A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
A Copy of Mr Pines 100 Pounds Premium Picture of the Surrender of Calais to Edward the 3rd Anno 1347.
[After Robert Edge Pine.]
[n.d., c.1765.]
Engraving. 115 x 195mm (4½ x 7¾"). Trimmed at bottom.
An engraving of the lost painting by Robert Edge Pine, the first premium winner in the category of national history painting in the competition started by the Society for the Encouragement of Arts, Manufacture and Commerce. Pine published his own engraving of the painting in 1762, republished by John Boydell in 1771.
[Ref: 44247] £60.00 (£72.00 incl.VAT)
[After Robert Edge Pine.]
[n.d., c.1765.]
Engraving. 115 x 195mm (4½ x 7¾"). Trimmed at bottom.
An engraving of the lost painting by Robert Edge Pine, the first premium winner in the category of national history painting in the competition started by the Society for the Encouragement of Arts, Manufacture and Commerce. Pine published his own engraving of the painting in 1762, republished by John Boydell in 1771.
[Ref: 44247] £60.00 (£72.00 incl.VAT)
Thus arm’d fierce Edward did his Troops advance, Resolv’d to Wast yes: Stubborne Realm of France, Edward obeys his Great Creator’s Will: But Gracious Heaven stops his enraged Hand, To yield to Heave is but to Conquer still. [Up top left:]Honoratiss.o Viro D.e Iohani Peake, Militi, Orphanotrophy apud London: Hospiti Christi dicti Praesidi Meritiss: nec non Dignisso Dno Nathanaeli Hawes, Armigero, Ejust: Hospity Thesaurario, Religuisa illius Gubernatoribus Dignisss Colendissimisq Hanc Edvardi Tery Figuram, veluti & Educationis olim praebitae Mon:umentu Gratus dicat Iosua Barnes.
[n.d. c.1688.]
Etching and engraving. 316 x 190mm (12½ x 7½"), Cut. Laid on album sheet.
Edward III, standing whole length, to the left, in armour and plumed helmet, holding spear; armies, fort and mountains in background, lightning in the sky. Edward III(1312-1377), King of England and Duke of Aquitaine, he married Philippa of Hainault in 1329 and in 1347 he was Founder of the Order of the Garter. Illustration to Joshua Barnes' 'The history of that most victorius monarch Edward IIId...together with that of his most renowned son, Edward, Prince of Wales' (1688). Frontispiece to Barnes's "History of Edward III".
[Ref: 28985] £75.00 (£90.00 incl.VAT)
[n.d. c.1688.]
Etching and engraving. 316 x 190mm (12½ x 7½"), Cut. Laid on album sheet.
Edward III, standing whole length, to the left, in armour and plumed helmet, holding spear; armies, fort and mountains in background, lightning in the sky. Edward III(1312-1377), King of England and Duke of Aquitaine, he married Philippa of Hainault in 1329 and in 1347 he was Founder of the Order of the Garter. Illustration to Joshua Barnes' 'The history of that most victorius monarch Edward IIId...together with that of his most renowned son, Edward, Prince of Wales' (1688). Frontispiece to Barnes's "History of Edward III".
[Ref: 28985] £75.00 (£90.00 incl.VAT)
![[Edward III] Edward Prince of Wales presenting the Captive King John of France & his Son to his Father Edward the 3rd: after the battle of Poictiers. Humes Qto. Vol: II. Page 461.](jpegs/18272.jpg)
[Edward III] Edward Prince of Wales presenting the Captive King John of France & his Son to his Father Edward the 3rd: after the battle of Poictiers. Humes Qto. Vol: II. Page 461.
J.F. Rigaud R.A. pinxt. F. Bartolozzi R.A. sculpt.
London, Published 14 Feby. 1788, by Wm. Palmer Printseller to her Majesty, No. 163 Strand.
Stipple and etching in stipple frame, printed in brown ink, published state, 340 x 405mm. 13½ x 16". A good impression.
Edward of Woodstock, Prince of Wales ('The Black Prince', 1330 - 1376), kneeling in armour, presents his Prisoner of War John II of France (1319 - 1364), to his father, King Edward III of England, following the Battle of Poitiers, 19th September 1356, during the Hundred Years' War. After John Francis Rigaud (1742 - 1810).
From the Norman Blackburn Collection. Collection N. Rapp.
[Ref: 18272] £280.00 (£336.00 incl.VAT)
J.F. Rigaud R.A. pinxt. F. Bartolozzi R.A. sculpt.
London, Published 14 Feby. 1788, by Wm. Palmer Printseller to her Majesty, No. 163 Strand.
Stipple and etching in stipple frame, printed in brown ink, published state, 340 x 405mm. 13½ x 16". A good impression.
Edward of Woodstock, Prince of Wales ('The Black Prince', 1330 - 1376), kneeling in armour, presents his Prisoner of War John II of France (1319 - 1364), to his father, King Edward III of England, following the Battle of Poitiers, 19th September 1356, during the Hundred Years' War. After John Francis Rigaud (1742 - 1810).
From the Norman Blackburn Collection. Collection N. Rapp.
[Ref: 18272] £280.00 (£336.00 incl.VAT)
Earl River presenting his Book & Caxton his Printer to Edw.4. the Queen & Prince; from a curious M.S. in the Archbishops Library at Lambeth. The Portrait of the Prince (afterw.ds Edw.5.th) is the only one known of him, & has been engraved by Vertue among the Heads of the Kings. The Person in a Cap & Robe of State is probably Richard D. of Gloucester, as he resembles the King, and as Clarence was always too great an Enemy of the Queen to be distinguished by her Brother. The Book was printed in 1477, when Clarence was in Ireland, & in the beginning of the next year he was murder'd.
C. Grignion sculp.
[n.d. c.1790.]
Engraving. 177 x 120mm. 7 x 4¾". Cut.
Anthony Woodville, 2nd Earl Rivers, seen here presenting his translation of the Dictes and Sayings of the Philosophers to King Edward IV, his brother-in-law, and his family. His book was printed by William Caxton at Westminster in 1477. The man in the cap and robe is thought to be Richard III, Duke of Gloucester, the king's brother.
[Ref: 21720] £45.00 (£54.00 incl.VAT)
C. Grignion sculp.
[n.d. c.1790.]
Engraving. 177 x 120mm. 7 x 4¾". Cut.
Anthony Woodville, 2nd Earl Rivers, seen here presenting his translation of the Dictes and Sayings of the Philosophers to King Edward IV, his brother-in-law, and his family. His book was printed by William Caxton at Westminster in 1477. The man in the cap and robe is thought to be Richard III, Duke of Gloucester, the king's brother.
[Ref: 21720] £45.00 (£54.00 incl.VAT)
This Book Belongs to Edward Nesbit. If thou art borrow'd by a friend, Right welcome shallbe, To read, to study not to lend, But to return to me,...
[n.d. c.1850]
Book label letterpess with printed border, sheet 70 x 60mm (2¾ x 2¼"). Glued to inside of book cover.
A book label with humerous poem.
[Ref: 58971] £130.00 (£156.00 incl.VAT)
[n.d. c.1850]
Book label letterpess with printed border, sheet 70 x 60mm (2¾ x 2¼"). Glued to inside of book cover.
A book label with humerous poem.
[Ref: 58971] £130.00 (£156.00 incl.VAT)
Edward the Martyr, stabbed by the Order of Elfrida at Corfe Castle.
Chevalier Cazali Pinxit & Sculpsit.
Published 1773 by John Boydell Engraver in Cheapside London.
Etching. Sheet 450 x 325mm (17¾ x 12¾"). Trimmed to plate, repaired tears, creasing.
