A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
1. The Berry Head, S.W. 2. The Ram Head W.N.W. 3. Plymouth Mewstone. 4. The Needles bearing East. 5. St Albans Head W. b N. 6. Piveral Point N. b E. 7. The Bolt head W.N.W.
[Engraved by J.C. Stadler after John Thomas Serres.]
Engrav'd for I.T. Serres's Little Sea Torch, & Pub. by him, London, 1801.
Aquatint, printed in blue and hand finished. 400 x 250mm, 15¾ x 9¾". Occasional spots. Small tear.
Seven finely-coloured coastal profiles of the south coast of England. Published in Serres's scarce marine pilot, 'The Little Sea Torch', an acknowledged English edition of Bougard's 'Le Petit Flambeau de la Mer', although extensively revised by Serres.
Abbey Life: 344.
[Ref: 13488] £260.00 (£312.00 incl.VAT)
[Engraved by J.C. Stadler after John Thomas Serres.]
Engrav'd for I.T. Serres's Little Sea Torch, & Pub. by him, London, 1801.
Aquatint, printed in blue and hand finished. 400 x 250mm, 15¾ x 9¾". Occasional spots. Small tear.
Seven finely-coloured coastal profiles of the south coast of England. Published in Serres's scarce marine pilot, 'The Little Sea Torch', an acknowledged English edition of Bougard's 'Le Petit Flambeau de la Mer', although extensively revised by Serres.
Abbey Life: 344.
[Ref: 13488] £260.00 (£312.00 incl.VAT)
1. The Start... 2. Praul Point... 3. The Start... 4. Praul Point... 5. S.E. end of Gaspey... 6. Guernsey... 7. Hanois Point...
[Engraved by J.C. Stadler after John Thomas Serres.]
Engrav'd for I.T. Serres's Little Sea Torch, & Pub. by him, London, 1801.
Aquatint, printed in blue and hand finished. 400 x 250mm, 15¾ x 9¾". Occasional spots.
Seven finely-coloured coastal profiles of the south coast of England and the Channel Islands. Published in Serres's scarce marine pilot, 'The Little Sea Torch', an acknowledged English edition of Bougard's 'Le Petit Flambeau de la Mer', although extensively revised by Serres.
Abbey Life: 344.
[Ref: 13582] £220.00 (£264.00 incl.VAT)
[Engraved by J.C. Stadler after John Thomas Serres.]
Engrav'd for I.T. Serres's Little Sea Torch, & Pub. by him, London, 1801.
Aquatint, printed in blue and hand finished. 400 x 250mm, 15¾ x 9¾". Occasional spots.
Seven finely-coloured coastal profiles of the south coast of England and the Channel Islands. Published in Serres's scarce marine pilot, 'The Little Sea Torch', an acknowledged English edition of Bougard's 'Le Petit Flambeau de la Mer', although extensively revised by Serres.
Abbey Life: 344.
[Ref: 13582] £220.00 (£264.00 incl.VAT)
English Coloured Books
by Martin Hardie.
Methuen and Co. 36 Essex Street London. First Published in 1906.
Book: thick 4to (254 x 176mm). pp vii-xxiv + 340. 26 b/w and colour illustrations. Cloth binding with patterning and title stamped on frontcover and spine in gilt. Top gilt edge. Binding worn, dirty and torn along the spinal area.
An illustrated and comprehensive study of colour illustrations in books. It starts with two chapters on the medieval origins of colour printing and on the methods of book illsutration from 1500 to 1800. These are followed by 22 detailed chapters on individuals, publishers and the development and improvement of special methods and techniques through to the early twentieth century. A final chapter deals with collecting.
[Ref: 10246] £90.00
by Martin Hardie.
Methuen and Co. 36 Essex Street London. First Published in 1906.
Book: thick 4to (254 x 176mm). pp vii-xxiv + 340. 26 b/w and colour illustrations. Cloth binding with patterning and title stamped on frontcover and spine in gilt. Top gilt edge. Binding worn, dirty and torn along the spinal area.
An illustrated and comprehensive study of colour illustrations in books. It starts with two chapters on the medieval origins of colour printing and on the methods of book illsutration from 1500 to 1800. These are followed by 22 detailed chapters on individuals, publishers and the development and improvement of special methods and techniques through to the early twentieth century. A final chapter deals with collecting.
[Ref: 10246] £90.00
The Well Fed English Constable.
P.Sandby Inv.t. MDarly sc.
Pubd. according to Act of Parl.t Oct.r 1st: 1771 by MDarly Engraver No.39 Strand.
Etching, 350 x 250mm (13¾ x 9¾"). Some offsetting.
A watchman in profile patting his enormous belly, holding his staff, two dogs slavering at a dead fowl in his pocket. The collar of one of the dogs is inscribed with the name of its owner, 'T. Guttle'. After Paul Sandby (1725 - 1809). From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates.
BM Satires: 4641.
[Ref: 14121] £360.00
P.Sandby Inv.t. MDarly sc.
Pubd. according to Act of Parl.t Oct.r 1st: 1771 by MDarly Engraver No.39 Strand.
Etching, 350 x 250mm (13¾ x 9¾"). Some offsetting.
A watchman in profile patting his enormous belly, holding his staff, two dogs slavering at a dead fowl in his pocket. The collar of one of the dogs is inscribed with the name of its owner, 'T. Guttle'. After Paul Sandby (1725 - 1809). From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates.
BM Satires: 4641.
[Ref: 14121] £360.00
English Country Life; A Valuable Work of Reference for The Gentleman, the Sportsman, the Farmer [...]
William Mackenzie, 22 Paternoster Row, London, E.C. [c.1880]
Wood engraving printed in colour, sheet 300 x 240mm (11¾ x 9½").
Frontispiece with vignettes of various sports including a cricket match, angling, shooting, rowing, horseriding and hunting.
[Ref: 40092] £120.00 (£144.00 incl.VAT)
William Mackenzie, 22 Paternoster Row, London, E.C. [c.1880]
Wood engraving printed in colour, sheet 300 x 240mm (11¾ x 9½").
Frontispiece with vignettes of various sports including a cricket match, angling, shooting, rowing, horseriding and hunting.
[Ref: 40092] £120.00 (£144.00 incl.VAT)
Cani D'Inghilterra.
[n.d., c.1800.]
Hand-coloured engraving, scarce. Plate: 360 x 265mm (14 x 10½"), with large margins
A scene showing two dogs which resemble spaniels.
[Ref: 47745] £180.00 (£216.00 incl.VAT)
[n.d., c.1800.]
Hand-coloured engraving, scarce. Plate: 360 x 265mm (14 x 10½"), with large margins
A scene showing two dogs which resemble spaniels.
[Ref: 47745] £180.00 (£216.00 incl.VAT)
Graduation de la Famille Anglaise.
