A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[The Faithful Shepherd] Doringa Orders her Servant Lupino to hide Silvios Dog.](jpegs/56639.jpg)
[The Faithful Shepherd] Doringa Orders her Servant Lupino to hide Silvios Dog. [&] Dorinda returns the Dog to Silvio.
Done after a Sketch of Zucchi by Vispre,
& to be had if him near Slaughton Coffee House St Martins Lane and of W. Darling Engraver in Great Newport Street [n.d. c.1780].
Two aquatints with etching, printed in sepia. 230 x 250mm (9 x 9¾"). Some creasing, wear to edges. Small margins.
Two circular scenes from a series illustrating Giovanni Battista Guarini's ''Il pastor fido'' (1580), in which the nymph Dorinda attempts to win the love of Silvio.
[Ref: 56639] £260.00 (£312.00 incl.VAT) view all images for this item
Done after a Sketch of Zucchi by Vispre,
& to be had if him near Slaughton Coffee House St Martins Lane and of W. Darling Engraver in Great Newport Street [n.d. c.1780].
Two aquatints with etching, printed in sepia. 230 x 250mm (9 x 9¾"). Some creasing, wear to edges. Small margins.
Two circular scenes from a series illustrating Giovanni Battista Guarini's ''Il pastor fido'' (1580), in which the nymph Dorinda attempts to win the love of Silvio.
[Ref: 56639] £260.00 (£312.00 incl.VAT) view all images for this item
The Faithful Friend.
Drawn on Stone by Rich.d J. Lane from a Picture by John Boaden. Printed by C. Hullmandel.
Published by J. Dickinson Bond Street April 1826.
Fine lithograph on india paper, sheet 180 x 140mm. 7 x 5½". Margins trimmed.
A child and pet spaniel, in a landscape. By Richard James Lane (1800 - 1872), after John Boaden (1792 or 1793 - 1839), portrait and figure painter.
[Ref: 21660] £65.00 (£78.00 incl.VAT)
Drawn on Stone by Rich.d J. Lane from a Picture by John Boaden. Printed by C. Hullmandel.
Published by J. Dickinson Bond Street April 1826.
Fine lithograph on india paper, sheet 180 x 140mm. 7 x 5½". Margins trimmed.
A child and pet spaniel, in a landscape. By Richard James Lane (1800 - 1872), after John Boaden (1792 or 1793 - 1839), portrait and figure painter.
[Ref: 21660] £65.00 (£78.00 incl.VAT)
The Faithful Friend.
London Published May 1.st 1846 by Graves & Co. Printsellers to the Queen, 6, Pall Mall.
Stipple and etching. Plate 305 x 228mm. 12 x 9". Some scratching and rubbing to the image.
A young woman and a young boy lean on their faithful friend, a spaniel.
[Ref: 19364] £130.00 (£156.00 incl.VAT)
London Published May 1.st 1846 by Graves & Co. Printsellers to the Queen, 6, Pall Mall.
Stipple and etching. Plate 305 x 228mm. 12 x 9". Some scratching and rubbing to the image.
A young woman and a young boy lean on their faithful friend, a spaniel.
[Ref: 19364] £130.00 (£156.00 incl.VAT)
A Descriptive Catalogue of the Engraved Works of William Faithorne.
by Louis Fagan.
Bernard Quaritch. 15, Picadilly, W. London. 1888.
Book. 4to (200 x 290mm). pp. v-xiii 104.Very scarce, only 46 Subscribers. Cloth binding, gilt title stamped on spine. Broken back inside.
A catalogue of works by English engraver William Faithorne (1616-1691).
Ex: Collection the Hon. Christopher Lennox-Boyd.
[Ref: 36439] £350.00
by Louis Fagan.
Bernard Quaritch. 15, Picadilly, W. London. 1888.
Book. 4to (200 x 290mm). pp. v-xiii 104.Very scarce, only 46 Subscribers. Cloth binding, gilt title stamped on spine. Broken back inside.
A catalogue of works by English engraver William Faithorne (1616-1691).
Ex: Collection the Hon. Christopher Lennox-Boyd.
[Ref: 36439] £350.00
Fakes and Frauds. Varieties of Deception in Print & Manuscript.
Edited by Robin Myers and Michael Harris.
Detroit: Omnigraphics Inc., 1989.
8vo, illustrated boards; pp. x + 144, illutrations in text.
A collection of seven articles about fakes in the book trade, including false collophons and imprints, pirates and fake classical texta
[Ref: 59740] £35.00
Edited by Robin Myers and Michael Harris.
Detroit: Omnigraphics Inc., 1989.
8vo, illustrated boards; pp. x + 144, illutrations in text.
A collection of seven articles about fakes in the book trade, including false collophons and imprints, pirates and fake classical texta
[Ref: 59740] £35.00
![Place St. Gervais, Falaise. [Pencil.]](jpegs/12323.jpg)
Place St. Gervais, Falaise. [Pencil.]
Stanley Anderson [pencil signature.] ['S. Anderson' etched in plate lower right.]
[n.d., c.1930.]
Etching, 285 x 220mm, 11¼ x 8¾". Slight age toning.
A market square in Falaise, Normandy, France, with figures and a memorial. By Stanley Anderson, RE, ARA (1884 - 1966).
[Ref: 12323] £240.00 (£288.00 incl.VAT)
Stanley Anderson [pencil signature.] ['S. Anderson' etched in plate lower right.]
[n.d., c.1930.]
Etching, 285 x 220mm, 11¼ x 8¾". Slight age toning.
A market square in Falaise, Normandy, France, with figures and a memorial. By Stanley Anderson, RE, ARA (1884 - 1966).
[Ref: 12323] £240.00 (£288.00 incl.VAT)
![Fabul. XI. [Falcons]](jpegs/64998.jpg)
Fabul. XI. [Falcons]
J. El. Ridinger inv. fec. et excud.
[n.d., 1743.]
Engraving. 335 x 255mm (13¼ x 10"). Repaired tears in margins. Creases
An illustration of a fable: a man lies on the ground, clutching his hat. A hooded falcon sits on a branch, surrounded by wild birds.
[Ref: 64998] £120.00 (£144.00 incl.VAT)
J. El. Ridinger inv. fec. et excud.
[n.d., 1743.]
Engraving. 335 x 255mm (13¼ x 10"). Repaired tears in margins. Creases
An illustration of a fable: a man lies on the ground, clutching his hat. A hooded falcon sits on a branch, surrounded by wild birds.
[Ref: 64998] £120.00 (£144.00 incl.VAT)
Gordon Thomas Falcon. Rear Admiral of the Red. G.T. Falcon [facsimile signature].
E. Opie. R.J. Lane A.E.R.A. Hanhart imp.t.
[n.d., 1855.]
Rare tinted lithograph. Sheet 440 x 275mm (17¼ x 10¾"). Slight soiling.
Gordon Thomas Falcon (c.1776-1854) entered the navy in 1794 and three years later was midshipman on Admiral Duncan's flagship at the Battle of Camperdown. In 1807 Lieutenant Falcon boarded 'Chesapeake' after HMS Leopard had fired on the American frigate. Late in the War of 1812 Falcon and his ship Cyane were captured by the American warship USS Constitution and released at the war's end. In 1833 Falcon evacuated Princess Victoria and her party from the Royal Yacht Emerald when it became entangled with a hulk in Plymouth Harbour. American interest.
