A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Christoph Friedrich von Ammon]](jpegs/35844.jpg)
[Christoph Friedrich von Ammon]
F. Bartolozzi R.A. fecit
London Published as the Act directs Nov.12 1791
Stipple printed in brown, sheet 180 x 130mm (5 x 7"). Trimmed to platemark. Rare.
Christoph Friedrich von Ammon (1877-1850), German theological writer and preacher. Engraved by Francesco Bartlozzi (1725-1815), Florentine engraver elected a founding member of the Royal Academy in 1768 (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. This portrait was published after Bartolozzi had left England for the continent.
Not in De Vesme.
[Ref: 35844] £160.00 (£192.00 incl.VAT)
F. Bartolozzi R.A. fecit
London Published as the Act directs Nov.12 1791
Stipple printed in brown, sheet 180 x 130mm (5 x 7"). Trimmed to platemark. Rare.
Christoph Friedrich von Ammon (1877-1850), German theological writer and preacher. Engraved by Francesco Bartlozzi (1725-1815), Florentine engraver elected a founding member of the Royal Academy in 1768 (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. This portrait was published after Bartolozzi had left England for the continent.
Not in De Vesme.
[Ref: 35844] £160.00 (£192.00 incl.VAT)
![[An amorous monk.]](jpegs/31982.jpg)
[An amorous monk.]
L. Castro pin. Jo. Smith ex.
[n.d. c.1720.]
Mezzotint. Sheet 145 x 120mm (5¾ x 4¾"). Trimmed close to the plate.
A monk, a drink in one hand, the other arm around a woman's shoulders.
Ex: Collection of The Hon. C. Lennox-Boyd and Norman Blackburn Collection.
[Ref: 31982] £120.00 (£144.00 incl.VAT)
L. Castro pin. Jo. Smith ex.
[n.d. c.1720.]
Mezzotint. Sheet 145 x 120mm (5¾ x 4¾"). Trimmed close to the plate.
A monk, a drink in one hand, the other arm around a woman's shoulders.
Ex: Collection of The Hon. C. Lennox-Boyd and Norman Blackburn Collection.
[Ref: 31982] £120.00 (£144.00 incl.VAT)
The Amorous Thief__or The Lover's Larceny. From the Original Picture by John Collet, in the possession of Carington Bowles.
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No 69 in St Pauls Church Yard, London / Published as the Act directs, 10th Nov.r 1777
Mezzotint, sheet 350 x 250mm (13¾ x 9¾"). Trimmed inside platemark; false margins added; slight staining. 'CL-B' collector's stamp verso.
While a young woman sleeps, a man leans over to kiss her. The maid closes the door. Two books are inscribed 'Chloe caught napping' and 'The Agreeable Dream realiz'd'. On the wall is a picture of cupid (a common feature of romantic 'drolls' such as this). A squirrel ferrets on the table. The theme of young women leaving themselves prey to male attention by falling asleep was a common one in Georgian art such as that of John Collet.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 4554
[Ref: 36226] £240.00 (£288.00 incl.VAT)
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No 69 in St Pauls Church Yard, London / Published as the Act directs, 10th Nov.r 1777
Mezzotint, sheet 350 x 250mm (13¾ x 9¾"). Trimmed inside platemark; false margins added; slight staining. 'CL-B' collector's stamp verso.
While a young woman sleeps, a man leans over to kiss her. The maid closes the door. Two books are inscribed 'Chloe caught napping' and 'The Agreeable Dream realiz'd'. On the wall is a picture of cupid (a common feature of romantic 'drolls' such as this). A squirrel ferrets on the table. The theme of young women leaving themselves prey to male attention by falling asleep was a common one in Georgian art such as that of John Collet.
Ex: collection of the Late Hon. C. Lennox-Boyd; BM Satires 4554
[Ref: 36226] £240.00 (£288.00 incl.VAT)
![[Plate 2:] l'Amours Couronnée.](jpegs/22998.jpg)
[Plate 2:] l'Amours Couronnée.
Mondon le Fils Invenit. A. Aveline Sculpit.
Avec Privilege du Roy. [n.d. c.1736.]
Copper engraving. Paper watermarked. 229 x 184mm. 3 x 7¼". Large margins, uncut.
A Rococo design with two cherubs seated on a cloud with bows and arrows, the left cherub placing a laurel crown onto the other; figurative desgins to the top left. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the third set.
[Ref: 22998] £140.00 (£168.00 incl.VAT)
Mondon le Fils Invenit. A. Aveline Sculpit.
Avec Privilege du Roy. [n.d. c.1736.]
Copper engraving. Paper watermarked. 229 x 184mm. 3 x 7¼". Large margins, uncut.
A Rococo design with two cherubs seated on a cloud with bows and arrows, the left cherub placing a laurel crown onto the other; figurative desgins to the top left. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the third set.
[Ref: 22998] £140.00 (£168.00 incl.VAT)
![L'Amour en Ribote [The Drunken Cupid; in image, to banner cartouche upper left.]](jpegs/17714.jpg)
L'Amour en Ribote [The Drunken Cupid; in image, to banner cartouche upper left.]
['peint par Eisen Père - Gravé par L. Halbou.]
[A Paris chés Basan Graveur n.d., c.1760.]
Rare engraving, proof before letters, sheet 455 x 335mm. 18 x 13¼". Trimmed to plate.
This scene was painted with a companion "Les dragons de Vénus". Three figures framed by a carved masonry or wooden border. A latter-day cupid, a portly young male with bow and quiver of arrows over his shoulder perched on the lintel, talks to two young ladies, earnestly entreating them for more wine from the bottle that one lady holds. This cupid seems already somewhat inebriated, and the woman holds the bottle away from his outstretched hand, while he holds up an empty glass in his left hand. A potted vine laden with grapes grows against the left side of the frame, while an arrow pierces a heart lower right. Painted by François Eisen, engraved by Louis Michel Halbou and published by Pierre François Basan, this appears to be a rare engraving: according to their website catalogue the Bibliothèque nationale de France hold only a photomechanical reproduction of this image.
See La BNF: FRBNF40914125.
[Ref: 17714] £480.00
['peint par Eisen Père - Gravé par L. Halbou.]
[A Paris chés Basan Graveur n.d., c.1760.]
Rare engraving, proof before letters, sheet 455 x 335mm. 18 x 13¼". Trimmed to plate.
This scene was painted with a companion "Les dragons de Vénus". Three figures framed by a carved masonry or wooden border. A latter-day cupid, a portly young male with bow and quiver of arrows over his shoulder perched on the lintel, talks to two young ladies, earnestly entreating them for more wine from the bottle that one lady holds. This cupid seems already somewhat inebriated, and the woman holds the bottle away from his outstretched hand, while he holds up an empty glass in his left hand. A potted vine laden with grapes grows against the left side of the frame, while an arrow pierces a heart lower right. Painted by François Eisen, engraved by Louis Michel Halbou and published by Pierre François Basan, this appears to be a rare engraving: according to their website catalogue the Bibliothèque nationale de France hold only a photomechanical reproduction of this image.
See La BNF: FRBNF40914125.
