A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Charles II issuing the declaration of Breda, 1660]](jpegs/42873.jpg)
[Charles II issuing the declaration of Breda, 1660]
T.vliet in. T. Matham fc.
Etching, 17th century watermark; sheet 345 x 460mm (13½ x 18"). Trimmed to image; crease through centre as normal.
Charles II issuing the declaration of Breda, which stated the terms on which he was prepared to return to England as king. The declaration was issued on 4 April 1660, and a little over a month later Charles II was proclaimed king by both houses of parliament in England. Charles II turned down invitations from France and Spain to embark for England from their territory, instead accepting an invitation from the Dutch states general. He sailed from Breda to Delft by yacht, from there to the Hague, and eventually departed for England from nearby Scheveningen on 23 May 1660 (he arrived triumphantly in London six days later). One of six illustrations published in 'Verhael van de Reys van Carel II, Coning van Groot-Brittannië, in Hollandt van 25 Mey tot 2 Junij 1660', a volume published in the Hague in 1660 describing and depicting the king's journey through the Netherlands to England. Engraved after Jacob Toorenvliet (1641-c.1719), painter and printmaker based in Leiden.
[Ref: 42873] £390.00
T.vliet in. T. Matham fc.
Etching, 17th century watermark; sheet 345 x 460mm (13½ x 18"). Trimmed to image; crease through centre as normal.
Charles II issuing the declaration of Breda, which stated the terms on which he was prepared to return to England as king. The declaration was issued on 4 April 1660, and a little over a month later Charles II was proclaimed king by both houses of parliament in England. Charles II turned down invitations from France and Spain to embark for England from their territory, instead accepting an invitation from the Dutch states general. He sailed from Breda to Delft by yacht, from there to the Hague, and eventually departed for England from nearby Scheveningen on 23 May 1660 (he arrived triumphantly in London six days later). One of six illustrations published in 'Verhael van de Reys van Carel II, Coning van Groot-Brittannië, in Hollandt van 25 Mey tot 2 Junij 1660', a volume published in the Hague in 1660 describing and depicting the king's journey through the Netherlands to England. Engraved after Jacob Toorenvliet (1641-c.1719), painter and printmaker based in Leiden.
[Ref: 42873] £390.00
![[Charles II making a speech at the Estates General of Holland]](jpegs/42874.jpg)
[Charles II making a speech at the Estates General of Holland]
[Anon., 1660]
Etching, sheet 355 x 460mm (13¾ x 18"). Trimmed; crease through centre as normal.
Charles II on right, standing under a canopy, with Count Willem Frederik and Prince Jan Maurits either side. Soon after issuing the declaration of Breda on 4 April 1660, Charles II was proclaimed king by both houses of parliament in England. He turned down invitations from France and Spain to embark for England from their territory, instead accepting an invitation from the Dutch states general. He travelled from Breda to Delft, from there to the Hague, and eventually departed for England from nearby Scheveningen on 23 May 1660 (he arrived triumphantly in London six days later). One of six illustrations published in 'Verhael van de Reys van Carel II, Coning van Groot-Brittannië, in Hollandt van 25 Mey tot 2 Junij 1660', a volume published in the Hague in 1660 describing and depicting the king's journey through the Netherlands to England. Engraved after Jacob Toorenvliet (1641-c.1719), painter and printmaker based in Leiden.
[Ref: 42874] £280.00 (£336.00 incl.VAT)
[Anon., 1660]
Etching, sheet 355 x 460mm (13¾ x 18"). Trimmed; crease through centre as normal.
Charles II on right, standing under a canopy, with Count Willem Frederik and Prince Jan Maurits either side. Soon after issuing the declaration of Breda on 4 April 1660, Charles II was proclaimed king by both houses of parliament in England. He turned down invitations from France and Spain to embark for England from their territory, instead accepting an invitation from the Dutch states general. He travelled from Breda to Delft, from there to the Hague, and eventually departed for England from nearby Scheveningen on 23 May 1660 (he arrived triumphantly in London six days later). One of six illustrations published in 'Verhael van de Reys van Carel II, Coning van Groot-Brittannië, in Hollandt van 25 Mey tot 2 Junij 1660', a volume published in the Hague in 1660 describing and depicting the king's journey through the Netherlands to England. Engraved after Jacob Toorenvliet (1641-c.1719), painter and printmaker based in Leiden.
[Ref: 42874] £280.00 (£336.00 incl.VAT)
De KoningVertrekt met syn Broeders van Schevelingen.
[n.d. c.1685.]
Etching. 95 x 108mm. 3¾ x 4¼".
Charles II preparing to embark at Scheveningen. Anonymous engraving probably Dutch from a Broadside that would have small engravings arranged in rows or alternatively around one central etching.
[Ref: 17471] £65.00 (£78.00 incl.VAT)
[n.d. c.1685.]
Etching. 95 x 108mm. 3¾ x 4¼".
Charles II preparing to embark at Scheveningen. Anonymous engraving probably Dutch from a Broadside that would have small engravings arranged in rows or alternatively around one central etching.
[Ref: 17471] £65.00 (£78.00 incl.VAT)
The Departure of Charles Stuward the II Kinge of England Scotland, France and Yrland from the Hollands coast at Scheveling for England the 2 of June Anno 1660
T'Amsterdam, bÿ Dancker Danckerts Inde Calverstraet inde Danckbaerheyt. [n.d., c.1660.]
Etching, very scarce. 380 x 500mm. Several repaired tears.
A scene of crowds gathering to watch Charles II leaving Holland to return to England to take his throne after the Interregnum caused by the Civil War.
[Ref: 24481] £320.00
T'Amsterdam, bÿ Dancker Danckerts Inde Calverstraet inde Danckbaerheyt. [n.d., c.1660.]
Etching, very scarce. 380 x 500mm. Several repaired tears.
A scene of crowds gathering to watch Charles II leaving Holland to return to England to take his throne after the Interregnum caused by the Civil War.
[Ref: 24481] £320.00
Carolo II Caesari Britanico Patriae Patri Regum Optimo Clementissimo Augustissimo. Generis humani Delicijs Utriusq, Fortunae Victori Pacis Europae Arbitro, Maris Domino et Vindici. Societas Mercatorum Adventurum Angliae Quae per ccc jam prope Annos Regia Benignitate Floret Fidei intemeratae Gratitudinis Aeternae Hoc Testimonium Venerabunda Posuit Anno Sas: Humanae MDCLXXXIV. LI.
