Grosvenor Prints

Craigieburn Valley.
C.D. Barraud del. E. Walker Lith. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Fine Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 435 x 560mm (17 x 22").
From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud.' Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61022] £160.00 (£192.00 incl.VAT)

François Cramer Esq.r. From the original picture in the possession of M.r Marshall, Oxford. This Portrait is dedicated with respect to the Conductors of the Music Meetings of the Choirs of Worcester, Hereford and Gloucester by their most obedient Serv.t James Wyatt.
Published by James Cyatt, Carver & Gilder, Oxford, June 6th 1826. To be had of C. Lonsdale, 26 Old Bond Street, London.
Engraving. 355 x 270mm (14 x 10¾"). Trimmed close to plate.
Franz or François Cramer (1772-1848), an English violinist and conductor who was the Master of the King's Musick from 1834 until his death. He was appointed to this post by King William IV and, following the King's death in 1837, he continued as Master of the Queen's Musick to Queen Victoria.
[Ref: 53829] £140.00 (£168.00 incl.VAT)

[Francois Cramer.]
[Jos.h. Slater del.t Is.c W. Slater lith.]
[n.d. c.1840.]
Lithograph. Image 170 x 153mm. 6¾ x 6". Cut, scuffed.
Francois Cramer (1772-1848) was an English violinist and conductor who was Master of the King's Musick from 1837 until his death. He was the brother of Johann Baptist Cramer. He was apppointed Master of the King's Musick in 1834, by King William IV, and continued as Master of the Queen's Musick to Queen Victoria.
From the Collection of J.S. Bumpus.
[Ref: 17210] £75.00 (£90.00 incl.VAT)

François Cramer Esqr. [in underneath:] 1772 - 1848.
[n.d. c.1830.]
Engraving. 235 x 160mm. 9¼ x 6¼". Cut and laid on separate sheet.
Franz or François Cramer (1772-1848) was an English violinist and conductor who was the Master of the King's Musick from 1834 until his death; he was appointed this post by King William IV, and following the King's death in 1837, he continued as Master of the Queen's Musick to Queen Victoria.
From the Collection of J.S. Bumpus.
[Ref: 17196] £70.00 (£84.00 incl.VAT)

J.B. Cramer.
Lith. de Benard et Frey.
[n.d., c.1835.]
Lithograph with very large margins. Printed area 180 x 130mm (7 x 5¼"). Bit dusty.
Johann Baptist Cramer (1771-1858], pianist and composer. Born in Mannheim, Cramer moved to London as a child, where he was taught by 'founder of modern piano playing' Muzio Clementi, and Beethoven later described Cramer as the finest pianist of his day. Like Clementi, he also turned to music publishing in later life.
[Ref: 31889] £130.00 (£156.00 incl.VAT)

Luca Kranach. Pittore di Figure, e di Ritratti, nacque in Kranach Castello nellan Franconia l'anno 1472. mori l'anno 1553.
Giu. Menabuoni del./ P. Ant. Pazzi. f.
[n.d., c.1766].
Engraving with large margins. Platemark: 175 x 270mm. (7 x 10½").
A half-length portrait of German Renaissance painter and printmaker Lucas Cranach the elder (1472 - 1553); turned slightly to the left, wearing a dark shawl which he is holding with his left hand. To the right of the portrait is the dragon motif which Cranch used as a signature on his paintings. This portrait was part of A. F. Gori’s monumental Museum Florentium, which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in individual parts as it took over thirty years (1731-1766) to complete. The bulk of the engraving fell to four of Florence’s most rennowned artists, Giovanni Domenico Campiglia, Pietro Pazzi, Cosimo Mogalli and Lorenzini.
[Ref: 29116] £120.00 (£144.00 incl.VAT)

Krass Phoroche or Cranbery liquor good.
G. Orlowski del.t. J. Godby sculp.t.
Pub.d March 25 1809 & Sold by Edw.d Orme Printseller to the King. Engraver & Publisher, Bond St corner of Brook S.t. London.
Hand-coloured stipple. Plate: 240 x 315mm (9½ x 12½"). Slight crease.
A portrait of a liquor seller wearing a fur hat and holding a jug. An illustration from 'Russian Cries, in Correct Portraiture from Drawings done on the spot by G. Orlowski...' 1809.
[Ref: 44603] £120.00 (£144.00 incl.VAT)