Edward (c. 962- 97), King of the English, on horseback, accepting the hospitality of his stepmother Elfrida (Ælfthryth) as one of her men reaches up to stab him in the back in March 978. Her son became King Æthelred, the Unready.
[Ref: 60518] £260.00 (£312.00 incl.VAT)
Chevalier Cazali Pinxit & Sculpsit.
Published 1773 by John Boydell Engraver in Cheapside London.
Etching. Sheet 450 x 325mm (17¾ x 12¾"). Trimmed to plate, repaired tears, creasing.
Edward (c. 962- 97), King of the English, on horseback, accepting the hospitality of his stepmother Elfrida (Ælfthryth) as one of her men reaches up to stab him in the back in March 978. Her son became King Æthelred, the Unready.
[Ref: 60518] £260.00 (£312.00 incl.VAT)
King Edward V. King Richard III. King Henry VII. King Henry VIII.
[John Faber jr.]
[n.d., c.1731.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"). Repaired tears, creases. Small margins.
Bust portraits in niches of four monarchs, from a series of ten plates of the Kings and Queens of England.
CS 124. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 68588] £280.00 (£336.00 incl.VAT)
[John Faber jr.]
[n.d., c.1731.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"). Repaired tears, creases. Small margins.
Bust portraits in niches of four monarchs, from a series of ten plates of the Kings and Queens of England.
CS 124. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 68588] £280.00 (£336.00 incl.VAT)
![[Edward V and the Duke of York] The Young Princes Smothered in the Tower.](jpegs/64015.jpg)
[Edward V and the Duke of York] The Young Princes Smothered in the Tower. 418
Published 12.th April 1798 by Laurie & Whittle, 53 Fleet Street London.
Scarce mezzotint with fine hand colour. Sheet 350 x 250mm (13¾ x 9¾"). Trimmed to image on three sides, into plate at bottom, a portrait of Edward V stuck over top edge, laid on album paper.
The 'Princes in the Tower' being murdered by their armoured guards, as per the account written by Thomas More.
[Ref: 64015] £180.00 (£216.00 incl.VAT)
Published 12.th April 1798 by Laurie & Whittle, 53 Fleet Street London.
Scarce mezzotint with fine hand colour. Sheet 350 x 250mm (13¾ x 9¾"). Trimmed to image on three sides, into plate at bottom, a portrait of Edward V stuck over top edge, laid on album paper.
The 'Princes in the Tower' being murdered by their armoured guards, as per the account written by Thomas More.
[Ref: 64015] £180.00 (£216.00 incl.VAT)
Edouard VI Dans l'ame d'un enfant j'eus l'esprit d'un grand Roi [...]
Adr. vander Werff pinx. P. a Gunst Sculps.
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½"). Slight stain in lower platemark.
King Edward VI (1537-1553), son of Henry VIII and Jane Seymour. Scholarly and firmly Protestant, he ruled during his minority with the help of a council, but was dominated first by the Duke of Somerset as Lord Protector, and later by the Duke of Northumberland. The latter induced Edward to will the crown of Lady Jane Grey, in order to ensure the Protestant succession. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713) from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34248] £70.00 (£84.00 incl.VAT)
Adr. vander Werff pinx. P. a Gunst Sculps.
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½"). Slight stain in lower platemark.
King Edward VI (1537-1553), son of Henry VIII and Jane Seymour. Scholarly and firmly Protestant, he ruled during his minority with the help of a council, but was dominated first by the Duke of Somerset as Lord Protector, and later by the Duke of Northumberland. The latter induced Edward to will the crown of Lady Jane Grey, in order to ensure the Protestant succession. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713) from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34248] £70.00 (£84.00 incl.VAT)
Edwardus Sextus Angliae Galliae & Hiberniae Rex. Natus 12 Octob 1537. Regnare cepit, 28. January 1547. Obijt 6.to July 1553.
R. White Sculp:
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 152mm (9¼ x 6"). Small tear into upper edge, trimmed.
Edward VI (1537-1553), the son of Henry VIII and Jane Seymour. He lived a very short life, and on his death bed he and his council drew up a "Devise for the Succession", attempting to prevent the country being returned to Catholicism. In light of this, Edward named his cousin Lady Jane Grey as his heir. This was however disputed following his death and Jane was deposed by Mary within 13 days, who reversed Edward's Protestant reforms. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30347] £70.00 (£84.00 incl.VAT)
R. White Sculp:
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 152mm (9¼ x 6"). Small tear into upper edge, trimmed.
Edward VI (1537-1553), the son of Henry VIII and Jane Seymour. He lived a very short life, and on his death bed he and his council drew up a "Devise for the Succession", attempting to prevent the country being returned to Catholicism. In light of this, Edward named his cousin Lady Jane Grey as his heir. This was however disputed following his death and Jane was deposed by Mary within 13 days, who reversed Edward's Protestant reforms. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30347] £70.00 (£84.00 incl.VAT)
King Edward VI. From an Original in Kensington Palace.
G: Vertue sculp.
[n.d. c.1736.]
Engraving. 292 x 178mm. 11½ x 7" Trimmed and laid on Album sheet.
Portrait of Edward VI set into a rectangular frame with a surrounding composition alluding to his life. Illustration to Paul de Rapin-Thoyras, 'The History of England'. King Edward VI (1537-1553) was son of Henry VIII and Jane Seymour. Scholarly and firmly Protestant, he ruled during his minority with the help of a council, but was dominated first by the Duke of Somerset as Lord Protector, and later by the Duke of Northumberland. The latter induced Edward to will the crown of Lady Jane Grey, in order to ensure the Protestant succession.
Alexander: 729.
[Ref: 24326] £35.00 (£42.00 incl.VAT)
G: Vertue sculp.
[n.d. c.1736.]
Engraving. 292 x 178mm. 11½ x 7" Trimmed and laid on Album sheet.
Portrait of Edward VI set into a rectangular frame with a surrounding composition alluding to his life. Illustration to Paul de Rapin-Thoyras, 'The History of England'. King Edward VI (1537-1553) was son of Henry VIII and Jane Seymour. Scholarly and firmly Protestant, he ruled during his minority with the help of a council, but was dominated first by the Duke of Somerset as Lord Protector, and later by the Duke of Northumberland. The latter induced Edward to will the crown of Lady Jane Grey, in order to ensure the Protestant succession.
Alexander: 729.
[Ref: 24326] £35.00 (£42.00 incl.VAT)
Edwardus D.G. Angl: Fran: & Hibern. Rex.
J. Faber excud. [n.d. c.1740.]
Rare & scarce mezzotint, with large margins on 3 sides. Plate 147 x 95mm. 5¾ x 3¾". Trimmed to plate along lower edge, slight creases.
Portrait of Edward VI standing in full robes, before an alcove. King Edward VI (1537-1553) was son of Henry VIII and Jane Seymour. Scholarly and firmly Protestant, he ruled during his minority with the help of a council, but was dominated first by the Duke of Somerset as Lord Protector, and later by the Duke of Northumberland. The latter induced Edward to will the crown of Lady Jane Grey, in order to ensure the Protestant succession.
CS: 31.
[Ref: 24327] £220.00 (£264.00 incl.VAT)
J. Faber excud. [n.d. c.1740.]
Rare & scarce mezzotint, with large margins on 3 sides. Plate 147 x 95mm. 5¾ x 3¾". Trimmed to plate along lower edge, slight creases.