Ex Marmorea Statua a G. Gibbons Sculpta. P. Vandrebanc Sculp:
London Printed and Sold by David Mortier at ye Sign of Erasmus's head in ye Strand. [n.d. c.1684.]
Engraving. Plate 672 x 481mm (26½ x 19"). Creasing and folded, water staining down right hand edge.
The statue of Charles II in the Royal Exchange, after Grinling Gibbons. As the dedication on the pedestal records, this statue of Charles II in the habit of a Roman Emperor with laurel about his head was erected in the Royal Exchange by the Society of Merchant Adventurers of England in 1684. It was destroyed by the fire that razed the Exchange in 1838, though a similar one in bronze is at the Royal Hospital in Chelsea. Vertue (IV 35) records that the stone statue was actually carved by Arnold Quellin, with whom Gibbons had entered into partnership in 1681. This was dissolved in 1683, presumably after the statue had been finished (see Katharine Gibson, in The Royal Exchange, ed.A.Saunders, 1997, pp.151-7). Gibbons obtained a most unusual type of patent to protect his statue. The 'London Gazette' for 15 May 1684 carries an announcement: 'His Majesty, being well satisfied with the performance of Mr Grinling Gibbons in the making his Majesties statue lately set up in the Royal Exchange, hath been pleased to forbid all persons to copy the same in graving, etching or in mezzotinto, without the approbation of the said Mr Gibbons.' Gibbons must have been very much in Charles's favour, for the London Gazette of 10 May 1686 announces an exceptional Royal permission for Gibbons and Parry Walton to hold a sale of pictures in the Banqueting House in Whitehall. This print was advertised in the Observator of 12 January 1685: 'The exact draught of the marble statue of his Majesty in the Royall Exchange so long expected is now (by permission of authority) finished. Curiously engraven by Mr Vandrebanc, and printed on a large sheet of imperiall paper. To be sold by Dorman Newman at the Kings Arms in the Poultry. Price 2s 6d.' Newman was a large-scale book publisher who issued a few prints between 1665 and his bankruptcy in 1694. He also put a notice of this plate in the Term Catalogues for February 1685 and November 1687: in the latter the price was reduced to 1s 6d. From Newman, the plate passed into the hands of David Mortier, a bookseller who sold at the sign of Erasmus Head in the Strand. Mortier died c.1728, and the plate passed to John King in the Poultry, the great reprinter of old plates (an impression published by King is in Crowle XII 49).
[Ref: 28955] £260.00 (£312.00 incl.VAT)
Ex Marmorea Statua a G. Gibbons Sculpta. P. Vandrebanc Sculp:
London Printed and Sold by David Mortier at ye Sign of Erasmus's head in ye Strand. [n.d. c.1684.]
Engraving. Plate 672 x 481mm (26½ x 19"). Creasing and folded, water staining down right hand edge.
The statue of Charles II in the Royal Exchange, after Grinling Gibbons. As the dedication on the pedestal records, this statue of Charles II in the habit of a Roman Emperor with laurel about his head was erected in the Royal Exchange by the Society of Merchant Adventurers of England in 1684. It was destroyed by the fire that razed the Exchange in 1838, though a similar one in bronze is at the Royal Hospital in Chelsea. Vertue (IV 35) records that the stone statue was actually carved by Arnold Quellin, with whom Gibbons had entered into partnership in 1681. This was dissolved in 1683, presumably after the statue had been finished (see Katharine Gibson, in The Royal Exchange, ed.A.Saunders, 1997, pp.151-7). Gibbons obtained a most unusual type of patent to protect his statue. The 'London Gazette' for 15 May 1684 carries an announcement: 'His Majesty, being well satisfied with the performance of Mr Grinling Gibbons in the making his Majesties statue lately set up in the Royal Exchange, hath been pleased to forbid all persons to copy the same in graving, etching or in mezzotinto, without the approbation of the said Mr Gibbons.' Gibbons must have been very much in Charles's favour, for the London Gazette of 10 May 1686 announces an exceptional Royal permission for Gibbons and Parry Walton to hold a sale of pictures in the Banqueting House in Whitehall. This print was advertised in the Observator of 12 January 1685: 'The exact draught of the marble statue of his Majesty in the Royall Exchange so long expected is now (by permission of authority) finished. Curiously engraven by Mr Vandrebanc, and printed on a large sheet of imperiall paper. To be sold by Dorman Newman at the Kings Arms in the Poultry. Price 2s 6d.' Newman was a large-scale book publisher who issued a few prints between 1665 and his bankruptcy in 1694. He also put a notice of this plate in the Term Catalogues for February 1685 and November 1687: in the latter the price was reduced to 1s 6d. From Newman, the plate passed into the hands of David Mortier, a bookseller who sold at the sign of Erasmus Head in the Strand. Mortier died c.1728, and the plate passed to John King in the Poultry, the great reprinter of old plates (an impression published by King is in Crowle XII 49).
[Ref: 28955] £260.00 (£312.00 incl.VAT)
His Royal Highness The Arch-Duke Charles Commander in Chief of the Imperial Armies in Germany &c. &c. &c. Dedicated by Permission to his Excellency the Count Starhemberg, His Imperial Majesty's Envoy Extraordinary to his Britannic Majesty, By his obliged humble Serv.t H. Johns.
Painted by H. Johns Portrait Painter to his R.H. the Arch Duke Charles. Engraved by Anth.y Cardon.
Published Oct.r 25. 1796, by Anth.y Cardon, & Sold by Mess.rs Colnaghi, Sala & Co. No. 192, Pall Mall, London.
Engraving. Plate: 230 x 180mm (9 x 7'') very large margins. Tipped into album sheet.
A portrait of Archduke Charles of Austria, Duke of Teschen (1771-1847) brother of Holy Roman Emperor Francis II.
[Ref: 48258] £140.00 (£168.00 incl.VAT)
Painted by H. Johns Portrait Painter to his R.H. the Arch Duke Charles. Engraved by Anth.y Cardon.
Published Oct.r 25. 1796, by Anth.y Cardon, & Sold by Mess.rs Colnaghi, Sala & Co. No. 192, Pall Mall, London.
Engraving. Plate: 230 x 180mm (9 x 7'') very large margins. Tipped into album sheet.
