Grosvenor Prints

Henry Andrews, Astronomer and the celebrated Author of Moore's Almanack. Aged 71 -- 1815. Born at Frieston, near Grantham, February 4th 1744; Died at Royston, in Hertfordshire, January 26th, 1820, aged 76 years.
J. Watson Pinxt. T. Blood Sculpt.
[n.d. c.1815.]
Very rare stipple with letterpress attachment. Plate 165 x 114mm (6½ x 4½"), very large margins. Some age spots and creasing.
Half portrait of Henry Andrews (1744 –1820) mathematician and astronomer. For 43 years he worked in his spare time as 'Compiler of the tables detailing the movement of the planets' for Old Moore's Almanac aside his day job as Calculator to the Board of Longitude.
W: 72.
[Ref: 56979] £260.00 (£312.00 incl.VAT)

Andromeda. Pl. XIII.
[n.d., c.1840.]
Stipple. 200 x 120mm (8 x 4¾").
The constellation Andromeda, depicting the maiden chained to a rock, rescued from the seamonster Cetus by Perseus.
[Ref: 61058] £45.00 (£54.00 incl.VAT)

[Anemone and Flowers.]
[n.d., c.1850.]
Watercolour. Sheet: 205 x 185mm (8 x 7¼'').
A very fine amateur illustration of wild flowers.
[Ref: 51073] £160.00 (£192.00 incl.VAT)

The Spirit of A Child Arrived In The Presence Of The Almighty. And the Lamb which is in the midst of the Throne shall feed them/ and shall lead them unto living fountains of waters Rev. Chap. VII. Ver: 17.
Painted by the Revd. Wm. Peters R.A. Engraved by Benjn. Smith.
London. Publishd by Boydell & Co. Cheapside [n.d., c.1800].
Stipple and etching, 440 x 315mm (17¼ x 12½"). Slightly soiled; water stain to upper right, crease through lower left..
An angel, clothed in swirling draperies with a palm in its right hand, ascends upwards with a child at its side. After Rev Matthew William Peters (1742 - 1814), partner to 'Of such is the kingdom of God'. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
For a coloured impression see ref. 27565; Lady Victoria Manners' 'Matthew William Peters, R.A.' p.65
[Ref: 10375] £140.00 (£168.00 incl.VAT)

[An angel in flight.]
J. Van somer fe 1616. F. le Wit Excudit.
[n.d. c.1700.]
Mezzotint. Plate 215 x 267mm. 8½ x 10½". Vertical creasing through the centre.
An angel in flight pointing to far left, a man collapsed looks up holding his heart.
[Ref: 16280] £230.00 (£276.00 incl.VAT)

The Listening Genii.
A: Van Assen del et sculpt.
Published, Septr. 15, 1791, by I. Read, Coventry Court, Coventry Strt.
Stipple with etching, sheet 155 x 115mm. 6 x 4½". Trimmed to plate. Soiled.
An angelic harpist in the clouds with two winged putti. After Benedictus Antonio van Assen (c.1767 - c.1817).
[Ref: 12968] £130.00 (£156.00 incl.VAT)

The Angelic Child. From a miniature painted by Mr. Robinson in the possesion of Mrs. Johnston, to whom this plate is dedicated by her humble ser.t, W. Palmer.
Robinson pinx.t. F. Bartolozzi R.A. Sculp.t.
Publish'd July 1st. 1790 by W. Palmer. Printseller to Her Majesty. No. 163 Strand, London.
Stipple engraving, printed in brown. 180 x 115mm. (7¼ x 4½"), with wide margins.
A child, half-length, head to right, eyes turned towards the sky; body turned to the left, hands lifted to prayer; in a vertical oval; after John Robinson (1715 - 1745). Engraved by Francesco Bartolozzi (1728 - 1815).
From the Oettingen-Wallerstein Collection; Calabi & De Vesme: 308.iii/iii
[Ref: 28396] £120.00 (£144.00 incl.VAT)

Angelica.
J. Gresse del: John Boydell exc.t 1782. Mango sculp.t.
Publish'd Oct.r 25th 1782 by John Boydell, Engraver, in Cheapside London.
Stipple, sheet 285 x 220mm (11¼ x 8½"). Trimmed to plate, repair to bottom left corner.
Profile portrait, probably a representation of artist Angelica Kauffman, after John Alexander Gresse (1741-1794), drawing master to the royal children in the 1780s.
[Ref: 54237] £180.00 (£216.00 incl.VAT)