[Ref: 17714] £480.00
L'Amour Maternelle. Dédiée à Madame Elisabeth Gouël de Villebrune femme de Monsieur de Peters Peintre de S.M. le Roy de Dannemarck et de S.A.R. le Prince Charle Duc de Lorraine Gouverneur des Pais-Bas Grand Maître de l'Ordre Teutonique. Par son tres Humble et tres Obeissant Serviteur Chevillet.
Peint par de Peters. Gravé par Chevillet.
AParis chéz Chevillet Graveur ruë des Macons Maison de M. Freville. [n.d. c.1780.]
Engraving with small margins. Plate 440 x 330mm (17¼ x 13").
A woman breast feeding her baby; the child holds an ornate rattle; within trompe l'oeil stone window.
[Ref: 30455] £330.00
Peint par de Peters. Gravé par Chevillet.
AParis chéz Chevillet Graveur ruë des Macons Maison de M. Freville. [n.d. c.1780.]
Engraving with small margins. Plate 440 x 330mm (17¼ x 13").
A woman breast feeding her baby; the child holds an ornate rattle; within trompe l'oeil stone window.
[Ref: 30455] £330.00
L'Amour Medecin.
Jac. Courtin pinx. C. Mathey Sculp.
[n.d. c.1770.] [AParis chez Mr. Surugue ruë des Noyens vis á vis S. Yves et chez l’Auteur avec Priv. du Roy.]
Engraving, scarce. 355 x 255mm. 14 x 10". Cut.
A romantic medical print. Cupid disguised as a doctor treating love between a young man on his knees pleading with a young maiden standing by a table; Cupid's arrows under his chair, another winged putto over by a column drawing.
[Ref: 26538] £390.00
Jac. Courtin pinx. C. Mathey Sculp.
[n.d. c.1770.] [AParis chez Mr. Surugue ruë des Noyens vis á vis S. Yves et chez l’Auteur avec Priv. du Roy.]
Engraving, scarce. 355 x 255mm. 14 x 10". Cut.
A romantic medical print. Cupid disguised as a doctor treating love between a young man on his knees pleading with a young maiden standing by a table; Cupid's arrows under his chair, another winged putto over by a column drawing.
[Ref: 26538] £390.00
L'Amour Victorieux de la Vertu.
Dessiné et Gravé par Wolff l’ainé.
A Paris chez Noël Freres. M.ds d’Estampes Rue S.t Jacques No.16 et Rue des Prêtres St. Germain l’Auxerois No.22. [n.d. c.1770.]
Rare stipple. 278 x 203mm. 11 x 8". Cut and trimmed.
Cupid victorious in winning Virtue.
[Ref: 19735] £120.00 (£144.00 incl.VAT)
Dessiné et Gravé par Wolff l’ainé.
A Paris chez Noël Freres. M.ds d’Estampes Rue S.t Jacques No.16 et Rue des Prêtres St. Germain l’Auxerois No.22. [n.d. c.1770.]
Rare stipple. 278 x 203mm. 11 x 8". Cut and trimmed.
Cupid victorious in winning Virtue.
[Ref: 19735] £120.00 (£144.00 incl.VAT)
![[Plate 6:] l'Amoureux Guerrier.](jpegs/23001.jpg)
[Plate 6:] l'Amoureux Guerrier.
Mondon le Fils invenit. A. Aveline Sculpsit.
[Avec privilege du Roy, 1736.]
Copper ngraving, paper watermarked. Plate 235 x 183mm. 9¼ x 7¼". Large margins, uncut.
Inside a Rococo design, a man sits with a woman's head resting on his lap; a representation of an inn with two figures outside, one holding a sword. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the third set.
[Ref: 23001] £160.00 (£192.00 incl.VAT)
Mondon le Fils invenit. A. Aveline Sculpsit.
[Avec privilege du Roy, 1736.]
Copper ngraving, paper watermarked. Plate 235 x 183mm. 9¼ x 7¼". Large margins, uncut.
Inside a Rococo design, a man sits with a woman's head resting on his lap; a representation of an inn with two figures outside, one holding a sword. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the third set.
[Ref: 23001] £160.00 (£192.00 incl.VAT)
The Amorous Hollander.
Ostade Pinx.t. Philip Corbutt fecit.
[n.d., c.1770.]
Mezzotint, 18th century watermark. Collections mark of Count G. Archinto of Milan on verso. Plate: 350 x 250mm (13¾ x 9¾''). Creasing, tears in edges. Small margins.
A scene in a tavern showing a man resting against a woman, patting her stomach. After a painting by Dutch artist Adriaen van Ostade (1610-1685). The engraver was Richard Purcell, who often used the alias of 'Corbutt', generally with the prefix of 'Charles', but sometimes 'Philip' or initials, when pirating other plates
[Ref: 48845] £230.00 (£276.00 incl.VAT)
Ostade Pinx.t. Philip Corbutt fecit.
[n.d., c.1770.]
Mezzotint, 18th century watermark. Collections mark of Count G. Archinto of Milan on verso. Plate: 350 x 250mm (13¾ x 9¾''). Creasing, tears in edges. Small margins.
A scene in a tavern showing a man resting against a woman, patting her stomach. After a painting by Dutch artist Adriaen van Ostade (1610-1685). The engraver was Richard Purcell, who often used the alias of 'Corbutt', generally with the prefix of 'Charles', but sometimes 'Philip' or initials, when pirating other plates
[Ref: 48845] £230.00 (£276.00 incl.VAT)
Les Amours du Bon Ton. No.6. Mon Mari!!!
Ch. Philipon [signed in plate]. Lith. de Villain.
Chez Alexdre. Tessier rue St Jacques No.10 [Paris, n.d., c.1820s].
Lithograph, sheet 275 x 280mm. 10¾ x 11". Repaired holes in the upper title area with some of the original paper missing.
Social satire: a woman is surprised to see her husband burst into a room in which she is taking tea with a fashionable and handsome young man. After Charles Philipon (1800 - 1862), a satirical print for Paris periodical 'Le Charivari', published in that title's first year. Under the regime of Charles X until the Revolution of 1830 the political caricature was prohibited by censorship and therefore Philipon's work focused more on social classes and Parisian types. In November 1830 he started publishing 'La Caricature', devoted to political satire. In 1832 he published the 'Charivari' with his brother-in-law Gabriel Aubert, with whom he founded the famous publishing house Maison Aubert.
See BNF FRBNF41518303.
[Ref: 22411] £60.00 (£72.00 incl.VAT)
Ch. Philipon [signed in plate]. Lith. de Villain.
Chez Alexdre. Tessier rue St Jacques No.10 [Paris, n.d., c.1820s].
Lithograph, sheet 275 x 280mm. 10¾ x 11". Repaired holes in the upper title area with some of the original paper missing.
Social satire: a woman is surprised to see her husband burst into a room in which she is taking tea with a fashionable and handsome young man. After Charles Philipon (1800 - 1862), a satirical print for Paris periodical 'Le Charivari', published in that title's first year. Under the regime of Charles X until the Revolution of 1830 the political caricature was prohibited by censorship and therefore Philipon's work focused more on social classes and Parisian types. In November 1830 he started publishing 'La Caricature', devoted to political satire. In 1832 he published the 'Charivari' with his brother-in-law Gabriel Aubert, with whom he founded the famous publishing house Maison Aubert.