A portrait of Archduke Charles of Austria, Duke of Teschen (1771-1847) brother of Holy Roman Emperor Francis II.
[Ref: 48258] £140.00 (£168.00 incl.VAT)
![Charles Street. [&] Charles Street, Looking East.](jpegs/26476.jpg)
Charles Street. [&] Charles Street, Looking East.
No.74 of R: Ackermann's Repository of Arts &c. Pub.d Feb.y 1.1822. [&] No.75 of R: Ackermann's Repository of Arts &c. Pub.d March 1.1822.
A pair of coloured aquatints. 222 x 145mm. 8¾ x 5¾".
Two views of Charles Street from opposite ends, with figures working in the foreground, figures walking, dogs and horses.
Collage: p5424093.
[Ref: 26476] £120.00 (£144.00 incl.VAT) view all images for this item
No.74 of R: Ackermann's Repository of Arts &c. Pub.d Feb.y 1.1822. [&] No.75 of R: Ackermann's Repository of Arts &c. Pub.d March 1.1822.
A pair of coloured aquatints. 222 x 145mm. 8¾ x 5¾".
Two views of Charles Street from opposite ends, with figures working in the foreground, figures walking, dogs and horses.
Collage: p5424093.
[Ref: 26476] £120.00 (£144.00 incl.VAT) view all images for this item
![[Charles V] Progenies Diuûm Quintus sic Carolus ille Imperii Caesar Lumina et ora Tulit. Aetat suae XXXI, Ann M.D. XXXI.](jpegs/59379.jpg)
[Charles V] Progenies Diuûm Quintus sic Carolus ille Imperii Caesar Lumina et ora Tulit. Aetat suae XXXI, Ann M.D. XXXI. Impenum oceano: famam qui lerminat astris.
PLombart Sculp A londre.
[n.d. c.1660.]
Fine engraving, sheet 195 x 130mm (7¾ x 5"). Trimmed to plate, glued on album sheet at edges. Slightly foxed.
Bust portrait of Charles V, Holy Roman Emperor (1500-1558), also known as Charles I of Spain. Looking towards the left, wearing a flat cap, embroidered robes and a chain with a hanging sheep. His dominions in Europe included the Holy Roman Empire, extending from Germany to Northern Italy, the Kingdom of Spain with its southern Italian possessions of Naples, Sicily, and Sardinia, and the Spanish and German colonies in America: the personal union of the European and American territories of Charles V was the first realm to be labelled as 'the empire on which the sun never sets'.
[Ref: 59379] £260.00 (£312.00 incl.VAT)
PLombart Sculp A londre.
[n.d. c.1660.]
Fine engraving, sheet 195 x 130mm (7¾ x 5"). Trimmed to plate, glued on album sheet at edges. Slightly foxed.
Bust portrait of Charles V, Holy Roman Emperor (1500-1558), also known as Charles I of Spain. Looking towards the left, wearing a flat cap, embroidered robes and a chain with a hanging sheep. His dominions in Europe included the Holy Roman Empire, extending from Germany to Northern Italy, the Kingdom of Spain with its southern Italian possessions of Naples, Sicily, and Sardinia, and the Spanish and German colonies in America: the personal union of the European and American territories of Charles V was the first realm to be labelled as 'the empire on which the sun never sets'.
[Ref: 59379] £260.00 (£312.00 incl.VAT)
![[Charles V, Duke of Lorraine] Carolus V Dei Gratia Lotharingiæ Barri: Dux.](jpegs/64805.jpg)
[Charles V, Duke of Lorraine] Carolus V Dei Gratia Lotharingiæ Barri: Dux.
B.A. delineavit:
A. Blooteling fecit et Excudit Cum Privilegio Ordinum Hollandiae et West-Frisiae [n.d., c.1670.]
Mezzotint, 17th century watermark. 355 x 260mm (14 x 16¼"), very large margins. Repaired tear entering image on right, some creasing.
Charles V (1643-90), Duke of Lorraine but not allowed to rule, as Lorraine was under French occupation during his lifetime. He entered Habsburg service, becoming one of their most successful generals, defeating the Turks at the Siege of Vienna, 1683. He died suddenly in 1690. According to Voltaire, Louis XIV paid tribute to him with the words "I have lost the greatest, wisest and most generous of my enemies".
Ex: Collection of The Hon. Christopher Lennox-Boyd. Not recorded in Le Blanc.
[Ref: 64805] £230.00 (£276.00 incl.VAT)
B.A. delineavit:
A. Blooteling fecit et Excudit Cum Privilegio Ordinum Hollandiae et West-Frisiae [n.d., c.1670.]
Mezzotint, 17th century watermark. 355 x 260mm (14 x 16¼"), very large margins. Repaired tear entering image on right, some creasing.
Charles V (1643-90), Duke of Lorraine but not allowed to rule, as Lorraine was under French occupation during his lifetime. He entered Habsburg service, becoming one of their most successful generals, defeating the Turks at the Siege of Vienna, 1683. He died suddenly in 1690. According to Voltaire, Louis XIV paid tribute to him with the words "I have lost the greatest, wisest and most generous of my enemies".
Ex: Collection of The Hon. Christopher Lennox-Boyd. Not recorded in Le Blanc.
[Ref: 64805] £230.00 (£276.00 incl.VAT)
![[Charles V, Duke of Lorraine]](jpegs/28526.jpg)
[Charles V, Duke of Lorraine] Serenissimus Princeps Carolus a Lotharingia.
Nanteuil ad vivum faciebat 1660.
Engraving with small margins. 320 x 250mm (12½ x 9¾"). Fine impression.
Charles V (1643-90), Duke of Lorraine but not allowed to rule, as Lorraine was under French occupation during his lifetime. He entered Habsburg service, becoming one of their most successful generals, defeating the Turks at the Siege of Vienna, 1683. He died suddenly in 1690. According to Voltaire, Louis XIV paid tribute to him with the words "I have lost the greatest, wisest and most generous of my enemies". The portrait was engraved by Robert Nanteuil, the most celebrated of French 17th century portrait engravers, published in his 'Portraits de Nanteuil Tome I'.
R.D. 63
[Ref: 28526] £140.00 (£168.00 incl.VAT)
Nanteuil ad vivum faciebat 1660.
Engraving with small margins. 320 x 250mm (12½ x 9¾"). Fine impression.