Angelica and Medora.
G.B. Cipriani inv. F. Bartolozzi sculps.
Published July 1st 1787 by John & Josiah Boydell No 90 CHeapside London. Bit later.
Stipple, printed in colours, J. Whatman Turkey Mills watermark 1822; 265 x 310mm (10½ x 12¼"), with large margins. Small hole in top margin. Slight printer's crease.
A portrait of lovers Angelica and Medoro, characters in Ludovico Ariosto's 'Orlando Furioso'.
[Ref: 54231] £180.00 (£216.00 incl.VAT)

[Angelina] [The wondering fair one turn'd to chide. / 'Twas Edwins self that prest. Vicar of Wakefield pa.77]
Engraved from an Original Drawing by Edw.d Fisher.
London, Printed for R. Sayer & J. Bennett, No 53 Fleet Street, as the Act directs 20 Dec.r 1776
Mezzotint, platemark 250 x 190mm (9¾ x 7½"), with very large margins. Proof before title
One of a set of ten plates illustrating characters from Oliver Goldsmith's 'The Vicar of Wakefield'. Published in 1766, the book inspired many works of art, while Goethe testified that encountering the work at the age of twenty inspired him to create a new field of letters. A lettered impression of the print can be viewed on the website of the Yale Center for British Art (Accession Number B1970.3.914).
CS 64 (one of ten); for another print in the set see ref. 43749.
[Ref: 46738] £280.00 (£336.00 incl.VAT)

Edwin and Angelina. Turn gentle Hermit of the dale_
C. Taylor excudit.
London, Publish'd Feb.y 1: 1787, by C. Taylor No.10 near Castle Street, Holborn.
Stipple. Plate: 185 x 140mm (7¼ x 5½'').
A scene showing a young woman standing pensively while leaning on a rake.
[Ref: 50303] £50.00 (£60.00 incl.VAT)

[John Xavier Malevolti Tremamondo. Riding Master.]
J. Kay Del.t Sculp.q.
1788.
Etching. Platemark: 195 x 185mm (7¾ x 7¼").
A portrait of fencing master Domenico Angelo (1716–1802) on horseback. Angelo was born in Leghorn, Italy, as Angelo Domenico Malevolti Tremamondo and was the first to emphasize fencing as a means of developing health, poise, and grace. As a result of his insight and influence, fencing changed from an art of war to a sport. Soon after arriving in England he established 'Angelo's School of Arms' in Carlisle House, Soho, London. There he taught the aristocracy the fashionable art of Swordsmanship which they had previously had to go the continent to learn, and also set up a riding school in the former rear garden of the house. He was also a fencing instructor to the Royal Family.
[Ref: 35663] £95.00 (£114.00 incl.VAT)

Les Anges. The Angels.
CH. Philipon. Lith. de M.lle Formentin.
Chez Aubert, Galerie Vero-Dodat. Engelmann, Graf, Coindet et C.ie 14 Newmann street Oxford, St.
Lithograph. Sheet 365 x 280mm (14½ x 11"). Right edge stained.
The heads of three pretty young women with elaborate hair styles, each given wings.
[Ref: 56363] £190.00 (£228.00 incl.VAT)

[A Group of Angels in Glory]
[After Luca Cambiaso, c.1610]
Etching, sheet 330 x 250mm (13 x 9¾"). Trimmed inside platemark, glued to backing sheet.
Anonymous seventeenth century etching, probably copied from an etching by Guido Reni (reversing and simplifying the upper part of the composition). Reni's etching was itself based upon a design by Luca Cambiaso (1527-85), the leading artist in Genoa in the 16th century and founder of the Genoese school.
[Ref: 40789] £260.00 (£312.00 incl.VAT)

Anger.
Designed etched & published Decr. 1st. by S. Howitt, Panton Street, Haymarket, London. [c.1802.]
Rare hand coloured etching and aquatint, 260 x 315mm. 10¼ x 12½".
An angry black stallion chasing a dog in a field; a shooter and another dog retreating towards a gate in the background. A fine aquatint by Samuel Howitt (1756 - 1822), for a series of (four?) 'attitudes' of horses, possibly republished by R. Hixon in 1809.
See Siltzer pp. 163-164.
[Ref: 19461] £140.00 (£168.00 incl.VAT)

Angiolina. Finden's Byron Beauties. Plate 16, Doge of Venice.
Painted by F. Stone. Engraved by W. Finden.
London, Published by Charles Tilt, 86, Fleet Street, 1835.
Stipple. 235 x 159mm. 9¼ x 6¼".
A young maiden seen holding a lute. The text on verso refers to Angiolina as having a "calm and pure-spirited" character. From "Finden's Byron beauties; or, The principal female characters in lord Byron's poems".
[Ref: 22649] £60.00 (£72.00 incl.VAT)

