Grosvenor Prints

[Crockery sellers.]
T. Orde ft 1768.
Etching. Sheet 220 x 170mm (8¾ x 6¾"). Trimmed within plate on three sides.
A portrait of a man and a woman, both carrying baskets of crockery, by Thomas Orde-Powlett (1746-1807), a politician also known for his etched caricatures (mostly of Cambridge celebrities) which were published by his drawing-master, the well-known printmaker James Bretherton. The British Museum's impression has a pencil annotation 'Mrs. Hammond Printseller & D. Randal Printman at Cambridge', which they have taken as an identification. However as they have more than one Orde caricature with 'D. Randal' on the reverse it is more likely that Randal sold the print rather that is the subject.
See BM 1847,0713.61 for this print and 1847,0713.60 for the other 'Randal'. Ex. Collection N. Blackburn.
[Ref: 60747] £160.00 (£192.00 incl.VAT)

Adverts for Crosskill's Prize Reaping Machines, Waggons, and Carts, plus three verso adverts.
Hare [in image lower right, c.1850]
Woodblock printed on both sides, sheet 230 x 370mm (9 x 14½").
Advertisement for agricultural machinery.
[Ref: 44129] £120.00 (£144.00 incl.VAT)

Cunningham's Adventure with the Astrologer.
Pub.d by Hodgson & Co., 10 Newgate St. [n.d. c.1820].
Hand-coloured aquatint. Sheet 220 x 140mm (8¾ x 5½"). Bit messy.
Sawney Cunningham murdered his wife's lover and uncle and terrorised the countryside until he was eventually caught and executed at Leith in 1635. Here he is in an astrologer's study, accompanied by his nurse, with stuffed animals and animal skeletons suspended from the ceiling, specimen jars on the window ledge and globes and a compass on the desk behind. A copy of William Jett's engraving for Johnson's 'A General and True History of the Lives and Actions of the most Famous Highwaymen, Murderers, Street-Robbers, &c, to which is added A Geniune Account of the Voyages and Plunders of the most Noted Pirates', 1734.
See Ref: 15429 for the original engraving.
[Ref: 57529] £95.00 (£114.00 incl.VAT)

Buy my Curds and Whey.
[L. P. Boitard.]
[n.d., c.1821]
Engraving. Plate: 160 x 250mm (6¼ x 9¾"), with large margins.
A scene showing a woman offering a cup of curd, a dairy product, to a boy. A plate from 'The Cryes of the City of London Drawne after the Life', a later impression.
[Ref: 44644] £50.00 (£60.00 incl.VAT)

[Craftsmen and Tradesmen] Tab. XIX.
D. Chodowiecki del. Schufter fec.
[n.d., c.1760.]
Engraving. Plate: 180 x 230mm (7 x 9"), with large margins. Tears in bottom left corner outside plate.
Four vignettes showing men and women at their trades. The first vignette shows gardeners working in an ornate garden, the second shows laundresses washing and ironing. The third shows a cobblers workshop and the final scene shows a tailors workshop where a man is being measured for a new suit. From a series by German artist Daniel Chodowiecki (1726-1801).
[Ref: 46423] £45.00 (£54.00 incl.VAT)

[Craftsmen and Artists] Tab. LVI.
[D. Chodowiecki.]
[n.d., c.1760.]
Engraving. Plate: 185 x 230mm (7¼ x 9"), with large margins on 3 sides. Tears in bottom left corner.
Four vignettes showing craftmen at their work in their workshops including a foundry. From a series by German artist Daniel Chodowiecki (1726-1801).
[Ref: 46422] £45.00 (£54.00 incl.VAT)

[Craftsmen and Artists] Tab. LVIII.
D. Chodowiecki del. De Berger, Sculpsit Berolini.
[n.d., c.1760.]
Engraving. Plate: 185 x 240mm (7¼ x 9½"), with large margins on 3 sides. Tears in bottom left corner.
Four vignettes showing craftmen at their work, the scenes show a man working at a machine, an artist working at a canvas, a sculptor chiseling at a sculpture and a clerk writing at a desk. From a series by German artist Daniel Chodowiecki (1726-1801).
[Ref: 46421] £45.00 (£54.00 incl.VAT)