See BNF FRBNF41518303.
[Ref: 22411] £60.00 (£72.00 incl.VAT)
Amoy, One of the Five Ports opened by the late Treaty to British Commerce.
Drawn by B.Clayton, from a painting by Piqua. On Stone by J.W. Giles.
[1847.]
Tinted lithograph. Sheet: 145 x 235mm (5¾ x 9¼'').
A view of the port of Amoy, or Xiamen, one of the five ports opened to British Traders following the Treaty of Nanking which ended the First Opium War. An illustration from 'The History of China and India Pictorial and Descriptive...' by Julia Corner 1847.
Abbey 468.
[Ref: 50120] £180.00 (£216.00 incl.VAT)
Drawn by B.Clayton, from a painting by Piqua. On Stone by J.W. Giles.
[1847.]
Tinted lithograph. Sheet: 145 x 235mm (5¾ x 9¼'').
A view of the port of Amoy, or Xiamen, one of the five ports opened to British Traders following the Treaty of Nanking which ended the First Opium War. An illustration from 'The History of China and India Pictorial and Descriptive...' by Julia Corner 1847.
Abbey 468.
[Ref: 50120] £180.00 (£216.00 incl.VAT)
Characteristic Sketches of the London Club House. The Amphibs.
Etched by John Phillips.
London: Pub. by G. Humphrey, 24 S.t James's Street July 29 1829.
Aquatint. Sheet 210 x 280mm (8¼ x 11"). Trimmed within plate, close to printed border at bottom.
Three men in top hats stand at the Doric-columned entrance to a club. On the left, a man with military coat and spurs is probably the Duke of Wellington.
Rare: not in BM Satires.
[Ref: 61767] £280.00 (£336.00 incl.VAT)
Etched by John Phillips.
London: Pub. by G. Humphrey, 24 S.t James's Street July 29 1829.
Aquatint. Sheet 210 x 280mm (8¼ x 11"). Trimmed within plate, close to printed border at bottom.
Three men in top hats stand at the Doric-columned entrance to a club. On the left, a man with military coat and spurs is probably the Duke of Wellington.
Rare: not in BM Satires.
[Ref: 61767] £280.00 (£336.00 incl.VAT)
Dramata Theatri Pacis. [Text in centre:] Quod Regis Catholici Felicis Simis Auspiciis Serenissimum Ernestum Principem Opt.XVII. Ger. Inf. Provincias, Confecto &c.
[Petrus van der Borcht.]
[n.d. c.1595.]
Etching and engraving with letterpress on verso, scarce. Plate 330 x 457mm. 13 x 18". Very fine; centrefold as issued.
Interior of a theatre with various figures shown, illustration from Johannes Bochius "Descriptio pvblicae gratvlationis, spectacvlorvm et lvdorvm in adventv Sereniss. Principis Ernesti Archidvcis Avstriae..."; the ceremonial entry of Ernst, Archduke of Austria, into Antwerp.
[Ref: 27747] £390.00
[Petrus van der Borcht.]
[n.d. c.1595.]
Etching and engraving with letterpress on verso, scarce. Plate 330 x 457mm. 13 x 18". Very fine; centrefold as issued.
Interior of a theatre with various figures shown, illustration from Johannes Bochius "Descriptio pvblicae gratvlationis, spectacvlorvm et lvdorvm in adventv Sereniss. Principis Ernesti Archidvcis Avstriae..."; the ceremonial entry of Ernst, Archduke of Austria, into Antwerp.
[Ref: 27747] £390.00
Prospectus Amphitheatri Anatomici Constructi Regnante Ludovivo Magno, Cureat Sumptibus Societatis Regiae Chirurgorum Parisiensium An. M.D.C.XVIV. Veüe de l'Amphitheatre anatomique construit...Sous le régne de Loüis le grand, Par les soins et aux dépens de la Compagnie Royalle des M.es Chirurgiens de Paris.1694.
A. Dieu In. et del. C. Simonneau et A. Perelle Sculp. Cum Pr. Reg. Christianissimi.
[n.d. c.1694.]
Engraving. 146 x 375mm (5¾ x 14¾"). Trimmed from a larger sheet.
A view of Paris and the Seine, the bottom section of a larger print. The missing section is a view of the Amphitheatre of Anatomy constructed during the reign of Louis XIV for the French Royal College of Surgeons.
[Ref: 18169] £260.00 (£312.00 incl.VAT)
A. Dieu In. et del. C. Simonneau et A. Perelle Sculp. Cum Pr. Reg. Christianissimi.
[n.d. c.1694.]
Engraving. 146 x 375mm (5¾ x 14¾"). Trimmed from a larger sheet.
A view of Paris and the Seine, the bottom section of a larger print. The missing section is a view of the Amphitheatre of Anatomy constructed during the reign of Louis XIV for the French Royal College of Surgeons.
[Ref: 18169] £260.00 (£312.00 incl.VAT)
![Entrée de l'Amphitrite à la Martinique (1809) (Capitaine de Trobriand). [pencil]](jpegs/35391.jpg)
Entrée de l'Amphitrite à la Martinique (1809) (Capitaine de Trobriand). [pencil]
Gilbert delt. [pencil]
[n.d., c.1840.]
Lithograph on india with large margins, proof before letters, very scarce; India 320 x 460mm (12½ x 18"). Slightly dusty.
A scene from the British invasion of Martinique during the Napoleonic Wars. L'Amphitrite, a 44-gun Armide class frigate commanded by François Denis de Keredern de Trobriand, was carrying despatches from Napoleon for the governor of Martinique. Arriving in the 3rd February Trobriand fought his way through the British bloackade into Fort-de-France harbour, cutting the corvette shown here in two. He landed his men then blew his frigate up to prevent her capture. Both French and English reports of the action complimented his bravery. The crew joined the garrison of Fort Desaix and Trobriand was killed during the British bombardment. Part of the hull of l'Amphitrite was discovered in 1960: artifacts were salvaged and put on display at the 'Service Régional de l'Archéologie'.
[Ref: 35391] £480.00
Gilbert delt. [pencil]
[n.d., c.1840.]
Lithograph on india with large margins, proof before letters, very scarce; India 320 x 460mm (12½ x 18"). Slightly dusty.
A scene from the British invasion of Martinique during the Napoleonic Wars. L'Amphitrite, a 44-gun Armide class frigate commanded by François Denis de Keredern de Trobriand, was carrying despatches from Napoleon for the governor of Martinique. Arriving in the 3rd February Trobriand fought his way through the British bloackade into Fort-de-France harbour, cutting the corvette shown here in two. He landed his men then blew his frigate up to prevent her capture. Both French and English reports of the action complimented his bravery. The crew joined the garrison of Fort Desaix and Trobriand was killed during the British bombardment. Part of the hull of l'Amphitrite was discovered in 1960: artifacts were salvaged and put on display at the 'Service Régional de l'Archéologie'.
