "Bell's Life in London".
Painted by J.F. Herring. Engraved by Cha.s Hunt.
Published Nov.r 1.st 1839, for the Proprietor, by R. Ackermann, at his Eclipse Sporting Gallery, 191 Regent Street St. London.
Very fine and rare aquatint, printed in colours and hand finished. Visible area 590 x 775mm (23½ x 30½").
In 1839 two horses were driven in tandem trotted 45 miles of road in 2 hours 55.5 minutes. Driving this pair backwards and forwards over a measured five mile stretch of road between Hampton and Sunbury, Mr Burke of Hereford won £100 for completing the distance inside 3 hours. The horses, Tommy and Gustavus (a 24 year old), had both had won individual match races.
Siltzer: p.150. Hickman: p.304.
[Ref: 24160] £1,250.00
Painted by J.F. Herring. Engraved by Cha.s Hunt.
Published Nov.r 1.st 1839, for the Proprietor, by R. Ackermann, at his Eclipse Sporting Gallery, 191 Regent Street St. London.
Very fine and rare aquatint, printed in colours and hand finished. Visible area 590 x 775mm (23½ x 30½").
In 1839 two horses were driven in tandem trotted 45 miles of road in 2 hours 55.5 minutes. Driving this pair backwards and forwards over a measured five mile stretch of road between Hampton and Sunbury, Mr Burke of Hereford won £100 for completing the distance inside 3 hours. The horses, Tommy and Gustavus (a 24 year old), had both had won individual match races.
Siltzer: p.150. Hickman: p.304.
[Ref: 24160] £1,250.00
Orent Super eum Ugentes eum oleo in Nomine Domini. [Extreme Unction.]
N. Poussin andeluensis Pinxit. Ex musceo P. Freart Dde Chantelou Parisijs. J. Pesne delin et Sculp.
A Paris Chez Audran, rue St. Jaques, aux 2 pilliers d'or. Avec Privil du Roy. [n.d., c.1700.]
Engraving. Sheet size: 610 x 865mm (24 x 34"). Cut to image. Laid on 18th century backing sheet. Central vertical and horizontal creases. Damaged.
A classical setting, with mourning figures surrounding a dying man lying in a bed. At the centre, the priest is leaning over the dying man and touching his hand. After one of the 'Seven Sacraments' by the French painter Nicholas Poussin (1594 - 1665) painted between 1637 and 1640.
[Ref: 38447] £250.00 (£300.00 incl.VAT)
N. Poussin andeluensis Pinxit. Ex musceo P. Freart Dde Chantelou Parisijs. J. Pesne delin et Sculp.
A Paris Chez Audran, rue St. Jaques, aux 2 pilliers d'or. Avec Privil du Roy. [n.d., c.1700.]
Engraving. Sheet size: 610 x 865mm (24 x 34"). Cut to image. Laid on 18th century backing sheet. Central vertical and horizontal creases. Damaged.
A classical setting, with mourning figures surrounding a dying man lying in a bed. At the centre, the priest is leaning over the dying man and touching his hand. After one of the 'Seven Sacraments' by the French painter Nicholas Poussin (1594 - 1665) painted between 1637 and 1640.
[Ref: 38447] £250.00 (£300.00 incl.VAT)
![[Eye Town Hall.] To Sir Edward Herrison, Bar.t, M.P.,](jpegs/39780.jpg)
[Eye Town Hall.] To Sir Edward Herrison, Bar.t, M.P., The Mayor, & Town Council of the Borough of Eye, This View of the Town Hall and Corn Exchange, is respectfully dedicated by their obedient Servant, Edward Buckton Lamb, Arch.t 1856.
E.B. Lamb Arch.t del. F. Bedford lith. Day & Son, Lith.rs to The Queen.
Tinted lithograph. Printed area 230 x 265mm (9¼ x 10½") Tear through inscription. Dusty in margins.
A rare view of Eye Town Hall, designed by Edward Buckton Lamb, a ‘'Rogue Gothic Revivalist'' of the mid-Victorian period, described by Pevsner as 'the most original though certainly not the most accomplished architect of his day'. Among his works are St Luke's Chapel in Brompton Hospital and alterations to Hughenden Manor for Benjamin Disraeli.