John Cranch*, Born in Kingsbridge in Devonshire, 12th of Oct.r 1751 Aged 44, Fellow of the American Society of Arts & Sciences, Painter of an unique Picture of the Death of Chatterton; & Author of the Oeconomy of Testaments; &c. Engraved from a Picture, which, with the Death of Chatterton, is in the possession of Sir James Winter Lake, Bar.t. F.S.A. *Vide, Langworthy's attempt to promote the Commercial Interests of Great Britain.
Painted and Engraved by J.T. Smith, Engraver of the Antiquities if London & Environs.
Published by W. Smith. 23 Lisle Street Leicester Square. [n.d., c.1810]
Engraving with stipple, 225 x 180mm.
A portrait of English painter John Cranch (1751-1821) holding a volume of Shakespeare. Originally born in Devon, Cranch travelled to London where he worked as a painter of portraits and historical scenes, contributing works to the Society of Artists. He died in Bath in 1821.
[Ref: 8384] £140.00 (£168.00 incl.VAT)

Cranganoor.
J. Kip.
[n.d. c.1661.]
Etching. Plate 202 x 292mm. 8 x 11½". Vertical hold down centre as normal.
A view of Cranganoor with a river and ships in the foreground. The Cranganore Fort, also known as Kodungallur Fort, was built by the Portuguese in 1523. The Dutch took possession of it in 1661 and it belonged to the Dutch East India company, until it came unter the control of the Tipu Sultan who destroyed it immediately.
[Ref: 18431] £160.00 (£192.00 incl.VAT)

Craniology. What a charming Field for Scientific observation.
[after Edward Stanley.]
[n.d. c.1825.]
Coloured lithograph on card. 196 x 252mm (7¾ x 10"). Foxing.
A man is sat down having removed his wig to reveal a large bare head; a scientist with a look of glee, stands over fingers poised to examine. From a collection of Six amateur caricatures, drawn by Edward Stanley (1779-1849), who served as Bishop of Norwich 1837-1849. At the time of publication he was rector of Alderley, Cheshire, a position he held for 32 years. This and the two other satires he produced ('Bustle’s Banquet' & 'Dinner of the Dogs') were probably published locally, accounting for the absence of these caricatures in our national collections. His authorship is only confirmed by the 1907 publication of his collected letters.
[Ref: 52345] £160.00 (£192.00 incl.VAT)

[George Cranstoun in the basket & Capt: Mingay]
K [John Kay] fec.t
[n.d., 1786.]
Etching. 100 x 70mm (4 x 2¾"), with large margins.
A caricature of George 'Geordie' Cranstown, a dwarf soldier, singer and beggar, being carried in a basket behind Captain Mingay.
[Ref: 63715] £75.00 (£90.00 incl.VAT)

[George Cranstoun & Samuel Macdonald] Sam. A Soldier I am for a Lady, what Beau was ere arm'd compleater &c
Kay del et Sculp 1789. [but later]
Aquatint with etching. 240 x 165mm (9½ x 6½").
Three soldiers, one of whom is very short (George Cranston dwarf soldier, singer and beggar), looks up at another, who is very tall and broad (Samuel McDonald, who was 6ft 10"), watched by the third, who stands to attention behind to right. Print made by British printmaker John Kay (1742 - 1826).
[Ref: 63716] £75.00 (£90.00 incl.VAT)

[Inscription, in Greek, in honour of the musician Crato]. Marmori antiquo sub Eumene Pergami rege ante Christianam aeram plus CLannis in Cratonis [...]
[c.1737]
Rare engraving, 18th century watermark; platemark 525 x 420mm (20¾ x 16½"), very large margins.
Engraving, on a scale one third of the original, of a Greek inscription in honour of Crato, the musician of Pergamus. It was erected in the reign of Eumenes in the pre-Christian era and brought from the village of Segucque (between Smyrna [now Izmir] and Ephesus) by Captain Thomas Morley. The plate was engraved at the expense of the antiquary Joseph Ames, and dedicated to the Society of Antiquaries (to which Ames had been admitted in 1736).
See Ames, 'Typographical Antiquities'.
[Ref: 39684] £290.00 (£348.00 incl.VAT)

