A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[From the Original Drawing in the Collection of the Duke of Devonshire. No 188.]](jpegs/52516.jpg)
[From the Original Drawing in the Collection of the Duke of Devonshire. No 188.]
[Claude le Lorrain delin.t. R. Earlom fecit.]
[Published Mar 1st 1777 by John Boydell Engraver in Cheapside.]
Mezzotint with etched lines, printed in sepia. Very rare proof before all letters. 210 x 260mm (8½ x 10¼"), with large margins. Slight foxing in the margins.
An Italianate scene of a shepherd taking to passers-by, underneath a hilltop town, a bay behind. Engraved by Richard Earlom (1743 - 1822) after a sketch in the copy of Claude le Lorrain's 'Liber Veritatis' owned by the Duke of Devonshire at Chatsworth. Claude (c.1600-82) was a prolific and successful landscape painter, and, even during his lifetime, forgeries of his work appeared for sale. To combat this Claude made up six albums of tinted sketches of his completed works, each sketch with the name of the purchaser of the painting on the back. The 'Liber Veritatis' (Book of Truth) was then distributed around Europe so that his genuine paintings could be authenticated. The Chatsworth copy of the 'Liber Veritatis' contained 200 drawings, including a frontispiece portrait of Claude and five unrelated drawings. Commissioned by John Boydell, Richard Earlom engraved the full set between 1774 and 1777, when they were published by Boydell in two volumes, each containing 100 prints, numbered 1-200. A third volume of 100 prints was published by Boydell in 1819, which was numbered separately, containing mezzotints by Earlom after other drawings by Claude in various collections.
[Ref: 52516] £230.00 (£276.00 incl.VAT)
[Claude le Lorrain delin.t. R. Earlom fecit.]
[Published Mar 1st 1777 by John Boydell Engraver in Cheapside.]
Mezzotint with etched lines, printed in sepia. Very rare proof before all letters. 210 x 260mm (8½ x 10¼"), with large margins. Slight foxing in the margins.
An Italianate scene of a shepherd taking to passers-by, underneath a hilltop town, a bay behind. Engraved by Richard Earlom (1743 - 1822) after a sketch in the copy of Claude le Lorrain's 'Liber Veritatis' owned by the Duke of Devonshire at Chatsworth. Claude (c.1600-82) was a prolific and successful landscape painter, and, even during his lifetime, forgeries of his work appeared for sale. To combat this Claude made up six albums of tinted sketches of his completed works, each sketch with the name of the purchaser of the painting on the back. The 'Liber Veritatis' (Book of Truth) was then distributed around Europe so that his genuine paintings could be authenticated. The Chatsworth copy of the 'Liber Veritatis' contained 200 drawings, including a frontispiece portrait of Claude and five unrelated drawings. Commissioned by John Boydell, Richard Earlom engraved the full set between 1774 and 1777, when they were published by Boydell in two volumes, each containing 100 prints, numbered 1-200. A third volume of 100 prints was published by Boydell in 1819, which was numbered separately, containing mezzotints by Earlom after other drawings by Claude in various collections.
[Ref: 52516] £230.00 (£276.00 incl.VAT)
![[Landscape with a Herd of Goats]](jpegs/38517.jpg)
[Landscape with a Herd of Goats] Engraved by W.m Wilson from an Excellent Picture of Claud Lorrain painted in 1641 in the Collection of the Rt. Hon.ble L.d James Cavendish. 6
[c.1750]
Engraving. Platemark 315 x 410mm (12½ x 16"). Small margins. Very fine; pinhole upper centre. 41670
Landscape after Claude Lorrain (1604/5-82), French painter often regarded as the greatest of all ideal landscape artists, whose depictions of idealised pastoral scenes were immensely popular amongst the European nobility and clergy. Subsequent British landscape painters such as Richard Wilson and JMW Turner were strongly influenced by his work.
Private Collection.
[Ref: 38517] £240.00 (£288.00 incl.VAT)
[c.1750]
Engraving. Platemark 315 x 410mm (12½ x 16"). Small margins. Very fine; pinhole upper centre. 41670
Landscape after Claude Lorrain (1604/5-82), French painter often regarded as the greatest of all ideal landscape artists, whose depictions of idealised pastoral scenes were immensely popular amongst the European nobility and clergy. Subsequent British landscape painters such as Richard Wilson and JMW Turner were strongly influenced by his work.
Private Collection.
[Ref: 38517] £240.00 (£288.00 incl.VAT)
![[Pastoral landscape with figures and cattle by a shore]](jpegs/37197.jpg)
[Pastoral landscape with figures and cattle by a shore]
Claude fecit Roma 1676 [in image lower left]. R. Earlom sculpt.
Pub. Jan. 20 1802 by J. & J. Boydell, No 90, Cheapside &c at the Shakespeare Gallery, Pall Mall.
Etching, platemark 270 x 360mm (10½ x 14¼"). Large margins. State before mezzotinting.
Etching by Richard Earlom (1743 - 1822) after a sketch in the copy of Claude le Lorrain's 'Liber Veritatis' owned by the Duke of Devonshire at Chatsworth. Claude (c.1600-82) was a prolific and successful landscape painter, and, even during his lifetime, forgeries of his work appeared for sale. To combat this Claude made up six albums of tinted sketches of his completed works, each sketch with the name of the purchaser of the painting on the back. The 'Liber Veritatis' (Book of Truth) was then distributed around Europe so that his genuine paintings could be authenticated. The Chatsworth copy of the 'Liber Veritatis' contained 200 drawings, including a frontispiece portrait of Claude and five unrelated drawings. Commissioned by John Boydell, Earlom engraved the full set between 1774 and 1777, when they were published by Boydell in two volumes, each containing 100 prints, numbered 1-200. A third volume of 100 prints was published by Boydell in 1819, which was numbered separately, containing mezzotints by Earlom after other drawings by Claude in various collections.
For a set of 20 plates from the series, in etched outline states, see ref. 20226.
[Ref: 37197] £140.00 (£168.00 incl.VAT)
Claude fecit Roma 1676 [in image lower left]. R. Earlom sculpt.
Pub. Jan. 20 1802 by J. & J. Boydell, No 90, Cheapside &c at the Shakespeare Gallery, Pall Mall.
Etching, platemark 270 x 360mm (10½ x 14¼"). Large margins. State before mezzotinting.
Etching by Richard Earlom (1743 - 1822) after a sketch in the copy of Claude le Lorrain's 'Liber Veritatis' owned by the Duke of Devonshire at Chatsworth. Claude (c.1600-82) was a prolific and successful landscape painter, and, even during his lifetime, forgeries of his work appeared for sale. To combat this Claude made up six albums of tinted sketches of his completed works, each sketch with the name of the purchaser of the painting on the back. The 'Liber Veritatis' (Book of Truth) was then distributed around Europe so that his genuine paintings could be authenticated. The Chatsworth copy of the 'Liber Veritatis' contained 200 drawings, including a frontispiece portrait of Claude and five unrelated drawings. Commissioned by John Boydell, Earlom engraved the full set between 1774 and 1777, when they were published by Boydell in two volumes, each containing 100 prints, numbered 1-200. A third volume of 100 prints was published by Boydell in 1819, which was numbered separately, containing mezzotints by Earlom after other drawings by Claude in various collections.