[An Angler.]
Alex. H. Kirk.
[n.d., c.1920.]
Etching, signed in pencil by the artist. 340 x 250mm (13¼ x 9¾") very large margins
An angler holding rod and catch bag, with mountainous scenery behind. Alexander Horace Kirk (1871-1950) was an RA Schools student 1893-96. During WWI he commanded motor launches, receiving the Legion of Honour (Chevalier) and Croix de Guerre. The National Portrait Gallery hold his portrait of explorer Sir John Kirk, a companion to Livingston on his Second Zambezi Expedition (NPG 1936); the National Army Museum holds his portrait of watercolour portrait of Subadar Ayodhya Pathan Bahadur, a veteran of the Indian Mutiny and the last survivor of the Powder Bag Party, Kashmir Gate, Delhi 1857.
[Ref: 57988] £260.00 (£312.00 incl.VAT)

[The Angler's Rest.]
W Dendy Sadler. Oswald Burns. [pencil signatures.] W Dendy Sadler [etched into the plate.]
London, Published 1920 by L.H. Lefevre & Son, 1A King Street. St. James's S.W.1. the proprietors of the Copyright. Printed by A. Holdgate & Sons. Copyright 1920 by L.H. Lefevre & Son, in the U.S.A.
Etching. Plate 444 x 344mm. 17½ x 13½". Crease into plate on left-hand side.
The fisherman sat at the table next to the stream being served chicken by a maid.
Beazley: 281.
[Ref: 19169] £160.00 (£192.00 incl.VAT)

[Anglers.]
[A Pawsey and Payne label on the reverse attributes the drawing to Samuel Alken Jnr.]
Drawing, 570mm x 465mm, 22½ x 18¼". Laid on board. Framed with the Pawsey and Payne label on reverse.
We agree as the style, pencil, and date of the paper c. 1820 support the Pawsey and Payne attribution. Richard Pawsey, who has died in 2003, specialising in 18th- and 19th-century sporting art. Samuel Alken, Jr. (British, 1784-1825) Samuel Alken Junior was a member of one of the most prominent families of sporting artists working in late eighteenth and early nineteenth-century Britain. Of Danish origin, Samuel Alken Senior (1750 - 1815) was the founder of the family tradition. He built his own artistic career by engraving hunting and sporting landscapes.
[Ref: 11933] £650.00

The New Harbour Of Refuge At Holyhead.
Drawn by P. Phillips. Engraved by H. Adlard.
Stationers' Almanack, 1858.
Steel engraving, sheet 265 x 455mm. 10½ x 18". Trimmed within plate.
Holyhead is the largest town in the county of Anglesey in the north west of Wales. Holyhead's maritime importance was at its height in the 19th century when the two and a half mile breakwater, widely acknowledged to be one of Britain's finest, was built, creating a safe harbour for vessels caught in stormy waters on their way to Liverpool and the industrial ports of Lancashire. Engraved for the Stationers' Almanack. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year.
[Ref: 9986] £180.00 (£216.00 incl.VAT)

Red Wharf Bay, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London, April 1.1815.
Coloured aquatint. Plate 222 x 298mm (8¾ x 11¾") large margins. On card as issued.
A view of Red Wharf Bay, on the coast of Anglesey. Merchant vessels anchored outside the warehouse. From William Daniell's Second Volume of "Voyage around Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47284] £160.00 (£192.00 incl.VAT)

Black marble Quarry, near red wharf bay, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. May, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view depicting figures working in a quarry in the foreground to the left, with a man standing on a slab, giving instructions with his left arm raised. A pulley system with a trolley for carrying rocks is at the centre, with a vertical wall of rocks to the right. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36141] £140.00 (£168.00 incl.VAT)

Black marble Quarry, near red wharf bay, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London, May 1. 1815.
Coloured aquatint. Plate 222 x 298mm. 8¾ x 11¾".
The black marble quarry in Anglesey. Men with picks and shovels are breaking down the mabrle to be placed onto the pulley,and to be prepared for shipment from Red Wharf Bay. From William Daniell's Second Volume of "Voyage around Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18095] £120.00 (£144.00 incl.VAT)

View of Puffin Island, near Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. March, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Puffin Island, an uninhabited island off the eastern tip of Anglesey, Wales, crowded with puffins on the plateau with flocks of birds flying around the cliffs behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36137] £140.00 (£168.00 incl.VAT)

