A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Dog Barber La Francia.
H.W.Bunbury delin. 1772. J.Bretherton. F.
Publish'd as the Act directs 29th march 1772 by J.Bretherton No. 134 New Bond Street.
Etching. Sheet size: 245 x 170mm (9¾ x 6¾"). Trimmed inside platemark. Laid on sheet.
A French barber standing on the pavement holding a pair of shears with two dogs behind him. For an alternative earlier impression after Bunbury, see item ref: 34306.
BM Satire 4669.
[Ref: 36592] £75.00 (£90.00 incl.VAT)
H.W.Bunbury delin. 1772. J.Bretherton. F.
Publish'd as the Act directs 29th march 1772 by J.Bretherton No. 134 New Bond Street.
Etching. Sheet size: 245 x 170mm (9¾ x 6¾"). Trimmed inside platemark. Laid on sheet.
A French barber standing on the pavement holding a pair of shears with two dogs behind him. For an alternative earlier impression after Bunbury, see item ref: 34306.
BM Satire 4669.
[Ref: 36592] £75.00 (£90.00 incl.VAT)
The street-seller of Dogs' Collars.
(From a Daguerrotype by Beard.)
[n.d., c.1862.]
A man wearing a top hat, chains and collars around his neck, a basket on the ground. From 'The London Labour and the London Poor' by Henry Mayhew. From an early photograph by Richard Beard (1801-85).
[Ref: 56637] £60.00 (£72.00 incl.VAT)
(From a Daguerrotype by Beard.)
[n.d., c.1862.]
A man wearing a top hat, chains and collars around his neck, a basket on the ground. From 'The London Labour and the London Poor' by Henry Mayhew. From an early photograph by Richard Beard (1801-85).
[Ref: 56637] £60.00 (£72.00 incl.VAT)
M.r Grenier-à-Puce, M.d de Chiens.
APM. 1817. Chez Martinet. Lithographie Pl. des Marais F. S.t Germain N.o 13.
Coloured lithograph, sheet 330 x 205mm (13 x 8"). Foxed and creased.
A dog merchant surrounded by his animals.
[Ref: 60149] £60.00 (£72.00 incl.VAT)
APM. 1817. Chez Martinet. Lithographie Pl. des Marais F. S.t Germain N.o 13.
Coloured lithograph, sheet 330 x 205mm (13 x 8"). Foxed and creased.
A dog merchant surrounded by his animals.
[Ref: 60149] £60.00 (£72.00 incl.VAT)
6. Blätter Thierftudien gezeichnet & geazt von J. A. Klein. 1817.
Etching. Plate: 130 x 150mm (5 x 6") large margins.
A scene showing a dog eating out of his bowl in a yard by German etcher Johann Adam Klein.
[Ref: 47614] £90.00 (£108.00 incl.VAT)
Etching. Plate: 130 x 150mm (5 x 6") large margins.
A scene showing a dog eating out of his bowl in a yard by German etcher Johann Adam Klein.
[Ref: 47614] £90.00 (£108.00 incl.VAT)
![[Cricket] Setting Dogs to Fight.](jpegs/66673.jpg)
[Cricket] Setting Dogs to Fight. There Master George I thought you wou'd get it.
H.y Alken, Del.t.
London Published by Tho.s M.cLean Repoitory of Wit & Humour, 26 Haymarket, 1823.
Coloured soft ground etching. 220 x 270mm (8¾ x 10¾"). Tears taped, one entering incription area.
Two schoolboys bicker in a stable yard, with a man holding a horse's reins and two dogs snarling at each other. Leaning against the wall is a cricket bat, an archery target, bow and arrows. One plate of 12 from 'Scenes in the Life of Master George', which depict the boy indulging in animal blood sports, including bull, badger and bear baiting, cock fighting and fishing.
[Ref: 66673] £80.00 (£96.00 incl.VAT)
H.y Alken, Del.t.
London Published by Tho.s M.cLean Repoitory of Wit & Humour, 26 Haymarket, 1823.
Coloured soft ground etching. 220 x 270mm (8¾ x 10¾"). Tears taped, one entering incription area.
Two schoolboys bicker in a stable yard, with a man holding a horse's reins and two dogs snarling at each other. Leaning against the wall is a cricket bat, an archery target, bow and arrows. One plate of 12 from 'Scenes in the Life of Master George', which depict the boy indulging in animal blood sports, including bull, badger and bear baiting, cock fighting and fishing.
[Ref: 66673] £80.00 (£96.00 incl.VAT)
The Pit.
Etched by T. Scott.
[n.d., c.1830.]
Scarce etching. Sheet 220 x 360mm (8¾ x 14¼"). Trimmed within plate, damage to edges, stained.
A dog fight between two pit bulls, watched by an avid audience.
[Ref: 58525] £130.00 (£156.00 incl.VAT)
Etched by T. Scott.
[n.d., c.1830.]
Scarce etching. Sheet 220 x 360mm (8¾ x 14¼"). Trimmed within plate, damage to edges, stained.
A dog fight between two pit bulls, watched by an avid audience.
[Ref: 58525] £130.00 (£156.00 incl.VAT)
Innocent Amusements. Curling a Lap-Dog's Hair.
Drawn and etched by Theod.e Lane.
Hand coloured etching sheet 275 x 185mm (10¾ x 7¼). Cut and tipped into backing sheet. Slightly time stained.
An older woman excessively grooms her small white dog; putting its hair in curlers.
[Ref: 56552] £70.00 (£84.00 incl.VAT)
Drawn and etched by Theod.e Lane.
Hand coloured etching sheet 275 x 185mm (10¾ x 7¼). Cut and tipped into backing sheet. Slightly time stained.
An older woman excessively grooms her small white dog; putting its hair in curlers.
[Ref: 56552] £70.00 (£84.00 incl.VAT)
Les Tondeuses de Chiens.
Designed & drawn on Stone by J.J. Chalon.
London. Published by Rodwell & Martin New Bond St. May 1, 1820. C. Hullmandel's Lithography.
Hand-coloured lithograph, watermark 1817, sheet 315 x 445mm (12½ x 17½") with very large margins. Slight mount burn around image, slightly stained on edge of margins.
A scene with two women sitting in a street and grooming dogs on their laps, under a parasol and by a sign for their business. Two groomed dogs are visible in the right foreground, further two in a kennel on the left, with pedestrians and a carriage in the background.
[Ref: 60112] £140.00 (£168.00 incl.VAT)
Designed & drawn on Stone by J.J. Chalon.
