Grosvenor Prints

Procession of Lady Godiva, at Coventry Fair.
Engraved by M.U. Sears I Warwick Sq.r Paternoster Row.
Published by Henry Merridew, Coventry [n.d., c.1840.]
Scarce engraving on chiné collé. 180 x 400mm (7 x 15¾"). Trimmed at sides.
A locally published view of the annual Coventry Great Fair, with a local beauty recreating Lady Godiva's famous ride, but not quite naked. The Godiva Procession was first recorded in 1678. It has survived several attempts to suppress it.
[Ref: 57626] £260.00 (£312.00 incl.VAT)

Deerhurst's Defeat or the End of Unqualifies Ambition.
Pub.d Novem.r 1 1812 for the Proprietors of Town Talk.
Hand-coloured etching. Sheet: 270 x 430mm (10½ x 17''). Trimmed within plate, vertical creases as normal.
A political satire on the election for the MP of Worcester in the 1812 election, George Coventry, Viscout Deerhurst challenged William Gordon for the seat but was defeated. A funeral processes in the foreground mourning 'Interests of the Coventry Family' while behind a carriage races past celebrating the re-election of Gordon.
BM Satire 11913.
[Ref: 50843] £240.00 (£288.00 incl.VAT)

Viscount Deerhurst & The Turnpike-Man. [&] Viscount Deerhurst & Sophia. [&] The Cock Inn, at Sutton.
J. Finlay del. Roberts. sc.
London, Published by J.J. Stockdale, 24, Opera Colonnade 10, Sept.r 1825.
3 Hand-coloured aquatints on one sheet. Sheet: 485 x 200mm (19 x 8''). Paper tone.
Three scenes, the first shows a carriage leaving an inn, the middle shows George Canning, Viscount Deerhurst leaving a wine and brandy shop with his mistress Sophia Dubochet, the final image shows Canning in a boxing fight with a toll road man. Perhaps illustrations to the memoir of Harriette Wilson, sister of Dubochet, which were published in 1825.
[Ref: 51107] £160.00 (£192.00 incl.VAT)

The Right Hon.ble Maria Countess of Coventry.
[After Jean Étienne Liotard.]
Printed for Rob.t Sayer Map & Printseller at the Golden Buck near Serjeants Inn Fleet Street.
Fine mezzotint, 18th century watermark. 355 x 255mm (14 x 10"), very large margins. Some faint creasing.
Portrait of Maria Coventry, Countess of Coventry (1732 -1760), Irish beauty and London society hostess during the reign of King George II. She died at a young age due to lead poisoning from toxins in her beauty regimen.
CS31 ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67236] £280.00 (£336.00 incl.VAT)

[A cow.]
[Published by Lemercier in Paris?, c.1850.]
Lithograph with hand colour, finished with gum arabic. Sheet 500 x 635mm (19¾ x 25". Trimmed to image, some minor spotting.
A large plate of a cow standing in by a river.
[Ref: 48188] £320.00

Vache Normande _ Cow _ Vacca _ Kuh _ Vaca. Grand Cours d'Animaux (Autographie d'après nature).
H. Lalaisse.
London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq fr. édit. imp. r. Suger, 3, Paris. [n.d., c.1850.]
Lithograph. Printed area 300 x 445mm (11¾ x 17½"). Surface soiling.
A sketch portrait of a cow, published in the 'Grand Cours d'Animaux'.
[Ref: 43469] £160.00 (£192.00 incl.VAT)

[Cow.]
[n.d., c.1825.]
Coloured lithograph on india. 245 x 330mm (9¾ x 13") large margins.
Profile of a cow, standing in a field, river behind.
[Ref: 43476] £140.00 (£168.00 incl.VAT)