[Ref: 39780] £130.00 (£156.00 incl.VAT)
E.B. Lamb Arch.t del. F. Bedford lith. Day & Son, Lith.rs to The Queen.
Tinted lithograph. Printed area 230 x 265mm (9¼ x 10½") Tear through inscription. Dusty in margins.
A rare view of Eye Town Hall, designed by Edward Buckton Lamb, a ‘'Rogue Gothic Revivalist'' of the mid-Victorian period, described by Pevsner as 'the most original though certainly not the most accomplished architect of his day'. Among his works are St Luke's Chapel in Brompton Hospital and alterations to Hughenden Manor for Benjamin Disraeli.
[Ref: 39780] £130.00 (£156.00 incl.VAT)
Miss Eyebright.
[after George C. William]
Printed for John Bowles, at No. 13 in Cornhill [n.d., c.1770].
Hand coloured mezzotint. 150 x 110mm (6 x 4¼"), with very large margins.
A young woman, half-length almost in profile to right, turning her head to smile towards the viewer. Her hair is tied at the nape, and she is wearing a hat with ribbons hanging down the left side of her face, with a dark, hooded shawl trimmed with lace, and a bow at the bodice of her gown. For uncoloured impression, see item ref: 32842.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32841] £130.00 (£156.00 incl.VAT)
[after George C. William]
Printed for John Bowles, at No. 13 in Cornhill [n.d., c.1770].
Hand coloured mezzotint. 150 x 110mm (6 x 4¼"), with very large margins.
A young woman, half-length almost in profile to right, turning her head to smile towards the viewer. Her hair is tied at the nape, and she is wearing a hat with ribbons hanging down the left side of her face, with a dark, hooded shawl trimmed with lace, and a bow at the bodice of her gown. For uncoloured impression, see item ref: 32842.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32841] £130.00 (£156.00 incl.VAT)
Miss Eyebright.
[after George C. William]
Printed for John Bowles, at No. 13 in Cornhill [n.d., c.1770].
Mezzotint. 150 x 110mm (6 x 4¼"), with very large margins.
A young woman, half-length almost in profile to right, turning her head to smile towards the viewer. Her hair is tied at the nape, and she is wearing a hat with ribbons hanging down the left side of her face, with a dark, hooded shawl trimmed with lace, and a bow at the bodice of her gown. For coloured impression, see item ref: 32842.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32842] £95.00 (£114.00 incl.VAT)
[after George C. William]
Printed for John Bowles, at No. 13 in Cornhill [n.d., c.1770].
Mezzotint. 150 x 110mm (6 x 4¼"), with very large margins.
A young woman, half-length almost in profile to right, turning her head to smile towards the viewer. Her hair is tied at the nape, and she is wearing a hat with ribbons hanging down the left side of her face, with a dark, hooded shawl trimmed with lace, and a bow at the bodice of her gown. For coloured impression, see item ref: 32842.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32842] £95.00 (£114.00 incl.VAT)
Miss Eyebright.
[after George C. William]
Printed for John Bowles, at No. 13 in Cornhill [n.d., c.1770].
Mezzotint. 150 x 110mm (6 x 4¼"), with very large margins, mint.
A young woman, half-length almost in profile to right, turning her head to smile towards the viewer. Her hair is tied at the nape, and she is wearing a hat with ribbons hanging down the left side of her face, with a dark, hooded shawl trimmed with lace, and a bow at the bodice of her gown.
For coloured impression, see item ref: 32842.
[Ref: 55922] £130.00 (£156.00 incl.VAT)
[after George C. William]
Printed for John Bowles, at No. 13 in Cornhill [n.d., c.1770].
Mezzotint. 150 x 110mm (6 x 4¼"), with very large margins, mint.
A young woman, half-length almost in profile to right, turning her head to smile towards the viewer. Her hair is tied at the nape, and she is wearing a hat with ribbons hanging down the left side of her face, with a dark, hooded shawl trimmed with lace, and a bow at the bodice of her gown.
For coloured impression, see item ref: 32842.
[Ref: 55922] £130.00 (£156.00 incl.VAT)
Military Duties Plate 3.rd. Eyes Right.
[William Heath.]
[Pub.d May 8 1824 by S.W.Fores 41 Picadilly.]
Coloured etching. Sheet 230 x 165mm (9 x 6½"). Trimmed, very small hole top right.