Portrait of Edward VI standing in full robes, before an alcove. King Edward VI (1537-1553) was son of Henry VIII and Jane Seymour. Scholarly and firmly Protestant, he ruled during his minority with the help of a council, but was dominated first by the Duke of Somerset as Lord Protector, and later by the Duke of Northumberland. The latter induced Edward to will the crown of Lady Jane Grey, in order to ensure the Protestant succession.
CS: 31.
[Ref: 24327] £220.00 (£264.00 incl.VAT)
Edouard VI. Roy d'Angleterre.
d'apres Gaspard Rutz.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 166mm. Some toning on the paper.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2005] £20.00 (£24.00 incl.VAT)
d'apres Gaspard Rutz.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 166mm. Some toning on the paper.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2005] £20.00 (£24.00 incl.VAT)
Omnibus Numeris Virtutis Divitis Edoardi Sexti Angliæ &c. Regis, Dominii sui Bridewell dicti Civibus, suis Londinensibus pro hospitalibus, in Usem Pauperum & ejusdem Civitatis Donatio. To the Right Worshipfull W.m Benn Esq. Alderman, President . The Worsjipfull Rob.t Alsop Esq.r Alderman, Treasurer. Joseph Ayliffe Esq. Audito-General. and to the Hon.ble and Worshipfull the rest of the Governors of the Hospitals of Bridewell and Bethlem ~ This Plate is most Humbly Inscribed and Engraved by their Obedient Servant G. Vertue.
Publisht 16. Feb. 1750. according to Act of Parliament.
Engraving. 480 x 630mm, 19 x 24¾". Uncut sheet.
Edward VI granting Bridewell (a former palace) to the Lord Mayor and Aldermen of London in 1553, to house homeless children and confine 'disorderly women'. On the far right is a self-portrait of Holbein, observing the ceremony.
[Ref: 13309] £280.00 (£336.00 incl.VAT)
Publisht 16. Feb. 1750. according to Act of Parliament.
Engraving. 480 x 630mm, 19 x 24¾". Uncut sheet.
Edward VI granting Bridewell (a former palace) to the Lord Mayor and Aldermen of London in 1553, to house homeless children and confine 'disorderly women'. On the far right is a self-portrait of Holbein, observing the ceremony.
[Ref: 13309] £280.00 (£336.00 incl.VAT)
![[Edward VII.]](jpegs/48610.jpg)
[Edward VII.]
Waltney sc. & del.
[n.d., c.1905.]
Etching. Plate: 300 x 205mm (11¾ x 8''). Creasing on right edge.
A three-quater length portrait of Edward VII (1841-1910), son of Queen Victoria and Prince Albert who was king from 1901.
[Ref: 48610] £130.00 (£156.00 incl.VAT)
Waltney sc. & del.
[n.d., c.1905.]
Etching. Plate: 300 x 205mm (11¾ x 8''). Creasing on right edge.
A three-quater length portrait of Edward VII (1841-1910), son of Queen Victoria and Prince Albert who was king from 1901.
[Ref: 48610] £130.00 (£156.00 incl.VAT)
The Royal Infants. (Prince of Wales, Albert Edward and the Princess Royal, Victoria,) Royal Album. No.
[Alf.d Carlile, Lithog.r London.]
[n.d. c.1845.]
Lithograph with explanatory text. 269 x 215mm. 10½ x 8½". Some toning around the edges.
Portraits of the infant Prince of Wales, Albert Edward and the Princess Royal, Victoria, from a sketch by the Queen. Text: "the beautiful facsimile of a Pencilling from the hand of Her Most Gracious Majesty, presented with this number of the Royal Album, is given to the public through the kindness of a noble lady holding an appointment immediately connected witht he person of the Queen".
[Ref: 21531] £60.00 (£72.00 incl.VAT)
[Alf.d Carlile, Lithog.r London.]
[n.d. c.1845.]
Lithograph with explanatory text. 269 x 215mm. 10½ x 8½". Some toning around the edges.
Portraits of the infant Prince of Wales, Albert Edward and the Princess Royal, Victoria, from a sketch by the Queen. Text: "the beautiful facsimile of a Pencilling from the hand of Her Most Gracious Majesty, presented with this number of the Royal Album, is given to the public through the kindness of a noble lady holding an appointment immediately connected witht he person of the Queen".
[Ref: 21531] £60.00 (£72.00 incl.VAT)
His Majesty, King Edward VII
[Dessines Specialement par Noel Dorville.] [G. Gounouilhou.]
G. Gounouilhou, Imprimeur-Editeur Paris-Bordeaux 1909
Lithograph. 430 x 290mm.
[From 'Les Pomoteurs De L'Entente Cordiale. Album Comprenant Cinquante portraits Dessines Specialement par Noel Dorville] Edward VII, born November 9, 1841, was the eldest son of Queen Victoria. He took the family name of his father, Prince Consort Albert, hence the change in lineage, although he was still Hanoverian on his mother's side. He married Princess Alexandra of Denmark in 1863, who bore him three sons and three daughters. Edward died on May 6, 1910, after a series of heart attacks.
[Ref: 1868] £160.00 (£192.00 incl.VAT)
[Dessines Specialement par Noel Dorville.] [G. Gounouilhou.]
G. Gounouilhou, Imprimeur-Editeur Paris-Bordeaux 1909
Lithograph. 430 x 290mm.
[From 'Les Pomoteurs De L'Entente Cordiale. Album Comprenant Cinquante portraits Dessines Specialement par Noel Dorville] Edward VII, born November 9, 1841, was the eldest son of Queen Victoria. He took the family name of his father, Prince Consort Albert, hence the change in lineage, although he was still Hanoverian on his mother's side. He married Princess Alexandra of Denmark in 1863, who bore him three sons and three daughters. Edward died on May 6, 1910, after a series of heart attacks.
[Ref: 1868] £160.00 (£192.00 incl.VAT)
Expostion Universelle De 1878. S.A.R. Le Prince Des Galles. President de la Commission Royale pour la Grande Bretagne.
Ch. Waltner, del et sc.
L'Art. Imp. A. Salmon.
Etching on india laid paper, 295 x 210mm. 11½ x 8¼".
Albert Edward, Prince of Wales and the future Edward VII (1841 - 1910), King from 22 January 1901 until his death on 6 May 1910. The third Paris World's Fair, called the Exposition Universelle, was held from May 1 though to November 10, 1878. It celebrated the recovery of France after the 1870 Franco-Prussian War. This exposition was on a far larger scale than any previously held anywhere in the world. It covered over 66 acres (267,000 m²); the main building in the Champ de Mars occupying 54 acres (219,000 m²). The United Kingdom, British India, Canada, Victoria, New South Wales, Queensland, South Australia, Cape Colony and other British crown colonies occupied nearly one-third of the space set aside for nations outside France. The UK display was under the control of a royal commission, the Prince of Wales here represented as president, no doubt one of a series of portraits of emissaries from different nations commissioned for the exposition. By Charles Waltner (1846 - 1925), a leading French reproductive etcher who had prints published under the auspices of the Printsellers' Association, London.
[Ref: 11995] £75.00 (£90.00 incl.VAT)
Ch. Waltner, del et sc.
L'Art. Imp. A. Salmon.
Etching on india laid paper, 295 x 210mm. 11½ x 8¼".
