A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Botany Bay Dublin.
[Myra Kathleen Hughes.]
Published by W.H. Beynon & Co. Cheltenham. [n.d. c.1915.]
Etching. Plate 185 x 266mm (7¼ x 10½").
Botany Bay in Dublin, the square which derives its name in part from the herb garden it once containted; it was then succeeded by Trinity College's own Botanic Gardens. By Irish artist Myra Kathleen Hughes (c.1885-1918).
[Ref: 31028] £120.00 (£144.00 incl.VAT)
[Myra Kathleen Hughes.]
Published by W.H. Beynon & Co. Cheltenham. [n.d. c.1915.]
Etching. Plate 185 x 266mm (7¼ x 10½").
Botany Bay in Dublin, the square which derives its name in part from the herb garden it once containted; it was then succeeded by Trinity College's own Botanic Gardens. By Irish artist Myra Kathleen Hughes (c.1885-1918).
[Ref: 31028] £120.00 (£144.00 incl.VAT)
View of the Corn Exchange - Burgh Quay and Custom House. Dublin
S. F. Brocas del.t H. Brocas Sculp.t
Publish'd July 1.st 1820 by J.Le Petit for his Book of Views of Ireland. at 20. Capel S.t Dublin & by Wright & Bell. Duke S.t Bloomsbury. London. Ent.d at Stationers Hall.
Hand coloured engraving, plate 275 x 435mm (10¾ x 17½"), with very large margins. Time stained. Hole within plate mark fixed with tape. Taped tears in margins.
A view of the Custom House from Burgh Quay showing the Corn Exchange on the quay and ships moored there. The image is held in the National Library of Ireland in the Prints and Drawings Collection. This is the second plate in the twelve set series 'Select views of Dublin.' Samuel Frederick Brocas (c. 1792 14 May 1847) was an Irish artist best known for this series depicting Dublin. He was the second of the four sons of painter Henry Brocas (Senior). From 1803 to 1807, Brocas studied under his father at the Dublin Society Schools. Henry Brocas (Junior) (1798 1872) was an Irish artist known for his landscapes and engravings. He was the fourth of the four sons of painter Henry Brocas, whom he also trained under.
Bonar-Law: 3.129.
[Ref: 57412] £320.00
S. F. Brocas del.t H. Brocas Sculp.t
Publish'd July 1.st 1820 by J.Le Petit for his Book of Views of Ireland. at 20. Capel S.t Dublin & by Wright & Bell. Duke S.t Bloomsbury. London. Ent.d at Stationers Hall.
Hand coloured engraving, plate 275 x 435mm (10¾ x 17½"), with very large margins. Time stained. Hole within plate mark fixed with tape. Taped tears in margins.
A view of the Custom House from Burgh Quay showing the Corn Exchange on the quay and ships moored there. The image is held in the National Library of Ireland in the Prints and Drawings Collection. This is the second plate in the twelve set series 'Select views of Dublin.' Samuel Frederick Brocas (c. 1792 14 May 1847) was an Irish artist best known for this series depicting Dublin. He was the second of the four sons of painter Henry Brocas (Senior). From 1803 to 1807, Brocas studied under his father at the Dublin Society Schools. Henry Brocas (Junior) (1798 1872) was an Irish artist known for his landscapes and engravings. He was the fourth of the four sons of painter Henry Brocas, whom he also trained under.
Bonar-Law: 3.129.
[Ref: 57412] £320.00
Marine School, Dublin, Looking up the Liffey.
James Malton, del. et sculp.
London. Publish'd June 1796, by Ja.s Malton.
Aquatint with very large margins. Plate 315 x 430mm (12½ x 17"). Mount burn around platemark; slight foxing and abrasions in sky.
A view of ships, merchant vessels and a dinghy in the centre, on the Liffey. A fine view. According to Maurice Craig, this print is really a view of the approach to Dublin by sea, with the Custom House in the distance on the right, rather than a view of the Hibernian Marine School which is on the left. From Malton's "A Picturesque and Descriptive View of the City of Dublin"
See Ref: 25602 for hand-coloured version. In the National Library of Ireland. Abbey Scenery: 473.18; Bonar-Law 'Malton' 1.(ii); Bonar-Law 'Prints and Maps of Dublin': 2.50.
[Ref: 29953] £380.00
James Malton, del. et sculp.
London. Publish'd June 1796, by Ja.s Malton.
Aquatint with very large margins. Plate 315 x 430mm (12½ x 17"). Mount burn around platemark; slight foxing and abrasions in sky.
A view of ships, merchant vessels and a dinghy in the centre, on the Liffey. A fine view. According to Maurice Craig, this print is really a view of the approach to Dublin by sea, with the Custom House in the distance on the right, rather than a view of the Hibernian Marine School which is on the left. From Malton's "A Picturesque and Descriptive View of the City of Dublin"
See Ref: 25602 for hand-coloured version. In the National Library of Ireland. Abbey Scenery: 473.18; Bonar-Law 'Malton' 1.(ii); Bonar-Law 'Prints and Maps of Dublin': 2.50.
[Ref: 29953] £380.00
Marine School, Dublin, Looking up the Liffey.
James Malton, del. et sculp.
London. Publish'd June 1796, by Ja.s Malton.
Hand-coloured etching and aquatint. Plate 317 x 431mm. 12½ x 17". Crease and tear to lower right corner of sheet.
A view of ships, merchant vessels and a dinghy in the centre, on the Liffey. According to Maurice Craig, this print is really a view of the approach to Dublin by sea, with the Custom House in the distance on the right, rather than a view of the Hibernian Marine School which is on the left. From "A Picturesque and Descriptive View of the City of Dublin"
In the National Library of Ireland. Abbey Scenery: 473.18. Bonar-Law: 2.50.
[Ref: 25602] £350.00
James Malton, del. et sculp.
London. Publish'd June 1796, by Ja.s Malton.
Hand-coloured etching and aquatint. Plate 317 x 431mm. 12½ x 17". Crease and tear to lower right corner of sheet.
A view of ships, merchant vessels and a dinghy in the centre, on the Liffey. According to Maurice Craig, this print is really a view of the approach to Dublin by sea, with the Custom House in the distance on the right, rather than a view of the Hibernian Marine School which is on the left. From "A Picturesque and Descriptive View of the City of Dublin"
In the National Library of Ireland. Abbey Scenery: 473.18. Bonar-Law: 2.50.
[Ref: 25602] £350.00
Chief Secretary's Lodge, Phoenix Park, Dublin. 1835.
Cald. Can f.
Very rare etching, platemark 130 x 180mm (5 x 7").
The Chief Secretary's Lodge, built by Sir John Blaquiere, 1st Baron de Blaquiere. The building is now the American Ambassador's Residence.
[Ref: 20313] £160.00 (£192.00 incl.VAT)
Cald. Can f.
Very rare etching, platemark 130 x 180mm (5 x 7").
The Chief Secretary's Lodge, built by Sir John Blaquiere, 1st Baron de Blaquiere. The building is now the American Ambassador's Residence.