A Paris, chez Genty, Rue St. Jacques, No.14. Depose a la Direct.n de la Lib.ie [n.d., 1816].
Hand-coloured etching. Sheet: 310 x 230mm (12¼ x 9"). Trimmed within plate.
Social satire; an English soldier with his wife and other family members arranged in descending order of height - right down to a puppet controlled by a young boy at the far left end. By Jean Baptiste Genty (1770 - 1820; fl). He is recorded as a miniaturist exhibiting from 1799 to 1808, pupil of Jacques-Louis David. From 1814 he became a publisher of caricatures, lithographs and costume plates.
[Ref: 39910] £150.00 (£180.00 incl.VAT)
A Paris, chez Genty, Rue St. Jacques, No.14. Depose a la Direct.n de la Lib.ie [n.d., 1816].
Hand-coloured etching. Sheet: 310 x 230mm (12¼ x 9"). Trimmed within plate.
Social satire; an English soldier with his wife and other family members arranged in descending order of height - right down to a puppet controlled by a young boy at the far left end. By Jean Baptiste Genty (1770 - 1820; fl). He is recorded as a miniaturist exhibiting from 1799 to 1808, pupil of Jacques-Louis David. From 1814 he became a publisher of caricatures, lithographs and costume plates.
[Ref: 39910] £150.00 (£180.00 incl.VAT)
Graduation de la Famille Anglaise.
A Paris, chez Genty, Rue St. Jacques, No.14. Depose a la Direct.n de la Lib.ie [n.d., 1816].
Hand-coloured etching. 225 x 350mm (8¾ x 13¾"). Trimmed into plate at sides.
An English soldier with his wife and other family members arranged in descending order of height - right down to a puppet controlled by a young boy at the far left end. By Jean Baptiste Genty (1770 - 1820; fl). He is recorded as a miniaturist exhibiting from 1799 to 1808, pupil of Jacques-Louis David. From 1814 he became a publisher of caricatures, lithographs and costume plates.
[Ref: 58460] £260.00 (£312.00 incl.VAT)
A Paris, chez Genty, Rue St. Jacques, No.14. Depose a la Direct.n de la Lib.ie [n.d., 1816].
Hand-coloured etching. 225 x 350mm (8¾ x 13¾"). Trimmed into plate at sides.
An English soldier with his wife and other family members arranged in descending order of height - right down to a puppet controlled by a young boy at the far left end. By Jean Baptiste Genty (1770 - 1820; fl). He is recorded as a miniaturist exhibiting from 1799 to 1808, pupil of Jacques-Louis David. From 1814 he became a publisher of caricatures, lithographs and costume plates.
[Ref: 58460] £260.00 (£312.00 incl.VAT)
The English Farrier.
J. Gericault del. C. Hullmandel's Lithography.
London. Published by Rodwell & Martin New Bond St. May. 1821.
Lithograph, sheet 350 x 480mm (13¾ x 19"), large margins. Several creases, nicks and stains on top margin, slightly stained on publication line.
Scene in a forge with three horses, tethered to a wall-ring. A farrier hammers nails into the hoof of one of the horses, which attempts to bite another horse but it is fended off with a pair of tongs by a second farrier. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
See Refs: 31254, 58709 & 58710
[Ref: 58910] £850.00
J. Gericault del. C. Hullmandel's Lithography.
London. Published by Rodwell & Martin New Bond St. May. 1821.
Lithograph, sheet 350 x 480mm (13¾ x 19"), large margins. Several creases, nicks and stains on top margin, slightly stained on publication line.
Scene in a forge with three horses, tethered to a wall-ring. A farrier hammers nails into the hoof of one of the horses, which attempts to bite another horse but it is fended off with a pair of tongs by a second farrier. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
See Refs: 31254, 58709 & 58710
[Ref: 58910] £850.00
![[The English Farrier.]](jpegs/31254.jpg)
[The English Farrier.]
[Gericault del. Lith. de Villain.]
[n.d., c.1820.]
Lithograph. 280 x 368mm (11 x 14½"). Cut.
A farrier working on a hoof turning to protect himself from attack by another horse. Published in a series of lithographs by Gericault, 'Etudes de Cheveaux', showing farriers from different countries.
[Ref: 31254] £320.00
[Gericault del. Lith. de Villain.]
[n.d., c.1820.]
Lithograph. 280 x 368mm (11 x 14½"). Cut.
A farrier working on a hoof turning to protect himself from attack by another horse. Published in a series of lithographs by Gericault, 'Etudes de Cheveaux', showing farriers from different countries.
[Ref: 31254] £320.00
The English Glutton.
Pub. by M. Darly July 20 1776 39 Strand.
Engraving. Sheet 350 x 250mm. Trimmed to plate on three sides, and cut around title. Two small tears.
A large man in wig and cloak holding a turtle. The inscription is scratched in the plate, lower left.
[Ref: 6864] £120.00 (£144.00 incl.VAT)
Pub. by M. Darly July 20 1776 39 Strand.
Engraving. Sheet 350 x 250mm. Trimmed to plate on three sides, and cut around title. Two small tears.
A large man in wig and cloak holding a turtle. The inscription is scratched in the plate, lower left.
[Ref: 6864] £120.00 (£144.00 incl.VAT)
![[Four plates from the 'Histoire d'Angleterre.] L'Impératrice Métilde... [&] Henri II et Rosamonde... [&] Edouard I et Eléonore... [&] Jeanne de Flandre et sons Fils.](jpegs/16740.jpg)
[Four plates from the 'Histoire d'Angleterre.] L'Impératrice Métilde... [&] Henri II et Rosamonde... [&] Edouard I et Eléonore... [&] Jeanne de Flandre et sons Fils.
G.B. Cipriani del. Dirige par A.Suntach.
[Antonio Suntach, c.1790.]
Four engravings, stitched on left edge. Each c. 240 x 300mm, 9½ x 11¾".
Four scenes from a pirate edition of the series of the 'History of England', showing: the Holy Roman Empress Matilda (1102-67), uncrowned queen of England; her son Henry II (1133-89) with his mistress Rosamund at Woodstock; Edward I (1239-1307), Hammer of the Scots and banisher of the Jews from England in 1290, with his consort Eleanor; and Jeanne of Flanders addressing her supporters with her young son in her arms following the capture of Montford in 1342. Antonio Suntach (1744 - 1828) was a reproductive stipple engraver, active in Paris, who produced work after Kauffman and Morland. He published some of his own prints, but specialised in engraving his own versions of the most popular English prints.
[Ref: 16740] £520.00 view all images for this item
G.B. Cipriani del. Dirige par A.Suntach.
[Antonio Suntach, c.1790.]
Four engravings, stitched on left edge. Each c. 240 x 300mm, 9½ x 11¾".