A soldier stands at attention beside an officer outside a rustic inn or cottage. As the officer inspects a paper, the soldier eyes a girl in an open window.
BM Satires 14731.
[Ref: 60586] £190.00 (£228.00 incl.VAT)
[William Heath.]
[Pub.d May 8 1824 by S.W.Fores 41 Picadilly.]
Coloured etching. Sheet 230 x 165mm (9 x 6½"). Trimmed, very small hole top right.
A soldier stands at attention beside an officer outside a rustic inn or cottage. As the officer inspects a paper, the soldier eyes a girl in an open window.
BM Satires 14731.
[Ref: 60586] £190.00 (£228.00 incl.VAT)
Napoleon defeating the Prussian Army, at the Battle of Eylau.
Engraved by Mr George Cruikshank from the Original Design of Swebach, Published at Paris.
Published June 6, 1825 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 300mm (8½ x 11¾"). Folded twice as issued, small split taped, album paper stuck over left edge.
The Battle of Eylau (7-8th February 1807), in which Napoleon fought a Russian army that was reinforced by Prussians late in the day. Although the French gained possession of the battlefield, they had suffered enormous losses and failed to destroy the Russian army; the following morning, Marshal Ney observed: ''Quel massacre! Et sans résultat'' (''What a massacre! And without result''). From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53360] £95.00 (£114.00 incl.VAT)
Engraved by Mr George Cruikshank from the Original Design of Swebach, Published at Paris.
Published June 6, 1825 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 300mm (8½ x 11¾"). Folded twice as issued, small split taped, album paper stuck over left edge.
The Battle of Eylau (7-8th February 1807), in which Napoleon fought a Russian army that was reinforced by Prussians late in the day. Although the French gained possession of the battlefield, they had suffered enormous losses and failed to destroy the Russian army; the following morning, Marshal Ney observed: ''Quel massacre! Et sans résultat'' (''What a massacre! And without result''). From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53360] £95.00 (£114.00 incl.VAT)
Napoleon at Eylau Visiting with his Generals , in the morning of the 9th, the field of the battle, gained by the Emperor, February 8th. 1807.
Gros Pinxit Alfred Lucas Sculpt.
Mezzotint, 520 x 630 mm, 20½ x 24 ¾" Folds at edges of large margins.
Reproduction of the famous painting showing the gruesome scene after fierce fighting with dead and wounded littering frozen ground with portraits of Napoleon and Marshals.
[Ref: 8592] £320.00
Gros Pinxit Alfred Lucas Sculpt.
Mezzotint, 520 x 630 mm, 20½ x 24 ¾" Folds at edges of large margins.
Reproduction of the famous painting showing the gruesome scene after fierce fighting with dead and wounded littering frozen ground with portraits of Napoleon and Marshals.
[Ref: 8592] £320.00
![[Miss Harriet Eyre] This is the Age, when human bliss stands still, / Enjoys the good, without the fear of ill.](jpegs/66685.jpg)
[Miss Harriet Eyre] This is the Age, when human bliss stands still, / Enjoys the good, without the fear of ill.
Cosway del. F. Bartolozzi sculp: 1778.
Published May 14, 1798 by J. Read, Coventry Court, Coventry Street.
Etching, 135 x 90mm (5¼ x 3½"). Laid on album paper at corners.
A young girl with her dog.
De Vesme 1073, v of v.
[Ref: 66685] £160.00 (£192.00 incl.VAT)
Cosway del. F. Bartolozzi sculp: 1778.
Published May 14, 1798 by J. Read, Coventry Court, Coventry Street.
Etching, 135 x 90mm (5¼ x 3½"). Laid on album paper at corners.
A young girl with her dog.
De Vesme 1073, v of v.
[Ref: 66685] £160.00 (£192.00 incl.VAT)
![[The ejection of James Eyre as Recorder of the City of London] A Caricatura.](jpegs/54362.jpg)
[The ejection of James Eyre as Recorder of the City of London] A Caricatura.
Design'd & Engrav'd for the Political Register
[n.d., 1770].
Etching with engraving. 180 x 120mm (7 x 4¾"). Trimmed to plate on left.
