A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Rev.d. Mr Dutens A.M. F.R.S.
Fisher Fecit.
Published Jan.y 1st 1777, for W.Shropshire, No.158, New Bond Street.
Mezzotint. 150 x 115mm (6 x 4½"), large margins.
Portrait of Louis Duten (1730 -1812), French writer born in Tours, of Protestant parents, who lived most of his life in Britain or in British service on the continent.
CS 15.
[Ref: 68266] £90.00 (£108.00 incl.VAT)
Fisher Fecit.
Published Jan.y 1st 1777, for W.Shropshire, No.158, New Bond Street.
Mezzotint. 150 x 115mm (6 x 4½"), large margins.
Portrait of Louis Duten (1730 -1812), French writer born in Tours, of Protestant parents, who lived most of his life in Britain or in British service on the continent.
CS 15.
[Ref: 68266] £90.00 (£108.00 incl.VAT)
Mlle. Duthé. Le Menuet. 4. L'Opera.
Guérard del. E. Desmaisons lith.
Paris, publié par J. Bulla et F. Delarue, 10 rue JJ Rousseau. Imp. Lemercier. London pub.15 June 1844 by the Anaglyphic Company, 25 Berners St. Oxford St.
Fine coloured lithograph, rare. 325 x 249mm. 12¾ x 9¾". Cut.
Catherine-Rosalie Gerard Duthé (1748-1830) was a celebrated French courtesan. After quitting a French convent, she became the mistress of wealthy English financier George Wyndham, 3rd Earl of Egremont. She then became a dancer at the Paris Opera Ballet. From 'Les annales de l'Opéra ou Recueil des premières danseuses'.
[Ref: 23937] £260.00 (£312.00 incl.VAT)
Guérard del. E. Desmaisons lith.
Paris, publié par J. Bulla et F. Delarue, 10 rue JJ Rousseau. Imp. Lemercier. London pub.15 June 1844 by the Anaglyphic Company, 25 Berners St. Oxford St.
Fine coloured lithograph, rare. 325 x 249mm. 12¾ x 9¾". Cut.
Catherine-Rosalie Gerard Duthé (1748-1830) was a celebrated French courtesan. After quitting a French convent, she became the mistress of wealthy English financier George Wyndham, 3rd Earl of Egremont. She then became a dancer at the Paris Opera Ballet. From 'Les annales de l'Opéra ou Recueil des premières danseuses'.
[Ref: 23937] £260.00 (£312.00 incl.VAT)
M.rs Ann Dutton.
Hopwood sc.
Published by Ogle, Duncan & Comp.y, Patermost Row, June 1st. 1815.
Engraving. 180 x 105mm (7 x 4½"). Trimmed to platemark
Head and shoulders portrait of Anne Dutton (1692-1765), inclined to the left. Dutton was an English poet and wrote prolifically and zealously on religion from a Baptist point of view.
[Ref: 53841] £75.00 (£90.00 incl.VAT)
Hopwood sc.
Published by Ogle, Duncan & Comp.y, Patermost Row, June 1st. 1815.
Engraving. 180 x 105mm (7 x 4½"). Trimmed to platemark
Head and shoulders portrait of Anne Dutton (1692-1765), inclined to the left. Dutton was an English poet and wrote prolifically and zealously on religion from a Baptist point of view.
[Ref: 53841] £75.00 (£90.00 incl.VAT)
Pauline Duvernay.
A.E. Chalon R.A. R.J. Lane A.R.A.
[London: J. Mitchell, 1837.]
Lithograph on india paper, india 310 x 230mm. 12¼ x 9". Creasing; margins trimmed.
Pauline (Yolande Marie Louise) Duvernay (1813 - 1894), dancer, looking over her right shoulder, in costume, holding castanets; in the first London production of "Le Diable Boîteux" ("The Devil on Two Sticks", i.e. crutches), 1836, choreographed by Jean Coralli. Duvernay retired the following year, aged 25 and at the height of her career, to marry Stephens Lyne-Stephens, M.P., thought to be the richest commoner in England at that time. By Richard James Lane, after Alfred Edward Chalon (1780 - 1860).
Harvard p.402, 1.
[Ref: 24287] £230.00 (£276.00 incl.VAT)
A.E. Chalon R.A. R.J. Lane A.R.A.
[London: J. Mitchell, 1837.]
Lithograph on india paper, india 310 x 230mm. 12¼ x 9". Creasing; margins trimmed.
Pauline (Yolande Marie Louise) Duvernay (1813 - 1894), dancer, looking over her right shoulder, in costume, holding castanets; in the first London production of "Le Diable Boîteux" ("The Devil on Two Sticks", i.e. crutches), 1836, choreographed by Jean Coralli. Duvernay retired the following year, aged 25 and at the height of her career, to marry Stephens Lyne-Stephens, M.P., thought to be the richest commoner in England at that time. By Richard James Lane, after Alfred Edward Chalon (1780 - 1860).
Harvard p.402, 1.
[Ref: 24287] £230.00 (£276.00 incl.VAT)
Mademoiselle Duvernay, Dancing the Cachoucha. Presented with No. 1 of the Wonder, June 24th 1837.
A rare lithograph. Sheet 285 x 220mm (11¼ x 8¾"), large margins. Bottom right corner rebuilt, outside image.
A portrait of popular ballerina Pauline Duvernay (1812-1894), shown in the role of Florinda, the heroine of Jean Caralli's 'Le Diable Boîteux'. The Cachoucha, a Spanish dance with origins in Cuba, is the highlight of the ballet. Duvernay was one of Queen Victoria's favourite dancers.
[Ref: 59161] £140.00 (£168.00 incl.VAT)
A rare lithograph. Sheet 285 x 220mm (11¼ x 8¾"), large margins. Bottom right corner rebuilt, outside image.
A portrait of popular ballerina Pauline Duvernay (1812-1894), shown in the role of Florinda, the heroine of Jean Caralli's 'Le Diable Boîteux'. The Cachoucha, a Spanish dance with origins in Cuba, is the highlight of the ballet. Duvernay was one of Queen Victoria's favourite dancers.
[Ref: 59161] £140.00 (£168.00 incl.VAT)
![[Portrait of a Dwarf.]](jpegs/46669.jpg)
[Portrait of a Dwarf.] Dedié à Monsieur Jean Udny Consul General de Sa Majesté Britannique a Livourne par son tres humble et obëisante Serviteur Louis Saller. Le Tableau Original se trouve dans le Cabinet du même Consul Udny. Haut 5.Pieds 9 Pouces Anglois Large 4. Pieds 4. Pouces.
