A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Cicero. Julius Caesar.
From an Antique Bust. E harding Jun.r. Sculp.
[1793.]
Stipple. 190 x 140mm. 7½ x 5½".
An illustration to Harding's "Shakespeare Illustrated". Marcus Tullius Cicero (106BC - 43BC) was a Roman statesman, lawyer and Roman constitutionalist. Cicero was Julius Caesar's political rival, and although he had no direct part in his death, his work and ideas influenced the senate into disposing of Caesar.
BM: 1868,0822.6311.
[Ref: 16799] £45.00 (£54.00 incl.VAT)
From an Antique Bust. E harding Jun.r. Sculp.
[1793.]
Stipple. 190 x 140mm. 7½ x 5½".
An illustration to Harding's "Shakespeare Illustrated". Marcus Tullius Cicero (106BC - 43BC) was a Roman statesman, lawyer and Roman constitutionalist. Cicero was Julius Caesar's political rival, and although he had no direct part in his death, his work and ideas influenced the senate into disposing of Caesar.
BM: 1868,0822.6311.
[Ref: 16799] £45.00 (£54.00 incl.VAT)
Cicero.
A. Liernur, del. J. Wysman, sculp. G. Forsfell, Perfec.t
Proefdruk. [n.d. c.1835.]
Stipple, rare. Plate 242 x 197mm. 9½ x 7¾". Foxing and crease in lower margin.
Marcus Tullius Cicero (106BC - 43BC) was a Roman statesman, lawyer and Roman constitutionalist. Cicero was Julius Caesar's political rival, and although he had no direct part in his death, his work and ideas influenced the senate into disposing of Caesar.
[Ref: 21120] £160.00 (£192.00 incl.VAT)
A. Liernur, del. J. Wysman, sculp. G. Forsfell, Perfec.t
Proefdruk. [n.d. c.1835.]
Stipple, rare. Plate 242 x 197mm. 9½ x 7¾". Foxing and crease in lower margin.
Marcus Tullius Cicero (106BC - 43BC) was a Roman statesman, lawyer and Roman constitutionalist. Cicero was Julius Caesar's political rival, and although he had no direct part in his death, his work and ideas influenced the senate into disposing of Caesar.
[Ref: 21120] £160.00 (£192.00 incl.VAT)
![[Rome] Marcus Tullius Cicero,](jpegs/10384.jpg)
[Rome] Marcus Tullius Cicero, is Humbly Dedicated to the Right Honble. the Countess of Pomfret,
by her Most Obedt. Humble Servant Thos. Worlidge.
[n.d., c.1760.]
Etching, 480 x 340mm (18¾ x 13¼"). Upper right margin chipped, with staining into plate. Repaired marginal tear into plate upper left.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. By Thomas Worlidge (1700 - 1766).
[Ref: 10384] £260.00 (£312.00 incl.VAT)
by her Most Obedt. Humble Servant Thos. Worlidge.
[n.d., c.1760.]
Etching, 480 x 340mm (18¾ x 13¼"). Upper right margin chipped, with staining into plate. Repaired marginal tear into plate upper left.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. By Thomas Worlidge (1700 - 1766).
[Ref: 10384] £260.00 (£312.00 incl.VAT)
M. Tullius Cicero. Ex marmore antiquo. K.
P.P. Rubens Delin. [engraved by John Faber snr.]
Sold by Tho: Bowles next the Chapter House in S.t Pauls Church Yard [n.d., c.1720].
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"), with very large margins.
A portrait of Marcus Tullius Cicero (106 - 43BC), taken from a marble bust, sitting in a niche. One of twelve busts in the series 'Ancient Philosophers and Poets', probably originally published by Faber, but no earlier state is listed in Challoner Smith.
CS 2. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 65016] £320.00
P.P. Rubens Delin. [engraved by John Faber snr.]
Sold by Tho: Bowles next the Chapter House in S.t Pauls Church Yard [n.d., c.1720].
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"), with very large margins.
A portrait of Marcus Tullius Cicero (106 - 43BC), taken from a marble bust, sitting in a niche. One of twelve busts in the series 'Ancient Philosophers and Poets', probably originally published by Faber, but no earlier state is listed in Challoner Smith.
CS 2. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 65016] £320.00
![[Rome] [Cicero]](jpegs/33063.jpg)
[Rome] [Cicero]
[n.d., c.1760.]
Etching, sheet 405 x 205mm (16 x 8"). Trimmed inside platemark; crudely repaired tear upper right. Early unfinished proof with label reading 'this drawing was in the studio portfolio of Messrs Worlidge & Barker'.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State i/iv; D56
[Ref: 33063] £350.00
[n.d., c.1760.]
Etching, sheet 405 x 205mm (16 x 8"). Trimmed inside platemark; crudely repaired tear upper right. Early unfinished proof with label reading 'this drawing was in the studio portfolio of Messrs Worlidge & Barker'.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State i/iv; D56
[Ref: 33063] £350.00
![[Rome] [Cicero]](jpegs/33064.jpg)
[Rome] [Cicero]
[n.d., c.1760.]
Etching, sheet 420 x 220mm (16½ x 8½"). Trimmed inside platemark; paper tone and crease bottom left; some stains. Unfinished proof with label reading 'this drawing was in the studio portfolio of Messrs Worlidge & Barker'. Laid on blue sugar paper.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State ii/iv; D56
[Ref: 33064] £350.00
[n.d., c.1760.]
Etching, sheet 420 x 220mm (16½ x 8½"). Trimmed inside platemark; paper tone and crease bottom left; some stains. Unfinished proof with label reading 'this drawing was in the studio portfolio of Messrs Worlidge & Barker'. Laid on blue sugar paper.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State ii/iv; D56
[Ref: 33064] £350.00
![[Rome] Marcus Tullius Cicero,](jpegs/33065.jpg)
[Rome] Marcus Tullius Cicero, is Humbly Dedicated to the Right Honble. the Countess of Pomfret,
by her Most Obedt. Humble Servant Thos. Worlidge.
[n.d., c.1760.]
Etching, platemark 480 x 340mm (18¾ x 13¼"). Good impression with (large but chipped and torn) margins.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State iii/iv; D56
[Ref: 33065] £320.00
by her Most Obedt. Humble Servant Thos. Worlidge.
[n.d., c.1760.]
Etching, platemark 480 x 340mm (18¾ x 13¼"). Good impression with (large but chipped and torn) margins.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State iii/iv; D56
[Ref: 33065] £320.00
![[Rome] Marcus Tullius Cicero,](jpegs/33066.jpg)
[Rome] Marcus Tullius Cicero, is Humbly Dedicated to the Right Honble. the Countess of Pomfret,
by her Most Obedt. Humble Servant Thos. Worlidge.
[n.d., c.1760.]
Etching, platemark 480 x 340mm (18¾ x 13¼"). Good impression with (chipped and torn) margins. Tear into image upper left. Stained.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State iii/iv; D56
[Ref: 33066] £220.00 (£264.00 incl.VAT)
by her Most Obedt. Humble Servant Thos. Worlidge.
[n.d., c.1760.]
Etching, platemark 480 x 340mm (18¾ x 13¼"). Good impression with (chipped and torn) margins. Tear into image upper left. Stained.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766).
