A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Eckhardt genannt Koch. Regisseur des K.K: Hof Burgtheaters.
Lieder lithog: 1824. Lith: Inst in Wien.
Lithograph. 297 x 235mm. 11¾ x 9¼". Foxing. Glue staining in the corners.
Siegfried Gotthilf Eckhardt (1754-1831), actor and director. From 1798 he was a tragic and comic actor at the Vienna Burgtheatre.
[Ref: 16511] £95.00 (£114.00 incl.VAT)
Lieder lithog: 1824. Lith: Inst in Wien.
Lithograph. 297 x 235mm. 11¾ x 9¼". Foxing. Glue staining in the corners.
Siegfried Gotthilf Eckhardt (1754-1831), actor and director. From 1798 he was a tragic and comic actor at the Vienna Burgtheatre.
[Ref: 16511] £95.00 (£114.00 incl.VAT)
![[Eckington Station.]](jpegs/57108.jpg)
[Eckington Station.]
[S. Russell?]
[n.d., c.1840.]
Tinted lithograph. Printed area 200 x 290mm (8 x 11½"), very large margins. Slight surface soiling.
A view of the exterior of the railway station at Eckington in Derbyshire, on the North Midland Railway, which opened in 1840 and became part of the Midland Railway in 1844. The line was noted for the extravagance of its stations. A matching lithograph of Belper Station on the same line was signed by the artist S. Russell.
[Ref: 57108] £240.00 (£288.00 incl.VAT)
[S. Russell?]
[n.d., c.1840.]
Tinted lithograph. Printed area 200 x 290mm (8 x 11½"), very large margins. Slight surface soiling.
A view of the exterior of the railway station at Eckington in Derbyshire, on the North Midland Railway, which opened in 1840 and became part of the Midland Railway in 1844. The line was noted for the extravagance of its stations. A matching lithograph of Belper Station on the same line was signed by the artist S. Russell.
[Ref: 57108] £240.00 (£288.00 incl.VAT)
Bataille d'Eckmühl.
V. Adam del. Litho: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 330 x 405mm (13 x 16"), with large margins. Slight foxing.
Napoleon Bonaparte on horseback, surrounded by his officers, watching the progress of the Battle of Eckmühl (21-22th April 1809), in which the French beat the Austrians. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55873] £160.00 (£192.00 incl.VAT)
V. Adam del. Litho: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 330 x 405mm (13 x 16"), with large margins. Slight foxing.
Napoleon Bonaparte on horseback, surrounded by his officers, watching the progress of the Battle of Eckmühl (21-22th April 1809), in which the French beat the Austrians. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55873] £160.00 (£192.00 incl.VAT)
An Extraordinary Eclipse.
Rowlandson. sc. Quiz.fecit.
London published by T. Tegg. N.o 111. Cheapside. Nov. 1. 1815.
Coloured aquatint, sheet 135 x 230mm (5¼ x 9"). Some surface dirt. Repaired tears.
From the series 'The Grand Master or Adventures of Qui Hi? In Hindostan a Hudibranstic poem in eight cantos by quiz'. A group of officials, military and civilian, watch an eclipse across a piece of water. Satire phrophesising Francis Edward Rawdon-Hastings', 1st Marquess of Hastings (1754 -1826), failure as Governor-General of India.
BM Satires 12725.
[Ref: 57064] £85.00 (£102.00 incl.VAT)
Rowlandson. sc. Quiz.fecit.
London published by T. Tegg. N.o 111. Cheapside. Nov. 1. 1815.
Coloured aquatint, sheet 135 x 230mm (5¼ x 9"). Some surface dirt. Repaired tears.
From the series 'The Grand Master or Adventures of Qui Hi? In Hindostan a Hudibranstic poem in eight cantos by quiz'. A group of officials, military and civilian, watch an eclipse across a piece of water. Satire phrophesising Francis Edward Rawdon-Hastings', 1st Marquess of Hastings (1754 -1826), failure as Governor-General of India.
BM Satires 12725.
[Ref: 57064] £85.00 (£102.00 incl.VAT)
The appearance of the Total Solar eclipse from Haradon hill May 11. 1724.
Stukeley del. E. Kirkhall Sculp.
[1724-c.1776.]
Mezzotint on wove paper. 175 x 280mm (7 x 11"), with very large margins. Slight creasing in margins.
Three men, two holding their horses, looking across a field at the solar eclipse; rays edged with light radiating from a bank of darkened clouds. In the modern calendar the date of the eclipse was May 22nd. A plate from 'Itinerarium Curiosum, Or, An Account of the Antiquitys and Remarkable Curiositys in Nature or Art, Observ'd in Travels thro' Great Brittan', by Dr William Stukeley (1687-1765), who best known for his early researches of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. Although the book was first published in 1724, there was a second edition in 1776.
[Ref: 57017] £230.00 (£276.00 incl.VAT)
Stukeley del. E. Kirkhall Sculp.
[1724-c.1776.]
Mezzotint on wove paper. 175 x 280mm (7 x 11"), with very large margins. Slight creasing in margins.
Three men, two holding their horses, looking across a field at the solar eclipse; rays edged with light radiating from a bank of darkened clouds. In the modern calendar the date of the eclipse was May 22nd. A plate from 'Itinerarium Curiosum, Or, An Account of the Antiquitys and Remarkable Curiositys in Nature or Art, Observ'd in Travels thro' Great Brittan', by Dr William Stukeley (1687-1765), who best known for his early researches of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. Although the book was first published in 1724, there was a second edition in 1776.
[Ref: 57017] £230.00 (£276.00 incl.VAT)
A Partial Eclipse.
[n.d., c.1840.]
Lithograph. Sheet 125 x 160mm (5 x 6¼"). Taped to album sheet.
A half-length portrait of a young woman, with some of her face obscured by a veil.
[Ref: 57095] £80.00 (£96.00 incl.VAT)
[n.d., c.1840.]
Lithograph. Sheet 125 x 160mm (5 x 6¼"). Taped to album sheet.
A half-length portrait of a young woman, with some of her face obscured by a veil.
[Ref: 57095] £80.00 (£96.00 incl.VAT)
Eclipse, the Property of Capt.n O Kelly, was got by Mask when in the Possession of M.r Wildman, he won the Following Prizes, Vizt. in 1769, six Kings Plates of 100 Gunis each at inchester, Canterbury, Newmarket, Salisbury, Lewes & Litchfield most of them he walk'd over the Course alone, No Horse daring to Start against him. At Newmarket 17 April 1770, he beat the famous horse Bucephalus & on the 19th following he won the Kings 100 Guins against some of the most famous Horses & double distanc'd them the Second Heat.
Geo. Stubbs, Pinx.t.
Publish'd June 4, 1804 by Laurie & Whittle, 53, Fleet Street, London.
Mezzotint. 350 x 255mm (13¾ x 10"), paper watermarked 'W. King, Alton Mill 1834', with large margins.
A reduced version of either the mezzotint by Burke or the stipple by G.T.Stubbs, unlikely to have been authorised by the artist. King worked from Alton Mill in Hampshire.
CLB: Stubbs 144.
[Ref: 65684] £380.00
Geo. Stubbs, Pinx.t.
Publish'd June 4, 1804 by Laurie & Whittle, 53, Fleet Street, London.
Mezzotint. 350 x 255mm (13¾ x 10"), paper watermarked 'W. King, Alton Mill 1834', with large margins.
A reduced version of either the mezzotint by Burke or the stipple by G.T.Stubbs, unlikely to have been authorised by the artist. King worked from Alton Mill in Hampshire.