[South Stack, Anglesea.]
[n.d., c.1860.]
Lithograph, rare. Sheet: 185 x 260mm (7¼ x 10¼"). Trimmed to image.
A view of South Stack off Holy Island and Anglesea showing the suspension bridge built in 1828. Several figures are shown heading toward the bridge, one figure looks through a telescope, two carry fishing rods and other watch a large ship out to sea.
[Ref: 46039] £80.00 (£96.00 incl.VAT)

The Harbour light-house, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view at Holyhead, Wales, with figures in rowing boats in the foreground, and sailing boats behind. The lighthouse can be seen at the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36246] £160.00 (£192.00 incl.VAT)

Red Wharf Bay, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. April, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Red Wharf Bay, with boats moored along the coast and buildings nearby. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36139] £160.00 (£192.00 incl.VAT)

Druidical Remains in Anglesey.
J. Smith del.t. S.Alken fecit.
[1794].
Rare aquatint, sheet 200 x 290mm (7¼ x 11¼").
One of thirteen aquatints illustrating William Sotheby's 'A Tour through Wales, Sonnets, Odes, and Other Poems' printed by J Smeeton for R. Blamire, London 1794. A landscape with a large overgrown dolmen under a spreading tree, with a man standing, holding up and looking through an object.
[Ref: 58646] £65.00 (£78.00 incl.VAT)

Light-house on the South Stack, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London Jan.y 2. 1815.
Hand coloured aquatint with very large margins, fine. Platemark: 230 x 300mm (9 x 12"). Uncut.
A view of the Lighthouse on the South Stack at Holyhead, Anglesey, North Wales. To the left is the rope-bridge leading up to the lighthouse with sailing boats in the water below. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36433] £140.00 (£168.00 incl.VAT)

View of Caernarvon Castle, from Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Dec.r 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view from Anglesey, with figures standing next to a ship moored on the beach in the foreground to the left. Sailing boats are in the water, with Caernarvon Castle in the background and hills in the distance beyond. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36245] £160.00 (£192.00 incl.VAT)

The entrance to Amlwch Harbour, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Feb.y, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A boat approaching the entrance to Amlwch harbour in the foreground to the left, with buildings of the town on the hillside. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36140] £160.00 (£192.00 incl.VAT)

Light-house on the South Stack, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London Jan.y 2. 1815.
Coloured aquatint. Watermark: J Whitman 1813. Plate 228 x 298mm. 9 x 11¾".
A view of the Lighthouse on the South Stack at Holyhead, Anglesey, North Wales. To the left can be seen the rope-bridge leading up to the lighthouse; sailing boats in the foreground against the headwind. From William Daniell's First Volume of "Voyage around Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18080] £130.00 (£156.00 incl.VAT)

Beaumaris Castle, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London, March 1, 1815.
Coloured aquatint. Plate 228 x 298mm. 9 x 11¾".
A view of Beaumaris Castles, Anglesey, Wales. It was built as part of King Edward Is campaign to conquer the north of Wales. Here situated on the edge of the Irish sea, with sailing vessels in the bay, and cattle grazing in the meadows. From William Daniell's Second Volume of "Voyage around Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18093] £130.00 (£156.00 incl.VAT)

Beaumaris Castle, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. March, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Beaumaris Castle, seen from a field, with three cattle near a path in the foreground to the right. A church can be seen behind row of trees in the middle ground. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36138] £160.00 (£192.00 incl.VAT)

The Harbour light-house, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 2, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins. Some creasing.
From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49801] £140.00 (£168.00 incl.VAT)

The Rope-bridge, near the Light-house, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Feb.y, 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of a rope-bridge over the sea, connecting cliffs, with a man walking on the bridge towards a plateau to the right, where two men are standing next to a wooden container. A figure is seen walking up steps cut into the cliff to the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36239] £160.00 (£192.00 incl.VAT)

Part of the South Stack, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London, April 1. 1815.
Hand coloured aquatint with very large margins, fine. Platemark: 230 x 300mm (9 x 12"). Uncut.
View of part of the South Stack, an island off the north west coast of Anglesey. It is famous as the location of one of the most spectacular lighthouses in Wales. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36432] £120.00 (£144.00 incl.VAT)

Part of the South Stack, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London, April 1. 1815.
Coloured aquatint. Plate 222 x 298mm. 8¾ x 11¾".
View of part of the South Stack, an island off the north west coast of Anglesey. It is famous as the location of one of the most spectacular lighthouses in Wales. From William Daniell's First Volume of "Voyage around Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18088] £120.00 (£144.00 incl.VAT)