The Effigies of the Right Hon.ble William Earle of Craven, Viscount Craven of Uffington, Baron Craven of Hampsted = Marshall, Lord Leiutenant of the County of Middlesex and Borough of Southwarke, and one of the Lords of his Majestys most Hon.ble privy Councell &ca.
[Anon., 1679.]
Engraving. 265 x 170mm (10½ x 6¾"). Trimmed to plate, and laid on backing paper.
Portrait of William, Earl of Craven; one hand on his helmet to the right, the other holding a truncheon. Illustration to John Guillim's, 'Display of Heraldrie' (1679). William Craven, 1st Earl of Craven (1608-1697), an English nobleman, Royalist and soldier. He fought for Frederick V on the Continent and fell in love with his wife, Elizabeth of Bohemia, the daughter of James I. On the outbreak of civil war in 1642, Craven was living at The Hague with Elizabeth, whom he supported financially for many years. He took no direct part in the civil wars, but his royalist sympathies and and financial assistance to the Crown provoked retaliation- in 1651 his English estates were seized and sold to raise funds for the Commonwealth fleet.
NPG: D29510.
[Ref: 53630] £220.00 (£264.00 incl.VAT)

The Right Honourable William Lord Craven Baron of Hapmpstead Marshall Berks.
M. Dahl Pinx.t. J. Faber Fecit 1745.
Sold by Geo. Hopkinson at Warwick.
Mezzotint. 355 x 255mm (14 x 10"). Laid on album paper at corners. Small margins.
A three-quarter portrait of William Craven (1700-39), 3rd Earl Craven, wearing robes, coronet to one side. He is listed as a founding governor of the Foundling Hospital despite dying over two months after the royal charter was granted.
CS 93. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68652] £240.00 (£288.00 incl.VAT)

Sir Tho.s Crawley Boevey.
[n.d., c.1800.]
Engraving. Sheet: 90 x 65mm (3½ x 2½''). Stained.
The bookplate of the Crawley-Boevey family of Highgrove in Gloucestershire, now the home of H.R.H. Prince Charles
[Ref: 48955] £65.00 (£78.00 incl.VAT)

[Reclining woman] No 602
Joullain delin De Frenne Sculp [c.1750]
Rare crayon-manner printed in red, Collector's Mark verso; platemark 270 x 350mm (10½ x 13¾"), very large margins.
Attractive print in crayon-manner (a printmaking medium developed to reproduced the pastel drawings popular in the 18th century), probably after a drawing by François Joullain (1697-1778)
[Ref: 40358] £320.00

Creating Art from Anything. Ideas. Materials. Techniques.
Donz Z. Meilach.
Pitman Publishing. First Published in Great Britain 1971. Copyright 1968 by Reilly & Lee, Division of Henry Regnery Co.
4to (285 x 215mm. 11¼ x 8½".), with green cloth covers and gilt title on spine; also with original dustjacket. pp. iii-v + 119. 250 b/w illustrations. Dustjacket soiled.
A handbook for students, teachers, artists and enthusiats that explores the use of everyday objects as art materials. The author also includes chapters on working with wood, metal, plastics and mixed materials.
[Ref: 22105] £30.00

Commencement of Creation.
[n.d., c.1790.]
Enrgaving. Sheet: 300 x 190mm (12 x 7½"). Trimmed to plate.
An illustration of the creation of the world showing angels surrounding a hand reaching from a cloud with a compass.
[Ref: 45962] £70.00 (£84.00 incl.VAT)

Sie Schöpfung. The Creation.
A. West, pinx.t. A.H. Payne, sc.
[n.d., c.1840.]
Mezzotint. Sheet 175 x 135mm (7 x 5¼").
A view of God creating the world, within a decorative printed border.
[Ref: 39953] £95.00 (£114.00 incl.VAT)

The Glory of the Creation of God.
[n.d. c.1805.]
Aquatint. 106 x 95mm (4¼ x 3¾"). Cut, small tear on left.
In a field standing by a tree are a family of four; the man standing holding a pitch fork, the son on the nearside of the tree, the mother sat on the floor holding on to the daughter, whose face is buried in the folds of the mother's skirt. On the ground sits a sickle; field of a corn and cut bales in the background. There is a very strong wind and lightning; a demonstration of God's power.
[Ref: 28622] £65.00 (£78.00 incl.VAT)

The Battle of Cressy. Engraved for Ashburton's History of England.
Grainger delin. Saunders sculp.
Published by W.J. Stratford, No 112 Holborn Hill, Nov.r 3 1792.
Etching. 210 x 305mm (8¼ x 12"), with wide margins.
An oval scene of the Battle of Crécy, 26th August 1346, during the Hundred Years' War, within a rectangular hatchured border.
[Ref: 52056] £95.00 (£114.00 incl.VAT)

