A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Christian V and Charlotte Amelia of Denmark]](jpegs/42986.jpg)
[Christian V and Charlotte Amelia of Denmark] Le Roy et la Reyne de Danemarck.
S. Thomassin Sculptor Regius 1697.
Se vend a Paris chez Thomassin rue St Jacques vis a vis la rue de Plastre a l'Annonciation Avec Privil du Roy
Engraving sheet 230 x 170mm (9 x 6¾"). Trimmed; tipped into album sheet.
Christian V (1646-99), king of Denmark and Norway, and his queen-consort Charlotte Amelie of Hesse-Kassel (1650-1714). Christian's general popularity was marred by his failure, in the Scanian War, to regain the Scanian lands ceded to the Sweden in the 1658 Treaty of Roskilde.
[Ref: 42986] £190.00 (£228.00 incl.VAT)
S. Thomassin Sculptor Regius 1697.
Se vend a Paris chez Thomassin rue St Jacques vis a vis la rue de Plastre a l'Annonciation Avec Privil du Roy
Engraving sheet 230 x 170mm (9 x 6¾"). Trimmed; tipped into album sheet.
Christian V (1646-99), king of Denmark and Norway, and his queen-consort Charlotte Amelie of Hesse-Kassel (1650-1714). Christian's general popularity was marred by his failure, in the Scanian War, to regain the Scanian lands ceded to the Sweden in the 1658 Treaty of Roskilde.
[Ref: 42986] £190.00 (£228.00 incl.VAT)
Christiania.
F. Loos del. E. Westerberg lith. Em Baerentzen & Co. lith Inst.
Udgivet af Chr. Tönsberg. [n.d. c.1848.]
Tinted lithograph. 253 x 342mm. 10 x 13½". Trimmed along lower edge into title.
From "Norge fremstillet i billder". Christiania, Copenhagen which consists of the former military barracks of the Bådsmandsstræde and parts of the city ramparts, as seen in the foreground. Fishing boats and other sailing vessels can be seen in the Bay in front of Copenhagen; the dome of the Marble Church can be seen in the background.
[Ref: 18918] £140.00 (£168.00 incl.VAT)
F. Loos del. E. Westerberg lith. Em Baerentzen & Co. lith Inst.
Udgivet af Chr. Tönsberg. [n.d. c.1848.]
Tinted lithograph. 253 x 342mm. 10 x 13½". Trimmed along lower edge into title.
From "Norge fremstillet i billder". Christiania, Copenhagen which consists of the former military barracks of the Bådsmandsstræde and parts of the city ramparts, as seen in the foreground. Fishing boats and other sailing vessels can be seen in the Bay in front of Copenhagen; the dome of the Marble Church can be seen in the background.
[Ref: 18918] £140.00 (£168.00 incl.VAT)
Koppenhaven, de hooftstadt van Denemarken, en stoel des Ryx, gelegen op het eilant Zeelant. Hafnia, Daniae regia, in zelandia insula sita.
Pet: Schenk Amst: C.P. [n.d. c.1702.]
Fine engraving. 212 x 267mm (8¼ x 10½").
A prospect of Copenhagen, looking down on the defences of the city, with riders in the foreground.
[Ref: 20813] £320.00
Pet: Schenk Amst: C.P. [n.d. c.1702.]
Fine engraving. 212 x 267mm (8¼ x 10½").
A prospect of Copenhagen, looking down on the defences of the city, with riders in the foreground.
[Ref: 20813] £320.00
The Siege of Copenhagen. Respectfully dedicated by Boydell & Co. to Lord Cathcart, Admiral Gambier, the Officers, Soldiers and Seamen employed in this undertaking, This View represents the Castles of Cronborg and Elsimborg, the entrance into the Sound, with the British Fleet & Transports.
Drawn by Captain Cockburn of the Royal Artillary. Engraved by R.Pollard & J.C.Stadler.
Pub.d Nov.r 1807, by Boydell & Co., No.90 Cheapside, London.
Coloured aquatint. 440 x 550mm, 17¼ x 21½". Very scarce.
From a series of views about the 'Second Battle of Copenhagen', (16 August - 5 September 1807), a pre-emptive attack on Copenhagen by the British to seize the Danish fleet and stop the Danish from barring British access to the Baltic under pressure from Napoleon.
Crookshank: Section 36, no.22, "A fine and very rare set of aquatints; the only others known to the author are in the British Museum".
[Ref: 8568] £650.00
Drawn by Captain Cockburn of the Royal Artillary. Engraved by R.Pollard & J.C.Stadler.
Pub.d Nov.r 1807, by Boydell & Co., No.90 Cheapside, London.
Coloured aquatint. 440 x 550mm, 17¼ x 21½". Very scarce.
From a series of views about the 'Second Battle of Copenhagen', (16 August - 5 September 1807), a pre-emptive attack on Copenhagen by the British to seize the Danish fleet and stop the Danish from barring British access to the Baltic under pressure from Napoleon.
Crookshank: Section 36, no.22, "A fine and very rare set of aquatints; the only others known to the author are in the British Museum".
[Ref: 8568] £650.00
Prospect af Kjobenhavn seet fra Batteriet Trekroner.
Efter Naturen af I.C. Brunn 1854. H. Jessen lith.
I.W. Tegner & Kittendorff.s lith. Inst.
Rare tinted lithograph. Sheet 530 x 750mm (21 x 29½") very large margins. Repairs in sky, tears in left edge.
A large prospect of Copenhagen harbour from the Trekoner Fort, an artificial island built to defend the city, with warships at anchor.
[Ref: 52828] £520.00
Efter Naturen af I.C. Brunn 1854. H. Jessen lith.
I.W. Tegner & Kittendorff.s lith. Inst.
Rare tinted lithograph. Sheet 530 x 750mm (21 x 29½") very large margins. Repairs in sky, tears in left edge.
A large prospect of Copenhagen harbour from the Trekoner Fort, an artificial island built to defend the city, with warships at anchor.
[Ref: 52828] £520.00
![[The Rundetårn, Copenhagen.]](jpegs/21476.jpg)
[The Rundetårn, Copenhagen.]
E.K. [in pencil lower right.]
[n.d. c.1915.]
Etching. Plate 431 x 502mm. 17 x 19¾". Two tears right side one effecting the margin one entering the plate Mark.
A view from the cobbled streets of Copenhagen with the towering Rundetårn behind the houses and trees. The Rundetårn is a 17th-century tower located in central Copenhagen, Denmark; one of the many architectural projects of Christian IV. It was built as an astronomical observatory.
[Ref: 21476] £260.00 (£312.00 incl.VAT)
E.K. [in pencil lower right.]
[n.d. c.1915.]
Etching. Plate 431 x 502mm. 17 x 19¾". Two tears right side one effecting the margin one entering the plate Mark.