CLB: Stubbs 144.
[Ref: 65684] £380.00
Eclipse, the Property of Capt.n O Kelly, was got by Mask when in the Possession of M.r Wildman, he won the Following Prizes, Vizt. in 1769, six Kings Plates of 100 Gunis each at inchester, Canterbury, Newmarket, Salisbury, Lewes & Litchfield most of them he walk'd over the Course alone, No Horse daring to Start against him. At Newmarket 17 April 1770, he beat the famous horse Bucephalus & on the 19th following he won the Kings 100 Guins against some of the most famous Horses & double distanc'd them the Second Heat.
Geo. Stubbs, Pinx.t.
Publish'd June 4, 1804 by Laurie & Whittle, 53, Fleet Street, London.
Mezzotint. 350 x 255mm (13¾ x 10"), with large margins.
A reduced version of either the mezzotint by Burke or the stipple by G.T.Stubbs, unlikely to have been authorised by the artist.
CLB: Stubbs 144.
[Ref: 65685] £220.00 (£264.00 incl.VAT)
Geo. Stubbs, Pinx.t.
Publish'd June 4, 1804 by Laurie & Whittle, 53, Fleet Street, London.
Mezzotint. 350 x 255mm (13¾ x 10"), with large margins.
A reduced version of either the mezzotint by Burke or the stipple by G.T.Stubbs, unlikely to have been authorised by the artist.
CLB: Stubbs 144.
[Ref: 65685] £220.00 (£264.00 incl.VAT)
L'Eclipse. Dediée aux Astronomes, et aux Philosophes du dixhuitieme Steele par VA.
Etch'd by J. Barlow.
Publish'd as the Act directs, Feb.y 20, 1787, by H. Humphrey No 51, New Bond Street.
Rare etching with fine hand colour. 300 x 215mm (12 x 8½"). Mounted in album paper.
A woman's head, topped with a conical hat trimmed with a monstrous arrangement of feathers, peers over a huge fur muff. Eclipses were in the news in 1787 because there were seven full eclipses of the sun and moon, the maximum number possible, which usually happens once every 130 years. A note on the British Museum's example of this print (from the Banks Collection) ascribes it to a Miss V. Aynscombe.
BM Satires 7248. The three examples in the BM are all uncoloured.
[Ref: 43889] £480.00
Etch'd by J. Barlow.
Publish'd as the Act directs, Feb.y 20, 1787, by H. Humphrey No 51, New Bond Street.
Rare etching with fine hand colour. 300 x 215mm (12 x 8½"). Mounted in album paper.
A woman's head, topped with a conical hat trimmed with a monstrous arrangement of feathers, peers over a huge fur muff. Eclipses were in the news in 1787 because there were seven full eclipses of the sun and moon, the maximum number possible, which usually happens once every 130 years. A note on the British Museum's example of this print (from the Banks Collection) ascribes it to a Miss V. Aynscombe.
BM Satires 7248. The three examples in the BM are all uncoloured.
[Ref: 43889] £480.00
The appearance of the Total Solar eclipse from Haradon hill May 11. 1724.
Stukeley del. E. Kirkhall Sculp.
[c.1724.]
Fine mezzotint, printed in green. 180 x 280mm (7 x 11"). Trimmed to plate, creased, laid on album paper.
Three men, two holding their horses, looking across a field at the solar eclipse; rays edged with light radiating from a bank of darkened clouds. In the modern calendar the date of the eclipse was May 22nd. A plate from 'Itinerarium Curiosum, Or, An Account of the Antiquitys and Remarkable Curiositys in Nature or Art, Observ'd in Travels thro' Great Brittan', by Dr William Stukeley (1687-1765), who best known for his early researches of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. First published in 1724, there was a second edition in 1776.
Ex: Collection of The Hon. C. Lennox-Boyd. CLB state I, before the plate was cut down and title re-engraved.
[Ref: 64472] £450.00
Stukeley del. E. Kirkhall Sculp.
[c.1724.]
Fine mezzotint, printed in green. 180 x 280mm (7 x 11"). Trimmed to plate, creased, laid on album paper.
Three men, two holding their horses, looking across a field at the solar eclipse; rays edged with light radiating from a bank of darkened clouds. In the modern calendar the date of the eclipse was May 22nd. A plate from 'Itinerarium Curiosum, Or, An Account of the Antiquitys and Remarkable Curiositys in Nature or Art, Observ'd in Travels thro' Great Brittan', by Dr William Stukeley (1687-1765), who best known for his early researches of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. First published in 1724, there was a second edition in 1776.
Ex: Collection of The Hon. C. Lennox-Boyd. CLB state I, before the plate was cut down and title re-engraved.
[Ref: 64472] £450.00
Eclipse the property of Cap.t O. Kelly was got by Mask when in the Possession of Mr Wildman, he won the following Prizes Viz. in 1769 six Kings Plates of 100 G.s each at Winchester, Canterbury, Newmarket, Salisbury, Lewis & Litchfield, most of which he walked over the course alone, no Horse daring to start against him, at Newmarket 17 April 1770 he beat ye famous Horse Bucephalus & on ye 19.th following he won the Kings 100 G.s against some of the most famous Horses double distanced them ye second heat.
F. Sartorius pinx.t. R. Houston fecit.
London, Printed for Rob.t Sayer. No 53 Fleet Street [n.d., c.1854].
Mezzotint. 255 x 350mm (10 x 13¾"), paper watermarked 'J King Alton Mill 1854), with large margins.
First published 1770.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 64838] £220.00 (£264.00 incl.VAT)
F. Sartorius pinx.t. R. Houston fecit.
London, Printed for Rob.t Sayer. No 53 Fleet Street [n.d., c.1854].
Mezzotint. 255 x 350mm (10 x 13¾"), paper watermarked 'J King Alton Mill 1854), with large margins.
First published 1770.
Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii.
[Ref: 64838] £220.00 (£264.00 incl.VAT)
![[Untitled map of the path of the 1764 Solar Eclipse]](jpegs/56817.jpg)
[Untitled map of the path of the 1764 Solar Eclipse]
Gent. Mag. 1764.
Engraved map. 185 x 115mm.
A map of the path of the 1764 solar eclipse across northern France and south east England. Three disks show how much of the sun was obscured in Bologne (total), Orleans & London (almost total) 6.
[Ref: 56817] £120.00
Gent. Mag. 1764.
Engraved map. 185 x 115mm.
A map of the path of the 1764 solar eclipse across northern France and south east England. Three disks show how much of the sun was obscured in Bologne (total), Orleans & London (almost total) 6.
[Ref: 56817] £120.00
![[The Ceremonies Observed In Every Province & City Of China, On The Occasion Of An Eclipse.]](jpegs/18451.jpg)
[The Ceremonies Observed In Every Province & City Of China, On The Occasion Of An Eclipse.]
Drawn by G.F. Sargent from a Painting by Foshang. On Stone by J.W. Giles.
[London, Dean & Co. Threadneedle Street. 1846].
Tinted lithograph. 134 x 222mm. 5¼ x 8¾". Paper toning. Cut.
An interior scene in a Chinese building. To the right, a man observes a comet through a telescope. Plate to Julia Corner's 'The History of China & India, pictorial and descriptive' 1846.
Ex Collection Norman Blackburn; for the full 'History of China and India' see ref. 23817.
[Ref: 18451] £130.00 (£156.00 incl.VAT)
Drawn by G.F. Sargent from a Painting by Foshang. On Stone by J.W. Giles.