Four scenes from a pirate edition of the series of the 'History of England', showing: the Holy Roman Empress Matilda (1102-67), uncrowned queen of England; her son Henry II (1133-89) with his mistress Rosamund at Woodstock; Edward I (1239-1307), Hammer of the Scots and banisher of the Jews from England in 1290, with his consort Eleanor; and Jeanne of Flanders addressing her supporters with her young son in her arms following the capture of Montford in 1342. Antonio Suntach (1744 - 1828) was a reproductive stipple engraver, active in Paris, who produced work after Kauffman and Morland. He published some of his own prints, but specialised in engraving his own versions of the most popular English prints.
[Ref: 16740] £520.00 view all images for this item
L'Angloise à Paris.
[n.d., c.1770.]
Engraving. Sheet: 270 x 405mm (10½ x 16"). Trimmed. Small margins, cut to plate at bottom. Some restoration.
A plain looking woman sits trying on wigs in a 'Marchande de Modes' behind a bespectacled woman looks on aghast. French copy of an English print!
[Ref: 44264] £260.00 (£312.00 incl.VAT)
[n.d., c.1770.]
Engraving. Sheet: 270 x 405mm (10½ x 16"). Trimmed. Small margins, cut to plate at bottom. Some restoration.
A plain looking woman sits trying on wigs in a 'Marchande de Modes' behind a bespectacled woman looks on aghast. French copy of an English print!
[Ref: 44264] £260.00 (£312.00 incl.VAT)
![[Marriage contract, Leicestershire] A Settlement 14 Aug. 18 Edw. 111. (1347) upon the Marriage of the Daughter of Sir John Depden to the Son & heir of Sir John Mowbray in the possession of Richard Rawlinson L.L.D & F.R.S. 1751.](jpegs/24897.jpg)
[Marriage contract, Leicestershire] A Settlement 14 Aug. 18 Edw. 111. (1347) upon the Marriage of the Daughter of Sir John Depden to the Son & heir of Sir John Mowbray in the possession of Richard Rawlinson L.L.D & F.R.S. 1751.
[British, c.1750s.]
Engraved facsimile of a 13th century indenture (in English), seal below text. Watermarked laid paper, sheet 250 x 340mm. 9¾ x 13½". Extremities a little bumped and stained.
The original document is from the collection of Richard Rawlinson (1690 – 1755), a clergyman and antiquarian who bequeathed a huge collection of books and manuscripts to the Bodleian Library, Oxford. In 1716 he was ordained, but as he was a nonjuror and Jacobite, the ceremony was performed by a nonjuring bishop, Jeremy Collier. In 1728 he became a bishop, but seems to have preferred to pass his time in collecting books and manuscripts, pictures and curiosities, rather than in discharging his episcopal functions. At his death Rawlinson left to the Library 5,205 manuscripts bound in volumes that include many rare broadsides and other printed ephemera, his curiosities, and some other property that endowed a professorship of Anglo-Saxon at Oxford. The Rawlinsonian Professor of Anglo-Saxon was first appointed in 1795. He was also a benefactor to St John's College, Oxford.
[Ref: 24897] £140.00 (£168.00 incl.VAT)
[British, c.1750s.]
Engraved facsimile of a 13th century indenture (in English), seal below text. Watermarked laid paper, sheet 250 x 340mm. 9¾ x 13½". Extremities a little bumped and stained.
The original document is from the collection of Richard Rawlinson (1690 – 1755), a clergyman and antiquarian who bequeathed a huge collection of books and manuscripts to the Bodleian Library, Oxford. In 1716 he was ordained, but as he was a nonjuror and Jacobite, the ceremony was performed by a nonjuring bishop, Jeremy Collier. In 1728 he became a bishop, but seems to have preferred to pass his time in collecting books and manuscripts, pictures and curiosities, rather than in discharging his episcopal functions. At his death Rawlinson left to the Library 5,205 manuscripts bound in volumes that include many rare broadsides and other printed ephemera, his curiosities, and some other property that endowed a professorship of Anglo-Saxon at Oxford. The Rawlinsonian Professor of Anglo-Saxon was first appointed in 1795. He was also a benefactor to St John's College, Oxford.
[Ref: 24897] £140.00 (£168.00 incl.VAT)
The English Jesuit.
Pubd. according to Act of Parlt. Oct 3d. 1771 by MDarly Oct 7th. 1771.
Etching. Plate: 110 x 160mm (4¼ x 6¼"). Small margins.
Man standing stiffly in profile to the right, head thrown back with a contemptuous scowl. His left hand rests on a cane. He wears a low broad-brimmed hat, a tightly-curled wig, buttoned coat, and gloves. He strongly resembles the figure in item 14140 (BMSat 4682), and is probably intended either for Sir Nash Grose (1740 - 1814), Judge, or William Petty, 1st Marquess of Lansdowne (1737 - 1805), Prime Minister and patron of the arts. Lansdowne was given the moniker ‘Malagrida', the notorious Portuguese Jesuit, by the 'Public Advertiser' of 16 Sept. 1767. From '24 Caricatures by several ladies, gentlemen, artists, etc.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.1' upper left and '18' upper right.
BM Satires: 4917.
[Ref: 39986] £120.00 (£144.00 incl.VAT)
Pubd. according to Act of Parlt. Oct 3d. 1771 by MDarly Oct 7th. 1771.
Etching. Plate: 110 x 160mm (4¼ x 6¼"). Small margins.
Man standing stiffly in profile to the right, head thrown back with a contemptuous scowl. His left hand rests on a cane. He wears a low broad-brimmed hat, a tightly-curled wig, buttoned coat, and gloves. He strongly resembles the figure in item 14140 (BMSat 4682), and is probably intended either for Sir Nash Grose (1740 - 1814), Judge, or William Petty, 1st Marquess of Lansdowne (1737 - 1805), Prime Minister and patron of the arts. Lansdowne was given the moniker ‘Malagrida', the notorious Portuguese Jesuit, by the 'Public Advertiser' of 16 Sept. 1767. From '24 Caricatures by several ladies, gentlemen, artists, etc.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.1' upper left and '18' upper right.
BM Satires: 4917.
[Ref: 39986] £120.00 (£144.00 incl.VAT)
![[Horse and cart in a country lane.]](jpegs/51730.jpg)
[Horse and cart in a country lane.]
Fred. Slocombe.
[n.d., c.1920.]
Etching. 485 x 320mm, very large margins. Mint.
There is a low church tower in the background. By Frederick Slocombe (1886-1920)
[Ref: 51730] £120.00 (£144.00 incl.VAT)
Fred. Slocombe.
[n.d., c.1920.]
Etching. 485 x 320mm, very large margins. Mint.
There is a low church tower in the background. By Frederick Slocombe (1886-1920)
[Ref: 51730] £120.00 (£144.00 incl.VAT)
![[The Compilers of the English Liturgy.]](jpegs/58050.jpg)
[The Compilers of the English Liturgy.]
P. La Vergne Inv. M. V.dr Gucht Scul.
[n.d., c.1700.]
