A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![Table shewing the Addition to be made to each Sum of £100, assured by the Equitable Society, when it shall become a Claim, agreeable to Orders of General Courts [...]](jpegs/39199.jpg)
Table shewing the Addition to be made to each Sum of £100, assured by the Equitable Society, when it shall become a Claim, agreeable to Orders of General Courts [...] William Morgan, Actuary.
J. Bryan, Printer, 11, Grocers' Hall Court, Poultry.
Letterpress, sheet 260 x 200mm (10¼ x 8"). Folds; stamp 'Earl of Hardwicke MSS' verso.
Table compiled by William Morgan (1750-1833), chief actuary to the Equitable Assurance Society 1774-1830, to show the yearly additions made on life insurance policies. Morgan's work as an actuary provided the basis for Equitable Assurance to grow into the largest and most solid of British life offices, and the company continues to look after the savings and investments of over 500,000 people.
[Ref: 39199] £160.00 (£192.00 incl.VAT)
J. Bryan, Printer, 11, Grocers' Hall Court, Poultry.
Letterpress, sheet 260 x 200mm (10¼ x 8"). Folds; stamp 'Earl of Hardwicke MSS' verso.
Table compiled by William Morgan (1750-1833), chief actuary to the Equitable Assurance Society 1774-1830, to show the yearly additions made on life insurance policies. Morgan's work as an actuary provided the basis for Equitable Assurance to grow into the largest and most solid of British life offices, and the company continues to look after the savings and investments of over 500,000 people.
[Ref: 39199] £160.00 (£192.00 incl.VAT)
Erasistratus the Physician discovers the Love of Antiochus for Stratonice.
Painted by B. West, Hist.l Painter to his Majesty. Engrav'd by Geo.g Graham.
Publish'd June 24, 1793, by J. & J. Boydell, Cheapside, & at the Shakespeare Gallery Pall Mall London.
Stipple and etching. Plate 323 x 391mm (12¾ x 15½"). Some creasing. Backed. Repaired hole in title area.
King Seleucus sits in a melancholy pose, supporting the head of his son Antiochus who lies in bed, attended by his physician; the patient looks towards Stratonice, who stands at the foot of the bed with four female attendants; a further four onlookers stand solemnly at the right behind a table with crown and staff. Engraving after the 1772 painting by Benjamin West (Birmingham Museum of Art).
[Ref: 29954] £280.00 (£336.00 incl.VAT)
Painted by B. West, Hist.l Painter to his Majesty. Engrav'd by Geo.g Graham.
Publish'd June 24, 1793, by J. & J. Boydell, Cheapside, & at the Shakespeare Gallery Pall Mall London.
Stipple and etching. Plate 323 x 391mm (12¾ x 15½"). Some creasing. Backed. Repaired hole in title area.
King Seleucus sits in a melancholy pose, supporting the head of his son Antiochus who lies in bed, attended by his physician; the patient looks towards Stratonice, who stands at the foot of the bed with four female attendants; a further four onlookers stand solemnly at the right behind a table with crown and staff. Engraving after the 1772 painting by Benjamin West (Birmingham Museum of Art).
[Ref: 29954] £280.00 (£336.00 incl.VAT)
Desiderius Erasmus.
Holbein pinxit. Houston fecit.
[Published by Benjamin White, 1758-60.]
Mezzotint. 255 x 200mm (10 x 8"). Narrow right margin, with stitch marks.
Portrait of Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian, engraved by Richard Houston as the frontispiece to Jortin's 'Life of Erasmus'. It is reversed from the original oil by Hans Holbein, painted in 1523, now in the Metropolitan Museum, New York.
Not in CS.
[Ref: 40508] £190.00 (£228.00 incl.VAT)
Holbein pinxit. Houston fecit.
[Published by Benjamin White, 1758-60.]
Mezzotint. 255 x 200mm (10 x 8"). Narrow right margin, with stitch marks.
Portrait of Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian, engraved by Richard Houston as the frontispiece to Jortin's 'Life of Erasmus'. It is reversed from the original oil by Hans Holbein, painted in 1523, now in the Metropolitan Museum, New York.
Not in CS.
[Ref: 40508] £190.00 (£228.00 incl.VAT)
Erasmus. With his three Friends. Sr. Thomas Moore, Dr. Colet & Ammonius.
Parr Sculp.
[n.d., c.1740.]
Engraving. 165 x 90mm (6½ x 3½"). Trimmed into plate and backed onto album paper.
Portrait of Desiderius Erasmus Roterodamus, commonly known in English as Erasmus of Rotterdam or Erasmus, (1466 - 1536), Dutch Christian humanist, Catholic priest and theologian, educationalist, satirist, and philosopher. He is sat at a table engaging in coversation with former Lord High Chancellor of England, Sir Thomas Moore (1478-1535), Catholic priest and humanist John Colet (1467-1519) and Italian cleric and poet Andrea Ammonio (c.1478 - 1517).
[Ref: 64161] £65.00 (£78.00 incl.VAT)
Parr Sculp.
[n.d., c.1740.]
Engraving. 165 x 90mm (6½ x 3½"). Trimmed into plate and backed onto album paper.
Portrait of Desiderius Erasmus Roterodamus, commonly known in English as Erasmus of Rotterdam or Erasmus, (1466 - 1536), Dutch Christian humanist, Catholic priest and theologian, educationalist, satirist, and philosopher. He is sat at a table engaging in coversation with former Lord High Chancellor of England, Sir Thomas Moore (1478-1535), Catholic priest and humanist John Colet (1467-1519) and Italian cleric and poet Andrea Ammonio (c.1478 - 1517).
[Ref: 64161] £65.00 (£78.00 incl.VAT)
Erasme.
[n.d. c.1740.]
Line engraving. Plate 296 x 214mm. 11¾ x 8½".
Desiderius Erasmus (1466?-1536), Dutch Renaissance humanist and a Catholic theologian. Erasmus was a classical scholar who wrote in a "pure" Latin style and enjoyed the sobriquet "Prince of the Humanists." He has been called "the crowning glory of the Christian humanists." Using humanist techniques for working on texts, he prepared important new Latin and Greek editions of the New Testament. These raised questions that would be influential in the Protestant Reformation and Catholic Counter-Reformation. He also wrote The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works. Erasmus lived through the Reformation period and he consistently criticized some contemporary popular Christian beliefs. In relation to clerical abuses in the Church, Erasmus remained committed to reforming the Church from within. He also held to Catholic doctrines such as that of free will, which some Protestant Reformers rejected in favor of the doctrine of predestination. His middle road disappointed and even angered many Protestants, such as Martin Luther, as well as conservative Catholics. This engraving is based on the Holbein portrait.
[Ref: 12937] £65.00 (£78.00 incl.VAT)
[n.d. c.1740.]
Line engraving. Plate 296 x 214mm. 11¾ x 8½".
Desiderius Erasmus (1466?-1536), Dutch Renaissance humanist and a Catholic theologian. Erasmus was a classical scholar who wrote in a "pure" Latin style and enjoyed the sobriquet "Prince of the Humanists." He has been called "the crowning glory of the Christian humanists." Using humanist techniques for working on texts, he prepared important new Latin and Greek editions of the New Testament. These raised questions that would be influential in the Protestant Reformation and Catholic Counter-Reformation. He also wrote The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works. Erasmus lived through the Reformation period and he consistently criticized some contemporary popular Christian beliefs. In relation to clerical abuses in the Church, Erasmus remained committed to reforming the Church from within. He also held to Catholic doctrines such as that of free will, which some Protestant Reformers rejected in favor of the doctrine of predestination. His middle road disappointed and even angered many Protestants, such as Martin Luther, as well as conservative Catholics. This engraving is based on the Holbein portrait.
[Ref: 12937] £65.00 (£78.00 incl.VAT)
Desiderii Erasmi Rotterodam.
[after Hans Holbein.]
London Printed for H. Brome, 1680.
Etching. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian.
[Ref: 67640] £230.00 (£276.00 incl.VAT)
[after Hans Holbein.]
London Printed for H. Brome, 1680.
Etching. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian.
[Ref: 67640] £230.00 (£276.00 incl.VAT)
Erasmus.
Holbein pinx.t. T. Holloway direxit.
Published as the Act directs, 12 Nov. 1792, by J.Murray, T.Holloway, and the other Proprietors.
Engraving. Sheet 250 x 190mm (9¾ x 7½"). Trimmed.
Portrait of Desiderius Erasmus Roterodamus (c. 1466 - 1536), Dutch Christian humanist, Catholic priest and theologian, educationalist, satirist, and philosopher.
[Ref: 65306] £120.00 (£144.00 incl.VAT)
Holbein pinx.t. T. Holloway direxit.
Published as the Act directs, 12 Nov. 1792, by J.Murray, T.Holloway, and the other Proprietors.
Engraving. Sheet 250 x 190mm (9¾ x 7½"). Trimmed.