[London, Dean & Co. Threadneedle Street. 1846].
Tinted lithograph. 134 x 222mm. 5¼ x 8¾". Paper toning. Cut.
An interior scene in a Chinese building. To the right, a man observes a comet through a telescope. Plate to Julia Corner's 'The History of China & India, pictorial and descriptive' 1846.
Ex Collection Norman Blackburn; for the full 'History of China and India' see ref. 23817.
[Ref: 18451] £130.00 (£156.00 incl.VAT)
Annular Eclipse of the Sun.
[London: David Bogue, c. 1845.]
Coloured lithograph on card. Sheet 150 x 190mm (6 x 7½"). Damage in right corner repaired,
A solar eclipse over a seascape. Plate 62 of 'The Beauty of the Heavens: a pictorial display of the astronomical phenomena of the universe' by Charles F Blunt.
[Ref: 57025] £130.00 (£156.00 incl.VAT)
[London: David Bogue, c. 1845.]
Coloured lithograph on card. Sheet 150 x 190mm (6 x 7½"). Damage in right corner repaired,
A solar eclipse over a seascape. Plate 62 of 'The Beauty of the Heavens: a pictorial display of the astronomical phenomena of the universe' by Charles F Blunt.
[Ref: 57025] £130.00 (£156.00 incl.VAT)
Eclipses. The Theory of the Tides.
[Drawn & Engraved by John Emslie]
[London: J. Reynolds, 174, Strand. n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Small tears at the bottom and some of the explanatory text faded. Some ageing to the paper.
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. Diagrams explaining eclipses of the Moon, eclipses of the Sun, and the theory of tides
[Ref: 56887] £280.00 (£336.00 incl.VAT)
[Drawn & Engraved by John Emslie]
[London: J. Reynolds, 174, Strand. n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Small tears at the bottom and some of the explanatory text faded. Some ageing to the paper.
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. Diagrams explaining eclipses of the Moon, eclipses of the Sun, and the theory of tides
[Ref: 56887] £280.00 (£336.00 incl.VAT)
The Limits of Solar and Lunar Eclipses. Plate XVII
[Benjamin Martin.]
[London 1755.]
Engraving with hand colour, in mount, pt 18th century watermark. 185 x 120mm (7¼ x 4¾"). Bits of paper stuck on right.
A diagram of Eclipses, drawn by Benjamin Martin (c.1705-82), a ploughboy turned instrument maker. Published in the 'General Magazine of Arts and Sciences', which became 'Martin's Magazine' when he took it over in 1755.
[Ref: 58145] £130.00 (£156.00 incl.VAT)
[Benjamin Martin.]
[London 1755.]
Engraving with hand colour, in mount, pt 18th century watermark. 185 x 120mm (7¼ x 4¾"). Bits of paper stuck on right.
A diagram of Eclipses, drawn by Benjamin Martin (c.1705-82), a ploughboy turned instrument maker. Published in the 'General Magazine of Arts and Sciences', which became 'Martin's Magazine' when he took it over in 1755.
[Ref: 58145] £130.00 (£156.00 incl.VAT)
Eclipes. Flux et reflux (mares). Pl. VIII.
[After John Emslie] Depose. Kiessling & Comp a Bruxelles.
Librairie de W. Nitzsche a Hall, Wurttemburg. [n.d., c.1862].
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Some paper toning.
Diagrams explaining eclipses of the Moon, eclipses of the Sun, and the theory of tides. One of twelve from the French version of the Astronomischer Bilder Atlas 'Astronomie Populare en Tableaux Tansparents', from Wilhelm Nitzschke, 1862.
[Ref: 56900] £280.00 (£336.00 incl.VAT)
[After John Emslie] Depose. Kiessling & Comp a Bruxelles.
Librairie de W. Nitzsche a Hall, Wurttemburg. [n.d., c.1862].
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Some paper toning.
Diagrams explaining eclipses of the Moon, eclipses of the Sun, and the theory of tides. One of twelve from the French version of the Astronomischer Bilder Atlas 'Astronomie Populare en Tableaux Tansparents', from Wilhelm Nitzschke, 1862.
[Ref: 56900] £280.00 (£336.00 incl.VAT)
Eclipses. The Theory of the Tides.
[Drawn & Engraved by John Emslie]
[London: J. Reynolds, 174, Strand. n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Some ageing to the paper. Ink stamp on the back 'St Thomas's Schools Mount Vernon.'
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. Diagrams explaining eclipses of the Moon, eclipses of the Sun, and the theory of tides.
[Ref: 56890] £280.00 (£336.00 incl.VAT)
[Drawn & Engraved by John Emslie]
[London: J. Reynolds, 174, Strand. n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Some ageing to the paper. Ink stamp on the back 'St Thomas's Schools Mount Vernon.'
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. Diagrams explaining eclipses of the Moon, eclipses of the Sun, and the theory of tides.
[Ref: 56890] £280.00 (£336.00 incl.VAT)
![[Virgil's Eclogues] [Damon and Alphesiboeus.]](jpegs/48862.jpg)
[Virgil's Eclogues] [Damon and Alphesiboeus.]
[1517.]
Woodcut. Sheet: 95 x 140mm (3¾ x 5½''). Trimmed and worm holes.
An illustration to the eighth of Virgil's Eclogues which tells the story of Damon and Alphesiboeus who sing of their rival love for their companion Daphnis who has deserted them for the pleasures of town. Damon is shown singing while Alphesiboeus plays his pipe, in the distance Daphnis talks to a woman by the town gates. From 'Publius Vergilius Maro Opera' published by Badius in 1517.
[Ref: 48862] £90.00 (£108.00 incl.VAT)
[1517.]
Woodcut. Sheet: 95 x 140mm (3¾ x 5½''). Trimmed and worm holes.
An illustration to the eighth of Virgil's Eclogues which tells the story of Damon and Alphesiboeus who sing of their rival love for their companion Daphnis who has deserted them for the pleasures of town. Damon is shown singing while Alphesiboeus plays his pipe, in the distance Daphnis talks to a woman by the town gates. From 'Publius Vergilius Maro Opera' published by Badius in 1517.
[Ref: 48862] £90.00 (£108.00 incl.VAT)
No. XIV. Le Songe pastorale. Menalcas. Galathe, dein süser Schlaf reizet eben wie dein Wachen, Könt ich dir nur meinen Wunsch in dem Traum gefällig machen. Galathe träumend. Ja ja ich Seh es Schon, es ist der Silvio, Der mich erschleichen wird, der macht mein Herze froh.
J.L. Rugendas Sculps. J.E. Nilson, direx. et excud: Augy.
[n.d. c.1785.]
Engraving. Plate 290 x 194mm. 11½ x 7¾".
Menaclas and Galatea, from Virgil's 'Eclogues'. Menaclas a young shepherd, and his beloved Galatea.
[Ref: 12967] £130.00 (£156.00 incl.VAT)
J.L. Rugendas Sculps. J.E. Nilson, direx. et excud: Augy.
[n.d. c.1785.]
Engraving. Plate 290 x 194mm. 11½ x 7¾".
Menaclas and Galatea, from Virgil's 'Eclogues'. Menaclas a young shepherd, and his beloved Galatea.
[Ref: 12967] £130.00 (£156.00 incl.VAT)
Ecole De Danse.
Peint a la Gouache par N. Lavreince peintre du Roi de Suede et de l'Academie Royale de Stockholm. Grave par F. Dequevauviller.