[Ref: 35391] £480.00
A View of the Admiralty at Amsterdam, of the Store Houses, Wharfes and Docks, belonging to it, and to the East India Company of Holland. [French translation to right.]
R. van Ryne Delin.
Publish'd according to Act of Parliament. London, Printed for Robt. Sayer, Map & Printseller, at No.53 in Fleet Street. [n.d., c.1760.]
Hand coloured engraving, 260 x 400mm. 10¼ x 15¾". Water stain to upper left corner; otherwise a fine impression, with early colour and good margins.
Shipping on the Amstel river in Amsterdam, with warehouses, merchant's houses and other buildings on the banks and figures in the streets. English engraving of a scene by the Continental Jan van Ryne (1712-60).
[Ref: 17613] £220.00 (£264.00 incl.VAT)
R. van Ryne Delin.
Publish'd according to Act of Parliament. London, Printed for Robt. Sayer, Map & Printseller, at No.53 in Fleet Street. [n.d., c.1760.]
Hand coloured engraving, 260 x 400mm. 10¼ x 15¾". Water stain to upper left corner; otherwise a fine impression, with early colour and good margins.
Shipping on the Amstel river in Amsterdam, with warehouses, merchant's houses and other buildings on the banks and figures in the streets. English engraving of a scene by the Continental Jan van Ryne (1712-60).
[Ref: 17613] £220.00 (£264.00 incl.VAT)
De Raadkamer Op Het Stadhuis te Amsteldam, zo als de Vroedschap aldaar 's Jaarlyks op den 28ste January vergaderd is. La Chambre de Conseil 'a l'Hotel de Ville d'Amsteldam, lorsque les Conseillers y sont assemblés annuellement au 28.me Janvier.
W. Kok ad Vivum delineavit. N. v.d. Mier Junior Sculpsit 1790.
Te Amsteldam by J. de Jongh, Met Octroci van de Ed. gr. Achtb. Heeren Burgemeesteren en Regeerders der Stad. Proefdruk.
Engraving and etching. Plate 495 x 406mm. 19½ x 16". Small tear in right-hand edge. Trimmed to plate along left-hand edge.
The City Council Chamber, City Hall, Amsterdam. The interior of the Chamber during a meeting of the town council. The City of Amsterdam is run by the city council and a college of aldermen. The council is the highest authority in the city of Amsterdam is responsible for all important decisions. Amongst other responsibilities, the council sets the city's annual budget. The grand painting in the centre is Govaert Flinck "Soloman's Prayer for Wisdom" commissioned for the chamber in 1658.
Gemeente Amsterdam Stadsarchief: 010094003235.
[Ref: 17991] £240.00 (£288.00 incl.VAT)
W. Kok ad Vivum delineavit. N. v.d. Mier Junior Sculpsit 1790.
Te Amsteldam by J. de Jongh, Met Octroci van de Ed. gr. Achtb. Heeren Burgemeesteren en Regeerders der Stad. Proefdruk.
Engraving and etching. Plate 495 x 406mm. 19½ x 16". Small tear in right-hand edge. Trimmed to plate along left-hand edge.
The City Council Chamber, City Hall, Amsterdam. The interior of the Chamber during a meeting of the town council. The City of Amsterdam is run by the city council and a college of aldermen. The council is the highest authority in the city of Amsterdam is responsible for all important decisions. Amongst other responsibilities, the council sets the city's annual budget. The grand painting in the centre is Govaert Flinck "Soloman's Prayer for Wisdom" commissioned for the chamber in 1658.
Gemeente Amsterdam Stadsarchief: 010094003235.
[Ref: 17991] £240.00 (£288.00 incl.VAT)
A View of the River Amstel within the Town towards the Sluse, the Blue Bridge and the Orphan house of the Poor, taken from the Bridge over the Amstel Amsterdam. Vue du de dans de L'amstel Eclude's Maison des Orphelins et Pont d' L'Amstel dans la villa d' Amsterdam.
P. Van Ryne Delin.
Published 12th May, 1794 by Laurie & Whttle, 53 Fleet Street, London. [This impression c.1805.]
Copper engraving in fine contemporary colour by hand, wove paper watermarked 1805. 260 x 400mm, 10¼ x 15¾". A fine impression with good margins.
Fine perspective view looking down the Amstel river in Amsterdam, the Netherlands; shipping, buildings, figures on the bridge in foreground. Numbered '56' upper right.
[Ref: 20730] £320.00
P. Van Ryne Delin.
Published 12th May, 1794 by Laurie & Whttle, 53 Fleet Street, London. [This impression c.1805.]
Copper engraving in fine contemporary colour by hand, wove paper watermarked 1805. 260 x 400mm, 10¼ x 15¾". A fine impression with good margins.
Fine perspective view looking down the Amstel river in Amsterdam, the Netherlands; shipping, buildings, figures on the bridge in foreground. Numbered '56' upper right.
[Ref: 20730] £320.00
Amsterdam, gelegen in Holland aen den Amstel, en aen een zeeboezem, het Y genaemt, voor de bocht te zien. Amstelodamum, e fluctibus emergens, in intimis Batavi sinus faucibus, nobilissimum emporium; prout a fronte con Spicitur.
Pet: Schenk Amsteld C.P.
[n.d. c.1702.]
Copper engraving, fine. Plate 215 x 267mm. 8½ x 10½".
A view of Amsterdam; with windmills and the central cathedral. To the left are the tall masts of merchant ships and vessels at the harbour.
[Ref: 20811] £260.00 (£312.00 incl.VAT)
Pet: Schenk Amsteld C.P.
[n.d. c.1702.]
Copper engraving, fine. Plate 215 x 267mm. 8½ x 10½".
A view of Amsterdam; with windmills and the central cathedral. To the left are the tall masts of merchant ships and vessels at the harbour.
[Ref: 20811] £260.00 (£312.00 incl.VAT)
A View of Amsterdam on each side of the Old Rampart as seen from the Harbour. Veüe d'Amsterdam des deux Cotés du Vieux Rampart Vue du Port.
I. Smit delin. T. Bowles sculp.
Publish'd according to Act of Parliament 1752.
Hand-coloured etching, with printseller's label glued on verso. Sheet: 450 x 300mm (17¾ x 12"). Title removed as usual and glued to verso as issued. Trimmed into publication line.
A view of Amsterdam from the harbour. On the reverse is the printseller's label of John Hogben Master of the Mathematical Free School, at Rye in Sussex, now Rye College. A wonderful & rare country printseller's descriptive label. The label lists the variety of books, prints and stationary he stocks including account books, penknives, pens, sealing wax, inks, mathematical instruments, globes, maps, spectacles and fishing tackle 'Sold as Cheap as in London'.
Label is different from 41620.
[Ref: 41619] £380.00 view all images for this item
I. Smit delin. T. Bowles sculp.
Publish'd according to Act of Parliament 1752.
Hand-coloured etching, with printseller's label glued on verso. Sheet: 450 x 300mm (17¾ x 12"). Title removed as usual and glued to verso as issued. Trimmed into publication line.