[Cows, Goats and Sleeping Family.]
C.P. Berghem inventer et fecit [but engraved by Christian Gottlieb Geyser].
[Berlin, n.d., c.1780.]
Etching. Sheet: 210 x 255mm (8¼ x 10''). Trimmed and laid on album sheet. Staining.
A rural scene showing a urinating cow, a herd of goats and a sleeping man, woman and child. A copy of an etching by Dutch printmaker Nicolaes Berchem (1621-1683) by Christian Gottlieb Geyser (1742 - 1803).
BM S.6476.
[Ref: 49654] £140.00 (£168.00 incl.VAT)

[Cows and Sheep.] No.3.
R. Hills delin.t
Pub.d by R. Bowyer, Pall Mall, 1825.
Hand-coloured aquatint. Printed area: 260 x 340mm (10¼ x 13½''). Slight foxing
A rural scene in a cow shed, on the left a farmer bends to pick up a basket of turnips while in the background two children play on the ground.
[Ref: 48523] £280.00 (£336.00 incl.VAT)

[Watercolour of a cow standing in water.]
[n.d., c.1830.]
Ink and grey wash, sheet 230 x 275mm (9 x 11").
[Ref: 48288] £130.00 (£156.00 incl.VAT)

[Cow, sheep, and a woman (a drover?) riding a donkey.]
T. Sidney Cooper 1838.
[London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.]
Lithograph. 368 x 546mm. 14½ x 21½".
Cows and sheep being lead across a stream; a woman on a donkey herding at the rear. A plate from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22736] £150.00 (£180.00 incl.VAT)

The Cow-Doctor.
C. Tschaggeny, Pinx.t C. Cousen Sculp.t
London, Virtue & Co. [n.d. c.1854.]
Engraving. 250 x 351mm. 9¾ x 13¾".
Outside a cottage, a peasant couple looks on as a dutch man (a healer?) raises his hand in front of a cow. Illustration to "The Art Journal" of 1860.
[Ref: 21399] £60.00 (£72.00 incl.VAT)

[In pencil underneath image:] Mr Joseph Cowen the radical candidate for Newcastle on Tyne elected M.P January 1874 a good likeness.
[n.d. c.1874.]
Lithograph. 495 x 305mm. 19½ x 12". Creasing. Horizontal fold through the centre. Tears at edges of the fold and along lower edge. Light foxing.
Joseph Cowen (1829-1900) holding a wind-up organ. He was an English politician and journalist. At Edinburgh University he interested himself in European revolutionary movements. He joined his father in his Blaydon brick business, smuggling documents abroad in the consignments of bricks, a trade which earned more than expected. In 1874 he was elected Member of Parliament and held the Newcastle-upon-Tyne seat as a Liberal. He was at that time a strong Radical on domestic matters, and a sympathizer with Irish Nationalism. He was highly respected by the nation and the House of Commons, and as an Imperialist and Colonial Federationist he supported Disraeli's foreign policy. He eventually retired and devoted his time to his newspaper, the Newcastle Daily Chronicle. See Ref: 17960
[Ref: 17959] £70.00 (£84.00 incl.VAT)

[In pencil underneath image:] Joseph Cowen elected M.P. Jany 1784. (both good portraits.) Charles Frederic Hamond unsuccessful candidate. [Above image:] Newcastle Election - 1874.
Supplement to the "Newcastle Critic," January 10, 1874.
Lithograph. 286 x 445mm (11¼ x 17½"). Vertical fold through centre. Creasing and some light foxing.
The Newcastle-upon-Tyne 1874 Election. Portraits of Joseph Cowen, the liberal candidate and Charles Frederick Hamond, the conservative candidate. See ref: 17959.
[Ref: 17960] £70.00 (£84.00 incl.VAT)

Cowes Castle.
[William] Payne delin. Bluck sculp.
London Pub. 1 Jan. 1801, at R. Ackermann's Repository of Arts 101 Strand.
Scarce hand coloured etching with aquatint, printed border 210 x 275mm. 8¼ x 10¾". Trimmed to plate.
Cowes is a seaport town on the Isle of Wight. Cowes Castle (1540) was built for coastal defence by Henry VIII; it has been the headquarters of the Royal Yacht Squadron (founded 1815) since 1856. Annual sailing regattas culminate in Cowes Week, in early August.
Not in Abbey.
[Ref: 20292] £130.00 (£156.00 incl.VAT)