Avec Privilege du Roi. [n.d., c.1780.]
Engraving, 345 x 410mm. Foxing to wide margins, only lightly to plate.
A woman dances within a panelled room to the accompanyment of a boy playing his violin. The engraver is Francois Dequevauviller (1745 - 1807). The artist Nicolas Lavreince was a Swedish miniature painter who trained and worked in Paris until the onset of the Revolution.
[Ref: 7352] £500.00
Peint a la Gouache par N. Lavreince peintre du Roi de Suede et de l'Academie Royale de Stockholm. Grave par F. Dequevauviller.
Avec Privilege du Roi. [n.d., c.1780.]
Engraving, 345 x 410mm. Foxing to wide margins, only lightly to plate.
A woman dances within a panelled room to the accompanyment of a boy playing his violin. The engraver is Francois Dequevauviller (1745 - 1807). The artist Nicolas Lavreince was a Swedish miniature painter who trained and worked in Paris until the onset of the Revolution.
[Ref: 7352] £500.00
Economy.
Printed and Published by W. Davison Alnwick. [n.d., c.1815.]
Etching. Sheet 180 x 260mm (7 x 10¼").
A man and his son walk barefoot towards an inn. The man carries a stick with his belongings tied to it. The son carries a small sack on his back. By William Davison (1780 - 1858), publisher of popular prints and satires, and pharmacist, usually referred to as Davison of Alnwick. In the period between 1812 and 1817, Davison produced a number of caricatures, amusing if somewhat crudely executed plates often based on better known prints. Peter Isaac suggests that the majority date to about 1816.
Not in BM Satires but 1948,0214.893.
[Ref: 54519] £70.00 (£84.00 incl.VAT)
Printed and Published by W. Davison Alnwick. [n.d., c.1815.]
Etching. Sheet 180 x 260mm (7 x 10¼").
A man and his son walk barefoot towards an inn. The man carries a stick with his belongings tied to it. The son carries a small sack on his back. By William Davison (1780 - 1858), publisher of popular prints and satires, and pharmacist, usually referred to as Davison of Alnwick. In the period between 1812 and 1817, Davison produced a number of caricatures, amusing if somewhat crudely executed plates often based on better known prints. Peter Isaac suggests that the majority date to about 1816.
Not in BM Satires but 1948,0214.893.
[Ref: 54519] £70.00 (£84.00 incl.VAT)
The South-West View of the Parish Church of Ecton in Northamptonshire. Ecton formerly Eketon, Echington, & in Domesday Book Echentone in Andferdesho Hundred) a Village in the Hundred of Hamfordshoe 5 miles Eastward of Northampton, 66 miles from London, in Lat: 52 Deg: 15 min: consists of about go Familys and 420 Inhabitants, Baptisms yearly about 14, Burials 10, Here were 3 manors...This Church was dedicated to St Mary Magdalen, and the Wake or Feast is kept on the Sund.y after ye. 22.d July. It consists of a Body, North and South Ile, North and South Porch, and Chancel...In removing the Earth many Sculls and Bones lying in order from East to West were dug up, and among them two Silver Coins of the Size of a Silvers pence of the following Impression (£) (The Reverse probably may be Folceard Monetarius Northamtoniae~). [a-e; lettered key with details of the corresponding buidlings.] [Below image and small oval portrait:] To John Palmer of the Inner Temple London Patron of this Church This Plate is inscribed by his Obedient and humble Serv.t Will: Hen: Toms. Ao. 1749.
J. Shipley delin.t W.H.Toms Sculp.t 1749. [Portrait:] W.Hogarth Pinx. B Baron Sculp. 1749.
A very scarce engraving. Plate 540 x 381mm. 21¼ x 15". Crease.
A large engraving of Ecton Church, Northamptonshire, at the foot of which there is a small portrait head of John Palmer, Esq. Lord of the Manor of Oogenhoe and Patron os the Church.
[Ref: 18910] £130.00 (£156.00 incl.VAT)
J. Shipley delin.t W.H.Toms Sculp.t 1749. [Portrait:] W.Hogarth Pinx. B Baron Sculp. 1749.
A very scarce engraving. Plate 540 x 381mm. 21¼ x 15". Crease.
A large engraving of Ecton Church, Northamptonshire, at the foot of which there is a small portrait head of John Palmer, Esq. Lord of the Manor of Oogenhoe and Patron os the Church.
[Ref: 18910] £130.00 (£156.00 incl.VAT)
![['Ectypa' of Cornelis Ploos van Amstel]](jpegs/62274.jpg)
['Ectypa' of Cornelis Ploos van Amstel] Viro Amplissimo Nobilissimo, Jonæ Witsenio Icto, civium Amstelædamensium Patri Consuliq. Vigilantissimo...
Inventor Cornelius Ploos van Amstel. D. 1 Febr. 1765.
Etching, printed in brown, with beige plate-tone; touched with white paint. Sheet 245 x 230mm (9½ x 9"), with Ploos van Amstel's coat of arms printed on the verso as proof of authenticity. Trimmed, mounted in album paper.
A crayon-manner etching of a monument, the frontispiece to a series of forty-six facsimiles off drawings of Dutch and Flemish artists, published 1765-87.
[Ref: 62274] £190.00 (£228.00 incl.VAT)
Inventor Cornelius Ploos van Amstel. D. 1 Febr. 1765.
Etching, printed in brown, with beige plate-tone; touched with white paint. Sheet 245 x 230mm (9½ x 9"), with Ploos van Amstel's coat of arms printed on the verso as proof of authenticity. Trimmed, mounted in album paper.
A crayon-manner etching of a monument, the frontispiece to a series of forty-six facsimiles off drawings of Dutch and Flemish artists, published 1765-87.
[Ref: 62274] £190.00 (£228.00 incl.VAT)
![South Elevation of the Stone Lighthouse completed upon the Edystone in 1759. Shewing the Prospect of the nearest Land, as it appears from the Rocks in a clear calm Day. [&]](jpegs/38733.jpg)
South Elevation of the Stone Lighthouse completed upon the Edystone in 1759. Shewing the Prospect of the nearest Land, as it appears from the Rocks in a clear calm Day. [&] Section of the Edystone Lighthouse upon the E & W. Line, as relative to No.8. on Supposition of its being Low Water of a Spring Tide.
Engraved in the Year 1763, by Mr. Edw.d Rooker; The figures by Mr. Sam. Wale.
1763.
Pair of engravings. Platemark: 500 x 350mm (19¾ x 13¾") each. Small margins on 3 sides.
Plates 8 and 9 showing the external and internal structures of the third Eddystone Lighthouse. Smeaton’s lighthouse was modelled on the shape of an oak tree, and employed several novel engineering techniques. It remained in use until 1877, and was then re-erected on Plymouth Hoe, where it still stands as a tourist attraction.
[Ref: 38733] £320.00 view all images for this item
Engraved in the Year 1763, by Mr. Edw.d Rooker; The figures by Mr. Sam. Wale.
1763.
Pair of engravings. Platemark: 500 x 350mm (19¾ x 13¾") each. Small margins on 3 sides.
Plates 8 and 9 showing the external and internal structures of the third Eddystone Lighthouse. Smeaton’s lighthouse was modelled on the shape of an oak tree, and employed several novel engineering techniques. It remained in use until 1877, and was then re-erected on Plymouth Hoe, where it still stands as a tourist attraction.
[Ref: 38733] £320.00 view all images for this item
A Cutter in a Hard Gale near the Eddystone Light House.