Sir James Eyre (1734-99) refusal to voice the remonstrances of the corporation against the exclusion of Wilkes from Parliament lost him his job as Recorder, but earned him the gratitude of the goverment. Promoted, he eventually became Chief Justice of the Common Pleas.
BM Satires 4409.
[Ref: 54362] £95.00 (£114.00 incl.VAT)
Design'd & Engrav'd for the Political Register
[n.d., 1770].
Etching with engraving. 180 x 120mm (7 x 4¾"). Trimmed to plate on left.
Sir James Eyre (1734-99) refusal to voice the remonstrances of the corporation against the exclusion of Wilkes from Parliament lost him his job as Recorder, but earned him the gratitude of the goverment. Promoted, he eventually became Chief Justice of the Common Pleas.
BM Satires 4409.
[Ref: 54362] £95.00 (£114.00 incl.VAT)
The Right Honble. Sr. Robert Eyre Kt. Lord Chief Justice of his Majesties Court of Comon Pleas &c. 1725.
Sold by Tho: Taylor at ye Golden Lyon over aganst. Serjeants Inn, in Fleet Street. [c.1725.]
Rare mezzotint. Mounted on an album page. Image 350 x 248mm. 13¾ x 9¾". Cut and laid on sheet. Some glue staining to the corners.
Sir Robert Eyre (1666-1735) was an English lawyer, who served as Solicitor-General and then as a judge, ultimately as Chief Justice of the Common Pleas. Eyre served as Solicitor-General from 1708 to 1710. In 1710, he was appointed a puisne judge of the Court of Queen's Bench. In 1718, he gave an opinion favouring the view of the Prince of Wales, rather than that of the king over the education of the prince's children, and was therefore passed over for promotion to be Lord Chief Justice of King's Bench. However, he was appointed Lord Chief Baron of the Exchequer in 1723 and then appointed as Chief Justice of the Common Pleas in 1725, a post in which he served until his death. He also served as Member of Parliament for Southampton from 1727 until 1729.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12901] £250.00 (£300.00 incl.VAT)
Sold by Tho: Taylor at ye Golden Lyon over aganst. Serjeants Inn, in Fleet Street. [c.1725.]
Rare mezzotint. Mounted on an album page. Image 350 x 248mm. 13¾ x 9¾". Cut and laid on sheet. Some glue staining to the corners.
Sir Robert Eyre (1666-1735) was an English lawyer, who served as Solicitor-General and then as a judge, ultimately as Chief Justice of the Common Pleas. Eyre served as Solicitor-General from 1708 to 1710. In 1710, he was appointed a puisne judge of the Court of Queen's Bench. In 1718, he gave an opinion favouring the view of the Prince of Wales, rather than that of the king over the education of the prince's children, and was therefore passed over for promotion to be Lord Chief Justice of King's Bench. However, he was appointed Lord Chief Baron of the Exchequer in 1723 and then appointed as Chief Justice of the Common Pleas in 1725, a post in which he served until his death. He also served as Member of Parliament for Southampton from 1727 until 1729.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12901] £250.00 (£300.00 incl.VAT)
![[Sir Robert Eyre]](jpegs/42313.jpg)
[Sir Robert Eyre]
[George Perfect Harding, c.1802.]
Watercolour and wash, on verso in ink: 'From a drawing by Mr. Balls'; 155 x 115mm (6 x 4½"). Tipped into album sheet with hand-drawn border added. Inscriptions identifying sitter recto and verso.
Sir Robert Eyre (1666-1735), solicitor-general (the title by which he is referred on this watercolour), judge, and ultimately as Chief Justice of the Common Pleas. Eyre served as Solicitor-General from 1708 to 1710. In 1710, he was appointed a puisne judge of the Court of Queen's Bench. In 1718, he gave an opinion favouring the view of the prince of Wales rather than that of the king over the education of the prince's children, and was therefore passed over for promotion to be Lord Chief Justice of King's Bench. However, he was appointed Lord Chief Baron of the Exchequer in 1723 and then appointed as Chief Justice of the Common Pleas in 1725, a post in which he served until his death. He also served as Member of Parliament for Southampton from 1727 until 1729. Watercolour, probably after a portrait by Jonathan Richardson, by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
For a mezzotint of Eyre see ref. 12901.
[Ref: 42313] £280.00 (£336.00 incl.VAT)
[George Perfect Harding, c.1802.]