Peint par Salvator Rosa. Gravé par Louis Saller.
[n.d., c.1780.]
Rare engraving. Plate: 390 x 285mm (15½ x 11¼"). Trimmed to plate mark. Slight stain below title on left.
A portrait of a dwarf shown begging in the street. After a painting by artist Salvator Rosa in the collection of consul of Legorno John Udny (1727-1800) who was a merchant who dealt and collected works of art.
[Ref: 46669] £230.00 (£276.00 incl.VAT)
Peint par Salvator Rosa. Gravé par Louis Saller.
[n.d., c.1780.]
Rare engraving. Plate: 390 x 285mm (15½ x 11¼"). Trimmed to plate mark. Slight stain below title on left.
A portrait of a dwarf shown begging in the street. After a painting by artist Salvator Rosa in the collection of consul of Legorno John Udny (1727-1800) who was a merchant who dealt and collected works of art.
[Ref: 46669] £230.00 (£276.00 incl.VAT)
The celebrated Mons La Grandeur a famous french Lawyer eminent for his perfrect knowledge of the Practice of all the Courts of Justice.
A South sculp [c1750].
Engraving, platemark 165 x 110mm (6½ x 4¼"). Large margins.
French lawyer holding a court register. Edward J. Wood in 'Giants and Dwarfs' (first edition 1868) lists the print as a 'whole-length portrait of a dwarf'.
[Ref: 38626] £160.00 (£192.00 incl.VAT)
A South sculp [c1750].
Engraving, platemark 165 x 110mm (6½ x 4¼"). Large margins.
French lawyer holding a court register. Edward J. Wood in 'Giants and Dwarfs' (first edition 1868) lists the print as a 'whole-length portrait of a dwarf'.
[Ref: 38626] £160.00 (£192.00 incl.VAT)
![[Two scenes with dwarfs.]](jpegs/36628.jpg)
[Two scenes with dwarfs.]
[Anon, c.1680.]
Two etchings, each approx. 115 x 100mm (4½ x 4"). Both trimmed around image and laid on backing card.
Two scenes of dwarfs, one as a ratcatcher and another drinking. There was a popular interest across the continent for scenes of what were sometimes described as 'Lilliputian characters' in the late 17th-early 18th century.
[Ref: 36628] £160.00 (£192.00 incl.VAT) view all images for this item
[Anon, c.1680.]
Two etchings, each approx. 115 x 100mm (4½ x 4"). Both trimmed around image and laid on backing card.
Two scenes of dwarfs, one as a ratcatcher and another drinking. There was a popular interest across the continent for scenes of what were sometimes described as 'Lilliputian characters' in the late 17th-early 18th century.
[Ref: 36628] £160.00 (£192.00 incl.VAT) view all images for this item
![[Series of 30 Dwarfs.]](jpegs/42722.jpg)
[Series of 30 Dwarfs.]
[English, n.d., c.1730.]
Series of 30 dwarfs on 10 sheets, scarce English version. Each sheet: 290 x 125mm (11½ x 5"). Some damage.
A series of satirical portraits of dwarfs, many based on Martin Engelbrecht's 1710 series 'Het Dwergentooneel'.
[Ref: 42722] £1,500.00 view all images for this item
[English, n.d., c.1730.]
Series of 30 dwarfs on 10 sheets, scarce English version. Each sheet: 290 x 125mm (11½ x 5"). Some damage.
A series of satirical portraits of dwarfs, many based on Martin Engelbrecht's 1710 series 'Het Dwergentooneel'.
[Ref: 42722] £1,500.00 view all images for this item
![Squire & Sally. [&] Damon and Phillis.](jpegs/54488.jpg)
Squire & Sally. [&] Damon and Phillis.
[n.d., c.1780.]
Scarce pair of coloured engravings. Each sheet 150 x 105mm (6 x 4¼"). Trimmed within plate, with loss of text, some other damage.
Lines of poetry satirised with caricatures of dwarf lovers. Squire & Sally is probably copied from Arne's "Thomas & Sally" an opera. Damon & Phillis is a crude commonplace woodcut copy after the mezzotint in the BM published by R. Sayer.2010.7081.1714. 'Squire and Sally' has four lines from Thomas Arne's 'Love in a Village': ''Young I am, and sore affraid: / would you hurt a harmless maid. / Lead an innocent astray. / Tempt me not, kind sir, I pray''. 'Damon and Phillis' has lines from 'Lovely Nymph', of uncertain attribution, but credited to both J.J. Rousseau and James Oswald: 'Lovely nymph assuage my anguish, / At your feet a tender swain / Prays you will not let him languish; One kind look wou'd ease his pain''.
[Ref: 54488] £260.00 (£312.00 incl.VAT)
[n.d., c.1780.]
Scarce pair of coloured engravings. Each sheet 150 x 105mm (6 x 4¼"). Trimmed within plate, with loss of text, some other damage.
Lines of poetry satirised with caricatures of dwarf lovers. Squire & Sally is probably copied from Arne's "Thomas & Sally" an opera. Damon & Phillis is a crude commonplace woodcut copy after the mezzotint in the BM published by R. Sayer.2010.7081.1714. 'Squire and Sally' has four lines from Thomas Arne's 'Love in a Village': ''Young I am, and sore affraid: / would you hurt a harmless maid. / Lead an innocent astray. / Tempt me not, kind sir, I pray''. 'Damon and Phillis' has lines from 'Lovely Nymph', of uncertain attribution, but credited to both J.J. Rousseau and James Oswald: 'Lovely nymph assuage my anguish, / At your feet a tender swain / Prays you will not let him languish; One kind look wou'd ease his pain''.
[Ref: 54488] £260.00 (£312.00 incl.VAT)
![[Nine caricatured dwarfs.] No 94.](jpegs/64318.jpg)
[Nine caricatured dwarfs.] No 94.
[Augsburg, n.d., c.1750.]
Coloured engraving. Sheet 425 x 350mm (16¾ x 13¾").
Nine caricatures of dwarfs, arranged three by three, copied from the ''Il Callotto resuscitato, oder, Neu eingerichtes Zwerchen Cabinet'' by Elias Baeck.
[Ref: 64318] £360.00
[Augsburg, n.d., c.1750.]
Coloured engraving. Sheet 425 x 350mm (16¾ x 13¾").
Nine caricatures of dwarfs, arranged three by three, copied from the ''Il Callotto resuscitato, oder, Neu eingerichtes Zwerchen Cabinet'' by Elias Baeck.
