A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Eudocia.
[Anon.]
[London Pub.d Sep.t 7th 1801 by M. Bovi No.12 Piccadilly.]
Stipple. Sheet size: 275 x 230mm (10¾ x 9"). Trimmed inside platemark.
A portrait of a young woman in oriental dress shown almost half-length leaning inward from the left and looking back up to left, with her hair loose under a plumed turban. For an un-cut impression see item ref: 36818.
[Ref: 36319] £120.00 (£144.00 incl.VAT)
[Anon.]
[London Pub.d Sep.t 7th 1801 by M. Bovi No.12 Piccadilly.]
Stipple. Sheet size: 275 x 230mm (10¾ x 9"). Trimmed inside platemark.
A portrait of a young woman in oriental dress shown almost half-length leaning inward from the left and looking back up to left, with her hair loose under a plumed turban. For an un-cut impression see item ref: 36818.
[Ref: 36319] £120.00 (£144.00 incl.VAT)
The most Serene Prince Eugene of Savoy, Knight of the Order of the Golden Fleece Privy Councellour to his Imperial Majesty President of the Council of War, and Generalissimo of all his forces in Italy &c.
D Rickter pinx. I Smith fec.
Sold by I. Smith at y.e Lyon & Crown in Russel Street Covent Garden. [n.d. c.1706]
Mezzotint, sheet 350 x 250mm (13¾ x 10"). Trimmed to plate and laid on album paper at edges.
Almost half-length portrait of Prince Eugene of Savoy (1663-1736), to the right, looking to front over his shoulder, wearing long, curled, flowing wig and embroidered robe over armour, clouds behind. Prince Eugene was one of the most celebrated military commanders of the 17th and 18th centuries, serving as feldmarschall of the Holy Roman Empire and the Austrian Habsburgs, and later rising to the highest offices of state in Vienna under three emperors. Born in Paris and originally intended for the priesthood, he instead pursued a military career; refused a commission by Louis XIV, he left France and entered the service of Emperor Leopold I, his enemy.
CS 85 II of II. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 68749] £320.00
D Rickter pinx. I Smith fec.
Sold by I. Smith at y.e Lyon & Crown in Russel Street Covent Garden. [n.d. c.1706]
Mezzotint, sheet 350 x 250mm (13¾ x 10"). Trimmed to plate and laid on album paper at edges.
Almost half-length portrait of Prince Eugene of Savoy (1663-1736), to the right, looking to front over his shoulder, wearing long, curled, flowing wig and embroidered robe over armour, clouds behind. Prince Eugene was one of the most celebrated military commanders of the 17th and 18th centuries, serving as feldmarschall of the Holy Roman Empire and the Austrian Habsburgs, and later rising to the highest offices of state in Vienna under three emperors. Born in Paris and originally intended for the priesthood, he instead pursued a military career; refused a commission by Louis XIV, he left France and entered the service of Emperor Leopold I, his enemy.
CS 85 II of II. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 68749] £320.00
Leonard Euler.
Thornthwaite scup.t.
[n.d., c.1800.]
Engraving. Sheet size: 140 x 110mm (5½ x 4¼"). Trimmed inside platemark.
A bust portrait, in profile to the left, of pioneering Swiss mathematician Leonard Euler (1707 - 1783), considered to be the pre-eminent mathematician of the 18th century and one of the greatest mathematicians to have ever lived.
[Ref: 37282] £60.00 (£72.00 incl.VAT)
Thornthwaite scup.t.
[n.d., c.1800.]
Engraving. Sheet size: 140 x 110mm (5½ x 4¼"). Trimmed inside platemark.
A bust portrait, in profile to the left, of pioneering Swiss mathematician Leonard Euler (1707 - 1783), considered to be the pre-eminent mathematician of the 18th century and one of the greatest mathematicians to have ever lived.
[Ref: 37282] £60.00 (£72.00 incl.VAT)
Leonhard Euler. Gebohren zu Basel, 1707, Gest. zu St Petersburg, 1803.
[Weimar: n.d., c.1808.]
Stipple. Plate 140 x 90mm (5½ x 3½"). Cut to plate on right.
Leonhard Euler (1707-83 - not 1803 as in the title), Swiss mathematician and physicist who, despite severe problems with his eyesight (hinted at in this portrait), made substantial contributions to the fields of geometry, calculus, trigonometry, astronomy and cartography. His work for the Imperial Russian Academy of Sciences and the Berlin Academy led to him being commemorated on postage stamps issued by Russia and Germany, as well as on a Swiss banknote. The portrait was published in 'Allgemeine Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch et al.
W: 921 - not in.
[Ref: 29600] £120.00 (£144.00 incl.VAT)
[Weimar: n.d., c.1808.]
Stipple. Plate 140 x 90mm (5½ x 3½"). Cut to plate on right.
Leonhard Euler (1707-83 - not 1803 as in the title), Swiss mathematician and physicist who, despite severe problems with his eyesight (hinted at in this portrait), made substantial contributions to the fields of geometry, calculus, trigonometry, astronomy and cartography. His work for the Imperial Russian Academy of Sciences and the Berlin Academy led to him being commemorated on postage stamps issued by Russia and Germany, as well as on a Swiss banknote. The portrait was published in 'Allgemeine Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch et al.
W: 921 - not in.
[Ref: 29600] £120.00 (£144.00 incl.VAT)
Leonhard Euler.
H. Pf. fecit.
[n.d., c.1800.]
Stipple with very large margins. 130 x 85mm (5 x 3¼").
Leonhard Euler (1707-83), Swiss mathematician and physicist who, despite severe problems with his eyesight (shown in this portrait), made substantial contributions to the fields of geometry, calculus, trigonometry, astronomy and cartography. In Russia he supervised the creation of the 'Atlas Russicus', published 1745, and in Germany he published the 'Atlas Geographicus' in 1753. Euler has been commemorated on postage stamps issued by Russia and Germany, as well as on a Swiss banknote.
[Ref: 29783] £140.00 (£168.00 incl.VAT)
H. Pf. fecit.
[n.d., c.1800.]
Stipple with very large margins. 130 x 85mm (5 x 3¼").
Leonhard Euler (1707-83), Swiss mathematician and physicist who, despite severe problems with his eyesight (shown in this portrait), made substantial contributions to the fields of geometry, calculus, trigonometry, astronomy and cartography. In Russia he supervised the creation of the 'Atlas Russicus', published 1745, and in Germany he published the 'Atlas Geographicus' in 1753. Euler has been commemorated on postage stamps issued by Russia and Germany, as well as on a Swiss banknote.
[Ref: 29783] £140.00 (£168.00 incl.VAT)
Eumenia, Grande Sultane, Reyne, Femme du Grand Sultan….qui l'ayme Extraordinairement.
L'armessin Sculp
A Paris Chez la Venue Bertrand, Rue St. Iacques a la Pome d Or, Avec Privil du Roy [n.d. c.1680].
Engraving. Sheet 165 x 240mm. Foxing. Trimmed to plate. Old tape residue into top of image.
Eumenia b.1647, wife of Ottoman Sultan Mehmet IV [1641 – 1692].
Collection of the Royal House of Savoy and Italy.
[Ref: 1640] £70.00 (£84.00 incl.VAT)
L'armessin Sculp
A Paris Chez la Venue Bertrand, Rue St. Iacques a la Pome d Or, Avec Privil du Roy [n.d. c.1680].
Engraving. Sheet 165 x 240mm. Foxing. Trimmed to plate. Old tape residue into top of image.