Charles V (1643-90), Duke of Lorraine but not allowed to rule, as Lorraine was under French occupation during his lifetime. He entered Habsburg service, becoming one of their most successful generals, defeating the Turks at the Siege of Vienna, 1683. He died suddenly in 1690. According to Voltaire, Louis XIV paid tribute to him with the words "I have lost the greatest, wisest and most generous of my enemies". The portrait was engraved by Robert Nanteuil, the most celebrated of French 17th century portrait engravers, published in his 'Portraits de Nanteuil Tome I'.
R.D. 63
[Ref: 28526] £140.00 (£168.00 incl.VAT)
![[Coronation of Charles VI] De Krooning van zyn Rooms Keyserlyke Majesteyt Carel de VI [...] [parallel text in Latin]](jpegs/59258.jpg)
[Coronation of Charles VI] De Krooning van zyn Rooms Keyserlyke Majesteyt Carel de VI [...] [parallel text in Latin]
Pet:Schenk exc: Amst: cum Priv. [n.d. c.1730.]
Engraving, sheet 160 x 185mm (6¼ x 7¼"). Trimmed to plate, some foxing.
A scene showing the coronation of Holy Roman Emperor Charles VI (1685-1740) as King of Bohemia, on 5 September 1723.
[Ref: 59258] £75.00 (£90.00 incl.VAT)
Pet:Schenk exc: Amst: cum Priv. [n.d. c.1730.]
Engraving, sheet 160 x 185mm (6¼ x 7¼"). Trimmed to plate, some foxing.
A scene showing the coronation of Holy Roman Emperor Charles VI (1685-1740) as King of Bohemia, on 5 September 1723.
[Ref: 59258] £75.00 (£90.00 incl.VAT)
![[Charles VI, Holy Roman Emperor, after declaring himself king of Spain in 1700]](jpegs/42250.jpg)
[Charles VI, Holy Roman Emperor, after declaring himself king of Spain in 1700] Charles III Roi d'Espagne et des Indes &. née Archiduc d'Austriche.
J. Gole fecit et ex: Amstelodami cum Privilegio [c.1700]
Mezzotint, fine impression; sheet 245 x 185mm (9½ x 7¼"). Trimmed inside platemark; glued to backing sheet.
Charles VI, Holy Roman Emperor, as claimant to the Spanish crown. His relative, Charles II of Spain, died in 1700 with no direct heir, leading to the War of the Spanish Succession, which pitted the Austrian Charles against the French candidate, Louis XIV's grandson Philip, duke of Anjou. During the war, Charles' brother, Joseph I, Holy Roman Emperor, died, and Charles returned to Vienna to assume the imperial crown. Philip, duke of Anjou became king of Spain (as Philip V).
[Ref: 42250] £260.00 (£312.00 incl.VAT)
J. Gole fecit et ex: Amstelodami cum Privilegio [c.1700]
Mezzotint, fine impression; sheet 245 x 185mm (9½ x 7¼"). Trimmed inside platemark; glued to backing sheet.
Charles VI, Holy Roman Emperor, as claimant to the Spanish crown. His relative, Charles II of Spain, died in 1700 with no direct heir, leading to the War of the Spanish Succession, which pitted the Austrian Charles against the French candidate, Louis XIV's grandson Philip, duke of Anjou. During the war, Charles' brother, Joseph I, Holy Roman Emperor, died, and Charles returned to Vienna to assume the imperial crown. Philip, duke of Anjou became king of Spain (as Philip V).
[Ref: 42250] £260.00 (£312.00 incl.VAT)
![[Emperor Charles VI.]](jpegs/37446.jpg)
[Emperor Charles VI.]
Sac. Caes. Maj Geographus. Joh. Bapt. Homann excudit. Jacob Weisshoff Sculpsit.
Noriberge. 1717.
Engraving. 490 x 290mm (19¼ x 11¼"). Sheet slightly toned. Some damage to left and lower margins. Hinged to backing sheet on right edge. A damaged example of a rare print.
A portrait of Charles VI (1685 -1740) full length, turned slightly to the right, facing towards the left, in a long curled wig, wearing armour, a mantle fastened with a jewelled strap, and a sash, his right hand extended with baton. In the background is drapery printed with portraits of emperors and other figures, titled, within ovals. In the lower right corner, a child looks up, wearing a helmet and cape, holding onto a globe which depicts 'Africa', 'America' and 'Europa', with the latin phrase 'Constantia et fortitudine', meaning, 'through perseverance and bravery', below. A crown sits on a plinth with the crest of Charles VI underneath, to the left.
[Ref: 37446] £220.00 (£264.00 incl.VAT)
Sac. Caes. Maj Geographus. Joh. Bapt. Homann excudit. Jacob Weisshoff Sculpsit.
Noriberge. 1717.
Engraving. 490 x 290mm (19¼ x 11¼"). Sheet slightly toned. Some damage to left and lower margins. Hinged to backing sheet on right edge. A damaged example of a rare print.
A portrait of Charles VI (1685 -1740) full length, turned slightly to the right, facing towards the left, in a long curled wig, wearing armour, a mantle fastened with a jewelled strap, and a sash, his right hand extended with baton. In the background is drapery printed with portraits of emperors and other figures, titled, within ovals. In the lower right corner, a child looks up, wearing a helmet and cape, holding onto a globe which depicts 'Africa', 'America' and 'Europa', with the latin phrase 'Constantia et fortitudine', meaning, 'through perseverance and bravery', below. A crown sits on a plinth with the crest of Charles VI underneath, to the left.
[Ref: 37446] £220.00 (£264.00 incl.VAT)
![[Emperor Charles VI.]](jpegs/40593.jpg)
[Emperor Charles VI.]
Sac. Caes. Maj Geographus. Joh. Bapt. Homann excudit. Jacob Weisshoff Sculpsit.
Noriberge. 1717.
Fine engraving. 490 x 290mm (19¼ x 11¼"). Remains of guard over left edge, a small area of worming just touching image.
A portrait of Charles VI (1685 -1740) full length, turned slightly to the right, facing towards the left, in a long curled wig, wearing armour, a mantle fastened with a jewelled strap, and a sash, his right hand extended with baton. In the background is drapery printed with portraits of emperors and other figures, titled, within ovals. In the lower right corner, a child looks up, wearing a helmet and cape, holding onto a globe which depicts 'Africa', 'America' and 'Europa', with the latin phrase 'Constantia et fortitudine', meaning, 'through perseverance and bravery', below. A crown sits on a plinth with the crest of Charles VI underneath, to the left.