Albert Edward, Prince of Wales and the future Edward VII (1841 - 1910), King from 22 January 1901 until his death on 6 May 1910. The third Paris World's Fair, called the Exposition Universelle, was held from May 1 though to November 10, 1878. It celebrated the recovery of France after the 1870 Franco-Prussian War. This exposition was on a far larger scale than any previously held anywhere in the world. It covered over 66 acres (267,000 m²); the main building in the Champ de Mars occupying 54 acres (219,000 m²). The United Kingdom, British India, Canada, Victoria, New South Wales, Queensland, South Australia, Cape Colony and other British crown colonies occupied nearly one-third of the space set aside for nations outside France. The UK display was under the control of a royal commission, the Prince of Wales here represented as president, no doubt one of a series of portraits of emissaries from different nations commissioned for the exposition. By Charles Waltner (1846 - 1925), a leading French reproductive etcher who had prints published under the auspices of the Printsellers' Association, London.
[Ref: 11995] £75.00 (£90.00 incl.VAT)
![[Edward VII] His Royal Highness Albert Edward Prince of Wales, &c, &c, &c.](jpegs/53896.jpg)
[Edward VII] His Royal Highness Albert Edward Prince of Wales, &c, &c, &c. Dedicated by Gracious Permission to Her Majesty.
Lake Price, Photo'd from the Life at Windsor Castle. R.J. Lane, A.E.R.A. & J.H. Lynch, Lith. M & N Hanhart, Imp.t.
London, Published July 10th 1858, by J. Mitchell, Bookseller & Publisher to the Queen and by special appointment to the Emperor Napoleon III, Royal Library, 83, Old Bond St.
Chine collé lithograph. 520 x 350mm (20½ x 13¾"). Foxing in title.
Albert Edward (1841-1910, son of Victoria and Albert, later Edward VII) in highland dress, with gun and dead game, based on a photograph taken at Windsor Castle. After `William Frederick Lake Price (1810-96), painter and photographer.
[Ref: 53896] £260.00 (£312.00 incl.VAT)
Lake Price, Photo'd from the Life at Windsor Castle. R.J. Lane, A.E.R.A. & J.H. Lynch, Lith. M & N Hanhart, Imp.t.
London, Published July 10th 1858, by J. Mitchell, Bookseller & Publisher to the Queen and by special appointment to the Emperor Napoleon III, Royal Library, 83, Old Bond St.
Chine collé lithograph. 520 x 350mm (20½ x 13¾"). Foxing in title.
Albert Edward (1841-1910, son of Victoria and Albert, later Edward VII) in highland dress, with gun and dead game, based on a photograph taken at Windsor Castle. After `William Frederick Lake Price (1810-96), painter and photographer.
[Ref: 53896] £260.00 (£312.00 incl.VAT)
![[His Majesty the King]](jpegs/63672.jpg)
[His Majesty the King]
Spy [Sir Leslie Ward]. Vincent Brooks, Day & Son, Lith.
[Vanity Fair 19th June 1902]
Chromolithograph proof, with text, sheet 400 x 270mm (15¾ x 10½"), large margins.
Full length caricature portrait of King Edward VII (1841-1910) in formal military dress.
[Ref: 63672] £70.00 (£84.00 incl.VAT)
Spy [Sir Leslie Ward]. Vincent Brooks, Day & Son, Lith.
[Vanity Fair 19th June 1902]
Chromolithograph proof, with text, sheet 400 x 270mm (15¾ x 10½"), large margins.
Full length caricature portrait of King Edward VII (1841-1910) in formal military dress.
[Ref: 63672] £70.00 (£84.00 incl.VAT)
![[Edward VII] His Royal Highness Albert Prince of Wales, Born Nov.r 9th 1841.](jpegs/56491.jpg)
[Edward VII] His Royal Highness Albert Prince of Wales, Born Nov.r 9th 1841.
George Hayter. R.J. Lane. G. Graf
London Published by Her Majesty's Command, by F.G. Moon, 20 Threadneedle St March 19th 1842.
Lithograph on chine collé, laid on printed backing sheet. Printed area 260 x 300mm (10¼ x 11¾") very large margins. Spotting to backing sheet.
Portrait of Victoria's son Albert Edward (1841-1910), the new heir to the throne.
[Ref: 56491] £180.00 (£216.00 incl.VAT)
George Hayter. R.J. Lane. G. Graf
London Published by Her Majesty's Command, by F.G. Moon, 20 Threadneedle St March 19th 1842.
Lithograph on chine collé, laid on printed backing sheet. Printed area 260 x 300mm (10¼ x 11¾") very large margins. Spotting to backing sheet.
Portrait of Victoria's son Albert Edward (1841-1910), the new heir to the throne.
[Ref: 56491] £180.00 (£216.00 incl.VAT)
![[Edward VII] The heir Apparent.](jpegs/61395.jpg)
[Edward VII] The heir Apparent.
The Whitehall Review. January 5.th 1878.
Tinted lithograph. Sheet 365 x 245mm (14½ x 9¾").
Albert Edward (1841-1910), Prince of Wales, then Edward VII after the death of Victoria in 1901, leaning, top hat in hand.
[Ref: 61395] £80.00 (£96.00 incl.VAT)
The Whitehall Review. January 5.th 1878.
Tinted lithograph. Sheet 365 x 245mm (14½ x 9¾").
Albert Edward (1841-1910), Prince of Wales, then Edward VII after the death of Victoria in 1901, leaning, top hat in hand.
[Ref: 61395] £80.00 (£96.00 incl.VAT)
Procession of the Prince of Wales and Princess Alexandra Through London. Arrival At London Bridge March 7th 1863.
A. Park, London. [n.d. c.1863]
Very scarce hand coloured lithograph. Sheet 250 x 375mm (10" x 14¾"). Mount stain. Laid on archival paper. Repaired tears. Missing left bottom corner margin.
Scene of Princess Alexandra's arrival procession passing through the gateway of Temple Bar. In March 1863, Princess Alexandra travelled from Denmark to England for her marriage to Queen Victoria's eldest son, Albert Edward, Prince of Wales. Archibald and Arthur Park (fl 1828-1863) were evidently brothers trading at the same address; prints are normally lettered "A. Park"; publishers of cheap prints at 47 Leonard St, Finsbury/Shoreditch, London.
[Ref: 60477] £140.00 (£168.00 incl.VAT)
A. Park, London. [n.d. c.1863]
Very scarce hand coloured lithograph. Sheet 250 x 375mm (10" x 14¾"). Mount stain. Laid on archival paper. Repaired tears. Missing left bottom corner margin.
Scene of Princess Alexandra's arrival procession passing through the gateway of Temple Bar. In March 1863, Princess Alexandra travelled from Denmark to England for her marriage to Queen Victoria's eldest son, Albert Edward, Prince of Wales. Archibald and Arthur Park (fl 1828-1863) were evidently brothers trading at the same address; prints are normally lettered "A. Park"; publishers of cheap prints at 47 Leonard St, Finsbury/Shoreditch, London.
[Ref: 60477] £140.00 (£168.00 incl.VAT)
![[Edward VIII] A Happy Moment ''The Prince''](jpegs/49165.jpg)
[Edward VIII] A Happy Moment ''The Prince'' Original Drypoint by R.G. Matthews (Limited Edition).
[London: Alfred Bell & Co., n.d., c.1920.]
Drypoint etching, signed by the etcher. 230 x 135mm (9 x 5¼"), with large margins. In original mount with printed gallery label with artist's name and a publisher's logo of a black bell with ABC in white. Mint.
A portrait of Edward VIII when Prince of Wales, cigarette in hand.
[Ref: 49165] £130.00 (£156.00 incl.VAT)
[London: Alfred Bell & Co., n.d., c.1920.]
Drypoint etching, signed by the etcher. 230 x 135mm (9 x 5¼"), with large margins. In original mount with printed gallery label with artist's name and a publisher's logo of a black bell with ABC in white. Mint.
A portrait of Edward VIII when Prince of Wales, cigarette in hand.