Portrait of Desiderius Erasmus Roterodamus (c. 1466 - 1536), Dutch Christian humanist, Catholic priest and theologian, educationalist, satirist, and philosopher.
[Ref: 65306] £120.00 (£144.00 incl.VAT)
Desiderius Erasmus Rotterodamus. Qui Patriae lumen qui nostri gloria fech [...]
Vorsterman sculptor D.D.: Hansus Holbenius pinxit. Cum Privilegio Reg: [c.1625]
Engraving, sheet 215 x 145mm (8½ x 5¾"). Trimmed to plate.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian. Erasmus prepared important new Latin and Greek editions of the New Testament, and also wrote The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works. Erasmus lived through the Reformation period and he consistently criticized some contemporary popular Christian beliefs. In relation to clerical abuses in the Church, Erasmus remained committed to reforming the Church from within. He also held to Catholic doctrines such as that of free will, which some Protestant Reformers rejected in favour of the doctrine of predestination. His middle road disappointed and even angered many Protestants, such as Martin Luther, as well as conservative Catholics. One of the earliest of many prints reproducing the famous 1532 portrait of Erasmus by Hans Holbein the younger. Engraved by Lucas Vorsterman I (1595-1675), a favoured engraver of his contemporaries Rubens and Van Dyck. Despite his close relationship with Rubens (who was godfather to Vorsterman's eldest son), the engraver felt exploited by the famous painter. At one point Vorsterman made an attempt on Rubens' life, and subsequently moved to England, where he was employed by Charles I, Thomas Howard and the Earl of Pembroke to reproduce paintings from their collections. Howard was then the owner of this picture (one of many versions of the portrait that exist but one of the only ones believed to be painted by Holbein himself). The painting is now in the Metropolitan Museum of Art in New York. Published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself.
Hollstein 153 II of II
[Ref: 65764] £360.00
Vorsterman sculptor D.D.: Hansus Holbenius pinxit. Cum Privilegio Reg: [c.1625]
Engraving, sheet 215 x 145mm (8½ x 5¾"). Trimmed to plate.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian. Erasmus prepared important new Latin and Greek editions of the New Testament, and also wrote The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works. Erasmus lived through the Reformation period and he consistently criticized some contemporary popular Christian beliefs. In relation to clerical abuses in the Church, Erasmus remained committed to reforming the Church from within. He also held to Catholic doctrines such as that of free will, which some Protestant Reformers rejected in favour of the doctrine of predestination. His middle road disappointed and even angered many Protestants, such as Martin Luther, as well as conservative Catholics. One of the earliest of many prints reproducing the famous 1532 portrait of Erasmus by Hans Holbein the younger. Engraved by Lucas Vorsterman I (1595-1675), a favoured engraver of his contemporaries Rubens and Van Dyck. Despite his close relationship with Rubens (who was godfather to Vorsterman's eldest son), the engraver felt exploited by the famous painter. At one point Vorsterman made an attempt on Rubens' life, and subsequently moved to England, where he was employed by Charles I, Thomas Howard and the Earl of Pembroke to reproduce paintings from their collections. Howard was then the owner of this picture (one of many versions of the portrait that exist but one of the only ones believed to be painted by Holbein himself). The painting is now in the Metropolitan Museum of Art in New York. Published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself.
Hollstein 153 II of II
[Ref: 65764] £360.00
Erasmus.
[n.d., c.1700.]
Etching. Sheet 100 x 65mm (4 x 2½"). Trimmed and backed onto album paper.
Portrait of Desiderius Erasmus Roterodamus (c. 1466 - 1536), Dutch Christian humanist, Catholic priest and theologian, educationalist, satirist, and philosopher.
[Ref: 65825] £65.00 (£78.00 incl.VAT)
[n.d., c.1700.]
Etching. Sheet 100 x 65mm (4 x 2½"). Trimmed and backed onto album paper.
Portrait of Desiderius Erasmus Roterodamus (c. 1466 - 1536), Dutch Christian humanist, Catholic priest and theologian, educationalist, satirist, and philosopher.
[Ref: 65825] £65.00 (£78.00 incl.VAT)
Desiderius Erasmus Roterodamus. Natus A.º 1467. Obÿt A.º 1536.
R. Houston Fecit [after Holbein].
Printed for E. Bakewell & H. Parker, in Cornhill, London [n.d., 1759].
Mezzotint, 18th century watermark. 260 x 200mm (10¼ x 8") large margins. Mounted in album paper at edges.
Half-length portrait in oval of Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian, engraved by Richard Houston for Rolt's 'The Lives of the Principal Reformers'.
CS 58.
[Ref: 61647] £180.00 (£216.00 incl.VAT)
R. Houston Fecit [after Holbein].
Printed for E. Bakewell & H. Parker, in Cornhill, London [n.d., 1759].
Mezzotint, 18th century watermark. 260 x 200mm (10¼ x 8") large margins. Mounted in album paper at edges.
Half-length portrait in oval of Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian, engraved by Richard Houston for Rolt's 'The Lives of the Principal Reformers'.
CS 58.
[Ref: 61647] £180.00 (£216.00 incl.VAT)
Erasmus.
Painted by Hans Holbein. Engraved by Tho.s Lupton.
Published by J Brydone Leicester 1823.
Mezzotint, scratched letter proof. 415 x 300mm (16¼ x 11¾"). Thread margins. Margins bit ragged.
Half length portrait of Desiderius Erasmus Roterodamus (1466 - 1536), wearing a hat and fur lined robe, his hands rest on a book with 'Desg Erasmvs Roterod,' written on the pages. Erasmus was a Dutch philosopher and Catholic theologian who is considered one of the greatest scholars of the northern Renaissance.
[Ref: 57143] £260.00 (£312.00 incl.VAT)
Painted by Hans Holbein. Engraved by Tho.s Lupton.
Published by J Brydone Leicester 1823.
Mezzotint, scratched letter proof. 415 x 300mm (16¼ x 11¾"). Thread margins. Margins bit ragged.
Half length portrait of Desiderius Erasmus Roterodamus (1466 - 1536), wearing a hat and fur lined robe, his hands rest on a book with 'Desg Erasmvs Roterod,' written on the pages. Erasmus was a Dutch philosopher and Catholic theologian who is considered one of the greatest scholars of the northern Renaissance.
[Ref: 57143] £260.00 (£312.00 incl.VAT)
![[Portrait d'Erasme. Musee Royal.]](jpegs/59531.jpg)
[Portrait d'Erasme. Musee Royal.]
Peint par Holbeen. (Hans.) Dessiné par Anastasi. Gravé par Dequevauvillers.
[n.d. c.1840.]
Engraving, sheet 250 x 190mm (9¾ x 7½"). Trimmed within plate losing title, glued on album sheet at edges.
Bust portrait of Desiderius Erasmus (1467-1536), Dutch Renaissance humanist and a Catholic theologian. Looking down and writing with his right hand, wearing a scholar's small cap and mantle, against a decorative wall-hanging.
IFF 14.
[Ref: 59531] £130.00 (£156.00 incl.VAT)
Peint par Holbeen. (Hans.) Dessiné par Anastasi. Gravé par Dequevauvillers.
[n.d. c.1840.]
Engraving, sheet 250 x 190mm (9¾ x 7½"). Trimmed within plate losing title, glued on album sheet at edges.
Bust portrait of Desiderius Erasmus (1467-1536), Dutch Renaissance humanist and a Catholic theologian. Looking down and writing with his right hand, wearing a scholar's small cap and mantle, against a decorative wall-hanging.
IFF 14.
[Ref: 59531] £130.00 (£156.00 incl.VAT)
Desiderii Erasmi Rotterodam.
[after Hans Holbein.]
London Printed for H. Brome, 1680.]
Scarce etching. 160 x 105mm (6¼ x 4¼"). Thread margins. Loss in margin top right.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian.
[Ref: 52588] £230.00 (£276.00 incl.VAT)
[after Hans Holbein.]
London Printed for H. Brome, 1680.]
Scarce etching. 160 x 105mm (6¼ x 4¼"). Thread margins. Loss in margin top right.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian.
[Ref: 52588] £230.00 (£276.00 incl.VAT)
![[Desiderius Erasmus]](jpegs/47306.jpg)
[Desiderius Erasmus] Ingens ingentern quem personat orbis Erasmum, / Haec tibi dimidium picta tabella refert [...]
H. Holbein pinxit [c.1650]
Engraving, platemark 150 x 90mm (6 x 3½"). Trimmed from large sheet; glued to backing sheet.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian. Erasmus prepared important new Latin and Greek editions of the New Testament, and also wrote The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works. Erasmus lived through the Reformation period and he consistently criticized some contemporary popular Christian beliefs. In relation to clerical abuses in the Church, Erasmus remained committed to reforming the Church from within. He also held to Catholic doctrines such as that of free will, which some Protestant Reformers rejected in favour of the doctrine of predestination. His middle road disappointed and even angered many Protestants, such as Martin Luther, as well as conservative Catholics. This is one of numerous engravings reproducing the likeness of Erasmus by Hans Holbein the younger.
