A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Craftsmen and Artists] Tab. LVI.](jpegs/46422.jpg)
[Craftsmen and Artists] Tab. LVI.
[D. Chodowiecki.]
[n.d., c.1760.]
Engraving. Plate: 185 x 230mm (7¼ x 9"), with large margins on 3 sides. Tears in bottom left corner.
Four vignettes showing craftmen at their work in their workshops including a foundry. From a series by German artist Daniel Chodowiecki (1726-1801).
[Ref: 46422] £45.00 (£54.00 incl.VAT)
[D. Chodowiecki.]
[n.d., c.1760.]
Engraving. Plate: 185 x 230mm (7¼ x 9"), with large margins on 3 sides. Tears in bottom left corner.
Four vignettes showing craftmen at their work in their workshops including a foundry. From a series by German artist Daniel Chodowiecki (1726-1801).
[Ref: 46422] £45.00 (£54.00 incl.VAT)
![[Craftsmen and Tradesmen] Tab. XIX.](jpegs/46423.jpg)
[Craftsmen and Tradesmen] Tab. XIX.
D. Chodowiecki del. Schufter fec.
[n.d., c.1760.]
Engraving. Plate: 180 x 230mm (7 x 9"), with large margins. Tears in bottom left corner outside plate.
Four vignettes showing men and women at their trades. The first vignette shows gardeners working in an ornate garden, the second shows laundresses washing and ironing. The third shows a cobblers workshop and the final scene shows a tailors workshop where a man is being measured for a new suit. From a series by German artist Daniel Chodowiecki (1726-1801).
[Ref: 46423] £45.00 (£54.00 incl.VAT)
D. Chodowiecki del. Schufter fec.
[n.d., c.1760.]
Engraving. Plate: 180 x 230mm (7 x 9"), with large margins. Tears in bottom left corner outside plate.
Four vignettes showing men and women at their trades. The first vignette shows gardeners working in an ornate garden, the second shows laundresses washing and ironing. The third shows a cobblers workshop and the final scene shows a tailors workshop where a man is being measured for a new suit. From a series by German artist Daniel Chodowiecki (1726-1801).
[Ref: 46423] £45.00 (£54.00 incl.VAT)
![[A Dairy.]](jpegs/44636.jpg)
[A Dairy.]
[French n.d., c.1785.]
Stipple. Plate: 225 x 195mm (9 x 7¾"). Tear in top edge. Small margins on 3 sides.
A scene at a dairy in which two children drink from a milk urn, a woman churns butter inside a house and two women, one holding a yoke, the other a pail have a conversation.
[Ref: 44636] £130.00 (£156.00 incl.VAT)
[French n.d., c.1785.]
Stipple. Plate: 225 x 195mm (9 x 7¾"). Tear in top edge. Small margins on 3 sides.
A scene at a dairy in which two children drink from a milk urn, a woman churns butter inside a house and two women, one holding a yoke, the other a pail have a conversation.
[Ref: 44636] £130.00 (£156.00 incl.VAT)
The Dairy.
Aquatinta by F. Jukes.
Pub.d July 1. 1794, by T. Simpson St. Paul's Church Yard. and John P. Simpson G.t Newport Str.
A very rare coloured aquatint. 175 x 225mm. (7 x 9").
A dairy, with cattle in the foreground.
[Ref: 8796] £130.00 (£156.00 incl.VAT)
Aquatinta by F. Jukes.
Pub.d July 1. 1794, by T. Simpson St. Paul's Church Yard. and John P. Simpson G.t Newport Str.
A very rare coloured aquatint. 175 x 225mm. (7 x 9").
A dairy, with cattle in the foreground.
[Ref: 8796] £130.00 (£156.00 incl.VAT)
![[A Dairy.]](jpegs/46219.jpg)
[A Dairy.]
[n.d., c.1800.]
Engraving. Sheet: 165 x 215mm (6½ x 8½"). Trimmed within plate.
A rustic farmyard scene showing two milkmaids, one milking, in conversation with a farmhand while a woman behinds feeds some chickens.
[Ref: 46219] £65.00 (£78.00 incl.VAT)
[n.d., c.1800.]
Engraving. Sheet: 165 x 215mm (6½ x 8½"). Trimmed within plate.
A rustic farmyard scene showing two milkmaids, one milking, in conversation with a farmhand while a woman behinds feeds some chickens.
[Ref: 46219] £65.00 (£78.00 incl.VAT)
William Dakin Gent. Mag. Oct.r 1800 Pl.1
Branscomb, Newbury Pinx.t 1800. B. Sc.
Published by Nichols & Son Nov.r 1st 1800
Engraving, sheet 210 x 125mm (8¼ x 5"). Trimmed inside platemark.
The October 1800 edition of the Gentleman's Magazine included 'Anecdotes of W. Dakin, a charitable Enthusiast', illustrated by this portrait. of Dakin. Therein, he is described as 'the famous man with the black beard, who goes around the country distributing money to the poor, which he did in the towns of Reading and Henley to a large amount'. The author writes that Dakin was 'not more than 45 years of age', and chiefly resident at Cliff Regis, near Oundle, having come from Yorkshire originally. Dakin was apparently 'infected...with the enthusiastic delirium' by a preacher, leading Dakin to 'fancy himself to be Jesus Christ'. After several 'acts of insanity' resulting from the delusion, Dakin was ordered to undergo medical treatment by a magistrate, after which 'he has been more reasonable and cautious'. While recounting Dakin's many charitable acts, the anonymous author refererences Dakin's 'suspicous' morality (living for several years with a woman who had deserted her husband and family to be his 'disciple') and his 'dubious' political opinions ('he has appeared at the head of two or three mobs'). At the time of publication Dakin was supposedly on a year's pilgrimage dispensing of the legacy of his recently-deceased sister.
See 'Gentleman's Magazine', October 1800, pp.921-2.
[Ref: 34223] £70.00 (£84.00 incl.VAT)
Branscomb, Newbury Pinx.t 1800. B. Sc.
Published by Nichols & Son Nov.r 1st 1800
Engraving, sheet 210 x 125mm (8¼ x 5"). Trimmed inside platemark.
The October 1800 edition of the Gentleman's Magazine included 'Anecdotes of W. Dakin, a charitable Enthusiast', illustrated by this portrait. of Dakin. Therein, he is described as 'the famous man with the black beard, who goes around the country distributing money to the poor, which he did in the towns of Reading and Henley to a large amount'. The author writes that Dakin was 'not more than 45 years of age', and chiefly resident at Cliff Regis, near Oundle, having come from Yorkshire originally. Dakin was apparently 'infected...with the enthusiastic delirium' by a preacher, leading Dakin to 'fancy himself to be Jesus Christ'. After several 'acts of insanity' resulting from the delusion, Dakin was ordered to undergo medical treatment by a magistrate, after which 'he has been more reasonable and cautious'. While recounting Dakin's many charitable acts, the anonymous author refererences Dakin's 'suspicous' morality (living for several years with a woman who had deserted her husband and family to be his 'disciple') and his 'dubious' political opinions ('he has appeared at the head of two or three mobs'). At the time of publication Dakin was supposedly on a year's pilgrimage dispensing of the legacy of his recently-deceased sister.
See 'Gentleman's Magazine', October 1800, pp.921-2.
[Ref: 34223] £70.00 (£84.00 incl.VAT)
Dalarne. Mora. Bjursås.
[n.d., c.1840.]
Hand-coloured lithgraph. Sheet: 245 x 310mm (9¾ x 12¼"). Foxing.
A portrait of three Swedes from the Dalarna region of Sweden, the figure sits on a stool, the central figure holds a clock and the figure on the right a large saw.
[Ref: 44650] £140.00 (£168.00 incl.VAT)
[n.d., c.1840.]