Eumenia b.1647, wife of Ottoman Sultan Mehmet IV [1641 – 1692].
Collection of the Royal House of Savoy and Italy.
[Ref: 1640] £70.00 (£84.00 incl.VAT)
The Euphrates and the Tigris from D'Anville's Atlas.
Haywood del. Bowen sculp.
Engraved for Jno. Harrison, No 115 Newgate Street. April 7, 1788.
Engraving. 360 x 420mm.
Map of the Near East after the French cartographer d'Anville, showing the showing Syria, Kurdistan & Iraq.
[Ref: 3046] £220.00
Haywood del. Bowen sculp.
Engraved for Jno. Harrison, No 115 Newgate Street. April 7, 1788.
Engraving. 360 x 420mm.
Map of the Near East after the French cartographer d'Anville, showing the showing Syria, Kurdistan & Iraq.
[Ref: 3046] £220.00
Euphrosine. Come thou Goddess fair & free [...]
G. Amiconi Pinxit. F. Bartolozzi sculp.t.
London Publish'd Sep.t 1 1784 by Ja.s Birchall N473 Strand.
Fine stipple with etching, printed in colours. 350 x 265mm (13¾ x 10½"), with large margins. Mint.
Euphrosine, goddess of good cheer, joy and mirth, one of the Three Charities, dances naked at a bacchanalia, with a tamborine. A man and a sleeping baby lie on the ground. Behind is a statue of Pan.
De Vesme 411. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60307] £650.00
G. Amiconi Pinxit. F. Bartolozzi sculp.t.
London Publish'd Sep.t 1 1784 by Ja.s Birchall N473 Strand.
Fine stipple with etching, printed in colours. 350 x 265mm (13¾ x 10½"), with large margins. Mint.
Euphrosine, goddess of good cheer, joy and mirth, one of the Three Charities, dances naked at a bacchanalia, with a tamborine. A man and a sleeping baby lie on the ground. Behind is a statue of Pan.
De Vesme 411. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60307] £650.00
Euripides. Engraved from an Ancient Bust found at Athens, in the possession of Ralph Carr, Esq.r. Private Plate.
Harriet Cheney, delineavit. Philip Audinet, sculpsit.
[n.d. c.1800.]
Engraving, 250 x 200mm (9¾ x 8") with small margins. Small creases and surface dirt.
A bust after a sculpture of Ancient Greek tragedian Euripides (c480- 406BC).
[Ref: 60605] £180.00 (£216.00 incl.VAT)
Harriet Cheney, delineavit. Philip Audinet, sculpsit.
[n.d. c.1800.]
Engraving, 250 x 200mm (9¾ x 8") with small margins. Small creases and surface dirt.
A bust after a sculpture of Ancient Greek tragedian Euripides (c480- 406BC).
[Ref: 60605] £180.00 (£216.00 incl.VAT)
Euripides. From a Bust in the Museum at the Vatican.
Drawn by A. Day Rome. Engraved by M.ne Bovi.
London Published by Cadell & Davies Aug.t 1796.
Stipple. Plate: 290 x 220mm (11.5 x 9"). Creasing in corners and through upper part of plate. Small margins.
A portrait of the Ancient Greek tragedian Euripides (c480- 406BC) after a bust in the Vatican.
[Ref: 45812] £70.00 (£84.00 incl.VAT)
Drawn by A. Day Rome. Engraved by M.ne Bovi.
London Published by Cadell & Davies Aug.t 1796.
Stipple. Plate: 290 x 220mm (11.5 x 9"). Creasing in corners and through upper part of plate. Small margins.
A portrait of the Ancient Greek tragedian Euripides (c480- 406BC) after a bust in the Vatican.
[Ref: 45812] £70.00 (£84.00 incl.VAT)
![[Europa riding on the back of Zeus disguised as a bull.]](jpegs/55473.jpg)
[Europa riding on the back of Zeus disguised as a bull.] Methinks the pictur'd bull we see / Is amourous Jove - it must be he! [...] Ode LIV.
Robert Ker Porter del. John Vendramini sculp.
London, Published June 4th. 1805 by John P Thompson, Gt. Newport Street, Printseller to His Majesty, & the Duke and Duchess of York.
Crayon manner. Sheet 345 x 250mm (13½ x 9¾"), 1818 watermark. Trimmed within plate, toning of edges.
An illustration from ''Odes of Anacreon''.
[Ref: 55473] £160.00 (£192.00 incl.VAT)
Robert Ker Porter del. John Vendramini sculp.
London, Published June 4th. 1805 by John P Thompson, Gt. Newport Street, Printseller to His Majesty, & the Duke and Duchess of York.
Crayon manner. Sheet 345 x 250mm (13½ x 9¾"), 1818 watermark. Trimmed within plate, toning of edges.
An illustration from ''Odes of Anacreon''.
[Ref: 55473] £160.00 (£192.00 incl.VAT)
From an Original Drawing, in the Collection of John Barnard Esq.r.
Simon. da. Pesaro inv e del: Gius. Zocchi. Sc:
[n.d., c.1790.]
Etching printed in brown ink. Plate: 300 x 250mm (11¾ x 9¾"). Very large margins.
A scene in which the figure of Europa rides on the back of Jupiter in the form of a bull, two cherubs fly above her whilst two putti ride a pair of dolphins.
[Ref: 39418] £160.00 (£192.00 incl.VAT)
Simon. da. Pesaro inv e del: Gius. Zocchi. Sc:
[n.d., c.1790.]
Etching printed in brown ink. Plate: 300 x 250mm (11¾ x 9¾"). Very large margins.
A scene in which the figure of Europa rides on the back of Jupiter in the form of a bull, two cherubs fly above her whilst two putti ride a pair of dolphins.
[Ref: 39418] £160.00 (£192.00 incl.VAT)
Europa.
Painted by Romanelli. Engrav'd by J.Dean.
Publish'd Oct.r 1791 by M.A.Dean, No 138 High Holborn.
Mezzotint. 510 x 355mm. Trimmed within plate.
Europa with Zeus disguised as a bull and Eros.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5060] £450.00
Painted by Romanelli. Engrav'd by J.Dean.
Publish'd Oct.r 1791 by M.A.Dean, No 138 High Holborn.
Mezzotint. 510 x 355mm. Trimmed within plate.
Europa with Zeus disguised as a bull and Eros.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5060] £450.00
From an Original Drawing, in the Collection of John Barnard Esq.r.
Simon. da. Pasero. del: Gius. Zocchi.
[n.d., c.1790.]
Etching printed in brown. Plate: 300 x 250mm (11¾ x 9¾). Very large margins.
A scene showing Europa and a young woman sitting on a bull, to the right of them three woman stand in conversation.
[Ref: 39419] £160.00 (£192.00 incl.VAT)
Simon. da. Pasero. del: Gius. Zocchi.
[n.d., c.1790.]
Etching printed in brown. Plate: 300 x 250mm (11¾ x 9¾). Very large margins.
A scene showing Europa and a young woman sitting on a bull, to the right of them three woman stand in conversation.
[Ref: 39419] £160.00 (£192.00 incl.VAT)
L'Europe.
avec Privilege [n.d., c.1720.]
Mezzotint, 245 x 170mm. 9¾ x 6¾". V. fine.
Europa was a Phoenician woman of high lineage in Greek mythology, from whom the name of the continent Europe has ultimately been taken. A myth tells of her abduction by Zeus in the form of a white bull. Europa's earliest literary reference is in the Iliad, which is commonly dated to the late 9th or to the 8th century BC.