A view from the cobbled streets of Copenhagen with the towering Rundetårn behind the houses and trees. The Rundetårn is a 17th-century tower located in central Copenhagen, Denmark; one of the many architectural projects of Christian IV. It was built as an astronomical observatory.
[Ref: 21476] £260.00 (£312.00 incl.VAT)
Vue de Thorshavn (Iles Feroë).
Dessiné par Lauvergne. Lith. par Sabatier. Imp. Lemercier à Paris.
Paris. Arthu-Bertrand éditeur. Londres Ackermann et C.ie [n.d., 1842.]
Tinted lithograph. Printed area 340 x 440mm (13½ x 17¼"). Edges soiled and worn. Tears in edges.
A view of the capital of the Faroë Islands. It was published in 'Voyages de la Commission Scientifique du Nord, en Scandinavie, en Laponie, au Spitzberg et au Feröe, pendant les années 1838, 1839 et 1840, sur la corvette La Recherche'.
[Ref: 37056] £220.00 (£264.00 incl.VAT)
Dessiné par Lauvergne. Lith. par Sabatier. Imp. Lemercier à Paris.
Paris. Arthu-Bertrand éditeur. Londres Ackermann et C.ie [n.d., 1842.]
Tinted lithograph. Printed area 340 x 440mm (13½ x 17¼"). Edges soiled and worn. Tears in edges.
A view of the capital of the Faroë Islands. It was published in 'Voyages de la Commission Scientifique du Nord, en Scandinavie, en Laponie, au Spitzberg et au Feröe, pendant les années 1838, 1839 et 1840, sur la corvette La Recherche'.
[Ref: 37056] £220.00 (£264.00 incl.VAT)
Village de Sjaou. environs de Thorshawn, ile Strömöe (Iles Feroë).
Dessiné par Lauvergne. Lith. par Sabatier. Fig. par Bayot. Imp. Lemercier à Paris.
Paris. Arthu-Bertrand éditeur. Londres Ackermann et C.ie [n.d., 1842.]
Tinted lithograph. Printed area 340 x 440mm (13½ x 17¼").
A coastal village on the Faroë Islands. It was published in 'Voyages de la Commission Scientifique du Nord, en Scandinavie, en Laponie, au Spitzberg et au Feröe, pendant les années 1838, 1839 et 1840, sur la corvette La Recherche'.
[Ref: 37057] £260.00 (£312.00 incl.VAT)
Dessiné par Lauvergne. Lith. par Sabatier. Fig. par Bayot. Imp. Lemercier à Paris.
Paris. Arthu-Bertrand éditeur. Londres Ackermann et C.ie [n.d., 1842.]
Tinted lithograph. Printed area 340 x 440mm (13½ x 17¼").
A coastal village on the Faroë Islands. It was published in 'Voyages de la Commission Scientifique du Nord, en Scandinavie, en Laponie, au Spitzberg et au Feröe, pendant les années 1838, 1839 et 1840, sur la corvette La Recherche'.
[Ref: 37057] £260.00 (£312.00 incl.VAT)
![[Frederick III of Denmark and Norway]](jpegs/42987.jpg)
[Frederick III of Denmark and Norway] Fridericus III, Haereditarius Rex Daniae et Norwegiae, Dux Slesvici, Holsatiae, Stormariae [...]
J Sandrart Sculpsit
Engraving, sheet 240 x 135mm (9½ x 5¼"). Trimmed and glued to backing sheet at edges.
Frederick III (1609-70), king of Denmark and Norway. Ruler of both countries from 1648, Frederick instituted absolute monarchy in 1660 and fought two wars against Sweden (losing the first, winning the second). His son Christian succeeded him as king. Portrait with putti holding a crown above Frederick's head and military scene visible beyond curtain.
[Ref: 42987] £160.00 (£192.00 incl.VAT)
J Sandrart Sculpsit
Engraving, sheet 240 x 135mm (9½ x 5¼"). Trimmed and glued to backing sheet at edges.
Frederick III (1609-70), king of Denmark and Norway. Ruler of both countries from 1648, Frederick instituted absolute monarchy in 1660 and fought two wars against Sweden (losing the first, winning the second). His son Christian succeeded him as king. Portrait with putti holding a crown above Frederick's head and military scene visible beyond curtain.
[Ref: 42987] £160.00 (£192.00 incl.VAT)
Dennett.
Drawn by Mr. Burt Etch'd by J. Whessell
Pub. Jan. 1 1818 by J. Whessell St Aldate's Oxford
Etching, good impression; platemark 280 x 200mm (11 x 8") very large margins.
The Oxford wigmaker Dennett.
[Ref: 44066] £130.00 (£156.00 incl.VAT)
Drawn by Mr. Burt Etch'd by J. Whessell
Pub. Jan. 1 1818 by J. Whessell St Aldate's Oxford
Etching, good impression; platemark 280 x 200mm (11 x 8") very large margins.
The Oxford wigmaker Dennett.
[Ref: 44066] £130.00 (£156.00 incl.VAT)
Dennett.
Engraved by J.Whessell.
Published by J.Whessell. S.t Algates, June 4th 1820.
Very fine and scarce stipple engraving, on india paper, 260 x 215mm, 10¼ x 8½". Close margins.
An Oxford wig-maker.
NPG: D35024. O'Donoghue: Vol.2; p.34; ii of ii.
[Ref: 19729] £140.00 (£168.00 incl.VAT)
Engraved by J.Whessell.
Published by J.Whessell. S.t Algates, June 4th 1820.
Very fine and scarce stipple engraving, on india paper, 260 x 215mm, 10¼ x 8½". Close margins.
An Oxford wig-maker.
NPG: D35024. O'Donoghue: Vol.2; p.34; ii of ii.
[Ref: 19729] £140.00 (£168.00 incl.VAT)
The Tomb Of Lord Bardolf. This Tomb is in Dennington Church in ye County of Suffolk, & was erected to ye Memory of Willm. Lord Bardolf, Chamberlain to K. Hen.6. who by his Will, bearing Date Dec.1:1438, bequeath'd his Body to be buried in this place. To Sr. John Rouse Bart. This Plate is Inscrib'd, by his most Obedient abd Humble Servt. Jos:a Kirby.
Drawn after ye Tomb by Jos:a Kirby, & Publish'd by him March 25: 1748. Engrav'd by J. Wood.
Engraving. 245 x 315mm (9½ x 12¼"). Some foxing. Crease into lower part of image at right.
Sir William Phelip (1383 - 1441) of Dennington, Suffolk, and Erpingham, Norfolk. He served at Agincourt, was captain of Harfleur 1421 - 1422, treasurer of the household to Henry V, and chamberlain to Henry VI, and on 13 Nov. 1437 was created Baron Bardolf. On his death in 1441 the peerage became extinct. Rare.