State iii/iv; D56
[Ref: 33066] £220.00 (£264.00 incl.VAT)
![[Rome] Marcus Tullius Cicero,](jpegs/33067.jpg)
[Rome] Marcus Tullius Cicero, is Humbly Dedicated to the Right Honble. the Countess of Pomfret,
by her Most Obedt. Humble Servant Thos. Worlidge.
London, Published by Robert Wilkinson, No. 125 Fenchurch Street & Richard Holmes Laurie, No. 53 Fleet Street [c.1820].
Etching, platemark 480 x 340mm (18¾ x 13¼"). Worn impression; margins except for upper right where missing and tear inside platemark.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766) but here in early 19th century reprint by Wilkinson and Laurie.
State iv/iv; D56
[Ref: 33067] £120.00 (£144.00 incl.VAT)
by her Most Obedt. Humble Servant Thos. Worlidge.
London, Published by Robert Wilkinson, No. 125 Fenchurch Street & Richard Holmes Laurie, No. 53 Fleet Street [c.1820].
Etching, platemark 480 x 340mm (18¾ x 13¼"). Worn impression; margins except for upper right where missing and tear inside platemark.
A striking statue of Cicero (106 BC - 43 BC), Roman orator made consul in 63 BC., holding a scroll in his left hand at waist level, another object in his right. Based on one of the ancient Greek and Roman statues from the collection of the Countess of Pomfret, which formerly belonged to the Earl of Arundel before later being passed to the University of Oxford. By Thomas Worlidge (1700 - 1766) but here in early 19th century reprint by Wilkinson and Laurie.
State iv/iv; D56
[Ref: 33067] £120.00 (£144.00 incl.VAT)
The Great Cyder Press. See Treatise on Cyder making P.33.
[London: Gentleman's Magazine, 1753.]
Engraving. Sheet 120 x 210mm (4¾ x 8¼")., Creased. 2 very small wormholes.
A man winding a large cider press.
[Ref: 58592] £65.00 (£78.00 incl.VAT)
[London: Gentleman's Magazine, 1753.]
Engraving. Sheet 120 x 210mm (4¾ x 8¼")., Creased. 2 very small wormholes.
A man winding a large cider press.
[Ref: 58592] £65.00 (£78.00 incl.VAT)
![['Zhandou' bridge in Shaanxi province, and bridge of Ch'üan-Chou across Luoyang river]](jpegs/33406.jpg)
['Zhandou' bridge in Shaanxi province, and bridge of Ch'üan-Chou across Luoyang river] Cientao, oder der Weg der Stü zen in der Sinesischen Provinz Xensi [...]
Delsenbach fecit
[Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to margins only.
Two celebrated Chinese engineering feats, the 'bridge of supports' on the Shu Roads in Shaanxi, and the Luoyang Bridge in Quanzhou, China's earliest stone beam bridge (completed 1059). Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
[Ref: 33406] £480.00
Delsenbach fecit
[Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to margins only.
Two celebrated Chinese engineering feats, the 'bridge of supports' on the Shu Roads in Shaanxi, and the Luoyang Bridge in Quanzhou, China's earliest stone beam bridge (completed 1059). Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
[Ref: 33406] £480.00
Cigars - Havannah.
[n.d., c.1830.]
Scarce coloured lithograph. Sheet 225 x 270mm (8¾ x 7"). Trimmed to image and around title, laid on album paper.
A ground of men smoke cigars, enveloping themselves in clouds of smoke.
Not in BM
[Ref: 68066] £260.00 (£312.00 incl.VAT)
[n.d., c.1830.]
Scarce coloured lithograph. Sheet 225 x 270mm (8¾ x 7"). Trimmed to image and around title, laid on album paper.
A ground of men smoke cigars, enveloping themselves in clouds of smoke.
Not in BM
[Ref: 68066] £260.00 (£312.00 incl.VAT)
Jean-Michel Vicomte De Cigala, Ne Turc, et connii pour Prince Ottoman, Sous le nom de Mahomet bej, Fils de Scipio….fut Favorablemt. Aceuilly du Roy, et de toutte la Cour.
N De Larmessin Sculpsit.
A Paris Che P Bertrand Rue St. Iacques proche St Seuerin a la pome dor__C.P. Regis [n.d. c.1685].
Engraving. 160 x 230mm. Staining, mostly in margins. Pin-sized hole lower left of frame.
Collection of the Royal House of Savoy and Italy.
[Ref: 1645] £70.00 (£84.00 incl.VAT)
N De Larmessin Sculpsit.
A Paris Che P Bertrand Rue St. Iacques proche St Seuerin a la pome dor__C.P. Regis [n.d. c.1685].
Engraving. 160 x 230mm. Staining, mostly in margins. Pin-sized hole lower left of frame.
Collection of the Royal House of Savoy and Italy.
[Ref: 1645] £70.00 (£84.00 incl.VAT)
Cincinnati. 36. Voy. en Amerique. T.II.73.
L. Massard del. Choubard sc.
[n.d. c.1840.]
Coloured engraving. 247 x 152mm. 9¾ x 6".
A mandolin player "Cincinnati." Costume appears central American or spanish.
[Ref: 23229] £70.00 (£84.00 incl.VAT)
L. Massard del. Choubard sc.
[n.d. c.1840.]
Coloured engraving. 247 x 152mm. 9¾ x 6".
A mandolin player "Cincinnati." Costume appears central American or spanish.
[Ref: 23229] £70.00 (£84.00 incl.VAT)
![[Cinderella]. Cinderilla, or The Little Glass Slipper. When she had done her work [...]](jpegs/62364.jpg)
[Cinderella]. Cinderilla, or The Little Glass Slipper. When she had done her work [...] [&] Cinderilla, or The Little Glass Slipper. Cinderilla laughted to herself whn she saw her Slipper [...]
Drawn & Engraved by Henry Richter.
[Published Feb.y 1799 by J & H Richter 26 Newman Street Oxford Street.]
Pair of coloured stipples, fine colour. Sheets 260 x 275mm (10¼ x 10¾"). Trimmed to images on three sides, into plate at bottom, losing publications lines; slight scuffing of print area on second plate.
Two scenes of the fairytale 'Cinderella', as told by Charles Perrault in his 'Cendrillon ou la petite pantoufle de verre' (the version used by Disney): in the first she kneels at a fireplace, her sisters looking down on her with contempt; in the second the prince's herald fits the slipper on her foot as the sisters glower.
[Ref: 62364] £250.00 (£300.00 incl.VAT) view all images for this item
Drawn & Engraved by Henry Richter.
[Published Feb.y 1799 by J & H Richter 26 Newman Street Oxford Street.]
Pair of coloured stipples, fine colour. Sheets 260 x 275mm (10¼ x 10¾"). Trimmed to images on three sides, into plate at bottom, losing publications lines; slight scuffing of print area on second plate.
Two scenes of the fairytale 'Cinderella', as told by Charles Perrault in his 'Cendrillon ou la petite pantoufle de verre' (the version used by Disney): in the first she kneels at a fireplace, her sisters looking down on her with contempt; in the second the prince's herald fits the slipper on her foot as the sisters glower.
[Ref: 62364] £250.00 (£300.00 incl.VAT) view all images for this item
The Cinque Ports' Ball. To His Grace the Duke of Wellington, at Dover, Sept.r 5.th 1839.