London. Published by Rodwell & Martin New Bond St. May 1, 1820. C. Hullmandel's Lithography.
Hand-coloured lithograph, watermark 1817, sheet 315 x 445mm (12½ x 17½") with very large margins. Slight mount burn around image, slightly stained on edge of margins.
A scene with two women sitting in a street and grooming dogs on their laps, under a parasol and by a sign for their business. Two groomed dogs are visible in the right foreground, further two in a kennel on the left, with pedestrians and a carriage in the background.
[Ref: 60112] £140.00 (£168.00 incl.VAT)
The Dog in the Manger.
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard, London. [n.d. c.1780.]
A very rare and fine mezzotint. 248 x 354mm. Crease top right corner due to repair. Small spot in horses belly.
A Horse rears up on hind legs as dog startles it inside the stable.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14788] £160.00 (£192.00 incl.VAT)
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard, London. [n.d. c.1780.]
A very rare and fine mezzotint. 248 x 354mm. Crease top right corner due to repair. Small spot in horses belly.
A Horse rears up on hind legs as dog startles it inside the stable.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14788] £160.00 (£192.00 incl.VAT)
The Dog In The Manger.
London, Published 30th. November 1857, At 26, Haymarket.
Lithograph, sheet 410 x 320mm. 16¼ x 10½". Repaired tears from extremities, one just into image from above. Light soiling.
A political satire. The 'dog', here dressed as a cleric, is probably intended to represent Henry John Temple, 3rd Viscount Palmerston (1784 - 1865), Prime Minister at the time of publication. He is depicted preaching a sermon at Exeter Hall on the north side of The Strand, London. The hall could hold about 3,000 people, and was used for holding religious and philanthropic meetings. The Dog in the Manger is a fable attributed to Aesop, concerning a dog who one afternoon lay down to sleep in the manger. On being awoken, he ferociously kept the cattle in the farm from eating the hay on which he chose to sleep, even though he was unable to eat it himself, leading an ox to mutter the moral of the fable: "People often begrudge others what they cannot enjoy themselves".
[Ref: 9742] £190.00 (£228.00 incl.VAT)
London, Published 30th. November 1857, At 26, Haymarket.
Lithograph, sheet 410 x 320mm. 16¼ x 10½". Repaired tears from extremities, one just into image from above. Light soiling.
A political satire. The 'dog', here dressed as a cleric, is probably intended to represent Henry John Temple, 3rd Viscount Palmerston (1784 - 1865), Prime Minister at the time of publication. He is depicted preaching a sermon at Exeter Hall on the north side of The Strand, London. The hall could hold about 3,000 people, and was used for holding religious and philanthropic meetings. The Dog in the Manger is a fable attributed to Aesop, concerning a dog who one afternoon lay down to sleep in the manger. On being awoken, he ferociously kept the cattle in the farm from eating the hay on which he chose to sleep, even though he was unable to eat it himself, leading an ox to mutter the moral of the fable: "People often begrudge others what they cannot enjoy themselves".
[Ref: 9742] £190.00 (£228.00 incl.VAT)
Dogs and Still Life.
Jervase Pinxit. Jos.h Farington delin.t. P.C. Canote Sculpsit.
Published March 2.d 1778 by John Boydell Engraver in Cheapside London.
Engraving. Plate: 225 x 270mm (9 x 10½"). Small margins.
A scene showing a pair of dogs attempting to steal some game but a cat manages to get there first.
[Ref: 47475] £80.00 (£96.00 incl.VAT)
Jervase Pinxit. Jos.h Farington delin.t. P.C. Canote Sculpsit.
Published March 2.d 1778 by John Boydell Engraver in Cheapside London.
Engraving. Plate: 225 x 270mm (9 x 10½"). Small margins.
A scene showing a pair of dogs attempting to steal some game but a cat manages to get there first.
[Ref: 47475] £80.00 (£96.00 incl.VAT)
So great Ones keep the less in aw,/ Like Dog with Mutton under Paw.
F. Snyders pinx:
I. Smith fe et ex. [n.d., c.1730.]
Rare etching, second state. Sheet 235 x 320mm, 9¼ x 12½". Vertical fold. Trimmed within plate; corners chipped.
A large snarling dog protects a sheep carcass, tumbled from a basket onto the floor; two smaller dogs approach from the right, and a startled monkey clings to a chair at left. Cutlery, fruit and vegetables strewn around. After Frans Snyders (Flemish, 1579 - 1657).
[Ref: 19467] £95.00 (£114.00 incl.VAT)
F. Snyders pinx:
I. Smith fe et ex. [n.d., c.1730.]
Rare etching, second state. Sheet 235 x 320mm, 9¼ x 12½". Vertical fold. Trimmed within plate; corners chipped.
A large snarling dog protects a sheep carcass, tumbled from a basket onto the floor; two smaller dogs approach from the right, and a startled monkey clings to a chair at left. Cutlery, fruit and vegetables strewn around. After Frans Snyders (Flemish, 1579 - 1657).
[Ref: 19467] £95.00 (£114.00 incl.VAT)
![[Battersea Dog's Home.]](jpegs/56679.jpg)
[Battersea Dog's Home.]
R.B. Parkes [pencil signature] [after Allen Culpepper Sealy].
[London Published October 1st, 1885 by Thomas Mc,,Lean, 7 Haymarket.]
Rare mixed-method engraving, proof before publisher's address, on chine collé, signed by the engraver, 400 x 470mm (15½ x 18½") with large margins. A little surface abrasion to the backing paper.
A young girl kneels to hug a long-haired St Bernard dog in the corridor of Batersea Dogs Home. This was published the year that Queen Victoria became the first royal patron of the home, a tradition that has continued.
BM 2010,7081.5973; ''acquired for reference purposes only. Its condition is so poor that it cannot be displayed''.
[Ref: 56679] £380.00
R.B. Parkes [pencil signature] [after Allen Culpepper Sealy].
[London Published October 1st, 1885 by Thomas Mc,,Lean, 7 Haymarket.]
Rare mixed-method engraving, proof before publisher's address, on chine collé, signed by the engraver, 400 x 470mm (15½ x 18½") with large margins. A little surface abrasion to the backing paper.
A young girl kneels to hug a long-haired St Bernard dog in the corridor of Batersea Dogs Home. This was published the year that Queen Victoria became the first royal patron of the home, a tradition that has continued.
BM 2010,7081.5973; ''acquired for reference purposes only. Its condition is so poor that it cannot be displayed''.