[Ref: 53892] £180.00 (£216.00 incl.VAT)
E. Opie. R.J. Lane A.E.R.A. Hanhart imp.t.
[n.d., 1855.]
Rare tinted lithograph. Sheet 440 x 275mm (17¼ x 10¾"). Slight soiling.
Gordon Thomas Falcon (c.1776-1854) entered the navy in 1794 and three years later was midshipman on Admiral Duncan's flagship at the Battle of Camperdown. In 1807 Lieutenant Falcon boarded 'Chesapeake' after HMS Leopard had fired on the American frigate. Late in the War of 1812 Falcon and his ship Cyane were captured by the American warship USS Constitution and released at the war's end. In 1833 Falcon evacuated Princess Victoria and her party from the Royal Yacht Emerald when it became entangled with a hulk in Plymouth Harbour. American interest.
[Ref: 53892] £180.00 (£216.00 incl.VAT)
Depart pour la Chasse au Vol. Gravé d'apres le Tableau Original de P. Wowermens qui est au Cabinet de Monsieur Crosat.
P. Wowermens Pinx. J. Moyreau Sculp.
AParis chez Moyreau ruë Gallande vis a vis la Chapelle de St Blaise. Avec Privilege du Roy. [n.d., c.1733.]
Etching, fine. 350 x 460mm (13¾ x 18"). Thread margins at top and left.
A falconry party ride out, one horseman holding a hawk aloft.
BM: 1847,0305.44.
[Ref: 43482] £280.00 (£336.00 incl.VAT)
P. Wowermens Pinx. J. Moyreau Sculp.
AParis chez Moyreau ruë Gallande vis a vis la Chapelle de St Blaise. Avec Privilege du Roy. [n.d., c.1733.]
Etching, fine. 350 x 460mm (13¾ x 18"). Thread margins at top and left.
A falconry party ride out, one horseman holding a hawk aloft.
BM: 1847,0305.44.
[Ref: 43482] £280.00 (£336.00 incl.VAT)
![[Falkland Crisis.] The Convention Makers.](jpegs/45461.jpg)
[Falkland Crisis.] The Convention Makers.
[1771.]
Engraving. Plate: 120 x 190mm (4¾ x 7½").
A satire of the resolution to the Falkland Crisis of 1770-1. A painting titled 'A Convention' falls off a cornice marked 'National Honour', landing on four prostrate figures. In the picture an Englishman inscribed "Submission", with his hat under his arm, takes the hand of a Spaniard, inscribed "Reluctance", who turns his back. A third figure, "Indemnity", waves a ragged cloth perhaps intended for a map of the Falkland Islands.
On the 10 June, 1770, a Spanish fleet of five armed ships and 1400 soldiers forced the British to leave Port Egmont, their first settlement on the Falkland Islands, established by Byron in 1765. Outrage in Parliament pushed Britain towards war, but a secret deal was made that allowed Britain to return to Port Egmont as long as they abandoned it shortly after. In 1774 the British withdrew, for 'economic reasons'.
BM Satire 4849.
[Ref: 45461] £120.00 (£144.00 incl.VAT)
[1771.]
Engraving. Plate: 120 x 190mm (4¾ x 7½").
A satire of the resolution to the Falkland Crisis of 1770-1. A painting titled 'A Convention' falls off a cornice marked 'National Honour', landing on four prostrate figures. In the picture an Englishman inscribed "Submission", with his hat under his arm, takes the hand of a Spaniard, inscribed "Reluctance", who turns his back. A third figure, "Indemnity", waves a ragged cloth perhaps intended for a map of the Falkland Islands.
On the 10 June, 1770, a Spanish fleet of five armed ships and 1400 soldiers forced the British to leave Port Egmont, their first settlement on the Falkland Islands, established by Byron in 1765. Outrage in Parliament pushed Britain towards war, but a secret deal was made that allowed Britain to return to Port Egmont as long as they abandoned it shortly after. In 1774 the British withdrew, for 'economic reasons'.
BM Satire 4849.
[Ref: 45461] £120.00 (£144.00 incl.VAT)
A Map of the Falkland Islands in the Latitude of 51°, 22' South, Longitude 64°, 30' West.
J. Lodge Sculp.
Gent. Mag. Oct.r 1770.
Engraving. 180 x 250mm, 7 x 9¾". Folded, as issued.
Chart of the Falkland Islands, published in the Gentleman's Magazine to accompany an account of the confrontation between the Spanish and British over possession of the islands, which nearly led to full-scale war. As it was issued only six years after the founding of the first (French) colony, it is not very accurate, with West Falkland far too wide. The coastal profiles show the rocky islands on the approaches to Saunders Island, where the British had founded Port Egmont in 1766. A decade later the British abandoned Port Egmont because of the economic pressures of the build up to the American Revolution.
[Ref: 16444] £130.00
J. Lodge Sculp.
Gent. Mag. Oct.r 1770.
Engraving. 180 x 250mm, 7 x 9¾". Folded, as issued.
Chart of the Falkland Islands, published in the Gentleman's Magazine to accompany an account of the confrontation between the Spanish and British over possession of the islands, which nearly led to full-scale war. As it was issued only six years after the founding of the first (French) colony, it is not very accurate, with West Falkland far too wide. The coastal profiles show the rocky islands on the approaches to Saunders Island, where the British had founded Port Egmont in 1766. A decade later the British abandoned Port Egmont because of the economic pressures of the build up to the American Revolution.
[Ref: 16444] £130.00
Carte de Maidenland ou de la Virginie de Hawkins, Découverte par Sir Richard Hawkins en 1574. Et du Canal Falkland ainsi appellé par le Cap.ne Jean Strong qui le traversa en 1689, sur la Farewell Vaisseau de Londrres.
Benard dir.
[Paris 1787.]
Engraving. 240 x 320mm, 9½ x 12½".
Map of the Falkland Islands after the map by John Strong, an English captain who traversed Falkland Sound in 1690. Sir Richard Hawkins (son of Sir John Hawkins of Spanish Armada fame) is credited with discovering the island in 1574, naming it Hawkins' Maidenland (after Elizabeth the Virgin Queen). However at that time he would have been aged twelve. In fact he visted the islands in 1594, preceded by Dutchman Sebald de Weert in 1600 and English explorer John Davis in 1592. Engraved by Bénard for a French edition of the Official Account of Cook's Voyages, which included accounts of other English explorers in the South Seas.
[Ref: 13537] £170.00
Benard dir.
[Paris 1787.]
Engraving. 240 x 320mm, 9½ x 12½".
Map of the Falkland Islands after the map by John Strong, an English captain who traversed Falkland Sound in 1690. Sir Richard Hawkins (son of Sir John Hawkins of Spanish Armada fame) is credited with discovering the island in 1574, naming it Hawkins' Maidenland (after Elizabeth the Virgin Queen). However at that time he would have been aged twelve. In fact he visted the islands in 1594, preceded by Dutchman Sebald de Weert in 1600 and English explorer John Davis in 1592. Engraved by Bénard for a French edition of the Official Account of Cook's Voyages, which included accounts of other English explorers in the South Seas.