[A Dairy.]
[French n.d., c.1785.]
Stipple. Plate: 225 x 195mm (9 x 7¾"). Tear in top edge. Small margins on 3 sides.
A scene at a dairy in which two children drink from a milk urn, a woman churns butter inside a house and two women, one holding a yoke, the other a pail have a conversation.
[Ref: 44636] £130.00 (£156.00 incl.VAT)

Diamond Cutters Wheel and Mill.
B. Cole sculp.
Engrav'd for the New Universal Magazine, 1754.
Engraving. Plate: 230 x 195mm (9 x 7¾"). Creasing as normal. Foxing.
A view in a diamond cutters workshop showing several men at work.
[Ref: 44597] £80.00 (£96.00 incl.VAT)

A true Representation of the Diamond Cutters Wheel or Mill.
Engrav'd for the Universal Magazine according to Act of Parliament 1750, for J.Hinton at the King's Arms in St Paul's Church-Yard, London.
Engraving. 211 x 273mm. 8¼ x 10¾". Small patched tear in top right-hand corner. Small holes in the publication line where previously bound.
Two men step into a manufacturing room. A man on a stool works away at a high bench at a diamond cutters wheel. Two other men stand at two significantly larger wheels or gears possibley powering the machine.
[Ref: 56060] £120.00 (£144.00 incl.VAT)

De Diamantklover.
C.L. Dake fct.
Druk. v. Joh. E & Z. Haarlem [1887] Remarque lower left.
Etching, rare, 210 x 175mm (8¼ x 7").
Rembrandtesque etching of a diamond cutter in his workshop. By Carel Lodewijk Dake (1857-1918), who besides his etchings is also known for his paintings of landscapes in South-East Asia.
[Ref: 21960] £170.00 (£204.00 incl.VAT)

[Distillery.] Plate XXIX Engraved for the Supplement. Facing Malt-distillery.
Printed for J. Hinton in Newgate Street. [n.d., c.1750.]
Foxing.
A view inside a malt distillery.
[Ref: 44595] £95.00 (£114.00 incl.VAT)

The street-seller of Dogs' Collars.
(From a Daguerrotype by Beard.)
[n.d., c.1862.]

A man wearing a top hat, chains and collars around his neck, a basket on the ground. From 'The London Labour and the London Poor' by Henry Mayhew. From an early photograph by Richard Beard (1801-85).
[Ref: 56637] £60.00 (£72.00 incl.VAT)

Linen and Woollen Draper.
[n.d., c.1810.]
Engraving. Proof advert before name of retailer. Sheet: 165 x 130mm (6½ x 5"). Trimmed on left side.
A vignette showing two figures in a fabric shop.
[Ref: 44659] £65.00 (£78.00 incl.VAT)

[Two scenes with dwarfs.]
[Anon, c.1680.]
Two etchings, each approx. 115 x 100mm (4½ x 4"). Both trimmed around image and laid on backing card.
Two scenes of dwarfs, one as a ratcatcher and another drinking. There was a popular interest across the continent for scenes of what were sometimes described as 'Lilliputian characters' in the late 17th-early 18th century.
[Ref: 36628] £160.00 (£192.00 incl.VAT) view all images for this item

[Dye-House.] Plate XIX. Engraved for the Supplement. Facing Dye-House.
Printed for J. Hinton in Newgate Street. [n.d., c.1750.]
Engraving. Plate: 350 x 220mm (13½ x 8¾"). Marking. Large margins on 3 sides.
A scene in a workshop showing figures dyeing several rolls of cloth patterned with flowers.
[Ref: 44602] £110.00 (£132.00 incl.VAT)

C. Eliston’s Dépôt for Broadwood’s & Erard’s Instruments. Music, Stationary, &c. All kinds of musical instruments for sale or hire, harp strings, foreign or english of the best quality. Publisher of the most extensive selection of local views in the county of Warwick. 12, Lower Union Parade, Leamington. Piano Fortes repaired, regualted & tunes, in town or counrty, by a person from Broadwood's.
[n.d. c.1820.]
Engraving. 113 x 132mm. 4½ x 5¼". Trimmed within plate top sides and bottom. Image not affected.
Sebastian Erard (1752-1855), French piano builder. He started in Paris as an apprentice to a harpsichord builder, but this changed after he saw the arrival of some early English square pianos, and by 1777 he was constructing his own. The evolution of his designs impressed not only the Frnech but also Louis XVI, and he was therefore granted a license to produce pianos. John Broadwood (1732-1812), British, was the founder of the piano manufacturer Broadwood and Sons. Along with William Stodart and Americus Backers, he was credited for devising the prototype for the grand piano, which eventually overtook sales of harpsichords. His other technical innovations include: adding a separate bridge for the bass notes, patenting the piano pedal in 1783 and expanding the then-standard five octave range upwards by half an octave, and then downwards by half an octave.
[Ref: 14981] £130.00 (£156.00 incl.VAT)