Evidence of re-working to a c.1720 plate.
[Ref: 10378] £360.00
avec Privilege [n.d., c.1720.]
Mezzotint, 245 x 170mm. 9¾ x 6¾". V. fine.
Europa was a Phoenician woman of high lineage in Greek mythology, from whom the name of the continent Europe has ultimately been taken. A myth tells of her abduction by Zeus in the form of a white bull. Europa's earliest literary reference is in the Iliad, which is commonly dated to the late 9th or to the 8th century BC.
Evidence of re-working to a c.1720 plate.
[Ref: 10378] £360.00
Europa. In the Gallery at Houghton.
Paul Brill Pinxit. Figures by Domenichino. Jos.h Farington delin. John Browne Sculpsit. Figures by Bartolozzi.
Published Sep.r 29.th 1776 by John Boydell Engraver in Cheapside London.
Engraving. 290 x 380mm (11½ x 15") large margins. Waterstain in lower right corner and spread into the image.
A landscape scene with four nymphs resting with hunting dogs on the banks of a stream in the lower left corner, with game in the left foreground. Deer are approaching the water's edge to drink on the far bank to the right, with foxes in the trees beyond to the left and boar running across the middle ground. Other figures can be seen on grassy slopes in the background, dominated by a castle on a mountain to the right. After Bril and Domenichino, engraved by Browne and Bartolozzi.
De Vesme: 2512.
[Ref: 53835] £260.00 (£312.00 incl.VAT)
Paul Brill Pinxit. Figures by Domenichino. Jos.h Farington delin. John Browne Sculpsit. Figures by Bartolozzi.
Published Sep.r 29.th 1776 by John Boydell Engraver in Cheapside London.
Engraving. 290 x 380mm (11½ x 15") large margins. Waterstain in lower right corner and spread into the image.
A landscape scene with four nymphs resting with hunting dogs on the banks of a stream in the lower left corner, with game in the left foreground. Deer are approaching the water's edge to drink on the far bank to the right, with foxes in the trees beyond to the left and boar running across the middle ground. Other figures can be seen on grassy slopes in the background, dominated by a castle on a mountain to the right. After Bril and Domenichino, engraved by Browne and Bartolozzi.
De Vesme: 2512.
[Ref: 53835] £260.00 (£312.00 incl.VAT)
L'Europe.
Guérard del. Imp. Lemercier. Régnier et Bettanier lith.
Paris publié par J. Bulla et F. Delarue 10, rue JJ Rousseau. London, published, 15 March 1844 by the Anaglyphic Company, 12 Denmark St. Soho. [n.d. c.1850.]
Fine coloured lithograph. 310 x 255mm. 12¼ x 10".
Europe; a young woman sat with her left-hand in pocket and right-hand holding a closed fan. She wears a particular head-dress with a cloth draped over a bar that goes through her hair and with a bell at either end; a volcano in the background, maybe Vesuvius.
[Ref: 23954] £140.00 (£168.00 incl.VAT)
Guérard del. Imp. Lemercier. Régnier et Bettanier lith.
Paris publié par J. Bulla et F. Delarue 10, rue JJ Rousseau. London, published, 15 March 1844 by the Anaglyphic Company, 12 Denmark St. Soho. [n.d. c.1850.]
Fine coloured lithograph. 310 x 255mm. 12¼ x 10".
Europe; a young woman sat with her left-hand in pocket and right-hand holding a closed fan. She wears a particular head-dress with a cloth draped over a bar that goes through her hair and with a bell at either end; a volcano in the background, maybe Vesuvius.
[Ref: 23954] £140.00 (£168.00 incl.VAT)
Europe.
London. Pub.d by C.T. Stampa & C.o, 25 Kirby Str.t, Hatton Garden, Dec.r. 1. 1804. [But later]
Coloured mezzotint, watermark 1824, 350 x 255mm (13¾ x 10"), with large margins. Small nicks in margins.
An allegorical figure of Europe shown full-length standing slightly to the left. Her right hand holds a pair of compasses as she plots on a globe. She is surrounded by objects; to her left a cornacopia, book, scroll, map of Europe. Right; a pallete, sheet music, a caduceus rod and books. In the background a man ploughs a field.
[Ref: 60702] £230.00 (£276.00 incl.VAT)
London. Pub.d by C.T. Stampa & C.o, 25 Kirby Str.t, Hatton Garden, Dec.r. 1. 1804. [But later]
Coloured mezzotint, watermark 1824, 350 x 255mm (13¾ x 10"), with large margins. Small nicks in margins.
An allegorical figure of Europe shown full-length standing slightly to the left. Her right hand holds a pair of compasses as she plots on a globe. She is surrounded by objects; to her left a cornacopia, book, scroll, map of Europe. Right; a pallete, sheet music, a caduceus rod and books. In the background a man ploughs a field.
[Ref: 60702] £230.00 (£276.00 incl.VAT)
Europa das ein drittheil der erden / nach gelegenheit unsern zeiten.
[Basle, Heinrich Petri, c.1550.]
Woodcut. Sheet 282 x 375mm (11 x 14¾"). Margin bottom left restored, tape stains in edges. Evidence of cracks in the woodblock.
Munster's famous upside-down map of Europe, although omitting most of Scandinavia, Scotland and half of Ireland. Despite the strange orientation (a German convention to align maps with the solar compass) it is the first map of the continent not based on Ptolemy. The map was first used in Munster's edition of Ptolemy's 'Geographia' in 1540 and also appeared in his 'Cosmographia'; the cracks in the woodblock first appeared in 1545. A new, similar block was used from 1571-2 until 1578, when a new map, copied from Ortelius, was introduced.
[Ref: 55504] £990.00 view all images for this item
[Basle, Heinrich Petri, c.1550.]
Woodcut. Sheet 282 x 375mm (11 x 14¾"). Margin bottom left restored, tape stains in edges. Evidence of cracks in the woodblock.
Munster's famous upside-down map of Europe, although omitting most of Scandinavia, Scotland and half of Ireland. Despite the strange orientation (a German convention to align maps with the solar compass) it is the first map of the continent not based on Ptolemy. The map was first used in Munster's edition of Ptolemy's 'Geographia' in 1540 and also appeared in his 'Cosmographia'; the cracks in the woodblock first appeared in 1545. A new, similar block was used from 1571-2 until 1578, when a new map, copied from Ortelius, was introduced.
[Ref: 55504] £990.00 view all images for this item
Europa nach Gelegenheit unserer Zeit New Beschrieben.
[Basle: c.1588.]
Woodcut. Printed area 320 x 360mm (12½ x 14"). Slight creasing.
A woodcut map of Europe, copied from Ortelius's map of 1570, replacing the famous upside-down map of Europe in editions of Munster's 'Cosmographia' from 1588. Sebastian Münster (1488-1552) was a Christian Hebraist scholar as well as a cartographer and cosmographer. His 'Cosmographia', first published in 1544, is the earliest German description of the world.
[Ref: 30680] £280.00
[Basle: c.1588.]
Woodcut. Printed area 320 x 360mm (12½ x 14"). Slight creasing.
A woodcut map of Europe, copied from Ortelius's map of 1570, replacing the famous upside-down map of Europe in editions of Munster's 'Cosmographia' from 1588. Sebastian Münster (1488-1552) was a Christian Hebraist scholar as well as a cartographer and cosmographer. His 'Cosmographia', first published in 1544, is the earliest German description of the world.