[Ref: 20313] £160.00 (£192.00 incl.VAT)
Provost's House, Dublin.
James Malton delin. et fecit.
London, Pub'd by Ja.s Malton & G. Cowen, Dublin, Feb 1794.
Coloured aquatint. 320 x 430mm (12½ x 17"), with very wide margins.
The house of the provost of Trinity College, Dublin.
Abbey Scenery: 473; Bonar-Law 2, p39, state ii of ii.
[Ref: 52695] £350.00
James Malton delin. et fecit.
London, Pub'd by Ja.s Malton & G. Cowen, Dublin, Feb 1794.
Coloured aquatint. 320 x 430mm (12½ x 17"), with very wide margins.
The house of the provost of Trinity College, Dublin.
Abbey Scenery: 473; Bonar-Law 2, p39, state ii of ii.
[Ref: 52695] £350.00
Dublin and Kingstown Railway, Granite Pavilions & Tunnel Entrance at Lord Cloncurry's Demesne of Maratime near Blackrock_Kingstown Harbour in the distance.
A. Nichol del.t. S.G. Hughes, sculp.t.
Dublin, Published by W. F. Wakeman, 9 D'Olier Street, October 1834.
Hand-coloured aquatint. Plate: 290 x 245mm (11½ x 9¾"). Mount burn. Large margins on 3 sides.
A view of the railway track outside Dublin, the Dublin Kingston Railway was opened in 1834 and was the first railway in Ireland.
[Ref: 44711] £180.00 (£216.00 incl.VAT)
A. Nichol del.t. S.G. Hughes, sculp.t.
Dublin, Published by W. F. Wakeman, 9 D'Olier Street, October 1834.
Hand-coloured aquatint. Plate: 290 x 245mm (11½ x 9¾"). Mount burn. Large margins on 3 sides.
A view of the railway track outside Dublin, the Dublin Kingston Railway was opened in 1834 and was the first railway in Ireland.
[Ref: 44711] £180.00 (£216.00 incl.VAT)
Rotunda & New Rooms, Dublin.
James Malton del. et fecit.
London, Publish'd Dec.r 1795.
Coloured aquatint. 315 x 430mm (12¼ x 17"), with large margins. Laid on card, mount burn.
The Rotunda Hospital, one of the three main maternity hospitals in Dublin.
Abbey Scenery: 473.16; Bonar-Law 2.(i)
[Ref: 44535] £280.00 (£336.00 incl.VAT)
James Malton del. et fecit.
London, Publish'd Dec.r 1795.
Coloured aquatint. 315 x 430mm (12¼ x 17"), with large margins. Laid on card, mount burn.
The Rotunda Hospital, one of the three main maternity hospitals in Dublin.
Abbey Scenery: 473.16; Bonar-Law 2.(i)
[Ref: 44535] £280.00 (£336.00 incl.VAT)
Royal Infirmary, Phoenix Park, Dublin.
Ja.s Malton del. et fecit.
London. Pub.d by Ja.s Malton, & G. Cowen, Dublin, July 1794.
Aquatint with very large margins. Plate 311 x 430mm (12¼ x 17").
A view of the Royal Infirmary, that once stood in Phoenix Park, Dublin. From 'A Picturesque and Descriptive View of the City of Dublin Described in a Series of the most Interesting Scenes taken in the Year 1791'.
Abbey Scenery: 473.13; Bonar-Law 'Malton' 2.(ii)
[Ref: 29950] £280.00 (£336.00 incl.VAT)
Ja.s Malton del. et fecit.
London. Pub.d by Ja.s Malton, & G. Cowen, Dublin, July 1794.
Aquatint with very large margins. Plate 311 x 430mm (12¼ x 17").
A view of the Royal Infirmary, that once stood in Phoenix Park, Dublin. From 'A Picturesque and Descriptive View of the City of Dublin Described in a Series of the most Interesting Scenes taken in the Year 1791'.
Abbey Scenery: 473.13; Bonar-Law 'Malton' 2.(ii)
[Ref: 29950] £280.00 (£336.00 incl.VAT)
Sackville Street, Dublin.
Lithographed by Newman & Co. 48 Watling St. London.
[London, 1845.]
Tinted lithograph. 300 x 439mm (11¾ x 17¼").
A view of the bustling traffic on Sackville Street, now known as O'Connell Street, looking towards the Nelson Pillar near the General Post Office. This is an example of the first state, with a lamp post on the left; in the second state it is removed, but leaving a flaw in the design; and in the third state it reappears in a more central position. A fourth and final state was published by the Stark Brothers in Sackville Street.
Bonar Law: Dublin, 4.342 (i).
[Ref: 24996] £260.00 (£312.00 incl.VAT)
Lithographed by Newman & Co. 48 Watling St. London.
[London, 1845.]
Tinted lithograph. 300 x 439mm (11¾ x 17¼").
A view of the bustling traffic on Sackville Street, now known as O'Connell Street, looking towards the Nelson Pillar near the General Post Office. This is an example of the first state, with a lamp post on the left; in the second state it is removed, but leaving a flaw in the design; and in the third state it reappears in a more central position. A fourth and final state was published by the Stark Brothers in Sackville Street.
Bonar Law: Dublin, 4.342 (i).
[Ref: 24996] £260.00 (£312.00 incl.VAT)
Sackville Street, Dublin.
Lithographed by Newman & Co. 48 Watling St. London.
[London, 1845.]
Tinted lithograph later hand colour. 300 x 439mm (11¾ x 17¼").
A view of the bustling traffic on Sackville Street, now known as O'Connell Street, looking towards the Nelson Pillar near the General Post Office. This is an example of the second state, with the lamp post that had been on the left removed, leaving a flaw in the design. In the third state it reappears in a more central position; a fourth and final state was published by the Stark Brothers in Sackville Street.
Bonar Law: Dublin, 4.342 (ii).
[Ref: 45682] £280.00 (£336.00 incl.VAT)
Lithographed by Newman & Co. 48 Watling St. London.
[London, 1845.]
Tinted lithograph later hand colour. 300 x 439mm (11¾ x 17¼").
A view of the bustling traffic on Sackville Street, now known as O'Connell Street, looking towards the Nelson Pillar near the General Post Office. This is an example of the second state, with the lamp post that had been on the left removed, leaving a flaw in the design. In the third state it reappears in a more central position; a fourth and final state was published by the Stark Brothers in Sackville Street.
Bonar Law: Dublin, 4.342 (ii).
[Ref: 45682] £280.00 (£336.00 incl.VAT)
Surgeons Hall, Dublin. Dedicated by Permission to His Excellency the Most Noble Marquis of Anglesey, Lord Lieutenant and Lieutenant General of Ireland by His Excellency's most devoted very humble Servants.
Connor & Co.
Published by Tho.s Webb, 43, Lower Sackville Street, Dublin 1828.
Rare lithograph, sheet 360 x 445mm (14¼ x 17") Cut and glued to original backing sheet. Creased top right. Time stained.
A view of Surgeons Hall in Dublin which is now part of the Royal College of Surgeons in Ireland.