Atkins delt. Merke sculpt.
London: Pub. Dec. 1. 1801, by R. Ackermann, at his Repository of Arts, No. 101, Strand.
Aquatint with etching, an early issue. 280 x 350mm, 11 x 13¾". A fine impression, with full margins, uncut.
A gusty seascape, with a sailing boat on choppy waves, passing John Smeaton's Eddystone Lighthouse, Cornwall in the left background. Further boats in distance. After Samuel Atkins (British, 1760 - 1810). Numbered '5' lower right.
Not in Parker. The impressions in the BM have an 1810 imprint.
[Ref: 26770] £160.00 (£192.00 incl.VAT)
Atkins delt. Merke sculpt.
London: Pub. Dec. 1. 1801, by R. Ackermann, at his Repository of Arts, No. 101, Strand.
Aquatint with etching, an early issue. 280 x 350mm, 11 x 13¾". A fine impression, with full margins, uncut.
A gusty seascape, with a sailing boat on choppy waves, passing John Smeaton's Eddystone Lighthouse, Cornwall in the left background. Further boats in distance. After Samuel Atkins (British, 1760 - 1810). Numbered '5' lower right.
Not in Parker. The impressions in the BM have an 1810 imprint.
[Ref: 26770] £160.00 (£192.00 incl.VAT)
![[Winstanley's Eddystone Light-house.] Fanale del Porto di Plymouth.](jpegs/56700.jpg)
[Winstanley's Eddystone Light-house.] Fanale del Porto di Plymouth.
[Engraved by Francesco Sesone? after Henry Winstanley.]
[Naples, n.d., c.1740.]
Engraving. 170 x 210mm (6¾ x 8¼"). Narrow margins top, original binding folds. Repairs in margins on left. Bit messy.
An Italian illustration of the first Eddystone Lighthouse, copied from a print drawn, etched and published by Henry Winstanley, the designer and builder of the lighthouse. It shows the structure with the cranes needed to transfer people from boats to the rock. Winstanley (1644-1703) was a painter who is said to have learned etching from Wenceslaus Hollar. In the 1690s he opened an amusement arcade in Piccadilly, ''Winstanley's Water-works'', filled with automata of his own design. Having made a fortune he became a merchant, but when two of his ships were wrecked on the Eddystone Rocks, he funded the building of the first recorded offshore lighthouse. If building a tower on a featureless rock was not hard enough, during the construction the enterprise was attacked by a French privateer and destroyed in 1697, with Winstanley taken into captivity. However Louis XIV ordered his release, stating 'France is at war with England, not with humanity', allowing Winstanley to complete the structure in 1698. In 1703 Winstanley was overseeing some repairs when the Great Storm of 1703 hit and both Winstanley and his lighthouse were swept away.
[Ref: 56700] £70.00 (£84.00 incl.VAT)
[Engraved by Francesco Sesone? after Henry Winstanley.]
[Naples, n.d., c.1740.]
Engraving. 170 x 210mm (6¾ x 8¼"). Narrow margins top, original binding folds. Repairs in margins on left. Bit messy.
An Italian illustration of the first Eddystone Lighthouse, copied from a print drawn, etched and published by Henry Winstanley, the designer and builder of the lighthouse. It shows the structure with the cranes needed to transfer people from boats to the rock. Winstanley (1644-1703) was a painter who is said to have learned etching from Wenceslaus Hollar. In the 1690s he opened an amusement arcade in Piccadilly, ''Winstanley's Water-works'', filled with automata of his own design. Having made a fortune he became a merchant, but when two of his ships were wrecked on the Eddystone Rocks, he funded the building of the first recorded offshore lighthouse. If building a tower on a featureless rock was not hard enough, during the construction the enterprise was attacked by a French privateer and destroyed in 1697, with Winstanley taken into captivity. However Louis XIV ordered his release, stating 'France is at war with England, not with humanity', allowing Winstanley to complete the structure in 1698. In 1703 Winstanley was overseeing some repairs when the Great Storm of 1703 hit and both Winstanley and his lighthouse were swept away.
[Ref: 56700] £70.00 (£84.00 incl.VAT)
The Edystone Lighthouse.
Drawn by J.M.W Turner R.A. Engraved by T. Lupton.
London Published July 1, 1829 by W.B. Cooke, 9 Soho Square.
Mezzotint, sheet 115 x 150mm (4½ x 6"). Trimmed within plate. Some marks outside image.
A view of the Eddystone Light House on a stormy night. With wreckage in the foreground, lighthouse behind in the centre, shadow of ship in the left background, crescent moon in the left sky.
R 773 II of II.
[Ref: 61670] £180.00 (£216.00 incl.VAT)
Drawn by J.M.W Turner R.A. Engraved by T. Lupton.
London Published July 1, 1829 by W.B. Cooke, 9 Soho Square.
Mezzotint, sheet 115 x 150mm (4½ x 6"). Trimmed within plate. Some marks outside image.
A view of the Eddystone Light House on a stormy night. With wreckage in the foreground, lighthouse behind in the centre, shadow of ship in the left background, crescent moon in the left sky.
R 773 II of II.
[Ref: 61670] £180.00 (£216.00 incl.VAT)
Eden Park. "Must I Leave Thee Paradise!"
P. Picken, lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1853.]
Scarce Leaflet, 350 x 460mm, folded once, with tinted lithograph illustration on front, printed area 130 x 190mm (5 x 7½"). Tears to margins, some soiling.
A leaflet with a view of Eden Park, built by William Eden, Lord Aukland, in Bromley. Inside is a verse, signed 'A.S.W.', with the title taken from Eve's lamentation from John Milton's Paradise Lost.
[Ref: 58558] £140.00 (£168.00 incl.VAT) view all images for this item
P. Picken, lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1853.]
Scarce Leaflet, 350 x 460mm, folded once, with tinted lithograph illustration on front, printed area 130 x 190mm (5 x 7½"). Tears to margins, some soiling.
A leaflet with a view of Eden Park, built by William Eden, Lord Aukland, in Bromley. Inside is a verse, signed 'A.S.W.', with the title taken from Eve's lamentation from John Milton's Paradise Lost.
[Ref: 58558] £140.00 (£168.00 incl.VAT) view all images for this item
![[George Eden, Earl of Auckland]](jpegs/46754.jpg)
[George Eden, Earl of Auckland]
L. Dickenson. J. Thomson.
Printed by McQueen [...] London 1850, Published by Dickenson & Brothers, 114 New Bond St
Engraving on india, india dimensions approx. 590 x 425mm (23¼ x 16¾"), with large margins.
George Eden, Earl of Auckland (1784-1849), politician and governor-general of India 1837-40. In later years Auckland served as first lord of the Admiralty, and is credited with reforming the Admiralty during this period and enabling it to effectively conduct the Crimean War a few years later. This large portrait was published shortly after Auckland's death. Auckland, New Zealand was named after him.
[Ref: 46754] £380.00
L. Dickenson. J. Thomson.
Printed by McQueen [...] London 1850, Published by Dickenson & Brothers, 114 New Bond St
Engraving on india, india dimensions approx. 590 x 425mm (23¼ x 16¾"), with large margins.
George Eden, Earl of Auckland (1784-1849), politician and governor-general of India 1837-40. In later years Auckland served as first lord of the Admiralty, and is credited with reforming the Admiralty during this period and enabling it to effectively conduct the Crimean War a few years later. This large portrait was published shortly after Auckland's death. Auckland, New Zealand was named after him.