On stone from a Drawing on the Spot by W.m Burgess. Printed at A. Ducote's Lithographic Establishment, No 70, St Martin's Lane, London.
Pub.d Oct.r 25th 1839 by Thomas Rigden, Dover; and in London by Ackermann & C.o 96, Strand, and Charles Tilt, 86, Fleet Street.
Lithograph with fine hand colour. 385 x 505mm (15¼ x 19¾"). Dusty in margins.
A view of the interior of the Wellington Pavilion, erected on the Priory Meadow (now St Martin's Terrace), during the Wellington Festival Ball in August 1839. The Duke can be seen in conversation. One of a set of three prints by William Burgess, with a view of the exterior of the pavilion and an interior during the Wellington Dinner, held a week before the ball.
[Ref: 60227] £360.00
On stone from a Drawing on the Spot by W.m Burgess. Printed at A. Ducote's Lithographic Establishment, No 70, St Martin's Lane, London.
Pub.d Oct.r 25th 1839 by Thomas Rigden, Dover; and in London by Ackermann & C.o 96, Strand, and Charles Tilt, 86, Fleet Street.
Lithograph with fine hand colour. 385 x 505mm (15¼ x 19¾"). Dusty in margins.
A view of the interior of the Wellington Pavilion, erected on the Priory Meadow (now St Martin's Terrace), during the Wellington Festival Ball in August 1839. The Duke can be seen in conversation. One of a set of three prints by William Burgess, with a view of the exterior of the pavilion and an interior during the Wellington Dinner, held a week before the ball.
[Ref: 60227] £360.00
The Cinque Ports' Banquet. To His Grace the Duke of Wellington, at Dover, August 30.th 1839.
On stone from a Drawing on the Spot by W.m Burgess. Printed at A. Ducote's Lithographic Establishment, No 70, St Martin's Lane, London.
Pub.d Sept.r 25th 1839 by Thomas Rigden, Dover; and in London by Ackermann & C.o 96, Strand, and Charles Tilt, 86, Fleet Street.
Lithograph with fine hand colour. 385 x 505mm (15¼ x 19¾"). Nick in left edge, slight staining in unprinted area on right.
A view of the interior of the Wellington Pavilion, erected on the Priory meadow (now St Martin's Terrace), during the Wellington Festival Banquet in August 1839. The Duke can be seen on the top table. One of a set of three prints by William Burgess, with a view of the exterior of the pavilion and an interior during the Wellington Ball, held a week after the dinner.
[Ref: 60226] £360.00
On stone from a Drawing on the Spot by W.m Burgess. Printed at A. Ducote's Lithographic Establishment, No 70, St Martin's Lane, London.
Pub.d Sept.r 25th 1839 by Thomas Rigden, Dover; and in London by Ackermann & C.o 96, Strand, and Charles Tilt, 86, Fleet Street.
Lithograph with fine hand colour. 385 x 505mm (15¼ x 19¾"). Nick in left edge, slight staining in unprinted area on right.
A view of the interior of the Wellington Pavilion, erected on the Priory meadow (now St Martin's Terrace), during the Wellington Festival Banquet in August 1839. The Duke can be seen on the top table. One of a set of three prints by William Burgess, with a view of the exterior of the pavilion and an interior during the Wellington Ball, held a week after the dinner.
[Ref: 60226] £360.00
Giovan Battista Cipriani, Esq.r R.A.
Rigaud, Pinxit. R. Earlom, Sculpsit.
Publish'd Sep.r 29.h 1789, by John & Josiah Boydell, Cheapside & at the Shakespeare Gallery, Pall Mall, London.
A very fine coloured stipple. Plate 217 x 178mm. 8½ x 7".
Giovanni Battista Cipriani (1727-1785) was an Italian painter and engraver. He lived and worked in Florence, until he was in Rome, where he became acquainted with Sir William Chambers and Joseph Wilton, whom he accompanied to England in 1755. Half-length portrait
Wessley: 450.
[Ref: 18330] £280.00 (£336.00 incl.VAT)
Rigaud, Pinxit. R. Earlom, Sculpsit.
Publish'd Sep.r 29.h 1789, by John & Josiah Boydell, Cheapside & at the Shakespeare Gallery, Pall Mall, London.
A very fine coloured stipple. Plate 217 x 178mm. 8½ x 7".
Giovanni Battista Cipriani (1727-1785) was an Italian painter and engraver. He lived and worked in Florence, until he was in Rome, where he became acquainted with Sir William Chambers and Joseph Wilton, whom he accompanied to England in 1755. Half-length portrait
Wessley: 450.
[Ref: 18330] £280.00 (£336.00 incl.VAT)
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G.B. Cipriani R.A.
[Francesco Bartolozzi.]
Pubd. as the Act directs the 24 of decr. 1785 by M. Bova No.105 Swallow Street.
Stipple and etching printed in brown ink, 212 x 175mm. Trimmed to plate abrasion on left side of oval, damaged to left.
Portrait of Giovanni Battista Cipriani (1727 – 1785) in an oval, right profile, his hair tied at the nape in a bow. Although Giovanni Battista Cipriani was born in Florence, he worked mostly in England. He moved to London in 1755 under the guidance of Sir William Chambers and Joseph Wilton, both of whom he met in Rome. He decorated many public and private buildings and also taught at the Royal Academy.
See NPG: D14699 for similar engraving. From the Norman Blackburn Collection.
[Ref: 18236] £160.00 (£192.00 incl.VAT)
[Francesco Bartolozzi.]
Pubd. as the Act directs the 24 of decr. 1785 by M. Bova No.105 Swallow Street.
Stipple and etching printed in brown ink, 212 x 175mm. Trimmed to plate abrasion on left side of oval, damaged to left.
Portrait of Giovanni Battista Cipriani (1727 – 1785) in an oval, right profile, his hair tied at the nape in a bow. Although Giovanni Battista Cipriani was born in Florence, he worked mostly in England. He moved to London in 1755 under the guidance of Sir William Chambers and Joseph Wilton, both of whom he met in Rome. He decorated many public and private buildings and also taught at the Royal Academy.
See NPG: D14699 for similar engraving. From the Norman Blackburn Collection.
[Ref: 18236] £160.00 (£192.00 incl.VAT)
Giovan Battista Cipriani, Esqr. R.A.
Rigaud, Pinxit. R.Earlom, Sculpsit.
Publish'd Sepr. 29h. 1789, by John & Josiah Boydell, Cheapside & at the Shakespeare Gallery, Pall Mall London.
Very fine stipple. Open letter state. Platemark: 210 x 175mm (8¼ x 7"), with very large margins.
A head and shoulders portrait of Italian painter and engraver Giovanni Battista Cipriani (1727-1785), turned to the right, facing the viewer, holdng a paintbrush and palette with a painting on an easel in the background.
[Ref: 40129] £140.00 (£168.00 incl.VAT)
Rigaud, Pinxit. R.Earlom, Sculpsit.
Publish'd Sepr. 29h. 1789, by John & Josiah Boydell, Cheapside & at the Shakespeare Gallery, Pall Mall London.
Very fine stipple. Open letter state. Platemark: 210 x 175mm (8¼ x 7"), with very large margins.