Bonar-Law: 4.104
[Ref: 57414] £280.00 (£336.00 incl.VAT)
Connor & Co.
Published by Tho.s Webb, 43, Lower Sackville Street, Dublin 1828.
Rare lithograph, sheet 360 x 445mm (14¼ x 17") Cut and glued to original backing sheet. Creased top right. Time stained.
A view of Surgeons Hall in Dublin which is now part of the Royal College of Surgeons in Ireland.
Bonar-Law: 4.104
[Ref: 57414] £280.00 (£336.00 incl.VAT)
Trinity College, Dublin.
James Malton del. et fecit.
London. Published March 1.st 1793. by Ja.s Malton.
Aquatint, plate 315 x 430mm (12½ x 16¾"), with very large margins.
A view from the street of the College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin (known as Trinity College, Dublin), founded by Queen Elizabeth I in 1592. From James Malton's 'A Picturesque and Descriptive View of the City of Dublin', 1792-5.
Abbey Scenery: 473; Bonar-Law
[Ref: 57410] £320.00
James Malton del. et fecit.
London. Published March 1.st 1793. by Ja.s Malton.
Aquatint, plate 315 x 430mm (12½ x 16¾"), with very large margins.
A view from the street of the College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin (known as Trinity College, Dublin), founded by Queen Elizabeth I in 1592. From James Malton's 'A Picturesque and Descriptive View of the City of Dublin', 1792-5.
Abbey Scenery: 473; Bonar-Law
[Ref: 57410] £320.00
College Library, Dublin.
James Malton del. et fecit.
[London, Pub.d by Ja.s Malton & G. Cowen, Dublin. July 1793.]
Aquatint, pt J. Whatman watermark; 290 x 430mm. (11½ x 17"). Trimmed into plate top and bottom.
A view of the 'long room' of the College Library, Dublin. Various figures can be seen including a man reading on right. From 'A Picturesque and Descriptive View of the City of Dublin Described in a Series of the most Interesting Scenes taken in the Year 1791'.
Bonar-Law 2.(i)
[Ref: 57805] £290.00 (£348.00 incl.VAT)
James Malton del. et fecit.
[London, Pub.d by Ja.s Malton & G. Cowen, Dublin. July 1793.]
Aquatint, pt J. Whatman watermark; 290 x 430mm. (11½ x 17"). Trimmed into plate top and bottom.
A view of the 'long room' of the College Library, Dublin. Various figures can be seen including a man reading on right. From 'A Picturesque and Descriptive View of the City of Dublin Described in a Series of the most Interesting Scenes taken in the Year 1791'.
Bonar-Law 2.(i)
[Ref: 57805] £290.00 (£348.00 incl.VAT)
National University Dublin.
MMRudge [pencil signature].
[n.d., c.1920.]
Etching, platemark 95 x 140mm (3¾ x 5½").
The central building of University College Dublin at the foundation of the National University of Ireland, which had originally been built for the Dublin International Exhibition of 1865. After UCD relocated in the 1960s, the building, on Earlsfort Terrace, waas transformed into the National Concert Hall. By Margaret M. Rudge, who exhibited at the Royal Academy and the Society of Women Artists between 1913 and 1929.
[Ref: 37666] £75.00 (£90.00 incl.VAT)
MMRudge [pencil signature].
[n.d., c.1920.]
Etching, platemark 95 x 140mm (3¾ x 5½").
The central building of University College Dublin at the foundation of the National University of Ireland, which had originally been built for the Dublin International Exhibition of 1865. After UCD relocated in the 1960s, the building, on Earlsfort Terrace, waas transformed into the National Concert Hall. By Margaret M. Rudge, who exhibited at the Royal Academy and the Society of Women Artists between 1913 and 1929.
[Ref: 37666] £75.00 (£90.00 incl.VAT)
Antoine Dubois. Professeur a l'Ecole de Medecine de Paris. Bene agere ae laetari.
Boilly pinxt. Depose a la Bibliotheque Imperiale. Gautier sc.
A Paris, chex Noel Freres, Mds. d'Estampes, Rues des Pretres St.Germain L'Auxerois, No.22. Et Rue St.Jacques, No.16.
Mezzotint with hand colour. 324 x 237mm.
Baron Antoine Dubois [17561837]. Medical.
W: 856-1
[Ref: 699] £140.00 (£168.00 incl.VAT)
Boilly pinxt. Depose a la Bibliotheque Imperiale. Gautier sc.
A Paris, chex Noel Freres, Mds. d'Estampes, Rues des Pretres St.Germain L'Auxerois, No.22. Et Rue St.Jacques, No.16.
Mezzotint with hand colour. 324 x 237mm.
Baron Antoine Dubois [17561837]. Medical.
W: 856-1
[Ref: 699] £140.00 (£168.00 incl.VAT)
![[In ink along top:] Jardins de Trianon a Versailles. 28. armand Louis de goutant Nieay Duc de Laugun. 32 ans. Mr. Scott Craven.](jpegs/22694.jpg)
[In ink along top:] Jardins de Trianon a Versailles. 28. armand Louis de goutant Nieay Duc de Laugun. 32 ans. Mr. Scott Craven.
Ch. Bianchini [stamped in red ink at lower right with signature.]
[n.d. c.1890.]
Pen and black ink, watercolour. 310 x 235mm. 12¼ x 9¼".
Costume design for the Duke of Laugun, by Charles Bianchini (1860-1905) designer for the Opera Comique and Paris Opera. An "A. Scott-Craven" was active on the london stage in musical theatre around the turn of the 20th Century.
Ex Collection: Alec Clunes.
[Ref: 22694] £220.00 (£264.00 incl.VAT)
Ch. Bianchini [stamped in red ink at lower right with signature.]
[n.d. c.1890.]
Pen and black ink, watercolour. 310 x 235mm. 12¼ x 9¼".
Costume design for the Duke of Laugun, by Charles Bianchini (1860-1905) designer for the Opera Comique and Paris Opera. An "A. Scott-Craven" was active on the london stage in musical theatre around the turn of the 20th Century.
Ex Collection: Alec Clunes.
[Ref: 22694] £220.00 (£264.00 incl.VAT)
Iosephus Quercetanus Medicus Regius Paris. Hæc Quercetami corpus quce pinxit Iago est, Ingenio at melius pingitur ille fuo.
[n.d., c.1652.]
Engraving. 140 x 100mm (5½ x 4"). Trimmed into plate and backed onto album paper.
Portrait of Joseph Duchesne or du Chesne (c. 1544 - 1609), French physician. A follower of Paracelsus, he is now remembered for important if transitional alchemical theories. He called sugar toxic, saying: Under its whiteness, sugar hides a great blackness.
[Ref: 64158] £80.00 (£96.00 incl.VAT)
[n.d., c.1652.]
Engraving. 140 x 100mm (5½ x 4"). Trimmed into plate and backed onto album paper.
Portrait of Joseph Duchesne or du Chesne (c. 1544 - 1609), French physician. A follower of Paracelsus, he is now remembered for important if transitional alchemical theories. He called sugar toxic, saying: Under its whiteness, sugar hides a great blackness.