Der Seidensticker.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Slight staining.
A scene in an embroiderer's workshop in which a man leans over a large stretched canvas, a younger figure watched from behind. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38899] £140.00 (£168.00 incl.VAT)

An English Market Woman and Daughter.
Designed by an Amateur. Engraved by J. Hassell.
London Published March 4.th 1822 by G. Humphrey, 27, St. James's St.
Rare hand-coloured aquatint, paper watermarked: J Whatman 1821. 317 x 266mm. 12½ x 10½". Fine colour; crease lower right.
In the English countryside a woman walks along a dirt road with a basket on her arm and on her head; her daughter carrying two baskets and a dog standing to her right.
[Ref: 28158] £150.00 (£180.00 incl.VAT)

Copper Plate Printer.
London, Published by Tabart & Co. Aug. 1. 1804.
Wood engraving, with 3 sheets of letterpress. Sheet: 150 x 90mm (6 x 3½''). Foxing on right
A scene in a printer's workshop showing him at his desk.
[Ref: 51149] £75.00 (£90.00 incl.VAT)

The Engraver.
[n.d., c.1805.]
Wood engraving, with four sheets of letterpress. Sheet: 150 x 90mm (6 x 3½'').
A scene in an engraver's studio showing him at his desk.
[Ref: 51148] £65.00 (£78.00 incl.VAT)

[Engraver preparing his etching plate.]
[Sir Hubert von Herkomer.]
[n.d., 1891.]
Etching. 200 x 151mm (7¾ x 6").
An etcher at work, the ghostly outline of his subject floating behind. Etched by Sir Hubert von Herkomer RA (1849-1914) for his 'Etching and mezzotint engraving' volume.
[Ref: 21313] £130.00 (£156.00 incl.VAT)

The Farm Yard.
[n.d., c.1850.]
Coloured wood engraving. Sheet 170 x 275mm, 6¾ x 10¾". Trimmed, laid on album paper.
An educational image of a framyard, with hay stacks, animals, a threaser and a milkmaid.
[Ref: 16440] £110.00 (£132.00 incl.VAT)

The Farrier.
Eng.d by John Miller Edin.r.
Published by Richard Griffin & Co. Glasgow. [n.d., c.1840.]
Engraving. Sheet: 105 x 135mm (4¼ x 5¼''). Trimmed. Slight offsetting.
A scene in a farrier's yard showing a man fixing a shoe to a horses hoof.
[Ref: 48583] £50.00 (£60.00 incl.VAT)

Le Maréchal Ferrant, Français.
Carlo Vernet del. L.P. Debucourt Sculp. [Inside the image, facsimile:] C. Vernet.
A Paris chez Rolland, Place des Victoires, No.8. Déposé à Bibliotheque Impériale.
Aquatint. Plate 513 x 615mm. 20¼ x 24¼". Large margins. Fine impression, with one or two small marks, very slight stain in title area.
Inside a farrier's a stallion tied off to the wall is having a horseshoe fitted, but agitated and in stress he whinnies and raises his front-right hoof. Two other horses are outside awaiting their turn. Inside another man is softening the metal in the furnace before working it into a horseshoe.
Dayot 35: 3rd state.
[Ref: 16725] £590.00

Farriers Shed.
Drawn & Etched by J.A.Atkinson.
London, Published Jany. 1st. 1807, by William Miller 49. Albemarle Street, and James Walker 8, Conway Street Fitzroy Square.
Fine coloured etching and aquatint, plate 240 x 185mm (9½ x 7¼"), with very large margins.
A farrier kneels shoeing a horse, with a well-dressed man standing behind him; second farrier on the right holds a hoof nipper, various tools are strewn across the ground.
[Ref: 57142] £220.00 (£264.00 incl.VAT)