Hand-coloured lithgraph. Sheet: 245 x 310mm (9¾ x 12¼"). Foxing.
A portrait of three Swedes from the Dalarna region of Sweden, the figure sits on a stool, the central figure holds a clock and the figure on the right a large saw.
[Ref: 44650] £140.00 (£168.00 incl.VAT)
Dalayrac.
Dess: au Physionotrace et Gravé par Quenedey rue neuve des petit-champs no.15 à Paris, 1809.
Se vend chez Quenedey rue neuve des Petits Champs No.15 a Paris. Dep. a la Bib Imp.
Etching and aquatint with small margins, platemark 250 x 195mm (9¾ x 7¾"). On watermarked laid paper; creases.
Portrait of French composer Nicolas-Marie d'Alayrac, known as Nicolas Dalayrac (1753 - 1809), best known for his opéras-comiques; bust-length, turned to right, with short grey hair, earring, and decoration pinned to jacket. By Edme Quénedey (1756 - 1830), miniature painter and engraver, who made much use of the physionotrace, a mechanised drawing instrument that could reproduce the outline profile of a portrait. It was invented by Gilles-Louis Chretien, who engraved Quenedey's portraits from 1787 to 1789, in 1786. Chretien and Quenedey founded a very successful portrait studio in Paris together in 1788. Between 1786 - c.1810 there were only two studios in Paris which produced a relatively small number of physionotrace engravings. Consequently very few of these intriguing portraits are preserved today. Because of their origins and the realism physionotrace portraits have, they can be seen as true photo-graphic objects and are therefore classified as a forerunner of photography.
See BNF FRBNF39603944.
[Ref: 35219] £340.00
Dess: au Physionotrace et Gravé par Quenedey rue neuve des petit-champs no.15 à Paris, 1809.
Se vend chez Quenedey rue neuve des Petits Champs No.15 a Paris. Dep. a la Bib Imp.
Etching and aquatint with small margins, platemark 250 x 195mm (9¾ x 7¾"). On watermarked laid paper; creases.
Portrait of French composer Nicolas-Marie d'Alayrac, known as Nicolas Dalayrac (1753 - 1809), best known for his opéras-comiques; bust-length, turned to right, with short grey hair, earring, and decoration pinned to jacket. By Edme Quénedey (1756 - 1830), miniature painter and engraver, who made much use of the physionotrace, a mechanised drawing instrument that could reproduce the outline profile of a portrait. It was invented by Gilles-Louis Chretien, who engraved Quenedey's portraits from 1787 to 1789, in 1786. Chretien and Quenedey founded a very successful portrait studio in Paris together in 1788. Between 1786 - c.1810 there were only two studios in Paris which produced a relatively small number of physionotrace engravings. Consequently very few of these intriguing portraits are preserved today. Because of their origins and the realism physionotrace portraits have, they can be seen as true photo-graphic objects and are therefore classified as a forerunner of photography.
See BNF FRBNF39603944.
[Ref: 35219] £340.00
Is. Dalby Late Professor of Mathematics in the Royal Military College at Farnham.
Drawn by Derby, from the Original by Halls, in the Royal Military College, Sandhurst. Thomson sculp.
[n.d.,c.1827]
Engraving with stipple, sheet 160 x 95mm (6¼ x 3¾"). Trimmed within plate.
Portrait of Isaac Dalby (1744–1824) English mathematician, surveyor and teacher. He was involved in the Principal Triangulation of Great Britain, the first high-precision trigonometric survey of Great Britain. In 1799 he was appointed first professor of mathematics in the senior department of the Royal Military College, High Wycombe, which subsequently moved to Farnham in Surrey, and later became the Royal Military College, Sandhurst. He held this post for twenty-one years, resigning it in 1820, when old age and infirmity had overtaken him. He was a contributor to The Ladies' Diary, and was an original member of the Linnean Society of London.
Wellcome: 749-1.
[Ref: 57075] £65.00 (£78.00 incl.VAT)
Drawn by Derby, from the Original by Halls, in the Royal Military College, Sandhurst. Thomson sculp.
[n.d.,c.1827]
Engraving with stipple, sheet 160 x 95mm (6¼ x 3¾"). Trimmed within plate.
Portrait of Isaac Dalby (1744–1824) English mathematician, surveyor and teacher. He was involved in the Principal Triangulation of Great Britain, the first high-precision trigonometric survey of Great Britain. In 1799 he was appointed first professor of mathematics in the senior department of the Royal Military College, High Wycombe, which subsequently moved to Farnham in Surrey, and later became the Royal Military College, Sandhurst. He held this post for twenty-one years, resigning it in 1820, when old age and infirmity had overtaken him. He was a contributor to The Ladies' Diary, and was an original member of the Linnean Society of London.
Wellcome: 749-1.
[Ref: 57075] £65.00 (£78.00 incl.VAT)
Samuel Dale M.L. Aetatis Suae 78.
[Geo. Vertue Sculpsit 1737.]
Etching. Pre-proof before artist's name. Plate 196 x 151mm. 7¾ x 6". Trimmed just outside plate mark.
Samuel Dale (1659-1739) was an apothecary who became a physician, naturalist and friend of John Ray (1627-1705).
W: 751-1. NPG: D27559. Alexander: 762.
[Ref: 24588] £70.00 (£84.00 incl.VAT)
[Geo. Vertue Sculpsit 1737.]
Etching. Pre-proof before artist's name. Plate 196 x 151mm. 7¾ x 6". Trimmed just outside plate mark.
Samuel Dale (1659-1739) was an apothecary who became a physician, naturalist and friend of John Ray (1627-1705).
W: 751-1. NPG: D27559. Alexander: 762.
[Ref: 24588] £70.00 (£84.00 incl.VAT)
Samuel Dale M.L. Aetatis Suae 78.
Geo. Vertue Sculpsit 1737.
Etching. 202 x 152mm. 8 x 6". Damaged with crease through middle.
Samuel Dale (1659-1739) was an apothecary who became a physician, naturalist and friend of John Ray (1627-1705).
W: 751-1. NPG: D27559. Alexander: 762.
[Ref: 24694] £45.00 (£54.00 incl.VAT)
Geo. Vertue Sculpsit 1737.
Etching. 202 x 152mm. 8 x 6". Damaged with crease through middle.
Samuel Dale (1659-1739) was an apothecary who became a physician, naturalist and friend of John Ray (1627-1705).
W: 751-1. NPG: D27559. Alexander: 762.
[Ref: 24694] £45.00 (£54.00 incl.VAT)
Samuel Dale M.L.
[British, n.d., late 18th C?]
Etching on laid paper, frontispiece, 195 x 150mm. 7¾ x 6".
Oval portrait of Samuel Dale (1659 - 1739), physician, aged 78. From the engraving by George Vertue (1683 - 1756) in the third edition of Dale's ‘Pharmacologia' (1737, features over sitter's left shoulder).
See NPG D9270. DNB. See Wellcome 751.
[Ref: 21603] £70.00 (£84.00 incl.VAT)
[British, n.d., late 18th C?]
Etching on laid paper, frontispiece, 195 x 150mm. 7¾ x 6".
Oval portrait of Samuel Dale (1659 - 1739), physician, aged 78. From the engraving by George Vertue (1683 - 1756) in the third edition of Dale's ‘Pharmacologia' (1737, features over sitter's left shoulder).
See NPG D9270. DNB. See Wellcome 751.
[Ref: 21603] £70.00 (£84.00 incl.VAT)
Anna de Morton Comitissa.
Antonius Van Dyck Eques pinxit. P. Lombart Sculpsit.
Londini, avec Privileige du Roy et ex. parisis. [n.d. c.1660.]