For a set of 20 plates from the series, in etched outline states, see ref. 20226.
[Ref: 37197] £140.00 (£168.00 incl.VAT)
Imperatoris Cladvdii Apotheosis Sive Consecratio. Clavdivs post mortem, Veterum superstitione, inter Diuos relatus, radiata...
[Pietro Santi Bartoli]
[Giovanni Giacomo de' Rossi]
Some creasing. Small margins.
From the series Admiranda Romanarum Antiquitatum (The Wonders of Ancient Rome). A frieze representing the apotheosis of Emperor Claudius, bust portrait of the Emperor placed above an eagle standing above Jove's globe and thunderbold and a pile of trophies and armour; after an antique relief in the collection of the King of Spain.
[Ref: 54903] £140.00 (£168.00 incl.VAT)
[Pietro Santi Bartoli]
[Giovanni Giacomo de' Rossi]
Some creasing. Small margins.
From the series Admiranda Romanarum Antiquitatum (The Wonders of Ancient Rome). A frieze representing the apotheosis of Emperor Claudius, bust portrait of the Emperor placed above an eagle standing above Jove's globe and thunderbold and a pile of trophies and armour; after an antique relief in the collection of the King of Spain.
[Ref: 54903] £140.00 (£168.00 incl.VAT)
![[Claudius I.] Ti. Claudius. Caesar. Aug. P. M. Tr. P. Imp.](jpegs/49699.jpg)
[Claudius I.] Ti. Claudius. Caesar. Aug. P. M. Tr. P. Imp. Claudius irrisae privato in tempore vitae...
[Wolfgang Kilian.][After Raffaello Schiaminossi.]
[n.d., c.1620.]
Engraving. Sheet: 205 x 130mm (8 x 5''). Trimmed and laid on album sheet, stained.
A portrait of Claudius I from a series of thirteen busts of Roman Emperors engraved by Wolfgang Kilian (1581-1662) after Raffaello Schiaminossi.
[Ref: 49699] £70.00 (£84.00 incl.VAT)
[Wolfgang Kilian.][After Raffaello Schiaminossi.]
[n.d., c.1620.]
Engraving. Sheet: 205 x 130mm (8 x 5''). Trimmed and laid on album sheet, stained.
A portrait of Claudius I from a series of thirteen busts of Roman Emperors engraved by Wolfgang Kilian (1581-1662) after Raffaello Schiaminossi.
[Ref: 49699] £70.00 (£84.00 incl.VAT)
Claudius Cæsar.
Titian del.t. J.Pass sc.
Engraved for the Encyclopedia Londinensis, 1826.
Colour printed stipple with engraving. 180 x 135mm, 7 x 5¾".
Oval portrait of Tiberius Claudius Nero Germanicus (10BC-AD41), after Titian. Became emperor as by the virtue of being the last male member of the Julio-Claudian dynasty left alive after the purges of Tiberius and Caligula, having been regarded as no threat because of physical infirmities. He added Britain to the empire. The 'Encyclopedia Londonensis' was published from 1796 to 1829, compiled by John Wilkes, edited by John Jones.
[Ref: 18550] £80.00 (£96.00 incl.VAT)
Titian del.t. J.Pass sc.
Engraved for the Encyclopedia Londinensis, 1826.
Colour printed stipple with engraving. 180 x 135mm, 7 x 5¾".
Oval portrait of Tiberius Claudius Nero Germanicus (10BC-AD41), after Titian. Became emperor as by the virtue of being the last male member of the Julio-Claudian dynasty left alive after the purges of Tiberius and Caligula, having been regarded as no threat because of physical infirmities. He added Britain to the empire. The 'Encyclopedia Londonensis' was published from 1796 to 1829, compiled by John Wilkes, edited by John Jones.
[Ref: 18550] £80.00 (£96.00 incl.VAT)
Claude. V. La Vraye Noblesse vient de Vertu, et n'y en a point d'autre.
F.L.D. Ciartres excudit Cum privegio Regis Christianiss.
Copper engraving. 280 x 200mm, 11 x 8".
Claudius, the fifth Roman emperor, by François Langlois (1589-1647), called Ciartres.
[Ref: 19845] £140.00 (£168.00 incl.VAT)
F.L.D. Ciartres excudit Cum privegio Regis Christianiss.
Copper engraving. 280 x 200mm, 11 x 8".
Claudius, the fifth Roman emperor, by François Langlois (1589-1647), called Ciartres.
[Ref: 19845] £140.00 (£168.00 incl.VAT)
![[Sheet of figure studies]](jpegs/38499.jpg)
[Sheet of figure studies]
[Chevalier Ignace Joseph de Claussin after Carel Dujardin, c.1800]
Etching, platemark 205 x 280mm (8 x 11"). Very large margins.
Etching by Chevalier Ignace Joseph de Claussin (1766-1844), amateur etcher and collector of Rembrandt prints, after an original etching by Rembrandt's contemporary, the Amsterdam-based artist Carel Dujardin (1626-78).
[Ref: 38499] £140.00 (£168.00 incl.VAT)
[Chevalier Ignace Joseph de Claussin after Carel Dujardin, c.1800]
Etching, platemark 205 x 280mm (8 x 11"). Very large margins.
Etching by Chevalier Ignace Joseph de Claussin (1766-1844), amateur etcher and collector of Rembrandt prints, after an original etching by Rembrandt's contemporary, the Amsterdam-based artist Carel Dujardin (1626-78).
[Ref: 38499] £140.00 (£168.00 incl.VAT)
Katherine Mary & Thomas John Clavering.
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint. 510 x 360mm (20 x 14¼"). Thread margins.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state iii. Ex: Collection of The Hon. C. Lennox-Boyd. O'Oench: Copper into Gold, Prints by John Raphael Smith 129
[Ref: 64523] £230.00 (£276.00 incl.VAT)
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint. 510 x 360mm (20 x 14¼"). Thread margins.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state iii. Ex: Collection of The Hon. C. Lennox-Boyd. O'Oench: Copper into Gold, Prints by John Raphael Smith 129
[Ref: 64523] £230.00 (£276.00 incl.VAT)
Katherine Mary & Thomas John Clavering.
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint, scratched letter proof. 510 x 360mm (20 x 14¼"). Narrow margins, trimmed into plate at bottom, surface scratch bottom right, foxing.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state ii. Ex: Collection of The Hon. C. Lennox-Boyd. With ink stamp of Fritz Reiss (Lugt 2178), whose collection was sold at Christie's London in 1923. O'Oench: Copper into Gold, P
[Ref: 64524] £320.00
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint, scratched letter proof. 510 x 360mm (20 x 14¼"). Narrow margins, trimmed into plate at bottom, surface scratch bottom right, foxing.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state ii. Ex: Collection of The Hon. C. Lennox-Boyd. With ink stamp of Fritz Reiss (Lugt 2178), whose collection was sold at Christie's London in 1923. O'Oench: Copper into Gold, P
[Ref: 64524] £320.00
Mausoleum of Ralph Allen, the Squire Allworthy of Tom Jones.
[n.d. c.1820.]
Chromolithograph with gum arabic. 101 x 146mm. 4 x 5¾".