[Ref: 64158] £80.00 (£96.00 incl.VAT)
![Wild Duck [pencil, lower right.]](jpegs/22752.jpg)
Wild Duck [pencil, lower right.]
BG(?)Bromhead [signed in pencil and in plate.]
[British, n.d., c.1930s?]
Etching, thick wove paper, 135 x 200mm. 5¼ x 8".
A male and female mallard duck in low flight; reeds lower left.
[Ref: 22752] £75.00 (£90.00 incl.VAT)
BG(?)Bromhead [signed in pencil and in plate.]
[British, n.d., c.1930s?]
Etching, thick wove paper, 135 x 200mm. 5¼ x 8".
A male and female mallard duck in low flight; reeds lower left.
[Ref: 22752] £75.00 (£90.00 incl.VAT)
Chinese Duck Boat.
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman Hurst, Ress & Orme Paternoster Row Oct.r 1. 1810.
Coloured aquatint. Sheet 180 x 250mm (7 x 9¾"), on Whatman paper. Trimmed within plate.
A flat-bottom boat with outrigger pens. An illustration from 'A Picturesque Voyage to India; by the Way of China' 1810.
Abbey 516.
[Ref: 56270] £130.00 (£156.00 incl.VAT)
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman Hurst, Ress & Orme Paternoster Row Oct.r 1. 1810.
Coloured aquatint. Sheet 180 x 250mm (7 x 9¾"), on Whatman paper. Trimmed within plate.
A flat-bottom boat with outrigger pens. An illustration from 'A Picturesque Voyage to India; by the Way of China' 1810.
Abbey 516.
[Ref: 56270] £130.00 (£156.00 incl.VAT)
La Chasse du Canard. [Duck hunting].
Peinte par G. Morland et Dirigee par A. Suntach.
Publieé les 15 Decembre 1791 par Antoine Suntach.
Stipple. Platemark: 270 x 315mm (10 ½ x 12¼"). Large margins. Small holes in margins.
A man sitting beside water with a duck in his hands, his rifle resting against tree at left and his dogs at right, one looking up hungrily at the bird. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
[Ref: 33234] £260.00 (£312.00 incl.VAT)
Peinte par G. Morland et Dirigee par A. Suntach.
Publieé les 15 Decembre 1791 par Antoine Suntach.
Stipple. Platemark: 270 x 315mm (10 ½ x 12¼"). Large margins. Small holes in margins.
A man sitting beside water with a duck in his hands, his rifle resting against tree at left and his dogs at right, one looking up hungrily at the bird. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Engraved and published by Italian reproductive stipple engraver, Antonio Suntach (1744 - 1828). Part of a series of nine hunting scenes, including some plates after Ibbetson.
[Ref: 33234] £260.00 (£312.00 incl.VAT)
Chasse Aux Canards.
Peint par Heywood Hardy / Boussod, Valadon & Co.
Berlin Verlag von Boussod, Valadon & Co. Imprimé & Publié le 1.er Avril 1894 par Boussod, Valadon & C.ie Editueurs, Successeurs de Goupil & C.ie. Paris_Londres_La Haye. New-York published by Boussod, Valadon & Co.
Phototgravure laid on India paper. Platemark: 605 x 790mm (24 x 31"). Light foxing to sheet. Water stains to right side of sheet. Tear from top edge of sheet to just inside platemark.
A rural countryside scene; two gentlemen with rifles at the edge of a lake attempting to shoot at ducks as they are flying away. One of the figures takes aim, whilst the other is kneeling behind him with his dog by his side. Would make a good pair with item ref: 3022. After British painter Heywood Hardy (18421933).
[Ref: 32008] £550.00
Peint par Heywood Hardy / Boussod, Valadon & Co.
Berlin Verlag von Boussod, Valadon & Co. Imprimé & Publié le 1.er Avril 1894 par Boussod, Valadon & C.ie Editueurs, Successeurs de Goupil & C.ie. Paris_Londres_La Haye. New-York published by Boussod, Valadon & Co.
Phototgravure laid on India paper. Platemark: 605 x 790mm (24 x 31"). Light foxing to sheet. Water stains to right side of sheet. Tear from top edge of sheet to just inside platemark.
A rural countryside scene; two gentlemen with rifles at the edge of a lake attempting to shoot at ducks as they are flying away. One of the figures takes aim, whilst the other is kneeling behind him with his dog by his side. Would make a good pair with item ref: 3022. After British painter Heywood Hardy (18421933).
[Ref: 32008] £550.00
![[Nine Ducks.]](jpegs/63609.jpg)
[Nine Ducks.]
Barlow inv. Hollar fec.
[n.d., c.1660.]
Etching, 17th century watermark. 145 x 195mm (5¾ x 7¾"), with large margins. Stitch holes in left margin.
Five ducks in a pool, two standing and one lying on the bank, and one in the air. An untitled plate from the series 'Diversae avium species'.
Pennington 2143, first state of two.
[Ref: 63609] £260.00 (£312.00 incl.VAT)
Barlow inv. Hollar fec.
[n.d., c.1660.]
Etching, 17th century watermark. 145 x 195mm (5¾ x 7¾"), with large margins. Stitch holes in left margin.
Five ducks in a pool, two standing and one lying on the bank, and one in the air. An untitled plate from the series 'Diversae avium species'.
Pennington 2143, first state of two.
[Ref: 63609] £260.00 (£312.00 incl.VAT)
Domestick Ducks.
D. Cox Del.t. T. Sutherland sculp.t.
London, Published May 1823 by S. & J. Fuller, 34, Rathbone Place.
Fine aquatint, printed in colours and hand finished; Watermark J. Whatman, Turkey Mill 1822; Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
Sleeping ducks by a pond.
[Ref: 57503] £85.00 (£102.00 incl.VAT)
D. Cox Del.t. T. Sutherland sculp.t.
London, Published May 1823 by S. & J. Fuller, 34, Rathbone Place.
Fine aquatint, printed in colours and hand finished; Watermark J. Whatman, Turkey Mill 1822; Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
Sleeping ducks by a pond.
[Ref: 57503] £85.00 (£102.00 incl.VAT)
![Sundown [pencil].](jpegs/12043.jpg)
Sundown [pencil].
F.S. Farley [pencil signature.]
[n.d., c.1920.]
Etching, signed and titled by the artist. 130 x 115mm, 5 x 4½".
Ducks landing.
[Ref: 12043] £120.00 (£144.00 incl.VAT)
F.S. Farley [pencil signature.]
[n.d., c.1920.]
Etching, signed and titled by the artist. 130 x 115mm, 5 x 4½".
Ducks landing.
[Ref: 12043] £120.00 (£144.00 incl.VAT)
![[Mallards.]](jpegs/63131.jpg)
[Mallards.]
[n.d., c.1800.]
Scarce aquatint, printed in colours and hand finished. 335 x 500mm (13¼ x 19¾"), on Whatman paper. Repaired tear, several small holes.
A very fine colour image showing three Mallard drakes and two ducks in a rural landscape.
[Ref: 63131] £490.00
[n.d., c.1800.]