Engraving. Sheet 175 x 105mm (8¾ x 4¼"). Trimmed, closing title at top, key shaved bottom left, laid on album paper with mss. title.
Thirteen churchmen, including Cranmer and Ridley, debating around a table, all named under the image.
[Ref: 58050] £50.00 (£60.00 incl.VAT)
P. La Vergne Inv. M. V.dr Gucht Scul.
[n.d., c.1700.]
Engraving. Sheet 175 x 105mm (8¾ x 4¼"). Trimmed, closing title at top, key shaved bottom left, laid on album paper with mss. title.
Thirteen churchmen, including Cranmer and Ridley, debating around a table, all named under the image.
[Ref: 58050] £50.00 (£60.00 incl.VAT)
Compilers of the English Liturgy.
P. La Vergne. Hinchliff.
[n.d., c.1840.]
Steel engraving. 180 x 115mm (7 x 4½"). Binding marks on right edge.
Thirteen churchmen, including Cranmer (1489-1556) and Ridley (c.1500-55), debating around a table, all named under the image.
[Ref: 60108] £95.00 (£114.00 incl.VAT)
P. La Vergne. Hinchliff.
[n.d., c.1840.]
Steel engraving. 180 x 115mm (7 x 4½"). Binding marks on right edge.
Thirteen churchmen, including Cranmer (1489-1556) and Ridley (c.1500-55), debating around a table, all named under the image.
[Ref: 60108] £95.00 (£114.00 incl.VAT)
An English Macaroni at Paris changeing English Guineas for Silver.
Pubd. by MDarly 39 Strand March 17th 1774.
Etching, 180 x 245mm. 7 x 9¾".
An Englishman directing two men, one of whom appears to be a black boy, to load bags of silver into a carriage where his wife is seated. The money-changer with one foot in the doorway to right meanwhile cannot believe his luck. From 'Macaronies, Characters, Caricatures &c designed by the greatest personages, artists &c', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.3' upper left and '15' upper right.
BM Satires: 4650.
[Ref: 14528] £280.00 (£336.00 incl.VAT)
Pubd. by MDarly 39 Strand March 17th 1774.
Etching, 180 x 245mm. 7 x 9¾".
An Englishman directing two men, one of whom appears to be a black boy, to load bags of silver into a carriage where his wife is seated. The money-changer with one foot in the doorway to right meanwhile cannot believe his luck. From 'Macaronies, Characters, Caricatures &c designed by the greatest personages, artists &c', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.3' upper left and '15' upper right.
BM Satires: 4650.
[Ref: 14528] £280.00 (£336.00 incl.VAT)
An Alphabetical Table of all the Cities and Market Towns in England and Wales.
Sutton Nicholls sculp.
[London: John Smith, c.1724.]
Engraving, rare in this pre cut state. 505 x 590mm (19¾ x 23¼"). Chips in edges.
An engraved table of market towns, edged with fourteen prospects of cities. On the left are London, Chester, Bristol, Yarmouth, Southampton, Newcastle-upon-Tyne and Hull; on the right are Portsmouth, Harwich, Plymouth, Dartmouth, Falmouth, Dover Castle and 'Leverpool'. The title is repeated because the sheet is usually bissected and pasted on the sides of 'A New Map of South Britain or England and Wales', the index map of Smith's 'Britannia Illustrata'.
[Ref: 45232] £580.00
Sutton Nicholls sculp.
[London: John Smith, c.1724.]
Engraving, rare in this pre cut state. 505 x 590mm (19¾ x 23¼"). Chips in edges.
An engraved table of market towns, edged with fourteen prospects of cities. On the left are London, Chester, Bristol, Yarmouth, Southampton, Newcastle-upon-Tyne and Hull; on the right are Portsmouth, Harwich, Plymouth, Dartmouth, Falmouth, Dover Castle and 'Leverpool'. The title is repeated because the sheet is usually bissected and pasted on the sides of 'A New Map of South Britain or England and Wales', the index map of Smith's 'Britannia Illustrata'.
[Ref: 45232] £580.00
An English Market Woman and Daughter.
Designed by an Amateur. Engraved by J. Hassell.
London Published March 4.th 1822 by G. Humphrey, 27, St. James's St.
Rare hand-coloured aquatint, paper watermarked: J Whatman 1821. 317 x 266mm. 12½ x 10½". Fine colour; crease lower right.
In the English countryside a woman walks along a dirt road with a basket on her arm and on her head; her daughter carrying two baskets and a dog standing to her right.
[Ref: 28158] £150.00 (£180.00 incl.VAT)
Designed by an Amateur. Engraved by J. Hassell.
London Published March 4.th 1822 by G. Humphrey, 27, St. James's St.
Rare hand-coloured aquatint, paper watermarked: J Whatman 1821. 317 x 266mm. 12½ x 10½". Fine colour; crease lower right.
In the English countryside a woman walks along a dirt road with a basket on her arm and on her head; her daughter carrying two baskets and a dog standing to her right.
[Ref: 28158] £150.00 (£180.00 incl.VAT)
English Mezzotint Portraits and their states from the Invention of Mezzotinting until the early part of the 19th Century. Volume One.
By Charles E. Russell.
1926. London: Halton & Truscott Smith, Ltd. New York: Minton, Balch & Company. (Printed in Great Britain).
Large folio format of sixty-four mezzotint portraits with explanatory text. Brown leather and gilt title on spine, vellum covered boards. This edition is limited to Six Hundred and Twenty-Five Copies of which this is Number 202. Paint streaks on cover, spine torn and coming away; lacking volume two (text)
Corrections to Chaloner Smith of mezzotint portraits after Gainsborough, Reynolds, Romney, Hoppner and other known artists.
[Ref: 21974] £250.00
By Charles E. Russell.
1926. London: Halton & Truscott Smith, Ltd. New York: Minton, Balch & Company. (Printed in Great Britain).
Large folio format of sixty-four mezzotint portraits with explanatory text. Brown leather and gilt title on spine, vellum covered boards. This edition is limited to Six Hundred and Twenty-Five Copies of which this is Number 202. Paint streaks on cover, spine torn and coming away; lacking volume two (text)
Corrections to Chaloner Smith of mezzotint portraits after Gainsborough, Reynolds, Romney, Hoppner and other known artists.
[Ref: 21974] £250.00
English Mezzotint Portraits and their States. Catalogue of Corrections of and Additions to Chaloner Smith's ''British Mezzotinto Portraits.'' Volume Two.
By Charles E. Russell.
1926. London: Halton & Truscott Smith, Ltd. New York: Minton, Balch & Company. (Printed in Great Britain).
One volume only. 4to, orignal half morocco gilt, top edge gilt; pp. ix + 525.
An update to the most important reference book on English mezzotint portraits.
[Ref: 59771] £280.00 (£336.00 incl.VAT)
By Charles E. Russell.