[Ref: 64318] £360.00
Blassl Broatgosch, Juramentirter Nachtwachter undt Rumorwachs Adjunct, in würcklicher function 34
[by Martin Engelbrecht.]
Cum Priv. S.C.M [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Blassl Broatgosch, night watchman. Plate 34 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/34.
[Ref: 37572] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
Cum Priv. S.C.M [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Blassl Broatgosch, night watchman. Plate 34 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/34.
[Ref: 37572] £260.00 (£312.00 incl.VAT)
Iupanschku Ferenz. Richter auss der Raübau, führnehmer Ochssen Iubilir, und Vice Admiral der Ungrischen heü Flotta 43
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Iupanschku Ferenz, ploughman and vice-admiral of the Hungarian navy! Plate 43 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/43.
[Ref: 37571] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Iupanschku Ferenz, ploughman and vice-admiral of the Hungarian navy! Plate 43 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/43.
[Ref: 37571] £260.00 (£312.00 incl.VAT)
Mathias Flecksippl, faisant le bel humeur aux jours maigres. 28
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
A dwarf comic actor, a broken jug on his head, carrying a shepherd's crook. Plate 28 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/28
[Ref: 37564] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
A dwarf comic actor, a broken jug on his head, carrying a shepherd's crook. Plate 28 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/28
[Ref: 37564] £260.00 (£312.00 incl.VAT)
Riepl Gleichdron, Approbierter und Privilegierter Sauschneider, und Spanischer äpfell-Abaldator. 41
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Veith Knollinger, pig-slaughterer. Plate 41 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/41.
[Ref: 37568] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Veith Knollinger, pig-slaughterer. Plate 41 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/41.
[Ref: 37568] £260.00 (£312.00 incl.VAT)
Malper Höllriglin... 32
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf actress Malper Höllriglin as an angry landlady with a burning piece of wood. Plate 32 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/32.
[Ref: 37566] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf actress Malper Höllriglin as an angry landlady with a burning piece of wood. Plate 32 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/32.
[Ref: 37566] £260.00 (£312.00 incl.VAT)
Veith Knollinger, von Pinklfeldt, Sarthfrager ünd Vorgeher der neü eingerichten flegl Brüderschafte 44
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Veith Knollinger, a 'bag carrier'. Plate 44 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/44.
[Ref: 37567] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Veith Knollinger, a 'bag carrier'. Plate 44 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/44.
[Ref: 37567] £260.00 (£312.00 incl.VAT)
Bertraüd Knörtzlin, Baÿerischen Diern. 42
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf actress Bertraüd Knörtzlin carrying a chopping knife and basket of radishes making an obscene gesture with the other hand. Plate 42 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/42. The description of a Viennese porcelain 'Callot' figure in the Austrian Museum of Applied Arts calls Knörtzlin a prostitute.
[Ref: 37565] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf actress Bertraüd Knörtzlin carrying a chopping knife and basket of radishes making an obscene gesture with the other hand. Plate 42 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/42. The description of a Viennese porcelain 'Callot' figure in the Austrian Museum of Applied Arts calls Knörtzlin a prostitute.
[Ref: 37565] £260.00 (£312.00 incl.VAT)
Sophia Luxuria, General Staals leib mäscherin der gestusten... 30
[by Martin Engelbrecht.]
Cum Privil. S.C.M. [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
Sophia Luxuria, a dwarf actress, wearing military coat and hat, a sword at her feet. Plate 30 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/30
[Ref: 37563] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
Cum Privil. S.C.M. [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
Sophia Luxuria, a dwarf actress, wearing military coat and hat, a sword at her feet. Plate 30 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous theatrical dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/30
[Ref: 37563] £260.00 (£312.00 incl.VAT)
Hanss Görge Prijann, gebohrner Donnerhüdt, von Scanderbeg aüs einer bastardirt Rottmeister der waghältz u.eisenfresser, Catharina, köpffer und Bluth gurgln contra Champmerdant 33
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Hanss Görge Prijann as a fierce officer with a raised sword. Plate 33 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/33.
[Ref: 37569] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Hanss Görge Prijann as a fierce officer with a raised sword. Plate 33 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/33.
[Ref: 37569] £260.00 (£312.00 incl.VAT)
Herr Blasius Rauchmantl, der frucht-loßen Alchimie Kunst Archi-Sectator, Quintae Essentiae Stultorum Possessor. 36
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1715.]
Etching, printed ftom two plates, total 270 x 170mm (10¾ x 6¾").
A portrait of the famous dwarf alchemist, Blasius Rauschmantle, peering through spectacles as he adds a liquid to a vessel on a furnace. Plate 36 from 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet' by Martin Engelbrecht (1684-1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures, printed within elaborate borders.
BM 1938,0617.12.48.
[Ref: 54929] £450.00
[by Martin Engelbrecht.]
[Augsburg: Martin Engelbrecht, c.1715.]
Etching, printed ftom two plates, total 270 x 170mm (10¾ x 6¾").
A portrait of the famous dwarf alchemist, Blasius Rauschmantle, peering through spectacles as he adds a liquid to a vessel on a furnace. Plate 36 from 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet' by Martin Engelbrecht (1684-1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures, printed within elaborate borders.
BM 1938,0617.12.48.
[Ref: 54929] £450.00
Liendl Schnekenfist des Wienerischen Nacht-kinigs Magazin-Visirer, Ambts fuhren Inspector und material Verwalter 46
[by Martin Engelbrecht.]
Cum Priv. S.C.M [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Liendl Schnekenfist, Viennese magazin inspector. Plate 34 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/46
[Ref: 37573] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
Cum Priv. S.C.M [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Liendl Schnekenfist, Viennese magazin inspector. Plate 34 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/46
[Ref: 37573] £260.00 (£312.00 incl.VAT)
Hans Sausakh von Wurstelfeld, Berühmter Zahnluken-Architect u. zotten Professor auff der hohe Baurn-Schuhl. 34
[by Martin Engelbrecht.]
Cum Priv. S.C.M [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Hans von Sausakh Wurstelfeld as an architect and professor at a provincial school. Plate 34 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/34.
[Ref: 37570] £260.00 (£312.00 incl.VAT)
[by Martin Engelbrecht.]
Cum Priv. S.C.M [Augsburg: Martin Engelbrecht, c.1710.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed to plate, library blind stamp on bottom right corner.
The dwarf Hans von Sausakh Wurstelfeld as an architect and professor at a provincial school. Plate 34 from 'Het Dwergentooneel' by Martin Engelbrecht (1684 - 1756), engraver and publisher in Augsburg, with portraits of famous dwarfs in the style of Jacques Callot's 'Gobbi' or 'Lilliputian' figures. The portrait was also published within elaborate borders as 'Il Callotto resusciato oder Neü eingerichtes Zwerchen Cabinet'.