Scarce aquatint, printed in colours and hand finished. 335 x 500mm (13¼ x 19¾"), on Whatman paper. Repaired tear, several small holes.
A very fine colour image showing three Mallard drakes and two ducks in a rural landscape.
[Ref: 63131] £490.00
Sir J. T. Duckworth's Action off S.t. Domingo, Feb.r. 6.th. 1806.
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Feb.y. 1. 1817, at 48 Strand for J. Jenkin's Naval Achievements.
Hand coloured aquatint. J. Whatman 1831 watermark. Plate: 300 x 220m, (12 x 8¾"). Very large margins.
A naval scene showing the defeat of the French fleet under Vice-Admiral Leissegues by a British squadron under the commane of Vice-Admiral Sir John Duckworth off the coast of San Domingo. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 178.
[Ref: 39367] £240.00 (£288.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Feb.y. 1. 1817, at 48 Strand for J. Jenkin's Naval Achievements.
Hand coloured aquatint. J. Whatman 1831 watermark. Plate: 300 x 220m, (12 x 8¾"). Very large margins.
A naval scene showing the defeat of the French fleet under Vice-Admiral Leissegues by a British squadron under the commane of Vice-Admiral Sir John Duckworth off the coast of San Domingo. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 178.
[Ref: 39367] £240.00 (£288.00 incl.VAT)
Stephanie Félicité Ducrest Marquise de Sillery ci-devant C.sse de Genli Gouvernante des Enfans de S.A.S. Monsg.r Le Duc d'Orleans. Vertus, races, talens, esprit juste-enchanteur, Elle a tout ce qu'il faut pour embelir-la vie. C'est la charme des yeux, de-l'oreille, du coeur, Et le desespoir de l'envie. Par Mr. de Sauvigny.
Miris pinx. Copia sculp.
[n.d. c.1760.]
Engraving. 223 x 153mm. 8¾ x 6". Large margins, slight creasing.
Madame de Genlis, full name Stephanie Félicité Ducrest de St-Aubin (1746-1830) was a French writer, harpist and educator.
[Ref: 23234] £70.00 (£84.00 incl.VAT)
Miris pinx. Copia sculp.
[n.d. c.1760.]
Engraving. 223 x 153mm. 8¾ x 6". Large margins, slight creasing.
Madame de Genlis, full name Stephanie Félicité Ducrest de St-Aubin (1746-1830) was a French writer, harpist and educator.
[Ref: 23234] £70.00 (£84.00 incl.VAT)
Robbert Dudley, Graaf van Leicester.
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Bottom right corner torn.
A half-length portrait in oval of Robert Dudley (1532-1588), 1st Earl of Leicester and favourite of Elizabeth I.
[Ref: 66736] £60.00 (£72.00 incl.VAT)
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Bottom right corner torn.
A half-length portrait in oval of Robert Dudley (1532-1588), 1st Earl of Leicester and favourite of Elizabeth I.
[Ref: 66736] £60.00 (£72.00 incl.VAT)
Robertus Dudleus Leycestriæ Comes, Reginæ Angliæ Missu, Belgarum Præfectus Anno. M. D. LXXXVII.
[n.d., c.1650.]
Engraving. Sheet: 185 x 185mm (7¼ x 7¼''). Trimmed and laid on album sheet.
A portrait of Robert Dudley, 1st Earl of Leicester (1532-1588), statesman and favourite of Elizabeth I.
BM 1870,0514.1930
[Ref: 48681] £160.00 (£192.00 incl.VAT)
[n.d., c.1650.]
Engraving. Sheet: 185 x 185mm (7¼ x 7¼''). Trimmed and laid on album sheet.
A portrait of Robert Dudley, 1st Earl of Leicester (1532-1588), statesman and favourite of Elizabeth I.
BM 1870,0514.1930
[Ref: 48681] £160.00 (£192.00 incl.VAT)
Robertus Dudleus Leycestriæ Comes Reginæ Angliæ Missu Belgarum Præfectus.
[n.d., c.1600.]
Engraving. Plate: 190 x 140mm (7½ x 5½''). Foxing.
A portrait of Robert Dudley (1533-1588), favorite of Queen Elizabeth I. Engraved by Christoffel van Sichem I.
[Ref: 49295] £280.00 (£336.00 incl.VAT)
[n.d., c.1600.]
Engraving. Plate: 190 x 140mm (7½ x 5½''). Foxing.
A portrait of Robert Dudley (1533-1588), favorite of Queen Elizabeth I. Engraved by Christoffel van Sichem I.
[Ref: 49295] £280.00 (£336.00 incl.VAT)
Robert Dudley, Earl of Leicester. In the Collection of the right hon.ble Lord Frederick Campbell. CR edidt.
Federico Zuccaro delt. 1575. Simi. Watts sculp.1773.
[n.d. c.1775]
Etching with hand colour. Plate 428 x 304mm. 16¾ x 12". Stained top left.
Robert Dudley, 1st Earl of Leicester KG (1532-1588), was an English nobleman and a favourite and close friend of Elizabeth I of England from her first year on the throne until his death. For many years he was a suitor for the Queen's hand; she giving him reason to hope.
[Ref: 14380] £130.00 (£156.00 incl.VAT)
Federico Zuccaro delt. 1575. Simi. Watts sculp.1773.
[n.d. c.1775]
Etching with hand colour. Plate 428 x 304mm. 16¾ x 12". Stained top left.
Robert Dudley, 1st Earl of Leicester KG (1532-1588), was an English nobleman and a favourite and close friend of Elizabeth I of England from her first year on the throne until his death. For many years he was a suitor for the Queen's hand; she giving him reason to hope.
[Ref: 14380] £130.00 (£156.00 incl.VAT)
Due Filosofi.
An. Carracci del. AP. [monogram.]
[n.d. c.1740.]
Etching, 18th century watermark; platemark 250 x 205mm. 9¾ x 8"; very large margins.
A bearded man wearing a hat shouts at another, who is seated wearing glasses. Etching after Annibale Carracci (1560-1609), Italian painter who is also generally credited with the invention of caricature. Etched by the British artist Arthur Pond (1701-1758) and published in a series of 'Caricaturas' he produced from 1736 to 1747. The plates were subsequently acquired by the publisher John Boydell, who advertsied sets of the prints in his 1807 catalogue.
Hake: 71.
[Ref: 40792] £280.00 (£336.00 incl.VAT)
An. Carracci del. AP. [monogram.]
[n.d. c.1740.]
Etching, 18th century watermark; platemark 250 x 205mm. 9¾ x 8"; very large margins.
A bearded man wearing a hat shouts at another, who is seated wearing glasses. Etching after Annibale Carracci (1560-1609), Italian painter who is also generally credited with the invention of caricature. Etched by the British artist Arthur Pond (1701-1758) and published in a series of 'Caricaturas' he produced from 1736 to 1747. The plates were subsequently acquired by the publisher John Boydell, who advertsied sets of the prints in his 1807 catalogue.
Hake: 71.
[Ref: 40792] £280.00 (£336.00 incl.VAT)
![[Duel.]](jpegs/49894.jpg)
[Duel.] Vol. II p.255.