Cowes Castle Eastward
[Pub.d as the Act Directs, Decr. 30 1785 by T.Malton, No.6 Conduit Street, Hanover Square, and to be had of W.Hinton, Sweetings Alley, Cornhill.]
Aquatint with original hand colour. Image size 195 x 285mm. Trimmed to image & laid on card. Title (as above) pasted on verso.
From a series of at least six views in the Isle of Wight. Rare.
Not in Abbey.
[Ref: 4044] £260.00 (£312.00 incl.VAT)

[Cowes Castle, Westward]
[Pub.d as the Act Directs, Decr. 30 1785 by T.Malton, No.6 Conduit Street, Hanover Square, and to be had of W.Hinton, Sweetings Alley, Cornhill.]
Aquatint with original hand colour. Image size 195 x 285mm. Trimmed to image & laid on card. Title (as above) written in faded ink mss. on verso.
From a series of at least six views in the Isle of Wight. Rare.
Not in Abbey.
[Ref: 4045] £280.00 (£336.00 incl.VAT)

Abrhamus Cowleius Anglorum Pinarus Flaccus Maro Defieiæ, Decus, Desiderium Ævi sui. Nobillissimo D.no D.no Henrico Hero Baroni de Coleraine, Scientiarum Artiumque Patrono Dignissimo, hanc Tabulam D.D.D. G. Vertue.
P. Lely p. G. Vertue Sculp.
[n.d, c.1720.] [Early issue]
Engraving, 18th century watermark. 370 x 245mm (14½ x 9¾"), large margins.
Abraham Cowley (1618-67), poet and essayist.
Alexander 601. Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 63876] £160.00 (£192.00 incl.VAT)

Mr: Abraham Cowley.
W. Faithorne Sculp. 1687.
Engraving. Plate 263 x 171mm. 10¼ x 6¾". Laid on card.
Bust portrait of poet Abraham Cowley (1618-1667), the frontispiece to his 'Works' (1687).
Fagan: p.30 [Plate B, first state].
[Ref: 24664] £90.00 (£108.00 incl.VAT)

Mr: Abraham Cowley.
Vertue sc.
[British, n.d., c.1730.]
Engraving, 130 x 80mm. 5 x 3¼". Slight stain lower right.
Portrait of Abraham Cowley (1618 - 1667), poet; bust length in oval frame, long hair, wearing gown. Lettered to pedestal. By George Vertue (1683 - 1756), probably issued as a frontispiece to an edition of the sitter's 'Works'. A prolific poet, Cowley had a profound impact upon later seventeenth-century poetry. His reputation was short-lived however and had waned by the mid-eighteenth century. Educated at Trinity College, Cambridge, his first volume of verse, Poetical Blossoms, was published in 1633 when he was fifteen and included poems written from the age of ten. As a Royalist during the English civil wars he was deprived of his Cambridge fellowship in 1643. He joined King Charles I at Oxford before following Queen Henrietta Maria to France as her secretary. On the Restoration she granted him land. He studied medicine and became an MD in 1657, thereafter living in retirement, studying botany and writing essays. After the portrait by Sir Peter Lely (1618 - 1680).
Ex Collection: R. Hobson of Hove. Alexander: 285.
[Ref: 25460] £65.00 (£78.00 incl.VAT)