[Ref: 7524] £160.00 (£192.00 incl.VAT)
Drawn after ye Tomb by Jos:a Kirby, & Publish'd by him March 25: 1748. Engrav'd by J. Wood.
Engraving. 245 x 315mm (9½ x 12¼"). Some foxing. Crease into lower part of image at right.
Sir William Phelip (1383 - 1441) of Dennington, Suffolk, and Erpingham, Norfolk. He served at Agincourt, was captain of Harfleur 1421 - 1422, treasurer of the household to Henry V, and chamberlain to Henry VI, and on 13 Nov. 1437 was created Baron Bardolf. On his death in 1441 the peerage became extinct. Rare.
[Ref: 7524] £160.00 (£192.00 incl.VAT)
Mr. John Dennis.
J:Vand. Gucht Sculp.
[n.d., c.1734.]
Engraving. Sheet 135 x 80mm (5¼ x 3¼"). Trimmed to plate.
Portrait of John Dennis (1657-1734), English critic and dramatist.
[Ref: 64219] £80.00 (£96.00 incl.VAT)
J:Vand. Gucht Sculp.
[n.d., c.1734.]
Engraving. Sheet 135 x 80mm (5¼ x 3¼"). Trimmed to plate.
Portrait of John Dennis (1657-1734), English critic and dramatist.
[Ref: 64219] £80.00 (£96.00 incl.VAT)
Lord Denny. Anno 1541 Aetatis Suae 29.
H: Holbein pinxit. W: Hollar fecit aqua forti, ex Collectione Arundelian, 1647.
Etching, with large margins. Plate 145 x 109mm. 5¾ x 4¼". Slight damage: nick to edge of plate upper right.
Sir Anthony Denny (1501-1549), courtier to King Henry VIII. He was the most prominent member of the Privy Chamber and also served as Groom of the Stool. He was a member of the reformist circle that offset the conservative religious influence of Gardiner, and by 1548 he was Keeper of Westminster Palace.
Ex Collection: R. Hobson of Hove. Pennington: 1387.
[Ref: 25268] £160.00 (£192.00 incl.VAT)
H: Holbein pinxit. W: Hollar fecit aqua forti, ex Collectione Arundelian, 1647.
Etching, with large margins. Plate 145 x 109mm. 5¾ x 4¼". Slight damage: nick to edge of plate upper right.
Sir Anthony Denny (1501-1549), courtier to King Henry VIII. He was the most prominent member of the Privy Chamber and also served as Groom of the Stool. He was a member of the reformist circle that offset the conservative religious influence of Gardiner, and by 1548 he was Keeper of Westminster Palace.
Ex Collection: R. Hobson of Hove. Pennington: 1387.
[Ref: 25268] £160.00 (£192.00 incl.VAT)
![[Young man sitting in armchair]](jpegs/43671.jpg)
[Young man sitting in armchair]
DN del. 1821
Lithograph and tintstone, printed area 150 x 120mm (6 x 4¾"), with very large margins.
Portrait by Baron Vivant Denon (1747-1825), French museum director, artist, collector, archaeologist and diplomat. Denon had a brilliant career under the ancien regime, rubbing shoulders with the likes of Diderot, Voltaire, and Robespiere. He followed Napoleon on his campaign in Egypt, making over 150 sketches (now in the British Museum) which, reproduced in his book 'Voyage dans la Basse et la Haute Egypte' (1802), were influential in establishing the Egyptian Revival style in France. In 1802 he was appointed director-general of the Imperial Museums, playing a key role in bringing foreign masterpieces into the Louvre. He played a crucial role as artistic adviser to Napoleon, selecting artworks to requisition and handing out commissions to artists. This print was published in Munich in 1809.
[Ref: 43671] £320.00
DN del. 1821
Lithograph and tintstone, printed area 150 x 120mm (6 x 4¾"), with very large margins.
Portrait by Baron Vivant Denon (1747-1825), French museum director, artist, collector, archaeologist and diplomat. Denon had a brilliant career under the ancien regime, rubbing shoulders with the likes of Diderot, Voltaire, and Robespiere. He followed Napoleon on his campaign in Egypt, making over 150 sketches (now in the British Museum) which, reproduced in his book 'Voyage dans la Basse et la Haute Egypte' (1802), were influential in establishing the Egyptian Revival style in France. In 1802 he was appointed director-general of the Imperial Museums, playing a key role in bringing foreign masterpieces into the Louvre. He played a crucial role as artistic adviser to Napoleon, selecting artworks to requisition and handing out commissions to artists. This print was published in Munich in 1809.
[Ref: 43671] £320.00
Le Dentiste Embulant.
Wille filius Del.
[n.d., c.1788.]
Scarce colour-printed etching. 265 x 215mm (10½ x 8½") very large margins.
An itinerant dentist in a carnival costume extracts a man's tooth as his family looks on. A necklace of human teeth rests on the table. After Pierre Alexandre Wille (1748-1821), originally published by Jean in 1788.
[Ref: 52144] £320.00
Wille filius Del.
[n.d., c.1788.]
Scarce colour-printed etching. 265 x 215mm (10½ x 8½") very large margins.
An itinerant dentist in a carnival costume extracts a man's tooth as his family looks on. A necklace of human teeth rests on the table. After Pierre Alexandre Wille (1748-1821), originally published by Jean in 1788.
[Ref: 52144] £320.00
![[El Charlatan ó Sacamuelas - The Quack Tooth-Puller.]](jpegs/45239.jpg)
[El Charlatan ó Sacamuelas - The Quack Tooth-Puller.]
Theodore Roclans [Theodoor Rombouts] Flamenco lo pintó. Manuel Salvador Carmona lo dibuxó y grabo 1805.
Engraving, proof before title?, scarce; Sheet 405 x 530mm (16 x 20¾"). Trimmed within plate, a few nicks in edges.
A man pulls the tooth of a poor victim, the tools of his trade on the table. A queue has formed behind him.
[Ref: 45239] £480.00
Theodore Roclans [Theodoor Rombouts] Flamenco lo pintó. Manuel Salvador Carmona lo dibuxó y grabo 1805.
Engraving, proof before title?, scarce; Sheet 405 x 530mm (16 x 20¾"). Trimmed within plate, a few nicks in edges.
A man pulls the tooth of a poor victim, the tools of his trade on the table. A queue has formed behind him.
[Ref: 45239] £480.00
Der Zahnarzt von Gerard Dou. Das Original ist in derselben Grosse.
Dou. 1672. [Within plate.] N. d. Original auf Stein. gez. v. Fr. Pecht, Dresd. 1836.
Konigl Gamalde. Galerie in Dresden. Herausgegeben v. Franz Hanfstaengl. 1836.