Farriers Shed.
Drawn & Etched by J.A. Atkinson.
London Published Jany. 1st 1807, by William Miller 49, Albermarle Street, and James Walker 8, Conway Street Fitzroy Square.
Hand-coloured etching and aquatint. 245 x 185mm (9¾ x 7¼"), paper watermarked 'J Whatman 1805'. Printed area slightly age toned; wide margins.
From a first edition of 'Picturesque Representations of the Naval, Military and Miscellaneous Costumes of Great Britain' (1807). Offered with accompanying letterpress text leaf. John Augustus Atkinson (1775 - 1830) was a British etcher, painter, draughtsman and printmaker. He spent 1784-1801 in Russia with James Walker, thought to be his uncle.
See Slater, p.110.
[Ref: 21474] £160.00 (£192.00 incl.VAT)

Femme d'Ouvrier. Bruxelles.
J.J. Eeckhout fc. Déposé. Lithog: de Burggraaff.
[n.d. c.1820.]
Hand coloured lithograph. 241 x 190mm. 9½ x 7½". Trimmed and laid on album sheet.
Scene in Brussels: a female worker holding a basket of vegetables.
[Ref: 16224] £45.00 (£54.00 incl.VAT)

E.E. Leggatt. From Messrs Agnew & Sons.
Frank Paton 1884. [signed in pencil.]
Rare etching. Plate: 190 x 260mm (7½ x 10¼''), with large margins. Slight foxing.
A night scene in Cheapside in which two large men in classical armour and laurel wreaths, and a winged figure with a scythe, stand outside a fine art gallery. One of the large figures chases a policeman down the street.
[Ref: 50402] £190.00 (£228.00 incl.VAT)

[Plate 4: Fireman.]
[Drawn & engraved by William Henry Pyne.]
Published by William Miller, Albemarle Street Jan.y 1. 1805.
Aquatint with fine hand colour. Sheet 360 x 255mm (14¼ x 10"), with 2pp. letterpress. Trimmed within plate.
A fireman working for the Sun Fire Office, standing before a fire engine. The letterpress records the history of insurance, five instances where fire nearly destroyed London, the fireman's uniform and the abilities of the fire engine. From 'The Costume of Great Britain', a book containing 60 plates of people at work and scenes of everyday life. William Henry Pyne (1769-1843), the son of a London weaver who became an artist and writer, was commissioned to write and illustrate the book by the publisher, William Miller of Albermarle Street, London. The illustrations are particularly notable as they portray British life on the eve of the Industrial Revolution.
Abbey Life 430.
[Ref: 52044] £140.00 (£168.00 incl.VAT)

[4. Fireman.]
[Drawn & engraved by William Henry Pyne.]
Published by William Miller, Albemarle Street Jan.y 1. 1805.
Hand coloured etching with aquatint. Sheet 340 x 250mm (13¼ x 10").
A fireman holding an axe in one hand and a flare in the other, the logo of the Sun Fire Office on his arm. Behind him is a water wagon, with a dozen men manning the pump, another the hose. The print was published in 'The Costume of Great Britain', a work notable for portraying British life on the eve of the Industrial Revolution.
Abbey Life 430.
[Ref: 28717] £80.00 (£96.00 incl.VAT)

Artificier.
[Denis Diderot and Jean d'Alembert, c.1760.]
Set of seven engravings with letterpress contents sheet. Bound together in paper wrapper, some sheets loose. Each sheet: 255 x 390mm (10 x 15½") Staining.
Seven plates detailing the tools and equipment of a pyrotechnician, from Diderot and d'Alembert's 'Encyclopédia ou Dictionnaire raisonné des sciences, des arts et des métiers' 17vols (1751-1765).
[Ref: 41357] £220.00 (£264.00 incl.VAT) view all images for this item

The Fisherman Going Out.
G. Carter pinxt. J. Jones fecit.
London Pub.d as the Act directs Novr.19 1782 by G. Carter Margaret Street, Cavendish Square.
Mezzotint. 355 x 500mm. (14 x 19½").
[Ref: 1179] £320.00