Credulous Innocence. In baleful whispers see the temper tries. To fill the Maid with prospects fine and gay, Her Lewd invention deals out pleasant lies to lead believing innocence astray.
Painted by G. Morland. Engrav'd by J. Young.
London Pub.d Nov.r 5, 1788, by Ia.s Birchall No.473, Strand.
Mezzotint. 506 x 355mm. 20 x 14", with wide margins.
A young woman sitting in a bare interior, unaware of a young man who peers slyly through the window, listening attentively to another woman in tattered clothes with a broad-brimmed hat, who reads her palm, a child carrying a basket of straw, bundle and water bottle standing beside her, looking towards the viewer, holding onto her mother's skirt.
CS: p.1646 [listed].
[Ref: 26960] £320.00

Credulous Innocence. [&] Seduction.
Painted by G. Morland. Engrav'd by J. Young.
London Pub.d Nov.r 5, 1788, by Ia.s Birchall No.473, Strand.
Pair of mezzotints. 506 x 355mm. (20 x 14"). Damage to upper area.
A pair of scenes set in rustic settings: a young woman sitting in a bare interior, unaware of a young man who peers slyly through the window, listening attentively to another woman in tattered clothes with a broad-brimmed hat, who reads her palm; and a young woman wearing a mob cap, shawl and apron, sitting at the door of a thatched cottage, her left arm hooked over the back of her chair, reading a letter. There is a basket upside down beside her, and a bird drinking from a plate on the ground next to it. A young man is seen bribing a second woman behind a tree next to the cottage to the right.
Chaloner Smith: p.1646 [listed]. Ex collection of Christopher Lennox-Boyd. Ex Oettingen-Wallerstein Collection Sotheby's 13/11/97.
[Ref: 36981] £590.00 view all images for this item

Cree-Town Kirkcudbrightshire.
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W.Daniell, 9 Cleveland Street, Fitzroy Square, London, June 1, 1816.
Hand coloured aquatint with large margins. Platemark: 230 x 290mm (9 x 11¼"). Small repair to top left corner.
A picturesque landscape view of Creetown, in the Galloway region of south-western Scotland. A couple stroll along a path in the foreground to the right, with the river to the left. A small stone brige can be seen in the centre of the image, with hills in the distance. Plate 56 From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. William Daniell's 'A Voyage Round Great Britain' was the most ambitious of the many topographical publications produced in England during the early nineteenth century and its plates are a highpoint in the history of aquatint engraving.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33893] £140.00 (£168.00 incl.VAT)

Cree-town, Kirkudbrightshire.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. June, 1, 1816.
Aquatint with fine original hand colour. 1815'. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Creetown, with a man and woman walking along a road towards houses in the foreground on the bank of the river Cree. An arched bridge can be seen in the distance, with a sailing boat on the river to the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36112] £160.00 (£192.00 incl.VAT)

Amérique Septentionale. Enrolement des guerrieurs Creeks.
[n.d., c.1800.]
Coloured engraving. Sheet 185 x 125mm (7¼ x 5"). Trimmed within plate at sides.
An initiation ceremony for a Creek warrior.
[Ref: 56213] £95.00 (£114.00 incl.VAT)

Franciscus Tensinus de Crema Aetatis Suae XXXXI.
[n.d. c.1600].
Engraving. 160 x 200mm. Trimmed to platemark.
[Ref: 179] £95.00 (£114.00 incl.VAT)

Nacque in macerara 1663 Gio. Mario Crescimbeni. Mori a Roma 1728. Al Fesibeo Cario Custode Generale d'Arcadia. [In ink below image:] Giovanni Mario Crescembeni. Born 1665 - Died 1728.
L. Legoux sculp.t
[n.d. c.1790.]
Stipple. Image 140 x 82mm. 5½ x 3¼". Trimmed.
Giovanni Mario Crescimbeni (1663-1728) was an Italian critic and poet. In 1690 he founded with fourteen others, the Academy of Arcadians. He was secretary for the Arcadians for some thirty-eight years before he was made canon of Santa Maria in 1705. By 1715 he had obtained the chief curary attached to the same church.
From the Collection of J.S. Bumpus.
[Ref: 17213] £60.00 (£72.00 incl.VAT)