[Ref: 56679] £380.00
![[Battle of Dogger Bank] Hac Nitimur Hanc Tuemur.](jpegs/63508.jpg)
[Battle of Dogger Bank] Hac Nitimur Hanc Tuemur.
[Amsterdam: Johannes Allart, 1782.]
Rare etching, 190 x 315mm (7½ x 12½"). Bindng folds, creasing and tear on left.
An illustration to Joannes Le Francq van Berkhey's 'De zeetriumph der Bataafsche vryheid, of Doggersbank bevochten den 5.den van oogstmaand 1781.' The Battle of Dogger Bank (5th August 1781) was a bloody encounter between British and Dutch squadrons under Vice Admiral Sir Hyde Parker and Vice Admiral Johan Zoutman. Both sides claimed victory, although the Dutch navy stayed in Texel for the remainder of the Fourth Anglo-Dutch War.
[Ref: 63508] £75.00 (£90.00 incl.VAT)
[Amsterdam: Johannes Allart, 1782.]
Rare etching, 190 x 315mm (7½ x 12½"). Bindng folds, creasing and tear on left.
An illustration to Joannes Le Francq van Berkhey's 'De zeetriumph der Bataafsche vryheid, of Doggersbank bevochten den 5.den van oogstmaand 1781.' The Battle of Dogger Bank (5th August 1781) was a bloody encounter between British and Dutch squadrons under Vice Admiral Sir Hyde Parker and Vice Admiral Johan Zoutman. Both sides claimed victory, although the Dutch navy stayed in Texel for the remainder of the Fourth Anglo-Dutch War.
[Ref: 63508] £75.00 (£90.00 incl.VAT)
![[Dogger Bank] This Representation of the Action between the British Fleet under the Command of Vice Admiral Parker](jpegs/54647.jpg)
[Dogger Bank] This Representation of the Action between the British Fleet under the Command of Vice Admiral Parker and the Dutch Fleet under the Command of Vice Admiral Zouten on the Dogger Bank the 5th of Aug.st 1781...
Painted by D. Serres Esq.r R.A. Marine Painter to his Majesty, and Engraved by R. Pollard.
London, Published the 1st May, 1782 by R. Wilkinson, No 58. Cornhill, and R. Pollard, Braynes Row, Spa Fields.
Rare engraving. 485 x 615mm (19 x 24¼"). Thread margins.
The Battle of Dogger Bank was fought during the Fourth Anglo-Dutch War, started because the Dutch were supplying the Americans during the Revolution. It was fought between two fleets escorting convoys and, despite both sides claiming victory, it forced the Dutch fleet back into harbour where it remained for the rest of the war.
[Ref: 54647] £680.00
Painted by D. Serres Esq.r R.A. Marine Painter to his Majesty, and Engraved by R. Pollard.
London, Published the 1st May, 1782 by R. Wilkinson, No 58. Cornhill, and R. Pollard, Braynes Row, Spa Fields.
Rare engraving. 485 x 615mm (19 x 24¼"). Thread margins.
The Battle of Dogger Bank was fought during the Fourth Anglo-Dutch War, started because the Dutch were supplying the Americans during the Revolution. It was fought between two fleets escorting convoys and, despite both sides claiming victory, it forced the Dutch fleet back into harbour where it remained for the rest of the war.
[Ref: 54647] £680.00
The Contest for Doggett's Coat & Badge. A Prize rowed for every 1.st of Aug.st.
Pub. by Hodgson & Co. Newgate Str. [n.d., c.1824].
Etching with engraving. Sheet 130 x 235mm (5 x 9¼"). Trimmed within plate, original folds, mounted in album paper.
The Thames Waterman row for the Doggett's Coat and Badge, passing under Blackfriars Bridge, with St Paul's Cathedral behind. Held every year since it was started in 1715 by Thomas Doggett, an Irish actor and manager of Drury Lane, it is the oldest continuous rowing race in the world,
[Ref: 61954] £140.00 (£168.00 incl.VAT)
Pub. by Hodgson & Co. Newgate Str. [n.d., c.1824].
Etching with engraving. Sheet 130 x 235mm (5 x 9¼"). Trimmed within plate, original folds, mounted in album paper.
The Thames Waterman row for the Doggett's Coat and Badge, passing under Blackfriars Bridge, with St Paul's Cathedral behind. Held every year since it was started in 1715 by Thomas Doggett, an Irish actor and manager of Drury Lane, it is the oldest continuous rowing race in the world,
[Ref: 61954] £140.00 (£168.00 incl.VAT)
Doggiana, by Cynophilus. A Poet is a lank Greyhound; for the Public her runs game down...
Printed by C. Hullmandel. [n.d., c.1827]
Lithograph. Watermark 'Fellows' 1824. Sheet: 275 x 220mm (10¾ x 8¾"). Some marking.
A frontispiece to 'Doggiana' showing a dog in clothes standing above a pyramid.
[Ref: 42712] £160.00 (£192.00 incl.VAT)
Printed by C. Hullmandel. [n.d., c.1827]
Lithograph. Watermark 'Fellows' 1824. Sheet: 275 x 220mm (10¾ x 8¾"). Some marking.
A frontispiece to 'Doggiana' showing a dog in clothes standing above a pyramid.
[Ref: 42712] £160.00 (£192.00 incl.VAT)
![[Infant in highchair at table with dogs and a cat.]](jpegs/23444.jpg)
[Infant in highchair at table with dogs and a cat.]
[Anon; unsigned.]
London, Published October 12th 1891 by Louis Brall & Sons, 38, Hart Street, Bloomsbury, W.C.
Mezzotint on india paper, proof before title, 685 x 535mm. 27 x 21". A crisp impression with full, somewhat soiled and spotted outer margins.
Eating from the child's plate which has dropped to the floor (and cracked) is a pug, Scottish terrier, fox terrier and another dog; also a tabby-cat.
[Ref: 23444] £380.00
[Anon; unsigned.]
London, Published October 12th 1891 by Louis Brall & Sons, 38, Hart Street, Bloomsbury, W.C.
Mezzotint on india paper, proof before title, 685 x 535mm. 27 x 21". A crisp impression with full, somewhat soiled and spotted outer margins.
Eating from the child's plate which has dropped to the floor (and cracked) is a pug, Scottish terrier, fox terrier and another dog; also a tabby-cat.
[Ref: 23444] £380.00
![[Bitch Suckling]](jpegs/45996.jpg)
[Bitch Suckling]
J. Le Ducq fe: 1661
Etching, platemark 140 x 175mm (5½ x 7") large margins.