[Ref: 49165] £130.00 (£156.00 incl.VAT)
Prince Edward and Prince George of Wales Going Down a Mine in Australia.
Engraved by J.D. Cooper from a photograph.
[n.d., c.1881.]
Wood engraving. Sheet: 230 x 135mm (9 x 5¼'').
A group portrait showing Prince Edward and Prince George of Wales by a mine in Australia. The two grandsons of Queen Victoria, and sons of Prince Albert Edward Prince of Wales travelled to Australia as midshipmen in training on HMS Bacchante in 1881.
[Ref: 48568] £50.00 (£60.00 incl.VAT)
Engraved by J.D. Cooper from a photograph.
[n.d., c.1881.]
Wood engraving. Sheet: 230 x 135mm (9 x 5¼'').
A group portrait showing Prince Edward and Prince George of Wales by a mine in Australia. The two grandsons of Queen Victoria, and sons of Prince Albert Edward Prince of Wales travelled to Australia as midshipmen in training on HMS Bacchante in 1881.
[Ref: 48568] £50.00 (£60.00 incl.VAT)
![Edward P [facsimile signature.]](jpegs/30413.jpg)
Edward P [facsimile signature.] [Edward VIII]
London 1933.
Lithograph. Sheet 525 x 395mm (20¾ x 15¾"). Paper toning and some wrinkling.
Edward VIII as Prince of Wales.
[Ref: 30413] £120.00 (£144.00 incl.VAT)
London 1933.
Lithograph. Sheet 525 x 395mm (20¾ x 15¾"). Paper toning and some wrinkling.
Edward VIII as Prince of Wales.
[Ref: 30413] £120.00 (£144.00 incl.VAT)
![[Frontispiece]](jpegs/31374.jpg)
[Frontispiece] A Collection of Flowers drawn after Nature & disposed in an Ornamental & Picturesque Manner, by J: Edwards, F.S.A.
John Edwards Inv.t et Sculpt.
Publish'd as the Act directs Dec.r 15.th 1783
Stipple engraving with mezzotint border, platemark 340 x 250mm (13¼ x 9¾"). Slight foxing.
Three putti garlanding a monument on which sits a vase of flowers, with an easel and brushes in front. Frontispiece to John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', which was published complete in 1801 and described by Dunthorne as 'a superb and extremely rare work by a great artist, whose craftmanship is equal to the best of the 18th Century'.
Dunthorne 105; for other plates from this volume see refs. 18189 and 18190
[Ref: 31374] £120.00 (£144.00 incl.VAT)
John Edwards Inv.t et Sculpt.
Publish'd as the Act directs Dec.r 15.th 1783
Stipple engraving with mezzotint border, platemark 340 x 250mm (13¼ x 9¾"). Slight foxing.
Three putti garlanding a monument on which sits a vase of flowers, with an easel and brushes in front. Frontispiece to John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', which was published complete in 1801 and described by Dunthorne as 'a superb and extremely rare work by a great artist, whose craftmanship is equal to the best of the 18th Century'.
Dunthorne 105; for other plates from this volume see refs. 18189 and 18190
[Ref: 31374] £120.00 (£144.00 incl.VAT)
White Strip'd Roses.
[Drawn & etched by John Edwards.]
[n.d., c.1790.]
Etching with original hand colour. 350 x 250mm (13¾ x 9¾"), on laid paper watermarked 'J. Whatman', very large margins. Tears in wide margins, paper spotted and toned.
A bouquet of roses tied with a blue ribbon. A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801, but the laid paper suggests this was printed much earlier.
Dunthorne, 105: "A superb and extremely rare work by a great artist...''. Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 44103] £160.00 (£192.00 incl.VAT)
[Drawn & etched by John Edwards.]
[n.d., c.1790.]
Etching with original hand colour. 350 x 250mm (13¾ x 9¾"), on laid paper watermarked 'J. Whatman', very large margins. Tears in wide margins, paper spotted and toned.
A bouquet of roses tied with a blue ribbon. A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801, but the laid paper suggests this was printed much earlier.
Dunthorne, 105: "A superb and extremely rare work by a great artist...''. Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 44103] £160.00 (£192.00 incl.VAT)
![[Ornamental flower plate.] No 33.](jpegs/18189.jpg)
[Ornamental flower plate.] No 33.
Edwards del.t et sculp.
Pub.d as the Act directs Dec.r 24, 1788.
Hand coloured etching. 340 x 250mm (13½ x 9¾"). Trimmed close to plate.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801. Finely-coloured garlands are draped over an ornamental design containing an allegorical figure of a muse, with one vignette of a music book, pipe and horn above, and another of a painter's palette and a lyre below. The whole is presented in an oval with a blue-washed border.
Dunthorne, 105: ''A superb and extremely rare work by a great artist... The colouring is particularly fine owing to the use of a pale printer's ink''.
[Ref: 18189] £220.00 (£264.00 incl.VAT)
Edwards del.t et sculp.
Pub.d as the Act directs Dec.r 24, 1788.
Hand coloured etching. 340 x 250mm (13½ x 9¾"). Trimmed close to plate.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801. Finely-coloured garlands are draped over an ornamental design containing an allegorical figure of a muse, with one vignette of a music book, pipe and horn above, and another of a painter's palette and a lyre below. The whole is presented in an oval with a blue-washed border.
Dunthorne, 105: ''A superb and extremely rare work by a great artist... The colouring is particularly fine owing to the use of a pale printer's ink''.
[Ref: 18189] £220.00 (£264.00 incl.VAT)
![[Carnations.] No 23. [etched in reverse.]](jpegs/40214.jpg)
[Carnations.] No 23. [etched in reverse.]
[Drawn and etched by John Edwards.]
[Published 1783-1801.]
Etching with fine original hand colour. Printed area 330 x 230mm (13 x 9"), on laid paper watermarked 'J. Whatman' very large margins, mint.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801, but the laid paper suggests this was printed much earlier.
Dunthorne, 105: "A superb and extremely rare work by a great artist...''. Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 40214] £420.00
[Drawn and etched by John Edwards.]
[Published 1783-1801.]
Etching with fine original hand colour. Printed area 330 x 230mm (13 x 9"), on laid paper watermarked 'J. Whatman' very large margins, mint.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801, but the laid paper suggests this was printed much earlier.
Dunthorne, 105: "A superb and extremely rare work by a great artist...''. Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 40214] £420.00
![[Ornamental flower plate.] No 59.](jpegs/18190.jpg)
[Ornamental flower plate.] No 59.
Edwards del.t et sculp.
Pub.d as the Act directs June 24th, 1795.
Hand coloured etching. Sheet 330 x 250mm (13 x 9¾"). Trimmed, pin holes in unprinted corner.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801.
See: Ref 18189. Dunthorne, 105: "A superb and extremely rare work by a great artist...''.
[Ref: 18190] £220.00 (£264.00 incl.VAT)
Edwards del.t et sculp.
Pub.d as the Act directs June 24th, 1795.
Hand coloured etching. Sheet 330 x 250mm (13 x 9¾"). Trimmed, pin holes in unprinted corner.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801.
See: Ref 18189. Dunthorne, 105: "A superb and extremely rare work by a great artist...''.
[Ref: 18190] £220.00 (£264.00 incl.VAT)
Bryan Edwards Esq.r.
Abbot Pinxit. Holloway Sculp.t.
Published Sept, 25, 1800 by John Stockdale, Piccadilly.
Engraving. Sheet 220 x 135mm (8¾ x 5¼"). Trimmed into plate on right. Some slight time staining.