Copper engraving with large margins. Collector's mark on verso. Plate 355 x 260mm. 14 x 10¼". Tears into plate lower left.
Anna Dalkeith, Countess of Morton (d.1654), was daughter or Sir Edward Villiers and wife to Robert Douglas, Earl of Morton. Lombart's most famous work was the series of twelve portraits after van Dyck that he engraved around 1660, often known as the 'Countesses' from the Latin of their titles. Mariette in his entry on Lombart in his Abecedario stated that this set alone would suffice to place him 'au rang des premiers graveurs'. All twelve plates are the same size, and show three-quarter-length figures, ten women and two men, in 15mm wide borders that imitate frames of the period.
Ex Collection: Cabinet Brentano, Johann Melchior von Birckenstock (1738-1809), Vienna and Frankfurt. Lugt: 345.
[Ref: 24657] £160.00 (£192.00 incl.VAT)
Antonius Van Dyck Eques pinxit. P. Lombart Sculpsit.
Londini, avec Privileige du Roy et ex. parisis. [n.d. c.1660.]
Copper engraving with large margins. Collector's mark on verso. Plate 355 x 260mm. 14 x 10¼". Tears into plate lower left.
Anna Dalkeith, Countess of Morton (d.1654), was daughter or Sir Edward Villiers and wife to Robert Douglas, Earl of Morton. Lombart's most famous work was the series of twelve portraits after van Dyck that he engraved around 1660, often known as the 'Countesses' from the Latin of their titles. Mariette in his entry on Lombart in his Abecedario stated that this set alone would suffice to place him 'au rang des premiers graveurs'. All twelve plates are the same size, and show three-quarter-length figures, ten women and two men, in 15mm wide borders that imitate frames of the period.
Ex Collection: Cabinet Brentano, Johann Melchior von Birckenstock (1738-1809), Vienna and Frankfurt. Lugt: 345.
[Ref: 24657] £160.00 (£192.00 incl.VAT)
![[Dalmatian Dogs and kennels.]](jpegs/9058.jpg)
[Dalmatian Dogs and kennels.]
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London's many police courts.
[Ref: 9058] £150.00 (£180.00 incl.VAT)
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London's many police courts.
[Ref: 9058] £150.00 (£180.00 incl.VAT)
![[Dalmatian head]](jpegs/55434.jpg)
[Dalmatian head]
David Gee [pencil signature].
[n.d., c.1950.]
Etching. 125 x 125mm (5 x 5") very large margins.
A dalmatian wearing a collar.
[Ref: 55434] £70.00 (£84.00 incl.VAT)
David Gee [pencil signature].
[n.d., c.1950.]
Etching. 125 x 125mm (5 x 5") very large margins.
A dalmatian wearing a collar.
[Ref: 55434] £70.00 (£84.00 incl.VAT)
![[Dalmatians.]](jpegs/59711.jpg)
[Dalmatians.]
Henry Wilkinson.
Coloured etching signed by the artist. 245 x 345mm (9¾ x 13½"), with very large margin. Limited edition: 163/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59711] £180.00 (£216.00 incl.VAT)
Henry Wilkinson.
Coloured etching signed by the artist. 245 x 345mm (9¾ x 13½"), with very large margin. Limited edition: 163/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59711] £180.00 (£216.00 incl.VAT)
Dogs of the Dalmatian breed. - from an original picture in the possession of Sir John Fleming Leicester Baronet &c. &c.
James Ward R.A. Pinx et Delt.
London Pubd. May 1st. 1824. R. Ackermann Strand.
Lithograph on india laid paper, image 370 x 510mm (14½ x 20"). Some foxing. Backing sheet frayed.
While there is no reference by Julia Frankau to this very unusual and rare lithograph of the Dalmatian dog, an exhibition list does mention a drawing with the same title exhibited at the British Institute in 1806. A prolific artist, James Ward R..A. (1769 - 1859) was one of the finest animal, portrait, and landscape painters of Regency England. Brittle, pious, and argumentative, Ward worked well into the mid-19th century, creating dynamic compositions that epitomized Romanticism. He was devoted to the art of Rubens and Van Dyck, and emulated them more than any of his contemporaries.
[Ref: 9078] £850.00
James Ward R.A. Pinx et Delt.
London Pubd. May 1st. 1824. R. Ackermann Strand.
Lithograph on india laid paper, image 370 x 510mm (14½ x 20"). Some foxing. Backing sheet frayed.
While there is no reference by Julia Frankau to this very unusual and rare lithograph of the Dalmatian dog, an exhibition list does mention a drawing with the same title exhibited at the British Institute in 1806. A prolific artist, James Ward R..A. (1769 - 1859) was one of the finest animal, portrait, and landscape painters of Regency England. Brittle, pious, and argumentative, Ward worked well into the mid-19th century, creating dynamic compositions that epitomized Romanticism. He was devoted to the art of Rubens and Van Dyck, and emulated them more than any of his contemporaries.
[Ref: 9078] £850.00
General Sir Hew Whiteford Dalrymple, Bar.t.
J. Jackson, Esq. R.A. pinx.t. 1829. C. Turner A.R.A. sculp.t.
London, Published for the Proprietor, Jan.y 24, 1831, by Mr. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, rare open letter proof. 345 x 250mm (13¼ x 9¾"). Trimmed into plate at bottom.
Portrait of General Sir Hew Whiteford Dalrymple (1750-1830), Governor of Gibraltar. In 1808 he was made Commander of the Portuguese Expedition and immediately halted Wellesley's pursuit of the beaten French to Lisbon. He then chose to sign a truce with the French General, Junot, allowing him to return to France in British ships. The 'Convention of Cintra' was denounced both in London and in Portugal, and Dalrymple was forced to face an enquiry, after which he never held a field command again.
Whitman 148. See NPG D14781.
[Ref: 67185] £260.00 (£312.00 incl.VAT)
J. Jackson, Esq. R.A. pinx.t. 1829. C. Turner A.R.A. sculp.t.
London, Published for the Proprietor, Jan.y 24, 1831, by Mr. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, rare open letter proof. 345 x 250mm (13¼ x 9¾"). Trimmed into plate at bottom.
Portrait of General Sir Hew Whiteford Dalrymple (1750-1830), Governor of Gibraltar. In 1808 he was made Commander of the Portuguese Expedition and immediately halted Wellesley's pursuit of the beaten French to Lisbon. He then chose to sign a truce with the French General, Junot, allowing him to return to France in British ships. The 'Convention of Cintra' was denounced both in London and in Portugal, and Dalrymple was forced to face an enquiry, after which he never held a field command again.
Whitman 148. See NPG D14781.
[Ref: 67185] £260.00 (£312.00 incl.VAT)
General Sir Hew Whiteford Dalrymple, Bart.
J. Jackson, Esq. R.A. pinx.t. 1829. C. Turner A.R.A. sculp.t.
London, Published for the Proprietor, Jan.y 24, 1831, by Mr. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, rare open letter proof. 355 x 250mm (14 x 9¾"). Chips in margins.
Portrait of General Sir Hew Whiteford (or Whitefoord) Dalrymple, Bt (1750 - 1830). He was a British Army general and Governor of Gibraltar. He joined the army in 1763 and quickly rose through the ranks until in 1767 to 1768 he took time out to study at Edinburgh University. In 1790 he became Colonel and served during the Flanders Campaign until in 1794 he was made Major-General on returning victorious to England. In 1796 he was appointed Lieutenant Governor of Guernsey. In 1801 he was promoted to Lieutenant-General and then from 1802 to 1806 he was General Officer Commanding Northern District, and was later made Governor of Gibraltar. In 1808 he was made Commander of the Portuguese Expedition and immediately halted Wellesley's pursuit of the beaten French to Lisbon. He then chose to sign a truce with the French General, Junot, allowing him to return to France in British ships. This, Convention of Cintra, was denounced both in London and in Portugal, and thus Dalrymple sailed home to face an enquiry and never held a field command again. After John Jackson (1778 - 1831).