Watercolour and wash, on verso in ink: 'From a drawing by Mr. Balls'; 155 x 115mm (6 x 4½"). Tipped into album sheet with hand-drawn border added. Inscriptions identifying sitter recto and verso.
Sir Robert Eyre (1666-1735), solicitor-general (the title by which he is referred on this watercolour), judge, and ultimately as Chief Justice of the Common Pleas. Eyre served as Solicitor-General from 1708 to 1710. In 1710, he was appointed a puisne judge of the Court of Queen's Bench. In 1718, he gave an opinion favouring the view of the prince of Wales rather than that of the king over the education of the prince's children, and was therefore passed over for promotion to be Lord Chief Justice of King's Bench. However, he was appointed Lord Chief Baron of the Exchequer in 1723 and then appointed as Chief Justice of the Common Pleas in 1725, a post in which he served until his death. He also served as Member of Parliament for Southampton from 1727 until 1729. Watercolour, probably after a portrait by Jonathan Richardson, by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
For a mezzotint of Eyre see ref. 12901.
[Ref: 42313] £280.00 (£336.00 incl.VAT)
![[Eze.]](jpegs/2439.jpg)
[Eze.]
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 220 x 380mm.
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 2439] £185.00 (£222.00 incl.VAT)
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 220 x 380mm.
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 2439] £185.00 (£222.00 incl.VAT)
Vue d'Eza Prise de la Route de Gênes.
Avec Permission déposé à la Prefecture. 1839 / Nice, Lith.e Société Typographique.
Lithograph, printed area 165 x 200mm (6½ x 8"). Foxing to edges.
The medieval village of Èze, between Nice and Monaco in the south of France, renowned for its panoramic views. Locally published in Nice.
For a more recent view of Èze, see ref. 2439.
[Ref: 37547] £95.00 (£114.00 incl.VAT)
Avec Permission déposé à la Prefecture. 1839 / Nice, Lith.e Société Typographique.
Lithograph, printed area 165 x 200mm (6½ x 8"). Foxing to edges.
The medieval village of Èze, between Nice and Monaco in the south of France, renowned for its panoramic views. Locally published in Nice.
For a more recent view of Èze, see ref. 2439.
[Ref: 37547] £95.00 (£114.00 incl.VAT)
Ezzelin, Count of Ravenna. Surnamed Braccioferro or Iron Arm; musing over the Body of Meduna, slain by him for infidelity during his absence in the Holy Land.
Painted by H.Fusley. Engraved by J.R.Smith.
London, Published May 1781 by Ja.s Birchall, No.473 Strand.
Very rare mezzotint. 550 x 455mm (21¾ x 18"). Trimmed close to plate lower margin. Creasing across upper image.
The count, in armour, sitting despondently over the body of his wife, whom he has killed for betraying him. She lies at his feet, a blindfold over her eyes.
Fr 133. D'O 168. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65961] £420.00
Painted by H.Fusley. Engraved by J.R.Smith.
London, Published May 1781 by Ja.s Birchall, No.473 Strand.
Very rare mezzotint. 550 x 455mm (21¾ x 18"). Trimmed close to plate lower margin. Creasing across upper image.
The count, in armour, sitting despondently over the body of his wife, whom he has killed for betraying him. She lies at his feet, a blindfold over her eyes.
Fr 133. D'O 168. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65961] £420.00
Antonius, Faber, I, C,
De, L'armessin Sculp.
[n.d. c.1682.]
Engraving. 195 x 140mm. 7¾ x 5½". Cut.
Published in Isaac Bullart's 'Académie des Sciences et des Arts'. Antonius Faber was born in Bourg en Bresse in 1557. He studied literature and philosophy in Paris and law in Turin. He was a lawyer in Chambery and judge in Bresses, Bugey and Valromey; and in 1610 he was named President of Savoy Council. He is the author of one of the most precious sources of International law, the 'Codex Fabrianus', first publised in Geneva in 1606.
[Ref: 17040] £120.00 (£144.00 incl.VAT)
De, L'armessin Sculp.
[n.d. c.1682.]
Engraving. 195 x 140mm. 7¾ x 5½". Cut.