[Ref: 13537] £170.00
The Fall of Babylon, M.R. West Side. 176. 1. The Great Tower of Babel. 2. Temple of Belus, the external Buildings by Nebuchadnezzar. 3. Temple of Venus. 4. Dragon, one of the Images of Worship, which are placed one mile apart, to express the vast extent of the Streets. 5. The Street Gates leading to the River, half a mile distance from each other... At the noise of the taking of Babylon the earth is moved, and the cry is heard among the nations. Isaiah, chap. xiii. verse 19, and chap. xiv. verse 13. Jeremiah, chap. 50, ver.2, 22, 43, and 53.
[n.d. c.1780.]
Etching, scarce, large margins. 166 x 209mm. 6½ x 8¼".
An etched key plate to John Martin's 'The Fall of Babylon".
See Wees & Campbell: p.36; 28.
[Ref: 21036] £220.00 (£264.00 incl.VAT)
[n.d. c.1780.]
Etching, scarce, large margins. 166 x 209mm. 6½ x 8¼".
An etched key plate to John Martin's 'The Fall of Babylon".
See Wees & Campbell: p.36; 28.
[Ref: 21036] £220.00 (£264.00 incl.VAT)
The Fall of the Knight by the breach of the Vote. The Knigh converted the Kings gifts, / Top pious frauds and holy Shifts, / And Settled all ye other shares, / Upon my Lady & her Heirs, Held all he claim'd as fortfeit Lands, Diliver'd up into his hands, / Impeac'd his Foe as Reprobate, / That had no Title to Estate, / And founds his Arguement on Reason, / Deduc'd from Treachery and Treason. / Hudibras.
[n.d., c.1780.]
Coloured etching. 220 x 340mm (8¾ x 13½"). Tears, worm hole, creasing, laid on card.
A scene illustrating a verse from Samuel Butler's Hudibras.
Not found in BM.
[Ref: 54442] £160.00 (£192.00 incl.VAT)
[n.d., c.1780.]
Coloured etching. 220 x 340mm (8¾ x 13½"). Tears, worm hole, creasing, laid on card.
A scene illustrating a verse from Samuel Butler's Hudibras.
Not found in BM.
[Ref: 54442] £160.00 (£192.00 incl.VAT)
![[Part of a Fallen Tree.] 13.](jpegs/53525.jpg)
[Part of a Fallen Tree.] 13.
TB [monogram of Thomas Barker of Bath].
[Bath, D. Redman, 1814.]
Pen lithograph, laid on original backing page; 310 x 240mm (12¼ x 9½").
A knarled old tree with part of its trunk fallen. From "Thirty Two Lithographic Impression from Pen Drawings of Landscape Scenery", 1814. Views around Bath, Wales, the Lake District and elsewhere.
[Ref: 53525] £140.00 (£168.00 incl.VAT)
TB [monogram of Thomas Barker of Bath].
[Bath, D. Redman, 1814.]
Pen lithograph, laid on original backing page; 310 x 240mm (12¼ x 9½").
A knarled old tree with part of its trunk fallen. From "Thirty Two Lithographic Impression from Pen Drawings of Landscape Scenery", 1814. Views around Bath, Wales, the Lake District and elsewhere.
[Ref: 53525] £140.00 (£168.00 incl.VAT)
The Falling Out.
G. Quinton Fecit. 1794.
Hand-coloured stipple. 133 x 95mm. 5¼ x 3¾".
A young girl lashes out to hit a young boy.
[Ref: 16281] £130.00 (£156.00 incl.VAT)
G. Quinton Fecit. 1794.
Hand-coloured stipple. 133 x 95mm. 5¼ x 3¾".
A young girl lashes out to hit a young boy.
[Ref: 16281] £130.00 (£156.00 incl.VAT)
The Falling of the Stocks. Engraved for the Carlton House Magazine.
Published by W & J. Stratford No. 112 Holborn Hill, March 1793
Engraving with accompanying letterpress, platemark 175 x 110mm (6¾ x 4¼").
Print published in the 'Carlton House Magazine', where it accompanied a dialogue between a man who had recently lost a large amount of money on the stock market, and his maid. Here the man rages, kicking a table and scattering its contents, while a cat and dog fight. On the wall are pictures of a stormy sea with a lighthouse, and a pair of pictures bearing the text 'Such Things Are Much Ado About Nothing'. The print may be a reissue of a plate first published a couple of years earlier, as was often the case with illustrations in the 'Carlton House Magazine'.
[Ref: 45854] £65.00 (£78.00 incl.VAT)
Published by W & J. Stratford No. 112 Holborn Hill, March 1793
Engraving with accompanying letterpress, platemark 175 x 110mm (6¾ x 4¼").
Print published in the 'Carlton House Magazine', where it accompanied a dialogue between a man who had recently lost a large amount of money on the stock market, and his maid. Here the man rages, kicking a table and scattering its contents, while a cat and dog fight. On the wall are pictures of a stormy sea with a lighthouse, and a pair of pictures bearing the text 'Such Things Are Much Ado About Nothing'. The print may be a reissue of a plate first published a couple of years earlier, as was often the case with illustrations in the 'Carlton House Magazine'.
[Ref: 45854] £65.00 (£78.00 incl.VAT)
Falmouth, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Paper tone.
A view of the town and Harbour of Falmouth. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47134] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Paper tone.
A view of the town and Harbour of Falmouth. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47134] £140.00 (£168.00 incl.VAT)
Pump Court, Upton Slip, Falmouth.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 85 x 60mm (3¼ x 2¼''), very large margins. Mint.
A view of a street in Falmouth. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49331] £45.00 (£54.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 85 x 60mm (3¼ x 2¼''), very large margins. Mint.
A view of a street in Falmouth. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49331] £45.00 (£54.00 incl.VAT)
![[Falmouth.]](jpegs/39879.jpg)
[Falmouth.]
E. Duncan pinx. T.A. Prior, sculp.
[n.d., c.1860s.]
Steel engraving on india. Plate: 445 x 255mm, (17½ x 10") very large margins.
Falmouth Harbour, Cornwall. A figure looks through a telescope in the foreground, ships in the water.
[Ref: 39879] £180.00 (£216.00 incl.VAT)
E. Duncan pinx. T.A. Prior, sculp.
[n.d., c.1860s.]
Steel engraving on india. Plate: 445 x 255mm, (17½ x 10") very large margins.
Falmouth Harbour, Cornwall. A figure looks through a telescope in the foreground, ships in the water.
[Ref: 39879] £180.00 (£216.00 incl.VAT)
Views of Falmouth.
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of 12 steel engraved views on six leaves, 8vo, complete; original printed card wrappers, embossed upper cover. Binding scuffed and rubbed; some spotting to plates.
No text save captions; all views numbered and dated.
[Ref: 21317] £140.00 view all images for this item
Published by Rock & Co. London. [c.1870.]
Attractive souvenir booklet of 12 steel engraved views on six leaves, 8vo, complete; original printed card wrappers, embossed upper cover. Binding scuffed and rubbed; some spotting to plates.
No text save captions; all views numbered and dated.
[Ref: 21317] £140.00 view all images for this item
To Her Most Gracious Majesty, Queen Victoria, This Engraving commemorated of Her Majesty's visit to the Port of Falmouth on the 1st September 1843, is, by Her Majesty's gracious permission, humbly dedicated, by Her most obedient and devoted Servant, James G. Philip.