One of a set of eight etchings of dogs by Jan Le Ducq (1629/30-76), painter and etcher active in the Hague.
[Ref: 45996] £130.00 (£156.00 incl.VAT)
J. Le Ducq fe: 1661
Etching, platemark 140 x 175mm (5½ x 7") large margins.
One of a set of eight etchings of dogs by Jan Le Ducq (1629/30-76), painter and etcher active in the Hague.
[Ref: 45996] £130.00 (£156.00 incl.VAT)
![[Two dogs, one sleeping, the other awake.]](jpegs/47791.jpg)
[Two dogs, one sleeping, the other awake.]
Jo Eli Ridinger fec: et excud A.d.
[1728]
Etching, platemark 190 x 240mm (7½ x 9½"), with large margins.
Plate from the 'Zeichenbücher, Säugethiere betreffend' (Sketch books of mammals) produced and published by Johann Elias Ridinger (1698-1767), one of the most celebrated German engravers of animals. Much of his career was spent in Augsburg.
[Ref: 47791] £190.00 (£228.00 incl.VAT)
Jo Eli Ridinger fec: et excud A.d.
[1728]
Etching, platemark 190 x 240mm (7½ x 9½"), with large margins.
Plate from the 'Zeichenbücher, Säugethiere betreffend' (Sketch books of mammals) produced and published by Johann Elias Ridinger (1698-1767), one of the most celebrated German engravers of animals. Much of his career was spent in Augsburg.
[Ref: 47791] £190.00 (£228.00 incl.VAT)
Graphic Illustrations Of Animals. Shewing Their Utility To Man, In Their Services During Life And Uses After Death. The Dog.
Designed and Drawn on Stone by W Hawkins.
London, Published by Thomas Varty, Adelaide Street, Strand. [n.d., c.1850.]
Hand coloured lithograph. Sheet 345 x 420mm (13½ x 16½").
A central illustration of a collie dog is surrounded by eight vignette scenes depicting the commercial uses and relationship to man of the animal, in life and death (in this case dog-skin boots!). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 7.' upper right.
[Ref: 48193] £260.00 (£312.00 incl.VAT)
Designed and Drawn on Stone by W Hawkins.
London, Published by Thomas Varty, Adelaide Street, Strand. [n.d., c.1850.]
Hand coloured lithograph. Sheet 345 x 420mm (13½ x 16½").
A central illustration of a collie dog is surrounded by eight vignette scenes depicting the commercial uses and relationship to man of the animal, in life and death (in this case dog-skin boots!). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 7.' upper right.
[Ref: 48193] £260.00 (£312.00 incl.VAT)
![[Dogs.]](jpegs/31314.jpg)
[Dogs.]
Klein fec. 1812.
[German.]
Etching. Plate 82 x 95mm (3¼ x 3¾").
Two dogs resting. Johann Adam Klein (1792-1875), the German etcher from Nuremberg.
[Ref: 31314] £60.00 (£72.00 incl.VAT)
Klein fec. 1812.
[German.]
Etching. Plate 82 x 95mm (3¼ x 3¾").
Two dogs resting. Johann Adam Klein (1792-1875), the German etcher from Nuremberg.
[Ref: 31314] £60.00 (£72.00 incl.VAT)
Democ-Soc. Aristo.
Peint par Alfred De Dreux. Imp. Lemercier, 57 Rue de Seine, a Paris. ['Emile Lassalle' signature facsimile in plate lower left.]
Paris et New York_ Goupil Vibert et C.ie Editeurs. Entered according to Act of Congress, in the year 1850, by W. Schaus, in the Clerk's Office of the District Court of the United States for the Southern District of New York. London. E. Gambert & Co. Publishers. [Publisher's blindstamp below publication line].
Tinted lithograph. Printed area: 510 x 680mm (20 x 26¾"). Light foxing to lower half of sheet. Pin hold in left edge of printed area.
A large tinted lithograph depicting a Boston Terrier (left) and a Whippit (right) looking at each other, wearing large thick collars. The Boston Terrier is named 'Democ-Soc', representing a Democratic Society, whilst the Whippit is named 'Aristo', a reference to the Aristocracy.
[Ref: 32009] £450.00
Peint par Alfred De Dreux. Imp. Lemercier, 57 Rue de Seine, a Paris. ['Emile Lassalle' signature facsimile in plate lower left.]
Paris et New York_ Goupil Vibert et C.ie Editeurs. Entered according to Act of Congress, in the year 1850, by W. Schaus, in the Clerk's Office of the District Court of the United States for the Southern District of New York. London. E. Gambert & Co. Publishers. [Publisher's blindstamp below publication line].
Tinted lithograph. Printed area: 510 x 680mm (20 x 26¾"). Light foxing to lower half of sheet. Pin hold in left edge of printed area.
A large tinted lithograph depicting a Boston Terrier (left) and a Whippit (right) looking at each other, wearing large thick collars. The Boston Terrier is named 'Democ-Soc', representing a Democratic Society, whilst the Whippit is named 'Aristo', a reference to the Aristocracy.
[Ref: 32009] £450.00
![[Dogs]](jpegs/53264.jpg)
[Dogs]
Eugene Verboeckhoven. 1844 [in image] Dessiné sur pierre d'apres nature par Eugene Verboeckhoven.
Bruxelles, Imprime par P. Degobert, Lith. Du Roi. [c.1845.]
Tinted lithograph. Printed area 325 x 410mm (12¾ x 16"), with wide margins.
Eugene Verboeckhoven (1798-1881), Belgian painter.
[Ref: 53264] £240.00 (£288.00 incl.VAT)
Eugene Verboeckhoven. 1844 [in image] Dessiné sur pierre d'apres nature par Eugene Verboeckhoven.
Bruxelles, Imprime par P. Degobert, Lith. Du Roi. [c.1845.]
Tinted lithograph. Printed area 325 x 410mm (12¾ x 16"), with wide margins.
Eugene Verboeckhoven (1798-1881), Belgian painter.
[Ref: 53264] £240.00 (£288.00 incl.VAT)
![[Study of a terrier dog in a larder.]](jpegs/19408.jpg)
[Study of a terrier dog in a larder.] IIIme Livre D'Etude D'Animaux Dessine par Huet Peintre du Roi.
Demarteau sculp.
A Paris ches Demarteau Graveur du Roi rue de la Pellerie a la Cloche. [n.d., c.1770.]
