Grosvenor Prints

[The Return from the Continent, or, the Family puzzled.]
Phillips, fec.
Pub.d by Tho.s McLean, 26 Haymarket, Aug.t 1st 1835.
Etching with fine hand colour. Sheet 215 x 325mm (8½ x 12¾"). Trimmed to printed border, losing title, laid on album paper.
A stout lady pours tea on to a plate, missing the cup, in her amused astonishment at the appearance of her very fat and jovial husband who sits opposite her, wearing a hat burlesquing the French fashion, coat open over a wide expanse of horizontally striped waistcoat, and plain white trousers. The husband has obviously taken on too many French airs. The satire was originally published by George Humphrey in 1827. This reissue comes from 'Cruikshankiana, an Assemblage of the Most Celebrated Works of George Cruikshank'.
See BM Satires 15465 for the first issue.
[Ref: 57829] £95.00 (£114.00 incl.VAT)

S.r Joshua Reynolds.
Painted by himself. R. Sayer Excudit. Engraved by James Watson.
London, Printed for Rob.t Sayer. Map & Printseller, No.53, Fleet Street; Published as the Act directs 10 July 1770.
Mezzotint. 450 x 325mm (17¾ x 12¾"). Framed. Slight creasing in centre. Unexamined out of frame.
A self portrait of Sir Joshua Reynolds (1723-1792), painter and first President of the Royal Academy.
CS: 123 ii of ii; Goodwin: 71 iii of iii; Hamilton p.57 ii.
[Ref: 57865] £380.00 (£456.00 incl.VAT)

Richard III.d Act 5, Scene 3.
Painted by J. Opie R.A. Engraved by W. Sharp.
[Publish'd Aug.t 1. 1794 by Mr. Woodmason, Leadenhall Street, London.]
Etching with engraving. Sheet 300 x 245mm (11¾ x 9¾"). Trimmed, losing publication line at bottom, mounted in album paper.
Richard sleeps restlessly in his tent holding his sword in left hand, dreaming of the ghosts of those he has killed, who appear as menacing figures on the left, one brandishing a dagger. From the series 'Woodmason's Shakespeare Gallery'.
[Ref: 57851] £85.00 (£102.00 incl.VAT)

Richard III. Scene a Tent - ''Give me another ass, bind up my wounds! "Have mercy, there I say, you'll break my bones.'' Duncombe's, Miniature Caricature Magazine. No.9.
Marks fec.t.
London Pub.d by Duncombe, Book & Music Seller, 19, Little Queen Str.t Holborn. [n.d. c.1835.]
Etching with hand colour. 130 x 175mm (5 x 7"), very large margins Tear in margin.
A burlesque scene from Shakespeare's 'Henry III'.
[Ref: 57887] £80.00 (£96.00 incl.VAT)

[Richard III] Smothering the Princes in the Tower.
[n.d., c.1830.]
Mezzotint with fine hand colour. Sheet 225 x 165mm (8¾ x 6½"). Trimmed within plate.
Two men, one holding a lamp, the other dressed in armour, lean towards the sleeping boys with a pillow.
[Ref: 57888] £65.00 (£78.00 incl.VAT)

A Striking View of Richmond.
Drawn, Etch'd & Pub'd By Dighton, 6 Charing Cross, March 1810.
Etching with hand colour. 325 x 220mm (12¾ x 8¾''), paper watermarked 1812? Colour faded.
A portrait of Bill Richmond (1763-1829), born a slave in Richmondtown, Staten Island, Richmond moved to England in 1777 and spent the rest of his life there. After being educated Richmond was apprenticed to a cabinet maker in York. While in Yorkshire he fought in several boxing matches, and then in 1795 he moved to London and ran the pub the Horse and Dolphin in Leicester Square, he made his name boxing and he fought against Tom Cribb, George Maddox, Tom Molineaux and Tom Shelton. The title jokily refers to topographical views of Richmond, Surrey.
Siltzer:p327. BM Satire 11587.
[Ref: 57975] £260.00 (£312.00 incl.VAT)