[Three men angling under a large tree.]
W. Barron Aq. Fort. Fecit.
[n.d., c.1800.]
Etching on beige paper, fine 18th century watermark, very scarce. Sheet 160 x 200mm, 6¼ x 8". Mounted on album paper with a sepia border, as issued.
William Augustus Barron (1751 - after 1806).
[Ref: 26548] £160.00 (£192.00 incl.VAT)

[Fish caught on a line.] Final state [in pencil].
[n.d. c.1920s.]
Etching with drypoint, signed in pencil by George Marples; 205 x 305mm (8 x 12") with very large margins.
A fish being pulled from the water caught on a line.
Guichard, p.50: "Fish, except by the Detmolds, have not been better portrayed in the British School than by Marples".
[Ref: 56138] £360.00

[Loch Tay.]
[Robert Nesbet Snodgrass.]
[n.d. c.1930s.]
Etching with drypoint. 150 x 200mm (6 x 8"), with very large margins. Taped in mount.
Two men boat fishing on Lock Tay, one seated rowing the boat and the other reeling in a fish on his line.
[Ref: 56134] £250.00 (£300.00 incl.VAT)

[On the Gary or Salmon Fishing on the Brora]
Norman Wilkinson [pencil signature.]
[n.d., c.1930.]
Etching, signed by the artist. 225 x 300mm (9 x 11¾") with very large margins.
Angler casting from the bank of a Scottish river. Norman Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 56105] £280.00 (£336.00 incl.VAT)

[Angling]
Norman Wilkinson [pen signature.]
[n.d., c.1930.]
Etching, signed by the artist. 200 x 250mm (8 x 9¾") with very large margins.
Angler casting from a higher river bank. Norman Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 56106] £280.00 (£336.00 incl.VAT)

Images of Angling. An Illustrated Review of Three Centuries of British Angling Prints.
By David Beazley.
Haslemere: Creel Press, 2010.
4to, blue cloth with illus. d/w; pp. viii + 256, 230 illustrations.
The rod and reel in print.
[Ref: 59956] £50.00

[The Shepherds Pool, River Orchy].
Norman Wilkinson [signed in pencil] .
[n.d., 1930.]
Drypoint etching. 160 x 225mm (6¼ x 8¾"), large margins.
An angler waist-deep in the River Orchy, a tribuary of Loch Awe in the Western Highlands of Scotland. Wilkinson (1878-1971) was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 67164] £320.00

[Photograph of an angler fishing in the River Purwell, Ickleford, with another of the same location.]
Photographed by T.B. Lachmore, Bancroft Street, Hitchin.
[n.d., c.1870.]
Two photographs. 185 x 240mm (7¼ x 9½").
Two photographs of a house by the side of the River Purwell, Ickleford, Herts. One has an angler, probably the owner of the house, fishing. The house still exists, where the Arlsey Road crosses the river.
[Ref: 53755] £160.00 (£192.00 incl.VAT) view all images for this item

[On the Tay.]
[Robert Nesbet Snodgrass.]
[n.d. c.1930s.]
Etching with drypoint. 205 x 150mm (8 x 6"), with very large margins. Taped in mount.
Etching of a man wading in the river and casting a line.
[Ref: 56133] £250.00 (£300.00 incl.VAT)

[Bothy Pool]
Norman Wilkinson [pencil signature.]
[n.d., c.1930.]
Etching, signed by the artist. 225 x 300mm (9 x 11¾") with very large margins.
Angler casting from the bank of a Scottish river. Norman Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 52178] £320.00

A Good Bite or Swallowing the Bait.
T.L. W.H [William Heath] fec.t.
Pub May 15th 1823 by G Humphrey 24 St James's St & 74 New Bond St.
Coloured etching. 130 x 170mm (5 x 6¾") very large margins. Tear entering inscription area taped.
Two men stand fishing on a river bank. As one catches a frog a dog furtively munches on the fish they have caught.
BM Satires 14579.
[Ref: 56738] £120.00 (£144.00 incl.VAT)

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Angling in British Art through five centuries: prints, pictures, books.
by Walter Shaw Sparrow with a forward by H.T. Sheringham and two hundred illustrations, including thirty-nine in colour.
London: John Lane the Bodley Head Limited. First published in 1923.
Book: 4to (283 x 222mm). pp. v-xxii + 288. Illustrated with 39 colour and 65 b/w images. Title stamped on spine and cover in gilt. Binding worn, dirty along spine and tearing away.
An illustrated anthology of british angling art divided by genre and artisitc periods.
[Ref: 10107] £130.00

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