A view of Amsterdam from the harbour. On the reverse is the printseller's label of John Hogben Master of the Mathematical Free School, at Rye in Sussex, now Rye College. A wonderful & rare country printseller's descriptive label. The label lists the variety of books, prints and stationary he stocks including account books, penknives, pens, sealing wax, inks, mathematical instruments, globes, maps, spectacles and fishing tackle 'Sold as Cheap as in London'.
Label is different from 41620.
[Ref: 41619] £380.00 view all images for this item
Vue du Buitenkant le long de l'Y et du Quay de Marie Louise, prise du Pont de Kattenburg.
Desinné et Gravé, sous la Direction de E. Masskamp, à Amsterdam, place Napoleon, No 1. [n.d., c.1810.]
Aquatint, printed in sepia. Sheet 185 x 210mm (7¼ x 8¼"). Trimmed to plate.
Kattenburg, the westernmost of the three Eastern Islands in Amsterdam.
[Ref: 41731] £120.00 (£144.00 incl.VAT)
Desinné et Gravé, sous la Direction de E. Masskamp, à Amsterdam, place Napoleon, No 1. [n.d., c.1810.]
Aquatint, printed in sepia. Sheet 185 x 210mm (7¼ x 8¼"). Trimmed to plate.
Kattenburg, the westernmost of the three Eastern Islands in Amsterdam.
[Ref: 41731] £120.00 (£144.00 incl.VAT)
![Amsterdam 1920 [etched inside the image.]](jpegs/18659.jpg)
Amsterdam 1920 [etched inside the image.]
John G Mathieson [signed in pencil.]
[n.d. c.1920.]
Etching. Plate 102 x 222mm. 4 x 8¾".
An etching of the entrance to Amsterdam by John George Mathieson (fl.1920s), a Scottish painter and etcher of landscapes, who lived and worked in Stirling.
[Ref: 18659] £130.00 (£156.00 incl.VAT)
John G Mathieson [signed in pencil.]
[n.d. c.1920.]
Etching. Plate 102 x 222mm. 4 x 8¾".
An etching of the entrance to Amsterdam by John George Mathieson (fl.1920s), a Scottish painter and etcher of landscapes, who lived and worked in Stirling.
[Ref: 18659] £130.00 (£156.00 incl.VAT)
Oostelyk gedeelte van Amsterdam, van het Y te zien. Amsterdam vers le point de l'Est, presè du T Y. Tiré de la Collections des Ports d'Hollande dessinés par M'D'D jong dans le meme port.
D de Jong, ad vivum delin. A. Suntach Direxit. No. 6 [top right].
[n.d. c.1800.]
Copper engraving. Plate 198 x 236mm. 7¾ x 9¼".
Amsterdam, capital of Holland. Situated on the river Amstel, Amsterdam was strategically placed for its further development and growth. During the Dutch Golden Age, it had become one of the most important ports in the world due to its innovative developments in trade. Amsterdam was at the forefront of trade and finance rivalling Great Britain.
See: NMM: PAF7375 for larger engraving by Sallieth.
[Ref: 16478] £160.00 (£192.00 incl.VAT)
D de Jong, ad vivum delin. A. Suntach Direxit. No. 6 [top right].
[n.d. c.1800.]
Copper engraving. Plate 198 x 236mm. 7¾ x 9¼".
Amsterdam, capital of Holland. Situated on the river Amstel, Amsterdam was strategically placed for its further development and growth. During the Dutch Golden Age, it had become one of the most important ports in the world due to its innovative developments in trade. Amsterdam was at the forefront of trade and finance rivalling Great Britain.
See: NMM: PAF7375 for larger engraving by Sallieth.
[Ref: 16478] £160.00 (£192.00 incl.VAT)
![A View of part of Amsterdam from the Harbour Y, Shewing The Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket [verso].](jpegs/10382.jpg)
A View of part of Amsterdam from the Harbour Y, Shewing The Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket [verso]. [Franch translation to right.]
J. Smit delin. TBowles Sculpt. [verso]
[n.d., c.1750.]
Hand coloured etching, image 260 x 415mm. 10¼ x 16¼". Trimmed to image and glued to album page; the title excised and glued to verso.
A bustling harbour scene in Amsterdam, Holland, with ships laden with merchandise coming in to be unloaded at the quayside. A nicely coloured impression.
[Ref: 10382] £220.00 (£264.00 incl.VAT)
J. Smit delin. TBowles Sculpt. [verso]
[n.d., c.1750.]
Hand coloured etching, image 260 x 415mm. 10¼ x 16¼". Trimmed to image and glued to album page; the title excised and glued to verso.
A bustling harbour scene in Amsterdam, Holland, with ships laden with merchandise coming in to be unloaded at the quayside. A nicely coloured impression.
[Ref: 10382] £220.00 (£264.00 incl.VAT)
De Heerengracht. Le Heerengracht.
Uitgegeven door Frans Buffa en Zonen te Amsterdam en by V. van Gogh J.r S. Hage. [n.d., c.1860.]
Lithograph with fine hand colour and large margins. Printed area 210 x 235mm (8¼ x 9¼").
A view of the Herengracht (Lord's Canal), the first of the three major canals in the centre of Amsterdam, specifically the Gouden Bocht ('Golden Bend'), flanked by the fashionable mansions owned by Amsterdam's elite. The Universiteitsbibliotheek Leiden attributes the view to the artist Vincent van Gogh. However it is more likely that the publisher was his uncle, an art dealer who was named Vincent after his own father (thus properly 'junior') and referred to in van Gogh's letters as 'Uncle Cent'.
[Ref: 35804] £180.00 (£216.00 incl.VAT)
Uitgegeven door Frans Buffa en Zonen te Amsterdam en by V. van Gogh J.r S. Hage. [n.d., c.1860.]
Lithograph with fine hand colour and large margins. Printed area 210 x 235mm (8¼ x 9¼").
A view of the Herengracht (Lord's Canal), the first of the three major canals in the centre of Amsterdam, specifically the Gouden Bocht ('Golden Bend'), flanked by the fashionable mansions owned by Amsterdam's elite. The Universiteitsbibliotheek Leiden attributes the view to the artist Vincent van Gogh. However it is more likely that the publisher was his uncle, an art dealer who was named Vincent after his own father (thus properly 'junior') and referred to in van Gogh's letters as 'Uncle Cent'.
[Ref: 35804] £180.00 (£216.00 incl.VAT)
De Muyier Poordt te Amsterdam. Vue de la Port de Muyier à Amsterdam.
G.A. Meysenheym del. J.A. Le Campion sculp.
Se vend à Amsterdam, chez Jos. Buffa et C.ie dans le Kalwerstraat; Paris. chez Ambresonne, Porte S. Antoine, M.on des Boucheries [n.d., c.1788].
Aquatint and etching with fine hand colour. Sheet 190 x 160mm (7½ x 6¼"). Trimmed to plate, mounted on album paper.
A circular view, plate 14 from a series of at least 20 views of Amsterdam.
[Ref: 41729] £110.00 (£132.00 incl.VAT)
G.A. Meysenheym del. J.A. Le Campion sculp.