Ralph Allen (1693-1764) was a British entrepreneur and philanthropist, and was notable for his reforms to the UK postal system. It was Henry Fielding who used Allen as the model for Squire Allworthy in the novel Tom Jones. His memorial, seen here is Claverton churchyard, on the outskirts of Bath.
[Ref: 15452] £45.00 (£54.00 incl.VAT)
[n.d. c.1820.]
Chromolithograph with gum arabic. 101 x 146mm. 4 x 5¾".
Ralph Allen (1693-1764) was a British entrepreneur and philanthropist, and was notable for his reforms to the UK postal system. It was Henry Fielding who used Allen as the model for Squire Allworthy in the novel Tom Jones. His memorial, seen here is Claverton churchyard, on the outskirts of Bath.
[Ref: 15452] £45.00 (£54.00 incl.VAT)
![[Clavichord and Lute Players.]](jpegs/39559.jpg)
[Clavichord and Lute Players.]
[After Hendrik Goltzius.]
[n.d., c.1600.]
Engraving. Framed. Visible area: 120 x 175mm (5 x 7"). Frame: 220 x 275mm (10¾ x 8½"). Unexamined out of frame.
A concert scene in which a lavishly dressed woman plays the clavichord while behind her a young man plays a lute.
[Ref: 39559] £320.00
[After Hendrik Goltzius.]
[n.d., c.1600.]
Engraving. Framed. Visible area: 120 x 175mm (5 x 7"). Frame: 220 x 275mm (10¾ x 8½"). Unexamined out of frame.
A concert scene in which a lavishly dressed woman plays the clavichord while behind her a young man plays a lute.
[Ref: 39559] £320.00
Christophorus Clavius.
E. de Boulonois fecit.
[n.d., c.1680.]
Scarce engraving. 330 x 215mm (13 x 8½") Trimmed to image minus left corner. Damaged.
Mathmatician & astronomer, opponent of the heliocentric model of Copernicus, and architect of the Gregorian Calendar.
W621
[Ref: 53661] £190.00 (£228.00 incl.VAT)
E. de Boulonois fecit.
[n.d., c.1680.]
Scarce engraving. 330 x 215mm (13 x 8½") Trimmed to image minus left corner. Damaged.
Mathmatician & astronomer, opponent of the heliocentric model of Copernicus, and architect of the Gregorian Calendar.
W621
[Ref: 53661] £190.00 (£228.00 incl.VAT)
Christophorus Clavivs Bambergensis E Societate Iesu Aetatis Suae Anno L XIX.
I. Le Clerc ex. [n.d. c.1610.] Bit later.
Engraving, fine with very large margins. Plate 185 x 125mm (7¼ x 5").
Christopher Clavius (1538-1612), the German Jesuit mathematician and astronomer who was the main architect of the modern Gregorian calendar. Image includes books, globes and instruments. In his last years he was probably the most respected astronomer in Europe and his textbooks were used for astronomical education for over fifty years in Europe and even in more remote lands (on account of being used by missionaries). Clavius joined the Jesuit order in 1555. He went to Italy and studied theology at the Jesuit Collegio Romano in Rome. In 1579 he was assigned to compute the basis for a reformed calendar that would stop the slow process in which the Church's holidays were drifting relative to the seasons of the year. Using the Prussian Tables of Erasmus Reinhold, he proposed a calendar reform that was adopted in 1582 in Catholic countries by order of Pope Gregory XIII and is now the Gregorian calendar used worldwide.
W: 621-2.
[Ref: 29757] £220.00 (£264.00 incl.VAT)
I. Le Clerc ex. [n.d. c.1610.] Bit later.
Engraving, fine with very large margins. Plate 185 x 125mm (7¼ x 5").
Christopher Clavius (1538-1612), the German Jesuit mathematician and astronomer who was the main architect of the modern Gregorian calendar. Image includes books, globes and instruments. In his last years he was probably the most respected astronomer in Europe and his textbooks were used for astronomical education for over fifty years in Europe and even in more remote lands (on account of being used by missionaries). Clavius joined the Jesuit order in 1555. He went to Italy and studied theology at the Jesuit Collegio Romano in Rome. In 1579 he was assigned to compute the basis for a reformed calendar that would stop the slow process in which the Church's holidays were drifting relative to the seasons of the year. Using the Prussian Tables of Erasmus Reinhold, he proposed a calendar reform that was adopted in 1582 in Catholic countries by order of Pope Gregory XIII and is now the Gregorian calendar used worldwide.
W: 621-2.
[Ref: 29757] £220.00 (£264.00 incl.VAT)
M.rs Cleypole. Daughter to Oliver Cromwell. From an Original Picture at Checkers, Bucks.
T. Athow.
[c.1810.]
Ink, watercolour and wash with inscription in ink. Image 260 x 180mm (10¼ x 7¼").
A copy of Jacob Huysmans' portrait of Elizabeth Claypole (bap. 1629- d.1658), daughter of Oliver Cromwell, still at the Prime Minister's country retreat of Chequers. Three similar works by Thomas Athow (1802-1820, fl.) are in the British Museum and a collection are in the National Portrait Gallery.
[Ref: 42574] £350.00
T. Athow.
[c.1810.]
Ink, watercolour and wash with inscription in ink. Image 260 x 180mm (10¼ x 7¼").
A copy of Jacob Huysmans' portrait of Elizabeth Claypole (bap. 1629- d.1658), daughter of Oliver Cromwell, still at the Prime Minister's country retreat of Chequers. Three similar works by Thomas Athow (1802-1820, fl.) are in the British Museum and a collection are in the National Portrait Gallery.
[Ref: 42574] £350.00
Ralph Clayton, Serjeant at Law.
Painted by L.F. Aboot, Esq.r 1784. Engraved by Henry Meyer, 1814.
Mezzotint. 355 x 250mm (14 x 9¾"). Slightly trimmed, stained.
Half-length portrait of Ralph Clayton, died 1813 aged 55.
[Ref: 55632] £160.00 (£192.00 incl.VAT)
Painted by L.F. Aboot, Esq.r 1784. Engraved by Henry Meyer, 1814.
Mezzotint. 355 x 250mm (14 x 9¾"). Slightly trimmed, stained.
Half-length portrait of Ralph Clayton, died 1813 aged 55.
[Ref: 55632] £160.00 (£192.00 incl.VAT)
The R.t Hon.ble S.r Rob. Clayton Kt Lord Mayor of ye City of London 1680.
J. Riley pinx. J. Smith fec.
[London, c.1707.]
Fine mezzotint. 410 x 285mm (16 x 11¼"), with large margins.
Portrait of Sir Robert Clayton (1629-1707), merchant banker, politician and Lord Mayor of London, in an oval above ceremonial regalia. After founding a bank, Clayton & Morris Co., he amassed such a fortune that he could buy Brownsea Island and its castle in the 1650s and lend William III £30,000 to pay for the army in 1697. He became a director of the Bank of England in 1702.
CS 52 ii.
[Ref: 49957] £240.00 (£288.00 incl.VAT)
J. Riley pinx. J. Smith fec.
[London, c.1707.]
Fine mezzotint. 410 x 285mm (16 x 11¼"), with large margins.