[Ref: 40593] £390.00
Sac. Caes. Maj Geographus. Joh. Bapt. Homann excudit. Jacob Weisshoff Sculpsit.
Noriberge. 1717.
Fine engraving. 490 x 290mm (19¼ x 11¼"). Remains of guard over left edge, a small area of worming just touching image.
A portrait of Charles VI (1685 -1740) full length, turned slightly to the right, facing towards the left, in a long curled wig, wearing armour, a mantle fastened with a jewelled strap, and a sash, his right hand extended with baton. In the background is drapery printed with portraits of emperors and other figures, titled, within ovals. In the lower right corner, a child looks up, wearing a helmet and cape, holding onto a globe which depicts 'Africa', 'America' and 'Europa', with the latin phrase 'Constantia et fortitudine', meaning, 'through perseverance and bravery', below. A crown sits on a plinth with the crest of Charles VI underneath, to the left.
[Ref: 40593] £390.00
![[Coronation procession of Charles VII] Pourtrait d'une tapisserie faite y a deux cens ans, où est représenté le Roy Charles VII](jpegs/55534.jpg)
[Coronation procession of Charles VII] Pourtrait d'une tapisserie faite y a deux cens ans, où est représenté le Roy Charles VII allant faire son entree en la Ville de Rheims pour y estre sacre à la conduite de la Pucelle d'Orleans 1429.
J. Poinsart f.
[n.d., c.1630.]
Scarce engraving 235 x 300mm (9¼ x 11¾"). Trimmed to plate, tears and folds repaired, laid on card.
A procession of knights and retainers, including Joan of Arc, Maid of Orleans, Engraved after a 200-year-old tapestry.
From Duke of Sutherland Collection?
[Ref: 55534] £280.00 (£336.00 incl.VAT)
J. Poinsart f.
[n.d., c.1630.]
Scarce engraving 235 x 300mm (9¼ x 11¾"). Trimmed to plate, tears and folds repaired, laid on card.
A procession of knights and retainers, including Joan of Arc, Maid of Orleans, Engraved after a 200-year-old tapestry.
From Duke of Sutherland Collection?
[Ref: 55534] £280.00 (£336.00 incl.VAT)
![[All Saint's Avenue Cemetry, Royal Berkshire.]](jpegs/14521.jpg)
[All Saint's Avenue Cemetry, Royal Berkshire.]
C.W.Cope, E.C.
[n.d. c.1890.]
Fine etching. 146 x 102mm (5¾ x 4").
A soldier looks on at a headstone that reads "Herelift C.W. Cope". Charles West Cope (1811-1890), painter of historical, literary and genre subjects, studied in Paris and first exhibited in the Royal Academy in 1833. He won a prize in a competition in 1843 to decorate the Houses of Parliament, where he complete several commissions. He was one of the founding members of the Etching Club.
[Ref: 14521] £85.00 (£102.00 incl.VAT)
C.W.Cope, E.C.
[n.d. c.1890.]
Fine etching. 146 x 102mm (5¾ x 4").
A soldier looks on at a headstone that reads "Herelift C.W. Cope". Charles West Cope (1811-1890), painter of historical, literary and genre subjects, studied in Paris and first exhibited in the Royal Academy in 1833. He won a prize in a competition in 1843 to decorate the Houses of Parliament, where he complete several commissions. He was one of the founding members of the Etching Club.
[Ref: 14521] £85.00 (£102.00 incl.VAT)
Charles Hereditary Prince of Brunswick &c.
Engraving. 130 x 100mm (5 x 4"). Trimmed almost to plate on right edge. Faint staining along the bottom margin.
Head and shoulders portrait of Charles William Ferdinand, Duke of Brunswick (1735-1806), inclined to the left and framed in an oval. He was recognised for his prowess in military command. Charles was mortally wounded at the Battle of Jena-Auerstedt against one of Napoleon's armies.
[Ref: 53877] £45.00 (£54.00 incl.VAT)
Engraving. 130 x 100mm (5 x 4"). Trimmed almost to plate on right edge. Faint staining along the bottom margin.
Head and shoulders portrait of Charles William Ferdinand, Duke of Brunswick (1735-1806), inclined to the left and framed in an oval. He was recognised for his prowess in military command. Charles was mortally wounded at the Battle of Jena-Auerstedt against one of Napoleon's armies.
[Ref: 53877] £45.00 (£54.00 incl.VAT)
Legitimacy in Commotion or All Wrong with Divine Right.
H.B. [John Doyle.]
Published by T. McLean, 28, Haymarket, 28 Aug 1830.
Coloured lithograph. Sheet 275 x 375mm (10¾ x 14¾"). Trimmed to printed border, laid on album paper, at corners, tears glued down.
A satire on the July Revolution of 1830, which forced Charles X (1757-1836) to abdicate. He and the duc d'Angoulême stand in the foreground, the former king saying 'Let us sit upon the ground and tell sad stories of the fate of kings'. To the left the Dey of Algiers wanders off, having been deposed by French action earlier in the year. Behind, a long fishing rod from the 'Times office' snags the crown off the king's head. John Doyle (1797-1868), worked under the pseudonym 'HB' from 1827, usually issuing one satire a month during parliamentary seasons. Doyle preserved his anonymity as 'H.B.' until 1843, when he revealed himself to Sir Robert Peel in a letter justifying his motives and principles as a cartoonist.
BM Satire 16237.
[Ref: 51585] £110.00 (£132.00 incl.VAT)
H.B. [John Doyle.]
Published by T. McLean, 28, Haymarket, 28 Aug 1830.
Coloured lithograph. Sheet 275 x 375mm (10¾ x 14¾"). Trimmed to printed border, laid on album paper, at corners, tears glued down.
A satire on the July Revolution of 1830, which forced Charles X (1757-1836) to abdicate. He and the duc d'Angoulême stand in the foreground, the former king saying 'Let us sit upon the ground and tell sad stories of the fate of kings'. To the left the Dey of Algiers wanders off, having been deposed by French action earlier in the year. Behind, a long fishing rod from the 'Times office' snags the crown off the king's head. John Doyle (1797-1868), worked under the pseudonym 'HB' from 1827, usually issuing one satire a month during parliamentary seasons. Doyle preserved his anonymity as 'H.B.' until 1843, when he revealed himself to Sir Robert Peel in a letter justifying his motives and principles as a cartoonist.