[Ref: 47306] £220.00 (£264.00 incl.VAT)
H. Holbein pinxit [c.1650]
Engraving, platemark 150 x 90mm (6 x 3½"). Trimmed from large sheet; glued to backing sheet.
Desiderius Erasmus (1466-1536), Dutch Renaissance humanist and a Catholic theologian. Erasmus prepared important new Latin and Greek editions of the New Testament, and also wrote The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works. Erasmus lived through the Reformation period and he consistently criticized some contemporary popular Christian beliefs. In relation to clerical abuses in the Church, Erasmus remained committed to reforming the Church from within. He also held to Catholic doctrines such as that of free will, which some Protestant Reformers rejected in favour of the doctrine of predestination. His middle road disappointed and even angered many Protestants, such as Martin Luther, as well as conservative Catholics. This is one of numerous engravings reproducing the likeness of Erasmus by Hans Holbein the younger.
[Ref: 47306] £220.00 (£264.00 incl.VAT)
Didier Erasme~il naquit a Rotterdam et prit, le bonnet de Docteur en Theologie a Turim et mouru a Bâle le 12 Juillet de 70 ans. Ennemis des Erreurs ce rare et Scavant homme Censura les abus des Moines de son tems; Mais ami de la paix il tint touiour pour Rome Et Glama la furreur de chef des protestants.
Gr. par E. Desrochers et se vend chez luy a Paris rue du Foin pres la rue St. Jacques.
[n.d. c.1750.]
Copper engraving. Plate 152 x 108mm. 6 x 4¼". Large margins.
Desiderius Erasmus Roterodamus (1466-1536) was a Dutch Renaissance humanist and a Catholic priest and theologian.
[Ref: 15760] £60.00 (£72.00 incl.VAT)
Gr. par E. Desrochers et se vend chez luy a Paris rue du Foin pres la rue St. Jacques.
[n.d. c.1750.]
Copper engraving. Plate 152 x 108mm. 6 x 4¼". Large margins.
Desiderius Erasmus Roterodamus (1466-1536) was a Dutch Renaissance humanist and a Catholic priest and theologian.
[Ref: 15760] £60.00 (£72.00 incl.VAT)
Desiderius Erasmus Roterdamus Natus A° 1467 Obyt A° 1536.
[Hans Holbein the Younger pinxit.]
[n.d. c.1700.]
Rare Mezzotint. Plate 197 x 145mm. 7¾ x 5¾". Creasing.
Desiderius Erasmus Roterodamus (1466-1536) was dutch Renaissance humanist and a Catholic priest and theologian.
[Ref: 15774] £220.00 (£264.00 incl.VAT)
[Hans Holbein the Younger pinxit.]
[n.d. c.1700.]
Rare Mezzotint. Plate 197 x 145mm. 7¾ x 5¾". Creasing.
Desiderius Erasmus Roterodamus (1466-1536) was dutch Renaissance humanist and a Catholic priest and theologian.
[Ref: 15774] £220.00 (£264.00 incl.VAT)
Desiderius Erasmas.
B. Picart fecit 1718 [after Quentin Metsys].
[Amsterdam: David Mortier, 1718.]
Engraving. Sheet 120 x 160mm (4¾ x 6¼"). Trimmed just within plate, laid on album paper, paper toned.
A portrait of Erasmus in his study, the title page vignette to the 'Oeuvre de Nicolas Boileau Despéaux'.
See BM 1874,1212.81 for the full sheet.
[Ref: 61085] £70.00 (£84.00 incl.VAT)
B. Picart fecit 1718 [after Quentin Metsys].
[Amsterdam: David Mortier, 1718.]
Engraving. Sheet 120 x 160mm (4¾ x 6¼"). Trimmed just within plate, laid on album paper, paper toned.
A portrait of Erasmus in his study, the title page vignette to the 'Oeuvre de Nicolas Boileau Despéaux'.
See BM 1874,1212.81 for the full sheet.
[Ref: 61085] £70.00 (£84.00 incl.VAT)
VI Erato. Plectra gerens Erato, Saltat pede, carmine, vultu.
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Erato Greek muse of, erotic lyric poetry, holding castanets, violin, oboe and music book lie at her feet. A Dutch reverse copy of Henri Bonnart's (1642 - 1711), 'Terpsichore' print. Interesting that Schenk has switched the titles of Terpsichore and Erato, as Bonnart's interpretation of the muses makes sense with their representation.
See [Ref: 68721].
[Ref: 68722] £280.00 (£336.00 incl.VAT)
[after Nicholas Bonnart]
Pet: Schenck exc: Amstelod; cum Privil: Ausen, 20 Eydell. [n.d. c.1700]
Engraving, sheet 260 x 180mm (10¼ x 7"). Trimmed within plate and laid on album paper at corners.
Erato Greek muse of, erotic lyric poetry, holding castanets, violin, oboe and music book lie at her feet. A Dutch reverse copy of Henri Bonnart's (1642 - 1711), 'Terpsichore' print. Interesting that Schenk has switched the titles of Terpsichore and Erato, as Bonnart's interpretation of the muses makes sense with their representation.
See [Ref: 68721].
[Ref: 68722] £280.00 (£336.00 incl.VAT)
D. Alonso de Ercilla. Caballero de Santiago...
A. Carnico lo dib.o. F. Selma lo grabó.
[n.d., c.1790.]
Engraving. 335 x 250mm (13¼ x 8"). Trimmed within plate.
Alonso de Ercilla y Zúñiga (1533-94), Spanish soldier and poet, whose epic poem, 'La Araucana', based on his experiences fighting the Araucanians (Mapuche) in Chile, considered one of the greatest epics of the Spanish Golden Age. A member of the court of Philip II, he was present at Philip's marriage to Queen Mary I of England.
[Ref: 64405] £160.00 (£192.00 incl.VAT)
A. Carnico lo dib.o. F. Selma lo grabó.
[n.d., c.1790.]
Engraving. 335 x 250mm (13¼ x 8"). Trimmed within plate.
Alonso de Ercilla y Zúñiga (1533-94), Spanish soldier and poet, whose epic poem, 'La Araucana', based on his experiences fighting the Araucanians (Mapuche) in Chile, considered one of the greatest epics of the Spanish Golden Age. A member of the court of Philip II, he was present at Philip's marriage to Queen Mary I of England.
[Ref: 64405] £160.00 (£192.00 incl.VAT)
Erie Basin.
White [?].
Etching, signed in pencil, 6.1/4" x 10".
[Ref: 6592] £100.00 (£120.00 incl.VAT)
White [?].
Etching, signed in pencil, 6.1/4" x 10".
[Ref: 6592] £100.00 (£120.00 incl.VAT)
![[Three survey maps of Erie Harbor.] West End of Erie Harbor showing the Breach inthe Sand-bar 1854 [&]](jpegs/26834.jpg)
[Three survey maps of Erie Harbor.] West End of Erie Harbor showing the Breach inthe Sand-bar 1854 [&] West End. Erie August 1854 [&] East End. Erie, August, 1854.
D. Chillas Lith 50 So. 3rd St. Philad.a. [&] P.S. Buval & Co's Steam Press P.la.
[n.d, c.1854.]
Three lithographic maps. 300 x 430mm, 12 x 17", 340 x 470mm, 13¼ x 18¼", & 300 x 400mm, 12 x 15¾". Each with blind stamp of the Manchester Free Library, trimmed lower left for binding, damp stains.
Three sketch survey maps of the harbour of Erie, Pennsylvania. Prepared for the 33rd Congess of the United States.
[Ref: 26834] £160.00 view all images for this item
D. Chillas Lith 50 So. 3rd St. Philad.a. [&] P.S. Buval & Co's Steam Press P.la.
[n.d, c.1854.]
Three lithographic maps. 300 x 430mm, 12 x 17", 340 x 470mm, 13¼ x 18¼", & 300 x 400mm, 12 x 15¾". Each with blind stamp of the Manchester Free Library, trimmed lower left for binding, damp stains.
Three sketch survey maps of the harbour of Erie, Pennsylvania. Prepared for the 33rd Congess of the United States.
[Ref: 26834] £160.00 view all images for this item
Nymphe Erigone. Gravée d’Aprés le Tableau Original de Mr. Pierre Premier Peintre du Roy. Du Cabinet de Mr. le Comte de Baudoüin.
J. B. M. Pierre Reg. Ord. Eques Primus Reg. Pictor Pinx. Anna le Fort Sculp.
A Paris chez Chereau rue des Mathurins au coin de celle de Sorbonne. [n.d. c.1750.]
Line engraving. Plate 330 x 438mm. 13" x 17¼". Very fine.
The nymph, Erigone, is mentioned by Statius and Virgil, and figures prominently in the sixth book of Ovid's Metamorphoses. She is, in legend, the source of the constellation Virgo.
Ex: Oettingen-Wallerstein collection.