Stephen Jordan Rigaud [facsimile signature]
T. H. Maguire. 1852. [etched in plate]
[M & N Hanhart]
Lithograph on octagonal chine collé. Sheet: 610 x 445mm (24 x 17½"). Large margins. Foxing and toning around the edges. Crease and small tear in lower right hand corner.
A three-quarter length portrait of Stephen Jordan Rigaud (1816-1859), with a right hand on his hip, from the Ipswich Museum Portraits series published by George Ransom in 1852: the sixty portraits of distinguished men of science were commissioned to commemorate the foundation of the museum in 1846. Before Rigaud was elected Bishop of Antigua in 1858, where he died a year later, he was the headmaster of what is now Ipswich School from 1850 until his consecration.
[Ref: 57880] £65.00 (£78.00 incl.VAT)

Illustrations of W. Shakespear. Merry Wives of Windsor. Twelfth Night. Midsummer Night's Dream. Measure for Measure.
[n.d., c.1840.]
Four lithographs from the same series, with fine hand colour, trimmed as scraps, mounted on album paper with titles. Sheet 290 x 210mm (11½ x 8¼"), with aquatint of Highland regiment piper on reverse.
[Ref: 57891] £75.00 (£90.00 incl.VAT)

Shakspeare. The Property of George Nicol Esq.r.
R. Burbage pinx.t 1597. J. Cochran sculp.t.
London, Pub.d by A. Wivell, 40, Castle Street East 1827.
Fine stipple with engraving, on chine collé. 240 x 180mm (9½ x 7"), with very large margins.
An engraving of the so-called 'Felton Portrait' of William Shakespeare, bought at a London auction in 1792 by Mr. S. Felton of Drayton, Shropshire. Wivell's attribution of the painting to Richard Burbage (c.1567-1619, one of the most famous actors of the Globe Theatre and a friend of Shakespeare;s) is based on initials on the reverse.
[Ref: 57890] £95.00 (£114.00 incl.VAT)

Shakespeare's monument by Thomas.
[n.d., c.1862.]
Engraving. Sheet 270 x 185mm (10½ x 7¼").
A massive plaster monument to William Shakespeare, the final work by John Thomas (1813-62), displayed at the 1862 International Exhibition. A dispute over its placement hastened his death in April 1862, and he was buried in Kensal Green Cemetery. An architect as well as a sculptor, he worked on Buckingham Palace and the Palace of Westminster, where he was responsible for the figures of kings and queens.
[Ref: 57892] £85.00 (£102.00 incl.VAT)

Le Berger Recompensé. Dedié à Madame La Marechale Duchesse de Duras, Dame d'honneur de Mesdames de France. Par son tres humble et tres obeissant Serviteurt Gaillard.
F. Boucher Pixit. R. Gaillard Sculp.
APAris chés l'Auteur rue St Jacques au dessus des Jacobins, entre un Perruquier et une Lingere [n.d., c.1770].
Fine etching with engraving. 500 x 380mm (20 x 15"), with large margins. Uncut.
A shepherd, lying on the ground playing bagpipes, is given a garland by a peasant girl with a basket of produce. Francois Boucher (1703-70), found favour with the mistress of Louis XV, Madame du Pompadour, soon becoming the 'premier peintre' to the king, in which role he rejuvenated the 'pastoral tradition' in French art.
[Ref: 57885] £260.00 (£312.00 incl.VAT)

[Richard Brinsley Sheridan.]
H. Blackburn Hart [pencil signature].
Published 1924 by The Museum Galleries, 53, Shorts Gardens, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 295 x 230mm (11½ x 9"), very large margins, with a letterpress biography.
A half length portrait in an oval of Irish politician, playright and theater-owner Richard Brinsley Sheridan (1751-1816), painted by John Russell in 1788 and now in the National Portrait Gallery.
See NPG 651 for the original pastel.
[Ref: 57842] £80.00 (£96.00 incl.VAT)

Sketches of Character - Footman. Pl. 7th. It a Pity You Noting to do, But Look at Me _ Did you Never See a Lady's Gentleman A Fore Eh?
[Monogram of Paul Pry, psuedonym of William Heath] Esq.r.
Pub. by T McLean 26 Haymarket April 1829.
Etching with fine hand colour. 355 x 250mm (14 x 9¾"). Framed. Laid on album sheet and trimmed inside platemark.
A black footman in ostentatious livery. A racial image.
[Ref: 58011] £350.00 (£420.00 incl.VAT)