F. Hayman inv. et del. C. Grignion sculp.
[n.d., c.1753.]
Engraving, 18th century watermark. Plate: 225 x 180mm (9 x 7''). Small margins. Creasing and tears.
A scene showing a duel between two Hanoverian men, one man lies on the ground while a woman and child kneel next to him. An illustration to Jonas Hanway's 'An Historical Account of British Trade over the Caspian Sea'.
[Ref: 49894] £75.00 (£90.00 incl.VAT)
F. Hayman inv. et del. C. Grignion sculp.
[n.d., c.1753.]
Engraving, 18th century watermark. Plate: 225 x 180mm (9 x 7''). Small margins. Creasing and tears.
A scene showing a duel between two Hanoverian men, one man lies on the ground while a woman and child kneel next to him. An illustration to Jonas Hanway's 'An Historical Account of British Trade over the Caspian Sea'.
[Ref: 49894] £75.00 (£90.00 incl.VAT)
The Duel - or Charley longing for a Pop.
IC
London Published by SW Fores, 50, Piccadilly, June 1. 1798. NB Folios of Caricatures Len out for the Evening.
Etching on 18th century watermarked paper, sheet 255 x 390mm (10 x 15¼"). Trimmed within plate. Slightly torn near top left corner. Very slight central crease.
A satire of the famous duel between William Pitt the Younger and George Tierney on Putney Heath on Sunday May 27th, 1798, fought when Pitt accused Tierney of a lack of patriotism in Parliament. Here Tierney points his pistol at Pitt, who stands with his pistol pointing at the ground. Fox has a restraining hand on Tierney's shoulder, but only attempting to persuade him to use a blunderbuss instead. Neither politician was hurt.
BM Satires 9223.
[Ref: 58783] £260.00 (£312.00 incl.VAT)
IC
London Published by SW Fores, 50, Piccadilly, June 1. 1798. NB Folios of Caricatures Len out for the Evening.
Etching on 18th century watermarked paper, sheet 255 x 390mm (10 x 15¼"). Trimmed within plate. Slightly torn near top left corner. Very slight central crease.
A satire of the famous duel between William Pitt the Younger and George Tierney on Putney Heath on Sunday May 27th, 1798, fought when Pitt accused Tierney of a lack of patriotism in Parliament. Here Tierney points his pistol at Pitt, who stands with his pistol pointing at the ground. Fox has a restraining hand on Tierney's shoulder, but only attempting to persuade him to use a blunderbuss instead. Neither politician was hurt.
BM Satires 9223.
[Ref: 58783] £260.00 (£312.00 incl.VAT)
The Duellists. "What dangers do the man environ, "Who's doomed to meddle with cold iron." - Butler.
[n.d. c.1820]
Scarce hand-coloured etching with letterpress. Sheet 335 x 210mm (13¼ x 8¼"). Trimmed within plate. Tears. Light creasing.
A man challenges another to a duel of pistols handing the other a gun he says, "I Think this spot will do for our purpose, You have injured my honour by Hunting after my game and I demand satisfaction. shall I take the ground by paces or by yards? I have brought my measure with me for the purpose." The other man says "What is there in it? take care it don't go off." A wagon in the background has 'London & Stamford,' written on it. The text below the image, a comic poem or song, identifies the men as '---Billy B-----ks,' and 'William H----t.'
[Ref: 62036] £180.00 (£216.00 incl.VAT)
[n.d. c.1820]
Scarce hand-coloured etching with letterpress. Sheet 335 x 210mm (13¼ x 8¼"). Trimmed within plate. Tears. Light creasing.
A man challenges another to a duel of pistols handing the other a gun he says, "I Think this spot will do for our purpose, You have injured my honour by Hunting after my game and I demand satisfaction. shall I take the ground by paces or by yards? I have brought my measure with me for the purpose." The other man says "What is there in it? take care it don't go off." A wagon in the background has 'London & Stamford,' written on it. The text below the image, a comic poem or song, identifies the men as '---Billy B-----ks,' and 'William H----t.'
[Ref: 62036] £180.00 (£216.00 incl.VAT)
The Duett. From the Picture in the Vernon Gallery.
W. Etty, R.A. Painter. R. Bell, Engraver.
H. Wilkinson, Printer. [n.d. c.1850.]
Engraving and etching. 230 x 318mm. 9 x 12½". Publication line cut.
A couple in oriental dress sitting at a table spread with fruit on a balcony, she sitting in front, playing a lute, both looking to left and singing from a score held up by a page wearing a doublet with slashed sleeves. After the painting 'The duet', exhibited in 1838, previously in the Vernon collection, now at Tate. Illustration from 'The Art Journal' of 1850.
[Ref: 22652] £65.00 (£78.00 incl.VAT)
W. Etty, R.A. Painter. R. Bell, Engraver.
H. Wilkinson, Printer. [n.d. c.1850.]
Engraving and etching. 230 x 318mm. 9 x 12½". Publication line cut.
A couple in oriental dress sitting at a table spread with fruit on a balcony, she sitting in front, playing a lute, both looking to left and singing from a score held up by a page wearing a doublet with slashed sleeves. After the painting 'The duet', exhibited in 1838, previously in the Vernon collection, now at Tate. Illustration from 'The Art Journal' of 1850.
[Ref: 22652] £65.00 (£78.00 incl.VAT)
Malay. Cape Town.
[George Duff.]
[n.d., c.1850.]
Watercolour and pencil drawing. Sheet size: 115 x 80mm (4½ x 3¼").
A rare watercolour portrait by George Duff (fl.1840-1860s).
[Ref: 37413] £190.00 (£228.00 incl.VAT)
[George Duff.]
[n.d., c.1850.]
Watercolour and pencil drawing. Sheet size: 115 x 80mm (4½ x 3¼").
A rare watercolour portrait by George Duff (fl.1840-1860s).
[Ref: 37413] £190.00 (£228.00 incl.VAT)
![[Malay Woman.]](jpegs/37415.jpg)
[Malay Woman.]
[George Duff.]
[n.d., c.1850.]
Watercolour and pencil drawing. Sheet size: 115 x 80mm (4½ x 3¼").
A rare watercolour portrait by George Duff (fl.1840-1860s).
[Ref: 37415] £190.00 (£228.00 incl.VAT)
[George Duff.]
[n.d., c.1850.]
Watercolour and pencil drawing. Sheet size: 115 x 80mm (4½ x 3¼").
A rare watercolour portrait by George Duff (fl.1840-1860s).
[Ref: 37415] £190.00 (£228.00 incl.VAT)
![[Rev. Alex Duff.]](jpegs/53870.jpg)
[Rev. Alex Duff.]
[n.d. c.1870.]
Stipple engraving. 225 x 150mm (9 x 6"), with large margins.
A head and shoulders portrait of Rev. Alexander Duff (1806-1878), right-gazing. Born in Scotland and after studying at the University of St. Andrew's, Duff spent much of his life as an evangelical Christian missionary in India, aiming to reform the education system and in turn convert (primarily middle class) Hindus to Christianity. Though his methods helped to advance healthcare in India, mainly by dispelling the prejudice of handling dead bodies, he achieved little in the way of religious conversion. He died and was buried in Sidmouth, Devon.