Rijksmuseum: FMH 3695-a/34.
[Ref: 37570] £260.00 (£312.00 incl.VAT)
![[Caricature of a dwarfish miser.]](jpegs/10829.jpg)
[Caricature of a dwarfish miser.]
I.M. Steidlin excud. Aug. Vind.
[Augsburg, c.1730.]
Engraving. Sheet 290 x 185mm, 11½ x 7¼". Trimmed within plate.
A caricature featuring a dwarfish miser in a ragged hat, with two others counting coins. One of series about the characteristics of dwarfs, in this case avarice, by Johann Mathias Steidlin, who is better known for his architectural engravings, especially those of Weissenau Abbey. With German and Latin text under the image.
[Ref: 10829] £240.00 (£288.00 incl.VAT)
I.M. Steidlin excud. Aug. Vind.
[Augsburg, c.1730.]
Engraving. Sheet 290 x 185mm, 11½ x 7¼". Trimmed within plate.
A caricature featuring a dwarfish miser in a ragged hat, with two others counting coins. One of series about the characteristics of dwarfs, in this case avarice, by Johann Mathias Steidlin, who is better known for his architectural engravings, especially those of Weissenau Abbey. With German and Latin text under the image.
[Ref: 10829] £240.00 (£288.00 incl.VAT)
![[Dye-House.] Plate XIX. Engraved for the Supplement. Facing Dye-House.](jpegs/44602.jpg)
[Dye-House.] Plate XIX. Engraved for the Supplement. Facing Dye-House.
Printed for J. Hinton in Newgate Street. [n.d., c.1750.]
Engraving. Plate: 350 x 220mm (13½ x 8¾"). Marking. Large margins on 3 sides.
A scene in a workshop showing figures dyeing several rolls of cloth patterned with flowers.
[Ref: 44602] £110.00 (£132.00 incl.VAT)
Printed for J. Hinton in Newgate Street. [n.d., c.1750.]
Engraving. Plate: 350 x 220mm (13½ x 8¾"). Marking. Large margins on 3 sides.
A scene in a workshop showing figures dyeing several rolls of cloth patterned with flowers.
[Ref: 44602] £110.00 (£132.00 incl.VAT)
Samuel Dyer, Esq:r F.R.S.
S:r Joshua Reynolds pinx.t. G. Marchi fecit.
Publish'd as the Act directs Feb.ry 20: 1773, to be had of M:r Marchi S.t Martins Lane near Long Acre.
Mezzotint, 18th century watermark. 455 x 340mm (18 x 13¼"). Narrow margins. Repairs.
A half-length seated portrait of translator Samuel Dyer (1725-72), leaning on books, on a table with inkstand. He was a friend of Samuel Johnson and Edmund Burke.
CS 6, ii of ii; Hamilton p.25, ii of ii. Ex: collections of The Hon. Christopher Lennox-Boyd and Mrs. E.M. Hamilton (EMH ink stamp).
[Ref: 67986] £240.00 (£288.00 incl.VAT)
S:r Joshua Reynolds pinx.t. G. Marchi fecit.
Publish'd as the Act directs Feb.ry 20: 1773, to be had of M:r Marchi S.t Martins Lane near Long Acre.
Mezzotint, 18th century watermark. 455 x 340mm (18 x 13¼"). Narrow margins. Repairs.
A half-length seated portrait of translator Samuel Dyer (1725-72), leaning on books, on a table with inkstand. He was a friend of Samuel Johnson and Edmund Burke.
CS 6, ii of ii; Hamilton p.25, ii of ii. Ex: collections of The Hon. Christopher Lennox-Boyd and Mrs. E.M. Hamilton (EMH ink stamp).
[Ref: 67986] £240.00 (£288.00 incl.VAT)
Dying Buffalo Bull, in Snow Drift. No.17.
Catlin del._Mc.Gahey lith. Day & Haghe Lith.rs to the Queen.
(From Catlins N.A. Indian Collection.) [London: Geo. Catlin, 1844.]
Lithograph with hand colour. 430 x 579mm (17 x 22¾").
Indians hunting bison in a bleak snowy landscape. "In this view the reader is introduced to the optimum of dreariness and severity which the hunters of the northern prairies have to contend with in the depths of winter. An intensely cold day, and dry and sand-like snow three or four feet in depth, drifting before the wind, and a herd of buffaloes labouring to plough their way through it, whilst they are urged on by a party of Indians on snow-shoes, deeply clad in furs, and dealing death to them with their spears. The dying bull in the foreground of this picture, and that in the preceding plate, were carefully sketched by my own hand whilst the animals were thus struggling with death; and I therefore confidently offer them as faithful delineations of their forms and looks, as well as fit and impressive subjects for contemplation for those who may ever have the time, and feel disposed to sympathize with the cruel destruction and extinction of this useful and noble animal.” An exhibition of Catlin's 'American Indian Portraits' is currently on display at the National Portrait Gallery. George Catlin (1796-1872) was a Pennsylvanian-born artist who made five trips to the western United States to document the Native American peoples and their way of life. From Catlin's "North American Indian Portfolio".
Abbey Travel: 653.17.
[Ref: 29515] £850.00
Catlin del._Mc.Gahey lith. Day & Haghe Lith.rs to the Queen.
(From Catlins N.A. Indian Collection.) [London: Geo. Catlin, 1844.]
Lithograph with hand colour. 430 x 579mm (17 x 22¾").
Indians hunting bison in a bleak snowy landscape. "In this view the reader is introduced to the optimum of dreariness and severity which the hunters of the northern prairies have to contend with in the depths of winter. An intensely cold day, and dry and sand-like snow three or four feet in depth, drifting before the wind, and a herd of buffaloes labouring to plough their way through it, whilst they are urged on by a party of Indians on snow-shoes, deeply clad in furs, and dealing death to them with their spears. The dying bull in the foreground of this picture, and that in the preceding plate, were carefully sketched by my own hand whilst the animals were thus struggling with death; and I therefore confidently offer them as faithful delineations of their forms and looks, as well as fit and impressive subjects for contemplation for those who may ever have the time, and feel disposed to sympathize with the cruel destruction and extinction of this useful and noble animal.” An exhibition of Catlin's 'American Indian Portraits' is currently on display at the National Portrait Gallery. George Catlin (1796-1872) was a Pennsylvanian-born artist who made five trips to the western United States to document the Native American peoples and their way of life. From Catlin's "North American Indian Portfolio".