[Ref: 30680] £280.00
An Accurate Map of Great Britain, France & Ireland, with Part of Spain, Germany, Denmark &c. Shewing at One View the True Bearing and Horizontal Distance, of any Place within 700 Miles of London; Drawn from the Best Authorities.
Published 12th May, 1794 by Laurie & Whittle, 53 Fleet Street, London.
Engraved map with fine hand colour. Sheet 530 x 535mm, 20¾ x 21". Trimmed to printed border at top, narrow margins on other edges; tear near centrefold at top.
An unusual hemispherical projection centred on London, allowing the compass bearings to be shown as straight lines. The 700 miles from London reaches the Faroe Islands, Bergen in Norway, Munich in Germany, Parma in Italy, the northern coasts of Majorca and Minorca, and Galicia in Spain.
[Ref: 21201] £450.00
Published 12th May, 1794 by Laurie & Whittle, 53 Fleet Street, London.
Engraved map with fine hand colour. Sheet 530 x 535mm, 20¾ x 21". Trimmed to printed border at top, narrow margins on other edges; tear near centrefold at top.
An unusual hemispherical projection centred on London, allowing the compass bearings to be shown as straight lines. The 700 miles from London reaches the Faroe Islands, Bergen in Norway, Munich in Germany, Parma in Italy, the northern coasts of Majorca and Minorca, and Galicia in Spain.
[Ref: 21201] £450.00
![[European Love]](jpegs/44963.jpg)
[European Love] L'Amour européen Cette fiére Beauté, de l'Amour qu'elle brave / Sent en secret toute l'Ardeur [...]
Ch. Eisen Inv. F. Basan Exc.
AParis chés Basan Graveur [n.d., c.1760.]
Engraving, sheet 385 x 290mm (15¼ x 11½"). Trimmed to platemark; glued to album sheet at corners.
A woman lounges on a chaise longue and reads while her lover caresses her hand. Engraving after Charles-Dominique-Joseph Eisen (1720-1778), painter and draftsman to the Louis XV and drawing-master to Madame de Pompadour. Published by Pierre-François Basan (1723-1797), engraver, printseller and publisher of a 'Dictionnaire des Graveurs' in 1767.
[Ref: 44963] £520.00
Ch. Eisen Inv. F. Basan Exc.
AParis chés Basan Graveur [n.d., c.1760.]
Engraving, sheet 385 x 290mm (15¼ x 11½"). Trimmed to platemark; glued to album sheet at corners.
A woman lounges on a chaise longue and reads while her lover caresses her hand. Engraving after Charles-Dominique-Joseph Eisen (1720-1778), painter and draftsman to the Louis XV and drawing-master to Madame de Pompadour. Published by Pierre-François Basan (1723-1797), engraver, printseller and publisher of a 'Dictionnaire des Graveurs' in 1767.
[Ref: 44963] £520.00
The Bible, Crown and Constitution No.32 Cornhill. Where Foreign Orders are executed and Book Societies supplied on liberal Terms.
S Rawle del. fct.
Frontispiece to the European Magazine, Vol. 69. [London, 1816.]
Etching, frontispiece to the European Magazine. Sheet 210 x 110mm, 8¼ x 4¼". Trimmed.
View of the front of the European Magazine's office on Cornhill in the City of London. 'Asperne' in large lettering over ground floor bookshop window, to left a lane leading through to 'Cowper's Court'; two figures standing at entrance to lane include a dark-skinned gentleman in oriental dress. Bookseller and publisher James Asperne (1757 - 1820) was proprietor of the European Magazine after succeeding John Sewell in 1803.
[Ref: 19072] £65.00 (£78.00 incl.VAT)
S Rawle del. fct.
Frontispiece to the European Magazine, Vol. 69. [London, 1816.]
Etching, frontispiece to the European Magazine. Sheet 210 x 110mm, 8¼ x 4¼". Trimmed.
View of the front of the European Magazine's office on Cornhill in the City of London. 'Asperne' in large lettering over ground floor bookshop window, to left a lane leading through to 'Cowper's Court'; two figures standing at entrance to lane include a dark-skinned gentleman in oriental dress. Bookseller and publisher James Asperne (1757 - 1820) was proprietor of the European Magazine after succeeding John Sewell in 1803.
[Ref: 19072] £65.00 (£78.00 incl.VAT)
Light Sovereigns.
Printed by W. Kohler.
London, Me.std Fores 41 Piccasilly. [n.d. c.1840]
Lithograph, sheet 445 x 305mm (17½ x 12"), large margins. Repeared tear in margins on left.
Satire of European monarchs: A hand holds the scales of justice, with Queen Victoria (1819-1901) on the left outweighing six European kings, including Ernest Augustus King of Hanover (1771-1851), Louis Philippe I (1773-1850), and Leopold I (1790-1865). After S W Fores's death in 1838 the business was continued as Messrs Fores by his sons, George Thomas Fores (1806-58) and Arthur Blücher Fores (1814-83), who moved from satirical to sporting prints. It continued to be run by the descendants of George Thomas Fores until well into the 20th century.
[Ref: 66779] £130.00 (£156.00 incl.VAT)
Printed by W. Kohler.
London, Me.std Fores 41 Piccasilly. [n.d. c.1840]
Lithograph, sheet 445 x 305mm (17½ x 12"), large margins. Repeared tear in margins on left.
Satire of European monarchs: A hand holds the scales of justice, with Queen Victoria (1819-1901) on the left outweighing six European kings, including Ernest Augustus King of Hanover (1771-1851), Louis Philippe I (1773-1850), and Leopold I (1790-1865). After S W Fores's death in 1838 the business was continued as Messrs Fores by his sons, George Thomas Fores (1806-58) and Arthur Blücher Fores (1814-83), who moved from satirical to sporting prints. It continued to be run by the descendants of George Thomas Fores until well into the 20th century.
[Ref: 66779] £130.00 (£156.00 incl.VAT)
![[Alexander I of Russia, Francis I of Austria & Friedrich Wilhelm III of Prussia.] Sehr drey Monarchen hier...](jpegs/59803.jpg)
[Alexander I of Russia, Francis I of Austria & Friedrich Wilhelm III of Prussia.] Sehr drey Monarchen hier...
Jos. Ant. Natterer inv.t et pinx.t. Carl Pfeiffer sculp.t.
[n.d., c.1813.]
Scarce stipple. 280 x 195mm (11 x 7¾"), with large margins.
Portraits of the monarchs of Russia, Prussia and Austria (allies in the wars against Napoleon) amalgamated into one head, sharing three noses and two noses, surrounded by sunbeams, within a garland.
[Ref: 59803] £230.00 (£276.00 incl.VAT)
Jos. Ant. Natterer inv.t et pinx.t. Carl Pfeiffer sculp.t.
[n.d., c.1813.]
Scarce stipple. 280 x 195mm (11 x 7¾"), with large margins.
Portraits of the monarchs of Russia, Prussia and Austria (allies in the wars against Napoleon) amalgamated into one head, sharing three noses and two noses, surrounded by sunbeams, within a garland.
[Ref: 59803] £230.00 (£276.00 incl.VAT)
![[European Rulers during the War of the Austrian Succession.]](jpegs/44018.jpg)
[European Rulers during the War of the Austrian Succession.] Le Theatre des Puissances de la presente guerre [...] [paralllel text in German]
John Michael Probst excud Aug. [c.1745]
Engraving, sheet 215 x 300mm (8½ x 11¾"). Trimmed.
Portraits of eight European rulers including George II of Great Britain and Louis XV of France.