Lithograph. Printed area: 310 x 255mm (12¼ x 10"). Very large margins.
A dentist and patient. A sharp toothed crocodile is suspended above. Gerrit Dou was the founder of the so called 'fijnschi' (fine painters) of his native Leiden.
[Ref: 38055] £320.00
Dou. 1672. [Within plate.] N. d. Original auf Stein. gez. v. Fr. Pecht, Dresd. 1836.
Konigl Gamalde. Galerie in Dresden. Herausgegeben v. Franz Hanfstaengl. 1836.
Lithograph. Printed area: 310 x 255mm (12¼ x 10"). Very large margins.
A dentist and patient. A sharp toothed crocodile is suspended above. Gerrit Dou was the founder of the so called 'fijnschi' (fine painters) of his native Leiden.
[Ref: 38055] £320.00
Der Zahnbrecher von Gerard Honthorst. Höhe 5'3". Breite 7'9".
Nd Original a St. gz v. Fr. Hanfstaengl. Gedruckt bei den Herausgeber.
Königl Gemalde-Galerie in Dresden. Heraaugegeben v. Franz. Hanfstaengel.
Lithograph. On india. Printed area: 490 x 380mm (19¼ x 15"). Sheet: 860 x 590mm (34 x 23¼"). Foxing in very large margins.
An interior scene showing several figures crowding around a dentist pulling a tooth.
[Ref: 38064] £360.00
Nd Original a St. gz v. Fr. Hanfstaengl. Gedruckt bei den Herausgeber.
Königl Gemalde-Galerie in Dresden. Heraaugegeben v. Franz. Hanfstaengel.
Lithograph. On india. Printed area: 490 x 380mm (19¼ x 15"). Sheet: 860 x 590mm (34 x 23¼"). Foxing in very large margins.
An interior scene showing several figures crowding around a dentist pulling a tooth.
[Ref: 38064] £360.00
D.Denton.
A.Chevallier Tayler. 1905.
[Spottiswode & Co. Ltd. Lith. London.]
Chormolithograph. 255 x 380mm.
David 'Lucky' Denton (1874-1950), batsman for Yorkshire & England. In 1905 Denton scored 2,405 runs, with eight centuries, becoming 'Cricketer of the Year' in the 1906 Wisden Almanack.
[Ref: 1248] £80.00 (£96.00 incl.VAT)
A.Chevallier Tayler. 1905.
[Spottiswode & Co. Ltd. Lith. London.]
Chormolithograph. 255 x 380mm.
David 'Lucky' Denton (1874-1950), batsman for Yorkshire & England. In 1905 Denton scored 2,405 runs, with eight centuries, becoming 'Cricketer of the Year' in the 1906 Wisden Almanack.
[Ref: 1248] £80.00 (£96.00 incl.VAT)
![[Chinoiserie design with acrobat.]](jpegs/58519.jpg)
[Chinoiserie design with acrobat.]
Jeanne Deny fecit. [After Pillement]
[n.d. c.1770.]
Etching. 240 x 165mm (9½ x 6½"). Some creasing, very small repairs. Small margins.
A fantastical design engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries. Probably after Pillement from de Deuxieme Cahier de six Baraques Chinoises.
Gordon Smith: Pg 197
[Ref: 58519] £140.00 (£168.00 incl.VAT)
Jeanne Deny fecit. [After Pillement]
[n.d. c.1770.]
Etching. 240 x 165mm (9½ x 6½"). Some creasing, very small repairs. Small margins.
A fantastical design engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries. Probably after Pillement from de Deuxieme Cahier de six Baraques Chinoises.
Gordon Smith: Pg 197
[Ref: 58519] £140.00 (£168.00 incl.VAT)
![[Flowers. 6.]](jpegs/20006.jpg)
[Flowers. 6.]
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 242 x 165mm (9½ x 6½").
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20006] £85.00 (£102.00 incl.VAT)
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 242 x 165mm (9½ x 6½").
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20006] £85.00 (£102.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[Flowers. 4.]](jpegs/20016.jpg)
[Flowers. 4.]
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 362 x 272mm (14¼ x 10¾").
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20016] £85.00 (£102.00 incl.VAT)
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 362 x 272mm (14¼ x 10¾").
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20016] £85.00 (£102.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[Flowers. 5.]](jpegs/20018.jpg)
[Flowers. 5.]
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 355 x 260mm (14 x 10¼").
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20018] £85.00 (£102.00 incl.VAT)
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 355 x 260mm (14 x 10¼").
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20018] £85.00 (£102.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[Flowers. 3.]](jpegs/20019.jpg)
[Flowers. 3.]
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 350 x 265mm (13¾ x 10½"). Marking to left-hand side.
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20019] £85.00 (£102.00 incl.VAT)
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 350 x 265mm (13¾ x 10½"). Marking to left-hand side.
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20019] £85.00 (£102.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[Flowers. 2.]](jpegs/20020.jpg)
[Flowers. 2.]
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 355 x 265mm (14 x 10½"). Marking to left-hand side.
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20020] £85.00 (£102.00 incl.VAT)
Jeanne Deny fecit.
[n.d. c.1770.]
Etching. 355 x 265mm (14 x 10½"). Marking to left-hand side.
Fantastic feathery flowers engraved by Jeanne Deny (1749-1815), who engraved a number of Pillement's later French chinoiseries.
[Ref: 20020] £85.00 (£102.00 incl.VAT)
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Le Départ du Chasseur.
Dessiné par Carle Vernet. Gravé par Debucourt.
A Paris chez Rolland, Place des Victoires, No.8. Déposé à Bibliotheque Impériale.
Aquatint. Plate 544 x 628mm. 21½ x 24¾". Large margins. Fine impression, one or two small repairs in title.
A stallion has been brought round to the back door of the house by the stable-staff. A man appears with a gun over his shoulder and a dog knarling anxious to begin the hunt. Two other dogs run around the horse.
Dayot 4c: 2nd state of 3.
[Ref: 16719] £520.00
Dessiné par Carle Vernet. Gravé par Debucourt.
A Paris chez Rolland, Place des Victoires, No.8. Déposé à Bibliotheque Impériale.
Aquatint. Plate 544 x 628mm. 21½ x 24¾". Large margins. Fine impression, one or two small repairs in title.
A stallion has been brought round to the back door of the house by the stable-staff. A man appears with a gun over his shoulder and a dog knarling anxious to begin the hunt. Two other dogs run around the horse.
Dayot 4c: 2nd state of 3.
[Ref: 16719] £520.00
Le Départ pour la Garde.
Chez Sazerac & Duval, Passage de l'Opera, Escalier A. [n.d. c.1820.]
Coloured aquatint. 274 x 215mm. 10¾ x 8½". Scuffing.