Whitman 148. See NPG D14781.
[Ref: 23492] £150.00 (£180.00 incl.VAT)
J. Jackson, Esq. R.A. pinx.t. 1829. C. Turner A.R.A. sculp.t.
London, Published for the Proprietor, Jan.y 24, 1831, by Mr. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, rare open letter proof. 355 x 250mm (14 x 9¾"). Chips in margins.
Portrait of General Sir Hew Whiteford (or Whitefoord) Dalrymple, Bt (1750 - 1830). He was a British Army general and Governor of Gibraltar. He joined the army in 1763 and quickly rose through the ranks until in 1767 to 1768 he took time out to study at Edinburgh University. In 1790 he became Colonel and served during the Flanders Campaign until in 1794 he was made Major-General on returning victorious to England. In 1796 he was appointed Lieutenant Governor of Guernsey. In 1801 he was promoted to Lieutenant-General and then from 1802 to 1806 he was General Officer Commanding Northern District, and was later made Governor of Gibraltar. In 1808 he was made Commander of the Portuguese Expedition and immediately halted Wellesley's pursuit of the beaten French to Lisbon. He then chose to sign a truce with the French General, Junot, allowing him to return to France in British ships. This, Convention of Cintra, was denounced both in London and in Portugal, and thus Dalrymple sailed home to face an enquiry and never held a field command again. After John Jackson (1778 - 1831).
Whitman 148. See NPG D14781.
[Ref: 23492] £150.00 (£180.00 incl.VAT)
The Right Hon.ble John Earl of Stair Viscount Dalrymple Lord Glenluce & Stranraer Lt. General of his maj.ties Forces [...]
[Anon., c.1740]
Engraving, very rare; sheet 335 x 270mm (13¼ x 10½"). Trimmed.
John Dalrymple, second earl of Stair (1673-1747), diplomat and army officer. Dalrymple's early career was characterized by military service during the Nine Years' War; the duke of Marlborough became Dalrymple's mentor and patron. After succeeding his father as Earl of Stair he became ambassador to Paris, attempting to combat the threat of Jacobitism and contributing to the eventual removal of the Jacobite court to Italy (Sir Winston Churchill considered him 'one of the most capable ambassadors...ever sent to Paris'). Stair withdrew from politics in the 1720s, dedicating himself to agricultural reform, before rehabilitating himself after the fall of Robert Walpole, when he became (non-resident) governor of Minorca.
[Ref: 42897] £280.00 (£336.00 incl.VAT)
[Anon., c.1740]
Engraving, very rare; sheet 335 x 270mm (13¼ x 10½"). Trimmed.
John Dalrymple, second earl of Stair (1673-1747), diplomat and army officer. Dalrymple's early career was characterized by military service during the Nine Years' War; the duke of Marlborough became Dalrymple's mentor and patron. After succeeding his father as Earl of Stair he became ambassador to Paris, attempting to combat the threat of Jacobitism and contributing to the eventual removal of the Jacobite court to Italy (Sir Winston Churchill considered him 'one of the most capable ambassadors...ever sent to Paris'). Stair withdrew from politics in the 1720s, dedicating himself to agricultural reform, before rehabilitating himself after the fall of Robert Walpole, when he became (non-resident) governor of Minorca.
[Ref: 42897] £280.00 (£336.00 incl.VAT)
The Right Honourable John Earl of Stair, Viscount Dalrymple, Lord Glenluce & Stranraer, Colonel of the Royal Regiment of North British Dragoons, Governour of Minorca, Knight of the most Ancient Order of the Thistle, one of His Majesty's most Honourable Privy Council, Field Marshal and Commander in Chief of His Majesty's Forces in South Britain.
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Mezzotint, 18th century watermark. 355 x 255mm (14 x 10"). Small margins.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage.
CS 335, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67321] £260.00 (£312.00 incl.VAT)
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Mezzotint, 18th century watermark. 355 x 255mm (14 x 10"). Small margins.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage.
CS 335, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67321] £260.00 (£312.00 incl.VAT)
The Right Honourable John Earl of Stair, Viscount Dalrymple, Lord Glenluce & Stranraer, Colonel of the Royal Regiment of North British Dragoons, Governour of Minorca, Knight of the most Ancient Order of the Thistle, one of His Majesty's most Honourable Privy Council, Field Marshal and Commander in Chief of His Majesty's Forces in South Britain.
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Mezzotint, 18th century watermark. 355 x 255mm (14 x 10"). Trimmed to plate, laid on album paper at edges.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage.
CS 335, i of ii.
[Ref: 67323] £190.00 (£228.00 incl.VAT)
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Mezzotint, 18th century watermark. 355 x 255mm (14 x 10"). Trimmed to plate, laid on album paper at edges.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage.
CS 335, i of ii.
[Ref: 67323] £190.00 (£228.00 incl.VAT)
The Right Honourable John Earl of Stair, Viscount Dalrymple, Lord Glenluce & Stranraer, Colonel of the Royal Regiment of North British Dragoons, Governour of Minorca, Knight of the most Ancient Order of the Thistle, one of His Majesty's most Honourable Privy Council, Field Marshal and Commander in Chief of His Majesty's Forces in South Britain.
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Mezzotint. 355 x 255mm (14 x 10"), large margins.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage.
CS 335, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67326] £260.00 (£312.00 incl.VAT)
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Mezzotint. 355 x 255mm (14 x 10"), large margins.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage.
CS 335, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67326] £260.00 (£312.00 incl.VAT)
The Right Honourable John Earl of Stair, Viscount Dalrymple, Lord Glenluce & Stranraer, Colonel of the Royal Regiment of North British Dragoons, Governour of Minorca, Knight of the most Ancient Order of the Thistle, one of His Majesty's most Honourable Privy Council, Field Marshal and Commander in Chief of His Majesty's Forces in South Britain.
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Rare mezzotint. Sheet 350 x 240mm (13¾ x 9½"). Trimmed to plate and tipped into album paper at edges.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage. Menorca interest.
CS 335 I of II.
[Ref: 65779] £190.00 (£228.00 incl.VAT)
A. Ramsay Pinx.t. I. Faber Fecit
Price 2s. Sold by Faber at the Golden Head Bloomsbury Square. [n.d. c.1735]
Rare mezzotint. Sheet 350 x 240mm (13¾ x 9½"). Trimmed to plate and tipped into album paper at edges.
Three-quarter portrait of Scottish diplomat and army officer, John Dalrymple, 2nd Earl of Stair (1673-1747), leaning on truncheon beside hat on stone tablet, his right hand on hip. He wears a breastplate and long wig. Against a landscape with foliage. Menorca interest.
CS 335 I of II.
[Ref: 65779] £190.00 (£228.00 incl.VAT)
Dalton's New England Traveller. Frontispiece. This Beautiful Print emblematically alludes to that highly pleasing Variety of Subjects which will be Presented by the New English Traveller to the Public at Large.
Ryley Delin Scott sculp
Publish'd by Alex.r Hogg Nov.r 22 1794
Engraving, sheet 365 x 230mm (14¼ x 9"). Repaired hole bottom centre in border. Borders tatty.
Frontispiece with imaginary landscape combining classical statuary, agriculture, modern engineering and coaching to demonstrate the range of topics to be included in a topographical periodical, includes view of Colebrook Dale Iron Bridge. 'Dalton' has been claimed as a pseudonym for the publisher Alexander Hogg.