Etching and crayon-manner printed in sanguine, 230 x 310mm. 9 x 12¼".
Behind the dog's head is a dead lamb and fowl. From a series of animal studies published by engraver Gilles Demarteau (1722 - 1776), specialist in crayon manner, after Jean Baptiste Huet (1745 - 1811).
[Ref: 19408] £180.00 (£216.00 incl.VAT)
Demarteau sculp.
A Paris ches Demarteau Graveur du Roi rue de la Pellerie a la Cloche. [n.d., c.1770.]
Etching and crayon-manner printed in sanguine, 230 x 310mm. 9 x 12¼".
Behind the dog's head is a dead lamb and fowl. From a series of animal studies published by engraver Gilles Demarteau (1722 - 1776), specialist in crayon manner, after Jean Baptiste Huet (1745 - 1811).
[Ref: 19408] £180.00 (£216.00 incl.VAT)
![[Two Dogs.]](jpegs/48592.jpg)
[Two Dogs.]
Edwin Landseer
Fresh aquatint, proof before all letters; in pencil under "Bt Paris 1839". Plate: 305 x 370mm (12 x 14½''), with large margins.
Provenance: Edge Hall, Cheshire.
[Ref: 48592] £160.00 (£192.00 incl.VAT)
Edwin Landseer
Fresh aquatint, proof before all letters; in pencil under "Bt Paris 1839". Plate: 305 x 370mm (12 x 14½''), with large margins.
Provenance: Edge Hall, Cheshire.
[Ref: 48592] £160.00 (£192.00 incl.VAT)
Portraits of Dogs. From the Original Picture In the Collection of Briggs Price Fountain, Esq.e at Narford in the County of Norfolk.
Jean Fyt Pinxit. Daniel Lerperniere Sculpsit.
Publish'd Sep.r 25.th 1799 by John & Josiah Boydell, No.90 Cheapside London.
Engraving with fine hand-colour. Plate: 510 x 600mm (20 x 23¾"). Framed, size 755 x 850mm (29¾ x 33½"). Unexamined out of frame.
A portrait of ten dogs in a landscape: in the foregroud are several spaniels, a greyhound and a pair of bloodhounds. In a fine decorative frame.
[Ref: 47108] £990.00
Jean Fyt Pinxit. Daniel Lerperniere Sculpsit.
Publish'd Sep.r 25.th 1799 by John & Josiah Boydell, No.90 Cheapside London.
Engraving with fine hand-colour. Plate: 510 x 600mm (20 x 23¾"). Framed, size 755 x 850mm (29¾ x 33½"). Unexamined out of frame.
A portrait of ten dogs in a landscape: in the foregroud are several spaniels, a greyhound and a pair of bloodhounds. In a fine decorative frame.
[Ref: 47108] £990.00
![[Dogs and cats in a yard.]](jpegs/19465.jpg)
[Dogs and cats in a yard.]
[Richard Gaywood.]
[British, n.d., c.1680.]
Etching, 140 x 210mm. 5½ x 8¼".
A greyhound and spaniel looking up at two squirrels in a tree upper right; two cats lower right, a mastiff chained to a thatched building at left, and a forth dog sitting at centre of composition. From a series of plates showing groups of animals, numbered '10' lower right. The composition derives from Francis Barlow's drawing of three dogs and two cats, which was etched in reverse by Gaywood for 'Variae quadrupedum species'. Gaywood modified this design, including another dog at bottom centre and another cat at lower right, and has removed one of the original cats and added the tree with squirrels in the background. This appears to be a reissue of his plate, with the number and a 'Y' added (upper right).
[Ref: 19465] £60.00 (£72.00 incl.VAT)
[Richard Gaywood.]
[British, n.d., c.1680.]
Etching, 140 x 210mm. 5½ x 8¼".
A greyhound and spaniel looking up at two squirrels in a tree upper right; two cats lower right, a mastiff chained to a thatched building at left, and a forth dog sitting at centre of composition. From a series of plates showing groups of animals, numbered '10' lower right. The composition derives from Francis Barlow's drawing of three dogs and two cats, which was etched in reverse by Gaywood for 'Variae quadrupedum species'. Gaywood modified this design, including another dog at bottom centre and another cat at lower right, and has removed one of the original cats and added the tree with squirrels in the background. This appears to be a reissue of his plate, with the number and a 'Y' added (upper right).
[Ref: 19465] £60.00 (£72.00 incl.VAT)
Dogs dancing. La danse des chiens.
C. Vernet inv. & del. Levachez fils sculp.
Se vend à Paris, Rue St. Lazare, Chaussée d'Antin, No. 88 [n.d., c.1800].
Fine & rare coloured etching with aquatint. Sheet 435 x 635mm (17 x 25"). Trimmed within plate on three sides, paper toned.
A Parisian street scene with a street entertainer with performing dogs and monkeys dressed in clothes, after Carle Vernet (1758-1836). A second man plays a flute and drum as a third, holding a huge tamborine, passes his hat around a large crowd.
[Ref: 61825] £790.00
C. Vernet inv. & del. Levachez fils sculp.
Se vend à Paris, Rue St. Lazare, Chaussée d'Antin, No. 88 [n.d., c.1800].
Fine & rare coloured etching with aquatint. Sheet 435 x 635mm (17 x 25"). Trimmed within plate on three sides, paper toned.
A Parisian street scene with a street entertainer with performing dogs and monkeys dressed in clothes, after Carle Vernet (1758-1836). A second man plays a flute and drum as a third, holding a huge tamborine, passes his hat around a large crowd.
[Ref: 61825] £790.00
Dogs Fighting. To the R.t Hon.ble Lord Charles Townshend, this Print is with permission dedicated by his lordship's most ob.t & hum.ble S.t. A. Cooper.
Painted by A. Cooper. Engraved by C. Turner. Printed by J.Lahee.
London, Published June 1, 1816, by A. Cooper No.10 Robert Street, Bedford Row. printed by J. lahee.
Mezzotint.. 380 x 410mm. Image of a stag on publication line. Margins slightly damaged. Light foxing to publication line.
Two terriers fighting over a bone.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 1366] £420.00
Painted by A. Cooper. Engraved by C. Turner. Printed by J.Lahee.
London, Published June 1, 1816, by A. Cooper No.10 Robert Street, Bedford Row. printed by J. lahee.
Mezzotint.. 380 x 410mm. Image of a stag on publication line. Margins slightly damaged. Light foxing to publication line.