A man in full military attire preparing to depart for active service. A boy brushes down his coat, and a woman in front does up his collar.
[Ref: 16521] £120.00 (£144.00 incl.VAT)
Chez Sazerac & Duval, Passage de l'Opera, Escalier A. [n.d. c.1820.]
Coloured aquatint. 274 x 215mm. 10¾ x 8½". Scuffing.
A man in full military attire preparing to depart for active service. A boy brushes down his coat, and a woman in front does up his collar.
[Ref: 16521] £120.00 (£144.00 incl.VAT)
![[Deptford.]](jpegs/17286.jpg)
[Deptford.]
W.L. Wyllie [pencil signature]
London: Pub.d June 2nd 1924 by R. Dunthorne & Son, 5 Vigo Street W.
Drypoint etching, 165 x 380mm. 6½ x 15". Outside of frame 385 x 580mm (15¼ x 23").
A view of Deptford, looking Westwards along the Thames from near Deptford Creek. William L. Wyllie [1851-1931] was born on July 5th 1851, in London. He attended Heatherley’s art school until the age of fifteen, leaving to study at the Royal Academy Schools, where he won the Turner Medal at the age of eighteen. In the early 1870’s Wyllie became an illustrator for the Graphic and also held several exhibitions at the galleries of the Fine Art Society. In 1889 he was elected an associate of the Royal Academy, where he exhibited his work in 1901. Wyllie spent much of his time at sea working for the White Star Shipping Line. He also served in the Royal Navy during WWI, painting seascapes and coastal landscapes. His etchings and watercolours showing working life on the Thames and the Medway brought him widespread popularity. Later in his life he played an important role in the restoration of the Victory. Wyllie died on the 6th April 1931 in Hampstead, and scouts from the 1st Portchester Sea Scout Troop, which he had founded, rowed his coffin across Portsmouth Harbour for his burial at Portchester Castle.
National Maritime Museum: PAF0713
[Ref: 17286] £830.00
W.L. Wyllie [pencil signature]
London: Pub.d June 2nd 1924 by R. Dunthorne & Son, 5 Vigo Street W.
Drypoint etching, 165 x 380mm. 6½ x 15". Outside of frame 385 x 580mm (15¼ x 23").
A view of Deptford, looking Westwards along the Thames from near Deptford Creek. William L. Wyllie [1851-1931] was born on July 5th 1851, in London. He attended Heatherley’s art school until the age of fifteen, leaving to study at the Royal Academy Schools, where he won the Turner Medal at the age of eighteen. In the early 1870’s Wyllie became an illustrator for the Graphic and also held several exhibitions at the galleries of the Fine Art Society. In 1889 he was elected an associate of the Royal Academy, where he exhibited his work in 1901. Wyllie spent much of his time at sea working for the White Star Shipping Line. He also served in the Royal Navy during WWI, painting seascapes and coastal landscapes. His etchings and watercolours showing working life on the Thames and the Medway brought him widespread popularity. Later in his life he played an important role in the restoration of the Victory. Wyllie died on the 6th April 1931 in Hampstead, and scouts from the 1st Portchester Sea Scout Troop, which he had founded, rowed his coffin across Portsmouth Harbour for his burial at Portchester Castle.
National Maritime Museum: PAF0713
[Ref: 17286] £830.00
A View taken near the Store House, at Deptford. No.10
John Boydell del et sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1750. Price 1.s
Very fine hand coloured engraving on 1808 watermarked paper. Plate 260 x 430mm (10¼ x 17"), with large margins. Some surface dirt in margins. Some water droplet stains in image.
A view on the Thames at Deptford. From Boydell's series of plates "Collection of One Hundred Views in England and Wales," published in 1770. Deptford was the site of the first Royal Dockyard, established by Henry VIII. For much of the period during which England ruled the waves, her ships were built at Deptford.
[Ref: 56289] £360.00
John Boydell del et sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1750. Price 1.s
Very fine hand coloured engraving on 1808 watermarked paper. Plate 260 x 430mm (10¼ x 17"), with large margins. Some surface dirt in margins. Some water droplet stains in image.
A view on the Thames at Deptford. From Boydell's series of plates "Collection of One Hundred Views in England and Wales," published in 1770. Deptford was the site of the first Royal Dockyard, established by Henry VIII. For much of the period during which England ruled the waves, her ships were built at Deptford.
[Ref: 56289] £360.00
A View taken near the Store House, at Deptford. No.10.
J. Boydell Del & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1750. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾").
A fine view on the Thames, at Deptford, looking towards Greenwich; the store house in right foreground; boats, including sailing ships, on water in foreground. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.10.
[Ref: 29303] £300.00
J. Boydell Del & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1750. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾").
A fine view on the Thames, at Deptford, looking towards Greenwich; the store house in right foreground; boats, including sailing ships, on water in foreground. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.10.
[Ref: 29303] £300.00
A Geometrical Plan, & North West Elevation Of His Majesty's Dock-Yard, at Deptford with Part of the Town. &c. To the Right Honourable Henry Arthur Earl of Powis, Viscount Ludlow Baron Powis of Powis Castle Baron Herbert of Chirbury and Baron of Ludlow. This Plate is humbly inscribed by his Lordship's most dutiful and Obedient Servant. Tho: Milton
Tho.s Milton Surv:et delin.t. P.C. Canot Sculp.t.
Publish'd according to Act of Parliament July 30th 1753.
Engraving. Sheet 470 x 650mm (18½ x 25½"). Trimmed to printed border, some loss at edges, laid on album paper. Damaged.
A large and detailed plan of the naval docks at Deptford with a prospect, within an ornate border containing the title, dedication, key and vignettes of shipbuilding. One of an important set of six plans of the Royal Dockyards by Thomas Milton (1743-1827), a surveyor, draughtsman and engraver, a pupil of Woollett. He worked in Dublin and London and was governor of the Society of Engravers.
[Ref: 64131] £420.00
Tho.s Milton Surv:et delin.t. P.C. Canot Sculp.t.
Publish'd according to Act of Parliament July 30th 1753.
Engraving. Sheet 470 x 650mm (18½ x 25½"). Trimmed to printed border, some loss at edges, laid on album paper. Damaged.
A large and detailed plan of the naval docks at Deptford with a prospect, within an ornate border containing the title, dedication, key and vignettes of shipbuilding. One of an important set of six plans of the Royal Dockyards by Thomas Milton (1743-1827), a surveyor, draughtsman and engraver, a pupil of Woollett. He worked in Dublin and London and was governor of the Society of Engravers.
[Ref: 64131] £420.00
To the King's most Excellent Majesty This View of the Royal Dock at Deptford. Is by Permission and with all Humilty, Inscribed By His Majesty's most dutiful Subject and Servant, Rich. Paton.