[Ref: 53870] £60.00 (£72.00 incl.VAT)
[n.d. c.1870.]
Stipple engraving. 225 x 150mm (9 x 6"), with large margins.
A head and shoulders portrait of Rev. Alexander Duff (1806-1878), right-gazing. Born in Scotland and after studying at the University of St. Andrew's, Duff spent much of his life as an evangelical Christian missionary in India, aiming to reform the education system and in turn convert (primarily middle class) Hindus to Christianity. Though his methods helped to advance healthcare in India, mainly by dispelling the prejudice of handling dead bodies, he achieved little in the way of religious conversion. He died and was buried in Sidmouth, Devon.
[Ref: 53870] £60.00 (£72.00 incl.VAT)
![[James Duff, 5th Earl Fife.]](jpegs/60961.jpg)
[James Duff, 5th Earl Fife.]
[Engraved by George Raphael Ward, from a Sketch by Francis Grant, A.R.A.]
[n.d., c.1850.]
Mezzotint, proof before letters. 590 x 400mm (23¼ x 15¾") very large margins. Some creasing, a few small nicks in margins.
Full length portrait of James Duff, 5th Earl of Fife (1814-79) in Highland dress, with kilt, sporran, sword, gun and dog.
BM 2010,7081.5180, identifying him as James Duff, 4th Earl (1776-1857).
[Ref: 60961] £280.00 (£336.00 incl.VAT)
[Engraved by George Raphael Ward, from a Sketch by Francis Grant, A.R.A.]
[n.d., c.1850.]
Mezzotint, proof before letters. 590 x 400mm (23¼ x 15¾") very large margins. Some creasing, a few small nicks in margins.
Full length portrait of James Duff, 5th Earl of Fife (1814-79) in Highland dress, with kilt, sporran, sword, gun and dog.
BM 2010,7081.5180, identifying him as James Duff, 4th Earl (1776-1857).
[Ref: 60961] £280.00 (£336.00 incl.VAT)
James Earl of Fife, Viscount Macduff, Baron of the Kingdom of Ireland. Baron Fife in Great Britain, Lord Lieutenant of the County of Banff. F.R.S. & A.S. &c. &c.
Painted by A.W.Devis, 1805. Engraved by R.Dunkarton.
[n.d., c.1805.]
Very rare mezzotint. 710 x 455mm (28 x 18"), Time staining and creasing to upper and lower plate. Rubbed and some small tears close to plate. Very small margins. Messy.
Full-length portrait of James Duff, second Earl of Fife (1729 - 1809), Scottish aristocrat and Member of Parliament.
CS 18. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64659] £420.00
Painted by A.W.Devis, 1805. Engraved by R.Dunkarton.
[n.d., c.1805.]
Very rare mezzotint. 710 x 455mm (28 x 18"), Time staining and creasing to upper and lower plate. Rubbed and some small tears close to plate. Very small margins. Messy.
Full-length portrait of James Duff, second Earl of Fife (1729 - 1809), Scottish aristocrat and Member of Parliament.
CS 18. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64659] £420.00
![[James Duff, 4th Earl of Fife] A Discharg'd Fife=r.](jpegs/34429.jpg)
[James Duff, 4th Earl of Fife] A Discharg'd Fife=r. Lord Fife.
Drawn Etched by Richard Dighton 1821 April 25.
Pub.d. by T M.c.Lean Haymarket.
Hand-coloured etching with very large margins. Plate: 180 x 310mm (7 x 12").
Full length portrait in profile, facing right, of James Duff, 4th Earl of Fife (1776-1857) who, while serving as MP for Banffshire, was dismissed from his position as Lord of the Bedchamber for voting against the malt tax. Duff also served alongside the Spanish in their war against Napoleon.
BM 14264.
[Ref: 34429] £140.00 (£168.00 incl.VAT)
Drawn Etched by Richard Dighton 1821 April 25.
Pub.d. by T M.c.Lean Haymarket.
Hand-coloured etching with very large margins. Plate: 180 x 310mm (7 x 12").
Full length portrait in profile, facing right, of James Duff, 4th Earl of Fife (1776-1857) who, while serving as MP for Banffshire, was dismissed from his position as Lord of the Bedchamber for voting against the malt tax. Duff also served alongside the Spanish in their war against Napoleon.
BM 14264.
[Ref: 34429] £140.00 (£168.00 incl.VAT)
Mrs. Duff. Dedicated to the Right Honorable James Duff, Earl of Fife, By his Lordships very obliged & most Obedient Servant, R. Ackermann.
R. Cosway R.A. del.t. John Agar sculp.
London, Pub. Jan 1. 1822 by R. Ackermann at his Repository of Arts, 101 Strand.
Very rare colour printed stipple; original issue. Sheet size: 490 x 370mm (19¼ x 14½").
A portrait of Mary Caroline Duff, standing on clouds with one foot on the earth, whole-length with a swirling shawl held over her head, a cherub at the left pulling at her dress and pointing up to the heavens, with another on a cloud to the left reaching out to grab her wrist. Lettered below the image with eight lines of verse, signed 'C.F.'
[Ref: 39396] £360.00
R. Cosway R.A. del.t. John Agar sculp.
London, Pub. Jan 1. 1822 by R. Ackermann at his Repository of Arts, 101 Strand.
Very rare colour printed stipple; original issue. Sheet size: 490 x 370mm (19¼ x 14½").
A portrait of Mary Caroline Duff, standing on clouds with one foot on the earth, whole-length with a swirling shawl held over her head, a cherub at the left pulling at her dress and pointing up to the heavens, with another on a cloud to the left reaching out to grab her wrist. Lettered below the image with eight lines of verse, signed 'C.F.'
[Ref: 39396] £360.00
Col. Patrick Duff, of the Hon.ble East India Company's Artillery.
Painted by G. Romney Esq: Engraved by C:H:Hodges.
Publish'd by C.H. Hodges No.17, Lambeth Road_Feb.y 3.d. 1791.
Mezzotint. 405 x 275mm (16 x 10¾"), very large margins. Framed. Stain in title.
Half-length portrait of Patrick Duff (d.1803), holding a sword in military uniform, facing forward.
Horne: 27, ii/ii. CS 12.
[Ref: 63663] £280.00 (£336.00 incl.VAT)
Painted by G. Romney Esq: Engraved by C:H:Hodges.
Publish'd by C.H. Hodges No.17, Lambeth Road_Feb.y 3.d. 1791.
Mezzotint. 405 x 275mm (16 x 10¾"), very large margins. Framed. Stain in title.
Half-length portrait of Patrick Duff (d.1803), holding a sword in military uniform, facing forward.
Horne: 27, ii/ii. CS 12.
[Ref: 63663] £280.00 (£336.00 incl.VAT)
Mr. R. A. Duff.
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 380 x 255mm (15 x 10").
'Reggie' Duff Australian. ACT: Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1249] £125.00 (£150.00 incl.VAT)
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 380 x 255mm (15 x 10").