Two terriers fighting over a bone.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 1366] £420.00
![[Dogs Fighting.]](jpegs/18845.jpg)
[Dogs Fighting.]
Painted by A. Cooper. Engraved by C. Turner.
London, Published June 1, 1816, by A. Cooper No.10 Robert Street, Bedford Row. Printed by J. Lahee.
Mezzotint, before title, image 270 x 320mm. 10½ x 12½". Trimmed to/close to plate.
Two terriers fighting over a bone. After Abraham Cooper (1787 - 1868).
Siltzer: p.95. Whitman: 701.
[Ref: 18845] £230.00 (£276.00 incl.VAT)
Painted by A. Cooper. Engraved by C. Turner.
London, Published June 1, 1816, by A. Cooper No.10 Robert Street, Bedford Row. Printed by J. Lahee.
Mezzotint, before title, image 270 x 320mm. 10½ x 12½". Trimmed to/close to plate.
Two terriers fighting over a bone. After Abraham Cooper (1787 - 1868).
Siltzer: p.95. Whitman: 701.
[Ref: 18845] £230.00 (£276.00 incl.VAT)
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Creased. Some light foxing in the margins.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64690] £220.00 (£264.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Creased. Some light foxing in the margins.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64690] £220.00 (£264.00 incl.VAT)
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with small margins. Lightly creased. Stained.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64691] £130.00 (£156.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with small margins. Lightly creased. Stained.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64691] £130.00 (£156.00 incl.VAT)
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins Paper very lightly toned. Light creasing in margins and title area.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64692] £260.00 (£312.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins Paper very lightly toned. Light creasing in margins and title area.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64692] £260.00 (£312.00 incl.VAT)
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Light creasing.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64693] £280.00 (£336.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Light creasing.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64693] £280.00 (£336.00 incl.VAT)
The Right Reverend John Dolben Ld. Bp. of Rochester.
I. Haissmans Pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint 340 x 250mm (13¼ x 9¾"). Thread margins.
A portrait of John Dolben, Archbishop of York (1625 - 1686), three-quarter length, sitting, wearing cap, bands, and robes, holding a scroll.
CS14. Blackett-Ord T29 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64997] £260.00 (£312.00 incl.VAT)
I. Haissmans Pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint 340 x 250mm (13¼ x 9¾"). Thread margins.
A portrait of John Dolben, Archbishop of York (1625 - 1686), three-quarter length, sitting, wearing cap, bands, and robes, holding a scroll.
CS14. Blackett-Ord T29 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64997] £260.00 (£312.00 incl.VAT)
The Right Reverend John Dolben Ld. Bp. of Rochester.
I. Haissmans Pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint. 340 x 250mm (13¼ x 9¾"), with wide margins
A portrait of John Dolben, Archbishop of York (1625 - 1686), three-quarter length, sitting, wearing cap, bands, and robes, holding a scroll.
Chaloner Smith: 14. Only State.
[Ref: 37598] £140.00 (£168.00 incl.VAT)
I. Haissmans Pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint. 340 x 250mm (13¼ x 9¾"), with wide margins
A portrait of John Dolben, Archbishop of York (1625 - 1686), three-quarter length, sitting, wearing cap, bands, and robes, holding a scroll.
Chaloner Smith: 14. Only State.
[Ref: 37598] £140.00 (£168.00 incl.VAT)
![[William Dolben] [Gulkielmus Dolben.](jpegs/67574.jpg)
[William Dolben] [Gulkielmus Dolben. Ad Indos alterâ jam vice (heu! non fælicibus æqué auspicÿs) profecturus in Mari Atlantico febre correptus est, et suis desideratissimus Obÿt Maÿ 7ma 1709 Æt. 20.]
[G. Kneller Eques pinx. 1709. J. Smith fec.]
[n.d., c.1710.]
Mezzotint, proof before letters, inscription area uncleaned, 18th century watermark; 350 x 250mm (13¾ x 9¾"). Thread margins.
Half-length portrait in oval of William Dolben (1789-1709), son of John Dolben, MP for Liskeard and judge-advocate for the East India Company in Bengal. William died of fever aged twenty, on a ship bound for the East Indies.
CS 80, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67574] £230.00 (£276.00 incl.VAT)
[G. Kneller Eques pinx. 1709. J. Smith fec.]
[n.d., c.1710.]
Mezzotint, proof before letters, inscription area uncleaned, 18th century watermark; 350 x 250mm (13¾ x 9¾"). Thread margins.
Half-length portrait in oval of William Dolben (1789-1709), son of John Dolben, MP for Liskeard and judge-advocate for the East India Company in Bengal. William died of fever aged twenty, on a ship bound for the East Indies.
CS 80, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67574] £230.00 (£276.00 incl.VAT)
![[William Dolben] Gulkielmus Dolben.](jpegs/67573.jpg)
[William Dolben] Gulkielmus Dolben. Ad Indos alterâ jam vice (heu! non fælicibus æqué auspicÿs) profecturus in Mari Atlantico febre correptus est, et suis desideratissimus Obÿt Maÿ 7ma 1709 Æt. 20.
G. Kneller Eques pinx. 1709. J. Smith fec.
[n.d., c.1710.]
Mezzotint, 350 x 250mm (13¾ x 9¾"), large margins. Partial 18th century watermark.
Half-length portrait in oval of William Dolben (1789-1709, son of John Dolben, MP for Liskeard and judge-advocate for the East India Company in Bengal. William died of fever aged twenty, on a ship bound for the East Indies.
CS 80, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67573] £160.00 (£192.00 incl.VAT)
G. Kneller Eques pinx. 1709. J. Smith fec.
[n.d., c.1710.]
Mezzotint, 350 x 250mm (13¾ x 9¾"), large margins. Partial 18th century watermark.
Half-length portrait in oval of William Dolben (1789-1709, son of John Dolben, MP for Liskeard and judge-advocate for the East India Company in Bengal. William died of fever aged twenty, on a ship bound for the East Indies.
CS 80, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67573] £160.00 (£192.00 incl.VAT)
Sketches in the Neighbourhood of Dolgelly.
by Jno: Coleman. Printed by Hullmandel.
[n.d., c.1850.]
Eight lithographs on one sheet, total printed area 375 x 290mm, 14¾ x 11½". Glue stains from verso in corners. Old ink mss dates by each view.
The views are: 'Part of Dolmelynllyn Fall'; 'Vanner Abbey'; 'Summit of Cader Indris'; 'Cader Indris'; 'River Mawddach from Nannan'; 'Dolserrer Mill'; 'Crater of Cader Indris'; and 'Vale of Llanilltyd'. The manuscript appears to be the dates the artist visited each location, during September 1848. It is rare to see these prints uncut.