Portrait of Sir Robert Clayton (1629-1707), merchant banker, politician and Lord Mayor of London, in an oval above ceremonial regalia. After founding a bank, Clayton & Morris Co., he amassed such a fortune that he could buy Brownsea Island and its castle in the 1650s and lend William III £30,000 to pay for the army in 1697. He became a director of the Bank of England in 1702.
CS 52 ii.
[Ref: 49957] £240.00 (£288.00 incl.VAT)
![Cleeve Prior near Evesham [pencil].](jpegs/49220.jpg)
Cleeve Prior near Evesham [pencil].
Henry G. Walker [pencil signature.]
[n.d., c.1920.]
Drypoint etching printed in colours, signed by the artist. 130 x 200mm (5 x 8") very large margins. In original mount with printed label with publisher's logo of a black bell with ABC in white. Mint.
[Ref: 49220] £50.00 (£60.00 incl.VAT)
Henry G. Walker [pencil signature.]
[n.d., c.1920.]
Drypoint etching printed in colours, signed by the artist. 130 x 200mm (5 x 8") very large margins. In original mount with printed label with publisher's logo of a black bell with ABC in white. Mint.
[Ref: 49220] £50.00 (£60.00 incl.VAT)
Georgius Cleghorn, MD. Anatom. In Acad. Dublin Pr. &c. Notus in Fratres animi paterni.
Engraved by Cha. Sherwin. From an original Drawing in the possession of Dr. Lettsom.
[n.d. c.1786].
Stipple engraving. 115 x 155mm (4½ x 6¼"). Foxing and general time staining. Crease through centre of image.
Physician who settled in practice in Dublin in 1751 and was the first person to establish what could be considered an anatomical school in Ireland. [1716 - 1787]. Plate to Lettsom's 'Memoirs' 1786.
[Ref: 5521] £45.00 (£54.00 incl.VAT)
Engraved by Cha. Sherwin. From an original Drawing in the possession of Dr. Lettsom.
[n.d. c.1786].
Stipple engraving. 115 x 155mm (4½ x 6¼"). Foxing and general time staining. Crease through centre of image.
Physician who settled in practice in Dublin in 1751 and was the first person to establish what could be considered an anatomical school in Ireland. [1716 - 1787]. Plate to Lettsom's 'Memoirs' 1786.
[Ref: 5521] £45.00 (£54.00 incl.VAT)
![[Karl Clemens graf von Pellegrini.]](jpegs/62661.jpg)
[Karl Clemens graf von Pellegrini.]
Ign. Duvivier pin.t. Nic Rhein inc.t.
[n.d., c.1790.]
An exceptionally large & scarce mezzotint, proof before title. 860 x 630mm (33¾ x 24¾"). Trimmed within plate at bottom, top corners chipped, repaired tears, surface cracking, laid on paper. Damaged.
A huge equestrian portrait of Karl Clemens von Pellegrini (1720-96), Austrian soldier and military engineer. He fought at Philippsburg in 1734, in the War of the Austrian Succession, Seven Years' War and the Turkish War of 1796, becoming a field marshal. When the Commander's Cross of the Order of Maria Theresa was instituted in 1765, he was one of the first nine recipients. In 1789 he won the Grand Cross of the Order and in 1792 he became a Knight of the Order of the Golden Fleece. One of the largest mezzotints we have ever seen. We have only traced one other example, also untitled.
[Ref: 62661] £490.00
Ign. Duvivier pin.t. Nic Rhein inc.t.
[n.d., c.1790.]
An exceptionally large & scarce mezzotint, proof before title. 860 x 630mm (33¾ x 24¾"). Trimmed within plate at bottom, top corners chipped, repaired tears, surface cracking, laid on paper. Damaged.
A huge equestrian portrait of Karl Clemens von Pellegrini (1720-96), Austrian soldier and military engineer. He fought at Philippsburg in 1734, in the War of the Austrian Succession, Seven Years' War and the Turkish War of 1796, becoming a field marshal. When the Commander's Cross of the Order of Maria Theresa was instituted in 1765, he was one of the first nine recipients. In 1789 he won the Grand Cross of the Order and in 1792 he became a Knight of the Order of the Golden Fleece. One of the largest mezzotints we have ever seen. We have only traced one other example, also untitled.
[Ref: 62661] £490.00
Pope Clement The Ninth. From the Original Picture...In the Collection of his Grace the Duke of Devonshire, at Chiswick... Size of the Picture 3F,,4I by 4F,,2I in Height. No.35.
Carlo Maratti pinxit. John Hall sculpsit 1767.
Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.
Engraving, 510 x 380mm. 20 x 15".
Portrait of Pope Clement IX (1600 - 1669), born Giulio Rospigliosi, was Pope from 1667 to 1669. After Carlo Maratti (1625 - 1713).
For proo impression see re. 27723
[Ref: 27372] £120.00 (£144.00 incl.VAT)
Carlo Maratti pinxit. John Hall sculpsit 1767.
Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.
Engraving, 510 x 380mm. 20 x 15".
Portrait of Pope Clement IX (1600 - 1669), born Giulio Rospigliosi, was Pope from 1667 to 1669. After Carlo Maratti (1625 - 1713).
For proo impression see re. 27723
[Ref: 27372] £120.00 (£144.00 incl.VAT)
[Pope Clement The Ninth. From the Original Picture...In the Collection of his Grace the Duke of Devonshire, at Chiswick... Size of the Picture 3F,,4I by 4F,,2I in Height.] No.35.
Carlo Maratti pinxit. John Hall sculp.t: Londini 1767.
J. Boydell Excudit. [Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.]
Engraving, scratch-letter proof before title. 510 x 380mm. 20 x 15".
Seated portrait of Pope Clement IX (Giulio Rospigliosi, 1600 – 1669), pope from 1667-9, after Carlo Maratti (1625 - 1713), with a remarque with armorial, stags & putti.
For a lettered impression see ref. 27372
[Ref: 27723] £120.00 (£144.00 incl.VAT)
Carlo Maratti pinxit. John Hall sculp.t: Londini 1767.
J. Boydell Excudit. [Published by J. Boydell Engraver, in Cheapside, London; March 25th. 1767.]
Engraving, scratch-letter proof before title. 510 x 380mm. 20 x 15".
Seated portrait of Pope Clement IX (Giulio Rospigliosi, 1600 – 1669), pope from 1667-9, after Carlo Maratti (1625 - 1713), with a remarque with armorial, stags & putti.
For a lettered impression see ref. 27372
[Ref: 27723] £120.00 (£144.00 incl.VAT)
![[Pope Clement XI.]](jpegs/66721.jpg)
[Pope Clement XI.]
Ecs Pet. Leo. Ghezzius Inv. et delin. Hieronimus Rossi Sculp.
[n.d., c.1720.]
Etching. Sheet 350 x 235mm (13¾ x 9¼"). Trimmed within plate, creasing.
A portrait of Pope Clement XI (1649-1721), engraved by Girolamo Rossi after Pier Leone Ghezzi.
[Ref: 66721] £140.00 (£168.00 incl.VAT)
Ecs Pet. Leo. Ghezzius Inv. et delin. Hieronimus Rossi Sculp.
[n.d., c.1720.]
Etching. Sheet 350 x 235mm (13¾ x 9¼"). Trimmed within plate, creasing.