Painted by R. Paton, the figures by J. Mortimer. Engraved by W. Woollett. Printed by J. Gamble.
Published by Royal Authority & as the Law directs London Feb.y 14.th 1775. To be had of R. Paton Wardour Street Soho.
Coloured engraving. 680 x 505mm (26¾ x 20"). Trimmed to platemark, laid on card, tape over edges, some surface abrasion.
A view of the Thames at Deptford, with Navy ships and ferries. To the right is a warship under construction.
[Ref: 63914] £650.00
Painted by R. Paton, the figures by J. Mortimer. Engraved by W. Woollett. Printed by J. Gamble.
Published by Royal Authority & as the Law directs London Feb.y 14.th 1775. To be had of R. Paton Wardour Street Soho.
Coloured engraving. 680 x 505mm (26¾ x 20"). Trimmed to platemark, laid on card, tape over edges, some surface abrasion.
A view of the Thames at Deptford, with Navy ships and ferries. To the right is a warship under construction.
[Ref: 63914] £650.00
Deptford Pier & Improvments, by Act of Parliament 5th. William 4th. &c. &c. &c. &c.
Batemans lithog. 16 Bucklersbury.
[n.d., c.1835.]
Lithograph. Rare. Sheet: 500 x 340mm (19¾ x 13¼"). Staining.
Following the closing of Deptford docks in the early 19th century following the end of the Napoleonic Wars the area declined and in 1839 a act was passed for the improvement of the area.
[Ref: 42778] £320.00
Batemans lithog. 16 Bucklersbury.
[n.d., c.1835.]
Lithograph. Rare. Sheet: 500 x 340mm (19¾ x 13¼"). Staining.
Following the closing of Deptford docks in the early 19th century following the end of the Napoleonic Wars the area declined and in 1839 a act was passed for the improvement of the area.
[Ref: 42778] £320.00
Deputy Pendulum's Motion for an Address.
I C [Isaac Cruikshank].
Lond. Pub November 29 1795 by S W Fores N 50 Piccadilly. Folios of Caracatures Lent out for the Evening.
Coloured etching, 18th century watermark. 345 x 255mm (13½ x 10"). Trimmed within plate at bottom, tears taped, creasing and stains.
A man in old-fashioned dress stands holding an 'Address' is in his right hand, with a document inscribed 'obervation' [sic] protruding from his coat-pocket, before a disinterested audience. His extensive speech under the image warns about 'that bold Monster Sedition who Stalks abroad in Broad Day Light Gemmen to destroy our Glorious Constitution & Throw the Balance of power from its place'. A satire on 'cits' and on the addresses deploring seditious meetings and approving of the measures taken against them. George suggests that the speaker could be Alderman Samuel Birch (1757-1841), a fervent supporter of the Volunteer Regiments and lieutenant-colonel commandant of the 1st regiment of Loyal London volunteers, later Lord Mayor of London.
BM Satires 8700.
[Ref: 55201] £130.00 (£156.00 incl.VAT)
I C [Isaac Cruikshank].
Lond. Pub November 29 1795 by S W Fores N 50 Piccadilly. Folios of Caracatures Lent out for the Evening.
Coloured etching, 18th century watermark. 345 x 255mm (13½ x 10"). Trimmed within plate at bottom, tears taped, creasing and stains.
A man in old-fashioned dress stands holding an 'Address' is in his right hand, with a document inscribed 'obervation' [sic] protruding from his coat-pocket, before a disinterested audience. His extensive speech under the image warns about 'that bold Monster Sedition who Stalks abroad in Broad Day Light Gemmen to destroy our Glorious Constitution & Throw the Balance of power from its place'. A satire on 'cits' and on the addresses deploring seditious meetings and approving of the measures taken against them. George suggests that the speaker could be Alderman Samuel Birch (1757-1841), a fervent supporter of the Volunteer Regiments and lieutenant-colonel commandant of the 1st regiment of Loyal London volunteers, later Lord Mayor of London.
BM Satires 8700.
[Ref: 55201] £130.00 (£156.00 incl.VAT)
Der gute Vater.
Schenau del. J.C. Nabholz Sculp.
1779.
Scarce copper engravng. Plate 273 x 205mm. 10¾ x 8".
A good & happy father sits in a chair ambushed by his five children. A woman, presumably his wife, looks on in admiration and adoration.
[Ref: 16185] £160.00 (£192.00 incl.VAT)
Schenau del. J.C. Nabholz Sculp.
1779.
Scarce copper engravng. Plate 273 x 205mm. 10¾ x 8".
A good & happy father sits in a chair ambushed by his five children. A woman, presumably his wife, looks on in admiration and adoration.
[Ref: 16185] £160.00 (£192.00 incl.VAT)
Derbent, een Stadt gelegen aen de Kaspische zee, nevens het gebergte Kaukasus.
Pet: Schenk ex: Amstelod: C.P.
[n.d. c.1702.]
Coloured engraving, plate 225 x 270mm (8¾ x 10½"). Large margins.
Derbent, now a city in the Republic of Dagestan, Russia, located on the Caspian Sea. At the time this print was made it was still under Persian rule, although it changed hands frequently throughout the 18th century until it permanently became part of Russia in 1813. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 39216] £130.00 (£156.00 incl.VAT)
Pet: Schenk ex: Amstelod: C.P.
[n.d. c.1702.]
Coloured engraving, plate 225 x 270mm (8¾ x 10½"). Large margins.
Derbent, now a city in the Republic of Dagestan, Russia, located on the Caspian Sea. At the time this print was made it was still under Persian rule, although it changed hands frequently throughout the 18th century until it permanently became part of Russia in 1813. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 39216] £130.00 (£156.00 incl.VAT)
Derbendt.
[London: John Ogilby, 1673.]
Engraving 290 x 360mm (11½ x 14¼"), with very large margins. Crease in centre as normal.
A prospect of the ancient city of Derbent on the Caspian Sea in Dagestan, now part of Russia. From John Ogilby's edition of Arnoldus Montanus's 'Asia'.
[Ref: 47531] £220.00 (£264.00 incl.VAT)
[London: John Ogilby, 1673.]
Engraving 290 x 360mm (11½ x 14¼"), with very large margins. Crease in centre as normal.
A prospect of the ancient city of Derbent on the Caspian Sea in Dagestan, now part of Russia. From John Ogilby's edition of Arnoldus Montanus's 'Asia'.
[Ref: 47531] £220.00 (£264.00 incl.VAT)
The East Prospect of Derby.
Sam.l and Nath.l Buck delin. et Sculp.t.
1728.
Engraving. Sheet 255 x 715mm (10 x 28¼"). Trimmed within plate, central fold, on album sheet.
A detailed view of Derby, with a descriptive text below and a key to the right, indicating various landmarks and buildings. One of the early plates in the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42267] £350.00
Sam.l and Nath.l Buck delin. et Sculp.t.