[Ref: 11606] £130.00 (£156.00 incl.VAT)
by Jno: Coleman. Printed by Hullmandel.
[n.d., c.1850.]
Eight lithographs on one sheet, total printed area 375 x 290mm, 14¾ x 11½". Glue stains from verso in corners. Old ink mss dates by each view.
The views are: 'Part of Dolmelynllyn Fall'; 'Vanner Abbey'; 'Summit of Cader Indris'; 'Cader Indris'; 'River Mawddach from Nannan'; 'Dolserrer Mill'; 'Crater of Cader Indris'; and 'Vale of Llanilltyd'. The manuscript appears to be the dates the artist visited each location, during September 1848. It is rare to see these prints uncut.
[Ref: 11606] £130.00 (£156.00 incl.VAT)
The Finding the Doll.
Engraved by P.W. Tomkins, Historical Engraver to Her Majesty [after Elizabeth Upton].
London Pub. as the Act Directs, Jan 18. 1796 by Tomkins New Bond Street.
Stipple. 160 x 180mm (6¼ x 7"), with large margins.
A child excited to find a new doll. A plate from 'The Birth-Day Gift or the Joy of a New Doll, From Papers Cut by a Lady'' by Elizabeth Upton, Lady Templetown (1747-1823), lady of the bedchamber to Princess Amelia. Upton's designs from cut Indian paper were used by Wedgewood to produce sentimental, morally didactic and uplifting subjects.
[Ref: 53350] £160.00 (£192.00 incl.VAT)
Engraved by P.W. Tomkins, Historical Engraver to Her Majesty [after Elizabeth Upton].
London Pub. as the Act Directs, Jan 18. 1796 by Tomkins New Bond Street.
Stipple. 160 x 180mm (6¼ x 7"), with large margins.
A child excited to find a new doll. A plate from 'The Birth-Day Gift or the Joy of a New Doll, From Papers Cut by a Lady'' by Elizabeth Upton, Lady Templetown (1747-1823), lady of the bedchamber to Princess Amelia. Upton's designs from cut Indian paper were used by Wedgewood to produce sentimental, morally didactic and uplifting subjects.
[Ref: 53350] £160.00 (£192.00 incl.VAT)
Doll at Breakfast.
Engraved by P.W. Tomkins, Historical Engraver to Her Majesty [after Elizabeth Upton].
London Pub. as the Act Directs, Jan 18. 1796 by Tomkins New Bond Street.
Stipple. 160 x 180mm (6¼ x 7"), with large margins.
A child excited to find a new doll. A plate from 'The Birth-Day Gift or the Joy of a New Doll, From Papers Cut by a Lady'' by Elizabeth Upton (1747-1823), Lady Templetown, lady of the bedchamber to Princess Amelia. Upton's designs from cut Indian paper were used by Wedgewood to produce sentimental, morally didactic and uplifting subjects.
[Ref: 53351] £160.00 (£192.00 incl.VAT)
Engraved by P.W. Tomkins, Historical Engraver to Her Majesty [after Elizabeth Upton].
London Pub. as the Act Directs, Jan 18. 1796 by Tomkins New Bond Street.
Stipple. 160 x 180mm (6¼ x 7"), with large margins.
A child excited to find a new doll. A plate from 'The Birth-Day Gift or the Joy of a New Doll, From Papers Cut by a Lady'' by Elizabeth Upton (1747-1823), Lady Templetown, lady of the bedchamber to Princess Amelia. Upton's designs from cut Indian paper were used by Wedgewood to produce sentimental, morally didactic and uplifting subjects.
[Ref: 53351] £160.00 (£192.00 incl.VAT)
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Dollond. From an original Picture in the Royal Observatory, Greewich.
Engraved by J. Posselwhite.
London, Published by Charles Knight & C.o. Ludgate Street. [n.d., c.1835.]
Stipple with very large margins. Plate: 200 x 285mm (8 x 11¼"). Some slight foxing. Tears in right hand side to plate.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'. Published in the ''The Gallery of Portraits: With Memoirs'', 1833-7.
[Ref: 35545] £60.00 (£72.00 incl.VAT)
Engraved by J. Posselwhite.
London, Published by Charles Knight & C.o. Ludgate Street. [n.d., c.1835.]
Stipple with very large margins. Plate: 200 x 285mm (8 x 11¼"). Some slight foxing. Tears in right hand side to plate.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'. Published in the ''The Gallery of Portraits: With Memoirs'', 1833-7.
[Ref: 35545] £60.00 (£72.00 incl.VAT)
![[John Dolland.]](jpegs/35546.jpg)
[John Dolland.]
[n.d., c.1835]
Stipple with very large margins. On india. Proof before letters; signed in pencil bottom right John Dolland C.K., the publisher; Plate: 200 x 290mm (8 x 11½"). Tears in right margin. Foxing in margins.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'.
[Ref: 35546] £140.00 (£168.00 incl.VAT)
[n.d., c.1835]
Stipple with very large margins. On india. Proof before letters; signed in pencil bottom right John Dolland C.K., the publisher; Plate: 200 x 290mm (8 x 11½"). Tears in right margin. Foxing in margins.
Half portrait of John Dollond (1706-1761) a British optician noted for his experiments with lenses and optics. Dollond is dipicted sitting at a table, holding reading lens, his hand resting on a book labelled 'Opticks'.
[Ref: 35546] £140.00 (£168.00 incl.VAT)
![[Dolomites] General View of the Rosengarten Gebirge from the Sasso di Damm, Fassa Thal.](jpegs/58051.jpg)
[Dolomites] General View of the Rosengarten Gebirge from the Sasso di Damm, Fassa Thal.
J. Gilbert, del.t. Hanhart, lith.
[London: Longman, Green & Co., 1864.]
Rare coloured lithograph. Sheet 135 x 210mm (5¼ x 8½"). Stain in sky.
The Rosengarten group, a massif in the Dolomites between South Tyrol and Trentino. One of six lithographs in 'The Dolomite Mountains: Excursions through Tyrol, Cartinthia, Carniola, and Fruili in 1861, 1862, and 1863' by Josiah Gilbert & George Cheetham Churchill. The work also contained 26 wood engravings by Edward Whymper, who made the first successful ascent of the Matterhorn the following year.
[Ref: 58051] £130.00 (£156.00 incl.VAT)
J. Gilbert, del.t. Hanhart, lith.
[London: Longman, Green & Co., 1864.]