BM Satire 16237.
[Ref: 51585] £110.00 (£132.00 incl.VAT)
![[Funeral of Charles XII] De Lyk-Statie van de Koning van Sweden Carel de XII; op den 16 Febr: 1719. [parallel text in Latin]](jpegs/59242.jpg)
[Funeral of Charles XII] De Lyk-Statie van de Koning van Sweden Carel de XII; op den 16 Febr: 1719. [parallel text in Latin]
Pet:Schenk Exc: Amst: C.Priv. [n.d. c.1730.]
Engraving, sheet 160 x 185mm (6¼ x 7¼"). Trimmed to plate.
A scene showing the funeral procession of Charles XII, King of Sweden (1682-1718).
[Ref: 59242] £85.00 (£102.00 incl.VAT)
Pet:Schenk Exc: Amst: C.Priv. [n.d. c.1730.]
Engraving, sheet 160 x 185mm (6¼ x 7¼"). Trimmed to plate.
A scene showing the funeral procession of Charles XII, King of Sweden (1682-1718).
[Ref: 59242] £85.00 (£102.00 incl.VAT)
Carolus XII. D.G. Suecorum, Gothorum, et Vandalorum Rex Augustissimus, &c. Qui, stratis ad Narvam Moschis, die XX.o Novembris, Anno 1700; Aetatis suae paulo plus XVIII.o, Justas et Graves a Faedifrago Hoste sumpsit Paenas: et et Que Progressus Admirabiles, contra Ipsos et Polonos, violento Marte ad huc Prosequitur.
Ad Vivum Pinxit D. Craft suae Svecicae Ma.tis Pictor praecipuus Anno 1701. Iohannes Smith Anglus Fecit. Anno 1701-2.
Sold by I. Smith at the Lyon and Crown in Russel Street Covant Garden.
Rare mezzotint, fine impression, print 350 x 250mm (13¾ x 9¾"). Trimmed and glued to album sheet. Small tear to left edge, nick to right edge.
Half-length portrait of Charles XII, King of Sweden (1682-1718), in an oval. Looking towards the viewer over right shoulder, wearing a wig with a ribbon, a lace cravat, and armour.
CS 249.
[Ref: 58870] £260.00 (£312.00 incl.VAT)
Ad Vivum Pinxit D. Craft suae Svecicae Ma.tis Pictor praecipuus Anno 1701. Iohannes Smith Anglus Fecit. Anno 1701-2.
Sold by I. Smith at the Lyon and Crown in Russel Street Covant Garden.
Rare mezzotint, fine impression, print 350 x 250mm (13¾ x 9¾"). Trimmed and glued to album sheet. Small tear to left edge, nick to right edge.
Half-length portrait of Charles XII, King of Sweden (1682-1718), in an oval. Looking towards the viewer over right shoulder, wearing a wig with a ribbon, a lace cravat, and armour.
CS 249.
[Ref: 58870] £260.00 (£312.00 incl.VAT)
N. Charles P. De Physique. Charles par un prodig a terrasse l'envie; Par l'eloquence, le Genie, Le Scavoir, l'intrepidite; Il assure ses droits a l'immortalite.
Se vend a Paris, chez Frieze Graveur Rue de Harlay, Maison de Mr. Berthoud [n.d. c.1785].
Etching. 150 x 210mm. Light foxing except for one bad spot inside plate mark just outside image to left.
Probably French physicist, aviator and inventor Jacques Charles [1746 - 1823].
[Ref: 2585] £180.00 (£216.00 incl.VAT)
Se vend a Paris, chez Frieze Graveur Rue de Harlay, Maison de Mr. Berthoud [n.d. c.1785].
Etching. 150 x 210mm. Light foxing except for one bad spot inside plate mark just outside image to left.
Probably French physicist, aviator and inventor Jacques Charles [1746 - 1823].
[Ref: 2585] £180.00 (£216.00 incl.VAT)
Charles Aux Thuilleries le Ir. Decembre M.DCCLXXXIII. Jusqu'alors sans egal, Le Monarque des Aira y suivit son Rival.
Gravé par S.C. Miger Graveur du Roi.
A Paris chez Miger, la grande Maison neuve. Place de l'Estrapade.
A fine engraving. Plate 250 x 190mm. 9¾ x 7½". Some minor creasing in image. Full margins.
Jacques Alexandre César Charles, French physicist [1746 - 1823]. He confirmed Benjamin Franklin's electrical experiments, became interested in aeronautics, and was the first to use hydrogen gas in balloons. In this type of balloon, known as the Charlière, he made an ascent in 1783 of almost 2 miles.
[Ref: 19477] £350.00
Gravé par S.C. Miger Graveur du Roi.
A Paris chez Miger, la grande Maison neuve. Place de l'Estrapade.
A fine engraving. Plate 250 x 190mm. 9¾ x 7½". Some minor creasing in image. Full margins.
Jacques Alexandre César Charles, French physicist [1746 - 1823]. He confirmed Benjamin Franklin's electrical experiments, became interested in aeronautics, and was the first to use hydrogen gas in balloons. In this type of balloon, known as the Charlière, he made an ascent in 1783 of almost 2 miles.
[Ref: 19477] £350.00
M. Charles
[n.d., c. 1823.]
Copper engraving, 145 x 90mm. Trimmed close.
Jacques Alexander Cesar Charles (1746-1823) launched the first hydrogen balloon flight, which flew to an altitude of three kilometres in 1783. Charles himself subsequently took part in the first manned hydrogen balloon flight later that year.
[Ref: 8255] £45.00 (£54.00 incl.VAT)
[n.d., c. 1823.]
Copper engraving, 145 x 90mm. Trimmed close.
Jacques Alexander Cesar Charles (1746-1823) launched the first hydrogen balloon flight, which flew to an altitude of three kilometres in 1783. Charles himself subsequently took part in the first manned hydrogen balloon flight later that year.
[Ref: 8255] £45.00 (£54.00 incl.VAT)
![[Charles, Landgrave of Hesse-Kassel]](jpegs/42394.jpg)
[Charles, Landgrave of Hesse-Kassel] Carolus D.G. Landgravius Hassiae Princeps Hersfeldiae &c.