1926. London: Halton & Truscott Smith, Ltd. New York: Minton, Balch & Company. (Printed in Great Britain).
One volume only. 4to, orignal half morocco gilt, top edge gilt; pp. ix + 525.
An update to the most important reference book on English mezzotint portraits.
[Ref: 59771] £280.00 (£336.00 incl.VAT)
English Mezzotints from the Lennox-Boyd Collection.
C.G. Boerner. [2002.]
4to, illustrated soft covers; pp. 185, profusely illustrated.
An exhibition catalogue published to accompany the exhibition 'English Mezzotint from the Lennox-Boyd Collection' held at C.G. Boerner Inc., New York, 19th February - 15th March 2002.
[Ref: 59933] £45.00
C.G. Boerner. [2002.]
4to, illustrated soft covers; pp. 185, profusely illustrated.
An exhibition catalogue published to accompany the exhibition 'English Mezzotint from the Lennox-Boyd Collection' held at C.G. Boerner Inc., New York, 19th February - 15th March 2002.
[Ref: 59933] £45.00
The Monarchs of England from William the Conqueror, to his Present Majesty King George.
Sold by George Wildey at the Great Toy and Print Shop at the West end of St. Paul's Church Yard London. [n.d., c.1720.]
Engraving on four sheets, each c. 500 x 670mm. Last plate minus part of bottom; some mould bottom left.
31 medallion portraits with one blank for a future king, within a frame-like border.
[Ref: 6617] £950.00
Sold by George Wildey at the Great Toy and Print Shop at the West end of St. Paul's Church Yard London. [n.d., c.1720.]
Engraving on four sheets, each c. 500 x 670mm. Last plate minus part of bottom; some mould bottom left.
31 medallion portraits with one blank for a future king, within a frame-like border.
[Ref: 6617] £950.00
The English Print, 1688-1802.
by Timothy Clayton.
Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, New Haven and London, 1997.
Book. 4to, blue cloth cover, gilt title stamped on spine, with dust cover.
One of the finest reference books on eighteenth century English prints. Clayton examines the world in which the printseller lived and worked, describing the structure of the print trade and processes of publication as well as examining the history of separately published prints. Tim Clayton read English at Cambridge and, after several years working for the print collector Christopher Lennox-Boyd, won a research fellowship at Worcester College, Oxford. He has written several award winning books and his latest 'Waterloo: Four Days that Changed Europe's Destiny' (2014) has been widely acclaimed as the best book on the subject. Most recently he co-curated 'Bonaparte and the British- prints and propaganda in the age of Napoleon' at the British Museum.
[Ref: 55707] £160.00
by Timothy Clayton.
Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, New Haven and London, 1997.
Book. 4to, blue cloth cover, gilt title stamped on spine, with dust cover.
One of the finest reference books on eighteenth century English prints. Clayton examines the world in which the printseller lived and worked, describing the structure of the print trade and processes of publication as well as examining the history of separately published prints. Tim Clayton read English at Cambridge and, after several years working for the print collector Christopher Lennox-Boyd, won a research fellowship at Worcester College, Oxford. He has written several award winning books and his latest 'Waterloo: Four Days that Changed Europe's Destiny' (2014) has been widely acclaimed as the best book on the subject. Most recently he co-curated 'Bonaparte and the British- prints and propaganda in the age of Napoleon' at the British Museum.
[Ref: 55707] £160.00
English Prints for the Collector.
Stephen Calloway.
Lutterworth Press. Guilford and London. The Overlook Press. Woodstock, New York. First published in Great Britain in 1980.
Book: 4to (285 x 212mm). Cloth binding with gilt title stamped along spine. 232 pages inclusive of illustrations. Complete with dustjacket. Binding and dustjacket: rubbed and scuffed.
An illustrated comprehensive guide to English prints.
[Ref: 10460] £50.00
Stephen Calloway.
Lutterworth Press. Guilford and London. The Overlook Press. Woodstock, New York. First published in Great Britain in 1980.
Book: 4to (285 x 212mm). Cloth binding with gilt title stamped along spine. 232 pages inclusive of illustrations. Complete with dustjacket. Binding and dustjacket: rubbed and scuffed.
An illustrated comprehensive guide to English prints.
[Ref: 10460] £50.00
English Publishers in the Graphic Arts 1599-1700. A Study of the Printsellers and Publishers of Engravings, Art & Architectural Manuals, Maps and Copy-Books.
By Leona Rostenberg.
New York: Burt Frankin, 1963.
4to, cloth gilt & printed d/w. pp. xi + 128, half-tone frontispiece and 40 plates. d/w worn & stained, ex-libris, with ink stamps and blind stamp.
Including Sudbury & Humble, Stent, Jenner, Walton & Overton.
[Ref: 59738] £45.00
By Leona Rostenberg.
New York: Burt Frankin, 1963.
4to, cloth gilt & printed d/w. pp. xi + 128, half-tone frontispiece and 40 plates. d/w worn & stained, ex-libris, with ink stamps and blind stamp.
Including Sudbury & Humble, Stent, Jenner, Walton & Overton.
[Ref: 59738] £45.00
English Roses.
Printed by Lefevre & Kohler, 52 Newman Street.
[n.d. c.1835]
Scarce hand-coloured lithograph, sheet 335 x 255mm (13¼ x 10"). Very faint foxing.
Two women lean on a ledge in a garden; one arm around the other, holding a rose between them. Lithographic printers William Kohler and L.M. Lefevre were in business together at 52 Newman Street, London circa 1833-1835. Kohler set up on his own by 1838 at the latest, leaving Lefevre to trade as L.M. Lefevre.
[Ref: 68735] £160.00 (£192.00 incl.VAT)
Printed by Lefevre & Kohler, 52 Newman Street.
[n.d. c.1835]
Scarce hand-coloured lithograph, sheet 335 x 255mm (13¼ x 10"). Very faint foxing.
Two women lean on a ledge in a garden; one arm around the other, holding a rose between them. Lithographic printers William Kohler and L.M. Lefevre were in business together at 52 Newman Street, London circa 1833-1835. Kohler set up on his own by 1838 at the latest, leaving Lefevre to trade as L.M. Lefevre.
[Ref: 68735] £160.00 (£192.00 incl.VAT)
Design for a National Institution, Appropriated to the Fine Arts, the Sciences, and Literature of the Kingdom. To the Right Rev.d John Fisher, D.D Lord Bishop of Salisbury, As Chaplain to the Royal Academy and an admirer of the Fine Arts, this Plate is respectfully inscribed by John Britton.
Design'd by Joseph Gandy Esq. Architect & A.R.A - the Busts and Figures Drawn by T. Baxter - Engraved by John Le Keux.
London, Published Feb 1. 1812 by Longman & Co. Paternoster Row, J. Taylor High Holborn J. Britton, Tavistock Place & W. Bond, Newman St.