Se vend à Amsterdam, chez Jos. Buffa et C.ie dans le Kalwerstraat; Paris. chez Ambresonne, Porte S. Antoine, M.on des Boucheries [n.d., c.1788].
Aquatint and etching with fine hand colour. Sheet 190 x 160mm (7½ x 6¼"). Trimmed to plate, mounted on album paper.
A circular view, plate 14 from a series of at least 20 views of Amsterdam.
[Ref: 41729] £110.00 (£132.00 incl.VAT)
De Schonburg en Leyse poord te Amsterdam. Vue de la Comédie et Port de Leyse à Amsterdam.
G.A. Meysenheym del. J.A. Le Campion sculp.
Se vend à Amsterdam, chez Jos. Buffa et C.ie dans le Kalwerstraat; Paris. chez Ambresonne, Porte S. Antoine, M.on des Boucheries [n.d., c.1788].
Aquatint and etching with fine hand colour. Sheet 190 x 160mm (7½ x 6¼"). Trimmed to plate, mounted on album paper.
A circular view, plate 14 from a series of at least 20 views of Amsterdam.
[Ref: 41728] £130.00 (£156.00 incl.VAT)
G.A. Meysenheym del. J.A. Le Campion sculp.
Se vend à Amsterdam, chez Jos. Buffa et C.ie dans le Kalwerstraat; Paris. chez Ambresonne, Porte S. Antoine, M.on des Boucheries [n.d., c.1788].
Aquatint and etching with fine hand colour. Sheet 190 x 160mm (7½ x 6¼"). Trimmed to plate, mounted on album paper.
A circular view, plate 14 from a series of at least 20 views of Amsterdam.
[Ref: 41728] £130.00 (£156.00 incl.VAT)
De Vrede, als uit den hemel nederdalende, vertoond, by hat weder openen van den Amsteld. Schouwburg Ao.1749..In het Zinnespel Leeuwendaal herstadt door de Vrede.
[Amsterdam, c.1749.]
Engraving, image 190 x 285mm. 7½ x 11¼". Trimmed to image and glued to backing sheet.
Interior of an Amsterdam theatre, a performance on stage. By Simon Fokke (printmaker; Dutch; Male; 1712 - 1784), engraver and etcher working for the Amsterdam book trade; also a collector.
For another ballet print of the Schouwbourg Theatre, see ref. 13317
[Ref: 26968] £160.00 (£192.00 incl.VAT)
[Amsterdam, c.1749.]
Engraving, image 190 x 285mm. 7½ x 11¼". Trimmed to image and glued to backing sheet.
Interior of an Amsterdam theatre, a performance on stage. By Simon Fokke (printmaker; Dutch; Male; 1712 - 1784), engraver and etcher working for the Amsterdam book trade; also a collector.
For another ballet print of the Schouwbourg Theatre, see ref. 13317
[Ref: 26968] £160.00 (£192.00 incl.VAT)
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View of Amsterdam towards the Zuyder Zee.
Craig del. H. Hobson sculp.
[n.d. c.1800.]
Copper engraving. 210 x 272mm. 8¼ x 10¾".
Amsterdam, capital of the Netherlands. The Zuiderzee is a shallow bay of water inland from the North Sea.
[Ref: 16485] £120.00 (£144.00 incl.VAT)
Craig del. H. Hobson sculp.
[n.d. c.1800.]
Copper engraving. 210 x 272mm. 8¼ x 10¾".
Amsterdam, capital of the Netherlands. The Zuiderzee is a shallow bay of water inland from the North Sea.
[Ref: 16485] £120.00 (£144.00 incl.VAT)
De Saal van het sadt Huys t'Amsterdam. Vue de la grande salle dans la maison de villle à Amsterdam.
Sevend à { Amsterdam, chez Jof: Buff a et Compe dans le Kalwerstraát, Paris, Chez Ambrefonne, Porte St. Antoine, Mon des Boucheries.
Rare etching lines with aquatint colour, printed in colour. Sheet 29.5 x 22cm (11¾ x 8¾"). Cut and glued to backing sheet at edges.
Plate 11 from a series of at least 20 views of Amsterdam. An interior view of a town hall. The print was published by both Buffa & Co in the Netherlands and Ambresonne in France.
[Ref: 54054] £260.00
Sevend à { Amsterdam, chez Jof: Buff a et Compe dans le Kalwerstraát, Paris, Chez Ambrefonne, Porte St. Antoine, Mon des Boucheries.
Rare etching lines with aquatint colour, printed in colour. Sheet 29.5 x 22cm (11¾ x 8¾"). Cut and glued to backing sheet at edges.
Plate 11 from a series of at least 20 views of Amsterdam. An interior view of a town hall. The print was published by both Buffa & Co in the Netherlands and Ambresonne in France.
[Ref: 54054] £260.00
De Muyier Poordt te Amsterdam. Vue de la porte de Muyier à Amsterdam.
G.A Meysenheym del. J.A. Le Campion sculp.
Sevend à { Amsterdam, chez Jof: Buff a et Compe dans le Kalwerstraát, Paris, Chez Ambrefonne, Porte St. Antoine, Mon des Boucheries.
Rare etching lines with aquatint colour, printed in colour. Sheet 29.5 x 22cm (11¾ x 8¾"). Cut and glued to backing sheet at edges
Plate 12 from a series of at least 20 views of Amsterdam. A view of a port; a wooden bridge leads to a domed white building. There is a windmill, two small buildings and a couple of trees on the left within circle. The print was published by both Buffa & Co in the Netherlands and Ambresonne in France.
BM 1917,1208.1587
[Ref: 54053] £260.00 (£312.00 incl.VAT)
G.A Meysenheym del. J.A. Le Campion sculp.
Sevend à { Amsterdam, chez Jof: Buff a et Compe dans le Kalwerstraát, Paris, Chez Ambrefonne, Porte St. Antoine, Mon des Boucheries.
Rare etching lines with aquatint colour, printed in colour. Sheet 29.5 x 22cm (11¾ x 8¾"). Cut and glued to backing sheet at edges
Plate 12 from a series of at least 20 views of Amsterdam. A view of a port; a wooden bridge leads to a domed white building. There is a windmill, two small buildings and a couple of trees on the left within circle. The print was published by both Buffa & Co in the Netherlands and Ambresonne in France.
BM 1917,1208.1587
[Ref: 54053] £260.00 (£312.00 incl.VAT)
Amusement.
Emma Crewe Delint. C. W. White Sculpt.
Published as the Act Directs, by C. W. White No. 2 Queen St. Chelsea. Feb. y. 1st. 1781.
Stipple with printed colour. Round within plate mark. 125 x 150mm 4¾ x 6". Trimmed to plate and taken from album, time stained.
Emma Crewe (active 1787 - 1818) was a 'gifted amateur artist' who, along with Diana Beauclerk (1734-1808) and Elizabeth Templetown (1747-1823), contributed designs in 'Romantic style' to Josiah Wedgewood for reproduction in his studio in Rome.
[Ref: 12158] £120.00 (£144.00 incl.VAT)
Emma Crewe Delint. C. W. White Sculpt.
Published as the Act Directs, by C. W. White No. 2 Queen St. Chelsea. Feb. y. 1st. 1781.