A head and shoulders portrait of Italian painter and engraver Giovanni Battista Cipriani (1727-1785), turned to the right, facing the viewer, holdng a paintbrush and palette with a painting on an easel in the background.
[Ref: 40129] £140.00 (£168.00 incl.VAT)
G.B. Cipriani R.A.
[British, n.d., c.1785.]
Stipple and etching, 150 x 105mm. 6 x 4". Minor all over foxing.
Uncommon portrait of Giovanni Battista Cipriani (1727 - 1785) after the Mariano Bovi portrait that was engraved by Bartolozzi in 1785. Unattributed the profile faces left within an oval, his hair tied at the nape in a bow. Although Giovanni Battista Cipriani was born in Florence, he worked mostly in England. He moved to London in 1755 under the guidance of Sir William Chambers and Joseph Wilton, both of whom he met in Rome. He decorated many public and private buildings and also taught at the Royal Academy. See ref:18236 for the print published by Bovi.
From the Norman Blackburn Collection.
[Ref: 18237] £220.00 (£264.00 incl.VAT)
[British, n.d., c.1785.]
Stipple and etching, 150 x 105mm. 6 x 4". Minor all over foxing.
Uncommon portrait of Giovanni Battista Cipriani (1727 - 1785) after the Mariano Bovi portrait that was engraved by Bartolozzi in 1785. Unattributed the profile faces left within an oval, his hair tied at the nape in a bow. Although Giovanni Battista Cipriani was born in Florence, he worked mostly in England. He moved to London in 1755 under the guidance of Sir William Chambers and Joseph Wilton, both of whom he met in Rome. He decorated many public and private buildings and also taught at the Royal Academy. See ref:18236 for the print published by Bovi.
From the Norman Blackburn Collection.
[Ref: 18237] £220.00 (£264.00 incl.VAT)
Lorenzo Cipriani. In the Character of Don Alfonso Scoglio, in the favourite Opera of la Bella Vescatrice, performed at the King's Theatre, Patheon.
Drawn by P. Violet. Engrav'd by C. Guisan, pupil to F. Bartolozzi R.A.
Publish'd Dec.r 24. 1791 by I. F. Tomkins No. 49. New Bond Street.
Fine stipple, printed in brown. 295 x 200mm (11½ x 8"). Small margins.
Lorenzo Cipriani, a bass singer who played Figaro in 'Il barbiere di Seviglia' in Turin in 1784. He visited London twice, in 1791 & 1795. He played Figaro again in Genova in 1798.
[Ref: 64743] £190.00 (£228.00 incl.VAT)
Drawn by P. Violet. Engrav'd by C. Guisan, pupil to F. Bartolozzi R.A.
Publish'd Dec.r 24. 1791 by I. F. Tomkins No. 49. New Bond Street.
Fine stipple, printed in brown. 295 x 200mm (11½ x 8"). Small margins.
Lorenzo Cipriani, a bass singer who played Figaro in 'Il barbiere di Seviglia' in Turin in 1784. He visited London twice, in 1791 & 1795. He played Figaro again in Genova in 1798.
[Ref: 64743] £190.00 (£228.00 incl.VAT)
Foreign Costumes, No.3. Circassia.
L. Mansion del.t.
Published by W. Spooner 259 Regent Street [n.d., c.1830].
Fine lithograph with bright original hand colour, highlighted with gum arabic. Printed area 245 x 150mm (9¾ x 6"). Damp stain in margin bottom left.
A Circassian man wears a turban and has one hand on the hilt of his curved sword. Circassia, a mountainous Muslim country in the Caucasus bank of the Black Sea, was taken by the Russians in 1864; by 1867 90% of the population had been killed or deported to the Ottoman Empire. William Spooner and L. Mansion published a series of fancy national costumes.
See Ref: 17087
[Ref: 53527] £95.00 (£114.00 incl.VAT)
L. Mansion del.t.
Published by W. Spooner 259 Regent Street [n.d., c.1830].
Fine lithograph with bright original hand colour, highlighted with gum arabic. Printed area 245 x 150mm (9¾ x 6"). Damp stain in margin bottom left.
A Circassian man wears a turban and has one hand on the hilt of his curved sword. Circassia, a mountainous Muslim country in the Caucasus bank of the Black Sea, was taken by the Russians in 1864; by 1867 90% of the population had been killed or deported to the Ottoman Empire. William Spooner and L. Mansion published a series of fancy national costumes.
See Ref: 17087
[Ref: 53527] £95.00 (£114.00 incl.VAT)
Circassian Lady.
W. Dickes & C.º Licensee.
[London: George Routledge & C.º, 1854.]
Baxter print. Sheet 180 x 115mm (7 x 4½"). Tear taped, spotted. Bit messy.
A pretty young lady in ethnic dress. A plate from Edmund Spencer's 'Turkey, Russia, the Black Sea, and Circassia'.
[Ref: 66694] £65.00 (£78.00 incl.VAT)
W. Dickes & C.º Licensee.
[London: George Routledge & C.º, 1854.]
Baxter print. Sheet 180 x 115mm (7 x 4½"). Tear taped, spotted. Bit messy.
A pretty young lady in ethnic dress. A plate from Edmund Spencer's 'Turkey, Russia, the Black Sea, and Circassia'.
[Ref: 66694] £65.00 (£78.00 incl.VAT)
a Circassian Lady at home.
[n.d., c.1830.]
Lithograph with hand colour. Printed area 160 x 130mm (6¼ x 5"), large margins. A few spots.
A pretty young lady in ethnic dress.
[Ref: 66696] £75.00 (£90.00 incl.VAT)
[n.d., c.1830.]
Lithograph with hand colour. Printed area 160 x 130mm (6¼ x 5"), large margins. A few spots.
A pretty young lady in ethnic dress.
[Ref: 66696] £75.00 (£90.00 incl.VAT)
![[Circe]](jpegs/55997.jpg)
[Circe]
Painted by D Gardner. Engrav'd by T Watson.
London, Publish'd Nov.r 1st. 1778, for T Watson.
Scratched letter proof mezzotint, plate 250 x 195mm (9¼ x 7¾"), with small margins. Bit messy.
Imaginary portrait of the Greek mythological entrantress Circe. A half length front facing portrait of a young woman within an oval frame. She holds a cup in her left hand and a wand in the other, wearing a pale gown and dark cloak, her hair dressed half up with a circlet.
[Ref: 55997] £230.00 (£276.00 incl.VAT)
Painted by D Gardner. Engrav'd by T Watson.
London, Publish'd Nov.r 1st. 1778, for T Watson.
Scratched letter proof mezzotint, plate 250 x 195mm (9¼ x 7¾"), with small margins. Bit messy.
Imaginary portrait of the Greek mythological entrantress Circe. A half length front facing portrait of a young woman within an oval frame. She holds a cup in her left hand and a wand in the other, wearing a pale gown and dark cloak, her hair dressed half up with a circlet.
[Ref: 55997] £230.00 (£276.00 incl.VAT)
![[Circe]](jpegs/61585.jpg)
[Circe]
Painted by D Gardner. Engrav'd by T Watson.
Publish'd Nov.r 1st. 1778, for T Watson.
Scratched letter proof mezzotint before title, plate 250 x 195mm (9¼ x 7¾"), with large margins.