Engraving, 19th century watermark, 420 x 320mm (16½ x 12½"), with very large margins. Creased on left.
A view of a neo-classical building from a shadowy colonnade with sculptures in niches against the wall and a pillar in the centre surmounted by a bust of Joshua Reynolds, with others including Flaxman and Inigo Jones; the acropolis in the background above. Frontispiece to 'The Fine Arts of the English School' (ed. John Britton, London 1812).
[Ref: 60613] £160.00 (£192.00 incl.VAT)
Design'd by Joseph Gandy Esq. Architect & A.R.A - the Busts and Figures Drawn by T. Baxter - Engraved by John Le Keux.
London, Published Feb 1. 1812 by Longman & Co. Paternoster Row, J. Taylor High Holborn J. Britton, Tavistock Place & W. Bond, Newman St.
Engraving, 19th century watermark, 420 x 320mm (16½ x 12½"), with very large margins. Creased on left.
A view of a neo-classical building from a shadowy colonnade with sculptures in niches against the wall and a pillar in the centre surmounted by a bust of Joshua Reynolds, with others including Flaxman and Inigo Jones; the acropolis in the background above. Frontispiece to 'The Fine Arts of the English School' (ed. John Britton, London 1812).
[Ref: 60613] £160.00 (£192.00 incl.VAT)
The English School of Painting.
By Ernest Chesneau. Translated by Lucy N. Etherington. With preface by Proffessor Ruskin.
Cassell & Company, Limited: London, paris, new York & Melbourne. 1885.
8vo, orginal cloth gilt; pp. vii-xliii + 339, profusely illustrated with b/w images. Second Edition. Ex Libris Franci et Georgii Todhunter. Binding and cover worn. Some time staining on the edges of pages.
Divided into two parts The Old Masters and The Modern School 1850-1882.
[Ref: 59911] £10.00
By Ernest Chesneau. Translated by Lucy N. Etherington. With preface by Proffessor Ruskin.
Cassell & Company, Limited: London, paris, new York & Melbourne. 1885.
8vo, orginal cloth gilt; pp. vii-xliii + 339, profusely illustrated with b/w images. Second Edition. Ex Libris Franci et Georgii Todhunter. Binding and cover worn. Some time staining on the edges of pages.
Divided into two parts The Old Masters and The Modern School 1850-1882.
[Ref: 59911] £10.00
The English Setter. Engraved after an Original Picture in the Possession of Mr. Bradford.
J. Milton pinx.t. T. Cook & S. Smith Sculp.t. John Boydell, excudit 1782.
Published July 9th, 1782 by John Boydell, Engraver in Cheapside London.
Line engraving. 445 x 550mm (17½ x 21¾"). Repaired tears and holes, some surface abrasion. Top margin but messy.
A setter lying in a field, having scared up birds for two men to catch in a net. An early example: the BM has a scratched-letter proof (1877,0811.675) with the image similar to this example; a second print they describe as a 'published impression' (1917,1208.3215) has the dog reworked with a fluffier and more dappled coat.
[Ref: 60900] £420.00
J. Milton pinx.t. T. Cook & S. Smith Sculp.t. John Boydell, excudit 1782.
Published July 9th, 1782 by John Boydell, Engraver in Cheapside London.
Line engraving. 445 x 550mm (17½ x 21¾"). Repaired tears and holes, some surface abrasion. Top margin but messy.
A setter lying in a field, having scared up birds for two men to catch in a net. An early example: the BM has a scratched-letter proof (1877,0811.675) with the image similar to this example; a second print they describe as a 'published impression' (1917,1208.3215) has the dog reworked with a fluffier and more dappled coat.
[Ref: 60900] £420.00
![[Pair of English Setters]](jpegs/9701.jpg)
[Pair of English Setters]
Henry Wilkinson.
Coloured etching signed by the artist, 235 x 342mm (9¼" x 13½"). Limited edition 94/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 9701] £220.00 (£264.00 incl.VAT)
Henry Wilkinson.
Coloured etching signed by the artist, 235 x 342mm (9¼" x 13½"). Limited edition 94/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 9701] £220.00 (£264.00 incl.VAT)
Situation de l'Angleterre Au Commencement du 19ieme Siecle.
[n.d., c.1800.]
Rare engraving. Sheet: 220 x 165mm (8½ x 6½"). Trimmed. Creasing
A French satirical cartoon commenting on the state of Britain's finances following the French Revolutionary Wars and the American Revolutionary Wars in 1803. Britannia is shown protecting her head from a cloud of falling bills which pile up around her, the British leopard lies squashed beneath them, rats in the background & a squashed cat under bills.
See Ref: 26592
[Ref: 43654] £140.00 (£168.00 incl.VAT)
[n.d., c.1800.]
Rare engraving. Sheet: 220 x 165mm (8½ x 6½"). Trimmed. Creasing
A French satirical cartoon commenting on the state of Britain's finances following the French Revolutionary Wars and the American Revolutionary Wars in 1803. Britannia is shown protecting her head from a cloud of falling bills which pile up around her, the British leopard lies squashed beneath them, rats in the background & a squashed cat under bills.
See Ref: 26592
[Ref: 43654] £140.00 (£168.00 incl.VAT)
Epagneul D'angleterre…
Scarce engraving. 200 x 175mm. Worn on the edges with a couple of tiny pin spots, some faint scratches.
Anonymous French engraving of a Cavalier King Charles Spaniel sitting on a divvan, with an engraved text praising its nature and excellent breeding.
[Ref: 196] £150.00 (£180.00 incl.VAT)
Scarce engraving. 200 x 175mm. Worn on the edges with a couple of tiny pin spots, some faint scratches.
Anonymous French engraving of a Cavalier King Charles Spaniel sitting on a divvan, with an engraved text praising its nature and excellent breeding.
[Ref: 196] £150.00 (£180.00 incl.VAT)
English Sporting Prints with 95 Colour Plates.
F.L. Wilder.
Thames and Hudson Ltd. London 1974.
Book: 4to (330 x 235mm). pp. 224. Profusely illustrated with colour images. Cloth binding with beautiful guilt stamp of two dolphins on front cover. Dust jacket is a frayed around the edges.
A collection of 95 coloured plates of various English sports with narrative and description.
[Ref: 10095] £65.00
F.L. Wilder.
Thames and Hudson Ltd. London 1974.
Book: 4to (330 x 235mm). pp. 224. Profusely illustrated with colour images. Cloth binding with beautiful guilt stamp of two dolphins on front cover. Dust jacket is a frayed around the edges.
A collection of 95 coloured plates of various English sports with narrative and description.
[Ref: 10095] £65.00
The Antient English Wake. Still dost thou ask what charm, what sacred pow'r ... [two stanzas below title]...O'er thee, O Father, fond remembrance wept: Vide Jerningham's Antient English Wake.