[Ref: 44018] £240.00 (£288.00 incl.VAT)
John Michael Probst excud Aug. [c.1745]
Engraving, sheet 215 x 300mm (8½ x 11¾"). Trimmed.
Portraits of eight European rulers including George II of Great Britain and Louis XV of France.
[Ref: 44018] £240.00 (£288.00 incl.VAT)
The European Race Heat II.d Anno Dom MDCCXXXVIII. Inscrib'd to the Politicians of the Universe By their Humble Servt: An Englishman. Let us hear the conclusion of the whole matter, Fear God and keep his commandments for this is the whole Duty of Man. Ecclesiastes the 12th: Verse the 13th:
C. Mosley Sculpt.
Publish'd November the 26th, 1738, according to the late Act.
Engraving. 280 x 400mm (11 x 15¾"), 18th century watermark. Some staining and creasing. Trimmed to the plate.
Satire on the jockeying for position of the European powers in the late 1730s, and in particular on the unwillingness of Walpole's government to go to war; this is the second of four "Heats" in the Race. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes France in the form of a fox ridden by Cardinal Fleury with a serpent for a belt indicating wisdom; he is pursued by Theodore of Corsica in full armour having remounted since the first Heat and now threatening Fleury with a sword and pistol; next comes Don Geraldino (Sir Thomas Fitzgerald, Spanish envoy to London) riding a bucking wolf, no longer led by France. The Turkish elephant has dropped its spectacles and overtaken the Russian bear; the pasha stands on the its back holding a flag with three tails; four Russian flags are stuck into the animal's hindquarters and it has a wooden leg replacing one lost in the war (allusions to the terrible losses sustained by Turkey in the course of victorious battles against Russia); the Russian bear's forepaw is carried in a sling. These wolf, elephant and bear are all branded with the fleur-de-lis. Austria follows in the form of a jockey riding an eagle, its clipped wings repaired with a fleur-de-lis and its heavy orb lying on the ground. A monkey is perched on the distance post as before, but no longer holds the fleur-de-lis. Next comes a Dutchman mounted on a boar its progress hampered by a fleur-de-lis chained to its leg. The race approaches the grandstand from which hangs the prize, now a laurel wreath; the flag is now the Union flag, lettered "Made in France of true English Wool"; a raven, bird of ill-omen perches on the cross-bar.
[Ref: 52261] £480.00
C. Mosley Sculpt.
Publish'd November the 26th, 1738, according to the late Act.
Engraving. 280 x 400mm (11 x 15¾"), 18th century watermark. Some staining and creasing. Trimmed to the plate.
Satire on the jockeying for position of the European powers in the late 1730s, and in particular on the unwillingness of Walpole's government to go to war; this is the second of four "Heats" in the Race. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes France in the form of a fox ridden by Cardinal Fleury with a serpent for a belt indicating wisdom; he is pursued by Theodore of Corsica in full armour having remounted since the first Heat and now threatening Fleury with a sword and pistol; next comes Don Geraldino (Sir Thomas Fitzgerald, Spanish envoy to London) riding a bucking wolf, no longer led by France. The Turkish elephant has dropped its spectacles and overtaken the Russian bear; the pasha stands on the its back holding a flag with three tails; four Russian flags are stuck into the animal's hindquarters and it has a wooden leg replacing one lost in the war (allusions to the terrible losses sustained by Turkey in the course of victorious battles against Russia); the Russian bear's forepaw is carried in a sling. These wolf, elephant and bear are all branded with the fleur-de-lis. Austria follows in the form of a jockey riding an eagle, its clipped wings repaired with a fleur-de-lis and its heavy orb lying on the ground. A monkey is perched on the distance post as before, but no longer holds the fleur-de-lis. Next comes a Dutchman mounted on a boar its progress hampered by a fleur-de-lis chained to its leg. The race approaches the grandstand from which hangs the prize, now a laurel wreath; the flag is now the Union flag, lettered "Made in France of true English Wool"; a raven, bird of ill-omen perches on the cross-bar.
[Ref: 52261] £480.00
Les Defenseurs Du Droit Et De La Liberte De L'Europe.
Imp. Lermercier, Paris.
Berlin, Verlag von Goupil & Co. Goupil & Cie Paris et New-York. Publie le 20 Aout 1854. London, E. Gambart & Co.
Large lithograph on india laid paper, sheet 530 x 755mm. 20¾ x 29¾". Waterstain left side of lower title area and into image at right. Paper edges generally tatty, with tear to title at top. Fold through centre as issued.
Assembled representatives of the coalition of French, British and Ottoman forces against the Russian Empire in the Crimean War (1853 - 1856). The illustrious royal, military and naval sitters are indentified underneath, including the Omar Pasha Latas, Ottoman general; the son and heir of Napoleon III of France; Ismail Pasha Viceroy of Egypt; and Fitzroy James Henry Somerset, 1st Baron Raglan (1788 - 1855), Commander in the Crimea; also Prince George William Frederick Charles, 2nd Duke of Cambridge (1819 - 1904). Royal and military standards, also the masts and sails of ships, visible in background. Publisher's blindstamp.
[Ref: 12384] £270.00 (£324.00 incl.VAT)
Imp. Lermercier, Paris.
Berlin, Verlag von Goupil & Co. Goupil & Cie Paris et New-York. Publie le 20 Aout 1854. London, E. Gambart & Co.
Large lithograph on india laid paper, sheet 530 x 755mm. 20¾ x 29¾". Waterstain left side of lower title area and into image at right. Paper edges generally tatty, with tear to title at top. Fold through centre as issued.
Assembled representatives of the coalition of French, British and Ottoman forces against the Russian Empire in the Crimean War (1853 - 1856). The illustrious royal, military and naval sitters are indentified underneath, including the Omar Pasha Latas, Ottoman general; the son and heir of Napoleon III of France; Ismail Pasha Viceroy of Egypt; and Fitzroy James Henry Somerset, 1st Baron Raglan (1788 - 1855), Commander in the Crimea; also Prince George William Frederick Charles, 2nd Duke of Cambridge (1819 - 1904). Royal and military standards, also the masts and sails of ships, visible in background. Publisher's blindstamp.
[Ref: 12384] £270.00 (£324.00 incl.VAT)
A plan of the intended New Road from Paddington to Islington.
B. Cole sculp.
[London: Gentleman's Magazine, 1756.]
Engraved map. 165 x 480mm (6½ x 19"). Split in the binding fold.
The plan for London's first bypass, building Euston Road & Pentonville Road to allow the Duke of Grafton a better route to drive his cattle to Smithfield Market. Among the features marked are: Oxford Street; Berkeley, Grosvenor, Cavendish, Hanover, Red Lion and Lincoln's Inn Squares; Middlesex Hospital, Foundlings Hospital, Montague House (later the British Museum), St Giles's Church, 'Farthing Pye House' (a pub known for its pies, frequented by William Blake) and White Conduit House (future home to the White Conduit Club, later reorganised as the Marylebone Cricket Club).
[Ref: 51450] £160.00
B. Cole sculp.
[London: Gentleman's Magazine, 1756.]
Engraved map. 165 x 480mm (6½ x 19"). Split in the binding fold.
The plan for London's first bypass, building Euston Road & Pentonville Road to allow the Duke of Grafton a better route to drive his cattle to Smithfield Market. Among the features marked are: Oxford Street; Berkeley, Grosvenor, Cavendish, Hanover, Red Lion and Lincoln's Inn Squares; Middlesex Hospital, Foundlings Hospital, Montague House (later the British Museum), St Giles's Church, 'Farthing Pye House' (a pub known for its pies, frequented by William Blake) and White Conduit House (future home to the White Conduit Club, later reorganised as the Marylebone Cricket Club).