Claude Champion Crespigny Esq.r.
Painted and Engraved by J.R.SMITH &.
Published by him July 1.1804, at No.4 King Street Covent Garden, London, & at R.ACKERMANN's, No. 101 Strand.
Very rare mezzotint. 655 x 455mm (25¾ x 18"). Some damage to margins.
Portrait of Claude Champion Crespigny (1734-1818) 1st Baronet Champion Crespigny. The Champion de Crespigny Baronetcy, of Champion Lodge, Camberwell, in the County of Surrey, was a title in the Baronetage of the United Kingdom, created on 31 October 1805 for Claude Champion de Crespigny.
CS 46. Fr 98. D'O 390. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66016] £420.00

Cresswell from the Quarry Point.
1849 [pencil]
Lithograph with tintstone, with large margins, very rare, printed area 235 x 280mm (9¼ x 11").
Cresswell, on the Northumberland coast.
[Ref: 35025] £140.00 (£168.00 incl.VAT)

[Church of St. Bartholomew, Apostle and Martyr, Cresswell.]
[Anon, c.1840]
Lithograph with tintstone, with large margins, very rare, printed area 305 x 425mm (12 x 16¾").
St. Bartholomew's church in Cresswell, Northumberland, consecrated in 1836. It was built for the Baker-Cresswell family of Cresswell Hall.
[Ref: 35024] £160.00 (£192.00 incl.VAT)

[Moonlit river scene with rowing boat]
Thomas Creswick / Etching Club March 1839
Etching on india with large margins, platemark 95 x 150mm (3¾ x 6").
Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35901] £75.00 (£90.00 incl.VAT)

[Landscape with figures; river and moutnains in distance]
Etching Club / Thomas Creswick May 1839
Etching on india with large margins, platemark 65 x 160mm (2½ x 6¼"). Slight foxing.
Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35902] £75.00 (£90.00 incl.VAT)

The Overshot hill [ms]
T. Creswick R.A. [published 1857]
Etching on india with very large margins, platemark 145 x 125mm (5¾ x 5"). Uncut sheet.
Etching by landscape painter Thomas Creswick (1811-69), published by the Etching Club in 1857. The Etching Club was the influential printmaking society which Creswick was part of, alongside Samuel Palmer, who is believed to have been influenced by Creswick in his own printmaking. Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35904] £75.00 (£90.00 incl.VAT)

Creusa appearing to Aeneas.
Painted by Maria Cosway. Engraved by V. Green, Mezzotinto Engraver to his Majesty & to the Elector Palatine.
London Publysh'd Jan.y, 7, 1803, by H. Macklin, Poets Gallery, Fleet Street.
Scarce mezzotint, 550 x 430mm (22 x 17"), with large margins. Creasing and surface dirt. Tears in margins repaired with acid free tape.
Aeneas, clad in armor, gazes upwards to the right as he steps forward, arms outstretched in an attempt to embrace Creusa. She hovers in mid-air, her body bare, a veil swirling around her as she looks down at him from the right. In the distance, the flames of Troy rage. A crudely reworked version published by Hannah Macklin.
Whitman 226. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65221] £320.00

Creusa appearing to Aeneas.
Painted by Maria Cosway. Engraved by V. Green, Mezzotinto Engraver to his Majesty & to the Elector Palatine.
[London Publysh'd Jan.y, 7, 1803, by H. Macklin, Poets Gallery, Fleet Street.]
Scarce mezzotint, card 635 x 520mm (25 x 20½"). Trimmed within plate losing publication line and laid on card.
Aeneas, clad in armor, gazes upwards to the right as he steps forward, arms outstretched in an attempt to embrace Creusa. She hovers in mid-air, her body bare, a veil swirling around her as she looks down at him from the right. In the distance, the flames of Troy rage. A crudely reworked version published by Hannah Macklin.
Whitman 226. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65223] £260.00 (£312.00 incl.VAT)

Nathaniel Crew Episcopus Dunelmensis.
F. P [Francis Place] fecit.
P. Tempest ex: [n.d., c.1680.]
Mezzotint. 345 x 250mm (13½ x 9¾"), with large margins, 18th century watermark.
Nathaniel Crew (1633-1721), 3rd Baron Crew. This portrait was painted to celebrate him becoming Bishop of Durham in 1674, having been Bishop of Oxford from 1671. He was made a Privy Counsellor in 1676.
CS: 4 ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67595] £240.00 (£288.00 incl.VAT)