A portrait of Pope Clement XI (1649-1721), engraved by Girolamo Rossi after Pier Leone Ghezzi.
[Ref: 66721] £140.00 (£168.00 incl.VAT)
Ordre de la Procession, pour la Canonization de quelques Saints, dans l'Eglise de St. Pierre, sous le Pontificat de Clement XI en 1712
[Bernard Picart, c.1722]
Engraving, sheet 325 x 555mm (12¾ x 21¾"). Trimmed inside platemark; tear through title area; glued to backing sheet.
Impressive large engraving with detailed key, depicting a ceremony for the canonisation of saints, helding in the church of St Peter in the Vatican in 1712. From 'The Religious Ceremonies and Customs of the several Nations of the Known World, Represented in above an Hundred Copper-Plates, Designed by the Famous Picart' (1731).
[Ref: 38381] £240.00 (£288.00 incl.VAT)
[Bernard Picart, c.1722]
Engraving, sheet 325 x 555mm (12¾ x 21¾"). Trimmed inside platemark; tear through title area; glued to backing sheet.
Impressive large engraving with detailed key, depicting a ceremony for the canonisation of saints, helding in the church of St Peter in the Vatican in 1712. From 'The Religious Ceremonies and Customs of the several Nations of the Known World, Represented in above an Hundred Copper-Plates, Designed by the Famous Picart' (1731).
[Ref: 38381] £240.00 (£288.00 incl.VAT)
Theatre dressé dans l'Eglise de St Pierre pour la Canonization de quelques Saints sous le Pontificat de Clement XI en 1712
B. Picart sculp. dir. 1722
Engraving, sheet 330 x 545mm (12¾ x 21½"). Trimmed inside platemark; fold through centre as issued; glued to backing sheet.
Impressive large engraving with detailed key, depicting a ceremony for the canonisation of saints, helding in the church of St Peter in the Vatican in 1712. From 'The Religious Ceremonies and Customs of the several Nations of the Known World, Represented in above an Hundred Copper-Plates, Designed by the Famous Picart' (1731).
[Ref: 38382] £240.00 (£288.00 incl.VAT)
B. Picart sculp. dir. 1722
Engraving, sheet 330 x 545mm (12¾ x 21½"). Trimmed inside platemark; fold through centre as issued; glued to backing sheet.
Impressive large engraving with detailed key, depicting a ceremony for the canonisation of saints, helding in the church of St Peter in the Vatican in 1712. From 'The Religious Ceremonies and Customs of the several Nations of the Known World, Represented in above an Hundred Copper-Plates, Designed by the Famous Picart' (1731).
[Ref: 38382] £240.00 (£288.00 incl.VAT)
Muzio Clementi en 1795.
[n.d.]
Lithograph. 175 x 120mm (7 x 4¾'').
Portrait of Muzio Filippo Vincenzo Francesco Saverio Clementi (1752 - 1832), Italian-British composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England, in side profile.
[Ref: 63243] £80.00 (£96.00 incl.VAT)
[n.d.]
Lithograph. 175 x 120mm (7 x 4¾'').
Portrait of Muzio Filippo Vincenzo Francesco Saverio Clementi (1752 - 1832), Italian-British composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England, in side profile.
[Ref: 63243] £80.00 (£96.00 incl.VAT)
Vera Effigies Iohannis Clenche, Equitis aurati unius Iusticiariorum Serensis.ma Dominæ nuper Reginæ Elizabethæ ad placita corum ipsa Regina tenenda assignati.
W: Hollar sculp 1664.
Engraving. Sheet: 295 x 195mm (11½ x 7¾''), 17th century watermark. Verso in pencil "Bought in Paris May 1875"
A portrait of English judge John Clench (d. 1607) from Dugdale's 'Origines' either the 1671 or 1680 editions.
Pennington 1376 II of II.
[Ref: 48360] £240.00 (£288.00 incl.VAT)
W: Hollar sculp 1664.
Engraving. Sheet: 295 x 195mm (11½ x 7¾''), 17th century watermark. Verso in pencil "Bought in Paris May 1875"
A portrait of English judge John Clench (d. 1607) from Dugdale's 'Origines' either the 1671 or 1680 editions.
Pennington 1376 II of II.
[Ref: 48360] £240.00 (£288.00 incl.VAT)
Cleopatra.
Drawn by V.D. Riviere. Engraved by W. Woodley.
[n.d., c.1820.]
Stipple, printed in colours. 320 x 365mm (12½ x 14½"). Trimmed into plate at bottom.
A portrait of Cleopatra holding a cup and a pearl earring, after Daniel Valentine Riviere (1780-1854).
Rare: not in BM; Woodley is not listed in Alexander's Dictionary.
[Ref: 62357] £260.00 (£312.00 incl.VAT)
Drawn by V.D. Riviere. Engraved by W. Woodley.
[n.d., c.1820.]
Stipple, printed in colours. 320 x 365mm (12½ x 14½"). Trimmed into plate at bottom.
A portrait of Cleopatra holding a cup and a pearl earring, after Daniel Valentine Riviere (1780-1854).
Rare: not in BM; Woodley is not listed in Alexander's Dictionary.
[Ref: 62357] £260.00 (£312.00 incl.VAT)
Cleopatra stung by an Adder.
Clark Pin.t & Sculp.t.
Publish'd March 25, 1796, by John & Josiah Boydell, N.º 90 Cheapside.
Stipple. 365 x 280mm (14¼ x 11), large margins.
An oval portrait of Egyptian queen Cleopatra with the snake biting her arm.
Rare: the only reference to the print we can find is in the 1803 Boydell catalogue.
[Ref: 62360] £260.00 (£312.00 incl.VAT)
Clark Pin.t & Sculp.t.
Publish'd March 25, 1796, by John & Josiah Boydell, N.º 90 Cheapside.
Stipple. 365 x 280mm (14¼ x 11), large margins.
An oval portrait of Egyptian queen Cleopatra with the snake biting her arm.
Rare: the only reference to the print we can find is in the 1803 Boydell catalogue.
[Ref: 62360] £260.00 (£312.00 incl.VAT)
Portrait de Clèopatre derniere Reine d'Egypte tiré d'un Medaillon antique.
Eliz. Cheron L.H. delin. Urs. et J. de la Croix sculp.
Avec Privil. du Roi. [n.d. c.1736.]
Engraving, fine image with large margins. Plate 190 x 132mm. 7½ x 5¼".
Cleopatra VII Philopator (69 BC- 30 BC) was the last pharaoh of Ancient Egypt. She was a member of the Ptolemaic dynasty. Plate 40 from "Pierres Antiques Gravées Tirées des Principaux Cabinets de la France".
[Ref: 25082] £120.00 (£144.00 incl.VAT)
Eliz. Cheron L.H. delin. Urs. et J. de la Croix sculp.
Avec Privil. du Roi. [n.d. c.1736.]
Engraving, fine image with large margins. Plate 190 x 132mm. 7½ x 5¼".
Cleopatra VII Philopator (69 BC- 30 BC) was the last pharaoh of Ancient Egypt. She was a member of the Ptolemaic dynasty. Plate 40 from "Pierres Antiques Gravées Tirées des Principaux Cabinets de la France".
[Ref: 25082] £120.00 (£144.00 incl.VAT)
Cleopatra, Queen Of Egypt.