[Ref: 51450] £160.00
IV. Euterpe. Dulciloquis calamos Euterpe Flatibus implet.
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Euterpe, the Muse of Music, seated at an organ. Sheet music, clarinet and oboe lie on the ground next to her. A Dutch reverse copy of Henri Bonnart's (1642 - 1711) print.
[Ref: 68720] £260.00 (£312.00 incl.VAT)
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Euterpe, the Muse of Music, seated at an organ. Sheet music, clarinet and oboe lie on the ground next to her. A Dutch reverse copy of Henri Bonnart's (1642 - 1711) print.
[Ref: 68720] £260.00 (£312.00 incl.VAT)
![[Paul the Apostle] Evangelicae Doctrinae. Articuli Principales Quinque Diuo Paulo Apostolo enarrati Aereis tabulis a Ioan: Sadler Scalpti et Excusi.](jpegs/21035.jpg)
[Paul the Apostle] Evangelicae Doctrinae. Articuli Principales Quinque Diuo Paulo Apostolo enarrati Aereis tabulis a Ioan: Sadler Scalpti et Excusi.
N: de Vos figuravit. [Jan Sadeler.]
[n.d. c.1720.]
Engraving. Plate 191 x 146mm. 7½ x 5¾".
Paul the Apostle, was one of the most influential early Christian missionaries, with his writings forming a considerable portion of the New Testament.
[Ref: 21035] £65.00 (£78.00 incl.VAT)
N: de Vos figuravit. [Jan Sadeler.]
[n.d. c.1720.]
Engraving. Plate 191 x 146mm. 7½ x 5¾".
Paul the Apostle, was one of the most influential early Christian missionaries, with his writings forming a considerable portion of the New Testament.
[Ref: 21035] £65.00 (£78.00 incl.VAT)
Mr. W.H.B. Evans.
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 255 x 380mm.
W.H.B. Evans, Player for Worcestershire died in and aircraft accident in 1913. ACT:Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1250] £120.00 (£144.00 incl.VAT)
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 255 x 380mm.
W.H.B. Evans, Player for Worcestershire died in and aircraft accident in 1913. ACT:Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1250] £120.00 (£144.00 incl.VAT)
![[Sir George De Lacy Evans.]](jpegs/66165.jpg)
[Sir George De Lacy Evans.]
[Painted by Richard Buckner. Engraved by G. Zobel.]
[London Published Nov.r 12th. 1856, by Paul & Dominic Colnaghi & Co. 13 & 14 Pall Mall East. _ Publishers to Her Majesty.]
Rare mezzotint, proof before letters on chine collé. 530 x 405mm (21 x 16"), limited edition Proofs 325. Trimmed within plate.
Three-quarter length portrait of General Sir George de Lacy Evans (1787-1870), an Irish officer briefly of the East India Company and subsequently the British Army. He fought in the Peninsula War; the War of 1812, including the burning of Washington; Quatre Bras and Waterloo; and the Crimean War, including the Alma. Buckner's life-size portrait of Evans was rediscovered in 2012 and appeared on the BBC Antiques Road Show at Cheltenham in 2013.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66165] £380.00
[Painted by Richard Buckner. Engraved by G. Zobel.]
[London Published Nov.r 12th. 1856, by Paul & Dominic Colnaghi & Co. 13 & 14 Pall Mall East. _ Publishers to Her Majesty.]
Rare mezzotint, proof before letters on chine collé. 530 x 405mm (21 x 16"), limited edition Proofs 325. Trimmed within plate.
Three-quarter length portrait of General Sir George de Lacy Evans (1787-1870), an Irish officer briefly of the East India Company and subsequently the British Army. He fought in the Peninsula War; the War of 1812, including the burning of Washington; Quatre Bras and Waterloo; and the Crimean War, including the Alma. Buckner's life-size portrait of Evans was rediscovered in 2012 and appeared on the BBC Antiques Road Show at Cheltenham in 2013.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66165] £380.00
Iohn Evans, the Ill favor'd Astrologer, of Wales.
Published by I. Caulfield Feb.y 1. 1794.
Engraving. Plate: 180 x 105mm (7 x 4¼''). Laid on album sheet.
A portrait of the 'ill-favoured' Welsh astrologer John Evans, active in the 17th century. After a painting by John Bulfinch.
[Ref: 48878] £60.00 (£72.00 incl.VAT)
Published by I. Caulfield Feb.y 1. 1794.
Engraving. Plate: 180 x 105mm (7 x 4¼''). Laid on album sheet.
A portrait of the 'ill-favoured' Welsh astrologer John Evans, active in the 17th century. After a painting by John Bulfinch.
[Ref: 48878] £60.00 (£72.00 incl.VAT)
William Evans Esq.r. Sheriff of London and Middlesex 1839-40. Committed to the Custody of the Serjeant at Arms, Tuesday Jan.y 21st 1840. Interior of the Room in which Mr Sheriff Evans was confined.
J. Linnell fe.t 1840. On Stone by Weld Taylor. J. Graf, Printer to her Majesty.
London, Published March 6, by Thomas Boys, XI Golden Square, Regent Street.
Lithograph on india, rare. 550 x 375mm (21½ x 14¾"). Damp stain bottom left.
Portrait of William Evans, a City official caught up in a confrontation concerning Parliamentary Privilege. In 1839 John Joseph Stockdale (publisher and some-time blackmailer famed for being told 'Publish and be damned' by the Duke of Wellington) brought a libel case against Hansard, the printer of House of Commons business records, over a book Stockdale published, 'On Diseases of the Generative System', being branded obscene. Stockdale won, on the grounds that the House of Commons enjoyed no privilege as to publications under its authority circulated beyond Members of Parliament. The Queen's Bench court sent sheriffs William Evans and John Wheelton to Parliament to claim the damages but were imprisoned for Contempt of Parliament. However the situation was diffused by the 'Parliamentary Papers Act 1840' which made Parliamentary Privilege absolute and invalidated Stockdale's case.
[Ref: 44088] £280.00 (£336.00 incl.VAT)
J. Linnell fe.t 1840. On Stone by Weld Taylor. J. Graf, Printer to her Majesty.
London, Published March 6, by Thomas Boys, XI Golden Square, Regent Street.
Lithograph on india, rare. 550 x 375mm (21½ x 14¾"). Damp stain bottom left.
Portrait of William Evans, a City official caught up in a confrontation concerning Parliamentary Privilege. In 1839 John Joseph Stockdale (publisher and some-time blackmailer famed for being told 'Publish and be damned' by the Duke of Wellington) brought a libel case against Hansard, the printer of House of Commons business records, over a book Stockdale published, 'On Diseases of the Generative System', being branded obscene. Stockdale won, on the grounds that the House of Commons enjoyed no privilege as to publications under its authority circulated beyond Members of Parliament. The Queen's Bench court sent sheriffs William Evans and John Wheelton to Parliament to claim the damages but were imprisoned for Contempt of Parliament. However the situation was diffused by the 'Parliamentary Papers Act 1840' which made Parliamentary Privilege absolute and invalidated Stockdale's case.
[Ref: 44088] £280.00 (£336.00 incl.VAT)
![[Evelina] [Le Singe.]](jpegs/20434.jpg)
[Evelina] [Le Singe.]