Portrait of Bryan Edwards (1743 - 1800), English politician and historian born in Westbury, Wiltshire. Edwards supported the slave trade, and was described by abolitionist William Wilberforce as a powerful opponent. West Indian slaver.
[Ref: 64135] £50.00 (£60.00 incl.VAT)
Abbot Pinxit. Holloway Sculp.t.
Published Sept, 25, 1800 by John Stockdale, Piccadilly.
Engraving. Sheet 220 x 135mm (8¾ x 5¼"). Trimmed into plate on right. Some slight time staining.
Portrait of Bryan Edwards (1743 - 1800), English politician and historian born in Westbury, Wiltshire. Edwards supported the slave trade, and was described by abolitionist William Wilberforce as a powerful opponent. West Indian slaver.
[Ref: 64135] £50.00 (£60.00 incl.VAT)
E. Edwards, Associate and Teacher of Perspective in the Royal Academy.
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. 260 x 195mm (10¼ x 7¾"), large margins.
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Academy in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
Ex Norman Blackburn Trade Collection.
[Ref: 55935] £120.00 (£144.00 incl.VAT)
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. 260 x 195mm (10¼ x 7¾"), large margins.
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Academy in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
Ex Norman Blackburn Trade Collection.
[Ref: 55935] £120.00 (£144.00 incl.VAT)
E. Edwards, Associate and Teacher of Perspective in the Royal Academy.
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. Sheet 228 x 152mm (9 x 6"). Trimmed within plate
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Acadmey in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
[Ref: 18943] £110.00 (£132.00 incl.VAT)
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. Sheet 228 x 152mm (9 x 6"). Trimmed within plate
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Acadmey in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
[Ref: 18943] £110.00 (£132.00 incl.VAT)
Georgius Edwards R.S.S. AEtat Suae 60 AD 1754 Nat. Mar. 23. April 3.
Dandridg Pinx. J.S. Miller Sculp.
[London: George Edwards, 1758.]
Engraving. Sheet 285 x 225mm (11¼ x 8¾"). Stamps of Southampton public library verso.
George Edwards (1694-1773), ornithologist and artist, best knpwn for his four volume 'A Natural History of Uncommon Birds'. The frontispiece to 'Gleanings of natural history, exhibiting figures of quadrupeds, birds, insects, plants, &c...'.
W890-1; for a plate from Edwards' work see ref 33511.
[Ref: 44059] £240.00 (£288.00 incl.VAT)
Dandridg Pinx. J.S. Miller Sculp.
[London: George Edwards, 1758.]
Engraving. Sheet 285 x 225mm (11¼ x 8¾"). Stamps of Southampton public library verso.
George Edwards (1694-1773), ornithologist and artist, best knpwn for his four volume 'A Natural History of Uncommon Birds'. The frontispiece to 'Gleanings of natural history, exhibiting figures of quadrupeds, birds, insects, plants, &c...'.
W890-1; for a plate from Edwards' work see ref 33511.
[Ref: 44059] £240.00 (£288.00 incl.VAT)
Georgius Edwards R.S.S. Ætat Suae 60 AD 1754 Nat. Mar. 23. April 3.
Dandridg Pinx. J.S. Miller Sculp.
[London: George Edwards, 1758.]
Engraving. Sheet 250 x 185mm (9¾ x 7¼"). Trimmed within plate, mounted in album paper at edges.
George Edwards (1694-1773), ornithologist and artist, best known for his four volume 'A Natural History of Uncommon Birds'. The frontispiece to 'Gleanings of natural history, exhibiting figures of quadrupeds, birds, insects, plants, &c...'.
W890-1.
[Ref: 62079] £190.00 (£228.00 incl.VAT)
Dandridg Pinx. J.S. Miller Sculp.
[London: George Edwards, 1758.]
Engraving. Sheet 250 x 185mm (9¾ x 7¼"). Trimmed within plate, mounted in album paper at edges.
George Edwards (1694-1773), ornithologist and artist, best known for his four volume 'A Natural History of Uncommon Birds'. The frontispiece to 'Gleanings of natural history, exhibiting figures of quadrupeds, birds, insects, plants, &c...'.
W890-1.
[Ref: 62079] £190.00 (£228.00 incl.VAT)
The Reverend Mr. John Edwards, Minister of the Gospel, at Leeds in York-shire.
J. Russell pinxit. J. Watson fecit.
Printed for John Binns Leeds. Published as the Act directs July 2d. 1772.
Mezzotint. Plate: 355 x 250mm (14 x 9¾''). Surface dirt.
A portrait, in an oval of John Edwards (1714-1785) who was a dissenting minister who had been a Methodist minister but broke with the Wesleyans and ministered at White Chapel in Hunslet Lane, Leeds.
[Ref: 49036] £180.00 (£216.00 incl.VAT)
J. Russell pinxit. J. Watson fecit.
Printed for John Binns Leeds. Published as the Act directs July 2d. 1772.
Mezzotint. Plate: 355 x 250mm (14 x 9¾''). Surface dirt.
A portrait, in an oval of John Edwards (1714-1785) who was a dissenting minister who had been a Methodist minister but broke with the Wesleyans and ministered at White Chapel in Hunslet Lane, Leeds.
[Ref: 49036] £180.00 (£216.00 incl.VAT)
The Rev.d. Jon.th. Edwards Pres.t.
[n.d.,c.1758.]
Engraving. 130 x 85mm (5 x 3½"). Trimmed. Backed onto album paper. Some minor time-staining.
Portrait of Jonathan Edwards (1703 - 1758), American revivalist preacher, philosopher, and Congregationalist theologian. Edwards is widely regarded as one of America's most important and original philosophical theologians. Edwards' theological work is broad in scope but rooted in the paedobaptist (baptism of infants) Puritan heritage as exemplified in the Westminster and Savoy Confessions of Faith. Recent studies have emphasized how thoroughly Edwards grounded his life's work on conceptions of beauty, harmony, and ethical aptness, and how central the Age of Enlightenment was to his mindset. Edwards played a critical role in shaping the First Great Awakening and oversaw some of the first revivals in 1733-35 at his church in Northampton, Massachusetts. His work gave rise to a doctrine known as New England theology. Edwards delivered the sermon "Sinners in the Hands of an Angry God", a classic of early American literature, during another revival in 1741, following George Whitefield's tour of the Thirteen Colonies. Edwards is well known for his many books, such as The End for Which God Created the World and The Life of David Brainerd, which inspired thousands of missionaries throughout the 19th century, and Religious Affections which many Calvinist Evangelicals still read today. Edwards died from a smallpox inoculation shortly after beginning the presidency at the College of New Jersey in Princeton.
[Ref: 64102] £70.00 (£84.00 incl.VAT)
[n.d.,c.1758.]
Engraving. 130 x 85mm (5 x 3½"). Trimmed. Backed onto album paper. Some minor time-staining.
Portrait of Jonathan Edwards (1703 - 1758), American revivalist preacher, philosopher, and Congregationalist theologian. Edwards is widely regarded as one of America's most important and original philosophical theologians. Edwards' theological work is broad in scope but rooted in the paedobaptist (baptism of infants) Puritan heritage as exemplified in the Westminster and Savoy Confessions of Faith. Recent studies have emphasized how thoroughly Edwards grounded his life's work on conceptions of beauty, harmony, and ethical aptness, and how central the Age of Enlightenment was to his mindset. Edwards played a critical role in shaping the First Great Awakening and oversaw some of the first revivals in 1733-35 at his church in Northampton, Massachusetts. His work gave rise to a doctrine known as New England theology. Edwards delivered the sermon "Sinners in the Hands of an Angry God", a classic of early American literature, during another revival in 1741, following George Whitefield's tour of the Thirteen Colonies. Edwards is well known for his many books, such as The End for Which God Created the World and The Life of David Brainerd, which inspired thousands of missionaries throughout the 19th century, and Religious Affections which many Calvinist Evangelicals still read today. Edwards died from a smallpox inoculation shortly after beginning the presidency at the College of New Jersey in Princeton.