A. Picken lith. [after James George Philip]. Day & Haghe Lith.rs to the Queen.
Published by Philip & Evans, Bristol, _ Ackermann & Co London. [n.d., c.1843.]
Rare tinted lithograph with hand colour. Framed, window 360 x 510mm (14¼ x 20"). Some slight abrasions in sky. Unexamined out of frame.
A record of Victoria's first visit to Falmouth, with sail and steamers, with the queen in a white ship's longboat, being rowed ashore. James George Philip (1816-85).
[Ref: 52035] £480.00
A. Picken lith. [after James George Philip]. Day & Haghe Lith.rs to the Queen.
Published by Philip & Evans, Bristol, _ Ackermann & Co London. [n.d., c.1843.]
Rare tinted lithograph with hand colour. Framed, window 360 x 510mm (14¼ x 20"). Some slight abrasions in sky. Unexamined out of frame.
A record of Victoria's first visit to Falmouth, with sail and steamers, with the queen in a white ship's longboat, being rowed ashore. James George Philip (1816-85).
[Ref: 52035] £480.00
View of the Town and Harbour of Falmouth, and Pendennis Castle, Cornwall. Engraved from a Picture by W. Daniell, R.A.
London, Published by W. Daniell, Russell Place, Fitzroy Square, & M.r Lake, Bookseller, Falmouth, June 1, 1826.
Fine & scarce aquatint, printed in colours and hand finished, mounted. 400 x 460mm (15¾ x 18"). Laid on card, remains of paper mount over edge of plate.
A large, separate-issue view of Falmouth, much larger than the plate of the town in Daniell's famous 'A Voyage Round Great Britain'. It is taken from the head of the harbour, with Falmouth on the right and Pendennis Castle on a promontary in the centre. As usual with Daniell's aquatints, he has taken the easy option of adding any etched or engraved lines, not even in the rigging of the ships.
[Ref: 60649] £850.00
London, Published by W. Daniell, Russell Place, Fitzroy Square, & M.r Lake, Bookseller, Falmouth, June 1, 1826.
Fine & scarce aquatint, printed in colours and hand finished, mounted. 400 x 460mm (15¾ x 18"). Laid on card, remains of paper mount over edge of plate.
A large, separate-issue view of Falmouth, much larger than the plate of the town in Daniell's famous 'A Voyage Round Great Britain'. It is taken from the head of the harbour, with Falmouth on the right and Pendennis Castle on a promontary in the centre. As usual with Daniell's aquatints, he has taken the easy option of adding any etched or engraved lines, not even in the rigging of the ships.
[Ref: 60649] £850.00
![Falmouth Bay [in pencil].](jpegs/54239.jpg)
Falmouth Bay [in pencil].
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 95 x 65mm (3¾ x 2½"), with large margins. Glue damage in margins.
Figures under trees above the bay. Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54239] £55.00 (£66.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
[n.d., c.1910.]
Aquatint, printed in colours. 95 x 65mm (3¾ x 2½"), with large margins. Glue damage in margins.
Figures under trees above the bay. Claude Hamilton Rowbotham (1864-1949), a watercolour painter of landscapes and coastal scenes, both in England and on the Continent, known for his use of bright colours.
[Ref: 54239] £55.00 (£66.00 incl.VAT)
A False Move.
London, Published by Tho.s McLean, 26 Haymarket. [n.d., c.1850.]
Etching. Plate: 200 x 280mm (8 x 11''). Paper tone, marking.
A satirical print showing John Bull playing a game of chess with a Pope. The pope says 'Check to your Queen John' while John Bull retorts with 'Pooh pooh_your Bishop is out of his place man'. A criticism of the re-establishment of Roman Catholic hierarchy in Britain.
[Ref: 49035] £95.00 (£114.00 incl.VAT)
London, Published by Tho.s McLean, 26 Haymarket. [n.d., c.1850.]
Etching. Plate: 200 x 280mm (8 x 11''). Paper tone, marking.
A satirical print showing John Bull playing a game of chess with a Pope. The pope says 'Check to your Queen John' while John Bull retorts with 'Pooh pooh_your Bishop is out of his place man'. A criticism of the re-establishment of Roman Catholic hierarchy in Britain.
[Ref: 49035] £95.00 (£114.00 incl.VAT)
Falu Koppargrufva. La Mine da Cuivre près de Falun. No.21.
par J.F. Martin.
[n.d. c.1825]
Aquatint. Plate 571 x 400mm. 22½ x 15¾". Wear to the paper from old card backing, abrasions to the paper surface in the margins area.
Falun Copper Mine is a former copper mine in Falun, Sweden. Here at the entrance to the cave men are at work; a pulley system winches copper up to a rail-cart track above the valley. Plate 21 from 'Svenska Vuer' by Johan Fredrik Martin (1755-1816), Swedish watercolourist and printmaker. Martin lived in London during most of the 1770s.
Ex Collection: Norman Blackburn.
[Ref: 19800] £240.00 (£288.00 incl.VAT)
par J.F. Martin.
[n.d. c.1825]
Aquatint. Plate 571 x 400mm. 22½ x 15¾". Wear to the paper from old card backing, abrasions to the paper surface in the margins area.
Falun Copper Mine is a former copper mine in Falun, Sweden. Here at the entrance to the cave men are at work; a pulley system winches copper up to a rail-cart track above the valley. Plate 21 from 'Svenska Vuer' by Johan Fredrik Martin (1755-1816), Swedish watercolourist and printmaker. Martin lived in London during most of the 1770s.
Ex Collection: Norman Blackburn.
[Ref: 19800] £240.00 (£288.00 incl.VAT)
![[Fame.]](jpegs/20423.jpg)
[Fame.]
[J.B. Cipriani del. F. Bartolozzi sculpt.]
[Publish'd March 20th. 1780.]
Engraving and etching, working proof, very scarce. Plate 306 x 228mm. 12 x 9". Large margins, foxed.
Half-drapped winged Fame seated on the grass, holding trumpet with her left hand. Inscription added later dedicated to Thomas Hollis framed with garlands, owl and oval shield carved behind. Illustration to 'Memoirs of Thomas Hollis', by Francis Blackburne (London: 1780).
De Vesme: 1736; ii/v.
[Ref: 20423] £350.00
[J.B. Cipriani del. F. Bartolozzi sculpt.]
[Publish'd March 20th. 1780.]
Engraving and etching, working proof, very scarce. Plate 306 x 228mm. 12 x 9". Large margins, foxed.
Half-drapped winged Fame seated on the grass, holding trumpet with her left hand. Inscription added later dedicated to Thomas Hollis framed with garlands, owl and oval shield carved behind. Illustration to 'Memoirs of Thomas Hollis', by Francis Blackburne (London: 1780).
De Vesme: 1736; ii/v.
[Ref: 20423] £350.00
![Los ultimos celajes. [The last light.]](jpegs/26880.jpg)
Los ultimos celajes. [The last light.]
Joaquin Macias [pencil signature.]
[n.d., c.1940s.]
Etching, 90 x 125mm. 3½ x 5". Glued into mount; glue stains to corners.