[Ref: 40083] £130.00 (£156.00 incl.VAT)
Ryley Delin Scott sculp
Publish'd by Alex.r Hogg Nov.r 22 1794
Engraving, sheet 365 x 230mm (14¼ x 9"). Repaired hole bottom centre in border. Borders tatty.
Frontispiece with imaginary landscape combining classical statuary, agriculture, modern engineering and coaching to demonstrate the range of topics to be included in a topographical periodical, includes view of Colebrook Dale Iron Bridge. 'Dalton' has been claimed as a pseudonym for the publisher Alexander Hogg.
[Ref: 40083] £130.00 (£156.00 incl.VAT)
Elizabeth Dalton, Æt. 57. He is the happy man, whose life ev'n now...
Drawn and engrav'd by P. Condé from a Wax Model by Miss Covell.
[n.d., c.1800.]
Stipple. Plate: 160 x 95mm (6¼ x 3¾"). Trimmed.
A portrait of Elizabeth Dalton taken from a wax model, Dalton is shown in profile.
[Ref: 46286] £80.00 (£96.00 incl.VAT)
Drawn and engrav'd by P. Condé from a Wax Model by Miss Covell.
[n.d., c.1800.]
Stipple. Plate: 160 x 95mm (6¼ x 3¾"). Trimmed.
A portrait of Elizabeth Dalton taken from a wax model, Dalton is shown in profile.
[Ref: 46286] £80.00 (£96.00 incl.VAT)
John Dalton, D.C.L. L.L.D. F.R.S. L.&E. &c.&c. President of the Lit. & Phil.l Soc.y of Manch.r.
Drawn& Etch'd by J. Stephenson.
[n.d., c.1840.]
Etching. 190 x 115mm (7½ x 4½"), on card, with large margins.
A half-length portrait of John Dalton (1766-1844), scientist and natural philosopher credited as the inventor of atomic theory. He peers through spectacles at a liquid in a glass.
[Ref: 56774] £260.00 (£312.00 incl.VAT)
Drawn& Etch'd by J. Stephenson.
[n.d., c.1840.]
Etching. 190 x 115mm (7½ x 4½"), on card, with large margins.
A half-length portrait of John Dalton (1766-1844), scientist and natural philosopher credited as the inventor of atomic theory. He peers through spectacles at a liquid in a glass.
[Ref: 56774] £260.00 (£312.00 incl.VAT)
![[John Dalton, 1766 - 1844]](jpegs/3952.jpg)
[John Dalton, 1766 - 1844]
[James Lonsdale, 1777 - 1839] [Charles Turner, 1773 - 1857]
[n.d. c.1820]
Mezzotint. Plate 288 x 209mm.
Philosopher. John Dalton (September 6, 1766 - July 27, 1844) was a British chemist and physicist, born at Eaglesfield, near Cockermouth in Cumberland. He is most well known for his advocacy of the atomic theory.
W: 755-2. WH: 149.
[Ref: 3952] £220.00 (£264.00 incl.VAT)
[James Lonsdale, 1777 - 1839] [Charles Turner, 1773 - 1857]
[n.d. c.1820]
Mezzotint. Plate 288 x 209mm.
Philosopher. John Dalton (September 6, 1766 - July 27, 1844) was a British chemist and physicist, born at Eaglesfield, near Cockermouth in Cumberland. He is most well known for his advocacy of the atomic theory.
W: 755-2. WH: 149.
[Ref: 3952] £220.00 (£264.00 incl.VAT)
John Dalton, F.R.S. President of the Literary and Philosophical Society of Manchester, Member of the Royal Academy of the National Institute of France &c.
Allen. Pinxt. Worthington Sculpt.
Published June 25th.1823, by Zanetti & Agnew, 94, Market Street, Manchester, and Hurst, Robinson & Co. 90, Cheapside, London.
Engraving. 460 x 330mm (18 x 13"), with large, uncut margins. Paper slightly wrinkled. Unidentified collector's blind stamp in lower right corner.
A portrait of philosopher John Dalton (1766-1844), seated at a desk on which are various scientific instruments. Dalton was a British chemist and physicist, born at Eaglesfield, near Cockermouth in Cumberland. He is most well known for his advocacy of the atomic theory.
W: 755-1
[Ref: 40046] £320.00
Allen. Pinxt. Worthington Sculpt.
Published June 25th.1823, by Zanetti & Agnew, 94, Market Street, Manchester, and Hurst, Robinson & Co. 90, Cheapside, London.
Engraving. 460 x 330mm (18 x 13"), with large, uncut margins. Paper slightly wrinkled. Unidentified collector's blind stamp in lower right corner.
A portrait of philosopher John Dalton (1766-1844), seated at a desk on which are various scientific instruments. Dalton was a British chemist and physicist, born at Eaglesfield, near Cockermouth in Cumberland. He is most well known for his advocacy of the atomic theory.
W: 755-1
[Ref: 40046] £320.00
John Dalton, F.R.S. President of the Literary and Philosophical Society of Manchester, Member of the Royal Academy of the National Institute of France &c.
Allen. Pinx.t. Worthington Sculp.t.
Published June 25th. 1823, by Zanetti & Agnew, 94, Market Street, Manchester, and Hurst, Robinson & Co. 90, Cheapside, London.
Engraving. 460 x 330mm (18 x 13").
Philosopher. John Dalton (September 6, 1766 - July 27, 1844) was a British chemist and physicist, born at Eaglesfield, near Cockermouth in Cumberland. He is most well known for his advocacy of the atomic theory.
W: 755-1
[Ref: 75] £320.00
Allen. Pinx.t. Worthington Sculp.t.
Published June 25th. 1823, by Zanetti & Agnew, 94, Market Street, Manchester, and Hurst, Robinson & Co. 90, Cheapside, London.
Engraving. 460 x 330mm (18 x 13").
Philosopher. John Dalton (September 6, 1766 - July 27, 1844) was a British chemist and physicist, born at Eaglesfield, near Cockermouth in Cumberland. He is most well known for his advocacy of the atomic theory.
W: 755-1
[Ref: 75] £320.00
Mich: Dalton Arm. Ad Tabulam Corneli de Neve, penes G. Greaves Arm. amicitill et Meritis Gul. Cole A.M.S.A.L Socius Gratio Animo, D.D.D. Mich. Tyson
Anno Dom. 1623
Etching with very large margins, platemark 145 x 130mm (5¾ x 5"). Crease upper left.
Michael Dalton (1564-1644), barrister and legal writer. Dalton remains historically significant for his treatise for local magistrates and justices of the peace, 'The Countrey Justice'. In 1622 he was named one of the masters in chancery.
[Ref: 35007] £130.00 (£156.00 incl.VAT)
Anno Dom. 1623
Etching with very large margins, platemark 145 x 130mm (5¾ x 5"). Crease upper left.
Michael Dalton (1564-1644), barrister and legal writer. Dalton remains historically significant for his treatise for local magistrates and justices of the peace, 'The Countrey Justice'. In 1622 he was named one of the masters in chancery.
[Ref: 35007] £130.00 (£156.00 incl.VAT)
Archibald Dalzel Esq.r Governor of Cape Coast Castle & its dependencies on the Coast of Africa.
Eckstein pinx.t. Heath sculp.
Published 12.th Aug.st 1799 by Laurie & Whittle N.º 53 Fleet Street London. [But later]
Stipple, 220 x 135mm (8¾ x 5¼"), with margins.
A half-length portrait in oval of Archibald Dalzel (c.1740-c.1818), slave trader and governor of Whydah (Ouidah, Benin). In 1793 he wrote a history of Dahomy in which he claimed that raiding Dahomean villages for slaves was saving them from the greater evil of being human sacrifices. His daughter, Elizabeth Dickson (c.1793-1862), drew England's attention to the plight of White slaves in North Africa, leading to Lord Exmouth's bombarding of Algier and the release of 3,000 Christian slaves in 1826.