[Ref: 64102] £70.00 (£84.00 incl.VAT)
Robert Edwards.
J. Ward. R.A. 1811. No.3.
London Pub June 1, 1813 by Ja.s Ward. 6 Newman Street.
Etching. 348 x 350mm. 13¾ x 13¾". Trimmed to the plate.
A portrait of a little old man astride a donkey, wearing a cocked hat with a feather cockade, tattered military coat and striped breeches, and carrying a stick From James Ward's Second Series of Etchings, "Mary Thomas the Welsh fasting woman and Ann Moore the fasting woman of Tutbury; a series of 7 etchings bound with letter press and dedicated to Sir Joseph Banks".
Not in Frankau.
[Ref: 14307] £280.00 (£336.00 incl.VAT)
J. Ward. R.A. 1811. No.3.
London Pub June 1, 1813 by Ja.s Ward. 6 Newman Street.
Etching. 348 x 350mm. 13¾ x 13¾". Trimmed to the plate.
A portrait of a little old man astride a donkey, wearing a cocked hat with a feather cockade, tattered military coat and striped breeches, and carrying a stick From James Ward's Second Series of Etchings, "Mary Thomas the Welsh fasting woman and Ann Moore the fasting woman of Tutbury; a series of 7 etchings bound with letter press and dedicated to Sir Joseph Banks".
Not in Frankau.
[Ref: 14307] £280.00 (£336.00 incl.VAT)
The Cambrian Shakespeare. Llun Gwr yn, llawn gwir Awen; Y Byd a lanwodd o’i Ben! J.H.
E. Pugh Pinxt. J. Chapman sculpt.
London Published as the Act directs Feb.y 1.st 1800 by E. Pugh.
Rare stipple, 240 x 200mm (9½ x 8"), with large margins. Dusty, crease.
Twm o'r Nant was the pen name of Welsh language dramatist and poet Thomas Edwards (1739-1810). He was born in Llannefydd, Denbighshire, north-east Wales. He was famous for his anterliwtau (interludes), performed mainly around his native Denbighshire, north Wales.
[Ref: 65218] £230.00 (£276.00 incl.VAT)
E. Pugh Pinxt. J. Chapman sculpt.
London Published as the Act directs Feb.y 1.st 1800 by E. Pugh.
Rare stipple, 240 x 200mm (9½ x 8"), with large margins. Dusty, crease.
Twm o'r Nant was the pen name of Welsh language dramatist and poet Thomas Edwards (1739-1810). He was born in Llannefydd, Denbighshire, north-east Wales. He was famous for his anterliwtau (interludes), performed mainly around his native Denbighshire, north Wales.
[Ref: 65218] £230.00 (£276.00 incl.VAT)
Edwin.
Painted by Sir Joshua Reynolds / Engraved by C.H. Hodges
Pub.d as the act directs Feb.y 18th by J. Rising No. 21 Princes St. Cav.sh Sq.re.
Mezzotint with small margins, platemark 360 x 260mm (14¼ x 10¼"). Paper tone; good impression; collector's stamp of Bernard Houthakker verso. Slightly foxed.
Character study after a painting from the 1770s by Sir Joshua Reynolds (1723-1792). When the painting was auctioned in 1796 it was identified as Edwin, the hero from 'The Minstrel', a poem published in 1771 by Reynolds' friend James Beattie. The poem describes the childhood of Edwin, a shepherd boy brought up in solitary, mountainous country, and his response to nature. William Wordsworth was among the many who admired the work. This impression formerly in the collection of Bernard Houthakker, 1884-1963), Amsterdam-based dealer and publisher. A particular focus of Houthakker's buying was the work of Charles Howard Hodges (1764-1837), a British portrait painter and engraver who moved to the Netherlands in 1792. Reynolds' painting was recently sold by Christie's (3 December 2013).
Ex Collection of the Late Hon. C. Lennox-Boyd; Hamilton p.147 (only state); L.1272. Ex Collection Lady Eva Dugdale, Sotheby's 27/10/1920.
[Ref: 36504] £320.00
Painted by Sir Joshua Reynolds / Engraved by C.H. Hodges
Pub.d as the act directs Feb.y 18th by J. Rising No. 21 Princes St. Cav.sh Sq.re.
Mezzotint with small margins, platemark 360 x 260mm (14¼ x 10¼"). Paper tone; good impression; collector's stamp of Bernard Houthakker verso. Slightly foxed.
Character study after a painting from the 1770s by Sir Joshua Reynolds (1723-1792). When the painting was auctioned in 1796 it was identified as Edwin, the hero from 'The Minstrel', a poem published in 1771 by Reynolds' friend James Beattie. The poem describes the childhood of Edwin, a shepherd boy brought up in solitary, mountainous country, and his response to nature. William Wordsworth was among the many who admired the work. This impression formerly in the collection of Bernard Houthakker, 1884-1963), Amsterdam-based dealer and publisher. A particular focus of Houthakker's buying was the work of Charles Howard Hodges (1764-1837), a British portrait painter and engraver who moved to the Netherlands in 1792. Reynolds' painting was recently sold by Christie's (3 December 2013).
Ex Collection of the Late Hon. C. Lennox-Boyd; Hamilton p.147 (only state); L.1272. Ex Collection Lady Eva Dugdale, Sotheby's 27/10/1920.
[Ref: 36504] £320.00
Edwin & Emma. She came, his cold hand softly touch'd, [/] And bath'd with many a Tear, [/] Fast falling o'er the Primrose pae [/] So morning dews appear, [/] But oh! his sister's jealous care, [/] A cruel Sister she! [/] Forbade what Emma came to say, [/] My Edwin! Live fo me!.
Painted by J. Downman. Engraved by J. Young. Engraver in Mezzotinto to His Royal Highness the Prince of Wales.
London. Published Sept.r 30th, 1789 by J. Young, No.23, New Store Street, Bedford Square.
Very fine mezzotint. Platemark: 610 x 485mm. (24 x 19"), with large margins.
Scene from The Ballad of Edwin and Emma, by David Mallet. The sister prevents a discussion between lovers.
From the Oettingen-Wallerstein Collection.
[Ref: 28401] £520.00
Painted by J. Downman. Engraved by J. Young. Engraver in Mezzotinto to His Royal Highness the Prince of Wales.
London. Published Sept.r 30th, 1789 by J. Young, No.23, New Store Street, Bedford Square.
Very fine mezzotint. Platemark: 610 x 485mm. (24 x 19"), with large margins.
Scene from The Ballad of Edwin and Emma, by David Mallet. The sister prevents a discussion between lovers.
From the Oettingen-Wallerstein Collection.
[Ref: 28401] £520.00
The Beach King discovering himself to Matilda. vide. Edwin and Matilda Canto 3.d. Plate 7, Vo,l. 2.
[after Thomas Rowlandson.]
Nº 9. of the Poetical Magazine. Pub. Jan. 1. 1810, at R. Ackermann's Repository of Arts, 101, Strand.
Coloured aquatint. Sheet 130 x 210mm (5¼ x 8¼"). Trimmed within plate.
The giant Beach King, leaning on a club of coral, grabs Matilda's wrist to stop her fleeing.