Abbey Travel: 653.17.
[Ref: 29515] £850.00
Faint- gazing on the burning orb of day, / When Afric's injur'd son expiring lay, page 97.
T. Kirk del. J. Neagle Sc.t
Published Feb. 1 1798 by C. Dilly & Cadell & Davies, London; and R. Crutwell, Bath.
Engraving, sheet 120 x 75mm (4¾ x 3"). Trimmed
A slave lays dying, as indicated by the lines from William Lisle Bowles' poem 'The African' (1791).
[Ref: 37655] £130.00 (£156.00 incl.VAT)
T. Kirk del. J. Neagle Sc.t
Published Feb. 1 1798 by C. Dilly & Cadell & Davies, London; and R. Crutwell, Bath.
Engraving, sheet 120 x 75mm (4¾ x 3"). Trimmed
A slave lays dying, as indicated by the lines from William Lisle Bowles' poem 'The African' (1791).
[Ref: 37655] £130.00 (£156.00 incl.VAT)
Thomas Dyke Acland. Praesenti tibi Maturos Largimur Honores.
[n.d. c.1870.]
Photograph. 405 x 267mm. 16 x 10½". Foxing.
This statue was created by E.B. Stephens (1815-1882) in 1861. Following a vicious northerly gale in 1930, the staute sustained some damage, and was thus removed to a more secure area in the park. It is in the Northernhay Gardens in Exeter, Devon. Sir Thomas Dyke Acland, 10th Baronet (1787-1871) was a British politician. He was a Tory MP for Devon over a period of 45 years, and following his election to Parliament in 1812 he adopted a more liberal line than his compatriots. He stayed as MP for Devonshire until 1831, where from 1831 to 1857 he sat for North Devon.
[Ref: 17163] £220.00 (£264.00 incl.VAT)
[n.d. c.1870.]
Photograph. 405 x 267mm. 16 x 10½". Foxing.
This statue was created by E.B. Stephens (1815-1882) in 1861. Following a vicious northerly gale in 1930, the staute sustained some damage, and was thus removed to a more secure area in the park. It is in the Northernhay Gardens in Exeter, Devon. Sir Thomas Dyke Acland, 10th Baronet (1787-1871) was a British politician. He was a Tory MP for Devon over a period of 45 years, and following his election to Parliament in 1812 he adopted a more liberal line than his compatriots. He stayed as MP for Devonshire until 1831, where from 1831 to 1857 he sat for North Devon.
[Ref: 17163] £220.00 (£264.00 incl.VAT)
![[Eagle.]](jpegs/17294.jpg)
[Eagle.]
C.M.D. E.D. [printed] E.J. Detmold. M.D. E.J.D. [ pencil.]
[n.d. c.1908.]
Etching. Plate 110 x 110mm. 4¼ x 4¼".
This etching is one of the very few produced over four years by the Detmold twins for distribution at Christmas. This impression is double initalled for both brothers and signed in pencil by Edward. The brothers' individual monograms appear upper left and right in the etching. Edward supervised and edition of the etchings in a very limited number of proofs in 1920. An Eagle with wings spread stands on a branch, below is a bag with 'amitié ' written on it. Edward Julius Detmold (1883-1957) was twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. After the death of Charles in 1908, Edward became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment.
[Ref: 17294] £280.00 (£336.00 incl.VAT)
C.M.D. E.D. [printed] E.J. Detmold. M.D. E.J.D. [ pencil.]
[n.d. c.1908.]
Etching. Plate 110 x 110mm. 4¼ x 4¼".
This etching is one of the very few produced over four years by the Detmold twins for distribution at Christmas. This impression is double initalled for both brothers and signed in pencil by Edward. The brothers' individual monograms appear upper left and right in the etching. Edward supervised and edition of the etchings in a very limited number of proofs in 1920. An Eagle with wings spread stands on a branch, below is a bag with 'amitié ' written on it. Edward Julius Detmold (1883-1957) was twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. After the death of Charles in 1908, Edward became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment.
[Ref: 17294] £280.00 (£336.00 incl.VAT)
![[An eagle flying holding a chick in its talons.]](jpegs/44092.jpg)
[An eagle flying holding a chick in its talons.]
Fra; Barlow delin. Fra: Place fecit.
P.Tempest Excud. [n.d., engraved c.1680 but 18th century impression.]
Etching. 140 x 185mm (5½ x 7¼"), 18th century watermark. Paper lightly toned, small margins trimmed.
An eagle fyling over buildings, taking a bite from the captured chick. The print was orginally published in Francis Barlow's ''Multae et diversae avium species variis formis et pernaturalibus figuris per Fra. Barlow Anglum''. This later state has the pagination '10.c.' bottom left.
BM 1850,0223.865.
[Ref: 44092] £80.00 (£96.00 incl.VAT)
Fra; Barlow delin. Fra: Place fecit.
P.Tempest Excud. [n.d., engraved c.1680 but 18th century impression.]
Etching. 140 x 185mm (5½ x 7¼"), 18th century watermark. Paper lightly toned, small margins trimmed.
An eagle fyling over buildings, taking a bite from the captured chick. The print was orginally published in Francis Barlow's ''Multae et diversae avium species variis formis et pernaturalibus figuris per Fra. Barlow Anglum''. This later state has the pagination '10.c.' bottom left.
BM 1850,0223.865.
[Ref: 44092] £80.00 (£96.00 incl.VAT)
An exact representation of the first Aerial Ship the Eagle. Now exhibiting publickly at the Grounds of the Aeronautical Society Victoria Road opposite Kensington Gardens at 1s Each.
London. Published for the Proprietor by Mes Ackermann Strand, C Tilt Fleet St, Reeve & Sons Cheapside, Riddle & Meymott P.N.Row. [n.d., c.1834.]
Fine lithograph. Sheet 230 x 310mm (9 x 12"). Creased on right bottom.
The Eagle was a paddle-driven balloon designed by the Comte de Lennox in 1834 to provide transport between the capitals of Europe. However, the ship was too heavy to fly and was destroyed by spectators at the Champ de Mars in Paris after a failed take-off in August 1834. A detailed description of the machine's weight, dimensions and parts below the image.
[Ref: 57002] £320.00
London. Published for the Proprietor by Mes Ackermann Strand, C Tilt Fleet St, Reeve & Sons Cheapside, Riddle & Meymott P.N.Row. [n.d., c.1834.]
Fine lithograph. Sheet 230 x 310mm (9 x 12"). Creased on right bottom.