[Ref: 66308] £80.00 (£96.00 incl.VAT)
Eckstein pinx.t. Heath sculp.
Published 12.th Aug.st 1799 by Laurie & Whittle N.º 53 Fleet Street London. [But later]
Stipple, 220 x 135mm (8¾ x 5¼"), with margins.
A half-length portrait in oval of Archibald Dalzel (c.1740-c.1818), slave trader and governor of Whydah (Ouidah, Benin). In 1793 he wrote a history of Dahomy in which he claimed that raiding Dahomean villages for slaves was saving them from the greater evil of being human sacrifices. His daughter, Elizabeth Dickson (c.1793-1862), drew England's attention to the plight of White slaves in North Africa, leading to Lord Exmouth's bombarding of Algier and the release of 3,000 Christian slaves in 1826.
[Ref: 66308] £80.00 (£96.00 incl.VAT)
Damascus from Hill of Suleihey. Scene of Paul's Converstion.
W.H.McFarlane Lith.r 19 St. James Sq. Edin.
W.R.Mc.Phun & Son Publishers, Glasgow Edinburgh & London. [n.d. c.1866.]
Tinted lithograph with added colour, large margins. 240 x 317mm (9½ x 12½"). Some soiling around edges in margins.
A view of Damascus, Syria, from the hill, which according to the New Testament was where the conversion of Paul the Apostle took place around AD33-36.
[Ref: 29574] £70.00 (£84.00 incl.VAT)
W.H.McFarlane Lith.r 19 St. James Sq. Edin.
W.R.Mc.Phun & Son Publishers, Glasgow Edinburgh & London. [n.d. c.1866.]
Tinted lithograph with added colour, large margins. 240 x 317mm (9½ x 12½"). Some soiling around edges in margins.
A view of Damascus, Syria, from the hill, which according to the New Testament was where the conversion of Paul the Apostle took place around AD33-36.
[Ref: 29574] £70.00 (£84.00 incl.VAT)
Damas et Les Rives du Barada.
C. Werner, Pinx.t J. Saddler, Sculp.t
Imp. Ch. Chardon. Paris, E. Plon & C.ie Editeurs. [n.d. c.1884.]
Engraving. 286 x 393mm. 11¼ x 15½".
A view of Damascus and the River Barada, Syria. Travellers on the road leaving the city.
[Ref: 18879] £80.00 (£96.00 incl.VAT)
C. Werner, Pinx.t J. Saddler, Sculp.t
Imp. Ch. Chardon. Paris, E. Plon & C.ie Editeurs. [n.d. c.1884.]
Engraving. 286 x 393mm. 11¼ x 15½".
A view of Damascus and the River Barada, Syria. Travellers on the road leaving the city.
[Ref: 18879] £80.00 (£96.00 incl.VAT)
Damask Roses.
Printed by Lefevre & Kohler, 52 Newman Street.
[n.d. c.1835]
Scarce hand-coloured lithograph, sheet 335 x 255mm (13¼ x 10"). Very faint foxing.
Two women in ornate dress, lean on the ledge, against an oriental background. Minarets in background imply Damascus or Persia, the origin of the rose. One holds a peacock feather fan and damask roses in the other. Roses used for perfume. Lithographic printers William Kohler and L.M. Lefevre were in business together at 52 Newman Street, London circa 1833-1835. Kohler set up on his own by 1838 at the latest, leaving Lefevre to trade as L.M. Lefevre.
See Ref: 68724 & 68726
[Ref: 68725] £140.00 (£168.00 incl.VAT)
Printed by Lefevre & Kohler, 52 Newman Street.
[n.d. c.1835]
Scarce hand-coloured lithograph, sheet 335 x 255mm (13¼ x 10"). Very faint foxing.
Two women in ornate dress, lean on the ledge, against an oriental background. Minarets in background imply Damascus or Persia, the origin of the rose. One holds a peacock feather fan and damask roses in the other. Roses used for perfume. Lithographic printers William Kohler and L.M. Lefevre were in business together at 52 Newman Street, London circa 1833-1835. Kohler set up on his own by 1838 at the latest, leaving Lefevre to trade as L.M. Lefevre.
See Ref: 68724 & 68726
[Ref: 68725] £140.00 (£168.00 incl.VAT)
Hermitage at Kurrungalle, in Ceylon. From a drawing by Cap.t Cha.s Auber of the Quarter Mast.r Gen.l's Depart. Ceylon.
Drawn by William Westall, A.R.A. Engraved by R.G. Reeve.
[London: Smith, Elder & Co., 1830.]
Aquatint printed in colours and hand-finished, sheet 305 x 415mm (12 x 16¼"); large margins left & right. Cut to platemark at bottom.
Caves at Dambulla, near Kurrungalle, Ceylon (Sri Lanka), which was the principal British station in the district. Plate from Robert Grindlay's (1786-1877) 'Scenery, costumes and architecture, chiefly on the western side of India,' 1826-30. Grindlay, founder of the ANZ Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving with the Seventh Bombay Native Infantry from 1804-1820. Engraved after a drawing by William Westall (1781-1850), who spent three and a half months in India in 1804, producing some of the most successful paintings of his career there.
Abbey Travel 442.16.
[Ref: 41713] £320.00
Drawn by William Westall, A.R.A. Engraved by R.G. Reeve.
[London: Smith, Elder & Co., 1830.]
Aquatint printed in colours and hand-finished, sheet 305 x 415mm (12 x 16¼"); large margins left & right. Cut to platemark at bottom.
Caves at Dambulla, near Kurrungalle, Ceylon (Sri Lanka), which was the principal British station in the district. Plate from Robert Grindlay's (1786-1877) 'Scenery, costumes and architecture, chiefly on the western side of India,' 1826-30. Grindlay, founder of the ANZ Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving with the Seventh Bombay Native Infantry from 1804-1820. Engraved after a drawing by William Westall (1781-1850), who spent three and a half months in India in 1804, producing some of the most successful paintings of his career there.
Abbey Travel 442.16.
[Ref: 41713] £320.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Dame chantant la Musique.
[n.d. c.1675] [Chez Boissevin rue petit pont au chadron]
Engraving, sheet 245 x 175mm (9¾ x 7"). Trimmed and laid on album paper at corners
A woman in elaborate fashion holding a book singing and standing next to a lute resting on a covered table. Published by Louis Boissevin, (c.1610-1685).
[Ref: 68711] £280.00 (£336.00 incl.VAT)
[n.d. c.1675] [Chez Boissevin rue petit pont au chadron]
Engraving, sheet 245 x 175mm (9¾ x 7"). Trimmed and laid on album paper at corners
A woman in elaborate fashion holding a book singing and standing next to a lute resting on a covered table. Published by Louis Boissevin, (c.1610-1685).
[Ref: 68711] £280.00 (£336.00 incl.VAT)
![[Anne Damer] [The Hon.ble Mrs Damer.]](jpegs/67975.jpg)
[Anne Damer] [The Hon.ble Mrs Damer.]
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
[n.d., c.1774]
Mezzotint, 18th century watermark, scratched letter proof before title, fine impression. Sheet 385 x 280mm (15¼ x 11") Trimmed to plate.
Anne Seymour Damer (née Conway) (1749 - 1828), sculptor, standing in a landscape. Damer was a writer and honorary exhibitor as an amateur sculptor at the Royal Academy 1784-1818. She executed busts of George III, Fox and Nelson and of the actress Elizabeth Farren. She inherited Strawberry Hill from her cousin, Horace Walpole, but lived in nearby York House.