Imaginary portrait of the Greek mythological entrantress Circe. A half length front facing portrait of a young woman within an oval frame. She holds a cup in her left hand and a wand in the other, wearing a pale gown and dark cloak, her hair dressed half up with a circlet.
CS 39 page 1565.
[Ref: 61585] £230.00 (£276.00 incl.VAT)
Painted by D Gardner. Engrav'd by T Watson.
Publish'd Nov.r 1st. 1778, for T Watson.
Scratched letter proof mezzotint before title, plate 250 x 195mm (9¼ x 7¾"), with large margins.
Imaginary portrait of the Greek mythological entrantress Circe. A half length front facing portrait of a young woman within an oval frame. She holds a cup in her left hand and a wand in the other, wearing a pale gown and dark cloak, her hair dressed half up with a circlet.
CS 39 page 1565.
[Ref: 61585] £230.00 (£276.00 incl.VAT)
![[The Circumcision.]](jpegs/21283.jpg)
[The Circumcision.]
[Guercino inv. F. Bartolozzi Sculp.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on watermarked laid paper, first state before all letters. 320 x 220mm (12½ x 8¾"). A fine impression with full margins. Uncut.
The circumcision of Christ after Giovanni Francesco Barbieri (1591 - 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton's employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2169 [undescribed state].
[Ref: 21283] £140.00 (£168.00 incl.VAT)
[Guercino inv. F. Bartolozzi Sculp.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on watermarked laid paper, first state before all letters. 320 x 220mm (12½ x 8¾"). A fine impression with full margins. Uncut.
The circumcision of Christ after Giovanni Francesco Barbieri (1591 - 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton's employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2169 [undescribed state].
[Ref: 21283] £140.00 (£168.00 incl.VAT)
Ludovicus Caraccius Bonon. In Ecclesia Orph. D. Bartholomaei Pinxit.
Joseph de Crispis delin. Ludovicus Matthiolus incidit.
[n.d. c.1730.]
Etching; laid on 18th century Album sheet. Plate 400 x 305mm. 15¾ x 12".
The Circumcision, after Lodovico Carracci (1555-1619). One of the group of etchings signed by Mattioli that Bartsch categorically states are by Crespi.
[Ref: 26535] £160.00 (£192.00 incl.VAT)
Joseph de Crispis delin. Ludovicus Matthiolus incidit.
[n.d. c.1730.]
Etching; laid on 18th century Album sheet. Plate 400 x 305mm. 15¾ x 12".
The Circumcision, after Lodovico Carracci (1555-1619). One of the group of etchings signed by Mattioli that Bartsch categorically states are by Crespi.
[Ref: 26535] £160.00 (£192.00 incl.VAT)
![[The Circumcision of Christ.]](jpegs/18375.jpg)
[The Circumcision of Christ.]
[Guercino del.t. F. Bartolozzi sculp.t]
[n.d. c.1775.]
Etching and engraving. Scarce and fine Proof, faint outline of artist and engraver's names etched. Plate 578 x 364mm. 22¾ x 14¼".
The Circumcision of Christ; two priests, one sitting to the right and the other holding the infant Jesus. Three attendants behind them, while Christ looks to left, towards St Joseph, the Virgin and St Anne. A view of a castle viewed through an arch in the background.
From the Norman Blackburn Collection Collection N. Rapp. Tuer: 436.
[Ref: 18375] £420.00
[Guercino del.t. F. Bartolozzi sculp.t]
[n.d. c.1775.]
Etching and engraving. Scarce and fine Proof, faint outline of artist and engraver's names etched. Plate 578 x 364mm. 22¾ x 14¼".
The Circumcision of Christ; two priests, one sitting to the right and the other holding the infant Jesus. Three attendants behind them, while Christ looks to left, towards St Joseph, the Virgin and St Anne. A view of a castle viewed through an arch in the background.
From the Norman Blackburn Collection Collection N. Rapp. Tuer: 436.
[Ref: 18375] £420.00
Circus Rehearsal.
Lewis H Fairbank.
1933.
Etching with large margins, signed in pencil. Plate 197 x 252mm (7¾ x 10").
Inside a circus arena, various people sitting around and preparing for the show; monkeys dressed up in little costumes holding parasols.
[Ref: 28989] £160.00 (£192.00 incl.VAT)
Lewis H Fairbank.
1933.
Etching with large margins, signed in pencil. Plate 197 x 252mm (7¾ x 10").
Inside a circus arena, various people sitting around and preparing for the show; monkeys dressed up in little costumes holding parasols.
[Ref: 28989] £160.00 (£192.00 incl.VAT)
Cirencester.
J. Farington R.A. del.t. J.C. Stadler Sculp.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. Image 210 x 320mm, 8¼ x 12½". Paper watermarked 1799.
From Boydell's important publication, the 'History of the River Thames', which popularised the use of aquatint for topographical plate books.
Abbey: 432.
[Ref: 24522] £240.00 (£288.00 incl.VAT)
J. Farington R.A. del.t. J.C. Stadler Sculp.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. Image 210 x 320mm, 8¼ x 12½". Paper watermarked 1799.
From Boydell's important publication, the 'History of the River Thames', which popularised the use of aquatint for topographical plate books.
Abbey: 432.
[Ref: 24522] £240.00 (£288.00 incl.VAT)
Royal Agricultural College, Cirencester. To the Nobility and Gentry Proprietors of this College, this print is respectfully dedicated by their obedient Servants, S.W. Daukes & J.R. Hamilton Arch.ts.
G. Hawkins lith. Day & Haghe Lith.rs to the Queen.
[n.d., c.1845.]
Tinted lithograph. Printed area 200 x 250mm (8 x 9¾"), with large margins. Some foxing.
The Gothic Royal Agricultural College, published by the architects of the building, Samuel Whitfield Daukes (1811-80) and John R. Hamilton (dates unknown). When it opened in 1845 it was the first agricultural college in the English-speaking world; it is now the Royal Agricultural University.
[Ref: 60932] £160.00 (£192.00 incl.VAT)
G. Hawkins lith. Day & Haghe Lith.rs to the Queen.
[n.d., c.1845.]
Tinted lithograph. Printed area 200 x 250mm (8 x 9¾"), with large margins. Some foxing.
The Gothic Royal Agricultural College, published by the architects of the building, Samuel Whitfield Daukes (1811-80) and John R. Hamilton (dates unknown). When it opened in 1845 it was the first agricultural college in the English-speaking world; it is now the Royal Agricultural University.
[Ref: 60932] £160.00 (£192.00 incl.VAT)
Royal Agricultural College, Cirencester.
Laytons fc. Fleet St. London. [n.d., c.1845]
Engraving on pink paper. Sheet: 120 x 185mm (4¾ x 7¼").
A view of the Agricultural College in Cirencester, it was founded in 1845 and was the first college in 1845.
[Ref: 47502] £45.00 (£54.00 incl.VAT)
Laytons fc. Fleet St. London. [n.d., c.1845]
Engraving on pink paper. Sheet: 120 x 185mm (4¾ x 7¼").
A view of the Agricultural College in Cirencester, it was founded in 1845 and was the first college in 1845.
[Ref: 47502] £45.00 (£54.00 incl.VAT)
Cirque. 24 gravures au canif par Tilmans. Preface Par Maurice De Laborderie.