The Eagle was a paddle-driven balloon designed by the Comte de Lennox in 1834 to provide transport between the capitals of Europe. However, the ship was too heavy to fly and was destroyed by spectators at the Champ de Mars in Paris after a failed take-off in August 1834. A detailed description of the machine's weight, dimensions and parts below the image.
[Ref: 57002] £320.00
An exact representation of the first Aerial ship The Eagle, now exhibiting at the grounds of The Aeronautical Society, Victoria Road, facing Kensington Gardens.
Sold by Mess.rs Ackermann & Co. Strand, C. Tilt Fleet St. Reeves & Sons, Cheapside. Riddle & Meynatt, P. N. Row, McLean Haymarket, & T. Bird, 145 Oxford St. [n.d., c.1800.]
Lithograph, 240 x 310mm. Trimmed close to image; vertical crease at centre of image; paper along top edge shows signs of having previously been glued; mounted
Illustration of a balloon equipped with paddles, with a description of its functions.
[Ref: 8251] £260.00 (£312.00 incl.VAT)
Sold by Mess.rs Ackermann & Co. Strand, C. Tilt Fleet St. Reeves & Sons, Cheapside. Riddle & Meynatt, P. N. Row, McLean Haymarket, & T. Bird, 145 Oxford St. [n.d., c.1800.]
Lithograph, 240 x 310mm. Trimmed close to image; vertical crease at centre of image; paper along top edge shows signs of having previously been glued; mounted
Illustration of a balloon equipped with paddles, with a description of its functions.
[Ref: 8251] £260.00 (£312.00 incl.VAT)
An Exact Representation of the First Aerial Ship, the Eagle. Now exhibiting in the Grounds of the Aeronautical Society, Victoria Road, opposite Kensington Gardens.
[n.d., c.1834.]
Scarce wood engraving with hand colour. Sheet 205 x 245mm (8 x 10"). Restoration to bottom edge with loss to letterpress key.
The Eagle was a paddle-driven balloon designed by the Comte de Lennox in 1834 to provide transport between the capitals of Europe. However, the ship was too heavy to fly and was destroyed by spectators at the Champ de Mars in Paris after a failed take-off in August 1834. A detailed description of the machine's weight, dimensions and parts below the image.
[Ref: 57003] £450.00
[n.d., c.1834.]
Scarce wood engraving with hand colour. Sheet 205 x 245mm (8 x 10"). Restoration to bottom edge with loss to letterpress key.
The Eagle was a paddle-driven balloon designed by the Comte de Lennox in 1834 to provide transport between the capitals of Europe. However, the ship was too heavy to fly and was destroyed by spectators at the Champ de Mars in Paris after a failed take-off in August 1834. A detailed description of the machine's weight, dimensions and parts below the image.
[Ref: 57003] £450.00
Eagle beating Eleanor. A Match for 200 Gs. run accross the Flat Newmarket - Oct.r Meeting 1804.
I. Whessell pinxt.
Published March 1, 1809 by Edward Orme, Printseller to the King Engraver & Publisher Bond St.r, corner of Brook St. London.
Mezzotint with very fine colour. 387mm x 293mm (15¼ x 11½"). Trimmed to plate mark and mounted with false margins in keeping with contemporary practise
Eagle, sired by Volunteer, was described by the Sporting Magazine of 1806 as 'the finest Horse ever seen, and was superior in speed to Any horse in England of his time'. He was the first major stud export to America. This print was stored in a contemporary album, maintaining the quality of the colour.
Not found in Siltzer.
[Ref: 45847] £1,950.00
I. Whessell pinxt.
Published March 1, 1809 by Edward Orme, Printseller to the King Engraver & Publisher Bond St.r, corner of Brook St. London.
Mezzotint with very fine colour. 387mm x 293mm (15¼ x 11½"). Trimmed to plate mark and mounted with false margins in keeping with contemporary practise
Eagle, sired by Volunteer, was described by the Sporting Magazine of 1806 as 'the finest Horse ever seen, and was superior in speed to Any horse in England of his time'. He was the first major stud export to America. This print was stored in a contemporary album, maintaining the quality of the colour.
Not found in Siltzer.
[Ref: 45847] £1,950.00
Eagle & Fox.
J. Northcote R.A pinx.t. J. Murphy sculp.t.
London Published Dec.r 9 1799 by James Daniell & Co, Great Charlotte Street, Blackfriars Road.
Mezzotint, printed in colours and hand-finished. 490 x 610mm (19¼ x 24"). Cracks to platemark, mounted on card at edges, some staining and scratching. Small margins. Slight crease.
An eagle perched on a rock ledge, a dead pheasant under its talon, in a showdown with a crouching fox.
[Ref: 51162] £1,500.00
J. Northcote R.A pinx.t. J. Murphy sculp.t.
London Published Dec.r 9 1799 by James Daniell & Co, Great Charlotte Street, Blackfriars Road.
Mezzotint, printed in colours and hand-finished. 490 x 610mm (19¼ x 24"). Cracks to platemark, mounted on card at edges, some staining and scratching. Small margins. Slight crease.
An eagle perched on a rock ledge, a dead pheasant under its talon, in a showdown with a crouching fox.
[Ref: 51162] £1,500.00
Eagle Concert
[Anon., c.1820]
Aquatint, sheet 110 x 140mm (4¼ x 5½"). Glued to backing sheet.
Comical vignettes illustrating a number of popular songs of the day.
[Ref: 47636] £75.00 (£90.00 incl.VAT)
[Anon., c.1820]
Aquatint, sheet 110 x 140mm (4¼ x 5½"). Glued to backing sheet.
Comical vignettes illustrating a number of popular songs of the day.
[Ref: 47636] £75.00 (£90.00 incl.VAT)
W.m Eales.
Published by J. McGowan, G.t Windmill S.t [1826].
Stipple. 200 x 120mm (8 x 4¾"). Trimmed within plate at sides.
Bill Eales, a carpenter, bare-chested, fists raised. A sparring expert with a superior knowledge of the science, he sparred with Jem Belcher and George Head, but made only two prize ring appearances, gaining an unexpected win against Jack Lancaster in 1814 but losing to Jack Scroggins in 1815. From John Badcock's 'The Fancy; or The True Sportsman’s Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward. By an Operator'.
[Ref: 50618] £130.00 (£156.00 incl.VAT)
Published by J. McGowan, G.t Windmill S.t [1826].
Stipple. 200 x 120mm (8 x 4¾"). Trimmed within plate at sides.