[Abraham Cowley] Abrahamus Cowleius Anglus
W. Faithorne sc. [c.1667]
Engraving, sheet 160 x 105mm (6¼ x 4"). Trimmed and glued to backing sheet.
Abraham Cowley (1618 - 1667), poet: bust on pedestal in a niche. Frontispiece to Cowley's 'Poemata Latina' (1668). Educated at Trinity College, Cambridge, Cowley's first volume of verse was published in 1633 when he was fifteen, and included poems written as early as aged ten. As a Royalist during the English civil wars Cowley was deprived of his Cambridge fellowship in 1643. He joined King Charles I at Oxford before following Queen Henrietta Maria to France as her secretary. At the Restoration she granted him land. He studied medicine and became an MD in 1657, thereafter living in retirement, studying botany and writing essays. A prolific poet, Cowley had a high reputation among his contemporaries such as John Dryden and the earl of Rochester (his 'Works' were printed some fourteen times between 1668 and 1721). By the mid-eighteenth century he had come to seem old-fashioned, but still attracted praise from the likes of Alexander Pope and Samuel Johnson. Engraved by William Faithorne (c.1620-91), printmaker who served in the royalist army during the civil war. At the Restoration Faithorne was appointed engraver in copper to the king, doubtless as reward for his devotion to the Stuart cause. The finest native British engraver born before the eighteenth century, Faithorne was highly esteemed by Pepys (who recorded many visits to his shop) while enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetching extraordinary prices in the late Georgian period.
Fagan p.30 i/ii
[Ref: 42244] £95.00 (£114.00 incl.VAT)

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[Hannah Cowley] Mrs Cowley. European Magazine.
T. Holloway Direxit.
Published by John Sewell No. 32 Cornhill, 1. March 1789.
Engraving. 175 x 100mm (7 x 4"). Trimmed into plate on left. Large margins on 3 sides.
Portrait of the poet and dramatist Hannah Cowley (1743-1809), whose plots often revolved around marriage and how women strive to overcome injustice.
[Ref: 51799] £65.00 (£78.00 incl.VAT)

Cowley & his Men taking in Provisions at the Island of Juan Fernandez
[London: F. Newbery, 1774.]
Engraving. Sheet 105 x 160mm (4¼ x 6¼"). Trimmed within plate.
Sailors fill up water casks, butcher goats and chop wood. An illustration of the 17th buccaneering circumnavigation of William Ambrosia Cowley, master of a buccaneer ship in a fleet which included William Dampier. He surveyed and published a map 'The Gallapagos Islands Discovered and Described by Cap.t Cowley in 1684', but also 'discovered' the mythical Pepys Island, near the Falkland Islands. From 'An Historical account of all the voyages round the world, performed by English navigators...'.
[Ref: 52027] £70.00 (£84.00 incl.VAT)

Mrs Cowper Mother of the Poet.
D. Heins Pinx. W Blake sculp.
Publish'd Novemb.r 5. 1802 by J. Johnson St Pauls Church Yard.
Engraving, sheet 205 x 185mm (10 x 7¼"). Some creasing.
Portrait of Ann Cowper (d.1737), mother of poet William Cowper (1731-1800), engraved by William Blake after a painting by Norwich portrait painter Heins. Published as an illustration in William Hayley's Life of Cowper (1802). Hayley was a patron of Blake and employed him to provide a series of engravings for this project.
O'D 1.
[Ref: 53535] £220.00 (£264.00 incl.VAT)

The R.t Honourable Anne Countess Cowper.
W. Hamilton R.A. pixit. F. Bartolozzi R.A sculpt.
London. Pub.d Jan.y 12.th 1798, by Anth.y Molteno Printseller to her Royal Highness the Dutchess of York N.o 76. S.t James's Street.
Stipple engraving, 260 x 185mm (10¼ x 7¼"), with very large margins. Creases in margins where previously folded.
A portrait of Anna Countess Cowper (1806-1880) shown wearing a veil.
De Vesme: 1062.
[Ref: 63021] £160.00 (£192.00 incl.VAT)