[Ref: 9204] £320.00
J. B. M. Pierre Reg. Ord. Eques Primus Reg. Pictor Pinx. Anna le Fort Sculp.
A Paris chez Chereau rue des Mathurins au coin de celle de Sorbonne. [n.d. c.1750.]
Line engraving. Plate 330 x 438mm. 13" x 17¼". Very fine.
The nymph, Erigone, is mentioned by Statius and Virgil, and figures prominently in the sixth book of Ovid's Metamorphoses. She is, in legend, the source of the constellation Virgo.
Ex: Oettingen-Wallerstein collection.
[Ref: 9204] £320.00
![[Erigone]](jpegs/40284.jpg)
[Erigone] Un pareil vétement pour voiler tant de charmes / A d'austeres censeurs paroist un peu léger [...]
Peint par N. Monsiau Gravé par L.J. Cathelin Graveur du Roi
AParis chez Bance le jeune Rue Severin No 115 C.D.M.
Engraving, platemark 340 x 240mm (13¼ x 9½"). Very slight foxing.
Erigone, daughter of Icarius of Athens, who hanged herself over her father's grave after he was killed by Dionysus's shepherds. According to Ovid, Dionysus assumed the shape of a cluster of grapes to approach and seduce her (which the text here alludes to). After a painting by Nicolas-André Monsiau (1754/5-1837), painter who made book illustrations from Ovid and other authors following the slump in commissions brought about by the Revolution, and later received an important commission from Napoleon, 'the Comitia at Lyon, 26 January 1802' (Versailles, Château).
[Ref: 40284] £230.00 (£276.00 incl.VAT)
Peint par N. Monsiau Gravé par L.J. Cathelin Graveur du Roi
AParis chez Bance le jeune Rue Severin No 115 C.D.M.
Engraving, platemark 340 x 240mm (13¼ x 9½"). Very slight foxing.
Erigone, daughter of Icarius of Athens, who hanged herself over her father's grave after he was killed by Dionysus's shepherds. According to Ovid, Dionysus assumed the shape of a cluster of grapes to approach and seduce her (which the text here alludes to). After a painting by Nicolas-André Monsiau (1754/5-1837), painter who made book illustrations from Ovid and other authors following the slump in commissions brought about by the Revolution, and later received an important commission from Napoleon, 'the Comitia at Lyon, 26 January 1802' (Versailles, Château).
[Ref: 40284] £230.00 (£276.00 incl.VAT)
Erin Go Bragh. Quadrille by Cha.s d'Albert.
M. &. N. Hanhart.
[n.d., c.1840.]
Chromolithograph. Sheet: 335 x 240mm (13¼ x 9½''). Trimmed.
A song sheet for an irish melody. The scene shows figures upon Custom House Quay in Dublin, with a boat named Shamrock moored in the harbour.
[Ref: 49943] £90.00 (£108.00 incl.VAT)
M. &. N. Hanhart.
[n.d., c.1840.]
Chromolithograph. Sheet: 335 x 240mm (13¼ x 9½''). Trimmed.
A song sheet for an irish melody. The scene shows figures upon Custom House Quay in Dublin, with a boat named Shamrock moored in the harbour.
[Ref: 49943] £90.00 (£108.00 incl.VAT)
Nicolas Erizzo Ambassadeur pour la serenissime Republique de Venize au Roy tres chretien
HBonnart, ex au Coq C.P.R. [c.1700]
Engraving, sheet 275 x 190mm (10¾ x 7½"). Trimmed to border.
Nicola Erizzo, Venetian diplomat. Engraved by Henri II Bonnart (1642-1711).
[Ref: 40295] £140.00 (£168.00 incl.VAT)
HBonnart, ex au Coq C.P.R. [c.1700]
Engraving, sheet 275 x 190mm (10¾ x 7½"). Trimmed to border.
Nicola Erizzo, Venetian diplomat. Engraved by Henri II Bonnart (1642-1711).
[Ref: 40295] £140.00 (£168.00 incl.VAT)
![[Ermenonville.][In manuscript.]](jpegs/49290.jpg)
[Ermenonville.][In manuscript.] [Vue du Temple de la Philosophie.][In manuscript.]
[Gurard Del.t.][In manuscript.]
[n.d., c.1825.]
Lithograph. Sheet: 180 x 230mm (7 x 9''). Trimmed and laid on album sheet, with manuscript title.
A view of the Temple of Philosophy in Réne de Girardin's garden in Ermenonville. Jean-Jacques Rousseau was buried on an island in the garden and it attracted illustrious visitors from all over Europe.
[Ref: 49290] £65.00 (£78.00 incl.VAT)
[Gurard Del.t.][In manuscript.]
[n.d., c.1825.]
Lithograph. Sheet: 180 x 230mm (7 x 9''). Trimmed and laid on album sheet, with manuscript title.
A view of the Temple of Philosophy in Réne de Girardin's garden in Ermenonville. Jean-Jacques Rousseau was buried on an island in the garden and it attracted illustrious visitors from all over Europe.
[Ref: 49290] £65.00 (£78.00 incl.VAT)
Erminia.
Angelica Kauffman Inv.t. Ja.s Hogg Sculp.t.
Publish'd as the Act directs April 1st 1784 - By A. Torre, No 44 Market Lane.
Stipple, printed in sepia. Sheet 265 x 285mm (10½ x 11¼"). Trimmed within plate on three sides. Tiny holes on edge of image.
A scene from Tasso's 'La Gerusalemme liberata' (Jerusalem delivered): Erminia, living as a shepherdess, carves Tancred's name on a tree.
[Ref: 54247] £230.00 (£276.00 incl.VAT)
Angelica Kauffman Inv.t. Ja.s Hogg Sculp.t.
Publish'd as the Act directs April 1st 1784 - By A. Torre, No 44 Market Lane.
Stipple, printed in sepia. Sheet 265 x 285mm (10½ x 11¼"). Trimmed within plate on three sides. Tiny holes on edge of image.
A scene from Tasso's 'La Gerusalemme liberata' (Jerusalem delivered): Erminia, living as a shepherdess, carves Tancred's name on a tree.
[Ref: 54247] £230.00 (£276.00 incl.VAT)
Erminia dall'Originale di Simone Vouet alto palmi 4, largo palmi 3. / Al Signor Avvocato Luigi Borsari Ciarissimo Giureconsulto Filippo Pasini in argomento di stima, e di gratitudine.
C. Segni dis. / lit. Pigazzi. [n.d., c.1830]
Lithograph, printed area 340 x 215mm (13¼ x 8½"). Tears to very large margins.
Subject from Tasso's 'La Gerusalemme liberata' (Jerusalem delivered) in which the Saracen princess Erminia cuts off her hair to bind the wounds of the injured Christian warrior Tancred. This subject had previously been depicted by Nicolas Poussin, and French 18th century painter Simone Vouet is attributed as the source for this Italian lithograph.
[Ref: 33969] £120.00 (£144.00 incl.VAT)
C. Segni dis. / lit. Pigazzi. [n.d., c.1830]
Lithograph, printed area 340 x 215mm (13¼ x 8½"). Tears to very large margins.
Subject from Tasso's 'La Gerusalemme liberata' (Jerusalem delivered) in which the Saracen princess Erminia cuts off her hair to bind the wounds of the injured Christian warrior Tancred. This subject had previously been depicted by Nicolas Poussin, and French 18th century painter Simone Vouet is attributed as the source for this Italian lithograph.
[Ref: 33969] £120.00 (£144.00 incl.VAT)
![[Erminia]](jpegs/33970.jpg)
[Erminia] [dall'Originale di Simone Vouet alto palmi 4, largo palmi 3. / Al Signor Avvocato Luigi Borsari Ciarissimo Giureconsulto Filippo Pasini in argomento di stima, e di gratitudine.]
[C. Segni dis. / lit. Pigazzi.]
Lithograph on india with very large margins, printed area 340 x 215mm (13¼ x 8½"). Proof impression. Uncut.
Subject from Tasso's 'La Gerusalemme liberata' (Jerusalem delivered) in which the Saracen princess Erminia cuts off her hair to bind the wounds of the injured Christian warrior Tancred. This subject had previously been depicted by Nicolas Poussin, and French 18th century painter Simone Vouet is attributed as the source for this Italian lithograph.
[Ref: 33970] £190.00 (£228.00 incl.VAT)
[C. Segni dis. / lit. Pigazzi.]
Lithograph on india with very large margins, printed area 340 x 215mm (13¼ x 8½"). Proof impression. Uncut.
Subject from Tasso's 'La Gerusalemme liberata' (Jerusalem delivered) in which the Saracen princess Erminia cuts off her hair to bind the wounds of the injured Christian warrior Tancred. This subject had previously been depicted by Nicolas Poussin, and French 18th century painter Simone Vouet is attributed as the source for this Italian lithograph.
[Ref: 33970] £190.00 (£228.00 incl.VAT)
![[Duke of Cumberland] A Portrait.](jpegs/32086.jpg)
[Duke of Cumberland] A Portrait.