Bill Eales, a carpenter, bare-chested, fists raised. A sparring expert with a superior knowledge of the science, he sparred with Jem Belcher and George Head, but made only two prize ring appearances, gaining an unexpected win against Jack Lancaster in 1814 but losing to Jack Scroggins in 1815. From John Badcock's 'The Fancy; or The True Sportsman’s Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward. By an Operator'.
[Ref: 50618] £130.00 (£156.00 incl.VAT)
Matthias Earbery. Quid Valeant Humeri Quid Ferre Recusent
J. Fry Pinx. J. Cole sculp.
[n.d., 1717.]
Scarce engraving. Sheet 130 x 175mm (5¼ x 6¾"). Trimmed within plate, some rubbing, laid on album paper at corners.
A half-length portrait in oval of nonjuring clergyman Mathias Earbery (1690-1740). It was the frontispiece to his ironically-named 'The History of the Clemency of our English Monarchs', a critique of the treatment of Jacobite rebel prisoners that was branded seditious libel, forcing him to go abroad.
Sharp 395.
[Ref: 68969] £160.00 (£192.00 incl.VAT)
J. Fry Pinx. J. Cole sculp.
[n.d., 1717.]
Scarce engraving. Sheet 130 x 175mm (5¼ x 6¾"). Trimmed within plate, some rubbing, laid on album paper at corners.
A half-length portrait in oval of nonjuring clergyman Mathias Earbery (1690-1740). It was the frontispiece to his ironically-named 'The History of the Clemency of our English Monarchs', a critique of the treatment of Jacobite rebel prisoners that was branded seditious libel, forcing him to go abroad.
Sharp 395.
[Ref: 68969] £160.00 (£192.00 incl.VAT)
Lady Gideon.
S.r Jos. Reynolds. Pinx.t. Watson Fecit.
R. Sayer Excudit. Published as the Act directs 1st Jan.y 1771.
Mezzotint, scarce. Plate: 400 x 290mm (15¾ x 11½"). Small margins
A profile portrait, set in an oval of Maria Baroness Eardley (1743-1794).
CS 17; Hamilton page: 101; Goodwin 7
[Ref: 47588] £260.00 (£312.00 incl.VAT)
S.r Jos. Reynolds. Pinx.t. Watson Fecit.
R. Sayer Excudit. Published as the Act directs 1st Jan.y 1771.
Mezzotint, scarce. Plate: 400 x 290mm (15¾ x 11½"). Small margins
A profile portrait, set in an oval of Maria Baroness Eardley (1743-1794).
CS 17; Hamilton page: 101; Goodwin 7
[Ref: 47588] £260.00 (£312.00 incl.VAT)
![[Hammersmith & Earl's Court.] London. Sheet LXXXVI.](jpegs/10999.jpg)
[Hammersmith & Earl's Court.] London. Sheet LXXXVI. Edition of 1894-96.
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1897.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stencilled sheet number and mss. notes. Laid on linen. A litle wear.
A large-scale plan (1/2500) of Hammersmith & Earl's Court, extending from Hammersmith Bridge & the Harrod's Repository to Warwick Road and Earl's Court Exhibition Centre. This sheet has been used to record the property of the Port of London Authority.
From the Port of London Authority archives.
[Ref: 10999] £260.00
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1897.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stencilled sheet number and mss. notes. Laid on linen. A litle wear.
A large-scale plan (1/2500) of Hammersmith & Earl's Court, extending from Hammersmith Bridge & the Harrod's Repository to Warwick Road and Earl's Court Exhibition Centre. This sheet has been used to record the property of the Port of London Authority.
From the Port of London Authority archives.
[Ref: 10999] £260.00
![Earlham [old ink mss. on album sheet.]](jpegs/50189.jpg)
Earlham [old ink mss. on album sheet.]
[n.d., c.1880.]
Photograph. 140 x 195mm (5½ x 7¾"). Mounted on album paper.
Earlham Hall. built 1642, childhood home of Elizabeth Fry (née Gurney, 1780-1845), the Quaker prison reformer. In 1963 Earlham Hall became the home of the new University of East Anglia and now houses the UEA Law School.
[Ref: 50189] £120.00 (£144.00 incl.VAT)
[n.d., c.1880.]
Photograph. 140 x 195mm (5½ x 7¾"). Mounted on album paper.
Earlham Hall. built 1642, childhood home of Elizabeth Fry (née Gurney, 1780-1845), the Quaker prison reformer. In 1963 Earlham Hall became the home of the new University of East Anglia and now houses the UEA Law School.
[Ref: 50189] £120.00 (£144.00 incl.VAT)
Rich.d Earlom Esq.r.
Painted by G. Stuart. Engraved by T. Lupton, 6 St James's Place Clerkenwell.
London Pub by Hurst, Robinson & Co, successors to J & J Boydell, Feby 1. 1819.
Mezzotint. Printed area 195 x 130mm (7¾ x 5")
Portrait of the mezzotint engraver Richard Earlom (1743-1822) after Gilbert Stuart, used as the frontispiece to the third volume (added later) to John Boydell's 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain', engraved by Earlom.
[Ref: 48932] £140.00 (£168.00 incl.VAT)
Painted by G. Stuart. Engraved by T. Lupton, 6 St James's Place Clerkenwell.
London Pub by Hurst, Robinson & Co, successors to J & J Boydell, Feby 1. 1819.
Mezzotint. Printed area 195 x 130mm (7¾ x 5")
Portrait of the mezzotint engraver Richard Earlom (1743-1822) after Gilbert Stuart, used as the frontispiece to the third volume (added later) to John Boydell's 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain', engraved by Earlom.
[Ref: 48932] £140.00 (£168.00 incl.VAT)
Plan of the Freehold Estate situated at Earl's Court in the Parish of Kensington.
From Lahee's Lithographic Press, No.30, Castle St. East, Oxford Street.
Scarce letterpress pamphlet with plan, watermark 1818. Sheet: 340 x 210mm (13¼ x 8¼''). Creasing and tears. Part of the plan detached.
A pamphlet detailing the freehold for houses and public houses in Earls Court to be sold in lots at the Kings Arms in Kensington on July 11th 1822.
[Ref: 50530] £230.00 (£276.00 incl.VAT) view all images for this item
From Lahee's Lithographic Press, No.30, Castle St. East, Oxford Street.
Scarce letterpress pamphlet with plan, watermark 1818. Sheet: 340 x 210mm (13¼ x 8¼''). Creasing and tears. Part of the plan detached.
A pamphlet detailing the freehold for houses and public houses in Earls Court to be sold in lots at the Kings Arms in Kensington on July 11th 1822.