[Ref: 46754] £380.00
The Right Hon.ble William Lord Auckland. From an Original Picture painted for Christ Church, Oxford.
Painted by T. Lawrence RA. Principal painter to His Majesty. Engraved by W. Dickinson.
London, Published Feb.y 24, 1796 by W. Dickinson.
Mezzotint, open letter proof. 510 x 360mm (20 x 14¼"), with large margins. Repaired top margin. Slight horizontal crease.
A portrait of British statesman and diplomat William Eden, 1st Baron Auckland (1745 - 1814). Three-quarter length, sitting, directed and looking towards the left, holding a paper in his left hand. Beside him is a table with an inkwell on it. The Auckland Islands group to the south of New Zealand are named after Eden. A whaling vessel, 'Ocean', rediscovered the islands in 1806, finding them uninhabited. Captain Abraham Bristow named them 'Lord Auckland's' in honour of his father's friend William Eden, 1st Baron Auckland. In 1771 Auckland published 'Principles of Penal Law', and soon became a recognized authority on commercial and economic questions.
[Ref: 37251] £450.00
Painted by T. Lawrence RA. Principal painter to His Majesty. Engraved by W. Dickinson.
London, Published Feb.y 24, 1796 by W. Dickinson.
Mezzotint, open letter proof. 510 x 360mm (20 x 14¼"), with large margins. Repaired top margin. Slight horizontal crease.
A portrait of British statesman and diplomat William Eden, 1st Baron Auckland (1745 - 1814). Three-quarter length, sitting, directed and looking towards the left, holding a paper in his left hand. Beside him is a table with an inkwell on it. The Auckland Islands group to the south of New Zealand are named after Eden. A whaling vessel, 'Ocean', rediscovered the islands in 1806, finding them uninhabited. Captain Abraham Bristow named them 'Lord Auckland's' in honour of his father's friend William Eden, 1st Baron Auckland. In 1771 Auckland published 'Principles of Penal Law', and soon became a recognized authority on commercial and economic questions.
[Ref: 37251] £450.00
William Lord Auckland.
Engraved by C. Picart, from an original Drawing by H. Edridge.
Published Jan. 24, 1810 by T. Cadell & W. Davies, Strand, London.
Stipple. 375 x 285mm (14¾ x 11¼"). Trimmed within plate at sides.
A head and shoulders portrait of British statesman and diplomat William Eden (1745-1814), 1st Baron Auckland.
[Ref: 63350] £160.00 (£192.00 incl.VAT)
Engraved by C. Picart, from an original Drawing by H. Edridge.
Published Jan. 24, 1810 by T. Cadell & W. Davies, Strand, London.
Stipple. 375 x 285mm (14¾ x 11¼"). Trimmed within plate at sides.
A head and shoulders portrait of British statesman and diplomat William Eden (1745-1814), 1st Baron Auckland.
[Ref: 63350] £160.00 (£192.00 incl.VAT)
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The Right Hon.ble William Lord Auckland. From an Original Picture, Painted in 1792, for Christ Church, Oxford.
Painted by T. Lawrence R.A. Principle Painter to His Majesty. Engraved by W.Dickinson.
London, Publish'd Feb.y 24, 1796, by W.Dickinson.
Mezzotint. 510 x 355mm (20 x 14"), very large margins.
William Eden (1744 - 1814), 1st Baron Auckland, English statesman; educated at Eton and Christ Church, Oxford, and was called to the bar at the Middle Temple in 1768. In 1771 he published Principles of Penal Law, and soon became a recognized authority on commercial and economic questions. In 1772 he took up an appointment as an under-Secretary of State. He represented New Woodstock in the parliaments of 1774 and 1780, and Heytesbury in those of 1784 and 1790. In 1776 he became a commissioner on the Board of Trade and Plantations. In 1778 he carried an Act for the improvement of the treatment of prisoners, and accompanied the earl of Carlisle as a commissioner to North America on an unsuccessful mission to settle certain disputes with certain colonists there. On his return in 1779 he published his widely-read Four Letters to the Earl of Carlisle, and in 1780 became Chief Secretary for Ireland. He gained election to the Irish House of Commons as the member for Dungannon and became a member of the Irish Privy Council. While in Ireland he established the National Bank. In 1840 Gov. Hobson selected and named the site of Auckland after him, now the capital of New Zealand. For a short period it was called Bishop's Auckland.
Kivell & Spence: pg.104. CS 3 ii of iii.
[Ref: 7468] £420.00
Painted by T. Lawrence R.A. Principle Painter to His Majesty. Engraved by W.Dickinson.
London, Publish'd Feb.y 24, 1796, by W.Dickinson.
Mezzotint. 510 x 355mm (20 x 14"), very large margins.
William Eden (1744 - 1814), 1st Baron Auckland, English statesman; educated at Eton and Christ Church, Oxford, and was called to the bar at the Middle Temple in 1768. In 1771 he published Principles of Penal Law, and soon became a recognized authority on commercial and economic questions. In 1772 he took up an appointment as an under-Secretary of State. He represented New Woodstock in the parliaments of 1774 and 1780, and Heytesbury in those of 1784 and 1790. In 1776 he became a commissioner on the Board of Trade and Plantations. In 1778 he carried an Act for the improvement of the treatment of prisoners, and accompanied the earl of Carlisle as a commissioner to North America on an unsuccessful mission to settle certain disputes with certain colonists there. On his return in 1779 he published his widely-read Four Letters to the Earl of Carlisle, and in 1780 became Chief Secretary for Ireland. He gained election to the Irish House of Commons as the member for Dungannon and became a member of the Irish Privy Council. While in Ireland he established the National Bank. In 1840 Gov. Hobson selected and named the site of Auckland after him, now the capital of New Zealand. For a short period it was called Bishop's Auckland.
Kivell & Spence: pg.104. CS 3 ii of iii.
[Ref: 7468] £420.00
Temple of Edfou. Ancient Appolinopolis. Upper Egypt.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph. Printed area 360 x 500mm (14¼ x 19¾") Bottom edge frayed.
A view of the Temple of Edfou, consecrated to Horus, and second only to Karnak in size. This view, taken before the excavation of 1860, shows the complex from the Pylon, through the Porticoed Courtyard of 32 columns, two Hypostyle Halls and the Sacrarium. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40748] £650.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph. Printed area 360 x 500mm (14¼ x 19¾") Bottom edge frayed.
A view of the Temple of Edfou, consecrated to Horus, and second only to Karnak in size. This view, taken before the excavation of 1860, shows the complex from the Pylon, through the Porticoed Courtyard of 32 columns, two Hypostyle Halls and the Sacrarium. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40748] £650.00
Edfou. Nov. 24th 1838.
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, August 1st, 1846.
Tinted lithograph, printed area 330 x 490mm (13 x 19¼").
The pronaos of the Temple of Edfu, filled with sand so that the eye rests on the column capitals, which are shaped like lotus flowers and palm fronds. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition
Abbey Travel 272.
[Ref: 40905] £750.00
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, August 1st, 1846.
Tinted lithograph, printed area 330 x 490mm (13 x 19¼").
The pronaos of the Temple of Edfu, filled with sand so that the eye rests on the column capitals, which are shaped like lotus flowers and palm fronds. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition
Abbey Travel 272.
[Ref: 40905] £750.00
Temple of Edfou. Ancient Appolinopolis. Upper Egypt.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph. Printed area 360 x 500mm (14¼ x 19¾").