Nathaniel Crew Episcopus Dunelmensis.
F. P [Francis Place] fecit.
P. Tempest ex: [n.d., c.1680.]
Mezzotint. Sheet 380 x 290mm (15 x 11¾"). Trimmed and tipped into album sheet at sides. Some discolouration.
Half-length portrait of Bishop of Durham Nathaniel Crew (1633-1721), 3rd Baron Crew of Stene in an oval. He has shoulder length hair and wears a cap, bands and robes.
CS 4 II of II.
[Ref: 61567] £180.00 (£216.00 incl.VAT)

[Nathaniel Crew] The R.t Rev.d and R.t Hon.ble Nathaniel Lord Crew Lord Bishop of Durham & Baron of Steane, Consecrated Bishop of Oxford 1671 Translated to Durham 1674 Privy Councellor to their Maj.ties CHarles & James the 2.d. Dyed Sep.r 1721 Aged 88. Done from the Original Painting in the Gallery of the Bodleian Library Oxon.
G. Kneller Eques pinx 1698. J. Faber fecit 1727.
Sold by J. West in Great Queen Street, Lincolns Inn Fields.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"). Small margins.
A three-quarter portrait of Nathaniel Crew (1633-1721), 3rd Baron Crew, standing, wearing robes and holding his coronet. This portrait was painted to celebrate him becoming Bishop of Durham in 1674, having been Bishop of Oxford from 1671. He was made a Privy Counsellor in 1676. On the decline of King James's power, Crew dissociated himself from the court, and made a bid for the favour of William III's new government by voting for the motion that James had abdicated.
CS: 94, only state listed. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68651] £230.00 (£276.00 incl.VAT)

Nathaniel Crew Episcopus Dunelmensis.
F. P [Francis Place] fecit.
P. Tempest ex: [n.d., c.1680.]
Mezzotint. Sheet 335 x 240mm (13¼ x 9½"). Trimmed within plate, tear in edge repaired.
Nathaniel Crew (1633-1721), 3rd Baron Crew. This portrait was painted to celebrate him becoming Bishop of Durham in 1674, having been Bishop of Oxford from 1671. He was made a Privy Counsellor in 1676.
CS: 4 ii of ii.
[Ref: 54208] £240.00 (£288.00 incl.VAT)

Miss Crusse's.
J. Reynolds Pinx. R. Brookshaw Fecit.
Printed for John Bowles No. 13 in Cornhill.
Mezzotint and etching. 120mm x 150mm (4¾" x 6"), with wide margins.
Portrait of Miss Emma and Miss Elizabeth Crewe, sisters of John Crewe (later Lord Crewe). Reduced copy of another print from the same Reynolds portrait by Richard Brookshaw (also published by Bowles).
CS 7; not in Hamilton.
[Ref: 31908] £120.00 (£144.00 incl.VAT)

[Emma and Elizabeth Crewe.]
J. Reynolds pinx.t. J. Dixon Fecit.
[n.d., c.1782.]
Mezzotint, scratched letter proof before title. Sheet: 505 x 355mm (20 x 14"). Collector's mark 'K' Trimmed to plate. Repairs.
A portrait of Emma and Elizabeth Crewe, daughters of John Crewe M.P. for Cheshire.
CS 12, first state; Hamilton Page: 93.
[Ref: 47595] £240.00 (£288.00 incl.VAT)

[Frances Anne Crewe.]
Painted by D. Gardner. Engraved by Tho.s Watson.
London. Publish'd April 20th 1780 by Watson & Dickinson No. 158. New Bond Street.
Stipple, proof before title. Sheet: 275 x 210mm (10¾ x 8¼''). Trimmed.
A very pretty portrait, set in a roundal, of Mrs Crewe (1744-1818) shown in a landscape. Wife of John Crewe, 1st Baron Crewe.
Goodwin 40. See ref: 48250 for coloured example.
[Ref: 48487] £140.00 (£168.00 incl.VAT)