Jesus Christ espuse S.te Catherine. d'apres le Tableau de Correge Hault et large de 3. pieds 8. poulces qui est dans le Cabinet du Roy.
[engraved by Etienne Picart after Antonio Corregio.]
[Engraved c. 1689.] [But printed c. 1800's]
Engraving. 450 x 415mm (17¾ x 16¼"), with large margins. Blind stamp of the 'Chalcographie du Louvre' in inscription area. Uncut.
The mystical marriage of St Catherine, with the Christ Child sitting on the Virgin's knees and placing ring on St Catherine's finger, in the presence of young St Sebastian. Top left is a scene of Sabastian's martyrdom.
See Lugt: L.1695 for the blindstamp.
[Ref: 57879] £260.00 (£312.00 incl.VAT)

Select Views in the Isle of Wight, & its Environs. Plate 4th, View of St Catherine's Head from Freshwater Bay.
Walmsley pinx.t. Chesham sculp.t.
London, Published March 25th, 1802 by James Daniell & C.o, No 480 Strand.
Aquatint, printed in colours and hand-finished. 550 x 715mm (21¾ x 28¼"). Trimmed to plate, repairs to edges.
A large view looking east from stacks in Freshwater Bay to St Catherine's Point, with St Catherine's Oratory, Britain's only surviving medieval lighthouse, on the top of St Catherine's Down. To the left fishermen are caulking the bottom of their boat.
[Ref: 57965] £450.00

A north West View of St Pauls Cathedral London. Vue Perspective de la Cathedrale de St Paul a Londre. [also in Italian & German]
Cum Gratia et Privelio Sac: Cæs: Majestatis. Georg Balthasar Probst. excudit A.V. [n.d., c.1760.]
Engraving with hand colour. Sheet 310 x 410mm (12¼ x 16"). Laid on card. Crease in centre.
A vuë-d'optique of St Paul's Cathedral, designed to be viewed through an optical viewer, so engraved in reverse, with a sub-title above.
[Ref: 57906] £260.00

The South East Prospect of the Cathedral Church of St Paul's, London.
B. Lens delineavit. J. Harris Sculpsit.
[London: John Smith, c.1724.]
Engraving on two sheets conjoined, total. 450 x 660mm (17¾ x 26"). Folds and splits as normal. Cut to small margins. Loss on right centre margin.
An elevation of St Paul's Cathedral shown from the churchyard. The statue of Queen Anne can be seen on the far left.
[Ref: 57894] £220.00 (£264.00 incl.VAT)

The Anniversary Meeting of the Charity Children in the Cathedral Church of St Paul, Dedicated with permission to His Royal Highness the Duke of Gloucester, President, The Vice Presidents & Treasurers of the Society of Patrons, (And Published in Aid of the Funds of the Female Charity School of St Pancras) by their obedient humble Servant, Robert Havell Jun.r. Proof.
Drawn & Engraved by Rob.t. Havell, Jun.r.
London Published as the Act directs June 1826 by Havell & Son, 79, Newman St.t Oxford St.t.
Very rare coloured aquatint. Sheet 475 x 335mm (18¾ x 13¼"). Trimmed within plate, tears taped, colour slightly faded.
An annual benefit concert with a choir of Charity Children, held from 1704 to 1877, at St Paul's Cathedral from 1782. One concert, held as part of the National Thanksgiving for George III's recovery in 1789, had a choir of 6,000.
[Ref: 57895] £280.00 (£336.00 incl.VAT)

S.t Pauls Cathedral. [Plate 53.]
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)

A view of the Isle at the Entrance of the North Portico of the Cathedral Church of S.t Paul.
Permissu Domini Chrostophori Wren Equitis delineavit Robertus Trevitt.
[n.d., c.1707.] [but later]
Engraving. Sheet 375 x 305mm (14¾ x 12"). Trimmed within plate,tears.
One of a series of prints of the Cathedral by Roger Trevett, commemorating the service of thanksgiving for military successes in 1706, held in the presence of Queen Anne and both Houses of Parliament.
[Ref: 57901] £130.00 (£156.00 incl.VAT)

Transept of S.t Paul's from the North Entrance. Plate 54,
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)

[St James's Palace.]
Sydney R. Jones [signed in plate and in pencil.]
[1928.]
Drypoint etching, signed by the artist in pencil. 245 x 310mm (9¾ x 12¼"), with very large margins
A view of the North Gate of St. James's Palace from St James's Street. Sydney Robert Jones (1881 - 1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57542] £320.00

A Stage-coach.
H. Vernet. Imp Lithog. de F. Delpech.
[n.d., c.1840.]
Lithograph. Printed area 360 x 505mm (14¼ x 20"), with large margins. Tears and spotting in margins.
A stage coach pulled by four horses races by a windmill, passengers sitting on top, yet a dog's head sticks out the window.
[Ref: 57931] £260.00 (£312.00 incl.VAT)