A view of the Temple of Edfou, consecrated to Horus, and second only to Karnak in size. This view, taken before the excavation of 1860, shows the complex from the Pylon, through the Porticoed Courtyard of 32 columns, two Hypostyle Halls and the Sacrarium. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40989] £800.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph. Printed area 360 x 500mm (14¼ x 19¾").
A view of the Temple of Edfou, consecrated to Horus, and second only to Karnak in size. This view, taken before the excavation of 1860, shows the complex from the Pylon, through the Porticoed Courtyard of 32 columns, two Hypostyle Halls and the Sacrarium. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40989] £800.00
View from Under the Portico of the Temple of Edfou, Upper Egypt.
David Roberts. R.A. L. Haghe lith.
London, Published by F.G.Moon 20 Threadneedle S.t. March 1.st. 1847.
Tinted lithograph. Printed area 365 x 505mm (14½ x 19¾").
A view of the interior of the Temple of Edfu on the west bank of the Nile, published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40892] £1,000.00
David Roberts. R.A. L. Haghe lith.
London, Published by F.G.Moon 20 Threadneedle S.t. March 1.st. 1847.
Tinted lithograph. Printed area 365 x 505mm (14½ x 19¾").
A view of the interior of the Temple of Edfu on the west bank of the Nile, published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40892] £1,000.00
View from Under the Portico of the Temple of Edfou, Upper Egypt.
David Roberts. R.A. L. Haghe lith.
London, Published by F.G.Moon 20 Threadneedle S.t. March 1.st.1847.
Tinted lithograph with large margins. Sheet: 620 x 440mm (24½ x 17½"). Slight mount stain.
View showing the ruins of the Temple of Edfu on the west bank of the Nile. Edfu is one of the best preserved temples in Egypt, built during the Ptolomaic period of 327-57BC it was dedicated to the falcon god Horus. Figures are depicted sitting on, and climbing over, the huge fragments of architecture.
[Ref: 35165] £850.00
David Roberts. R.A. L. Haghe lith.
London, Published by F.G.Moon 20 Threadneedle S.t. March 1.st.1847.
Tinted lithograph with large margins. Sheet: 620 x 440mm (24½ x 17½"). Slight mount stain.
View showing the ruins of the Temple of Edfu on the west bank of the Nile. Edfu is one of the best preserved temples in Egypt, built during the Ptolomaic period of 327-57BC it was dedicated to the falcon god Horus. Figures are depicted sitting on, and climbing over, the huge fragments of architecture.
[Ref: 35165] £850.00
Part of the Portico of Edfou. Upper Egypt. Nov.r 23rd 1838.
David Roberts. R.A. L. Haghe Lith.
London, Published F.G. Moon, 20 Threadneedle St. Aug.t 1st 1846.
Tinted lithograph. Printed area 390 x 580mm (15¼ x 22¾").
The portico of the Temple of Edfu, still half-buried in sand. Dedicated to the falcon god Horus, it was the second largest temple in Egypt after Karnak. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40977] £1,150.00
David Roberts. R.A. L. Haghe Lith.
London, Published F.G. Moon, 20 Threadneedle St. Aug.t 1st 1846.
Tinted lithograph. Printed area 390 x 580mm (15¼ x 22¾").
The portico of the Temple of Edfu, still half-buried in sand. Dedicated to the falcon god Horus, it was the second largest temple in Egypt after Karnak. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40977] £1,150.00
Part of the Portico of Edfou. Portico of the Temple Edfou. Upper Egypt. Novr. 23rd. 1838.
David Roberts. R.A. L. Haghe Lith. [in plate.]
London, Published F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1846.
Tinted lithograph. 388 x 579mm. 15¼ x 22¾". Spotting in sky.
The portico of the Temple of Edfu, on the west bank of the Nile. This is the second largest temple in Egypt after Karnak and is dedicated to the falcon god Horus.
[Ref: 20302] £260.00 (£312.00 incl.VAT)
David Roberts. R.A. L. Haghe Lith. [in plate.]
London, Published F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1846.
Tinted lithograph. 388 x 579mm. 15¼ x 22¾". Spotting in sky.
The portico of the Temple of Edfu, on the west bank of the Nile. This is the second largest temple in Egypt after Karnak and is dedicated to the falcon god Horus.
[Ref: 20302] £260.00 (£312.00 incl.VAT)
Interview between Edgar and Elfrida.
Painted by Angelica Kauffman Engraved by William Wynne Ryland
London, Published Feby. 1st, 1786, by M. Ryland, the corner of Berner's & Oxford Streets.
Engraving, fine scratched letter proof. 490 x 625mm (19¼ x 24½"), with large, uncut margins.
King Edgar (c.944-975), hearing of the beauty of Elfrida (Ælfthryth), insists on meeting her. Behind, scowling, is her husband Æthelwald, who Edgar had killed so he could marry Elfrida.
[Ref: 8580] £460.00
Painted by Angelica Kauffman Engraved by William Wynne Ryland
London, Published Feby. 1st, 1786, by M. Ryland, the corner of Berner's & Oxford Streets.
Engraving, fine scratched letter proof. 490 x 625mm (19¼ x 24½"), with large, uncut margins.
King Edgar (c.944-975), hearing of the beauty of Elfrida (Ælfthryth), insists on meeting her. Behind, scowling, is her husband Æthelwald, who Edgar had killed so he could marry Elfrida.
[Ref: 8580] £460.00
Entrance of the Tunnels, Taken from the Engine Houses, Edgehill. See page 49.
Lithograph, 145 x 175mm. 5¾ x 7". Uncut.
View from the Edgehill engine houses in Liverpool. Rather than a shed for engines, the Liverpool engine house used cables to move stationary engines as the act of Parliament which permitted a railway through Liverpool forbade the use of locomotives in the centre of the city.
[Ref: 8871] £70.00 (£84.00 incl.VAT)
Lithograph, 145 x 175mm. 5¾ x 7". Uncut.
View from the Edgehill engine houses in Liverpool. Rather than a shed for engines, the Liverpool engine house used cables to move stationary engines as the act of Parliament which permitted a railway through Liverpool forbade the use of locomotives in the centre of the city.
[Ref: 8871] £70.00 (£84.00 incl.VAT)
Mrs Maria Edgeworth.
London Published Nov.r 1, 1822, for La Belle Assemblée No 167.
Stipple. Sheet 240 x 145mm (9½ x 5¾"). Binding damage on right edge. Trimmed to platemark.
Anglo-Irish novelist Maria Edgeworth (1768-1849), one of the first realist writers in children's literature.
[Ref: 51787] £70.00 (£84.00 incl.VAT)
London Published Nov.r 1, 1822, for La Belle Assemblée No 167.
Stipple. Sheet 240 x 145mm (9½ x 5¾"). Binding damage on right edge. Trimmed to platemark.
Anglo-Irish novelist Maria Edgeworth (1768-1849), one of the first realist writers in children's literature.
[Ref: 51787] £70.00 (£84.00 incl.VAT)
Mrs Maria Edgeworth.
Craig del. Mackenzie sc.
Published by Vernor & Co. Nov.r 1. 1808.
Stipple. Sheet 175 x 105mm (7 x 4¼"). Binding damage on right edge. Trimmed to platemark.
Oval portrait of Anglo-Irish novelist Maria Edgeworth (1768-1849), one of the first realist writers in children's literature.
[Ref: 51786] £60.00 (£72.00 incl.VAT)
Craig del. Mackenzie sc.
Published by Vernor & Co. Nov.r 1. 1808.