W. Hamilton Esqr. R.A. Pinxt. J. Chapman Sculp.
Publish'd May 10th. 1794, by Thos. Macklin, Poets Gallery, Fleet Street, London.
Stipple engraving, 433 x 507mm. Light spotting, water stain into plate upper right corner.
A woman holding up a reliquary in her left hand, speaking to a man who sits in a princely tent set up under a tree. She gestures with both arms towards men and women in contemporary dress who dance around a Maypole and feast at a wake on a plain below. A bard plays a harp in the left foreground. Illustrating Edward Jerningham's (1727 - 1812) 'The ancient English wake. A poem.' 1779. Published by Thomas Macklin (c.1760 - 1800) for his series of 'British Poets', begun in 1787.
[Ref: 8075] £320.00
W. Hamilton Esqr. R.A. Pinxt. J. Chapman Sculp.
Publish'd May 10th. 1794, by Thos. Macklin, Poets Gallery, Fleet Street, London.
Stipple engraving, 433 x 507mm. Light spotting, water stain into plate upper right corner.
A woman holding up a reliquary in her left hand, speaking to a man who sits in a princely tent set up under a tree. She gestures with both arms towards men and women in contemporary dress who dance around a Maypole and feast at a wake on a plain below. A bard plays a harp in the left foreground. Illustrating Edward Jerningham's (1727 - 1812) 'The ancient English wake. A poem.' 1779. Published by Thomas Macklin (c.1760 - 1800) for his series of 'British Poets', begun in 1787.
[Ref: 8075] £320.00
Le Dames Anglaises après-Diné. Scènes Anglaises dessinées à Londres, par un français prisonnier de Guerre. No 1.
[Drawn and etched by Alphonse Roehn.]
A Paris, Chez Martinet, Libraire, Rue du Coq S.t Honoré [n.d., c.1814].
Coloured etching. 250 x 345mm (9¾ x 14"). Narrow margins. Two slight stains
A group of women sit in silent boredom, being served tea by a black servant. From a set of eight.
BM Satires 12350.
[Ref: 58458] £260.00 (£312.00 incl.VAT)
[Drawn and etched by Alphonse Roehn.]
A Paris, Chez Martinet, Libraire, Rue du Coq S.t Honoré [n.d., c.1814].
Coloured etching. 250 x 345mm (9¾ x 14"). Narrow margins. Two slight stains
A group of women sit in silent boredom, being served tea by a black servant. From a set of eight.
BM Satires 12350.
[Ref: 58458] £260.00 (£312.00 incl.VAT)
The Splenitive Englishman travelling in Germany.
LDouglas invt et delt.
Hand coloured etching sheet 215 x 335mm (8½ x 13¼"). Trimmed within plate. Some creasing.
A satire on grand tourists. Two Englishmen travel through the German countryside in a post-chaise. The splenitive (ill-tempered) gentleman threatens the postilion with a pistol and cane urging him to drive faster while the other smiles. The postilion is seated smoking a pipe on a farm horse, one of three drawing the carriage and a paper "Drink Gelt to pay by order of ye Queen" protrudes from his pocket, while another reading, "Maut und Drink Gelt" lies on the ground; before engraver's name scratched out. "L Douglas" has not been identified; formerly attributed to Bunbury, now re-attributed to C.L.Smith.
[Ref: 55993] £190.00 (£228.00 incl.VAT)
LDouglas invt et delt.
Hand coloured etching sheet 215 x 335mm (8½ x 13¼"). Trimmed within plate. Some creasing.
A satire on grand tourists. Two Englishmen travel through the German countryside in a post-chaise. The splenitive (ill-tempered) gentleman threatens the postilion with a pistol and cane urging him to drive faster while the other smiles. The postilion is seated smoking a pipe on a farm horse, one of three drawing the carriage and a paper "Drink Gelt to pay by order of ye Queen" protrudes from his pocket, while another reading, "Maut und Drink Gelt" lies on the ground; before engraver's name scratched out. "L Douglas" has not been identified; formerly attributed to Bunbury, now re-attributed to C.L.Smith.
[Ref: 55993] £190.00 (£228.00 incl.VAT)
Englishman at Paris. 1767.
Mr. Bunbury del. J.s Bretherton f.
Publish'd 23d Feb.y 1782.
Etching, with partial hand colour. 330 x 410mm (13 x 16"). Trimmed to plate top and bottom, tear entering image at top.
A satire contrasting English and French styles of dress. A stout middle-aged Englishman wears a heavy coat and three-cornered hat and carrying a stick, amusing the passers-by with his lack of elegance. These include: a hairdresser wearing his hair in a large queue, carring a parasol'; a grinning fat monk; and an elegant man driving a cabriolet, with his footman dressed in furs.
BM Satires 4185.
[Ref: 54323] £260.00 (£312.00 incl.VAT)
Mr. Bunbury del. J.s Bretherton f.
Publish'd 23d Feb.y 1782.
Etching, with partial hand colour. 330 x 410mm (13 x 16"). Trimmed to plate top and bottom, tear entering image at top.
A satire contrasting English and French styles of dress. A stout middle-aged Englishman wears a heavy coat and three-cornered hat and carrying a stick, amusing the passers-by with his lack of elegance. These include: a hairdresser wearing his hair in a large queue, carring a parasol'; a grinning fat monk; and an elegant man driving a cabriolet, with his footman dressed in furs.
BM Satires 4185.
[Ref: 54323] £260.00 (£312.00 incl.VAT)
Catalogue of a Collection of Engraved Portraits, the Largest ever submitted to the Public; compromising nearly twenty thousand portraits of persons connected with the History and Literature of this Country, from the Earliest Period to the Present Time. with an Enumeration of the Circumstances connecting the eminent persons with the various counties of Great Britain, preferments of the Clergy, &c. Alphabetically arranged with the names of the painter and engraver, and the size of each plate. "Let a man read a character in Clarendon, and he will find it improved by seeing the Portrait of the Person." J. Richardson.
Now on Sale at the Reasonable Price affixed to each Print by Edward Evans, Book and Print Seller, Great Queen Street, Lincoln's Inn Fields. [n.d. c.1836-1853]
Book: 4to (216 x 132mm). pp. 396. Morocco leather spine with board covers. Spine leather pulling away, binding worn and torn.
A catalogue and listing of engraved British portraits.
[Ref: 59949] £120.00
Now on Sale at the Reasonable Price affixed to each Print by Edward Evans, Book and Print Seller, Great Queen Street, Lincoln's Inn Fields. [n.d. c.1836-1853]
Book: 4to (216 x 132mm). pp. 396. Morocco leather spine with board covers. Spine leather pulling away, binding worn and torn.
A catalogue and listing of engraved British portraits.
[Ref: 59949] £120.00
Copper Plate Printer.
London, Published by Tabart & Co. Aug. 1. 1804.