Editeur L'Imagerie Francaise Limoges 1946.
24 coloured limited-edition woodcuts, complete as index. Disbound, with titlepage and text sheets, in paper-covered card wrappers with lettered cover bearing vignette of three clown's faces. Presented in original printed card sleeve. Tear in cover paper lower left. Foxing to wrappers and title page, plates good. Outer sleeve scuffed and missing two short sides.
A collection of vibrant illustrations of circus acts, each captioned lower left and signed 'Tilmans' in pencil lower right. Stamped 'No 12', of an edition limited to 130. By Belgian artist Émile Henri Tilmans (1888 - 1960).
[Ref: 7715] £580.00 view all images for this item
Editeur L'Imagerie Francaise Limoges 1946.
24 coloured limited-edition woodcuts, complete as index. Disbound, with titlepage and text sheets, in paper-covered card wrappers with lettered cover bearing vignette of three clown's faces. Presented in original printed card sleeve. Tear in cover paper lower left. Foxing to wrappers and title page, plates good. Outer sleeve scuffed and missing two short sides.
A collection of vibrant illustrations of circus acts, each captioned lower left and signed 'Tilmans' in pencil lower right. Stamped 'No 12', of an edition limited to 130. By Belgian artist Émile Henri Tilmans (1888 - 1960).
[Ref: 7715] £580.00 view all images for this item
Clouds - Cirro - Stratus N.o 100
[Published 1842, London for "The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe" by Charles. F. Blunt.]
Very rare coloured lithograph, sheet 160 x 205mm (6¼ x 8¼") Right corner missing.
A view of Cirrostratus clouds above a rocky terrain with a dam, ruins, buildings and mountains in the distance. The thin, layered cirrostratus cloud is composed of ice crystals and forms a veil that covers all or part of the sky.
[Ref: 56990] £120.00 (£144.00 incl.VAT)
[Published 1842, London for "The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe" by Charles. F. Blunt.]
Very rare coloured lithograph, sheet 160 x 205mm (6¼ x 8¼") Right corner missing.
A view of Cirrostratus clouds above a rocky terrain with a dam, ruins, buildings and mountains in the distance. The thin, layered cirrostratus cloud is composed of ice crystals and forms a veil that covers all or part of the sky.
[Ref: 56990] £120.00 (£144.00 incl.VAT)
The Citizens Fete Champetre.
[n.d., c.1765.]
Etching. 180 x 110mm (7¼ x 4¼").
A landowner sets his dog on a group of picnicers on the lawn in front of his mansion. Abare-chested man who raises his fists to the gentleman. Boxing interest.
[Ref: 64839] £160.00 (£192.00 incl.VAT)
[n.d., c.1765.]
Etching. 180 x 110mm (7¼ x 4¼").
A landowner sets his dog on a group of picnicers on the lawn in front of his mansion. Abare-chested man who raises his fists to the gentleman. Boxing interest.
[Ref: 64839] £160.00 (£192.00 incl.VAT)
The Citizen Retired, or Business at an End till Monday.
[Engraved by John Raphael Smith.]
[n.d., c.1780.] Publish'd as the Act directs. Printed for Carrington Bowles, Map & Printseller, Nº69 in St Pauls Church Yard, London.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Some foxing and pin hole near centre in the gentlemen's waistcoat. Date erased from print on lower right.
A gentleman sitting, wearing a coat, breeches and top boots, with his fashionable mistress sat upon his knee.
Ex: Collection of The Hon. C. Lennox-Boyd. BM Satires 4519. D'Oench 24.
[Ref: 64498] £360.00
[Engraved by John Raphael Smith.]
[n.d., c.1780.] Publish'd as the Act directs. Printed for Carrington Bowles, Map & Printseller, Nº69 in St Pauls Church Yard, London.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Some foxing and pin hole near centre in the gentlemen's waistcoat. Date erased from print on lower right.
A gentleman sitting, wearing a coat, breeches and top boots, with his fashionable mistress sat upon his knee.
Ex: Collection of The Hon. C. Lennox-Boyd. BM Satires 4519. D'Oench 24.
[Ref: 64498] £360.00
![Address of the Citizens of the Ward of Farringdon Without, in the City of London, to their Fellow-Citizens of the other Wards in the said City. [&] The Memorial of the Citizens of the Ward of Farringdon Without, in Wardmote assembled [...]](jpegs/8899.jpg)
Address of the Citizens of the Ward of Farringdon Without, in the City of London, to their Fellow-Citizens of the other Wards in the said City. [&] The Memorial of the Citizens of the Ward of Farringdon Without, in Wardmote assembled [...]
G. Neal, Printer, Fleet-lane, Farringdon-street. [1850.]
Printed text, 320 x 420mm. 12½ x 16½". Small folds in corners and paper scuffing; horizontal creases
Address criticizing the operation of the Corporation of London, explaining the holding of Wardmotes in Farringdon to provide a forum for discussion and proposing severa; resolutions to improve the corporation. The 'Memorial' also conecerns the Corporation of London. Both documents written by John Pontifex, Ward Clerk, 5, St. Andrew's Court, Holborn.
[Ref: 8899] £65.00 (£78.00 incl.VAT)
G. Neal, Printer, Fleet-lane, Farringdon-street. [1850.]
Printed text, 320 x 420mm. 12½ x 16½". Small folds in corners and paper scuffing; horizontal creases
Address criticizing the operation of the Corporation of London, explaining the holding of Wardmotes in Farringdon to provide a forum for discussion and proposing severa; resolutions to improve the corporation. The 'Memorial' also conecerns the Corporation of London. Both documents written by John Pontifex, Ward Clerk, 5, St. Andrew's Court, Holborn.
[Ref: 8899] £65.00 (£78.00 incl.VAT)
The Citizens of London lamenting the Death of Beckford.
Engrav'd for the Oxford Magazine.
[n.d., c.1770.]
Engraving. Plate: 120 x 175mm (4¾ x 7'') large margins on 3 sides.
The citizens of London lamenting the death of Beckford"; scene with Bechford's coffin, covered by a pall, surrounded by mourning citizens including John Horne, the Earl of Chatham, Earl Temple, and John Wilkes.
BM Satire 4394.
[Ref: 48426] £65.00 (£78.00 incl.VAT)
Engrav'd for the Oxford Magazine.
[n.d., c.1770.]
Engraving. Plate: 120 x 175mm (4¾ x 7'') large margins on 3 sides.
The citizens of London lamenting the death of Beckford"; scene with Bechford's coffin, covered by a pall, surrounded by mourning citizens including John Horne, the Earl of Chatham, Earl Temple, and John Wilkes.
BM Satire 4394.
[Ref: 48426] £65.00 (£78.00 incl.VAT)
![[A woman playing a cittern.]](jpegs/59199.jpg)
[A woman playing a cittern.]
[n.d., John Boydell?, c.1805.]
Mezzotint. 145 x 120mm (5¾ x 4¾"), on wove paper with large margins.
A woman playing a cittern, watched by a man leaning on a table. The BM states 'The print was reissued by John Boydell in his 'Collection of Portraits' (1805)'.
BM 1876,1111.63.
[Ref: 59199] £160.00 (£192.00 incl.VAT)
[n.d., John Boydell?, c.1805.]