J. Chapman sculpt.
London Published as the Act directs Jan.y 21. 1804 by J. Wilkes.
Stipple with etching printed in colour, 165 x 115mm. 6½ x 4½". Creasing to right margin.
The infamous Cleopatra VII Philopator (69 BC – 30 BC), Hellenistic ruler of Egypt. She was the last Pharaoh of Ancient Egypt. With vignette scene below portrait indicating her alliances with prominent Roman leaders.
[Ref: 10614] £130.00 (£156.00 incl.VAT)
J. Chapman sculpt.
London Published as the Act directs Jan.y 21. 1804 by J. Wilkes.
Stipple with etching printed in colour, 165 x 115mm. 6½ x 4½". Creasing to right margin.
The infamous Cleopatra VII Philopator (69 BC – 30 BC), Hellenistic ruler of Egypt. She was the last Pharaoh of Ancient Egypt. With vignette scene below portrait indicating her alliances with prominent Roman leaders.
[Ref: 10614] £130.00 (£156.00 incl.VAT)
Cleopatra. E Tabula Guidonis Reni, in Pinacotheca Domini De Montriblou armigeri conservata.
Guido Reni Pinx.t. R. Strange delin.t et sculp.t 1777.
[London: Robert Strange, 1790.]
Engraving. 520 x 350mm (20½ x 14¼"), large margins.
Cleopatra clasping the asp to her bosom. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
[Ref: 46554] £280.00 (£336.00 incl.VAT)
Guido Reni Pinx.t. R. Strange delin.t et sculp.t 1777.
[London: Robert Strange, 1790.]
Engraving. 520 x 350mm (20½ x 14¼"), large margins.
Cleopatra clasping the asp to her bosom. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
[Ref: 46554] £280.00 (£336.00 incl.VAT)
![[Head of Cleopatra.]](jpegs/32913.jpg)
[Head of Cleopatra.]
[by Thomas Worlidge]
[1750]
Etching, platemark 65 x 50mm (2½ x 2"). Good impression; large margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression before Worlidge added his name. In her catalogue of prints after Worlidge's death, his widow Mary listed this print as 'head of Cleopatra'.
State i/iii; W108; D58.
[Ref: 32913] £280.00 (£336.00 incl.VAT)
[by Thomas Worlidge]
[1750]
Etching, platemark 65 x 50mm (2½ x 2"). Good impression; large margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression before Worlidge added his name. In her catalogue of prints after Worlidge's death, his widow Mary listed this print as 'head of Cleopatra'.
State i/iii; W108; D58.
[Ref: 32913] £280.00 (£336.00 incl.VAT)
![[Head of Cleopatra.]](jpegs/32914.jpg)
[Head of Cleopatra.]
Thos. Worlidge 1750.
Etching, platemark 65 x 50mm (2½ x 2"). Good impression; margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '108' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'head of Cleopatra').
State ii/iii; W108; D58.
[Ref: 32914] £180.00 (£216.00 incl.VAT)
Thos. Worlidge 1750.
Etching, platemark 65 x 50mm (2½ x 2"). Good impression; margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '108' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'head of Cleopatra').
State ii/iii; W108; D58.
[Ref: 32914] £180.00 (£216.00 incl.VAT)
![[Head of Cleopatra.]](jpegs/32915.jpg)
[Head of Cleopatra.]
Thos. Worlidge 1750.
Etching, platemark 65 x 50mm (2½ x 2"). Good impression; very large margins, uncut.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '108' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'head of Cleopatra').
State iii/iii; W108; D58.
[Ref: 32915] £140.00 (£168.00 incl.VAT)
Thos. Worlidge 1750.
Etching, platemark 65 x 50mm (2½ x 2"). Good impression; very large margins, uncut.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '108' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'head of Cleopatra').
State iii/iii; W108; D58.
[Ref: 32915] £140.00 (£168.00 incl.VAT)
[Cleopatra. E Tabula Guidonis Reni, in Pinacotheca Domini De Montriblou armigeri conservata.]
[Guido Reni Pinx.t. R. Strange delin.t et sculp.t 1777.]
[London: Robert Strange, 1790.]
Engraving., rare proof before all letters. 520 x 350mm (20½ x 14¼"). Thread margins.
Cleopatra clasping the asp to her bosom. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
[Ref: 52078] £260.00 (£312.00 incl.VAT)
[Guido Reni Pinx.t. R. Strange delin.t et sculp.t 1777.]
[London: Robert Strange, 1790.]
Engraving., rare proof before all letters. 520 x 350mm (20½ x 14¼"). Thread margins.
Cleopatra clasping the asp to her bosom. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
[Ref: 52078] £260.00 (£312.00 incl.VAT)
Statua di Cleopatra Regina d'Egitto che Dorme con l'Aspide Legato al Braccio Sinistro. VIII.
Gio. Batis. de Poilly Sculp.
In Roma nella Stamp.a di Domenico de Rossi alla Pace con privilegio. [n.d. c.1704.]
Engraving. Plate 235 x 324mm. 9¼ x 12¾". Trimmed to plate left and right.
Cleopatra VII (69 BC-30 BC), Egyptian Queen, lover of Julius Caesar and later the wife of Mark Antony. After the Roman armies of Octavian (the future Emperor Augustus) defeated their combined forces, Antony and Cleopatra committed suicide, and Egypt fell under Roman domination. Rather than be dragged through the city in which she had been borne as a queen, she killed herself, possibly by means of an asp, symbol of divine royalty. From "Raccolta Di Statue Antiche E Moderne".
[Ref: 24900] £160.00 (£192.00 incl.VAT)
Gio. Batis. de Poilly Sculp.
In Roma nella Stamp.a di Domenico de Rossi alla Pace con privilegio. [n.d. c.1704.]
Engraving. Plate 235 x 324mm. 9¼ x 12¾". Trimmed to plate left and right.
Cleopatra VII (69 BC-30 BC), Egyptian Queen, lover of Julius Caesar and later the wife of Mark Antony. After the Roman armies of Octavian (the future Emperor Augustus) defeated their combined forces, Antony and Cleopatra committed suicide, and Egypt fell under Roman domination. Rather than be dragged through the city in which she had been borne as a queen, she killed herself, possibly by means of an asp, symbol of divine royalty. From "Raccolta Di Statue Antiche E Moderne".
[Ref: 24900] £160.00 (£192.00 incl.VAT)
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Cleopatra and her Attendants Assisting to Arm Antony. Vide Shakspeare's Tragedy of Antony & Cleopatra, Act IV. Sc. 4.
Wm. Martin, Historic Painter to His Majesty Pinxt. F. Bartolozzi R.A. Sculpt.
Engraved from the Original Picture 12 feet by 9 (presented by the Artist &) placed in the Exchange of Liverpool. Published for the Proprietor August 11th. 1804, by Wm. Martin, Windsor Castle, and H. Macklin, 39 Fleet Street, London.
Stipple and etching, 510 x 635mm. 20 x 25". Tatty, torn and chipped margins, missing left margin.
A luxurious interior with Mark Antony standing in front of a pillar, one arm around Cleopatra, who comes forward from her throne, helping to arrange his sword belt. Women on the left bring forward his shield and helmet, a man bends to fasten his sandals; Egyptian courtiers watch from behind Cleopatra's throne and Roman soldiers wait outside in the background to left. Dedication to the Borough of Liverpool below title. After William Martin (1753 - c. 1831).