J. Gole fecit.
Nicolaus Visscher Ex cum Privil. Ordin. General Belaii Federati Ao 1696
Mezzotint, sheet 470 x 360mm (18½ x 14¼"). Trimmed to image; crease through centre not visible from front.
A large impressive portrait of Charles, Landgrave of Hesse-Kassel (1654-1730), who governed Hesse-Kassel during the Thirty Years' War and War of the Spanish Succession.
[Ref: 42394] £320.00
J. Gole fecit.
Nicolaus Visscher Ex cum Privil. Ordin. General Belaii Federati Ao 1696
Mezzotint, sheet 470 x 360mm (18½ x 14¼"). Trimmed to image; crease through centre not visible from front.
A large impressive portrait of Charles, Landgrave of Hesse-Kassel (1654-1730), who governed Hesse-Kassel during the Thirty Years' War and War of the Spanish Succession.
[Ref: 42394] £320.00
Charleston, South Carolina.
W.H. Brooke, F.S.A. T.A. Prior.
[n.d. c.1860.]
Engraving. Plate: 230 x 150mm, (9 x 6"). Small margins.
A view of Charleston, South Carolina, with various ships and paddle steamer seen in the harbour; St Michael's and St Philip's church spires can be seen behind. Engraved around the time of the American Civil War, in which the city played an important role.
[Ref: 39918] £75.00 (£90.00 incl.VAT)
W.H. Brooke, F.S.A. T.A. Prior.
[n.d. c.1860.]
Engraving. Plate: 230 x 150mm, (9 x 6"). Small margins.
A view of Charleston, South Carolina, with various ships and paddle steamer seen in the harbour; St Michael's and St Philip's church spires can be seen behind. Engraved around the time of the American Civil War, in which the city played an important role.
[Ref: 39918] £75.00 (£90.00 incl.VAT)
![[Walter Charleton.] Gualteri Charletoni, Med. Doct, & Coll. Med. Lond. Soch. Anno Christ. M.D.C.LXXVIII.](jpegs/67753.jpg)
[Walter Charleton.] Gualteri Charletoni, Med. Doct, & Coll. Med. Lond. Soch. Anno Christ. M.D.C.LXXVIII.
D.Loggan as Vivum delin et sculp.
1679.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed and backed onto album paper at edges
Portrait of Walter Charleton (1619 - 1707), natural philosopher and English writer. Frontis to his work 'Inquiries into Human Nature', 1680.
W587-3
[Ref: 67753] £130.00 (£156.00 incl.VAT)
D.Loggan as Vivum delin et sculp.
1679.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed and backed onto album paper at edges
Portrait of Walter Charleton (1619 - 1707), natural philosopher and English writer. Frontis to his work 'Inquiries into Human Nature', 1680.
W587-3
[Ref: 67753] £130.00 (£156.00 incl.VAT)
Peeling a Charley.
William Heath.
Pub Sep 29th 1829 by T. McLean 26 Haymarket - Sole Publisher of W Heaths etchings.
Fine hand-coloured etching. Sheet 240 x 355mm (9½ x 14"). Trimmed to printed border.
Robert Peel pulls the overcoat off a nightwatchman to throw onto a burning watch box, as the watchman begs for mercy. Another watchman hangs from a tree, still holding his lamp and rattle. An arm also holding a rattle sticks up out of a lake. A satire on the replacement of the district watch system with Peel's new police force, and the phasing out of the watch boxes which the watchmen often lived in. By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however the monogram was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
BM Satires: 15862.
[Ref: 51588] £260.00 (£312.00 incl.VAT)
William Heath.
Pub Sep 29th 1829 by T. McLean 26 Haymarket - Sole Publisher of W Heaths etchings.
Fine hand-coloured etching. Sheet 240 x 355mm (9½ x 14"). Trimmed to printed border.
Robert Peel pulls the overcoat off a nightwatchman to throw onto a burning watch box, as the watchman begs for mercy. Another watchman hangs from a tree, still holding his lamp and rattle. An arm also holding a rattle sticks up out of a lake. A satire on the replacement of the district watch system with Peel's new police force, and the phasing out of the watch boxes which the watchmen often lived in. By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however the monogram was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
BM Satires: 15862.
[Ref: 51588] £260.00 (£312.00 incl.VAT)
![[Her Most Gracious Majesty Queen Charlotte.]](jpegs/12140.jpg)
[Her Most Gracious Majesty Queen Charlotte.]
[Painted by H. Edridge 1814 . Engraved by S.W. Reynolds.]
[Published by the Engraver Bayswater 1819.]
Mezzotint with etching, proof before letters. 380 x 275mm (15 x 10¾").
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. Collector's stamps of Alfred Morrison (1821 - 1897) and John Young to verso.
[Ref: 12140] £230.00 (£276.00 incl.VAT)
[Painted by H. Edridge 1814 . Engraved by S.W. Reynolds.]
[Published by the Engraver Bayswater 1819.]
Mezzotint with etching, proof before letters. 380 x 275mm (15 x 10¾").
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. Collector's stamps of Alfred Morrison (1821 - 1897) and John Young to verso.
[Ref: 12140] £230.00 (£276.00 incl.VAT)
Charlotte Queen of Great Britain.
Sold in May's Building's Covent Garden [n.d., c.1765.]
Etching, 420 x 320mm. 16½ x 12½". Trimmed to plate; soiled. Small tear lower right.
A rare portrait of Charlotte Sophia of Mecklenburg-Strelitz (1744-1818), Queen consort of George III. She married to George in 1761 and bore him 15 children. This could be the work of George Bickham the Younger (c.1706 - 1771) who had premises in May's Buildings, Covent Garden from c.1745. He was the son of George Bickham the Elder and collaborated with his father, and their prints have not been properly identified; when there is any doubt, prints have been attributed to George Bickham the Younger. Probably issued originally as a companion to a plate of George III, this is one of several printed adaptations of the portrait of the Queen in profile attributed by Goodwin to Jeremiah Meyer (735 - 1789), enamel, and later minature, painter.
Not in BM. See Goodwin: 84.
[Ref: 9064] £330.00
Sold in May's Building's Covent Garden [n.d., c.1765.]