D'Oench 34; CS 51, i of iv; Frankau 105, i of iv; Hamilton p.94. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67975] £280.00 (£336.00 incl.VAT)
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
[n.d., c.1774]
Mezzotint, 18th century watermark, scratched letter proof before title, fine impression. Sheet 385 x 280mm (15¼ x 11") Trimmed to plate.
Anne Seymour Damer (née Conway) (1749 - 1828), sculptor, standing in a landscape. Damer was a writer and honorary exhibitor as an amateur sculptor at the Royal Academy 1784-1818. She executed busts of George III, Fox and Nelson and of the actress Elizabeth Farren. She inherited Strawberry Hill from her cousin, Horace Walpole, but lived in nearby York House.
D'Oench 34; CS 51, i of iv; Frankau 105, i of iv; Hamilton p.94. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67975] £280.00 (£336.00 incl.VAT)
The Hon.ble Mrs. Demer.
Reynolds, J Pinx.t Smith, J.R Sculp.t
Published March 1st 1774 by J. R. Smith, No. 4 Exeter Court, Strand.
Mezzotint, very fine impression; 280 x 380mm. Trimmed to image.
Anne, daughter of the Hon. Seymor Conway, the distinguished General and Field Marshall, was an amateur sculptor of considerable talent. Horace Walpole left her Strawberry Hill for her life. She died in 1828. Standing, hands together. Round the neck a black ribbon to which is attached a locket. A long plait of hair falls over each shoulder. Landscape in background. In this state (2/4) the title is mis-spelt 'Demer'. This was later corrected to 'Damer'.
Hamilton: p.94. [State 2/4]. O'Dench 34; Hamilton: 94; CS: 51; Frankau: 105; From Broadlands the Palmerston family.
[Ref: 27390] £160.00 (£192.00 incl.VAT)
Reynolds, J Pinx.t Smith, J.R Sculp.t
Published March 1st 1774 by J. R. Smith, No. 4 Exeter Court, Strand.
Mezzotint, very fine impression; 280 x 380mm. Trimmed to image.
Anne, daughter of the Hon. Seymor Conway, the distinguished General and Field Marshall, was an amateur sculptor of considerable talent. Horace Walpole left her Strawberry Hill for her life. She died in 1828. Standing, hands together. Round the neck a black ribbon to which is attached a locket. A long plait of hair falls over each shoulder. Landscape in background. In this state (2/4) the title is mis-spelt 'Demer'. This was later corrected to 'Damer'.
Hamilton: p.94. [State 2/4]. O'Dench 34; Hamilton: 94; CS: 51; Frankau: 105; From Broadlands the Palmerston family.
[Ref: 27390] £160.00 (£192.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[Anne Damer] The Hon.ble Mrs Damer.](jpegs/44087.jpg)
[Anne Damer] The Hon.ble Mrs Damer.
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[London 1836, Hodgson & Graves, 6 Pall Mall.]
Mezzotint, proof before publisher's inscription. 230 x 160mm (9 x 6¼"). Hole in inscription area, damp stains in large margins.
Anne Seymour Damer (née Conway) (1749 - 1828), sculptor, standing in a landscape. Damer was a writer and honorary exhibitor as an amateur sculptor at the Royal Academy 1784-1818. She executed busts of George III, Fox and Nelson and of the actress, Elizabeth Farren. She inherited Strawberry Hill from her cousin, Horace Walpole, but lived in nearby York House.
[Ref: 44087] £65.00 (£78.00 incl.VAT)
Sir Joshua Reynolds Pinx.t. S.W. Reynolds Sculp.t.
[London 1836, Hodgson & Graves, 6 Pall Mall.]
Mezzotint, proof before publisher's inscription. 230 x 160mm (9 x 6¼"). Hole in inscription area, damp stains in large margins.
Anne Seymour Damer (née Conway) (1749 - 1828), sculptor, standing in a landscape. Damer was a writer and honorary exhibitor as an amateur sculptor at the Royal Academy 1784-1818. She executed busts of George III, Fox and Nelson and of the actress, Elizabeth Farren. She inherited Strawberry Hill from her cousin, Horace Walpole, but lived in nearby York House.
[Ref: 44087] £65.00 (£78.00 incl.VAT)
The Right Honorable Lord Viscount Milton. Colonel of the Dorsetshire Volunteer Rangers.
Painted by Mr. T. Beach. Engrav'd by J. Jones Engraver Extraordinary to H.R. His Prince of Wales & Principal Engraver to His R.H. the Duke of York
Publish'd as the Act directs July 20th 1795 by Tho.s Beach Strand Green Kew Bridge.
Mezzotint, platemark 510 x 355mm (20 x 14"). Thread margins.
George Damer, Lord Milton (1746 - 1808), army officer and son of Joseph Damer, 1st Earl of Dorchester. In the 1760s Damer, his brother John and the libertine and politician Thomas Lyttelton went on the grand tour. Damer became involved in a scandal with an Italian coachman, whose family had to be bought off.
CS 56 ii/ii
[Ref: 38368] £260.00 (£312.00 incl.VAT)
Painted by Mr. T. Beach. Engrav'd by J. Jones Engraver Extraordinary to H.R. His Prince of Wales & Principal Engraver to His R.H. the Duke of York
Publish'd as the Act directs July 20th 1795 by Tho.s Beach Strand Green Kew Bridge.
Mezzotint, platemark 510 x 355mm (20 x 14"). Thread margins.
George Damer, Lord Milton (1746 - 1808), army officer and son of Joseph Damer, 1st Earl of Dorchester. In the 1760s Damer, his brother John and the libertine and politician Thomas Lyttelton went on the grand tour. Damer became involved in a scandal with an Italian coachman, whose family had to be bought off.
CS 56 ii/ii
[Ref: 38368] £260.00 (£312.00 incl.VAT)
Damien der Abscheulichste Mench auf Erden, als Mörder des Königs von Franckreich nach einen Original aus Paris. 1757.
[n.d., c.1757.]
Engraving. Sheet: 90 x 160mm (3½ x 6¼"). Trimmed and laid on album sheet.
An exaggerated portrait of Robert-Francois Damiens (1715-1757) who was publicly drawn and quatered and then burnt at the stake for the attempted assassination of King Louis XV of France in 1757. Damiens attacked Louis XV at Versailles with a pen-knife, however, due to the short blade and the king's thick winter clothes, he only managed to wound the king rather than kill him.
[Ref: 41540] £130.00 (£156.00 incl.VAT)
[n.d., c.1757.]
Engraving. Sheet: 90 x 160mm (3½ x 6¼"). Trimmed and laid on album sheet.
An exaggerated portrait of Robert-Francois Damiens (1715-1757) who was publicly drawn and quatered and then burnt at the stake for the attempted assassination of King Louis XV of France in 1757. Damiens attacked Louis XV at Versailles with a pen-knife, however, due to the short blade and the king's thick winter clothes, he only managed to wound the king rather than kill him.
[Ref: 41540] £130.00 (£156.00 incl.VAT)
![[Silversmith] Johann Wilhelm Dammann Silber arbeiter in Augsburg gebohren in Schweinfurth den 29.ten Juny. Anno 1717.](jpegs/56020.jpg)
[Silversmith] Johann Wilhelm Dammann Silber arbeiter in Augsburg gebohren in Schweinfurth den 29.ten Juny. Anno 1717.
Ant. Graff pinx. 1765.
[Augsburg, c.1765.]
Rare & scarce mezzotint. Sheet 350 x 240mm (13¾ x 9½"). L:aid down on sheet. Trimmed into plate, six large printer's creases.
A half length portrait of silver merchant Johann Wilhelm Dammann (1717-84), silver merchant of Augsburg, holding his design for a rococo tureen. It is unusual for a print with so many printer's creases (caused by the damp paper not being flat when put in the press) to survive quality control!