Mezzotint. 145 x 120mm (5¾ x 4¾"), on wove paper with large margins.
A woman playing a cittern, watched by a man leaning on a table. The BM states 'The print was reissued by John Boydell in his 'Collection of Portraits' (1805)'.
BM 1876,1111.63.
[Ref: 59199] £160.00 (£192.00 incl.VAT)
![[Section showing St. Mary Somerset to Southwark Bridge, from 'View of the North Bank of the Thames from Westminster Bridge, to London Bridge. Shewing that Part of the Improvements Suggested by Lt.-Col. Trench, which is Intended to Carry into Execution.']](jpegs/27503.jpg)
[Section showing St. Mary Somerset to Southwark Bridge, from 'View of the North Bank of the Thames from Westminster Bridge, to London Bridge. Shewing that Part of the Improvements Suggested by Lt.-Col. Trench, which is Intended to Carry into Execution.']
[T.M. Baynes. Charles Hullmandel.]
[published by Ackermann, 1825.]
Coloured lithograph, printed area 205 x 670mm. 10¾ x 26½".
Imagined view along River Thames showing the area between the site now occupied by the Millennium Bridge (on the left), and Southwark Bridge on the right. Landmarks annotated along bottom are 'Steel Yard', the Wren church of St Mary Somerset, Bow Church, Queenhithe Stairs, St James Garlick Hill (also designed by Wren), the British Copper Company, St Antholia on Watling Street (a church now destroyed but considered one of Wren's finest buildings), and St Michael College Hill. Colonel (later General Sir Frederick) Trench originated the idea of the Thames Embankment, for which a bill was (unsuccessfully) presented to Parliament in 1825. Revived, work on the Embankment started in 1864, although to a different design than is shown here. Drawn by Thomas Mann Baynes, the panorama shows the riverside as it appeared in 1825, from Westminster to London Bridge, with Trench's proposed embankment running from Whitehall to Blackfriars Bridge, with the skyline of London shown correctly above; this would have been one of nine lithographic sheets.
see R.Hyde, 'Panoramania!' (1988), see Abbey Life: 496
[Ref: 27503] £260.00 (£312.00 incl.VAT)
[T.M. Baynes. Charles Hullmandel.]
[published by Ackermann, 1825.]
Coloured lithograph, printed area 205 x 670mm. 10¾ x 26½".
Imagined view along River Thames showing the area between the site now occupied by the Millennium Bridge (on the left), and Southwark Bridge on the right. Landmarks annotated along bottom are 'Steel Yard', the Wren church of St Mary Somerset, Bow Church, Queenhithe Stairs, St James Garlick Hill (also designed by Wren), the British Copper Company, St Antholia on Watling Street (a church now destroyed but considered one of Wren's finest buildings), and St Michael College Hill. Colonel (later General Sir Frederick) Trench originated the idea of the Thames Embankment, for which a bill was (unsuccessfully) presented to Parliament in 1825. Revived, work on the Embankment started in 1864, although to a different design than is shown here. Drawn by Thomas Mann Baynes, the panorama shows the riverside as it appeared in 1825, from Westminster to London Bridge, with Trench's proposed embankment running from Whitehall to Blackfriars Bridge, with the skyline of London shown correctly above; this would have been one of nine lithographic sheets.
see R.Hyde, 'Panoramania!' (1988), see Abbey Life: 496
[Ref: 27503] £260.00 (£312.00 incl.VAT)
The City Junto or the Min_st_l Aldermen of Gotham in Consultation.
[Oxford Magazine, 1772.]
Etching. Sheet 170 x 105mm (6¾ x 4¼"). Trimmed within plate, laid on album paper
Six caricatured men in furred aldermen's gowns sit around a punch-bowl, one holding a paper inscribed ''A Treatise on good Eating and drinking''. According to the BM 'The presiding alderman appears to be [Thomas] Harley'.
BM Satires 4966.
[Ref: 67942] £160.00 (£192.00 incl.VAT)
[Oxford Magazine, 1772.]
Etching. Sheet 170 x 105mm (6¾ x 4¼"). Trimmed within plate, laid on album paper
Six caricatured men in furred aldermen's gowns sit around a punch-bowl, one holding a paper inscribed ''A Treatise on good Eating and drinking''. According to the BM 'The presiding alderman appears to be [Thomas] Harley'.
BM Satires 4966.
[Ref: 67942] £160.00 (£192.00 incl.VAT)
![[An unidentified city.]](jpegs/63044.jpg)
[An unidentified city.]
Johnstone Baird [pencil signature.]
[n.d., c.1920.]
Etching. 240 x 290mm (9½ x 11½"), with large margins.
An elevated view of a Continental city with four bridges. Johnstone Baird (1872-1935). Born in Ayrshire, studied Glasgow School of Art. Naval architect with the Admiralty 1917-19. He travelled widely on the Continent. Exhibited 1910-30.
See Guichard p.25.
[Ref: 63044] £260.00 (£312.00 incl.VAT)
Johnstone Baird [pencil signature.]
[n.d., c.1920.]
Etching. 240 x 290mm (9½ x 11½"), with large margins.
An elevated view of a Continental city with four bridges. Johnstone Baird (1872-1935). Born in Ayrshire, studied Glasgow School of Art. Naval architect with the Admiralty 1917-19. He travelled widely on the Continent. Exhibited 1910-30.
See Guichard p.25.
[Ref: 63044] £260.00 (£312.00 incl.VAT)
Plan of the Citys Intended Improvements at Snow Hill.
R. Metcalf sculp. 127 Bunhill Row.
Surveyors Office Guildhall [n.d., c.1802.]
Engraved map. 280 x 665mm (11 x 26¼"). Trimmed to plate, small hole and tear.
A plan showing the widening and continuation of the road at Snow Hill in the City of London, orientated with north at the bottom of the map. Houses to be purchased for demolition are numbered; and a proposal that 'a grand avenue [to] be made from Blackfryars Bridge to Islington' is mentioned.
[Ref: 56101] £230.00
R. Metcalf sculp. 127 Bunhill Row.
Surveyors Office Guildhall [n.d., c.1802.]
Engraved map. 280 x 665mm (11 x 26¼"). Trimmed to plate, small hole and tear.
A plan showing the widening and continuation of the road at Snow Hill in the City of London, orientated with north at the bottom of the map. Houses to be purchased for demolition are numbered; and a proposal that 'a grand avenue [to] be made from Blackfryars Bridge to Islington' is mentioned.
[Ref: 56101] £230.00
The City 'Prentice at his Masters door. [Engrav'd for Every Man's Magazine.]
[London, 1 January 1773.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed within plate, losing sur-title, laid on album paper.
A young man dressed like a macaroni stands outside an arched doorway inscribed, "Young & Wife Mercers", through which can be seen a short elderly man behind a counter. Two woman, one carrying a basket of vegetables, turn to admire him. A little chimney-sweep also passes, with his brush and bag of soot.
BM Satire 5212.
[Ref: 58400] £75.00 (£90.00 incl.VAT)
[London, 1 January 1773.]
Etching. Sheet 170 x 110mm (6¾ x 4¼"). Trimmed within plate, losing sur-title, laid on album paper.