[Thomas Rowlandson.]
Pub.d January 10th 1812 by H. Humphrey, 27 St. James's Street.
Fine hand-coloured etching with large margins. Platemark: 270 x 215mm (10¾ x 8½").
The Duke of Cumberland walks in profile to the left, putting his spy-glass to his right eye. He holds hat and cane, wears a high-collared coat with a star, blue with red facings (the Windsor uniform), leather breeches, and spurred top-boots. Behind is the pagoda in Kew Gardens, with a background of distant trees. Companion print to item ref: 32088.
BM Satires: 11924.
[Ref: 32086] £260.00 (£312.00 incl.VAT)
[Thomas Rowlandson.]
Pub.d January 10th 1812 by H. Humphrey, 27 St. James's Street.
Fine hand-coloured etching with large margins. Platemark: 270 x 215mm (10¾ x 8½").
The Duke of Cumberland walks in profile to the left, putting his spy-glass to his right eye. He holds hat and cane, wears a high-collared coat with a star, blue with red facings (the Windsor uniform), leather breeches, and spurred top-boots. Behind is the pagoda in Kew Gardens, with a background of distant trees. Companion print to item ref: 32088.
BM Satires: 11924.
[Ref: 32086] £260.00 (£312.00 incl.VAT)
The Vindication.
HB [John Doyle.]
London, Published by T. McLean, 26, Haymarket, Nov:21, 1829.
Coloured lithograph. Sheet 260 x 325mm (10¼ x 12¾"). Trimmed to printed border.
Satire on the Duke of Cumberland's declining influence. George IV, holding a satirical print (from a folio of 'McLean's Caricatures', naturally) points out to Cumberland that 'the Caricaturists have cut off your Mustaches'. Watching the interview from the right are two elegant young men, Lord Mount Charles and Lord Strathavon, who wears top-boots and leans on his brother-in-law's shoulder.
BM Satires: 15915.
[Ref: 62473] £130.00 (£156.00 incl.VAT)
HB [John Doyle.]
London, Published by T. McLean, 26, Haymarket, Nov:21, 1829.
Coloured lithograph. Sheet 260 x 325mm (10¼ x 12¾"). Trimmed to printed border.
Satire on the Duke of Cumberland's declining influence. George IV, holding a satirical print (from a folio of 'McLean's Caricatures', naturally) points out to Cumberland that 'the Caricaturists have cut off your Mustaches'. Watching the interview from the right are two elegant young men, Lord Mount Charles and Lord Strathavon, who wears top-boots and leans on his brother-in-law's shoulder.
BM Satires: 15915.
[Ref: 62473] £130.00 (£156.00 incl.VAT)
![[Prince Ernest Augustus & Violetta] No. XIV. The Fair Violetta. No. XV. Military Exile.](jpegs/38576.jpg)
[Prince Ernest Augustus & Violetta] No. XIV. The Fair Violetta. No. XV. Military Exile.
London, Published by A. Hamilton Jun.r. Fleet Street, 1 June 1790.
Engraving. Plate: 175 x 110mm (7 x 4¼"). Small margins, one small wormhole.
Two portrait busts set in ovals. On the right Prince Ernest Augustus (1771-1851), fifth son of George III who whilst on leave from his studies in Hanover became enamoured of an actress Violetta, depiced on the left, in Lyons. A lack of funds forced him to return home to England without Violetta and he was at once dispatched to Gibraltar. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7702.
[Ref: 38576] £50.00 (£60.00 incl.VAT)
London, Published by A. Hamilton Jun.r. Fleet Street, 1 June 1790.
Engraving. Plate: 175 x 110mm (7 x 4¼"). Small margins, one small wormhole.
Two portrait busts set in ovals. On the right Prince Ernest Augustus (1771-1851), fifth son of George III who whilst on leave from his studies in Hanover became enamoured of an actress Violetta, depiced on the left, in Lyons. A lack of funds forced him to return home to England without Violetta and he was at once dispatched to Gibraltar. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7702.
[Ref: 38576] £50.00 (£60.00 incl.VAT)
The Man Wot Violates the Grave. It's very hard these sort of men can't let a Body be = O she loved a bold Dragoon with his long _&c&
W. Heath.
Pub Jan 30 1830 by T McLean 26 Haymarket.
Hand-coloured etching with very large margins. 372 x 260mm (14¾ x 10¼"). Crease.
The Duke of Cumberland steps up from a grave, carrying Lady Graves, with whom Cumberland had been having an affair. In 1830 this scandal erupted in the press, and shortly after this print was published Lady Graves' husband Thomas committed suicide, adding to the macabre imagery of this print.
BM Satires: 16011.
[Ref: 30541] £260.00 (£312.00 incl.VAT)
W. Heath.
Pub Jan 30 1830 by T McLean 26 Haymarket.
Hand-coloured etching with very large margins. 372 x 260mm (14¾ x 10¼"). Crease.
The Duke of Cumberland steps up from a grave, carrying Lady Graves, with whom Cumberland had been having an affair. In 1830 this scandal erupted in the press, and shortly after this print was published Lady Graves' husband Thomas committed suicide, adding to the macabre imagery of this print.
BM Satires: 16011.
[Ref: 30541] £260.00 (£312.00 incl.VAT)
The Illustr^ious Lover or the D, of Cumberland done Over.
[Isaac Cruikshank]
London Augt 16, 1801, Pub: by S W Fores N. 50 Piccadily [sic] Folios of Caricatures Lent out.
Etching with fine hand colour. 250 x 345mm (9¾ x 13½"), with large margins. On Edmeades watermarked '1799' paper. Slight hole /tear near bottom of box.
Ernest Augustus, Duke of Cumberland and King of Hanover (1771-1851), sits in an arm-chair pressing a knot of ribbon to his lips and says, "Not meet at St Giles's? D-n-n worse than a Dog you use me - not to be allowed to attend as Midwife, Nurse or Chamber maid, D-n-n must I belong to nobody - but I must not complain - I am allways blubbering I talk in my sleep, in short I act the part of a Fool - O the dear Plant, the dear the ever dear Pink cotton - my Charmer, my dearest dear, my adored my Celestial, I have invoked Cupid, Mercury, Mars, Saturn, Venus, & all the Deites to Santion our heaven born love, you know I have plunged 7 times in the Hog trough over head & ears, & yet after all such sousing I cannot conquer this heaven born Passion . . . as wheat falls so my Divine affection rises . . . [&c. &c.]. Pray dont read the life of Major Hanger till I come & read it to you - O what a Dog I am." He faces a small oblong table on which is a flowering plant, which he waters from a watering-can held between his legs. Other objects on the table are books: 'Jack the Giant Killer' [a chap-book]; 'Lover Letter Tom Thumb'; 'D of Cumberland'; a print of three standing prostitutes: 'Two Penny Uprights (See Partridge, 'Slang Dict., s.v. threepenny bit.) [a similar print by Cawse has this title]; packages inscribed: 'Alcampane', lollypops', 'Sugar Candy', 'Carraway Comfits', 'Barley Sugar', 'Parmasan'. On the floor are papers: 'My Beauty without Paint'; 'My Angel'; 'My Deer Deer Dear Lovee Love Dear'; 'My Love . . . Adorable'; 'Not sufficiently Expressive of my Noble love & Devine Affection'. Beside the duke stands an open chest of 'Keepsakes', piled up with hats, bonnets, shoes, a comb, powder-puff, and a cracked chamber-pot 'often used by M. Anne'.
BM Satires 9777. See Dupl. 61873.
[Ref: 61835] £320.00
[Isaac Cruikshank]
London Augt 16, 1801, Pub: by S W Fores N. 50 Piccadily [sic] Folios of Caricatures Lent out.
Etching with fine hand colour. 250 x 345mm (9¾ x 13½"), with large margins. On Edmeades watermarked '1799' paper. Slight hole /tear near bottom of box.
Ernest Augustus, Duke of Cumberland and King of Hanover (1771-1851), sits in an arm-chair pressing a knot of ribbon to his lips and says, "Not meet at St Giles's? D-n-n worse than a Dog you use me - not to be allowed to attend as Midwife, Nurse or Chamber maid, D-n-n must I belong to nobody - but I must not complain - I am allways blubbering I talk in my sleep, in short I act the part of a Fool - O the dear Plant, the dear the ever dear Pink cotton - my Charmer, my dearest dear, my adored my Celestial, I have invoked Cupid, Mercury, Mars, Saturn, Venus, & all the Deites to Santion our heaven born love, you know I have plunged 7 times in the Hog trough over head & ears, & yet after all such sousing I cannot conquer this heaven born Passion . . . as wheat falls so my Divine affection rises . . . [&c. &c.]. Pray dont read the life of Major Hanger till I come & read it to you - O what a Dog I am." He faces a small oblong table on which is a flowering plant, which he waters from a watering-can held between his legs. Other objects on the table are books: 'Jack the Giant Killer' [a chap-book]; 'Lover Letter Tom Thumb'; 'D of Cumberland'; a print of three standing prostitutes: 'Two Penny Uprights (See Partridge, 'Slang Dict., s.v. threepenny bit.) [a similar print by Cawse has this title]; packages inscribed: 'Alcampane', lollypops', 'Sugar Candy', 'Carraway Comfits', 'Barley Sugar', 'Parmasan'. On the floor are papers: 'My Beauty without Paint'; 'My Angel'; 'My Deer Deer Dear Lovee Love Dear'; 'My Love . . . Adorable'; 'Not sufficiently Expressive of my Noble love & Devine Affection'. Beside the duke stands an open chest of 'Keepsakes', piled up with hats, bonnets, shoes, a comb, powder-puff, and a cracked chamber-pot 'often used by M. Anne'.