[Staple Inn, Holborn.]
Sydney R. Jones.
[1926.]
Drypoint etching, signed by the artist in pencil. 310 x 125mm (12¼ x 5"), with large margins.
Staple Inn, on the south side of High Holborn, is the London office of the Institute of Actuaries and is the last surviving Inn of Chancery. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57991] £190.00 (£228.00 incl.VAT)

[George Stephenson.]
S.M. Litten [pencil signature].
Published by The Museum Galleries, 26, Museum Street, London, W.C. Copyright. 1922.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 345 x 270mm (13½ x 10½") very large margins.
Seated portrait of engineer George Stephenson, the inventor of the first steam locomotive, after Henry William Pickersgill, now in the National Portrait Gallery.
See NPG 410.
[Ref: 57860] £60.00 (£72.00 incl.VAT)

Attack on Store Dray.
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
Bearded Aboriginies prepare to attack two unsuspecting Europeans at a camp fire (on which is a billy), intending to steal livestock. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57919] £260.00 (£312.00 incl.VAT)

Hugh E. Strickland [facsimile signature].
T. H. Maguire. M & N Hanhart Imp.t.
[n.d., c.1850.]
Tinted lithograph on chine collé, with printed backing paper. Printed area 320 x 240mm (12½ x 9½"), with large margins.
Half-length portrait of Hugh Edwin Strickland (1811-53), geologist and naturalist. He wrote 'The Dodo and Its Kindred' in 1848, and edited Agassiz's 'Bibliographia Zoologie', which he holds in his left hand. The dodo is an extinct bird that was endemic to the island of Mauritius. He died by accidently stepping into the path of a train while examining geological strata visible in cuttings on the Manchester Sheffield & Lincolnshire Railway.
[Ref: 57963] £260.00 (£312.00 incl.VAT)

Taming of the Shrew. Act III. Scene 3. I am Lucentio disguised thus to get your love.
J.K. Sherwin Inv.t et sculp.
Publishe'd according to Act of Parliament Nov.r 8.d 1774 by J. Bell in the Strand.
Etching, very fine impression, 200 x 120mm (8 x 4¾"). With old ink mss. ''No 13. 1774. Prize of 20 Gs. from y Society of Arts'. Large margins on 3 sides.
Romantic scene in library and musical instrument. Published for 'Bell's edition of Shakespeare's plays, as they are now performed at the Theatres Royal in London'.
[Ref: 57852] £65.00 (£78.00 incl.VAT)

Richard Taylor [facsimile signature.]
T. H. Maguire. 1851. [etched in plate]
[M & N Hanhart]
Lithograph on octagonal chine collé. Sheet: 610 x 445mm (24 x 17½"), very large margins. Minor foxing.
A seated half length portrait of Richard Taylor (1781-1858) from the Ipswich Museum Portraits series published by George Ransom in 1852: the sixty portraits of distinguished men of science were commissioned to commemorate the foundation of the museum in 1846. Taylor was an English naturalist and printer, publishing notable science journals and magazines.
W2892-2
[Ref: 57872] £180.00 (£216.00 incl.VAT)

The Ale House and The Home.
[Designed Etched & Published by George Cruikshank Sept.r 1st ] 1832.
Etching. Sheet 140 x 380mm (5½ x 15"). Trimmed, losing most of inscription.
Two scenes contrasting the life of the man spent in an ale house, and his wife left behind in a dank room. From a sheet with four drolls published in the series 'Scraps and Sketches'.
[Ref: 57811] £60.00 (£72.00 incl.VAT)

[Eccentricities No XIII.] I can see thief in your face fellow! / Vell s'help me wot a funny old Gentrelman to take by physog for a Lookging-glass!
[Printed by W. Kohler 22 Denmark St Soho.]
London: Published by W. Spooner, 377 Strand [n.d., c.1840].
Lithograph with fine hand colour and gum arabic highlights. Sheet 265 x 210mm (6½ x 8¼"). Trimmed, losing sub-title and printer's name, laid on album paper.
A passenger accuses a coachman of looking like a thief.
[Ref: 57813] £90.00 (£108.00 incl.VAT)