The Fisherman Going Out. [&] The Fisherman's Return.
GCarter pinx.t. J. Jones fecit.
London Pub.d as the Act directs Nov.r 19 1782 by GCarter Margaret Street, Cavendish Square.
Pair of mzzotints, matching pair; 490 x 340mm (19¼ x 13½"), on 'H & S' wove paper. Repair to margin of 'Going Out'.
A fisherman walking to his boat, carrying the nets, and his return to his family with some of his catch. After George Carter (1737-94).
[Ref: 54222] £550.00 view all images for this item

Peche d'ete.
[Anon.]
[Paris, c.1825. Russian School]
Fine original hand coloured lithograph, sheet 205 x 285mm. 8 x 11¼".
French fishermen bringing in their nets at the quayside after a day at sea, with the assistance of a man-powered winch. Ship in background. Numbered 'N.48' upper right. Russian collection stamp to verso.
[Ref: 13111] £140.00 (£168.00 incl.VAT)

No. 42. [Fishermen.]
[Drawn & engraved by William Henry Pyne.]
Published by William Miller, Albemarle Street Jan.y 1. 1805. [but c.1820.]
Hand coloured etching with aquatint. Sheet 260 x 365mm, 10½ x 14¼".
Fishermen with nets, published in 'The Costume of Great Britain', a work notable for portraying British life on the eve of the Industrial Revolution.
Abbey Life 430, 42.
[Ref: 27027] £60.00 (£72.00 incl.VAT)

The Flower Girl.
G. Smith del et lith. Day & Son Lith.rs to the Queen.
Published by W.H. Mason 81 King's Road, Brighton.
Tinted lithograph. Printed area 395 x 250mm (15½ x 9¾") very large margins. Some soiling of margins.
A pretty bare-footed street trader in Brighton.
[Ref: 51958] £160.00 (£192.00 incl.VAT)

The Flower Girl.
N.M. Delin.t C. White Sc.t [after Miss Langham].
Pub.d Jan.y 1785 by C. White Stafford Row Pimlico.
Stipple and etching, with very large margins. Plate 240 x 177mm. 9½ x 7". Very fine & rare;
A young woman standing at right in a park, handing a flower from her basket to a boy at left.
[Ref: 28165] £240.00 (£288.00 incl.VAT)

Vue d'un intérieur de forge sur le Hoyoux près de Huy.
Le G.l de Howen del. Lith: de Jobard.
[Brussells, Jobard, 1825.]
Tinted lithograph. 160 x 205mm, 6¼ x 8".
A view of the interior of a forge, published in Jean De Cloet's 'Voyage pittoresque dans le royaume des Pays-Bas'.
Ex Collection of Norman Blackburn
[Ref: 16573] £110.00 (£132.00 incl.VAT)

Les Devineresses.
Gouget direx.
[Paris, n.d., c.1834.]
Engraving. 320 x 240mm (12½ x 9½").
A young couple consult a fortune-teller who reads cards. An owl stands on her table. From Jean de La Fontaine's Fables, Fable 15, Book 7.
[Ref: 36871] £120.00 (£144.00 incl.VAT)

[Fortune Teller.]
C.W. White Sculpt.
[n.d., c.1800.]
Stipple, 140 x 140mm (5½ x 5½"). Mark on clothing of figure on right.
The figure on the left reads the palm of the girl on the right, while a third girl looks on.
[Ref: 8564] £80.00 (£96.00 incl.VAT)

The Fortune Teller, To His Grace the Duke of Dorset, Ambassador to the Court of France; This Plate is humbly Dedicated by His Grace's much Obliged and most humble Servant, John Keyse Sherwin.
Sir Joshua Reynolds pinx. Engraved by J.K.Sherwin, Engraver to his Majesty and his Royal Highness the Prince of Wales.
Publish'd Mar. 10th. 1785 by J.K.Sherwin No.28 St. James's Street & W. Hinton No. 5 Sweetings Alley Royal Exchange. _
Engraving and etching, 405 x 460mm. 16 x 18¼". Tatty extremities.
A woman in gypsy dress reads the palm of a shy young girl, sitting on the lap of a boy in a plumed cap.
Hamilton: pg.147, IV of V.
[Ref: 9571] £280.00 (£336.00 incl.VAT)