BM Satires 9777. See Dupl. 61873.
[Ref: 61835] £320.00
The Illustr-i-ous Lover or the D, of Cumberland done Over.
[Isaac Cruikshank]
London Augt 16, 1801, Pub: by S W Fores N. 50 Piccadily [sic] Folios of Caricatures Lent out.
Coloured etching, 18th century watermark; 250 x 345mm (9¾ x 13½") very large margins.
Ernest Augustus, Duke of Cumberland and King of Hanover (1771-1851), sits in an arm-chair pressing a knot of ribbon to his lips and says, "Not meet at St Giles's? D-n-n worse than a Dog you use me - not to be allowed to attend as Midwife, Nurse or Chamber maid, D-n-n must I belong to nobody - but I must not complain - I am allways blubbering I talk in my sleep, in short I act the part of a Fool - O the dear Plant, the dear the ever dear Pink cotton - my Charmer, my dearest dear, my adored my Celestial, I have invoked Cupid, Mercury, Mars, Saturn, Venus, & all the Deites to Santion our heaven born love, you know I have plunged 7 times in the Hog trough over head & ears, & yet after all such sousing I cannot conquer this heaven born Passion . . . as wheat falls so my Divine affection rises . . . [&c. &c.]. Pray dont read the life of Major Hanger till I come & read it to you - O what a Dog I am." He faces a small oblong table on which is a flowering plant, which he waters from a watering-can held between his legs. Other objects on the table are books: 'Jack the Giant Killer' [a chap-book]; 'Lover Letter Tom Thumb'; 'D of Cumberland'; a print of three standing prostitutes: 'Two Penny Uprights (See Partridge, 'Slang Dict., s.v. threepenny bit.) [a similar print by Cawse has this title]; packages inscribed: 'Alcampane', lollypops', 'Sugar Candy', 'Carraway Comfits', 'Barley Sugar', 'Parmasan'. On the floor are papers: 'My Beauty without Paint'; 'My Angel'; 'My Deer Deer Dear Lovee Love Dear'; 'My Love . . . Adorable'; 'Not sufficiently Expressive of my Noble love & Devine Affection'. Beside the duke stands an open chest of 'Keepsakes', piled up with hats, bonnets, shoes, a comb, powder-puff, and a cracked chamber-pot 'often used by M. Anne'.
BM Satires 9777.
[Ref: 61873] £390.00
[Isaac Cruikshank]
London Augt 16, 1801, Pub: by S W Fores N. 50 Piccadily [sic] Folios of Caricatures Lent out.
Coloured etching, 18th century watermark; 250 x 345mm (9¾ x 13½") very large margins.
Ernest Augustus, Duke of Cumberland and King of Hanover (1771-1851), sits in an arm-chair pressing a knot of ribbon to his lips and says, "Not meet at St Giles's? D-n-n worse than a Dog you use me - not to be allowed to attend as Midwife, Nurse or Chamber maid, D-n-n must I belong to nobody - but I must not complain - I am allways blubbering I talk in my sleep, in short I act the part of a Fool - O the dear Plant, the dear the ever dear Pink cotton - my Charmer, my dearest dear, my adored my Celestial, I have invoked Cupid, Mercury, Mars, Saturn, Venus, & all the Deites to Santion our heaven born love, you know I have plunged 7 times in the Hog trough over head & ears, & yet after all such sousing I cannot conquer this heaven born Passion . . . as wheat falls so my Divine affection rises . . . [&c. &c.]. Pray dont read the life of Major Hanger till I come & read it to you - O what a Dog I am." He faces a small oblong table on which is a flowering plant, which he waters from a watering-can held between his legs. Other objects on the table are books: 'Jack the Giant Killer' [a chap-book]; 'Lover Letter Tom Thumb'; 'D of Cumberland'; a print of three standing prostitutes: 'Two Penny Uprights (See Partridge, 'Slang Dict., s.v. threepenny bit.) [a similar print by Cawse has this title]; packages inscribed: 'Alcampane', lollypops', 'Sugar Candy', 'Carraway Comfits', 'Barley Sugar', 'Parmasan'. On the floor are papers: 'My Beauty without Paint'; 'My Angel'; 'My Deer Deer Dear Lovee Love Dear'; 'My Love . . . Adorable'; 'Not sufficiently Expressive of my Noble love & Devine Affection'. Beside the duke stands an open chest of 'Keepsakes', piled up with hats, bonnets, shoes, a comb, powder-puff, and a cracked chamber-pot 'often used by M. Anne'.
BM Satires 9777.
[Ref: 61873] £390.00
![[Ernest Augustus, Duke of Cumberland] The Goat Wot Lost his Beard.](jpegs/63393.jpg)
[Ernest Augustus, Duke of Cumberland] The Goat Wot Lost his Beard.
[John Doyle.
London. Published by T. M.cLean, 26 Haymarket. Nov.r 13, 1829.
Coloured lithograph. Printed border 330 x 260mm (13 x 10¼"), watermarked 'J Whatman 1829'. Creased bottom right.
The Duke of Cumberland stands among army officers, surprised they do not recognise him because he had shaved off his facial hair for a lady.
BM Satires: 15906.
[Ref: 63393] £260.00 (£312.00 incl.VAT)
[John Doyle.
London. Published by T. M.cLean, 26 Haymarket. Nov.r 13, 1829.
Coloured lithograph. Printed border 330 x 260mm (13 x 10¼"), watermarked 'J Whatman 1829'. Creased bottom right.
The Duke of Cumberland stands among army officers, surprised they do not recognise him because he had shaved off his facial hair for a lady.
BM Satires: 15906.
[Ref: 63393] £260.00 (£312.00 incl.VAT)
![[Ernest Augustus, Duke of Cumberland] The Resurrectionist. Alas ther is no Happiness on this side of the Graver!!! - Then come my love to TIHS.](jpegs/63394.jpg)
[Ernest Augustus, Duke of Cumberland] The Resurrectionist. Alas ther is no Happiness on this side of the Graver!!! - Then come my love to TIHS.
W. Heath.
Pub Feb. 1st 1830 by T. M.cLean, 26 Haymarket - Sole Pub. of W. Heaths etchings.
Coloured etching. Sheet 245 x 360mm (9½ x 14¼"). Trimmed to printed border.
The Duke of Cumberland and Lady Mary Graves (wife of the duke's Comptroller of the Household) stand either side of an open grave, from which an arm rises holding a cane with the cuckhold's horns. When he heard rumours that Mary was having an affair with the Duke, Thomas North Graves wrote a note to his wife expressing his confidence in her innocence, then cut his own throat.
BM Satires: 16012, second state, with the surtitle.
[Ref: 63394] £190.00 (£228.00 incl.VAT)
W. Heath.
Pub Feb. 1st 1830 by T. M.cLean, 26 Haymarket - Sole Pub. of W. Heaths etchings.
Coloured etching. Sheet 245 x 360mm (9½ x 14¼"). Trimmed to printed border.
The Duke of Cumberland and Lady Mary Graves (wife of the duke's Comptroller of the Household) stand either side of an open grave, from which an arm rises holding a cane with the cuckhold's horns. When he heard rumours that Mary was having an affair with the Duke, Thomas North Graves wrote a note to his wife expressing his confidence in her innocence, then cut his own throat.
BM Satires: 16012, second state, with the surtitle.
[Ref: 63394] £190.00 (£228.00 incl.VAT)
![[Ernest Augustus, Duke of Cumberland] A Portrait.](jpegs/61796.jpg)
[Ernest Augustus, Duke of Cumberland] A Portrait.
[by Thomas Rowlandson]
Pub.d January 10th 1812 by H Humphrey 27 St James's Street.
Coloured etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed within plate.
A caricature portrait of Ernest Augustus (1771-1851), walking in Kew (the pagoda in the background) wearing the so-called Windsor uniform, a high-collared blue coat with red facings, with a star. He looks through a spy-glass. This print is one of a set of four caricatures of Regency swells published by Hannah Humphries in 1812. It seems that Rowlandson took over the job after James Gillray had gone insane in 1811. A sketch by Rowlandson (with this figure but in a crowded interior, featuring the Prince Regent after Gillray) is in the BM (1856,0712.921).