A young man dressed like a macaroni stands outside an arched doorway inscribed, "Young & Wife Mercers", through which can be seen a short elderly man behind a counter. Two woman, one carrying a basket of vegetables, turn to admire him. A little chimney-sweep also passes, with his brush and bag of soot.
BM Satire 5212.
[Ref: 58400] £75.00 (£90.00 incl.VAT)
The City Carriers.
[n.d. c.1769.]
Engraving. Sheet: 110 x 180mm (4¼ x 7''). Trimmed and laid on album sheet. Stain on right.
At the entrance to St James’s Palace, a procession approaches in order to present the King the petition of the Livery of London. Mr Turner, Lord Mayor of London accompanied by Liberty, leads a mule on which sits a figure of Truth naked with a sun on her head and carrying a palm branch. The mule is then followed by William Beckford; Alderman Barlow Trecothick; and Sir Robert Ladbroke. The fourth representative of Parliament is Thomas Harley, represented here by an effigy stuck on crossed poles. Lord Holland lurks in a sentry post, whispering to a soldier whilst pointing to fool’s cap on the ground “it fits exactly”, intended probably for the head of Samuel Turner.
BM Satires: 4296.
[Ref: 48422] £110.00 (£132.00 incl.VAT)
[n.d. c.1769.]
Engraving. Sheet: 110 x 180mm (4¼ x 7''). Trimmed and laid on album sheet. Stain on right.
At the entrance to St James’s Palace, a procession approaches in order to present the King the petition of the Livery of London. Mr Turner, Lord Mayor of London accompanied by Liberty, leads a mule on which sits a figure of Truth naked with a sun on her head and carrying a palm branch. The mule is then followed by William Beckford; Alderman Barlow Trecothick; and Sir Robert Ladbroke. The fourth representative of Parliament is Thomas Harley, represented here by an effigy stuck on crossed poles. Lord Holland lurks in a sentry post, whispering to a soldier whilst pointing to fool’s cap on the ground “it fits exactly”, intended probably for the head of Samuel Turner.
BM Satires: 4296.
[Ref: 48422] £110.00 (£132.00 incl.VAT)
The City Carriers.
[n.d. c.1769.]
Engraving. Plate: 120 x 200mm (4¾ x 8"). Tear in left edge and trimmed to plate on right edge.
At the entrance to St James’s Palace, a procession approaches comprising officials of the City of London in order to present the King the petition of the Livery of London. Mr Turner, Lord Mayor of London accompanied by Liberty, leads a mule on which sits a naked figure of Truth with a radiant sun on her head and carrying a palm branch. The mule is then followed by William Beckford, Lord Mayor of London, 1763 and 1770; Alderman Barlow Trecothick, appointed Lord Mayor in 1770 following the death of Beckford; and Sir Robert Ladbroke, Lord Mayor in 1748. The fourth representative of Parliament is the Right Hon. Thomas Harley, who is represented here by an effigy stuck on crossed poles. A sentry stands at each side of the gate, and in the box of one of these lurks Lord Holland, whispering to the solder whilst pointing to fool’s cap on the ground “it fits exactly”, intended probably for the head of Samuel Turner.
BM Satires: 4296.
[Ref: 45478] £140.00 (£168.00 incl.VAT)
[n.d. c.1769.]
Engraving. Plate: 120 x 200mm (4¾ x 8"). Tear in left edge and trimmed to plate on right edge.
At the entrance to St James’s Palace, a procession approaches comprising officials of the City of London in order to present the King the petition of the Livery of London. Mr Turner, Lord Mayor of London accompanied by Liberty, leads a mule on which sits a naked figure of Truth with a radiant sun on her head and carrying a palm branch. The mule is then followed by William Beckford, Lord Mayor of London, 1763 and 1770; Alderman Barlow Trecothick, appointed Lord Mayor in 1770 following the death of Beckford; and Sir Robert Ladbroke, Lord Mayor in 1748. The fourth representative of Parliament is the Right Hon. Thomas Harley, who is represented here by an effigy stuck on crossed poles. A sentry stands at each side of the gate, and in the box of one of these lurks Lord Holland, whispering to the solder whilst pointing to fool’s cap on the ground “it fits exactly”, intended probably for the head of Samuel Turner.
BM Satires: 4296.
[Ref: 45478] £140.00 (£168.00 incl.VAT)
The City Carriers.
[n.d. c.1769.]
Engraving. Sheet: 180 x 110mm (7 x 4¼"). Trimmed and laid on album sheet.
At the entrance to St James’s Palace, a procession approaches in order to present the King the petition of the Livery of London. Mr Turner, Lord Mayor of London accompanied by Liberty, leads a mule on which sits a figure of Truth naked with a sun on her head and carrying a palm branch. The mule is then followed by William Beckford; Alderman Barlow Trecothick; and Sir Robert Ladbroke. The fourth representative of Parliament is Thomas Harley, represented here by an effigy stuck on crossed poles. Lord Holland lurks in a sentry post, whispering to a soldier whilst pointing to fool’s cap on the ground “it fits exactly”, intended probably for the head of Samuel Turner.
BM Satires: 4296.
[Ref: 41904] £65.00 (£78.00 incl.VAT)
[n.d. c.1769.]
Engraving. Sheet: 180 x 110mm (7 x 4¼"). Trimmed and laid on album sheet.
At the entrance to St James’s Palace, a procession approaches in order to present the King the petition of the Livery of London. Mr Turner, Lord Mayor of London accompanied by Liberty, leads a mule on which sits a figure of Truth naked with a sun on her head and carrying a palm branch. The mule is then followed by William Beckford; Alderman Barlow Trecothick; and Sir Robert Ladbroke. The fourth representative of Parliament is Thomas Harley, represented here by an effigy stuck on crossed poles. Lord Holland lurks in a sentry post, whispering to a soldier whilst pointing to fool’s cap on the ground “it fits exactly”, intended probably for the head of Samuel Turner.
BM Satires: 4296.
[Ref: 41904] £65.00 (£78.00 incl.VAT)
The City Combat, or the Desperate Attack at the English Baron, an Easter Tale.
[Williams]
Pub.d May 3d 1802 by S.W. Fores 50 Picadilly. Folios of Caricatures lent out for the Evening.
Hand-coloured etching, sheet 260 x 385mm (10¼ x 15"). Trimmed and pasted on backing sheet to repair tears.
A satirical scene in which the Mayor of London fights off a crowd desperate to join him for dinner. At the table behind the Mayor sits the Prince of Wales who sits opposite a fashionably dressed woman and a man who is perhaps the Duke of Cumberland.
BM Satires 9862. See also [Ref: 46631].
[Ref: 66825] £160.00 (£192.00 incl.VAT)
[Williams]
Pub.d May 3d 1802 by S.W. Fores 50 Picadilly. Folios of Caricatures lent out for the Evening.
Hand-coloured etching, sheet 260 x 385mm (10¼ x 15"). Trimmed and pasted on backing sheet to repair tears.
A satirical scene in which the Mayor of London fights off a crowd desperate to join him for dinner. At the table behind the Mayor sits the Prince of Wales who sits opposite a fashionably dressed woman and a man who is perhaps the Duke of Cumberland.
BM Satires 9862. See also [Ref: 46631].
[Ref: 66825] £160.00 (£192.00 incl.VAT)