[Ref: 50530] £230.00 (£276.00 incl.VAT) view all images for this item
Early English Drawings from the Ashmolean Museum.
Catalogue compiled by David Blayney Brown.
Morton Morris & Company in association with the Ashmolean Museum Oxford. [1983.]
8vo, illustrated soft covers; pp. 19, with 45 b/w plates.
An catalogue published to accompany an exhibition of Early English drawings from the Ashmolean Museum collection, held in London in 1983.
[Ref: 59945] £15.00
Catalogue compiled by David Blayney Brown.
Morton Morris & Company in association with the Ashmolean Museum Oxford. [1983.]
8vo, illustrated soft covers; pp. 19, with 45 b/w plates.
An catalogue published to accompany an exhibition of Early English drawings from the Ashmolean Museum collection, held in London in 1983.
[Ref: 59945] £15.00
Geographical Diagram of The Earth. Adapted for Illustrating Its Movements &c.
[Drawn & Engraved by John Emslie]
London: J. Reynolds, 174, Strand; Reeves & Sons; Rock & Co; Peacock & Mansfield. [n.d., c.1850]
Engraving, sheet 230 x 285mm (9 x 11¼"). Missing two volvelle, pinholes where they would have been. Ink stamp on the back 'St Thomas's Schools Mount Vernon.' Ink stains upper right corner.
Series of six diagrams illustrating day and night, the climatic zones and the Earth's rotation and its movement through space with two rotating, hand-coloured discs showing the hemispheres of the Earth which are sadly missing.
See reference 56798.
[Ref: 56881] £130.00 (£156.00 incl.VAT)
[Drawn & Engraved by John Emslie]
London: J. Reynolds, 174, Strand; Reeves & Sons; Rock & Co; Peacock & Mansfield. [n.d., c.1850]
Engraving, sheet 230 x 285mm (9 x 11¼"). Missing two volvelle, pinholes where they would have been. Ink stamp on the back 'St Thomas's Schools Mount Vernon.' Ink stains upper right corner.
Series of six diagrams illustrating day and night, the climatic zones and the Earth's rotation and its movement through space with two rotating, hand-coloured discs showing the hemispheres of the Earth which are sadly missing.
See reference 56798.
[Ref: 56881] £130.00 (£156.00 incl.VAT)
The Earth - Its Annual Revolutions, and the Seasons of the Year. Nebulae _ Comets. Plate LIX. LX.
Blackie & Son, London, Glasgow, Edinburgh & Dublin [n.d., c.1880].
Coloured wood engraving. Sheet 250 x 320mm (9¾ x 12½").
Multiple images of the Earth within a ring demarqued with the Zodiac, showing the seasons. In the borders are 21 illustrations of nebulae and comets, including the Crab Nabula and three views of Halley's Comet as seen in 1835.
[Ref: 57133] £45.00 (£54.00 incl.VAT)
Blackie & Son, London, Glasgow, Edinburgh & Dublin [n.d., c.1880].
Coloured wood engraving. Sheet 250 x 320mm (9¾ x 12½").
Multiple images of the Earth within a ring demarqued with the Zodiac, showing the seasons. In the borders are 21 illustrations of nebulae and comets, including the Crab Nabula and three views of Halley's Comet as seen in 1835.
[Ref: 57133] £45.00 (£54.00 incl.VAT)
Earth.
R, Gaywood fecit.
London, [n.d. after 1648].
Rare etching. 150 x 210mm (6 x 8¼"), with small margins. Creasing in the margins and across the image. Lower right corner is folded. Small tears in lower and right margins.
A scene of cherubs picking fruit from a tree for a bountiful cornucopia. A number of workers are harvesting their fields in the background. Part of 'The Foure Elements' series by van Avont (1600-1652), which was also engraved by Hollar, published 1647.
[Ref: 54115] £290.00 (£348.00 incl.VAT)
R, Gaywood fecit.
London, [n.d. after 1648].
Rare etching. 150 x 210mm (6 x 8¼"), with small margins. Creasing in the margins and across the image. Lower right corner is folded. Small tears in lower and right margins.
A scene of cherubs picking fruit from a tree for a bountiful cornucopia. A number of workers are harvesting their fields in the background. Part of 'The Foure Elements' series by van Avont (1600-1652), which was also engraved by Hollar, published 1647.
[Ref: 54115] £290.00 (£348.00 incl.VAT)
![[Earth]](jpegs/47649.jpg)
[Earth]
[R. Pycle pinxit ... C. Sooner del]
[Printed for John Bowles, at No. 13 in Cornhill, 1768]
Mezzotint, proof before all letters, rare. Collector's stamp of Christopher Lennox-Boyd verso. Sheet 345 x 270mm (13½ x 9½"). Small margins on 3 sides. Cut at bottom, repairs.
Young woman holding fruit.
Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 47649] £190.00 (£228.00 incl.VAT)
[R. Pycle pinxit ... C. Sooner del]
[Printed for John Bowles, at No. 13 in Cornhill, 1768]
Mezzotint, proof before all letters, rare. Collector's stamp of Christopher Lennox-Boyd verso. Sheet 345 x 270mm (13½ x 9½"). Small margins on 3 sides. Cut at bottom, repairs.
Young woman holding fruit.
Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 47649] £190.00 (£228.00 incl.VAT)
![The Earth was corrupt before God and filled with Violence.[text in Hebrew, German, Latin, French and Dutch.] Gen.VI.11.](jpegs/26610.jpg)
The Earth was corrupt before God and filled with Violence.[text in Hebrew, German, Latin, French and Dutch.] Gen.VI.11.
G. Hoet delineavit. J.van Vianen fecit.
[n.d. c.1760.]
Fine coloured engraving. Plate 356 x 432mm. 14 x 17". Tear into upper edge of plate, some creasng along upper edge of margin. Fold down centre.
The earth before the flood; group of men, women and children feasting and drinking under a canopy fixed to trees, in a landscape with figures dancing around a pole decorated with flowers in the middle distance, and building under construction on right, further buildings being looted to left.
[Ref: 26610] £220.00 (£264.00 incl.VAT)
G. Hoet delineavit. J.van Vianen fecit.
[n.d. c.1760.]
Fine coloured engraving. Plate 356 x 432mm. 14 x 17". Tear into upper edge of plate, some creasng along upper edge of margin. Fold down centre.
The earth before the flood; group of men, women and children feasting and drinking under a canopy fixed to trees, in a landscape with figures dancing around a pole decorated with flowers in the middle distance, and building under construction on right, further buildings being looted to left.
[Ref: 26610] £220.00 (£264.00 incl.VAT)