BM Satires 11924.
[Ref: 61796] £420.00
[by Thomas Rowlandson]
Pub.d January 10th 1812 by H Humphrey 27 St James's Street.
Coloured etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed within plate.
A caricature portrait of Ernest Augustus (1771-1851), walking in Kew (the pagoda in the background) wearing the so-called Windsor uniform, a high-collared blue coat with red facings, with a star. He looks through a spy-glass. This print is one of a set of four caricatures of Regency swells published by Hannah Humphries in 1812. It seems that Rowlandson took over the job after James Gillray had gone insane in 1811. A sketch by Rowlandson (with this figure but in a crowded interior, featuring the Prince Regent after Gillray) is in the BM (1856,0712.921).
BM Satires 11924.
[Ref: 61796] £420.00
![[Ernest Augustus, Duke of Cumberland] Looking Grave on the New Appointment.](jpegs/9214.jpg)
[Ernest Augustus, Duke of Cumberland] Looking Grave on the New Appointment.
W. Heath.
Pub July 6 1830 by T. Mc Lean 26 Haymarket London.
Hand-coloured etching, 370 x 255mm (14½ x 10"). Marginal tears; glued to scrap sheet. Ink spot lower right below image.
A caricature of a concerned-looking Ernest Augustus, Duke of Cumberland, as the accession of his brother William IV put an end to his influence on English politics. He was passed over in favour of his brother the Duke of Sussex for the post of Ranger of St. James's Park and Hyde Park, given Windsor Park instead. The 'Grave' in the title is a reference to Cumberland's affair with Lady Graves (1783 - 1835).
BM Satires: 16156.
[Ref: 9214] £140.00 (£168.00 incl.VAT)
W. Heath.
Pub July 6 1830 by T. Mc Lean 26 Haymarket London.
Hand-coloured etching, 370 x 255mm (14½ x 10"). Marginal tears; glued to scrap sheet. Ink spot lower right below image.
A caricature of a concerned-looking Ernest Augustus, Duke of Cumberland, as the accession of his brother William IV put an end to his influence on English politics. He was passed over in favour of his brother the Duke of Sussex for the post of Ranger of St. James's Park and Hyde Park, given Windsor Park instead. The 'Grave' in the title is a reference to Cumberland's affair with Lady Graves (1783 - 1835).
BM Satires: 16156.
[Ref: 9214] £140.00 (£168.00 incl.VAT)
![[Ernest Augustus, Duke of Cumberland] Looking Grave on the New Appointment.](jpegs/30465.jpg)
[Ernest Augustus, Duke of Cumberland] Looking Grave on the New Appointment. [in ink underneath image:] Duke of Cumberland.
W. Heath.
Pub July 6 1830 by T. McLean 26 Haymarket-London.
Hand-coloured etching. 354 x 255mm (14 x 10"). Cut at top, old ink mms in margin.
A caricature of a concerned-looking Ernest Augustus, Duke of Cumberland, as the accession of his brother William IV put an end to his influence on English politics. He was passed over in favour of his brother the Duke of Sussex for the post of Ranger of St. James's Park and Hyde Park, given Windsor Park instead. The 'Grave' in the title is a reference to Cumberland's affair with Lady Graves (1783 - 1835).
BM Satires: 16156.
[Ref: 30465] £220.00 (£264.00 incl.VAT)
W. Heath.
Pub July 6 1830 by T. McLean 26 Haymarket-London.
Hand-coloured etching. 354 x 255mm (14 x 10"). Cut at top, old ink mms in margin.
A caricature of a concerned-looking Ernest Augustus, Duke of Cumberland, as the accession of his brother William IV put an end to his influence on English politics. He was passed over in favour of his brother the Duke of Sussex for the post of Ranger of St. James's Park and Hyde Park, given Windsor Park instead. The 'Grave' in the title is a reference to Cumberland's affair with Lady Graves (1783 - 1835).
BM Satires: 16156.
[Ref: 30465] £220.00 (£264.00 incl.VAT)
His Royal Highness the Duke of Cumberland.
Sir. W.m Beechy del. Fogg Sculp.
London Pub.d by E. Harding 19 May 1806.
Stipple. Plate 279 x 215mm. 11 x 8½".
Ernest Augustus I (1771-1837) was King of Hanover from 1837 until his death. He was the eighth child of George III. He became King of Hanover when his niece, Victoria, became Queen of the United Kingdom, ending the personal union between Britain and Hanover that had lasted since 1714. He was created Duke of Cumberland and Teviotdale in 1799 and married in 1815, much to the disapproval of his mother, Queen Charlotte, the twice-widowed Frederica of Mecklenburg-Strelitz.
[Ref: 22679] £80.00 (£96.00 incl.VAT)
Sir. W.m Beechy del. Fogg Sculp.
London Pub.d by E. Harding 19 May 1806.
Stipple. Plate 279 x 215mm. 11 x 8½".
Ernest Augustus I (1771-1837) was King of Hanover from 1837 until his death. He was the eighth child of George III. He became King of Hanover when his niece, Victoria, became Queen of the United Kingdom, ending the personal union between Britain and Hanover that had lasted since 1714. He was created Duke of Cumberland and Teviotdale in 1799 and married in 1815, much to the disapproval of his mother, Queen Charlotte, the twice-widowed Frederica of Mecklenburg-Strelitz.
[Ref: 22679] £80.00 (£96.00 incl.VAT)
![[Ernest I, Duke of Saxe-Gotha] Ernestus, der Dritte/herzog zu Sachsen/Jülich/Clve und Berg/etc.](jpegs/59804.jpg)
[Ernest I, Duke of Saxe-Gotha] Ernestus, der Dritte/herzog zu Sachsen/Jülich/Clve und Berg/etc.
[Nuremberg, n.d., c.1650.]
Engraving. 320 x 190mm, with letterpress surtitle. Small margins. Mounted on album paper at corners.
A full-length portrait of Ernest 'the Pious' (1601-75) From an edition of 'Biblia, Das ist: Die gantze H. Schrift, Altes vnd Newes Testaments Teutsch', first published 1641. Text verso.
[Ref: 59804] £130.00 (£156.00 incl.VAT)
[Nuremberg, n.d., c.1650.]
Engraving. 320 x 190mm, with letterpress surtitle. Small margins. Mounted on album paper at corners.
A full-length portrait of Ernest 'the Pious' (1601-75) From an edition of 'Biblia, Das ist: Die gantze H. Schrift, Altes vnd Newes Testaments Teutsch', first published 1641. Text verso.
[Ref: 59804] £130.00 (£156.00 incl.VAT)
Ernestina Princeps Ligneana et S. Imperii Comes Nassavia Etc.
Antonius van Dyck pinxit [...] Michelis Natalis sculpsit
[Joannes Meyssens] Antwerpiae [c.1640]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"). Late impression.
Ernestina, countess of Nassau. First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
Hendrick: 144
[Ref: 48014] £75.00 (£90.00 incl.VAT)
Antonius van Dyck pinxit [...] Michelis Natalis sculpsit
[Joannes Meyssens] Antwerpiae [c.1640]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"). Late impression.
Ernestina, countess of Nassau. First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
Hendrick: 144
[Ref: 48014] £75.00 (£90.00 incl.VAT)
Ernest. Regierender Herzog von Sachsen=Coburg Saafeld &c.&c.
H. Mansfeld.
Wien bey Artria & Comp. [n.d., c.1815.]
Stipple. Plate: 265 x 200mm (10¼ x 8'') very large margins. Mint. Uncut.
A portrait of Ernst I, Duke of Saxe-Coburg and Gotha (1784-1844), who was the last sovereign duke of Saxe-Coburg Saalfeld and the first of Saxe-Coburg Gotha following the reshuffle of Ernestine territories in 1826. He was the father of Prince Albert, consort of Victoria I.
[Ref: 49466] £120.00 (£144.00 incl.VAT)
H. Mansfeld.
Wien bey Artria & Comp. [n.d., c.1815.]
Stipple. Plate: 265 x 200mm (10¼ x 8'') very large margins. Mint. Uncut.
A portrait of Ernst I, Duke of Saxe-Coburg and Gotha (1784-1844), who was the last sovereign duke of Saxe-Coburg Saalfeld and the first of Saxe-Coburg Gotha following the reshuffle of Ernestine territories in 1826. He was the father of Prince Albert, consort of Victoria I.
[Ref: 49466] £120.00 (£144.00 incl.VAT)
Ex Libris Ernst Klinger.
Luigi Kasimir [signed in pencil lower right.]
[n.d., c.1940.]
Ex libris bookplate, coloured etching, 125 x 125mm. 5 x 5".