[Ref: 61314] £95.00 (£114.00 incl.VAT)
[after Thomas Rowlandson.]
Nº 9. of the Poetical Magazine. Pub. Jan. 1. 1810, at R. Ackermann's Repository of Arts, 101, Strand.
Coloured aquatint. Sheet 130 x 210mm (5¼ x 8¼"). Trimmed within plate.
The giant Beach King, leaning on a club of coral, grabs Matilda's wrist to stop her fleeing.
[Ref: 61314] £95.00 (£114.00 incl.VAT)
![[Simon Eedy] Old Simon.](jpegs/62062.jpg)
[Simon Eedy] Old Simon.
Published 24th Feb.y 1780, by Will.m Davis, N.º 25, Ludgate Hill, London.
Scarce etching, 18th century watermark. 225 x 155mm (8¾ x 6"). Ink ruling over platemark, mounted in album paper.
Portrait of Simon Edy (1709-1783), carrying two large, overflowing sacks over his shoulders. A well-known beggar of St Giles, he was sketched several times by Thomas Rowlandson and appeared on London bookseller John Seago's trade card.
See "Simon & Iphigenia".
[Ref: 62062] £360.00
Published 24th Feb.y 1780, by Will.m Davis, N.º 25, Ludgate Hill, London.
Scarce etching, 18th century watermark. 225 x 155mm (8¾ x 6"). Ink ruling over platemark, mounted in album paper.
Portrait of Simon Edy (1709-1783), carrying two large, overflowing sacks over his shoulders. A well-known beggar of St Giles, he was sketched several times by Thomas Rowlandson and appeared on London bookseller John Seago's trade card.
See "Simon & Iphigenia".
[Ref: 62062] £360.00
![[Simon Edy] Simon.](jpegs/27215.jpg)
[Simon Edy] Simon.
[London: E. Hagarty, 1774.]
Very scarce mezzotint. Sheet 330 x 250mm (13 x 9¾"). Trimmed to image, with chip to upper right corner.
Portrait of Simon Edy (1709-1783), a well-known beggar of St Giles.
Chaloner Smith 59.
[Ref: 27215] £160.00 (£192.00 incl.VAT)
[London: E. Hagarty, 1774.]
Very scarce mezzotint. Sheet 330 x 250mm (13 x 9¾"). Trimmed to image, with chip to upper right corner.
Portrait of Simon Edy (1709-1783), a well-known beggar of St Giles.
Chaloner Smith 59.
[Ref: 27215] £160.00 (£192.00 incl.VAT)
![[View by the River Thames near Nine Elms].](jpegs/2319.jpg)
[View by the River Thames near Nine Elms].
J.W. Edye fecit [faint scratched letters].
[n.d. c.1787].
Proof etching with aquatint. Printed area 560x 425mm. Crudely trimmed, with plate mark showing in places. Repaired tear c.2cm into plate at bottom, outside aquatint frame.
View from Nine Elms, between Battersea and Vauxhall, from a painting by John Cleveley.
[Ref: 2319] £480.00
J.W. Edye fecit [faint scratched letters].
[n.d. c.1787].
Proof etching with aquatint. Printed area 560x 425mm. Crudely trimmed, with plate mark showing in places. Repaired tear c.2cm into plate at bottom, outside aquatint frame.
View from Nine Elms, between Battersea and Vauxhall, from a painting by John Cleveley.
[Ref: 2319] £480.00
D Franciscus Vander Ee
Anton van Dyck pinxit [Joannes Meyssens] fecit et excud [c.1645]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"), with large margins. Late impression
François van der Ee, Amman of Brussels (1608-45). First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
[Ref: 48012] £75.00 (£90.00 incl.VAT)
Anton van Dyck pinxit [Joannes Meyssens] fecit et excud [c.1645]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"), with large margins. Late impression
François van der Ee, Amman of Brussels (1608-45). First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
[Ref: 48012] £75.00 (£90.00 incl.VAT)
Cockney Angler N.o1 I Suppose You Never Went Bobbing For Eels! Then I Pity You, Particularily Such A Day As This. Why I Shall Get A Tub Full, In No Time.
Dean & C.o Threadneedle St. [n.d. c.1830]
Coloured lithograph, sheet 280 x 220mm (11¼ x 8½"). Some light time staining and surface dirt.
A man fishes for eels in the pouring rain sat on a log under an umbrella. The eels escape from his bucket.
[Ref: 58433] £75.00 (£90.00 incl.VAT)
Dean & C.o Threadneedle St. [n.d. c.1830]
Coloured lithograph, sheet 280 x 220mm (11¼ x 8½"). Some light time staining and surface dirt.
A man fishes for eels in the pouring rain sat on a log under an umbrella. The eels escape from his bucket.
[Ref: 58433] £75.00 (£90.00 incl.VAT)
![[Effendi.]](jpegs/47046.jpg)
[Effendi.] Effendi homme de Loy dans son Etude.
JB. G. Scotin sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47046] £360.00
JB. G. Scotin sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47046] £360.00
An Effendi of Constantinople. An Effendi of Cairo.
R. Dalton delt. et sculpt [2].
[London, n.d., c.1780s.]
Two copper engravings on one leaf, laid paper, each c.225 x 175mm. 9 x 7". Untrimmed folio sheet.
Portraits of two high-status Ottoman gentlemen. From a series of prints depicting the customs, manners, costume etc. of Turkey and Egypt, drawn and engraved by Richard Dalton (1715? - 1791). Dalton, who was trained as an artist, went to Rome to pursue his studies, and in 1749 travelled with Roger Kynaston and John Frederick to Naples and Sicily, where they joined a party consisting of James Caulfeild, Earl of Charlemont, Francis Pierpoint Burton, and others. From thence Dalton accompanied Lord Charlemont on his tour to Constantinople/Istanbul, Greece, and Egypt. Dalton managed to obtain the position of librarian to George III. He was subsequently appointed keeper of the pictures and antiquary to his majesty. He was one of the original members of the Incorporated Society of Artists in 1765, and became their treasurer. He was elected a fellow of the Society of Antiquaries in 1767. 'Antiquities and Views in Greece and Egypt, with the Manners and Customs of the Inhabitants, from Drawings made on the Spot.' was published in London in 1791 and is all three of Dalton's Tours in one volume.
DNB.
[Ref: 21949] £120.00 (£144.00 incl.VAT)
R. Dalton delt. et sculpt [2].
[London, n.d., c.1780s.]
Two copper engravings on one leaf, laid paper, each c.225 x 175mm. 9 x 7". Untrimmed folio sheet.
Portraits of two high-status Ottoman gentlemen. From a series of prints depicting the customs, manners, costume etc. of Turkey and Egypt, drawn and engraved by Richard Dalton (1715? - 1791). Dalton, who was trained as an artist, went to Rome to pursue his studies, and in 1749 travelled with Roger Kynaston and John Frederick to Naples and Sicily, where they joined a party consisting of James Caulfeild, Earl of Charlemont, Francis Pierpoint Burton, and others. From thence Dalton accompanied Lord Charlemont on his tour to Constantinople/Istanbul, Greece, and Egypt. Dalton managed to obtain the position of librarian to George III. He was subsequently appointed keeper of the pictures and antiquary to his majesty. He was one of the original members of the Incorporated Society of Artists in 1765, and became their treasurer. He was elected a fellow of the Society of Antiquaries in 1767. 'Antiquities and Views in Greece and Egypt, with the Manners and Customs of the Inhabitants, from Drawings made on the Spot.' was published in London in 1791 and is all three of Dalton's Tours in one volume.
DNB.
[Ref: 21949] £120.00 (£144.00 incl.VAT)