A man in a sombrero-type hat harvesting crops with a sickle as dusk falls; two other men and an ox in the background. An atmospheric scene somewhere in central or South America. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 26880] £65.00 (£78.00 incl.VAT)
Joaquin Macias [pencil signature.]
[n.d., c.1940s.]
Etching, 90 x 125mm. 3½ x 5". Glued into mount; glue stains to corners.
A man in a sombrero-type hat harvesting crops with a sickle as dusk falls; two other men and an ox in the background. An atmospheric scene somewhere in central or South America. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 26880] £65.00 (£78.00 incl.VAT)
Le Fameux Blaise Lacoste, Limosin. F:R:S.
H.W.Bunbury delin. J.Bretherton f.
Publish'd as the Act directs Jan. 1 1773 By J.Bretherton No.134. New Bond Street.
Etching with large margins. 225 x 210mm (9 x 8¼").
A youth standing beside a donkey with his hands in his pockets.
BM Satire 4758.
[Ref: 36060] £120.00 (£144.00 incl.VAT)
H.W.Bunbury delin. J.Bretherton f.
Publish'd as the Act directs Jan. 1 1773 By J.Bretherton No.134. New Bond Street.
Etching with large margins. 225 x 210mm (9 x 8¼").
A youth standing beside a donkey with his hands in his pockets.
BM Satire 4758.
[Ref: 36060] £120.00 (£144.00 incl.VAT)
Le Fameux Blaise Lacoste, Limosin. F:R:S.
H.W.Bunbury delin. J.Bretherton f.
Publish'd as the Act directs Jan. 1 1773 By J.Bretherton No.134. New Bond Street.
Etching. 195 x 190mm. Trimmed to platemark.
BM Satire 4758.
[Ref: 1049] £95.00 (£114.00 incl.VAT)
H.W.Bunbury delin. J.Bretherton f.
Publish'd as the Act directs Jan. 1 1773 By J.Bretherton No.134. New Bond Street.
Etching. 195 x 190mm. Trimmed to platemark.
BM Satire 4758.
[Ref: 1049] £95.00 (£114.00 incl.VAT)
Laplanders, English, Americans. Africans, Chinese, Hottentots. 36.
Printed and Published by W.Davison Alnwick.
Very rare etching. 235 x 170mm (9¼ x 6¾"). Backed onto album paper at corners.
Six small scenes showing families from different places in the world.
[Ref: 64568] £160.00 (£192.00 incl.VAT)
Printed and Published by W.Davison Alnwick.
Very rare etching. 235 x 170mm (9¼ x 6¾"). Backed onto album paper at corners.
Six small scenes showing families from different places in the world.
[Ref: 64568] £160.00 (£192.00 incl.VAT)
The Happy Family. "A Quie Hint to the Wives of England."
George Cruikshank.
[n.d., c.1840.]
Rare etching. Sheet 135 x 90mm (5¼ x 3½"). Trimmed and pasted onto album paper.
From a plate with five satirical scenes. A mother sits contently embroidering, while her family are all suspended in the air in baby jumpers. The young children sit sulking, with arms crossed, their doll also dangling, an older girl sits with her head in a book. Beside the wife is her husband, smoking a pipe, his slipper having fallen to the ground.
[Ref: 66806] £90.00 (£108.00 incl.VAT)
George Cruikshank.
[n.d., c.1840.]
Rare etching. Sheet 135 x 90mm (5¼ x 3½"). Trimmed and pasted onto album paper.
From a plate with five satirical scenes. A mother sits contently embroidering, while her family are all suspended in the air in baby jumpers. The young children sit sulking, with arms crossed, their doll also dangling, an older girl sits with her head in a book. Beside the wife is her husband, smoking a pipe, his slipper having fallen to the ground.
[Ref: 66806] £90.00 (£108.00 incl.VAT)
Omnia tu nostra tempora letitie.
Greuse pinx. F. Pedro sculp. ap. Cavalli Venetys.
[n.d., c.1800.]
Rare engraving. Sheet: 220 x 300mm (8¾ x 12"). Trimmed.
A scene in a room in which a group of chidlren rush to hug their seated mother.
Provenance: Edge Hall Library, Cheshire
[Ref: 46807] £240.00 (£288.00 incl.VAT)
Greuse pinx. F. Pedro sculp. ap. Cavalli Venetys.
[n.d., c.1800.]
Rare engraving. Sheet: 220 x 300mm (8¾ x 12"). Trimmed.
A scene in a room in which a group of chidlren rush to hug their seated mother.
Provenance: Edge Hall Library, Cheshire
[Ref: 46807] £240.00 (£288.00 incl.VAT)
The Family Distressed occasioned by the Loss of a Child. Two happy Parents returning from their morning with their elder children, anticipate the warm kiss of their youngest infant_he does not run out to meet them as usual...ah! Ye unhappy hearts, what a painful fluctuation of hopes and fears! Affliction d’une Famille qui a Perdu un de ses Enfans. Des Parens fortunés par les prétieux gages du noeud qui les unit, reviennent de la promenade du matin avex les ainés de leur famille_leur tender coeur s’ouvre d’avance aux vives caresses du plus jeune enfant qu’ils ont laissé au logis_hélas! Ils ne le voyent point, comme á son ordinaire, accourir á leur rencontre...oh! Quel pénible combat d’esperances et de craintes, déchire ces coeurs infortunes! [&] The Family’s Happiness restored by their Childs return. Joy! Joy! He is found! He is found! Tears once more deluge their cheeks, but they are tears of rapture; every eye lightens with gladness...cast thyself into the longing arms of thy brother and sister, and make them feel how sweet, how heavenly sweet is the union of affectionate hearts. Ioie de la Famille en Retrouvant L’Enfant qui s’etoit Perdu. Joie! Joie! _ le voice! Il est retrouvé! Oui il est retrouvé! Des larmes, mais des larmes de délices inondent leurs visages_quel ravissement brille dans tous les yeux!...voilá ton frère, et ta soeur vole dans leurs bras, pour y gouter les douceurs celestes reserves a une vive et veritable affection.
Painted by Cosse. Directed by L. Schiavonetti. Engraved by M. Place.
London Pub.d May 1. 1798, by Mess.rs Schiavonetti. No.12 Michael's Place Brompton.
Pair of stipples with etching with large margins, very fine. Plate 515 x 590mm (20¼ x 23¼").
Pair of large stipples showing the distress caused by a family's loss of their youngest child, their efforts to recover him, and their relief following his recovery.
From the Oettingen-Wallerstein Collection.
[Ref: 28403] £550.00 view all images for this item
Painted by Cosse. Directed by L. Schiavonetti. Engraved by M. Place.
London Pub.d May 1. 1798, by Mess.rs Schiavonetti. No.12 Michael's Place Brompton.
Pair of stipples with etching with large margins, very fine. Plate 515 x 590mm (20¼ x 23¼").
Pair of large stipples showing the distress caused by a family's loss of their youngest child, their efforts to recover him, and their relief following his recovery.
From the Oettingen-Wallerstein Collection.