I. Mortimer inv. F. Bartolozzi sculp.
[T. Lowndes Published Nov.r 24 1779.]
Etching with engraving, proof before all letters. 165 x 115mm (6½ x 4½").
Monkey in a room biting a man's ear from behind, two men watching from behind with their arms open. Behind them stand two women embracing each other in front of a men; three further men in front of a door to the left. Illustration to "Evelina" by Frances Burney.
De Vesme: 1692, this state not known to De V.
[Ref: 20434] £110.00 (£132.00 incl.VAT)
I. Mortimer inv. F. Bartolozzi sculp.
[T. Lowndes Published Nov.r 24 1779.]
Etching with engraving, proof before all letters. 165 x 115mm (6½ x 4½").
Monkey in a room biting a man's ear from behind, two men watching from behind with their arms open. Behind them stand two women embracing each other in front of a men; three further men in front of a door to the left. Illustration to "Evelina" by Frances Burney.
De Vesme: 1692, this state not known to De V.
[Ref: 20434] £110.00 (£132.00 incl.VAT)
Evelina Surprising M.r Macartney preparing to load his Pistols.
N. Colibert Delin.t. Engraved by N. Colibert.
London, Publish'd March 20th 1786 by W. Dickinson Engraver & Printseller No.158 Bond Street.
Stipple. 245 x 170mm (9¾ x 6¾"), watermarked '178[?]', with large margins.
The heroine of Fanny Burney's 'Evelina' stops the impoverished Scottish poet from loading his pistols, she believes to commit suicide. He later admits that he had been unable to decide between that and armed robbery. First published 1778, 'Evelina' is a significant precursor to the romanticism of Jane Austen.
[Ref: 54745] £190.00 (£228.00 incl.VAT)
N. Colibert Delin.t. Engraved by N. Colibert.
London, Publish'd March 20th 1786 by W. Dickinson Engraver & Printseller No.158 Bond Street.
Stipple. 245 x 170mm (9¾ x 6¾"), watermarked '178[?]', with large margins.
The heroine of Fanny Burney's 'Evelina' stops the impoverished Scottish poet from loading his pistols, she believes to commit suicide. He later admits that he had been unable to decide between that and armed robbery. First published 1778, 'Evelina' is a significant precursor to the romanticism of Jane Austen.
[Ref: 54745] £190.00 (£228.00 incl.VAT)
Mad.e Duval Dancing a Minuet at the Hampstead Assembly. page 277.
W. Heath del.
London, Published by Jones & Co Feb.y 16 1822.
Etching and aquatint with fine hand colour. Sheet 130 x 215mm (5 x 8½").
Madame Duval dances with a flamboyant gentleman at the Hampstead Assembly, London, while the assembly looks on. A scene from Frances Burney's novel 'Evelina':
[Ref: 61000] £85.00 (£102.00 incl.VAT)
W. Heath del.
London, Published by Jones & Co Feb.y 16 1822.
Etching and aquatint with fine hand colour. Sheet 130 x 215mm (5 x 8½").
Madame Duval dances with a flamboyant gentleman at the Hampstead Assembly, London, while the assembly looks on. A scene from Frances Burney's novel 'Evelina':
[Ref: 61000] £85.00 (£102.00 incl.VAT)
Mad.e Duval Dancing a Minuet at the Hampstead Assembly. page 277.
W. Heath del.
London, Published by Jones & Co Feb.y 16 1822.
Etching and aquatint, sheet 125 x 190mm (5 x 7½").
Scene from Frances Burney's novel 'Evelina': Madame Duval dances with a flamboyant gentleman at the Hampstead Assembly, London, while the assembly looks on.
[Ref: 45890] £65.00 (£78.00 incl.VAT)
W. Heath del.
London, Published by Jones & Co Feb.y 16 1822.
Etching and aquatint, sheet 125 x 190mm (5 x 7½").
Scene from Frances Burney's novel 'Evelina': Madame Duval dances with a flamboyant gentleman at the Hampstead Assembly, London, while the assembly looks on.
[Ref: 45890] £65.00 (£78.00 incl.VAT)
Joannes Evelyn Arm.r
F. Bartolozzi det et Sculp.
[n.d. c.1776.]
Engraving, with large margins. Plate 247 x 184mm. 9¾ x 7¼". Staining, hole in margin to right.
Portrait of John Evelyn; half length, to the left, wearing dark cloak; in oval frame on pedestal. Frontispiece to Hunter's edition of Evelyn's 'Sylva'. John Evelyn (1620-1706) was an English writer, gardener and diarist. His memoirs are contemporaneous with those of Samuel Pepys, and are over-shadowed by Pepys's chronicles. The pair used to correspond frequently and much of this correspondence is preserved.
De Vesme: 808.
[Ref: 24386] £140.00 (£168.00 incl.VAT)
F. Bartolozzi det et Sculp.
[n.d. c.1776.]
Engraving, with large margins. Plate 247 x 184mm. 9¾ x 7¼". Staining, hole in margin to right.
Portrait of John Evelyn; half length, to the left, wearing dark cloak; in oval frame on pedestal. Frontispiece to Hunter's edition of Evelyn's 'Sylva'. John Evelyn (1620-1706) was an English writer, gardener and diarist. His memoirs are contemporaneous with those of Samuel Pepys, and are over-shadowed by Pepys's chronicles. The pair used to correspond frequently and much of this correspondence is preserved.
De Vesme: 808.
[Ref: 24386] £140.00 (£168.00 incl.VAT)
![[John Evelyn] T. Lucretius Carus, De Rerum Natura Lib. i. Interpreted by J.E.](jpegs/59835.jpg)
[John Evelyn] T. Lucretius Carus, De Rerum Natura Lib. i. Interpreted by J.E.
W. Hollar fec.
London: Printed for G: Bedell and T: Collins, at Middle Temple Gate A.o 1656.
Etching. Sheet 160 x 105mm (6¼ x 4"). Trimmed to printed border, laid on album paper at edges. Very slight damage top left.
The titlepage to John Evelyn's translation of Lucretius, with a medallion portrait of the author among mythical figures including Ceres, Neptune and Cyele.
Pennington 2677.
[Ref: 59835] £160.00 (£192.00 incl.VAT)
W. Hollar fec.
London: Printed for G: Bedell and T: Collins, at Middle Temple Gate A.o 1656.
Etching. Sheet 160 x 105mm (6¼ x 4"). Trimmed to printed border, laid on album paper at edges. Very slight damage top left.
The titlepage to John Evelyn's translation of Lucretius, with a medallion portrait of the author among mythical figures including Ceres, Neptune and Cyele.
Pennington 2677.
[Ref: 59835] £160.00 (£192.00 incl.VAT)
John Evelyn Esq.r
Tho.s Worlidge Fecit 1753.
Etching with drypoint. 140 x 95mm (5½ x 3¾"), with large margins.
John Evelyn (1620-1706) the English writer, gardener and diarist, whose diaries, like those of Pepys, are significant records of 17th-century life. Both he and Pepys corresponded frequently, and much of this correspondence has been preserved. Etching by Thomas Worlidge, the 'English Rembrandt', after Nanteuil and used as the frontispiece to 'Sculptura' (1755).
D72. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32601] £220.00 (£264.00 incl.VAT)
Tho.s Worlidge Fecit 1753.
Etching with drypoint. 140 x 95mm (5½ x 3¾"), with large margins.
John Evelyn (1620-1706) the English writer, gardener and diarist, whose diaries, like those of Pepys, are significant records of 17th-century life. Both he and Pepys corresponded frequently, and much of this correspondence has been preserved. Etching by Thomas Worlidge, the 'English Rembrandt', after Nanteuil and used as the frontispiece to 'Sculptura' (1755).