Arena di Verona come sta al presente.
[after Saverio Avesan.]
[n.d., c.1770.]
Engraving. 185 x 260mm (7¼ x 10¼") very large margins. Printer's crease entering plate, wear and tear in margins.
The ruins of Verona Arena, built AD 30.
[Ref: 57948] £130.00 (£156.00 incl.VAT)

A Sketch in Buckingham Gardens. _ Dedicated to the Royal Humane Societies. Political Hits No. 8.
[John Doyle?] Printed by W. Kohler 22 Denmark Street Soho.
London; W. Spooner, 377 Strand [n.d., c.1842].
Lithograph. Sheet 295 x 390mm (11½ x 15¼"). Trimmed close to printed border, laid on album paper.
A panicking Prince Albert has fallen through the ice on the pond in the grounds of Buckingham Palace. Queen Victoria is attempting to pull him out, aided by a laughing lady-in-waiting ('Lady M_'), who says 'who would have thought His Royal Highness such a coward?'. In 1842 the Royal Humane Society presented Albert with a 'Life-Ladder', a ladder with wheels on one end, to be used in the event of accident at the royal skating parties on Virginia Water.
[Ref: 57814] £130.00 (£156.00 incl.VAT)

Sir William Wallace. General and Governor of Scotland. 1300. 25.
J. Kay 1819.
Etching. 125 x 90mm (5 x 3½"), with large margins. Letterpress '25' outside plate. Some spotting.
Half-length portrait of Sir William Wallace (1272?-1305), Scottish patriot, in armour with baton in hand.
[Ref: 57950] £75.00 (£90.00 incl.VAT)

James Ward. Aged 26 yrs. weighs about 12 Stone ¾. Stands 5 feet 9 inches & ½.
Drawn & etched by J. Jones.
London Pub.d April 10th 1827 by S.W. Fores 41 Piccadilly [but later].
Coloured etching. 410 x 275mm (16 x 10¾"), large margins. Repaired tear lower left.
A boxer in the ring, fists raised.
[Ref: 57978] £260.00 (£312.00 incl.VAT)

[Keyplate] The Battle of Waterloo.
[n.d., 1815.]
Scarce etching with letterpress. Sheet 460 x 520mm (18¼ x 20½"), on paper watermarked 'J. Whatman 1814'. Small hole in letterpress.
The key plate to William Heath' painting of the Battle of Waterloo, with a 62-point key in English and French, as published in James Jenkins' Martial achievements, less than three months after the battle. The letterpress (which continues on the reverse of the sheet) contains the dispatches from the Duke of Wellington, and list of British officer casualties.
[Ref: 57910] £380.00

[James Watt.]
S.M. Litten [pencil signature].
Published 1922 by The Museum Galleries, 26, Museum, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 335 x 270mm (13¼ x 10¾"), large margins, with a letterpress biography.
Seated portrait of James Watt (1736-1819), Scottish inventor whose improvements to the steam engine in 1776 was fundamental to the changes brought by the Industrial Revolution. The original oil, painted by Carl Fredrik von Breda in 1779, in now in the National Portrait Gallery (NPG 186a).
[Ref: 57847] £75.00 (£90.00 incl.VAT)

[Wellington and the Catholic Relief Bill] Doing Homage. _Thus they in lowliest plight, repentant bow_Mil[ton].
[Paul Pry] Esq.
Pub by T McLean 26 Haymarket where Political and other Caricatures are daily Pub. [n.d. c.1830.]
Etching with fine hand colour. 260 x 370mm (10¼ x 14½"). Small margins.
One of many attacks on Peel and the Duke of Wellington, introducers of Catholic Emancipation. Here they pay homage to the Pope, with Wellington kissing the papal foot.
BM Satires: 15660.
[Ref: 52859] £240.00 (£288.00 incl.VAT)

T. B. Western [facsimile signature.]
T. H. Maguire. 1851. [etched in plate]
M & N Hanhart Imp.t.
Lithograph on octagonal chine collé. Sheet: 560 x 425mm (22 x 16¾"), very large margins. Ipswich Museum crest stamp. Some foxing and toning along the right edge.
A three-quarter length seated portrait of Sir Thomas Burch Western (1795-1873), looking away from the viewer to the left. Western was an English Liberal Party politician and represented the North division of Essex as an MP.
W3166-1
[Ref: 57867] £75.00 (£90.00 incl.VAT)