Wood engraving, with 3 sheets of letterpress. Sheet: 150 x 90mm (6 x 3½''). Foxing on right
A scene in a printer's workshop showing him at his desk.
[Ref: 51149] £75.00 (£90.00 incl.VAT)
London, Published by Tabart & Co. Aug. 1. 1804.
Wood engraving, with 3 sheets of letterpress. Sheet: 150 x 90mm (6 x 3½''). Foxing on right
A scene in a printer's workshop showing him at his desk.
[Ref: 51149] £75.00 (£90.00 incl.VAT)
The Engraver.
[n.d., c.1805.]
Wood engraving, with four sheets of letterpress. Sheet: 150 x 90mm (6 x 3½'').
A scene in an engraver's studio showing him at his desk.
[Ref: 51148] £65.00 (£78.00 incl.VAT)
[n.d., c.1805.]
Wood engraving, with four sheets of letterpress. Sheet: 150 x 90mm (6 x 3½'').
A scene in an engraver's studio showing him at his desk.
[Ref: 51148] £65.00 (£78.00 incl.VAT)
W.m Hall, Pattern Drawer, & Engraver.
[n.d., c.1770]
Sheet 115 x 110mm (4½ x 4¼"). Stained top left, messy.
Engraver's tradecard with elaborate floral design.
[Ref: 28502] £140.00 (£168.00 incl.VAT)
[n.d., c.1770]
Sheet 115 x 110mm (4½ x 4¼"). Stained top left, messy.
Engraver's tradecard with elaborate floral design.
[Ref: 28502] £140.00 (£168.00 incl.VAT)
![[Trade Card] Pomel Graveur A St. Maur.](jpegs/17979.jpg)
[Trade Card] Pomel Graveur A St. Maur. No. 25 Pres L'Eglise.
Ou Chez Bozu Impr. Rue St. Julien le Pauvre No.14 A Paris. [n.d., c.1820.]
Engraver's trade card or label, stipple with engraved lettering, sheet 130 x 90mm. 5 x 3½". Trimmed to plate.
Claude-Joseph Pomel (1781 - 1839), engraver and printer at Paris. The putto in clouds appears to have engraved Pomel's details into the oval cartouche topped with a rose.
BNF: FRBNF14491366.
[Ref: 17979] £95.00 (£114.00 incl.VAT)
Ou Chez Bozu Impr. Rue St. Julien le Pauvre No.14 A Paris. [n.d., c.1820.]
Engraver's trade card or label, stipple with engraved lettering, sheet 130 x 90mm. 5 x 3½". Trimmed to plate.
Claude-Joseph Pomel (1781 - 1839), engraver and printer at Paris. The putto in clouds appears to have engraved Pomel's details into the oval cartouche topped with a rose.
BNF: FRBNF14491366.
[Ref: 17979] £95.00 (£114.00 incl.VAT)
W. Tolley & Son, Engravcers, Copper Plate Printers, 20 Masshouse Lane, Birmingham. Pattern Books, neatly Engraved, Printed & Bound.
[n.d., c.1840.]
Engraved trade card. Sheet 80 x 125mm, 3¼ x 5".
Trade card of an engraver's establishment.
[Ref: 18256] £160.00 (£192.00 incl.VAT)
[n.d., c.1840.]
Engraved trade card. Sheet 80 x 125mm, 3¼ x 5".
Trade card of an engraver's establishment.
[Ref: 18256] £160.00 (£192.00 incl.VAT)
A Catalogue of Engravers, Who have been born, or resided in England; To which is added An Account of the Life and Works of the latter. And Art reflected Images to Art. ------ Pope.
Digested by Mr. Horace Walpole From the Mss. of Mr. George Vertue;
Strawberry-Hill : Printed in the Year MDCCLXIII [1763].
Book: 8vo (219 x 173mm). pp. 169. Illustrated with 9 b/w plates. Moroccan leather spine with marble boards. Binding worn and stained.
An illustrated catalogue.
[Ref: 10208] £350.00 view all images for this item
Digested by Mr. Horace Walpole From the Mss. of Mr. George Vertue;
Strawberry-Hill : Printed in the Year MDCCLXIII [1763].
Book: 8vo (219 x 173mm). pp. 169. Illustrated with 9 b/w plates. Moroccan leather spine with marble boards. Binding worn and stained.
An illustrated catalogue.
[Ref: 10208] £350.00 view all images for this item
Catalogue of a Collection of Engravings, Etchings, and Woodcuts.
1879.
4to, orginal cloth gilt; pp. 352, profusely illustrated. Distressed binding.
An account of the history and work of different school of engravings: Italian, German, Spanish, French, English, and Flemish and Dutch.
[Ref: 59936] £95.00
1879.
4to, orginal cloth gilt; pp. 352, profusely illustrated. Distressed binding.
An account of the history and work of different school of engravings: Italian, German, Spanish, French, English, and Flemish and Dutch.
[Ref: 59936] £95.00
The Old Engravers of England in their relation to Contemporary Life and Art (1540-1800). with Forty-Eight Illustrations.
by Malcolm C. Salaman. Author of "Woman - Through a Man's Eyeglass," etc.
Cassell and Company, Limited. London, Paris, New York and Melbourne. MCMVI. [1906].
Book: 8vo (207 x 136mm). Cloth binding with title stamped on front cover and spine in gilt. Binding tired. Some very slight spotting in page edges.
An illustrated chronological narrative of British Engraving.
[Ref: 10218] £25.00
by Malcolm C. Salaman. Author of "Woman - Through a Man's Eyeglass," etc.
Cassell and Company, Limited. London, Paris, New York and Melbourne. MCMVI. [1906].
Book: 8vo (207 x 136mm). Cloth binding with title stamped on front cover and spine in gilt. Binding tired. Some very slight spotting in page edges.
An illustrated chronological narrative of British Engraving.
[Ref: 10218] £25.00
The Wonders of Engraving. Illustrated with thirty-four Wood-engravings, by P. Sellier.
by George Duplessis.
London, Sampson Low, Son, and Marston, Crown Buildings, 188, Fleet Street. [1871].
Book: 8vo (199 x 134mm), maroon cloth stamped in gilt and black, a.e.g.; pp. x + 338, steel and wood-engraved plates and illustrations. Head and foot of spine worn.
An illustrated reference, with chapters broken down by schools of art; the artists prominent in each school, and the techniques and processes adopted by each school.
[Ref: 10221] £60.00
by George Duplessis.
London, Sampson Low, Son, and Marston, Crown Buildings, 188, Fleet Street. [1871].
Book: 8vo (199 x 134mm), maroon cloth stamped in gilt and black, a.e.g.; pp. x + 338, steel and wood-engraved plates and illustrations. Head and foot of spine worn.
An illustrated reference, with chapters broken down by schools of art; the artists prominent in each school, and the techniques and processes adopted by each school.
[Ref: 10221] £60.00