[Ref: 12769] £320.00
Wm. Martin, Historic Painter to His Majesty Pinxt. F. Bartolozzi R.A. Sculpt.
Engraved from the Original Picture 12 feet by 9 (presented by the Artist &) placed in the Exchange of Liverpool. Published for the Proprietor August 11th. 1804, by Wm. Martin, Windsor Castle, and H. Macklin, 39 Fleet Street, London.
Stipple and etching, 510 x 635mm. 20 x 25". Tatty, torn and chipped margins, missing left margin.
A luxurious interior with Mark Antony standing in front of a pillar, one arm around Cleopatra, who comes forward from her throne, helping to arrange his sword belt. Women on the left bring forward his shield and helmet, a man bends to fasten his sandals; Egyptian courtiers watch from behind Cleopatra's throne and Roman soldiers wait outside in the background to left. Dedication to the Borough of Liverpool below title. After William Martin (1753 - c. 1831).
[Ref: 12769] £320.00
Cleopatra's Needle.
Frank Harding [signed in pencil.]
[n.d. c.1890.]
Etching. Plate: 300 x 235mm (11¾ x 9¼"), large margins.
A view along the embankment with Cleopatra's Needle, Waterloo Bridge and Somerset House.
[Ref: 39801] £280.00 (£336.00 incl.VAT)
Frank Harding [signed in pencil.]
[n.d. c.1890.]
Etching. Plate: 300 x 235mm (11¾ x 9¼"), large margins.
A view along the embankment with Cleopatra's Needle, Waterloo Bridge and Somerset House.
[Ref: 39801] £280.00 (£336.00 incl.VAT)
Cleopatra's Needle. Obelisk at Alexandria commonly called Cleopatra's Needle.
David Roberts R. A. L. Haghe lith.
London Published by F. G. Moon 20 Threadneedle Street, Aug.t 1.st. 1846.
Lithograph with letterpress printed below. Printed area: 350 x 260, (13¾ x 10¼").
View of a red granite obelisk at Alexandria. The letterpress below explains that the obelisk was offered to the English by Mohammed Ali but remained in Egypt for many years before eventually being brought to England and erected on the Victoria Embankment on 12th September 1878.
[Ref: 35045] £150.00 (£180.00 incl.VAT)
David Roberts R. A. L. Haghe lith.
London Published by F. G. Moon 20 Threadneedle Street, Aug.t 1.st. 1846.
Lithograph with letterpress printed below. Printed area: 350 x 260, (13¾ x 10¼").
View of a red granite obelisk at Alexandria. The letterpress below explains that the obelisk was offered to the English by Mohammed Ali but remained in Egypt for many years before eventually being brought to England and erected on the Victoria Embankment on 12th September 1878.
[Ref: 35045] £150.00 (£180.00 incl.VAT)
![[Cleopatra's Needle & Waterloo Bridge.]](jpegs/33835.jpg)
[Cleopatra's Needle & Waterloo Bridge.]
Fred. A. Farrell [signed in pencil.]
[n.d. c.1925.]
Etching. 235 x 375mm (9¼ x 14¾").
A view of the Embankment, with Cleopatra's Needle, with the dome of St Paul's Cathedral rising above Waterloo Bridge. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 33835] £320.00
Fred. A. Farrell [signed in pencil.]
[n.d. c.1925.]
Etching. 235 x 375mm (9¼ x 14¾").
A view of the Embankment, with Cleopatra's Needle, with the dome of St Paul's Cathedral rising above Waterloo Bridge. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 33835] £320.00
The First Winter of Cleopatra's Needle on the Thames 1878-9.
CPSlocombe Jan.y 10/79.
Etching. Plate 198 x 457mm. 7¾ x 18". Crease lower right-hand corner.
A view of London at winter time, ice seen on the Thames. Cleaopatra's Needle was transported from Alexandria in 1877 and erected in London in August, 1878. Seen the other side of the Needle is Hungerford Bridge, the Houses of Parliament, Big Ben, Westminster Bridge and part of Westminster Abbey.
See: Fine Arts Museums of San Francisco: 1978.1.24 .
[Ref: 19206] £260.00 (£312.00 incl.VAT)
CPSlocombe Jan.y 10/79.
Etching. Plate 198 x 457mm. 7¾ x 18". Crease lower right-hand corner.
A view of London at winter time, ice seen on the Thames. Cleaopatra's Needle was transported from Alexandria in 1877 and erected in London in August, 1878. Seen the other side of the Needle is Hungerford Bridge, the Houses of Parliament, Big Ben, Westminster Bridge and part of Westminster Abbey.
See: Fine Arts Museums of San Francisco: 1978.1.24 .
[Ref: 19206] £260.00 (£312.00 incl.VAT)
![[The Embankment looking towards Westminster.]](jpegs/6759.jpg)
[The Embankment looking towards Westminster.]
Ssigned in pencil by W. L. Wyllie.
[n.d., c.1920.]
Drypoint, 150 x 200mm. Cracked on left plate impress.
William L. Wyllie [1851-1931] Born 5th July 1851, in London. The British marine artist William Lionel Wyllie was the son of He attended Heatherley’s art school until the age of fifteen, leaving to study at the Royal Academy Schools, where he won the Turner Medal at the age of eighteen. In the early 1870’s Wyllie became an illustrator for the Graphic. He held several exhibitions at galleries of the Fine Art Society and elsewhere. In 1889 he was elected an associate of the Royal Academy, and exhibited his work their in 1901. Wyllie spent much of his time at sea working for the White Star Shipping Line, and serving in the Royal Navy during WWI. painting seascapes and coastal landscapes. It was his etchings and watercolours showing working life on the Thames and the Medway that brought him widespread popularity. Later in his life he played an important role in the restoration of the Victory. Wyllie died on the 6th April 1931 in Hampstead, and scouts from the 1st Portchester Sea Scout Troop, which he had founded, rowed his coffin across Portsmouth Harbour for his burial at Portchester Castle.
[Ref: 6759] £480.00
Ssigned in pencil by W. L. Wyllie.
[n.d., c.1920.]
Drypoint, 150 x 200mm. Cracked on left plate impress.
William L. Wyllie [1851-1931] Born 5th July 1851, in London. The British marine artist William Lionel Wyllie was the son of He attended Heatherley’s art school until the age of fifteen, leaving to study at the Royal Academy Schools, where he won the Turner Medal at the age of eighteen. In the early 1870’s Wyllie became an illustrator for the Graphic. He held several exhibitions at galleries of the Fine Art Society and elsewhere. In 1889 he was elected an associate of the Royal Academy, and exhibited his work their in 1901. Wyllie spent much of his time at sea working for the White Star Shipping Line, and serving in the Royal Navy during WWI. painting seascapes and coastal landscapes. It was his etchings and watercolours showing working life on the Thames and the Medway that brought him widespread popularity. Later in his life he played an important role in the restoration of the Victory. Wyllie died on the 6th April 1931 in Hampstead, and scouts from the 1st Portchester Sea Scout Troop, which he had founded, rowed his coffin across Portsmouth Harbour for his burial at Portchester Castle.