[The Gypsy Fortune Teller].
[Published by R.Sayer] [n.d., c.1780].
Woodblock engraving. Sheet: 230 x 315mm (9 x 12½"). Trimmed to image. Crease across centre.
Exterior scene by a church. A gypsy with a young child strapped to her back and a child standing behind her tells the fortune of a well dressed woman using her palm. A well dressed man looks on smiling.
[Ref: 33137] £95.00 (£114.00 incl.VAT)

[Fortune Teller]. O Fortune, fair, like all thy treach’rous kind, / But faithless still, and wav’ring as the wind! / O painted monster, form’d mankind to cheat, / With pleasing poison, and with soft deceit!
[n.d., c.1740.]
Rare etching. Sheet 130 x 85mm (5 x 3¼"). Trimmed within plate, laid on album paper.
A fortune teller reads the palm of a young woman. The verse comes from Alexander Pope's paraphrasing of Chaucer's 'Merchant's Tale'.
[Ref: 57528] £160.00 (£192.00 incl.VAT)

''Your Thoughts are upon a Dark Man, My Dear'', and ''You'll have 18 Children.''
W. Clerk, lith, 202 High Holborn.
London Published by Glover & Co, Water Lane, Fleet St. [n.d., c.1840.]
Lithograph. Sheet 260 x 210mm (10¼ x 8¼").
A gypsy reads a young woman's palm. ''Designed for & presented GRATIS with No. 118 of the FLY''.
[Ref: 49492] £90.00 (£108.00 incl.VAT)

Frontispiece to European Magazine V.41. The Entrance to Coade and Sealy's Gallery of Sculpture. of Artificial Stone, Westminster Bridge.
Drawn & Engraved by S. Rawle_
Published by J. Sewell Cornhill Feb.1.1802.
Engraving. Plate 197 x 126mm. 7¾ x 5".
Coade Stone was a moulded artificial stone material with a hard surface finish, used for many types of monuments and other objects during the eighteenth and early nineteenth century. It wasn't until 1799 that John Sealy was made a partner in the company and the firms stampe became Coade and Sealy.
[Ref: 16639] £60.00 (£72.00 incl.VAT)

A Press to squeeze Apples or make Verjuice. Plate 24 Vol. II page 255.
Engraving and etching. Plate 148 x 197mm. 5¾ x 7¾".
A medieval apple press. Verjuice is a very acidic juice made by pressing unripe apples. During the middle ages it was widely used in sauces or as a condiment.
Ex Collection Norman Blackburn.
[Ref: 18510] £45.00 (£54.00 incl.VAT)

[Fruitseller] La Petit Fruitiers.
Designed & Drawn on Stone by J.J. Chalon.
London. Published by Rodwell & Martin New Bond St. May 1 1820. C. Hullmandel's Lithography.
Lithograph with very fine hand-colouring, printed area 235 x 165mm (9¼ x 6½"), with wide margins.
A fruit seller with a stall in a Parisian street. From the 'Costumes of Paris', a series of 24 plates by Swiss painter John James Chalon (1778-1854).
Abbey 108.
[Ref: 54515] £160.00 (£192.00 incl.VAT)

The Furze Cutter.
Painted by J. Barney. Engraved by W. S. Reynolds.
London, published Aug.t 21st, 1799, by S. Morgan. No.22 Margaret Street, Cavendish Square.
Mezzotint and etching with large margins. Platemark: 640 x 445mm. (25¼ x 17½").
An agricultural worker holding a bill-hook and carrying a bundle of furze on his back; after Joseph Barney (1751 - 1829). Joseph Barney studied with Angelica Kauffmann and Antonio Zucchi, assisted Matthew Boulton at Wolverhapton in finishing mechanical paintings, exhibited at the Royal Academy and British Institute, and became Drawing Master at Royal Military Academy, Woolwich. Unusually, the engraver Samuel William Reynolds' initials have been inscribed incorrectly (as 'W.S. Reynolds')!
From the Oettingen-Wallerstein Collection; Whitman: 327
[Ref: 28393] £220.00 (£264.00 incl.VAT)

Le Jardinier Industrieux.
From a Painting by David Teniers in the Possession of Dawson Turner Esq.
[n.d., c.1820.]
Engraving. Plate: 240 x 190mm (9½ x 7½"), with large margins.
A portait of a hard working gardener carrying a heavy pot while a woman behind helps with cuttings.
[Ref: 47007] £70.00 (£84.00 incl.VAT)

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