[Ref: 28403] £550.00 view all images for this item
The Family Distressed occasioned by the Loss of a Child. Two happy Parents returning from their morning with their elder children, anticipate the warm kiss of their youngest infant_he does not run out to meet them as usual...ah! Ye unhappy hearts, what a painful fluctuation of hopes and fears! Affliction d’une Famille qui a Perdu un de ses Enfans. Des Parens fortunés par les prétieux gages du noeud qui les unit, reviennent de la promenade du matin avex les ainés de leur famille_leur tender coeur s’ouvre d’avance aux vives caresses du plus jeune enfant qu’ils ont laissé au logis_hélas! Ils ne le voyent point, comme á son ordinaire, accourir á leur rencontre...oh! Quel pénible combat d’esperances et de craintes, déchire ces coeurs infortunes! [&] The Family’s Happiness restored by their Childs return. Joy! Joy! He is found! He is found! Tears once more deluge their cheeks, but they are tears of rapture; every eye lightens with gladness...cast thyself into the longing arms of thy brother and sister, and make them feel how sweet, how heavenly sweet is the union of affectionate hearts. Ioie de la Famille en Retrouvant L’Enfant qui s’etoit Perdu. Joie! Joie! _ le voice! Il est retrouvé! Oui il est retrouvé! Des larmes, mais des larmes de délices inondent leurs visages_quel ravissement brille dans tous les yeux!...voilá ton frère, et ta soeur vole dans leurs bras, pour y gouter les douceurs celestes reserves a une vive et veritable affection.
Painted by Cosse. Directed by L. Schiavonetti. Engraved by M. Place.
London Pub.d May 1. 1798, by Mess.rs Schiavonetti. No.12 Michael's Place Brompton.
Pair of stipples with etching, partly printed in colour. 515 x 590mm (20¼ x 23¼"). Trimmed to plate.
Pair of large stipples showing the distress caused by a family's loss of their youngest child, their efforts to recover him, and their relief following his recovery.
See Ref: 28403 for uncoloured from the Oettingen-Wallerstein Collection.
[Ref: 28909] £650.00 view all images for this item
Painted by Cosse. Directed by L. Schiavonetti. Engraved by M. Place.
London Pub.d May 1. 1798, by Mess.rs Schiavonetti. No.12 Michael's Place Brompton.
Pair of stipples with etching, partly printed in colour. 515 x 590mm (20¼ x 23¼"). Trimmed to plate.
Pair of large stipples showing the distress caused by a family's loss of their youngest child, their efforts to recover him, and their relief following his recovery.
See Ref: 28403 for uncoloured from the Oettingen-Wallerstein Collection.
[Ref: 28909] £650.00 view all images for this item
A Family Piece.
H.Bunbury Esq.r Delin. W.Dickinson Excud.t.
London, Publish'd October 15th 1781, by W.Dickinson No 158 New Bond Street.
Stipple, printed in sepia. 305 x 390mm (12 x 15¼"). Trimmed to printed border on three sides, mounted on album paper.
A portrait-painter painting a family group of a man and wife and their little boy who, despite wearing ordinary clothes, is holding a cupid's bow and a sheaf of arrows, probably a reference to the family portrait in Goldsmith's 'Vicar of Wakefield'. The adults hold doves; the boy yawns with boredom. A clipping from a printseller's catalogue, pasted underneath the print, suggests the bespectacled artist is a caricature of Sir Joshua Reynolds. Certainly the round glasses are similar to the ones worn in the Reynolds self-portrait in the Plymouth City Museum and Art Gallery.
BM Satires 5921.
[Ref: 36353] £280.00 (£336.00 incl.VAT)
H.Bunbury Esq.r Delin. W.Dickinson Excud.t.
London, Publish'd October 15th 1781, by W.Dickinson No 158 New Bond Street.
Stipple, printed in sepia. 305 x 390mm (12 x 15¼"). Trimmed to printed border on three sides, mounted on album paper.
A portrait-painter painting a family group of a man and wife and their little boy who, despite wearing ordinary clothes, is holding a cupid's bow and a sheaf of arrows, probably a reference to the family portrait in Goldsmith's 'Vicar of Wakefield'. The adults hold doves; the boy yawns with boredom. A clipping from a printseller's catalogue, pasted underneath the print, suggests the bespectacled artist is a caricature of Sir Joshua Reynolds. Certainly the round glasses are similar to the ones worn in the Reynolds self-portrait in the Plymouth City Museum and Art Gallery.
BM Satires 5921.
[Ref: 36353] £280.00 (£336.00 incl.VAT)
Distress and Famine in Ireland. Western Committee for the Relief of the Irish Poor.
Printers Mackintosh, Great Queen Street, London; [n.d., c.1835.]
Letterpress. Sheet: 340 x 195mm (13¼ x 7¾''). Staining and tears.
An appeal for donations towards the relief for Irish famine. The sheet lists the members of the Western Committee for the Relief of the Irish Poor, it also has extracts from various writers and commentators writings on the famine. At the end of the sheet is a list of banks, publishers and booksellers where donations can be made. Poverty in Ireland was becoming an increasing problem in the early 1820s and 1830s including periods of food shortages in the country. In 1834 the Poor Law Amendment Act was brought in to try and help deal with the issue and then in 1838 Lord Melbourne's government implemented the Irish Poor Act.
[Ref: 49471] £160.00 (£192.00 incl.VAT)
Printers Mackintosh, Great Queen Street, London; [n.d., c.1835.]
Letterpress. Sheet: 340 x 195mm (13¼ x 7¾''). Staining and tears.
An appeal for donations towards the relief for Irish famine. The sheet lists the members of the Western Committee for the Relief of the Irish Poor, it also has extracts from various writers and commentators writings on the famine. At the end of the sheet is a list of banks, publishers and booksellers where donations can be made. Poverty in Ireland was becoming an increasing problem in the early 1820s and 1830s including periods of food shortages in the country. In 1834 the Poor Law Amendment Act was brought in to try and help deal with the issue and then in 1838 Lord Melbourne's government implemented the Irish Poor Act.
[Ref: 49471] £160.00 (£192.00 incl.VAT)
Fan. (Late the Property of Mr Hollis.)
Engrav'd by J. Webb from a Painting by himself.
Pub.d by Sherwood, Jones & Co Feb.y 1. 1823.
Very fine coloured aquatint. Sheet 135 x 215mm (5¼ x 8½"). Trimmed within plate, slight creasing in lower title area.
A terrier.
[Ref: 39102] £65.00 (£78.00 incl.VAT)
Engrav'd by J. Webb from a Painting by himself.
Pub.d by Sherwood, Jones & Co Feb.y 1. 1823.
Very fine coloured aquatint. Sheet 135 x 215mm (5¼ x 8½"). Trimmed within plate, slight creasing in lower title area.
A terrier.
[Ref: 39102] £65.00 (£78.00 incl.VAT)
![[Three designs for fans or candle sconces.]](jpegs/10695.jpg)
[Three designs for fans or candle sconces.]
[Continental, possibly French, n.d., c.1860.]
Three fan leaves on one sheet, lithographs, sheet 550 x 370, 21¾ x 14½". Tatty and stained extremities, three tears at right, crease through upper left edge of top image.
In the top design, devil-like characters and malevolent monkeys burn an artist's canvasses as he lies helplessly pinned to the floor. The middle image shows men and women in a wintry landscape riding horse-drawn sleighs. The lowest design is divided into three sections; an apparently Turkish or middle-eastern battle scene in the centre is flanked by a carriage and another horse-drawn sleigh.