[Ref: 6759] £480.00
![[Cleopatra's Needle and Waterloo Bridge] [No.5]](jpegs/62215.jpg)
[Cleopatra's Needle and Waterloo Bridge] [No.5]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.]
Etching. Plate 140 x 195mm. (5½ x 7¾"), with very large margins.
View along the Embankment with Cleopatra's Needle in the foreground against the backdrop of Waterloo Bridge and Somerset House. Plane trees stretch all the way from Houses of Parliament to Blackfriars.
[Ref: 62215] £95.00 (£114.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.]
Etching. Plate 140 x 195mm. (5½ x 7¾"), with very large margins.
View along the Embankment with Cleopatra's Needle in the foreground against the backdrop of Waterloo Bridge and Somerset House. Plane trees stretch all the way from Houses of Parliament to Blackfriars.
[Ref: 62215] £95.00 (£114.00 incl.VAT)
Now that I have illustrated my three pints, I shall proceed to draw some More ale!!
J. W.H. fecit.
Pub May 12 1823 by G Humphrey 24 St James's St & 74 New Bond St.
Fine hand-coloured etching, 135 x 170mm (5¼ x 6¾"), with large margins. On paper watermarked 'J Whatman 1825.'
A fat bottle-nosed parson preaches from the upper story of a three-decker pulpit. Below him a lean curate sleeps, spectacles on forehead. A lank-haired rubicund clerk listens alertly. At the base of the design are the heads of a congregation, asleep, except for a flirting couple.
BM Satires 14574.
[Ref: 67431] £140.00 (£168.00 incl.VAT)
J. W.H. fecit.
Pub May 12 1823 by G Humphrey 24 St James's St & 74 New Bond St.
Fine hand-coloured etching, 135 x 170mm (5¼ x 6¾"), with large margins. On paper watermarked 'J Whatman 1825.'
A fat bottle-nosed parson preaches from the upper story of a three-decker pulpit. Below him a lean curate sleeps, spectacles on forehead. A lank-haired rubicund clerk listens alertly. At the base of the design are the heads of a congregation, asleep, except for a flirting couple.
BM Satires 14574.
[Ref: 67431] £140.00 (£168.00 incl.VAT)
Abbé Ce jeune Abbé sans benefice Attande que quelque deuolu, Luy vienne rendre un bon office, En augmentant son revenu.
Chez H.Bonnart rue S. Jacques au Coq avec privil. [n.d. c.1680-1700].
Etching with engraving, 275 x 185mm (10¾ x 7¼"), with , 17th century watermark and wide margins.
An abbot in clerical dress complete with muff. Published by Henri Bonnart II (1642-1711) and from an album of 215 prints depicting different French costumes of the period.
[Ref: 54863] £130.00 (£156.00 incl.VAT)
Chez H.Bonnart rue S. Jacques au Coq avec privil. [n.d. c.1680-1700].
Etching with engraving, 275 x 185mm (10¾ x 7¼"), with , 17th century watermark and wide margins.
An abbot in clerical dress complete with muff. Published by Henri Bonnart II (1642-1711) and from an album of 215 prints depicting different French costumes of the period.
[Ref: 54863] £130.00 (£156.00 incl.VAT)
[A clergyman.]
Painted by Charles Mercier. Engraved by Charles G. Lewis.
[n.d., c.1855.]
Engraving on india laid paper, 710 x 470mm. 28 x 18½".
After Charles Mercier (1834-after 1893).
[Ref: 12352] £80.00 (£96.00 incl.VAT)
Painted by Charles Mercier. Engraved by Charles G. Lewis.
[n.d., c.1855.]
Engraving on india laid paper, 710 x 470mm. 28 x 18½".
After Charles Mercier (1834-after 1893).
[Ref: 12352] £80.00 (£96.00 incl.VAT)
The Clerical Butcher Macaroni.
St James fec. [Darly.]
Pubd accordg to Act by MDarly 39 Strand Nov 6 1772.
Etching, 175 x 125mm. 7 x 5".
A man holds a huge and intimidating butcher's cleaver in his right hand, his left in his breeches pocket. He is plainly dressed in dark clothes in the manner of a clergyman, in a small wig, plain neck cloth, a buttoned waistcoat concealing his shirt. Probably someone called Butcher. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.5' upper left and '2' upper right.
BM Satires: 5048.
[Ref: 14315] £180.00 (£216.00 incl.VAT)
St James fec. [Darly.]
Pubd accordg to Act by MDarly 39 Strand Nov 6 1772.
Etching, 175 x 125mm. 7 x 5".
A man holds a huge and intimidating butcher's cleaver in his right hand, his left in his breeches pocket. He is plainly dressed in dark clothes in the manner of a clergyman, in a small wig, plain neck cloth, a buttoned waistcoat concealing his shirt. Probably someone called Butcher. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.5' upper left and '2' upper right.
BM Satires: 5048.
[Ref: 14315] £180.00 (£216.00 incl.VAT)
The Dignifyd Clerical Macaroni.
Pubd. accorg. to Act Octr. 6, 1772 by M.Darly 39 Strand.
Etching, 175 x 250mm. 7 x 9¾".
A portly cleric out shooting is encouraged by his footman to 'Run, my Lord, run' after a scampering partridge disturbed from its ground cover. The parson appears unwilling, or perhaps unable, to chase the bird. Numbered '19' upper right. From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates.
[Ref: 14088] £260.00 (£312.00 incl.VAT)
Pubd. accorg. to Act Octr. 6, 1772 by M.Darly 39 Strand.
Etching, 175 x 250mm. 7 x 9¾".
A portly cleric out shooting is encouraged by his footman to 'Run, my Lord, run' after a scampering partridge disturbed from its ground cover. The parson appears unwilling, or perhaps unable, to chase the bird. Numbered '19' upper right. From an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates.
[Ref: 14088] £260.00 (£312.00 incl.VAT)
A Clerical Manoeuvre or the Way to Finish a Charity Sermon.
C.W. fecit. [Charles Williams]
by Tho.s Tegg 111 Cheapside. [Date of Nov.r 1.st 1815 removed from plate]
Hand-coloured etching. 250 x 350mm (9¾ x 13¾"). Framed. Unexamined out of frame.
A clerk takes round the plate collecting donations with a sly smile. The congregation eagerly hasten to contribute handsomely, making various remarks. Despite the parson's insistence that anyone 'not in a state of solvency' should not make a donation, the congregation clearly feel under pressure to do so, borrowing from their neighbour where necessary.
BM Satires 16252.
[Ref: 58386] £230.00 (£276.00 incl.VAT)
C.W. fecit. [Charles Williams]
by Tho.s Tegg 111 Cheapside. [Date of Nov.r 1.st 1815 removed from plate]
Hand-coloured etching. 250 x 350mm (9¾ x 13¾"). Framed. Unexamined out of frame.
A clerk takes round the plate collecting donations with a sly smile. The congregation eagerly hasten to contribute handsomely, making various remarks. Despite the parson's insistence that anyone 'not in a state of solvency' should not make a donation, the congregation clearly feel under pressure to do so, borrowing from their neighbour where necessary.
BM Satires 16252.
[Ref: 58386] £230.00 (£276.00 incl.VAT)