[Anna Countess Cowper.]
W. Hamilton R.A. pixit. F. Bartolozzi R.A sculpt.
Published as the Act directs August 1.st 1789 No.27 Queen Street Golden Square.
Stipple, proof before title. Plate: 185 x 265mm (7¼ x 10½"), with very large margins.
A portrait of Anna Countess Cowper (1806-1880) shown wearing a veil.
De Vesme: 1062 III of V
[Ref: 47497] £140.00 (£168.00 incl.VAT)

William Cowper Esq.r. Born 1731. Died 1800.
T. Lawrence R.A. del.t. F.Bartolozzi R.A. sc.t.
Published by J. Johnson, S.t. Pauls Church Yard. January 1. 1806.
Stipple. Rare. Sheet: 200 x 260mm (8 x 10¼"). Trimmed within plate.
Half-portrait of William Cowper (1731-1800) English poet and hymnodist, depicted wearing a turban. Period copy of De Vesme: 795
Not in De Vesme.
[Ref: 35482] £140.00 (£168.00 incl.VAT)

Gulielmus Cowper Chyrurgus.
I. Closterman pinxit. I. Smith fecit.
[n.d., c.1698.]
Mezzotint. Platemark: 390 x 280mm (15¼ x 11").
A portrait of English surgeon and anatomist William Cowper (1666 - 1709) , half-length in an oval. This portrait was prefixed to Cowper's 'Anatomy of Humane Bodies' (Oxford, 1698).
Chaloner Smith. 64. Wellcome: 701
[Ref: 39383] £380.00

William Cowper - Author of "The Task"
T. Lawrence R.A. ad vivum del: 1793. W. Blake sculp. 1802
Publish'd Nov.r 5 1802 by J Johnson St. Pauls Church Yard
Stipple engraving, sheet 285 x 220mm (11¼ x 8½").
Portrait of poet William Cowper (1731-1800), engraved by William Blake from a drawing by Thomas Lawrence (Olney, Cowper Museum) and published as the frontispiece to volume two of William Hayley's Life of Cowper (1802). Hayley was a patron of Blake and employed him to provide a series of engravings for this project. Cowper's poem 'The Task' (1784) was an immediate success, condemning slavery and advocating the humane treatment of animals in a way slightly ahead of public opinion.
O'D 4
[Ref: 31329] £140.00 (£168.00 incl.VAT)

William Cowper. Carmine Nobilem. Hor.
From a Portrait in Crayons Drawn from the Life by Romney in 1792. Engravd by W Blake 1802.
Publish'd Novemb.r 5. 1802 by J. Johnson St Pauls Church Yard
Engraving, sheet 280 x 220mm (11 x 8½"). Very slight foxing.
Portrait of poet William Cowper (1731-1800), engraved by William Blake from a famous sketch by Romney (London, National Portrait Gallery) and published as the frontispiece to volume one of William Hayley's Life of Cowper (1802). Hayley was a patron of Blake and employed him to provide a series of engravings for this project. Unfortunately Cowper's cousin Lady Harriet Hesketh criticized Blake's engraving of her beloved relation, contributing to the breakdown in the relationship between Hayley and Blake.
O'D 7.
[Ref: 31333] £220.00 (£264.00 incl.VAT)

Cowper. Hail your benign Instructor, Age and Youth! Charm'd by his Fancy! tutor'd by his Truth! Hail Him a fav'rite Bard of Natures Quire. For all her Heartstrings vibrate to his Lyre!
Lawrence delin.t ad vivum 1793. F. Bartolozzi sculp.t
Published May 1. 1805, by William Miller, Albermarle Street.
Etching with crayon-manner. Plate 280 x 203mm. 11 x 8". Fine impression with large margins.
William Cowper (1731-1800), was an English poet and hymnodist. He managed to change the direction of 18th century nature poetry by writing about everyday life and scenes of the English countryside. He was seen as one of the forerunners to the Romantic era of poetry.
Calabi & de Vesme: 795: ii.
[Ref: 17129] £170.00 (£204.00 incl.VAT)