Published in Isaac Bullart's 'Académie des Sciences et des Arts'. Antonius Faber was born in Bourg en Bresse in 1557. He studied literature and philosophy in Paris and law in Turin. He was a lawyer in Chambery and judge in Bresses, Bugey and Valromey; and in 1610 he was named President of Savoy Council. He is the author of one of the most precious sources of International law, the 'Codex Fabrianus', first publised in Geneva in 1606.
[Ref: 17040] £120.00 (£144.00 incl.VAT)
![[Mrs Faber]](jpegs/67273.jpg)
[Mrs Faber]
Tho.s Hudson pinx:t. John Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint, 335 x 225mm (13¼ x 8¾"), with large margins, 18th century watermark.
An untitled portrait in oval of a woman wearing a close lace cap, shawl, fur tippet, which she holds in her right hand. According to Alexander, Faber married Jane Oliver in 1738, at St Martin's in the Fields, about four years after he moved to his Bloomsbury Square address. As he was nearly 40 years old, it was unlikely to be his first marriage.
CS 126. Alexander: British & Irish Engravers. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67273] £280.00 (£336.00 incl.VAT)
Tho.s Hudson pinx:t. John Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint, 335 x 225mm (13¼ x 8¾"), with large margins, 18th century watermark.
An untitled portrait in oval of a woman wearing a close lace cap, shawl, fur tippet, which she holds in her right hand. According to Alexander, Faber married Jane Oliver in 1738, at St Martin's in the Fields, about four years after he moved to his Bloomsbury Square address. As he was nearly 40 years old, it was unlikely to be his first marriage.
CS 126. Alexander: British & Irish Engravers. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67273] £280.00 (£336.00 incl.VAT)
Reverend. in Chro pater M Martinus Faber...
FF.
[n.d., c1590.]
Engraving. Sheet 205 x 160mm (8 x 6¼"). Trimmed to image, laid on album paper at edges.
A portrait of theologian Martin Faber with a bible, within an ornate strapwork border. Possibly a frontispiece to Faber's ''Richtige und Reine Auslegung der fünff Bücher Moysis'', Magdeburg 1585.
[Ref: 55486] £160.00 (£192.00 incl.VAT)
FF.
[n.d., c1590.]
Engraving. Sheet 205 x 160mm (8 x 6¼"). Trimmed to image, laid on album paper at edges.
A portrait of theologian Martin Faber with a bible, within an ornate strapwork border. Possibly a frontispiece to Faber's ''Richtige und Reine Auslegung der fünff Bücher Moysis'', Magdeburg 1585.
[Ref: 55486] £160.00 (£192.00 incl.VAT)
Fables Diverses dediées et présentées A Monseigneur le Duc de Berry, Par son tres humble et tres obeisant serviteur F. Silvestre. [Frontis] Le Grue ayant tire de la gorge du Loup Un os de son long bec qui le pressoit beaucoup: Il n’a tenu qu’à moy, de vous manger, commere, Lui dit le Loup ingrate, et c’est vôtre salaire.
F. Silvestre in et ex.
A Paris chez Buldet rue de Gesvres avec privil'au Roy.
Seven copper engravings. Plate 127 x 172mm. 5 x 6¾".
A collection of seven stories depicting animals as the main characters; including lions, horses, cows, horses, a donkey and bears, amongst others.
[Ref: 15563] £320.00 view all images for this item
F. Silvestre in et ex.
A Paris chez Buldet rue de Gesvres avec privil'au Roy.
Seven copper engravings. Plate 127 x 172mm. 5 x 6¾".
A collection of seven stories depicting animals as the main characters; including lions, horses, cows, horses, a donkey and bears, amongst others.
[Ref: 15563] £320.00 view all images for this item
![46.ème Grand Maitre des Templiers. S.P.E.P. Elu le 4 Novembre 1804. [&] Souverain Pontife et Patriarche de la Religion Chrétienne primitive. G.M.D.T.](jpegs/20872.jpg)
46.ème Grand Maitre des Templiers. S.P.E.P. Elu le 4 Novembre 1804. [&] Souverain Pontife et Patriarche de la Religion Chrétienne primitive. G.M.D.T.
F.A. Lecler 1832. Lith d'A. Didion.
A Paris, chez A.le Didion, Quai Conti No.5. [n.d., 1833.]