'Reggie' Duff Australian. ACT: Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1249] £125.00 (£150.00 incl.VAT)
Duffy & Lloyd.
Jndel [John Nixon.]
Pub by S & E Harding Pall Mall. [n.d. c.1794.]
Stipple with etching. Plate 233 x 152mm. 9¼ x 6".
Duffy & Lloyd, two criminals.
[Ref: 20267] £130.00 (£156.00 incl.VAT)
Jndel [John Nixon.]
Pub by S & E Harding Pall Mall. [n.d. c.1794.]
Stipple with etching. Plate 233 x 152mm. 9¼ x 6".
Duffy & Lloyd, two criminals.
[Ref: 20267] £130.00 (£156.00 incl.VAT)
Mr. Stephen Dugdale. Discoverer of the horrid Plott.
R. White delin. et sculp [1681]
Etching, sheet 230 x 150mm (9 x 6"). Trimmed. Glued to album sheet at edges.
Stephen Dugdale (d.1683), informer. Imprisoned for debt in 1678, Dugdale turned informer, claiming to have knowledge of the 'Popish Plot' to assassinate Charles II. He confirmed the evidence of the plot's chief fabricator Titus Oates, and created a minor sub-plot of his own, based in Staffordshire. At the Popish Plot trials of 1679, however, Dugdale was unpersuasive in his testimony and his respectability ebbed away under bouts of venereal disease and drunkenness. He continued to earn well as an informant until his death, however.
[Ref: 42811] £190.00 (£228.00 incl.VAT)
R. White delin. et sculp [1681]
Etching, sheet 230 x 150mm (9 x 6"). Trimmed. Glued to album sheet at edges.
Stephen Dugdale (d.1683), informer. Imprisoned for debt in 1678, Dugdale turned informer, claiming to have knowledge of the 'Popish Plot' to assassinate Charles II. He confirmed the evidence of the plot's chief fabricator Titus Oates, and created a minor sub-plot of his own, based in Staffordshire. At the Popish Plot trials of 1679, however, Dugdale was unpersuasive in his testimony and his respectability ebbed away under bouts of venereal disease and drunkenness. He continued to earn well as an informant until his death, however.
[Ref: 42811] £190.00 (£228.00 incl.VAT)
Gulielmus Dugdale. Aetatis 50. A. MDCLVI. Ovid: Nescio qua natale solum dulcedine cunctas Ducit et immemores non finit esse sui.
Wenceslaus Hollar delin: et sculpsit:
[n.d. c.1658.]
Etching, 170 x 265mm (6¾ x 10¼"). Trimmed within plate slightly on all sides/thread margins. Laid on album paper.
Sir William Dugdale (1605-1686) was an English antiquary. His early life was spent collecting materials for a history of Warwickshire with Sir Symon Archer, and in 1638 he was created a pursuivant of arms extraordinary and a year later he was promoted to the office of Rouge Croix Pursuivant of Arms in Ordinary. He then stayed in London to do some research on the records in the Tower. In 1642 he was summoned to attend the King at York, and when the Civil War broke out he requested to open the castles of Banbury and Warwick as strongholds to keep them out of reach of the rebel forces. In 1644 the King created him Chester Herald of Arms in Ordinary. At the Restoration he obtained the office of Norroy King of Arms, and in 1677 he was knighted and promoted to the officer of Garter Principal King of Arms, which he held until his death.
NPG: D4395. Pennington: 1392 iii of iv, from 'The History of St Paul's', 1658.
[Ref: 68387] £230.00 (£276.00 incl.VAT)
Wenceslaus Hollar delin: et sculpsit:
[n.d. c.1658.]
Etching, 170 x 265mm (6¾ x 10¼"). Trimmed within plate slightly on all sides/thread margins. Laid on album paper.
Sir William Dugdale (1605-1686) was an English antiquary. His early life was spent collecting materials for a history of Warwickshire with Sir Symon Archer, and in 1638 he was created a pursuivant of arms extraordinary and a year later he was promoted to the office of Rouge Croix Pursuivant of Arms in Ordinary. He then stayed in London to do some research on the records in the Tower. In 1642 he was summoned to attend the King at York, and when the Civil War broke out he requested to open the castles of Banbury and Warwick as strongholds to keep them out of reach of the rebel forces. In 1644 the King created him Chester Herald of Arms in Ordinary. At the Restoration he obtained the office of Norroy King of Arms, and in 1677 he was knighted and promoted to the officer of Garter Principal King of Arms, which he held until his death.
NPG: D4395. Pennington: 1392 iii of iv, from 'The History of St Paul's', 1658.
[Ref: 68387] £230.00 (£276.00 incl.VAT)
Gulielmus Dugdale. Aetatis 50. A. MDCLVI. Ovid: Nescio qua natale solum dulcedine cunctas Ducit et immemores non finit esse sui.
Wenceslaus Hollar delin: et Scul.
Printed for Jonah Bowyer at ye Rose in Ludgate Street 1714.
Etching. Plate: 260 x 170mm (10¼ x 6¾"). Repaired wormhole in plate.
Sir William Dugdale (1605-1686) was an English antiquary. His early life was spent collecting materials for a history of Warwickshire with Sir Symon Archer, and in 1638 he was created a pursuivant of arms extraordinary and a year later he was promoted to the office of Rouge Croix Pursuivant of Arms in Ordinary. He then stayed in London to do some research on the records in the Tower. In 1642 he was summoned to attend the King at York, and when the Civil War broke out he requested to open the castles of Banbury and Warwick as strongholds to keep them out of reach of the rebel forces. In 1644 the King created him Chester Herald of Arms in Ordinary. At the Restoration he obtained the office of Norroy King of Arms, and in 1677 he was knighted and promoted to the officer of Garter Principal King of Arms, which he held until his death.
Pennington: 1392, state iv of v, from 'The History of St Paul's', 1716.
[Ref: 45938] £240.00 (£288.00 incl.VAT)
Wenceslaus Hollar delin: et Scul.
Printed for Jonah Bowyer at ye Rose in Ludgate Street 1714.
Etching. Plate: 260 x 170mm (10¼ x 6¾"). Repaired wormhole in plate.
Sir William Dugdale (1605-1686) was an English antiquary. His early life was spent collecting materials for a history of Warwickshire with Sir Symon Archer, and in 1638 he was created a pursuivant of arms extraordinary and a year later he was promoted to the office of Rouge Croix Pursuivant of Arms in Ordinary. He then stayed in London to do some research on the records in the Tower. In 1642 he was summoned to attend the King at York, and when the Civil War broke out he requested to open the castles of Banbury and Warwick as strongholds to keep them out of reach of the rebel forces. In 1644 the King created him Chester Herald of Arms in Ordinary. At the Restoration he obtained the office of Norroy King of Arms, and in 1677 he was knighted and promoted to the officer of Garter Principal King of Arms, which he held until his death.
Pennington: 1392, state iv of v, from 'The History of St Paul's', 1716.
[Ref: 45938] £240.00 (£288.00 incl.VAT)