[Ref: 10695] £220.00 (£264.00 incl.VAT)
[Continental, possibly French, n.d., c.1860.]
Three fan leaves on one sheet, lithographs, sheet 550 x 370, 21¾ x 14½". Tatty and stained extremities, three tears at right, crease through upper left edge of top image.
In the top design, devil-like characters and malevolent monkeys burn an artist's canvasses as he lies helplessly pinned to the floor. The middle image shows men and women in a wintry landscape riding horse-drawn sleighs. The lowest design is divided into three sections; an apparently Turkish or middle-eastern battle scene in the centre is flanked by a carriage and another horse-drawn sleigh.
[Ref: 10695] £220.00 (£264.00 incl.VAT)
Fancy Ball Dress. No.6. Alps.
I. Mansion delt.
Published by W. Spooner 259 Regent St.t. Deposé à Paris. Printed by C. Hullmandel. [n.d. c.1831.]
Hand-coloured lithograph. 450 x 310mm. Some tears and staining around the outer edges of the paper not effecting image or lettering. Bright colouring.
William Spooner and L. Mansion published a collection of these fancy costumes for entertainment and amusement showing the national costume of other countries. A girl poses wearing an elegant dress symbolizing an Alpine maiden, Alpine backdrop.
See Ref: 57589 & 53527
[Ref: 17087] £130.00 (£156.00 incl.VAT)
I. Mansion delt.
Published by W. Spooner 259 Regent St.t. Deposé à Paris. Printed by C. Hullmandel. [n.d. c.1831.]
Hand-coloured lithograph. 450 x 310mm. Some tears and staining around the outer edges of the paper not effecting image or lettering. Bright colouring.
William Spooner and L. Mansion published a collection of these fancy costumes for entertainment and amusement showing the national costume of other countries. A girl poses wearing an elegant dress symbolizing an Alpine maiden, Alpine backdrop.
See Ref: 57589 & 53527
[Ref: 17087] £130.00 (£156.00 incl.VAT)
![[Blanche Fane.]](jpegs/8713.jpg)
[Blanche Fane.]
Painted by James Edgell Collins Printed by Lemercier, Paris Lithographed by Léon-Noel.
Published by Henry Graves and Co. Publishers to the Queen. 6 Pall Mall March 1856.
Lithograph, 540 x 400mm. 21¼ x 15¾". Some foxing outside printed area.
Actress Blanche Fane, playing Gertrude in 'The Little Treasure', half-length, head turned slightly to the right.
[Ref: 8713] £95.00 (£114.00 incl.VAT)
Painted by James Edgell Collins Printed by Lemercier, Paris Lithographed by Léon-Noel.
Published by Henry Graves and Co. Publishers to the Queen. 6 Pall Mall March 1856.
Lithograph, 540 x 400mm. 21¼ x 15¾". Some foxing outside printed area.
Actress Blanche Fane, playing Gertrude in 'The Little Treasure', half-length, head turned slightly to the right.
[Ref: 8713] £95.00 (£114.00 incl.VAT)
J. Fane, Esq.r M.P. Dedicated by Permission to the Freeholders of Oxfordshire, by their Obedient Humble Serv.t.
W. Mathew.
[n.d., c.1825.]
Etching. Plate: 100 x 160mm (4 x 6¼"), with large margins. Light foxing.
A portrait of Tory politician John Fane (1775-1850) who served as M.P. for Oxfordshire from 1824-1831.
[Ref: 42641] £85.00 (£102.00 incl.VAT)
W. Mathew.
[n.d., c.1825.]
Etching. Plate: 100 x 160mm (4 x 6¼"), with large margins. Light foxing.
A portrait of Tory politician John Fane (1775-1850) who served as M.P. for Oxfordshire from 1824-1831.
[Ref: 42641] £85.00 (£102.00 incl.VAT)
![[John Fane] Lord Burghersh.](jpegs/53432.jpg)
[John Fane] Lord Burghersh.
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A.
London, Publish'd March 1788, by Molteno Colnaghi & Co. 132 Pall Mall.
Stipple in brown. Sheet 330 x 250mm (13 x 9¾"). Trimmed to plate
John Fane (1784-1859), 11th Earl of Westmorland, as a child, dressed in the feminine style of the period.
De Vesme 770, state v of v.
[Ref: 53432] £220.00 (£264.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A.
London, Publish'd March 1788, by Molteno Colnaghi & Co. 132 Pall Mall.
Stipple in brown. Sheet 330 x 250mm (13 x 9¾"). Trimmed to plate
John Fane (1784-1859), 11th Earl of Westmorland, as a child, dressed in the feminine style of the period.
De Vesme 770, state v of v.
[Ref: 53432] £220.00 (£264.00 incl.VAT)
![[John Fane] A View of Burghersh.](jpegs/34484.jpg)
[John Fane] A View of Burghersh. Lord Burghersh.
Drawn Etch.d. by Richard Dighton April 13.1822.
Pub.d. by T.M.c.Lean Haymarket.
Hand-coloured etching with very large margins. Plate: 200 x 300mm (8 x 12").
A full-length portrait in profile of John Fane, 11th Earl of Westmoreland (1784-1859), soldier, diplomat and composer, who holds a cane in his right hand.
BM 14411
[Ref: 34484] £120.00 (£144.00 incl.VAT)
Drawn Etch.d. by Richard Dighton April 13.1822.
Pub.d. by T.M.c.Lean Haymarket.
Hand-coloured etching with very large margins. Plate: 200 x 300mm (8 x 12").
A full-length portrait in profile of John Fane, 11th Earl of Westmoreland (1784-1859), soldier, diplomat and composer, who holds a cane in his right hand.
BM 14411
[Ref: 34484] £120.00 (£144.00 incl.VAT)
The Efiges of the right Honnorable Mildmay Earl of Westmorland Baron LeDespencer & Burghersh and Knight of the Bath etc.
JBN Invent [intials in the form of a monogram]. P. Williamson Sculp. 1662.
Engraving. Sheet: 265 x 205mm (10½ x 8¼"). Trimmed and laid on album sheet at edges.
Portrait of Mildmay Fane, half length in an oval wreath, short beard and moustache, wearing cap, collar and sash; curtain to the left, and map of part of Lincolnshire on the right, below a monogram; at top, banderol with motto 'Patriæ causa principis iussu semper in utrumq[ue] paratus'; in lower left spandrel, troops being led by men on horseback; in lower right spandrel, a town with breached walls against which rest ladders; coat of arms in lower margin, with motto 'Neville Fano'. Milmay Fane, 2nd Earl of Westmorland, (1602-1665) was an English nobleman, politician and writer.
[Ref: 43069] £240.00 (£288.00 incl.VAT)
JBN Invent [intials in the form of a monogram]. P. Williamson Sculp. 1662.
Engraving. Sheet: 265 x 205mm (10½ x 8¼"). Trimmed and laid on album sheet at edges.