Stipple with printed colour. Round within plate mark. 125 x 150mm 4¾ x 6". Trimmed to plate and taken from album, time stained.
Emma Crewe (active 1787 - 1818) was a 'gifted amateur artist' who, along with Diana Beauclerk (1734-1808) and Elizabeth Templetown (1747-1823), contributed designs in 'Romantic style' to Josiah Wedgewood for reproduction in his studio in Rome.
[Ref: 12158] £120.00 (£144.00 incl.VAT)
Les Amusements des Matelots. Gravé d'après le Tableau Original de David Teniers, large d'un pied 10. pouces, sur 1 pied 2. pouces de haut. Qui est au Cabinet de Monsieur le Comte de Vence Maréchal des Camps et Armeés du Roy.
D. Teniers Pinx. P. Chenu Sculp.
A Paris chés l'Auteur rue de la Harpe à côté du Passage des Jacobins vis-à-vis le Caffé de Condé. [n.d., c.1753.]
Etching. 380 x 490mm (15 x 19¼"). Tear just entering plate on right & left. Large margins.
The Pleasures of Sailors: tavern scene with five peasants smoking and drinking in right foreground, the right one holding a large jug, others playing cards in front of the fire-place in right background.
[Ref: 38102] £220.00 (£264.00 incl.VAT)
D. Teniers Pinx. P. Chenu Sculp.
A Paris chés l'Auteur rue de la Harpe à côté du Passage des Jacobins vis-à-vis le Caffé de Condé. [n.d., c.1753.]
Etching. 380 x 490mm (15 x 19¼"). Tear just entering plate on right & left. Large margins.
The Pleasures of Sailors: tavern scene with five peasants smoking and drinking in right foreground, the right one holding a large jug, others playing cards in front of the fire-place in right background.
[Ref: 38102] £220.00 (£264.00 incl.VAT)
An Amusing Novel.
Jos. Scheurenberg pinx.t. Ernst Forbert sculp.t.
Rud. Schuster. Berlin. O. Felsing Imp. [n.d., c.1880.]
Photogravure. Sheet 500 x 385mm (19¾ x 15").
A salon, with two women in 18th century dress. One reads a book, the other sews. Joseph Scheurenberg (1846-1914), a German portrait, genre and history painter. From 1881 he taught at the Prussian Kunstakademie in Berlin.
[Ref: 54285] £120.00 (£144.00 incl.VAT)
Jos. Scheurenberg pinx.t. Ernst Forbert sculp.t.
Rud. Schuster. Berlin. O. Felsing Imp. [n.d., c.1880.]
Photogravure. Sheet 500 x 385mm (19¾ x 15").
A salon, with two women in 18th century dress. One reads a book, the other sews. Joseph Scheurenberg (1846-1914), a German portrait, genre and history painter. From 1881 he taught at the Prussian Kunstakademie in Berlin.
[Ref: 54285] £120.00 (£144.00 incl.VAT)
Amusing the old ones Wife.
[n.d., c.1820.]
Coloured lithograph. Printed area 230 x 320mm (9 x 12½"), large margins. Creasing in margins.
A corpulent man sits before a fire, smoking a pipe. Behind a much younger man feeds cherries to the old man's wife.
Not in BM.
[Ref: 40604] £240.00 (£288.00 incl.VAT)
[n.d., c.1820.]
Coloured lithograph. Printed area 230 x 320mm (9 x 12½"), large margins. Creasing in margins.
A corpulent man sits before a fire, smoking a pipe. Behind a much younger man feeds cherries to the old man's wife.
Not in BM.
[Ref: 40604] £240.00 (£288.00 incl.VAT)
Amwell.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint with hand colour. 200 x 265mm (8 x 10½"), very large margins. Slight surface soiling. Bit messy.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59192] £95.00 (£114.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint with hand colour. 200 x 265mm (8 x 10½"), very large margins. Slight surface soiling. Bit messy.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59192] £95.00 (£114.00 incl.VAT)
From Amwell - Bury Woods.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Aquatint printed in colours and hand finished. 200 x 265mm (8 x 10½"). Tear touching imprint at bottom.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 12571] £140.00 (£168.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Aquatint printed in colours and hand finished. 200 x 265mm (8 x 10½"). Tear touching imprint at bottom.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 12571] £140.00 (£168.00 incl.VAT)
Looking towards Amwell-Bury Woods.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint with hand colour. 200 x 265mm (8 x 10½"), J. Whatman watermark.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59190] £130.00 (£156.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint with hand colour. 200 x 265mm (8 x 10½"), J. Whatman watermark.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59190] £130.00 (£156.00 incl.VAT)
From Amwell - Bury Woods.
Drawn by R.M. Batt[y]. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Aquatint. 200 x 265mm (8 x 10½"), with decent margins. Artist's signature slightly scraped, faint ink smear in title, slight foxing.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery. See 12571 for coloured version.
[Ref: 59184] £95.00 (£114.00 incl.VAT)
Drawn by R.M. Batt[y]. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Aquatint. 200 x 265mm (8 x 10½"), with decent margins. Artist's signature slightly scraped, faint ink smear in title, slight foxing.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery. See 12571 for coloured version.
[Ref: 59184] £95.00 (£114.00 incl.VAT)
Amwell Church
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint with hand colour. 200 x 265mm (8 x 10½") very large margins. Crack in plate mark.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59191] £130.00 (£156.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint with hand colour. 200 x 265mm (8 x 10½") very large margins. Crack in plate mark.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59191] £130.00 (£156.00 incl.VAT)
Amwell End.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"). Small margins.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59188] £130.00 (£156.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"). Small margins.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59188] £130.00 (£156.00 incl.VAT)
Amwell End.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint, printed in sepia and hand finished. 200 x 265mm (8 x 10½") large margins. Bit messy.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59189] £95.00 (£114.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint, printed in sepia and hand finished. 200 x 265mm (8 x 10½") large margins. Bit messy.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59189] £95.00 (£114.00 incl.VAT)
Anacoana Condemn'd to Death by the Spaniards.
Meyron del. Romney scu.
London Pub. Jan 25 1817 by Rich.d Evans White row Spitalfields.
Engraving. Plate: 210 x 160mm (8¼ x 6¼'') very large margins.
A historical scene showing Anacoana, who was a Taino chief captured because of her suspected involvement in attacks on the Spanish settlement in Hispaniola. Anacoana was offered the choice of becoming a concubine to one of the Spaniards but she refused and so was hanged.
[Ref: 48301] £50.00 (£60.00 incl.VAT)
Meyron del. Romney scu.
London Pub. Jan 25 1817 by Rich.d Evans White row Spitalfields.
Engraving. Plate: 210 x 160mm (8¼ x 6¼'') very large margins.
A historical scene showing Anacoana, who was a Taino chief captured because of her suspected involvement in attacks on the Spanish settlement in Hispaniola. Anacoana was offered the choice of becoming a concubine to one of the Spaniards but she refused and so was hanged.
[Ref: 48301] £50.00 (£60.00 incl.VAT)
The Grand Duchess Michaelovna. The Whitehall Review 19th October 1878.