[Ref: 56020] £240.00 (£288.00 incl.VAT)
Ant. Graff pinx. 1765.
[Augsburg, c.1765.]
Rare & scarce mezzotint. Sheet 350 x 240mm (13¾ x 9½"). L:aid down on sheet. Trimmed into plate, six large printer's creases.
A half length portrait of silver merchant Johann Wilhelm Dammann (1717-84), silver merchant of Augsburg, holding his design for a rococo tureen. It is unusual for a print with so many printer's creases (caused by the damp paper not being flat when put in the press) to survive quality control!
[Ref: 56020] £240.00 (£288.00 incl.VAT)
William Dampier.
[n.d. c.1785].
Engraving. Sheet: 130 x 215mm (5¼ x 8½"). Large messy margins.
William Dampier (1651 - 1715), circumnavigator and hydrographer. He aimed 'to see all countries and observe the works of nature' but although he was an excellent hydrographer and scientist, he was a poor sea captain and several later expeditions failed. This engraving for an 18th century magazine taken from the painting of c.1698 by Thomas Murray.
[Ref: 40060] £85.00 (£102.00 incl.VAT)
[n.d. c.1785].
Engraving. Sheet: 130 x 215mm (5¼ x 8½"). Large messy margins.
William Dampier (1651 - 1715), circumnavigator and hydrographer. He aimed 'to see all countries and observe the works of nature' but although he was an excellent hydrographer and scientist, he was a poor sea captain and several later expeditions failed. This engraving for an 18th century magazine taken from the painting of c.1698 by Thomas Murray.
[Ref: 40060] £85.00 (£102.00 incl.VAT)
Danae. From a Painting of Titian in the Collection of the King of Naples.
R. Strange Neapoli delin.t. A.o 1762 Atque A.o 1768 Aere incidit Londini.
[London: Robert Strange, 1790.]
A fine engraving. 400 x 490mm (15¾ x 19¼") very large margins.
Danaë, daughter of King Acrisius of Argos, being visited by Jove in the form of a cloud raining gold. Cupid stands on the bed looking over his shoulder at the cloud. The tryst resulted in the birth of Perseus. After one of several versions of this scene painted by Titian (c.1489-1576), engraved by Robert Strange as a companion to 'Venus' and published in a collected edition of his engravings.
[Ref: 46539] £480.00
R. Strange Neapoli delin.t. A.o 1762 Atque A.o 1768 Aere incidit Londini.
[London: Robert Strange, 1790.]
A fine engraving. 400 x 490mm (15¾ x 19¼") very large margins.
Danaë, daughter of King Acrisius of Argos, being visited by Jove in the form of a cloud raining gold. Cupid stands on the bed looking over his shoulder at the cloud. The tryst resulted in the birth of Perseus. After one of several versions of this scene painted by Titian (c.1489-1576), engraved by Robert Strange as a companion to 'Venus' and published in a collected edition of his engravings.
[Ref: 46539] £480.00
The Dance.
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 7 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts a group of Aboriginal Australians, sat watching a figure performing a dance, with traditional white markings on his face and body. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.7.
[Ref: 32077] £220.00 (£264.00 incl.VAT)
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 7 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts a group of Aboriginal Australians, sat watching a figure performing a dance, with traditional white markings on his face and body. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.7.
[Ref: 32077] £220.00 (£264.00 incl.VAT)
Danse des Naturels. (Iles Caroriles.)
N. Maurin del. Lith. de Villain. d'apres le Croquis de J. Arago.
[Paris, c.1839.]
Lithograph, sheet 160 x 245mm. 6¼ x 9¾".
A ceremonial dance in Indonesia. Plate to 'Souvenirs d'un aveugle (blind man)' by Jacques Etienne Victor Arago (1790 - 1855). A French writer, artist and explorer, Arago joined Louis de Freycinet on his 1817 voyage around the world aboard the ship Uranie, which inspired his witty 'Voyage autour du monde'. Although he lost his sight in 1837, he went on travelling and writing for the theatre.
[Ref: 11026] £120.00 (£144.00 incl.VAT)
N. Maurin del. Lith. de Villain. d'apres le Croquis de J. Arago.
[Paris, c.1839.]
Lithograph, sheet 160 x 245mm. 6¼ x 9¾".
A ceremonial dance in Indonesia. Plate to 'Souvenirs d'un aveugle (blind man)' by Jacques Etienne Victor Arago (1790 - 1855). A French writer, artist and explorer, Arago joined Louis de Freycinet on his 1817 voyage around the world aboard the ship Uranie, which inspired his witty 'Voyage autour du monde'. Although he lost his sight in 1837, he went on travelling and writing for the theatre.
[Ref: 11026] £120.00 (£144.00 incl.VAT)
A broad hint of not meaning to Dance.
B. [compass monogram of Brownlow North] Esq.r - del. [Etched by James Gillray.]
Publish'd November 20th 1804 by H.Humphrey, No 27 St James's Street, London.
Fine coloured etching. Sheet 255 x 380mm (10 x 15"). Trimmed to printed border.
A pretty young woman walks away from a ugly fop, taking her chair with her but leaving a fragment of her dress under his foot.
BM Satires 10302.
[Ref: 61797] £580.00
B. [compass monogram of Brownlow North] Esq.r - del. [Etched by James Gillray.]
Publish'd November 20th 1804 by H.Humphrey, No 27 St James's Street, London.
Fine coloured etching. Sheet 255 x 380mm (10 x 15"). Trimmed to printed border.
A pretty young woman walks away from a ugly fop, taking her chair with her but leaving a fragment of her dress under his foot.
BM Satires 10302.
[Ref: 61797] £580.00
A broad hint of not meaning to Dance.
B. [compass monogram of Brownlow North] Esq.r - del. [Etched by James Gillray.]
Publish'd November 20th 1804 by H.Humphrey, No 27 St James's Street, London.
Coloured etching. 250 x 385mm (9¾ x 15¼"), with wide margins; watermarked 'J Whatman 1807'. Colour faded.
A pretty young woman walks walks away from a ugly fop, taking her chair with her but leaving a fragment of her dress under his foot.
BM Satires 10302.
[Ref: 56158] £390.00
B. [compass monogram of Brownlow North] Esq.r - del. [Etched by James Gillray.]
Publish'd November 20th 1804 by H.Humphrey, No 27 St James's Street, London.
Coloured etching. 250 x 385mm (9¾ x 15¼"), with wide margins; watermarked 'J Whatman 1807'. Colour faded.
A pretty young woman walks walks away from a ugly fop, taking her chair with her but leaving a fragment of her dress under his foot.
BM Satires 10302.
[Ref: 56158] £390.00
![[Dance Lesson] Chest Forward, Toes Out.](jpegs/58975.jpg)
[Dance Lesson] Chest Forward, Toes Out.
Standidge & C.o Litho, 77 Cornhill.
Sold by J Knight, Sweetlings Alley, Cornhill. [n.d c.1863]
Coloured lithograph, sheet 275 x 380mm (10¾ x 15). Stained outside the image in margin. Some foxing and surface dirt.
A dancing instructor holding a violin gives instructions which his pupils follow, creating very exaggerated poses.
[Ref: 58975] £160.00 (£192.00 incl.VAT)
Standidge & C.o Litho, 77 Cornhill.
Sold by J Knight, Sweetlings Alley, Cornhill. [n.d c.1863]
Coloured lithograph, sheet 275 x 380mm (10¾ x 15). Stained outside the image in margin. Some foxing and surface dirt.
A dancing instructor holding a violin gives instructions which his pupils follow, creating very exaggerated poses.
[Ref: 58975] £160.00 (£192.00 incl.VAT)