Cattle.
Drawn by R.Hills. Etched by Letitia Byrne.
Published Jan.y 2, 1809 by Tho.s Palser, Surry Side, Westminster Bridge.
Etching. 240 x 290mm, (9½ x 11½"), large margins.
Cattle and sheep in a highland landscape. Letitia Byrne (1779-1849), daughter of William Byrne the landscape engraver and publisher. She is best known for etching the 40 plates of Paul Amsinck's 'Description of Tunbridge Wells and Its Neighbourhood' in 1810.
[Ref: 68272] £90.00 (£108.00 incl.VAT)

Herefordshire Cow.
Pub by G. Garrard, London, Aug.t 1.st 1800.
Hand-coloured engraving, very fine. Paper watermarked: J Whatman 1794. Plate 324 x 476mm. 12¾ x 18¾". Crease to lower edge
A Hereford Cow, known for its distinct red colour, white head and underbody. It is from a beef cattle breed, widely found in intemperate and temperate areas around the world. International export trade began in 1817 starting in Kentucky, United States. These are the original coloured prints issued at 5 shillings each. George Garrard (1760-1826) the animal painter and sculptor.
Boalch The Rothamsted Collection.
[Ref: 27429] £320.00

[Group of Cattle.] 4. [numbered top right-hand corner.]
T. Sidney Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A group of long-horned cattle; two seated at the front, one standing in the centre, and a further two, one seated and one standing, in the background. Plate 4 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22733] £170.00 (£204.00 incl.VAT)

An African Bull. from the Banks of the River Sierre Liona.
London, Pub: July 20. 1801, by George Garrard, Agricultural Museum, 28, George St. Hanover Squ.r
Hand-coloured engraving with large margins, very fine first issue. Plate 299 x 431mm. 11¾ x 17". Four wormholes.
An African cow with short horns, found in Sierra Leone. George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
Boalch The Rothamsted Collection.
[Ref: 27445] £280.00 (£336.00 incl.VAT)

Bull.
Howitt.
Published Jany. 2. 1809 by Ed. Orme London.
Etching. Plate 165 x 216mm. 6½ x 8½".
Head of a bull, part of a series. Samuel Howitt (1756-1822) was an English painter, illustrator and etcher of animals, hunting, horse-racing and landscape scenes.
[Ref: 21512] £75.00 (£90.00 incl.VAT)

A Bull of the Largest Breed of East Indian Cattle Common in Guserat.
Pub by G. Garrard, London, Jan.y 1.st 1801.
Hand-coloured engraving with large margins very fine First issue. Paper watermarked: J Whatman 1801. Plate 374 x 451mm. 14¾ x 17¾". Five wormholes.
Kankrej Cattle are a breed of Zebu cattle from the district of Kankrej in the state of Gujarat in India. They are a very important race to india and are prized as powerful draught animals. These are the original coloured prints issued at 5 shillings each. George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
Boalch The Rothamsted Collection.
[Ref: 27425] £240.00 (£288.00 incl.VAT)

[Cow and Sheep.] 9 [numbered top right-hand corner.]
T Sidney Cooper. Cumberland 1835.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A cow seated on the ground with its back to the viewer; two horned sheep stand behind. Plate 9 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22739] £160.00 (£192.00 incl.VAT)

[Group of Cattle.] 10 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A group of horned cattle sat by a lake, with three further cows drinking in the distance. Plate 10 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22740] £160.00 (£192.00 incl.VAT)

[Cows and Sheep.] 12 [numbered top right-hand corner.]
1838 T Sidney Cooper.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Cows and sheep seated and standing, one cow eating from a tree over five seated sheep in the shade. Plate 12 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22741] £220.00 (£264.00 incl.VAT)

[Group of Cows.] 14 [numbered top right-hand corner.]
T Sidney Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½". Small tears to right-hand edge.
Four cows resting, one standing, by a lake with a village church and sailing boats in the background. Plate 14 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22742] £220.00 (£264.00 incl.VAT)