Pair of coloured lithographs, very scarce. 410 x 290mm, 16 x 11½". Several tears in edges of the paper and all over paper discolouration.
Two portraits of Bernard-Raymond Fabré-Palaprat, one in the uniform of Grand Master of the Knights Templar, the other as Patriarch of the Johannite Church of Primitive Christians. Fabré-Palaprat (1773-1838), a Catholic priest turned chiropodist (because of the Revolution), who founded a revival of the Knights Templar called l'Orde du Temple and the Johannite Church in 1805. He claimed that it had been a secret continuation of the original Order which had gone underground upon its disolution in the 14th century. With the approval of Napoleon Boneparte the order spread quickly through the French empire, but internal divisions caused it to collapse after Fabré-Palaprat's death. However his church still exists as the Apostolic Johannite Church.
[Ref: 20872] £280.00 (£336.00 incl.VAT) view all images for this item
F.A. Lecler 1832. Lith d'A. Didion.
A Paris, chez A.le Didion, Quai Conti No.5. [n.d., 1833.]
Pair of coloured lithographs, very scarce. 410 x 290mm, 16 x 11½". Several tears in edges of the paper and all over paper discolouration.
Two portraits of Bernard-Raymond Fabré-Palaprat, one in the uniform of Grand Master of the Knights Templar, the other as Patriarch of the Johannite Church of Primitive Christians. Fabré-Palaprat (1773-1838), a Catholic priest turned chiropodist (because of the Revolution), who founded a revival of the Knights Templar called l'Orde du Temple and the Johannite Church in 1805. He claimed that it had been a secret continuation of the original Order which had gone underground upon its disolution in the 14th century. With the approval of Napoleon Boneparte the order spread quickly through the French empire, but internal divisions caused it to collapse after Fabré-Palaprat's death. However his church still exists as the Apostolic Johannite Church.
[Ref: 20872] £280.00 (£336.00 incl.VAT) view all images for this item
![[Fabric samples]](jpegs/19085.jpg)
[Fabric samples] The Repository Of Arts, Literature, Commerce, Manufactures, Fashions, and Politics.
No. LIV. June, 1813. R. Ackermann, 101, Strand, London.
Three real cloth fragments glued over woodcut design, letterpress below. Complete. Sheet 250 x 155mm, 9¾ x 6".
For Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. It discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature. It regularly featured (numbered) samples from cloth merchants and manufacturers as a means of promoting their products. Figures represented include Britannia and Neptune; also a lion and the royal coat of arms.
[Ref: 19085] £65.00 (£78.00 incl.VAT)
No. LIV. June, 1813. R. Ackermann, 101, Strand, London.
Three real cloth fragments glued over woodcut design, letterpress below. Complete. Sheet 250 x 155mm, 9¾ x 6".
For Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. It discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature. It regularly featured (numbered) samples from cloth merchants and manufacturers as a means of promoting their products. Figures represented include Britannia and Neptune; also a lion and the royal coat of arms.
[Ref: 19085] £65.00 (£78.00 incl.VAT)
![[Fabric samples]](jpegs/19088.jpg)
[Fabric samples] The Repository Of Arts, Literature, Commerce, Manufactures, Fashions, and Politics.
June, 1814. --Vol. 11. R. Ackermann, 101, Strand, London.
Four cloth fragments glued over wood engraved design, letterpress below. Complete, Sheet 255 x 155mm, 10 x 6".
For Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. It discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature. It regularly featured (numbered) samples from cloth merchants and manufacturers as a means of promoting their products. The printed design incorporates a crown and the Prince of Wales's feathers; oval vignettes of a woman weaving cloth at a loom, a library interior, also a roundel with classical bust at centre.
[Ref: 19088] £65.00 (£78.00 incl.VAT)
June, 1814. --Vol. 11. R. Ackermann, 101, Strand, London.
Four cloth fragments glued over wood engraved design, letterpress below. Complete, Sheet 255 x 155mm, 10 x 6".
For Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. It discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature. It regularly featured (numbered) samples from cloth merchants and manufacturers as a means of promoting their products. The printed design incorporates a crown and the Prince of Wales's feathers; oval vignettes of a woman weaving cloth at a loom, a library interior, also a roundel with classical bust at centre.
[Ref: 19088] £65.00 (£78.00 incl.VAT)