The King and His Ministers in Council. To Her most excellent Majesty, Adelaide, Queen of England. This Print is dedicated by her most Loyal, Respectful, and Obedient Subject, John Knight.
Drawn on Stone by O'Connor. R. Martin Lithog. 124, High Holborn.
London, Printed for John Knight, 51, Paternoster Row [n.d., c.1832].
Scarce lithograph on chine collé. 240 x 270mm (9½ x 10¾"). Slight crease in background, backing paper with pinholes at top, very slight foxing at sides.
William IV seated at a table, discussing the Reform Bill with his ministers, who are named under the image. They are (clockwise from left) Lord Brougham, The King, Earl Grey, Lord Holland, Lord Goderich, Lord Durham, Lord John Russell, the Marquis of Lansdowne, Sir Thomas Denman (standing addressing assembly), T.S. Rice Esq. and the Duke of Devonshire.
[Ref: 57818] £290.00 (£348.00 incl.VAT)

Robert Hopper Williamson Esq.r. Chancellor of the County Palatine of Durham and Recorder of Newcastle upon Tyne. This Print was engraved at the expence of the Gentlemen of the profession of the Law, in Newcastle, Northumberland & Durham; as a Testimony of his Talents as a Lawyer, & his independent Integrity as a Man.
James Londsale pinx.t. W.m Sharp sculp.t.
Published by William Sharp, London May 16th 1822.
Etching with engraving on chine collé. 385 x 315mm (15¼ x 12½"), with large margins. Edges soiled and creased.
Robert Hopper Williamson (1755-1835), chancellor of Durham from 1818 to 1835, founder member and first vice-president of 'The Literary and Philosophical Society of Newcastle upon Tyne' (now known more often as the Lit & Phil) in 1793.
Davison Archive.
[Ref: 57930] £190.00 (£228.00 incl.VAT)

James Wilson M:D: Malvern.
Cte d'Orsay fecit Gore House 19 April 1845.
[published by John Mitchell, c.1845.]
Lithograph. Printed area 220 x 155mm (8¾ x 6"), with large margins. Spotting in edges.
Doctor James Wilson (1807-67) practiced the 'water cure' or 'Hydropathy' (now Hydrotherapy) in Malvern from 1842, first in partnership with James Manby Gully. Their patients included patients Charles Darwin, Charles Dickens, Thomas Carlyle, Florence Nightingale, Lord Tennyson and Samuel Wilberforce.
[Ref: 57939] £140.00 (£168.00 incl.VAT)

South East View of the Commoners Court, Winchester College.
Drawn on Stone Sep.r 6,th 1838. Rich.d Baigent del,t.
Hand-coloured lithograph, print on chine collé. 205 x 270mm (8 x 10¾"). Some creasing, backing sheet dusty.
A view of one of the depicting the Old Commoner buildings shortly before they were demolished. Richard Baigent (1799-1881) was an drawing master at Winchester College for fifty years, before emigrating to Canada in mid 1862, where he was appointed drawing master at Upper Canada College. He was elected a founding member of the Ontario Society of Artists in 1872 and was named an Associate of the Royal Canadian Academy in 1880.
[Ref: 57969] £130.00 (£156.00 incl.VAT)

W.m Yarrell [facsimile signature.]
T. H. Maguire. 1849. [etched in plate]
M & N Hanhart Lith. Printers.
Lithograph on octagonal chine collé. Sheet: 580 x 440mm (22¾ x 17¼"), very large margins. Ipswich Museum crest stamp. Some toning and small nicks around the edges.
A half length seated portrait of William Yarrell (1784-1856) from the Ipswich Museum Portraits series published by George Ransom in 1852: the sixty portraits of distinguished men of science were commissioned to commemorate the foundation of the museum in 1846. Yarrell was a resepcted zoologist and his most acclaimed works 'The History of British Fishes' (1836) and 'A History of British Birds' (1843) were standard reference texts for a generation of British zoologists.
W3245
[Ref: 57863] £180.00 (£216.00 incl.VAT)

[Italian landscape.] Engraved from an Original Picture of F: Zuccarelli, In the Possession of W:m Herring Esq.r.
F. Zuccarelli Pinx.t. F. Vivares Sculp.
Publish'd by F. Vivares 7th August 1753. But later.
Etching. 410 x 500mm (16 x 19¾"), with large margins. Rubbing in margins.
An Italianate landscape with an itinerant woman and child begging. A state with 'No.10' added bottom left.
[Ref: 57921] £260.00 (£312.00 incl.VAT)

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