Portrait of Mildmay Fane, half length in an oval wreath, short beard and moustache, wearing cap, collar and sash; curtain to the left, and map of part of Lincolnshire on the right, below a monogram; at top, banderol with motto 'Patriæ causa principis iussu semper in utrumq[ue] paratus'; in lower left spandrel, troops being led by men on horseback; in lower right spandrel, a town with breached walls against which rest ladders; coat of arms in lower margin, with motto 'Neville Fano'. Milmay Fane, 2nd Earl of Westmorland, (1602-1665) was an English nobleman, politician and writer.
[Ref: 43069] £240.00 (£288.00 incl.VAT)
Elizabeth Fanning, Executed 26.th July 1815, on a charge of Poisoning the Family of Mr. Turner, taken from the Life in Newgate. Her Autograph Elizabeth Fanning.
I. R. Cruikshank fecit.
Publish'd August 1815, by W. Hone, 55 Fleet St.
Aquatint with some etching. Sheet: 115 x 195mm (4½ x 7¾"). Trimmed within plate on right and left edges.
A portrait of Elizabeth Fanning (1793-1815) who was executed for the poisoning of the family of Mr Olibar Turner with arsenic. Mrs Charlotte Turner, the wife of Olibar Turner's son described in her testimony how Fanning had poisoned them with yeast dumplings which had made the entire family violently ill.
[Ref: 41550] £130.00 (£156.00 incl.VAT)
I. R. Cruikshank fecit.
Publish'd August 1815, by W. Hone, 55 Fleet St.
Aquatint with some etching. Sheet: 115 x 195mm (4½ x 7¾"). Trimmed within plate on right and left edges.
A portrait of Elizabeth Fanning (1793-1815) who was executed for the poisoning of the family of Mr Olibar Turner with arsenic. Mrs Charlotte Turner, the wife of Olibar Turner's son described in her testimony how Fanning had poisoned them with yeast dumplings which had made the entire family violently ill.
[Ref: 41550] £130.00 (£156.00 incl.VAT)
Fanny.
Ranson Sculp.t.
[n.d., c.1820.]
Scarce engraving. Sheet 270 x 335mm (10½ x 13¼"). Trimmed to printed border.
A spaniel bitch and her litter.
Davison Archive.
[Ref: 57996] £280.00 (£336.00 incl.VAT)
Ranson Sculp.t.
[n.d., c.1820.]
Scarce engraving. Sheet 270 x 335mm (10½ x 13¼"). Trimmed to printed border.
A spaniel bitch and her litter.
Davison Archive.
[Ref: 57996] £280.00 (£336.00 incl.VAT)
![[Ann Fanshawe] Ann, Daughter of S:r John Harrison of Balls, by Margaret Daughter of Rob:t Fanshawe Esq:re,](jpegs/59280.jpg)
[Ann Fanshawe] Ann, Daughter of S:r John Harrison of Balls, by Margaret Daughter of Rob:t Fanshawe Esq:re, Wife to S:r Rich:d Fanshawe Bart: Amb:r to Spain.
Etched by CM Fanshawe.
[n.d., c.1800.]
Etching. Sheet 115 x 85mm (4½ x 3¼"). Trimmed within plate and laid on album paper, damp stain.
A portrait of Ann Harrison (1625-1680), from a sketch based on an oil by Cornelis Janssens van Ceulen, now in the Valence House Museum. In 1644 she married Richard Fanshawe, her second cousin, a Royalist who later helped broker Charles II's marriage to Catherine of Braganza. A book on household economy compiled by Ann in 1665 contains the earliest known European recipe for ice cream. Catherine Maria Fanshawe (1765-1834) was best known for her poetry, including the 'Riddle on the Letter H', which was originally mistakenly ascribed to Lord Byron.
[Ref: 59280] £130.00 (£156.00 incl.VAT)
Etched by CM Fanshawe.
[n.d., c.1800.]
Etching. Sheet 115 x 85mm (4½ x 3¼"). Trimmed within plate and laid on album paper, damp stain.
A portrait of Ann Harrison (1625-1680), from a sketch based on an oil by Cornelis Janssens van Ceulen, now in the Valence House Museum. In 1644 she married Richard Fanshawe, her second cousin, a Royalist who later helped broker Charles II's marriage to Catherine of Braganza. A book on household economy compiled by Ann in 1665 contains the earliest known European recipe for ice cream. Catherine Maria Fanshawe (1765-1834) was best known for her poetry, including the 'Riddle on the Letter H', which was originally mistakenly ascribed to Lord Byron.
[Ref: 59280] £130.00 (£156.00 incl.VAT)
![[Europeans in a Fantastical Land.]](jpegs/18453.jpg)
[Europeans in a Fantastical Land.]
L.P.Boitard Inv.t & Sculp.
According to Act of Parliament 1751.
Etching, Plate 211 x 165mm. 8¼ x 10½".
A group of Europeans in a fantastical land, sitting on the grass in the foreground with a tiered dish, fruit, oriental figurines and statuettes, including one of Buddha, one of them to right reading a strip of paper he has drawn with much surprise from a small goblet, two on the left looking up at the sky with astonishment, with mountains in the distance, groups of indigenous people drawn up in the background to left, others chasing a solitary figure towards a broad river flowing on the right, where unicorns and other animals are swimming, with a mermaid on an island and seals and an enormous fish on the shore.
Ex Collection Norman Blackburn.
[Ref: 18453] £140.00 (£168.00 incl.VAT)
L.P.Boitard Inv.t & Sculp.
According to Act of Parliament 1751.
Etching, Plate 211 x 165mm. 8¼ x 10½".
A group of Europeans in a fantastical land, sitting on the grass in the foreground with a tiered dish, fruit, oriental figurines and statuettes, including one of Buddha, one of them to right reading a strip of paper he has drawn with much surprise from a small goblet, two on the left looking up at the sky with astonishment, with mountains in the distance, groups of indigenous people drawn up in the background to left, others chasing a solitary figure towards a broad river flowing on the right, where unicorns and other animals are swimming, with a mermaid on an island and seals and an enormous fish on the shore.
Ex Collection Norman Blackburn.
[Ref: 18453] £140.00 (£168.00 incl.VAT)
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Thomas Fantel de Lagny. [on verso]: De l’Academie Royale des Sciences, et de la Société Royal de Londres, et sous Bilbiotheraire du Roy. Né à Lyon le 1er. 9bre.1672 et Mort le n. Avril 1734 agé de 72 ans. Gravé par les Soins de Madame de Lagny la Veuve.
Peint par S Belle. Gravé par T. Mutel.
[n.d. c.1780.]
Engraving. 286 x 216mm. 11¼ x 8½". Cut.
Thomas Fantel de Lagny (1672-1734), parliamentary lawyer, Veteran-Pensionner of the Royal Academy of Science of Paris for Geometry, received in 1696. Member of the Royal Society of London. Committed to the King's Library to research Mathematics books.
Not in W.
[Ref: 15756] £45.00 (£54.00 incl.VAT)
Peint par S Belle. Gravé par T. Mutel.
[n.d. c.1780.]
Engraving. 286 x 216mm. 11¼ x 8½". Cut.
Thomas Fantel de Lagny (1672-1734), parliamentary lawyer, Veteran-Pensionner of the Royal Academy of Science of Paris for Geometry, received in 1696. Member of the Royal Society of London. Committed to the King's Library to research Mathematics books.
Not in W.
[Ref: 15756] £45.00 (£54.00 incl.VAT)