D72. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32601] £220.00 (£264.00 incl.VAT)
![Evening. [&] Moon Light.](jpegs/38606.jpg)
Evening. [&] Moon Light.
Drawn and Engraved by John Browne.
London, Published by John & Josiah Boydell, No 90, Cheapside & at the Shakspear Gallery Pall Mall.
Pair of engravings, each platemark 295 x 395mm (11½ x 15½"). Very large margins.
Pair of prints by John Browne (1742-1801) from his own designs. Trained by the best-known engraver of his day, William Woollett (whose plates he often started), Browne, like his master specialised in landscape engravings. These prints are two from a set of four, two of which (Moon Light and After Sunset) where exhibited at the Royal Academy in 1798.
[Ref: 38606] £420.00 view all images for this item
Drawn and Engraved by John Browne.
London, Published by John & Josiah Boydell, No 90, Cheapside & at the Shakspear Gallery Pall Mall.
Pair of engravings, each platemark 295 x 395mm (11½ x 15½"). Very large margins.
Pair of prints by John Browne (1742-1801) from his own designs. Trained by the best-known engraver of his day, William Woollett (whose plates he often started), Browne, like his master specialised in landscape engravings. These prints are two from a set of four, two of which (Moon Light and After Sunset) where exhibited at the Royal Academy in 1798.
[Ref: 38606] £420.00 view all images for this item
Evening.
London, Published Jan.y 1. 1794, by A.C. Poggi, N.º 91, New Bond Street.
Stipple. 185 x 270mm (7¼ x 10¾"). Bit dusty. Small margins.
Apollo alighting from the chariot of the sun.
[Ref: 61478] £240.00 (£288.00 incl.VAT)
London, Published Jan.y 1. 1794, by A.C. Poggi, N.º 91, New Bond Street.
Stipple. 185 x 270mm (7¼ x 10¾"). Bit dusty. Small margins.
Apollo alighting from the chariot of the sun.
[Ref: 61478] £240.00 (£288.00 incl.VAT)
Evening. Young and old come out to play, / 'Till the live-long day light fail _
J. Forfd sculp.t. Engraved for the Sentimental & Masonic Magazine.
[Dublin, n.d., c. 1794.]
Stipple, printed in sepia. 170 x 125mm (6¾ x 5"). Trimmed into plate at sides,
A rustic pair dance to music played by a piper in a tree. 'The Sentimental and Masonic Magazine' in published in Dublin between 1792-95.
[Ref: 45120] £95.00 (£114.00 incl.VAT)
J. Forfd sculp.t. Engraved for the Sentimental & Masonic Magazine.
[Dublin, n.d., c. 1794.]
Stipple, printed in sepia. 170 x 125mm (6¾ x 5"). Trimmed into plate at sides,
A rustic pair dance to music played by a piper in a tree. 'The Sentimental and Masonic Magazine' in published in Dublin between 1792-95.
[Ref: 45120] £95.00 (£114.00 incl.VAT)
Evening, or the Man of Feeling.
H. Bunbury Esq.r Del.
[n.d., but watermarked 1815.]
Coloured etching. 250 x 350mm (9½ x 13¾"). Tears in large margins.
Three men around a table, as servants prepare them for bed. A maid brings in a candle and a warming pan, and a boy removes the boots of one of the men. This is a simplified and reversed version of a stipple published by J.R. Smith in 1781.
[Ref: 34068] £220.00 (£264.00 incl.VAT)
H. Bunbury Esq.r Del.
[n.d., but watermarked 1815.]
Coloured etching. 250 x 350mm (9½ x 13¾"). Tears in large margins.
Three men around a table, as servants prepare them for bed. A maid brings in a candle and a warming pan, and a boy removes the boots of one of the men. This is a simplified and reversed version of a stipple published by J.R. Smith in 1781.
[Ref: 34068] £220.00 (£264.00 incl.VAT)
Evening.
Rembrandt del.t. WB [William Baillie] Leyde 1765.
Mezzotint with etching. 180 x 300mm (7 x 11¾"). Title weakly printed.
A Dutch landscape with a view of a river with windmills, a fisherman with a rod walking with a child.
Not in Charington. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68842] £160.00 (£192.00 incl.VAT)
Rembrandt del.t. WB [William Baillie] Leyde 1765.
Mezzotint with etching. 180 x 300mm (7 x 11¾"). Title weakly printed.
A Dutch landscape with a view of a river with windmills, a fisherman with a rod walking with a child.
Not in Charington. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68842] £160.00 (£192.00 incl.VAT)
Evening.
Brooking pinx. J. Boydell Sculp. Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapside London 1755. 55.
London, 1755.
Very fine hand coloured engraving, 18th century watermark. 295 x 420mm (11½ x 16"), large margins on 3 sides. Tear in title area repaired with tape on reverse.
Seascape of naval ships near a coast. From a set of four, 'Morning', 'Noon', 'Evening' and 'Night' by John Boydell after Charles Brooking.
[Ref: 55566] £360.00
Brooking pinx. J. Boydell Sculp. Publish'd according to Act of Parliament, & Sold by J. Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapside London 1755. 55.
London, 1755.
Very fine hand coloured engraving, 18th century watermark. 295 x 420mm (11½ x 16"), large margins on 3 sides. Tear in title area repaired with tape on reverse.
Seascape of naval ships near a coast. From a set of four, 'Morning', 'Noon', 'Evening' and 'Night' by John Boydell after Charles Brooking.
[Ref: 55566] £360.00
Evening.
Frederick Tayler lithotint.
C. Hullmandel's Patent. [n.d., c.1845.]
Lithotint. Sheet: 365 x 540mm (14½ x 21¼"). Foxing in large margins.
A scene in a kennel in which a pack of tired setters & pointers all lie on the floor exhausted after a days work.
[Ref: 47455] £230.00 (£276.00 incl.VAT)
Frederick Tayler lithotint.
C. Hullmandel's Patent. [n.d., c.1845.]
Lithotint. Sheet: 365 x 540mm (14½ x 21¼"). Foxing in large margins.
A scene in a kennel in which a pack of tired setters & pointers all lie on the floor exhausted after a days work.
[Ref: 47455] £230.00 (£276.00 incl.VAT)
Evening.
Engraved by B. Baron.
Invented Painted & Publish'd by W.m Hogarth March 25th 1738. according to Act of Parliament.
Engraving. Sheet: 500 x 410mm (20 x 16½''), Trimmed to platemark.
A plate from Hogarth's famous satire of London life 'Times of Day', first published in 1738. Showing Sadlers Wells, with henpecked males, the older of which had cuckold's horns. Hogarth updated his paintings to match the engravings: a proof of plate three exists without the scolding girl.
See Paulson 146-149.
[Ref: 48535] £280.00 (£336.00 incl.VAT)
Engraved by B. Baron.
Invented Painted & Publish'd by W.m Hogarth March 25th 1738. according to Act of Parliament.
Engraving. Sheet: 500 x 410mm (20 x 16½''), Trimmed to platemark.
A plate from Hogarth's famous satire of London life 'Times of Day', first published in 1738. Showing Sadlers Wells, with henpecked males, the older of which had cuckold's horns. Hogarth updated his paintings to match the engravings: a proof of plate three exists without the scolding girl.
See Paulson 146-149.
[Ref: 48535] £280.00 (£336.00 incl.VAT)