A charming bookplate, the house of Ernst Klinger (1900 - 1952) framed and reflected in a mirror, a spider on its web crawling across the foreground of the composition. Klinger was a leading member of the 20th Century Munich School. Following his studies at the Münchner Akademie during 1919-1924, Klinger became an adherent of ‘Die Neue Sachlichkeit' (New Objectivity). This Expressionist movement, founded in Germany in the aftermath of World War I by George Grosz and Otto Dix, combined a realistic style with a cynical and socially critical philosophical stance. Many of Klinger's New Objectivity works, painted in Paris and Mallorca during 1925-1927, were destroyed during the Second World War. During 1927-1931 Klinger travelled regularly to Positano and Mallorca where he left a few works to survive the destruction of the War. In 1929, Klinger joined the Juryfreien, an organisation banned by the Nationalsozialisten in 1934. In 1939 he moved to New York and gradually progressed to Abstraction. His abstract works from the 1940s and 1950s are lyrical in style and burst with colour. By Luigi Kasimir (1881 - 1962), world renowned Austrian-born etcher and painter, born in 1881 in Pettau, a part of the Austro-Hungarian monarchy. Kasimir attended the Vienna Academy of Art where he studied under William Unger, who introduced him to the technique of the colored etching. Kasimir was among the first to develop the technique of the colored etching. Prior to this, prints were usually handcoloured with the colour being applied in a casual, haphazard manner. Kasimir first did a sketch- usually in pastel. He then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. The finished etching is a true original.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10852] £550.00
Luigi Kasimir [signed in pencil lower right.]
[n.d., c.1940.]
Ex libris bookplate, coloured etching, 125 x 125mm. 5 x 5".
A charming bookplate, the house of Ernst Klinger (1900 - 1952) framed and reflected in a mirror, a spider on its web crawling across the foreground of the composition. Klinger was a leading member of the 20th Century Munich School. Following his studies at the Münchner Akademie during 1919-1924, Klinger became an adherent of ‘Die Neue Sachlichkeit' (New Objectivity). This Expressionist movement, founded in Germany in the aftermath of World War I by George Grosz and Otto Dix, combined a realistic style with a cynical and socially critical philosophical stance. Many of Klinger's New Objectivity works, painted in Paris and Mallorca during 1925-1927, were destroyed during the Second World War. During 1927-1931 Klinger travelled regularly to Positano and Mallorca where he left a few works to survive the destruction of the War. In 1929, Klinger joined the Juryfreien, an organisation banned by the Nationalsozialisten in 1934. In 1939 he moved to New York and gradually progressed to Abstraction. His abstract works from the 1940s and 1950s are lyrical in style and burst with colour. By Luigi Kasimir (1881 - 1962), world renowned Austrian-born etcher and painter, born in 1881 in Pettau, a part of the Austro-Hungarian monarchy. Kasimir attended the Vienna Academy of Art where he studied under William Unger, who introduced him to the technique of the colored etching. Kasimir was among the first to develop the technique of the colored etching. Prior to this, prints were usually handcoloured with the colour being applied in a casual, haphazard manner. Kasimir first did a sketch- usually in pastel. He then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. The finished etching is a true original.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10852] £550.00
Louis Prince d'Oettingen-Wallerstein.
[n.d. c.1840.]
Stipple. 112 x 76mm (4½ x 3").
Ludwig Kraft Ernst, Prince of Oettingen-Wallerstein (1791-1870), succeeded his father as ruling Furst in 1802 and lost his sovereingty in 1806 due to Mediatisation. He served as minister of the interior in the Kingdom of Bavaria between 1832 and 1837, and as foreign minister in 1848-49.
[Ref: 34651] £50.00 (£60.00 incl.VAT)
[n.d. c.1840.]
Stipple. 112 x 76mm (4½ x 3").
Ludwig Kraft Ernst, Prince of Oettingen-Wallerstein (1791-1870), succeeded his father as ruling Furst in 1802 and lost his sovereingty in 1806 due to Mediatisation. He served as minister of the interior in the Kingdom of Bavaria between 1832 and 1837, and as foreign minister in 1848-49.
[Ref: 34651] £50.00 (£60.00 incl.VAT)
Erreurs. No.5. Pardon, Monsieur, nous avons oublié le vin du Rhin, c'est 20 fr. de plus!!
Bouchot [in the plate.]
Imp. d'Aubert & C.ie Chez Aubert gal Vero. dodat. [n.d. c.1838.]
Lithograph. 361 x 280mm. 14¼ x 11".
A satire at a restaurant; the waiter apologising to the client that he had forgotten the wine at 20 frances more! It forms part of an 1838 series of lithographs devised by Bouchot for "Le Charivari" under the thematic title of "Erreurs". From 'Le Charivari', the illustrated newspaper published in Paris, from 1832 to 1937. After 1835, when the government banned political caricature, Le Charivari began publishing satires of everyday life.
[Ref: 22881] £50.00 (£60.00 incl.VAT)
Bouchot [in the plate.]
Imp. d'Aubert & C.ie Chez Aubert gal Vero. dodat. [n.d. c.1838.]
Lithograph. 361 x 280mm. 14¼ x 11".
A satire at a restaurant; the waiter apologising to the client that he had forgotten the wine at 20 frances more! It forms part of an 1838 series of lithographs devised by Bouchot for "Le Charivari" under the thematic title of "Erreurs". From 'Le Charivari', the illustrated newspaper published in Paris, from 1832 to 1937. After 1835, when the government banned political caricature, Le Charivari began publishing satires of everyday life.
[Ref: 22881] £50.00 (£60.00 incl.VAT)
![[Erskine Falls / Lorne].](jpegs/54021.jpg)
[Erskine Falls / Lorne]. Genuine original etching limited edition by Fabian Swire (London artist) / Series five Subjects and Places of Interest.
[n.d. after 1930].
Signed etching with original label as issued. 130 x 80mm (5 x 3¼") large margins. Sheet laid at top in original mount.
A view of the Erskine Falls in Lorne, published as part of Fabian Swire's fifth series Subjects and Places of Interest.
[Ref: 54021] £140.00 (£168.00 incl.VAT)
[n.d. after 1930].
Signed etching with original label as issued. 130 x 80mm (5 x 3¼") large margins. Sheet laid at top in original mount.
A view of the Erskine Falls in Lorne, published as part of Fabian Swire's fifth series Subjects and Places of Interest.
[Ref: 54021] £140.00 (£168.00 incl.VAT)
Charles Erskine Esq:r Counsellor at Law æt suæ 31.
Tho.s Hudson pinx..t. Ja.s M.cArdell fecit.
[n.d., c.1747.]
Mezzotint. 330 x 230mm (13 x 9"). Thread margins.
Charles Erskine (1716-49), oldest son of Charles Erskine, Lord Tinwald. Educated at Corpus Christi, Cambridge, and at the Middle Temple, he was called to the bar in 1739, joining Lincoln's Inn in 1743. This portrait, showing him aged 31, was probably published during the 1747 election, when he became MP for Ayr Burghs. He died less than two years later, aged only 32.
CS 62, state ii of iii.
[Ref: 46390] £260.00 (£312.00 incl.VAT)
Tho.s Hudson pinx..t. Ja.s M.cArdell fecit.
[n.d., c.1747.]
Mezzotint. 330 x 230mm (13 x 9"). Thread margins.
Charles Erskine (1716-49), oldest son of Charles Erskine, Lord Tinwald. Educated at Corpus Christi, Cambridge, and at the Middle Temple, he was called to the bar in 1739, joining Lincoln's Inn in 1743. This portrait, showing him aged 31, was probably published during the 1747 election, when he became MP for Ayr Burghs. He died less than two years later, aged only 32.
CS 62, state ii of iii.
[Ref: 46390] £260.00 (£312.00 incl.VAT)
[Charles Erskine Esq:r Counsellor at Law æt suæ 31.]
Tho.s Hudson pinx..t. Ja.s M.cArdell fecit.
[n.d., c.1750.]
Mezzotint. 330 x 230mm (13 x 9"), with large margins.
Charles Erskine (1716-49), oldest son of Charles Erskine, Lord Tinwald. Educated at Corpus Christi, Cambridge, and at the Middle Temple, he was called to the bar in 1739, joining Lincoln's Inn in 1743. This portrait, showing him aged 31, was probably published during the 1747 election, when he became MP for Ayr Burghs. He died less than two years later, aged only 32.
CS 62, state iii, a counterfeit proof, with title erased.
[Ref: 46391] £260.00 (£312.00 incl.VAT)
Tho.s Hudson pinx..t. Ja.s M.cArdell fecit.
[n.d., c.1750.]
Mezzotint. 330 x 230mm (13 x 9"), with large margins.
Charles Erskine (1716-49), oldest son of Charles Erskine, Lord Tinwald. Educated at Corpus Christi, Cambridge, and at the Middle Temple, he was called to the bar in 1739, joining Lincoln's Inn in 1743. This portrait, showing him aged 31, was probably published during the 1747 election, when he became MP for Ayr Burghs. He died less than two years later, aged only 32.
CS 62, state iii, a counterfeit proof, with title erased.
[Ref: 46391] £260.00 (£312.00 incl.VAT)