1728.
Engraving. Sheet 255 x 715mm (10 x 28¼"). Trimmed within plate, central fold, on album sheet.
A detailed view of Derby, with a descriptive text below and a key to the right, indicating various landmarks and buildings. One of the early plates in the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42267] £350.00
The East Prospect of Derby.
Sam.l and Nath.l Buck delin. et Sculp.t. 1728.
[London: Robert Sayer, c.1778.] Bit later.
Engraving. Sheet 255 x 715mm (10 x 28¼"), on wove paper without centre fold, large margins.
A detailed view of Derby, with a descriptive text below and a key to the right, indicating various landmarks and buildings. In 1778 Robert Sayer reissued 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', with a plate number top right.
[Ref: 46250] £280.00 (£336.00 incl.VAT)
Sam.l and Nath.l Buck delin. et Sculp.t. 1728.
[London: Robert Sayer, c.1778.] Bit later.
Engraving. Sheet 255 x 715mm (10 x 28¼"), on wove paper without centre fold, large margins.
A detailed view of Derby, with a descriptive text below and a key to the right, indicating various landmarks and buildings. In 1778 Robert Sayer reissued 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', with a plate number top right.
[Ref: 46250] £280.00 (£336.00 incl.VAT)
!["Derby Day" [in pencil lower left outside image.]](jpegs/18901.jpg)
"Derby Day" [in pencil lower left outside image.]
George H.J. Day [pencil signature lower right.]
[n.d. c.1910.]
Etching. Plate 254 x 336mm. 10 x 13¼". Laid on board, with foxing and faint mount burn. Damage top left and vertical crease on left.
Derby Day at Epsom Downs. Here the grandstand in the distance, with a fun fair and other spectators in the foreground; make-shift tents and grandstands can be seen in every direction.
[Ref: 18901] £160.00 (£192.00 incl.VAT)
George H.J. Day [pencil signature lower right.]
[n.d. c.1910.]
Etching. Plate 254 x 336mm. 10 x 13¼". Laid on board, with foxing and faint mount burn. Damage top left and vertical crease on left.
Derby Day at Epsom Downs. Here the grandstand in the distance, with a fun fair and other spectators in the foreground; make-shift tents and grandstands can be seen in every direction.
[Ref: 18901] £160.00 (£192.00 incl.VAT)
The Derby Day at Flemington.
Goupil after Carl Kahler.
Melbourne. Published January 1st 1890 by Pfaff Pinscher & Co 13 Flinders Lane West
Photogravure on india paper. 620 x 900mm.
The scene is the 1886 VRC Derby with the winner, Trident, in the winner’s enclosure with the winning post in the background. There are over 70 portraits including the painter of the picture, Carl Kahler (he stands on the right looking down with his hands in his pockets). A fascinating social study and an important Australian racing print at the city's Flemington course in November. Kahler (1856-1906) was an Austrian who arrived in Melbourne in 1885 and became a portrait-painter. He is best known for his three paintings of Flemington which hang in the Committee Room of the Victorian Racing Club.
[Ref: 3513] £750.00
Goupil after Carl Kahler.
Melbourne. Published January 1st 1890 by Pfaff Pinscher & Co 13 Flinders Lane West
Photogravure on india paper. 620 x 900mm.
The scene is the 1886 VRC Derby with the winner, Trident, in the winner’s enclosure with the winning post in the background. There are over 70 portraits including the painter of the picture, Carl Kahler (he stands on the right looking down with his hands in his pockets). A fascinating social study and an important Australian racing print at the city's Flemington course in November. Kahler (1856-1906) was an Austrian who arrived in Melbourne in 1885 and became a portrait-painter. He is best known for his three paintings of Flemington which hang in the Committee Room of the Victorian Racing Club.
[Ref: 3513] £750.00
Caricatures, Derby Election; April, 1859. Price Two Shillings and Sixpence.
Published by Bemrose & Sons.
Eleven lithographs in original wrappers and binding, 280 x 390mm (11 x 15¼"). Creasing.
Rare portfolio of cartoons on the subject of the 1859 Derby election The successful candidate was Michael Thomas Bass (1799-1884) of the Bass Brewing family of Burton on Trent who was first returned as MP for Derby in the liberal interest in 1847 and held the seat until 1883.
[Ref: 43924] £250.00 (£300.00 incl.VAT) view all images for this item
Published by Bemrose & Sons.
Eleven lithographs in original wrappers and binding, 280 x 390mm (11 x 15¼"). Creasing.
Rare portfolio of cartoons on the subject of the 1859 Derby election The successful candidate was Michael Thomas Bass (1799-1884) of the Bass Brewing family of Burton on Trent who was first returned as MP for Derby in the liberal interest in 1847 and held the seat until 1883.
[Ref: 43924] £250.00 (£300.00 incl.VAT) view all images for this item
![[Twelve Views in Derbyshire.]](jpegs/31565.jpg)
[Twelve Views in Derbyshire.]
[after Thomas Smith of Derbyshire.]
Printed by Rob.t Sayer, Map & Printseller at No 53 in Fleet Street London. [n.d., c.1779.]
Set of twelve numbered engravings, with large margins, stitched. Each plate c.180 x 280mm (7 x 11"). One plate with hole at platemark.
Reduced versions of the engravings of Derbyshire by Thomas Smith (c.1720-67), including several of Matlock & Ashbourne.
[Ref: 31565] £720.00 view all images for this item
[after Thomas Smith of Derbyshire.]
Printed by Rob.t Sayer, Map & Printseller at No 53 in Fleet Street London. [n.d., c.1779.]
Set of twelve numbered engravings, with large margins, stitched. Each plate c.180 x 280mm (7 x 11"). One plate with hole at platemark.
Reduced versions of the engravings of Derbyshire by Thomas Smith (c.1720-67), including several of Matlock & Ashbourne.
[Ref: 31565] £720.00 view all images for this item
The Triple Alliance or A New System of D-RB-SH-RE Politics.
[n.d., c.1768.]
Etching, 18th century watermark. 265 x 350mm (10½ x 13¾"), with very large margins. Folds with a few small splits.
A satire on the 1768 general election in Derbyshire, with two gentlemen is conversation with two nobles under a scale with a Cap of Liberty outweighed by two coronets. The election was fought between Lord George Cavendish, George Bagnall Clarke (both elected) and Sir Henry Harpur. Elections there were always decided by the influence of the Cavendishes, the family of the Duke of Devonshire, the local landlord.
Not in BM Satires, but BM 1896,1118.106.
[Ref: 55205] £160.00 (£192.00 incl.VAT)
[n.d., c.1768.]
Etching, 18th century watermark. 265 x 350mm (10½ x 13¾"), with very large margins. Folds with a few small splits.