Judd & Co. Lith. Doctors Commons London
Lithograph printed in sepia, sheet 370 x 255mm (14½ x 10"). Foxing.
Grand Duchess Anastasia Mikhailovna of Russia (1860-1922), daughter of Grand Duke Michael Nicholaievich of Russia and granddaughter of Tsar Nicholas I. In 1879 she married Friedrich Franz III of Mecklenberg-Schwerin and moved to Germany, although she disliked the country and spent little time there after the death of her husband in 1897. Anastasia Mikhailovna was embroiled in a scandal when in 1902 she fathered a child with her personal secretary, and she spent her last years in Switzerland after moving there during World War I.
[Ref: 43506] £65.00 (£78.00 incl.VAT)
Judd & Co. Lith. Doctors Commons London
Lithograph printed in sepia, sheet 370 x 255mm (14½ x 10"). Foxing.
Grand Duchess Anastasia Mikhailovna of Russia (1860-1922), daughter of Grand Duke Michael Nicholaievich of Russia and granddaughter of Tsar Nicholas I. In 1879 she married Friedrich Franz III of Mecklenberg-Schwerin and moved to Germany, although she disliked the country and spent little time there after the death of her husband in 1897. Anastasia Mikhailovna was embroiled in a scandal when in 1902 she fathered a child with her personal secretary, and she spent her last years in Switzerland after moving there during World War I.
[Ref: 43506] £65.00 (£78.00 incl.VAT)
Specimen of Anastatic Printing.
[n.d. c.1850.]
Etching, facsimile. 209 x 140mm. 8¼ x 5½". Folds as to put in pocket.
Anastatic printing was a form of facsimile reproduction invented and developed in Germany in the early 1840s, patented in England in 1844. Any illustration or text based on oil-based ink could be reproduced. The document to be copied was sponged with dilute nitric acid which saturated all parts except here the ink lay, the acid being repelled from those areas by the oily nature of the ink. The original was then placed face down on a polished zinc plate and passed under the roller of a press, the pressure of which caused the acid to bite into the plate except in the inked areas. The plate was then moistened with gum and water which adhered to the bitten parts but was repelled from the oily parts. The result was a relief printing plate, with the areas to be printed raised, the areas not to be printed eaten away. It had been intended to reproduce old and rare works, but had the major failing that it sometimes destroyed the original without producing a copy!
[Ref: 27869] £75.00 (£90.00 incl.VAT)
[n.d. c.1850.]
Etching, facsimile. 209 x 140mm. 8¼ x 5½". Folds as to put in pocket.
Anastatic printing was a form of facsimile reproduction invented and developed in Germany in the early 1840s, patented in England in 1844. Any illustration or text based on oil-based ink could be reproduced. The document to be copied was sponged with dilute nitric acid which saturated all parts except here the ink lay, the acid being repelled from those areas by the oily nature of the ink. The original was then placed face down on a polished zinc plate and passed under the roller of a press, the pressure of which caused the acid to bite into the plate except in the inked areas. The plate was then moistened with gum and water which adhered to the bitten parts but was repelled from the oily parts. The result was a relief printing plate, with the areas to be printed raised, the areas not to be printed eaten away. It had been intended to reproduce old and rare works, but had the major failing that it sometimes destroyed the original without producing a copy!
[Ref: 27869] £75.00 (£90.00 incl.VAT)
A Native of Anaiteum. Dr. Pritchard's Natural History of Man. Plate XXXVII. Page 471.
London & New York, H. Bailliere, 1855.
Coloured aquatint. 240 x 145mm (9¾ x 5¾").
A native from the island of Aneityum, Vanuata. From 'Natural History of Man' by Dr James Cowles Pritchard.
[Ref: 30263] £80.00 (£96.00 incl.VAT)
London & New York, H. Bailliere, 1855.
Coloured aquatint. 240 x 145mm (9¾ x 5¾").
A native from the island of Aneityum, Vanuata. From 'Natural History of Man' by Dr James Cowles Pritchard.
[Ref: 30263] £80.00 (£96.00 incl.VAT)
![[Horse anatomy.] Plate I.](jpegs/14518.jpg)
[Horse anatomy.] Plate I.
Andrea del. R. Parr Sculp.
[n.d., c.1750.]
Etching printed in brown. 426 x 531mm. 16¾ x 21". Some vertical creases. Crease bottom right-hand corner.
An anatomical bone structure of a horse.
Not in BM.
[Ref: 14518] £280.00 (£336.00 incl.VAT)
Andrea del. R. Parr Sculp.
[n.d., c.1750.]
Etching printed in brown. 426 x 531mm. 16¾ x 21". Some vertical creases. Crease bottom right-hand corner.
An anatomical bone structure of a horse.
Not in BM.
[Ref: 14518] £280.00 (£336.00 incl.VAT)
Behold how in the colledge hall, the surgeons and the doctors all, Are met in consultation wise, a carcase to anatomize: the master there displays his art, sagely discants on every part, and that with ears & eyes and nose, we hear, and see, and smell, he shows.
[Drawn by Egbert van Heemskerck.]
[n.d., engraved c.1730, but printed c.1800.)
Engraving. 290 x 250mm (11½ x 9¾"), with large margins. Paper brittle, backed on thin tissue.
A satire about a dissection, with the characters with animal heads. Painted by Egbert van Heemskerck II (c.1674 - 1744.)
[Ref: 19723] £280.00 (£336.00 incl.VAT)
[Drawn by Egbert van Heemskerck.]
[n.d., engraved c.1730, but printed c.1800.)
Engraving. 290 x 250mm (11½ x 9¾"), with large margins. Paper brittle, backed on thin tissue.
A satire about a dissection, with the characters with animal heads. Painted by Egbert van Heemskerck II (c.1674 - 1744.)
[Ref: 19723] £280.00 (£336.00 incl.VAT)
Alberti Kyperi Med. D. et Prof. in Acad, Leÿd. Anthropologia, Corporis Humani, Contentorum, et Animæ Naturam et Virtutes secundum Circularem Sanquinis Motem explicans.
A. Santwoort fc.
Lugduni Batavorum, Ex officina Adrani Wijnggaerden.
Rare etching. Sheet 190 x 150mm (7½ x 6"). Trimmed, laid on album paper. Slight crease top right.
A title page to Albert Kyper's ''Anthropologia corporis humani'', a work on anatomy. Hippocrates (holding the staff of Aesculapius) and Galen stand on pedestals; above another man looks at the exposed entrails of a body; below are illustrations of surgical istruments.
[Ref: 52039] £160.00 (£192.00 incl.VAT)
A. Santwoort fc.
Lugduni Batavorum, Ex officina Adrani Wijnggaerden.
Rare etching. Sheet 190 x 150mm (7½ x 6"). Trimmed, laid on album paper. Slight crease top right.
A title page to Albert Kyper's ''Anthropologia corporis humani'', a work on anatomy. Hippocrates (holding the staff of Aesculapius) and Galen stand on pedestals; above another man looks at the exposed entrails of a body; below are illustrations of surgical istruments.
[Ref: 52039] £160.00 (£192.00 incl.VAT)