Rare coloured lithograph. Sheet 135 x 210mm (5¼ x 8½"). Stain in sky.
The Rosengarten group, a massif in the Dolomites between South Tyrol and Trentino. One of six lithographs in 'The Dolomite Mountains: Excursions through Tyrol, Cartinthia, Carniola, and Fruili in 1861, 1862, and 1863' by Josiah Gilbert & George Cheetham Churchill. The work also contained 26 wood engravings by Edward Whymper, who made the first successful ascent of the Matterhorn the following year.
[Ref: 58051] £130.00 (£156.00 incl.VAT)
![[Design with star and two fanciful dolphins.]](jpegs/60761.jpg)
[Design with star and two fanciful dolphins.]
[Drawn and etched by Christoph Jamnitzer?]
[Nuremberg: Jamnitzer, 1610?]
Etching. 80 x 110mm (3¼ x 4¼"). Trimmed to plate at bottom, narrow margins elsewhere.
A decorative design in the style of Christoph Jamnitzer's 'New Grotteßken Buch', a patternbook of designs showing grotesque imagery, putti, fantastic animals and other subjects to be used by craftsmen.
[Ref: 60761] £60.00 (£72.00 incl.VAT)
[Drawn and etched by Christoph Jamnitzer?]
[Nuremberg: Jamnitzer, 1610?]
Etching. 80 x 110mm (3¼ x 4¼"). Trimmed to plate at bottom, narrow margins elsewhere.
A decorative design in the style of Christoph Jamnitzer's 'New Grotteßken Buch', a patternbook of designs showing grotesque imagery, putti, fantastic animals and other subjects to be used by craftsmen.
[Ref: 60761] £60.00 (£72.00 incl.VAT)
![[Railway Engine] Dolphin.](jpegs/57040.jpg)
[Railway Engine] Dolphin.
[n.d., c.1840.]
Pen and ink drawing. 165 x 275mm (6½ x 10¾"). Central crease. Time staining.
An amateur sketch of the profile of an early locomotive.
[Ref: 57040] £140.00 (£168.00 incl.VAT)
[n.d., c.1840.]
Pen and ink drawing. 165 x 275mm (6½ x 10¾"). Central crease. Time staining.
An amateur sketch of the profile of an early locomotive.
[Ref: 57040] £140.00 (£168.00 incl.VAT)
Schooner Yacht Dolphin. G.H. Ackers, Esqr. Winning the Queen's Plate at Cowes, August 17th 1839. To the Right Hon.ble the Earl of Yarborough, D.C.L. F.R.S. F.S.A. &c. Commadore of the Royal Yacht Squadron. This Print is respectfully dedicated by his Lordship's most obedient and very humble Servant, O.W. Brierly.
O.W. Brierly, del et zinc. Day & Hague, Lithrs. to the Queen.
Edmund Fry, London & Edmund Fry, Jnr. Plymouth. [n.d. c.1839.]
Tinted zincograph. Printed area: 285 x 460mm (11¼ x 18").
In the background are the yachts 'Kestrel' and 'Wanderer', captioned below the image, with the 'Dolphin' in the centre, sailing to the right. By English marine painter Sir Oswald Walters Brierly (1817 - 1894).
[Ref: 39380] £750.00
O.W. Brierly, del et zinc. Day & Hague, Lithrs. to the Queen.
Edmund Fry, London & Edmund Fry, Jnr. Plymouth. [n.d. c.1839.]
Tinted zincograph. Printed area: 285 x 460mm (11¼ x 18").
In the background are the yachts 'Kestrel' and 'Wanderer', captioned below the image, with the 'Dolphin' in the centre, sailing to the right. By English marine painter Sir Oswald Walters Brierly (1817 - 1894).
[Ref: 39380] £750.00
Schooner Yacht Dolphin. G.H. Ackers, Esqr. Winning the Queen's Plate at Cowes, August 17th 1839. To the Right Hon.ble the Earl of Yarborough, D.C.L. F.R.S. F.S.A. &c. Commadore of the Royal Yacht Squadron. This Print is respectfully dedicated by his Lordship's most obedient and very humble Servant, O.W. Brierly.
O.W. Brierly, del et zinc. Day & Hague, Lithrs. to the Queen.
Edmund Fry, London & Edmund Fry, Jnr. Plymouth. [n.d. c.1839.]
Tinted zincograph, image 285 x 460mm. 11¼ x 18". Small nicks and tears to extremities. Lightly soiled.
In the background are captioned the yachts 'Kestrel' and B. Boyd's 'Wanderer'.
[Ref: 9893] £850.00
O.W. Brierly, del et zinc. Day & Hague, Lithrs. to the Queen.
Edmund Fry, London & Edmund Fry, Jnr. Plymouth. [n.d. c.1839.]
Tinted zincograph, image 285 x 460mm. 11¼ x 18". Small nicks and tears to extremities. Lightly soiled.
In the background are captioned the yachts 'Kestrel' and B. Boyd's 'Wanderer'.
[Ref: 9893] £850.00
Dom Gusman vole les Confitures chez le Cardinal, dont il est reconnu. Tome 2, Chap. 6.
Le Mesle inv. Dupin Sculp.
A Paris chez Dupin rue St. Jacques A.P.D.R. [n.d., c.1730.]
Engraving, 320 x 375mm. 12½ x 14¾". Slightly soiled and stained.
Illustration of a scene from Dom Juan or The Feast with the Statue (Dom Juan ou le Festin de pierre), a play by Jean-Baptiste Poquelin, known by his stage name Molière (1622 - 1673). It is based on the legendary fictional libertine Don Juan. Engraved and published in Paris by Pierre Dupin (c.1690 - c.1751).
From the Capper Album.
[Ref: 10988] £160.00 (£192.00 incl.VAT)
Le Mesle inv. Dupin Sculp.
A Paris chez Dupin rue St. Jacques A.P.D.R. [n.d., c.1730.]
Engraving, 320 x 375mm. 12½ x 14¾". Slightly soiled and stained.
Illustration of a scene from Dom Juan or The Feast with the Statue (Dom Juan ou le Festin de pierre), a play by Jean-Baptiste Poquelin, known by his stage name Molière (1622 - 1673). It is based on the legendary fictional libertine Don Juan. Engraved and published in Paris by Pierre Dupin (c.1690 - c.1751).
From the Capper Album.
[Ref: 10988] £160.00 (£192.00 incl.VAT)