A satire on the 1768 general election in Derbyshire, with two gentlemen is conversation with two nobles under a scale with a Cap of Liberty outweighed by two coronets. The election was fought between Lord George Cavendish, George Bagnall Clarke (both elected) and Sir Henry Harpur. Elections there were always decided by the influence of the Cavendishes, the family of the Duke of Devonshire, the local landlord.
Not in BM Satires, but BM 1896,1118.106.
[Ref: 55205] £160.00 (£192.00 incl.VAT)
Il Signor Cav.r Tomaso.
Cav.r Ghezzi delin. AP. Sculp. 1741.
Etching. Plate 330 x 208mm. 13 x 8¼" with large margins. Creasing, soiling. Laid on card. Paper toning.
A caricature of Sir Thomas Dereham, a Jacobite resident in Italy, with a wig and sword and hat under his arm.
Hake: 78.
[Ref: 18788] £160.00 (£192.00 incl.VAT)
Cav.r Ghezzi delin. AP. Sculp. 1741.
Etching. Plate 330 x 208mm. 13 x 8¼" with large margins. Creasing, soiling. Laid on card. Paper toning.
A caricature of Sir Thomas Dereham, a Jacobite resident in Italy, with a wig and sword and hat under his arm.
Hake: 78.
[Ref: 18788] £160.00 (£192.00 incl.VAT)
Dergoumidas, Prestre Armenien condamné par le Grand Visir Ali Pacha, mourut Martir le 5.e Novembre 1707.
JB. J. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾"), with very large margins. Tear extending into plate lower edge.
The Armenian priest Dergoumidas is condemned to death by the Grand Vizier Alì Pascià for having converted to Catholicism, an episode which actually took place on 5 November 1707. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. The engraving was seemingly the source for G.A. Guardi's 'Dergoumidas Before the Grand Vizier', one of his 'quadri Turchi' painted for Field Marshal Count Johann Matthias von der Schulenburg (1661-1747). Guardi's painting was sold at Sotheby's in 2005 (Old Master Paintings Evening Sale, 7 December 2005, lot 61).
[Ref: 46918] £230.00 (£276.00 incl.VAT)
JB. J. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾"), with very large margins. Tear extending into plate lower edge.
The Armenian priest Dergoumidas is condemned to death by the Grand Vizier Alì Pascià for having converted to Catholicism, an episode which actually took place on 5 November 1707. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. The engraving was seemingly the source for G.A. Guardi's 'Dergoumidas Before the Grand Vizier', one of his 'quadri Turchi' painted for Field Marshal Count Johann Matthias von der Schulenburg (1661-1747). Guardi's painting was sold at Sotheby's in 2005 (Old Master Paintings Evening Sale, 7 December 2005, lot 61).
[Ref: 46918] £230.00 (£276.00 incl.VAT)
Derivis. Acade Roy de Musique. Role d'Appins, dans Virginie.
Passaert del. Paul L. Sc.
A Paris chez Paul Legrand, Rue des Macons Sorbone No.16. [n.d., c.1820].
Stipple with large margins. Publisher's stamp in bottom right corner. Foundation Custodia ref: L.4291. Platemark: 200 x 155mm. (8 x 6"). Two pin holes to the top and bottom of printed area.
A portrait of Nicolas-Prosper Dérivis (1808 - 1880), a French operatic bass. He possessed a rich deep voice that had a great carrying power, and while he could easily assail heavy dramatic roles, he was also capable of executing difficult coloratura passages and performing more lyrical parts. Along with Nicolas Levasseur, he was one of the greatest French basses of his generation.
[Ref: 31677] £60.00 (£72.00 incl.VAT)
Passaert del. Paul L. Sc.
A Paris chez Paul Legrand, Rue des Macons Sorbone No.16. [n.d., c.1820].
Stipple with large margins. Publisher's stamp in bottom right corner. Foundation Custodia ref: L.4291. Platemark: 200 x 155mm. (8 x 6"). Two pin holes to the top and bottom of printed area.
A portrait of Nicolas-Prosper Dérivis (1808 - 1880), a French operatic bass. He possessed a rich deep voice that had a great carrying power, and while he could easily assail heavy dramatic roles, he was also capable of executing difficult coloratura passages and performing more lyrical parts. Along with Nicolas Levasseur, he was one of the greatest French basses of his generation.
[Ref: 31677] £60.00 (£72.00 incl.VAT)
Dervich des Indes
JB [Jean-Baptiste Vanmour] G. Scotin maj. sculp.
Avec Privil. du Roi. [1714-5]
Etching, platemark 355 x 250mm (14 x 9¾").
Plate from the 'Recueil de cent estampes representant differentes nations du Levant' (1714-5). Commissioned by Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte (the central government of the Ottoman Empire) from 1699 to 1710, the work had a profound impact on aesthetic notions of Turkey in eighteenth-century Europe. Ferriol brought with him to Istanbul the eighteen-year-old Flemish painter Jean-Baptiste Vanmour, from whom he commissioned at least a hundred paintings of Turkish life (some of which are now in the Rijksmuseum, Amsterdam), which served as the basis for the engravings in the collection. The volume also included transcriptions of the music which accompanied the whirling dervishes. Engraved by French printmaker and publisher Gérard Scotin I (1643 - 1715), one of a family of engravers.
See Hunt, Jacob et al 'Bernard Picart and the First Global Vision of Religion, pp.142-6.
[Ref: 39664] £160.00 (£192.00 incl.VAT)
JB [Jean-Baptiste Vanmour] G. Scotin maj. sculp.
Avec Privil. du Roi. [1714-5]
Etching, platemark 355 x 250mm (14 x 9¾").
Plate from the 'Recueil de cent estampes representant differentes nations du Levant' (1714-5). Commissioned by Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte (the central government of the Ottoman Empire) from 1699 to 1710, the work had a profound impact on aesthetic notions of Turkey in eighteenth-century Europe. Ferriol brought with him to Istanbul the eighteen-year-old Flemish painter Jean-Baptiste Vanmour, from whom he commissioned at least a hundred paintings of Turkish life (some of which are now in the Rijksmuseum, Amsterdam), which served as the basis for the engravings in the collection. The volume also included transcriptions of the music which accompanied the whirling dervishes. Engraved by French printmaker and publisher Gérard Scotin I (1643 - 1715), one of a family of engravers.
See Hunt, Jacob et al 'Bernard Picart and the First Global Vision of Religion, pp.142-6.
[Ref: 39664] £160.00 (£192.00 incl.VAT)
![[Dervish.]](jpegs/47047.jpg)
[Dervish.] Dervich ou Moine Turc qui tourne par devotion.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47047] £290.00 (£348.00 incl.VAT)
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47047] £290.00 (£348.00 incl.VAT)