[Cow and Calf.] 15 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½". Publication slightly rubbed.
A cow standing by her calf seated on the ground. Plate 15 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22743] £170.00 (£204.00 incl.VAT)

[Group of Calves.] 17 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A group of calves under a tree; three seated resting, a fourth standing making noise to the left, and a fifth standing at the back scratching its head with its left back hoof. Plate 17 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22744] £220.00 (£264.00 incl.VAT)

[Group of Cattle.] 19 [numbered top right-hand corner.]
T S Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Cattle in a field; some cooling off and drinking in a stream, others standing and seated on the banks; farmhouses in the background. Plate 19 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22745] £170.00 (£204.00 incl.VAT)

[Cattle and Sheep.] 23 [numbered top right-hand corner.]
T Sidney Cooper 1838.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Two cows, one standing and seated, amongst resting horned sheep. Plate 23 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22748] £220.00 (£264.00 incl.VAT)

[Group of Cattle, Barnet Fair.] 24 [numbered top right-hand corner.]
TS Cooper. Sketch at Barnet Fair 1839.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A large group of cattle at Barnet Fair. Barnet Fair was founded in 1588 when Queen Elizabeth I granted a charter to the Lord of the manor of Barnet to hold a fair twice yearly. In 1834, 'The Times' newspaper reported that Barnet Fair was England's largest cattle market, with up to 40,000 animals on display. Plate 24 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22749] £220.00 (£264.00 incl.VAT)

[Cows, Calf and Sheep in a Barn.] 25 [numbered top right-hand corner.]
T Sidney Cooper 1836.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
Two cows standing in a barn, one facing forward and the other turned away eating hay. A calf stands to the right next to a wheelbarrow, spade and broom, and two sheep are seated to the left. Plate 25 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22750] £160.00 (£192.00 incl.VAT)

Our Herds, No.4, Dairy Cows.
Painted by T.S. Cooper, A.R.A. On Stone by J. West Giles. [Etched in image:] T.S. Cooper RA. 1851.
London, Published November 20th. 1851, by E. Gambart & Co. 25, Berners, St. M. & N. Hanhart Imp.t.
Coloured lithograph with gum-arabic, very rare. 616 x 736mm. 24¼ x 29". Some spotting.
A group of long-horned cattle; a group seated at the front, with two further cows, one drinking and one standing, in the stream behind. A further group of cows and a cottage can be seen in the distance. Frrom Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 23348] £620.00

Wild Bull, Gisburn Park.
W. Fryer, del. S. Alken, fecit.
[n.d., 1805.]
Coloured aquatint with etching, 235 x 315mm. 9¼ x 12¼".
Plate to Thomas Dunham Whitaker's (1759 - 1821) ‘History and Antiquities of the Deanery of Craven,’ 1805, 2nd edition. Gisburne Park in Lancashire's Ribble Valley was home to a herd of cattle said to be descended from the ancient wild cattle of Britain. In the 19th century the cattle became tame and decreased in numbers to around seven or eight animals, these were kept on the estate and became more and more "in bred". Eventually only bulls were born and the Gisburne 'White Bulls' died out by 1859.
[Ref: 9443] £65.00 (£78.00 incl.VAT)

[Cow.] 5. [numbered top right-hand corner.]
T. Sidney Cooper from Nature 1839.
London, Published by Ackermann & Co. 30th. March, 1839. Printed by C. Hullmandel.
Lithograph. 368 x 546mm. 14½ x 21½".
A horned cow sat in a field with its back to the viewer; further horned cows standing and seated in the field in the background. Plate 5 from Thomas Sidney Cooper's (1803-1902) 'Groups of Cattle, Drawn from Nature', 1839. He was an English landscape painted noted for his images of cattle and farm animals.
[Ref: 22735] £170.00 (£204.00 incl.VAT)

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