[Master John Crewe as Henry VIII.]
Josh.a Reynolds Eques Pinxit. J.R. Smith Fecit.
Published 10th Decem.r 1775. Published Jan.ry 23 1776 by by John Boydell Engraver in Cheapside.
Mezzotint, scratched letter proof before title, inscription area uncleaned. 510 x 355mm (20 x 14"), with very large margins, 18th century watermark. Ink collector's stamp 'R.B.' in inscription area.
Sir Joshua Reynolds's painting of John Crewe, 2nd Baron Crewe (died 1835) was exhibited at the Royal Academy in 1776 and the mezzotint at the Society of Artists that same year with the title 'Portrait of a Young Gentleman'. In an interior, with spaniels at Crewe's feet, and a view of a landscape through the window in the upper right.
D'Oench: 67. Hamilton: pg.19, ii of iv. CS: 47, ii/iv. Frankau: 100, ii/iii. D'Oench 67. Lugt 2191, 'R. Brandt'. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68051] £580.00

[Master John Crewe as Henry VIII.]
Joshua Reynolds Eques Pinxit. J. Raphael Smith fecit.
Published. Janry. 23d. 1776 by John Boydell Engraver in Cheapside London.
Mezzotint. Platemark: 510 x 355mm (20 x 14") large margins. Small repaired tears to left edge of sheet.
Sir Joshua Reynolds’s painting of John Crewe, 2nd Baron Crewe (died 1835) was exhibited at the Royal Academy in 1776 and the mezzotint at the Society of Artists that same year with the title 'Portrait of a Young Gentleman'. In an interior, with spaniels at Crewe’s feet, and a view of a landscape through the window in the upper right.
D'Oench: 67. Hamilton: pg.19, III of IV. CS: 47, iii/iv. Frankau: 100, iii/iii.
[Ref: 40138] £490.00

Thomas Cribb. The Champion of England 1811.
De Wilde Del.t. Warren Sculpt.
Publish'd Jany.. 1st,, 1812 by J. K. Nettleship 39 Arundel Street Strand.
Etching with engraving. 220 x 145mm (8¾ x 5¾"). Trimmed to platemark, mounted in album paper at edges.
Half-length portrait of English bare-knuckle boxer of Tom Cribb (1781-1848), On 10th December 1810, Cribb fought an American, former slave Tom Molineaux, at Shenington Hollow in Oxfordshire. Cribb beat Molineaux in 35 rounds and became World champion.
[Ref: 63771] £160.00 (£192.00 incl.VAT)

Tho.s Cribb.
Eng.d by Percy Roberts from a painting by Sharples.
Published by Sherwood, Jones & Co, May 1. 1824.
Stipple. Sheet size: 205 x 135mm (8 x 5¼"). Trimmed inside platemark.
A bust portrait of English bare-knuckle boxer of the 19th century Tom Cribb (1781 - 1848), directed to the left, facing the front, with his left fist raised in front of him. On 10th December 1810, Cribb fought an American, former slave Tom Molineaux, at Shenington Hollow in Oxfordshire. Cribb beat Molineaux in 35 rounds and became World champion.
[Ref: 50252] £65.00 (£78.00 incl.VAT)

Cribb's Parlour. Tom introducing Jerry and Logic to the Champion of England.
Drawn & Eng.d by I.R. & G. Cruikshank.
Pub'd by Sherwood, Neely & Jones, Jan. 1, 1822.
Coloured aquatint. Sheet 145 x 230mm (5¾ x 9"). Trimmed within plate, binding notches affecting publication line.
The interior of the Union Arms, Panton Street, which Tom Cribb ran after retiring from boxing, the walls filled with boxing pictures. A man holds up a prize cup. From Pierce Egan's "Life in London; or, the Day and Night Scenes of Jerry Hawthorn, Esq. and his elegant friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their rambles and sprees through the metropolis".
[Ref: 60991] £70.00 (£84.00 incl.VAT)

Crib Uncorking Blackstrap. 98.
W. E_s [William Elmes] Scu.t.
16 Octo.r 1811 Publ.d by Tho.s Tegg. 111 Cheapside London. Prince One Shillin Coloured.
Coloured etching. 350 x 250mm (13¾ x 9¾"). Colour slightly faded, laid on card.
Tom Cribb uncorking a bottle containing a negro's face, with admirers cheering him on. Tom Cribb (1781-1848) retained his title of boxing champion of England by beating American Thomas Molineux (1784-1818), a former slave, at Thissleton Gap, Leicester, on 28 September, 1811, breaking his jaw and knocking him out. Black Strap was a low-quality thick sweet port.
BM Satires 11755.
[Ref: 58504] £550.00

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