Stipple. Sheet 175 x 105mm (7 x 4¼"). Binding damage on right edge. Trimmed to platemark.
Oval portrait of Anglo-Irish novelist Maria Edgeworth (1768-1849), one of the first realist writers in children's literature.
[Ref: 51786] £60.00 (£72.00 incl.VAT)
Edinburgh (Scotland) Princes Street, L.West by Chs. H. Clark. Original Drypoint Etching. Signed Artist's Proof. Edition limited to 150 proofs only. Plate to be destroyed.
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 130 x 290mm (5¼ x 11½), very large margins; ink stamp 'Made in Switzerland' on mount. In original mount with printed label with typed title, as above. Mint.
A view looking west along Princes Street, with Edinburgh Castle, the Scottish National Gallery and the Scott Monument. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49215] £130.00 (£156.00 incl.VAT)
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 130 x 290mm (5¼ x 11½), very large margins; ink stamp 'Made in Switzerland' on mount. In original mount with printed label with typed title, as above. Mint.
A view looking west along Princes Street, with Edinburgh Castle, the Scottish National Gallery and the Scott Monument. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49215] £130.00 (£156.00 incl.VAT)
A View of Edinburgh.
Slack sc.
[n.d., c. 1800.]
Engraving. Plate: 200 x 275mm (8 x 10¾"). Very large margins on 3 sides.
A view of Edinburgh Castle, in the foreground a group of young men or boys play a ball game, either golf or shinty, with long bats while figures watch from a hill.
[Ref: 45427] £190.00 (£228.00 incl.VAT)
Slack sc.
[n.d., c. 1800.]
Engraving. Plate: 200 x 275mm (8 x 10¾"). Very large margins on 3 sides.
A view of Edinburgh Castle, in the foreground a group of young men or boys play a ball game, either golf or shinty, with long bats while figures watch from a hill.
[Ref: 45427] £190.00 (£228.00 incl.VAT)
A View of Edinburgh.
Slack sc.
[n.d., c. 1800.]
Engraving, 200 x 275mm (8 x 10¾"), with large margins.
A view of Edinburgh Castle, in the foreground a group of young men or boys play a ball game, either golf or shinty, with long bats while figures watch from a hill.
[Ref: 68718] £190.00 (£228.00 incl.VAT)
Slack sc.
[n.d., c. 1800.]
Engraving, 200 x 275mm (8 x 10¾"), with large margins.
A view of Edinburgh Castle, in the foreground a group of young men or boys play a ball game, either golf or shinty, with long bats while figures watch from a hill.
[Ref: 68718] £190.00 (£228.00 incl.VAT)
East View of Edinburgh Castle. Vüe Orientale du Chateau d'Edinbourg en Ecosse.
Paul Sandby Delin et Sculp.
Publish'd according to Act of Parliament. London Printed for Rob.t Sayer opposite Fetter-Lane Fleet Street [n.d., c.1760].
Engraving with fine hand colour, 18th century watermark. 275 x 375mm (10¾ x 14¾"), large margins. Paper toned.
A view of the walls of Edinburgh Castle, drawn and engraved by Paul Sandby, and first published by him in 1751. Sayer first published the plate in 1753, although this state has had the date erased from the plate. Paul Sandby (1731-1809) was chief draughtsman of the "compleat and accurate survey of Scotland" after the 1745 Jacobite rebellion.
[Ref: 60874] £260.00 (£312.00 incl.VAT)
Paul Sandby Delin et Sculp.
Publish'd according to Act of Parliament. London Printed for Rob.t Sayer opposite Fetter-Lane Fleet Street [n.d., c.1760].
Engraving with fine hand colour, 18th century watermark. 275 x 375mm (10¾ x 14¾"), large margins. Paper toned.
A view of the walls of Edinburgh Castle, drawn and engraved by Paul Sandby, and first published by him in 1751. Sayer first published the plate in 1753, although this state has had the date erased from the plate. Paul Sandby (1731-1809) was chief draughtsman of the "compleat and accurate survey of Scotland" after the 1745 Jacobite rebellion.
[Ref: 60874] £260.00 (£312.00 incl.VAT)
West View of the City of Edinburgh. Vüe Occidentale de la Ville d'Edinbourg Capitale d'Ecosse.
Paul Sandby Delin [also engraved].
Publish'd according to Act of Parliament. London Printed for Rob.t Sayer opposite Fetter-Lane Fleet Street [n.d., c.1760].
Engraving with fine hand colour, 18th century watermark. 260 x 380mm (10¼ x 15"), large margins. Paper toned.
Distant view of Edinburgh, looking past the castle to Arthur's seat, drawn and engraved by Paul Sandby, and first published by him in 1751. Sayer first published the plate in 1753, although this state has had the date erased from the plate. Paul Sandby (1731-1809) was chief draughtsman of the "compleat and accurate survey of Scotland" after the 1745 Jacobite rebellion.
[Ref: 60875] £260.00 (£312.00 incl.VAT)
Paul Sandby Delin [also engraved].
Publish'd according to Act of Parliament. London Printed for Rob.t Sayer opposite Fetter-Lane Fleet Street [n.d., c.1760].
Engraving with fine hand colour, 18th century watermark. 260 x 380mm (10¼ x 15"), large margins. Paper toned.
Distant view of Edinburgh, looking past the castle to Arthur's seat, drawn and engraved by Paul Sandby, and first published by him in 1751. Sayer first published the plate in 1753, although this state has had the date erased from the plate. Paul Sandby (1731-1809) was chief draughtsman of the "compleat and accurate survey of Scotland" after the 1745 Jacobite rebellion.
[Ref: 60875] £260.00 (£312.00 incl.VAT)
Prospecturs Ewitatis Edinburgenae a praedio Dean dicto. The Prospect of Edinbrugh from ye Dean. 2. This plate is most humbly Inscribed to ye Hon.ble Sr James Stewart of Goodtrees, Bartt. His Majesties Solicitor Generall for Scotland & representative of ye Said City in the last Parliament of Queen Ann.
[John Slezer, 1718.]
Copper engraving. Plate 272 x 420mm. 10¾ x 16½". Fold vertically through centre, as issued.
Edinburgh from the Village of Dean. Left of the castle is a row of steeples - St Giles' Cathedral, the Tron Church, the Netherbow Port, the Tolbooth, and the Chapel Royal of the Palace of Holyroodhouse. Below the city is North (or 'Nor') Loch, with St Cuthbert's Church to the right. Edinburgh's extinct volcano, Arthur's Seat, is in the far left background, and the Pentland Hills are faintly visible behind the city spires. Heriot's Hospital is to the right of the castle mound. Plate from John Slezer's 1718 edition of 'Theatrum Scotiae'.
[Ref: 20177] £220.00 (£264.00 incl.VAT)
[John Slezer, 1718.]
Copper engraving. Plate 272 x 420mm. 10¾ x 16½". Fold vertically through centre, as issued.
Edinburgh from the Village of Dean. Left of the castle is a row of steeples - St Giles' Cathedral, the Tron Church, the Netherbow Port, the Tolbooth, and the Chapel Royal of the Palace of Holyroodhouse. Below the city is North (or 'Nor') Loch, with St Cuthbert's Church to the right. Edinburgh's extinct volcano, Arthur's Seat, is in the far left background, and the Pentland Hills are faintly visible behind the city spires. Heriot's Hospital is to the right of the castle mound. Plate from John Slezer's 1718 edition of 'Theatrum Scotiae'.
[Ref: 20177] £220.00 (£264.00 incl.VAT)