Etching, 420 x 320mm. 16½ x 12½". Trimmed to plate; soiled. Small tear lower right.
A rare portrait of Charlotte Sophia of Mecklenburg-Strelitz (1744-1818), Queen consort of George III. She married to George in 1761 and bore him 15 children. This could be the work of George Bickham the Younger (c.1706 - 1771) who had premises in May's Buildings, Covent Garden from c.1745. He was the son of George Bickham the Elder and collaborated with his father, and their prints have not been properly identified; when there is any doubt, prints have been attributed to George Bickham the Younger. Probably issued originally as a companion to a plate of George III, this is one of several printed adaptations of the portrait of the Queen in profile attributed by Goodwin to Jeremiah Meyer (735 - 1789), enamel, and later minature, painter.
Not in BM. See Goodwin: 84.
[Ref: 9064] £330.00
Her Most Excellent Majesty Charlotte, Queen of Great Britain, &c.&c. 324.
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 4 June 1783.
Mezzotint, with large margins. Plate 355 x 254mm. 14 x 10". Crease through upper image area.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
[Ref: 24003] £250.00 (£300.00 incl.VAT)
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 4 June 1783.
Mezzotint, with large margins. Plate 355 x 254mm. 14 x 10". Crease through upper image area.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
[Ref: 24003] £250.00 (£300.00 incl.VAT)
Her Most Excellent Majesty Charlotte, Queen of Great Britain, &c. 2.
Printed for & Sold by Carington Bowles, at his Map & Printseller, N.o 69 in S.t Pauls Church Yard, London. Published as the Act directs, 3 Aug, 1775
Very fine mezzotint, 355 x 255mm (14 x 10"), with large margins. Repaired tear on right margin.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
See also [Ref: 24003].
[Ref: 66884] £280.00 (£336.00 incl.VAT)
Printed for & Sold by Carington Bowles, at his Map & Printseller, N.o 69 in S.t Pauls Church Yard, London. Published as the Act directs, 3 Aug, 1775
Very fine mezzotint, 355 x 255mm (14 x 10"), with large margins. Repaired tear on right margin.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
See also [Ref: 24003].
[Ref: 66884] £280.00 (£336.00 incl.VAT)
Her Most Gracious Majesty Queen Charlotte. Dedicated by Permission To his Royal Highness Prince George of Wales Regent, of the United Kingdom of Great Britain & Ireland, by His Royal Highnesses devoted Servant, S.W. Reynolds. Proof.
Painted by H. Edridge 1814. Engraved by S.W. Reynolds.
Published by the Engraver Bayswater 1819.
Proof mezzotint with etching. 380 x 275mm (15 x 10¾"). A strong, well inked impression, with surface texture. Some staining in borders.
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. See Ref: 12140
[Ref: 61633] £230.00 (£276.00 incl.VAT)
Painted by H. Edridge 1814. Engraved by S.W. Reynolds.
Published by the Engraver Bayswater 1819.
Proof mezzotint with etching. 380 x 275mm (15 x 10¾"). A strong, well inked impression, with surface texture. Some staining in borders.
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. See Ref: 12140
[Ref: 61633] £230.00 (£276.00 incl.VAT)
Charlotte Queen of Great Britain.
Done & Publish'd as the Act directs, Nov.r 25.th 1761, by J.s McArdell.
Mezzotint. 505 x 360mm (19¾ x 14¼"). Trimmed to plate, some staining backed with paper. Bit messy.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, iii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68372] £280.00 (£336.00 incl.VAT)
Done & Publish'd as the Act directs, Nov.r 25.th 1761, by J.s McArdell.
Mezzotint. 505 x 360mm (19¾ x 14¼"). Trimmed to plate, some staining backed with paper. Bit messy.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, iii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68372] £280.00 (£336.00 incl.VAT)
Charlotte, Queen of Great Britain. Born May 19 1744.
L.C.D.S.A.L.
[n.d., c.1818.]
Lithograph with large margins, very rare & early lithograph; printed area 320 x 245mm (12½ x 9½").
A memento mori of Queen Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen consort of King George III. Although her death is not mentioned on this amateur lithograph, the iconography clearly indicates it was published after her death. After the portrait by William Beechey.
[Ref: 35242] £220.00 (£264.00 incl.VAT)
L.C.D.S.A.L.
[n.d., c.1818.]
Lithograph with large margins, very rare & early lithograph; printed area 320 x 245mm (12½ x 9½").
A memento mori of Queen Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen consort of King George III. Although her death is not mentioned on this amateur lithograph, the iconography clearly indicates it was published after her death. After the portrait by William Beechey.
[Ref: 35242] £220.00 (£264.00 incl.VAT)
Her Most Gracious Majesty Queen Charlotte.
S.r W.m Beechey del. M.A. Bourlier, Scu.
London, Published by E. Harding 19 May 1806.
Stipple. 280 x 218mm (11 x 8½"). Slight foxing.
Queen Charlotte of Mecklenburg-Strelitz (1744-1818), Queen consort of King George III. Published be Edward Harding (1755-1840), who was an engraver, publisher and librarian to Queen Charlotte from 1803 to 1818.
[Ref: 22654] £75.00 (£90.00 incl.VAT)
S.r W.m Beechey del. M.A. Bourlier, Scu.
London, Published by E. Harding 19 May 1806.
Stipple. 280 x 218mm (11 x 8½"). Slight foxing.
Queen Charlotte of Mecklenburg-Strelitz (1744-1818), Queen consort of King George III. Published be Edward Harding (1755-1840), who was an engraver, publisher and librarian to Queen Charlotte from 1803 to 1818.
[Ref: 22654] £75.00 (£90.00 incl.VAT)
Charlotte.
Hancock sc.t.
Publish'd April 9th 96 by J. Hancock Congreve St. Birm.m.
Stipple. Plate: 160 x 110mm (6¼ x 4¼''). Trimmed to plate.
A portrait of a young woman with a muff. Thomas Hancock was an engraver and printseller of Congreve Street, Birmingham.
[Ref: 48079] £130.00 (£156.00 incl.VAT)
Hancock sc.t.
Publish'd April 9th 96 by J. Hancock Congreve St. Birm.m.
Stipple. Plate: 160 x 110mm (6¼ x 4¼''). Trimmed to plate.
A portrait of a young woman with a muff. Thomas Hancock was an engraver and printseller of Congreve Street, Birmingham.
[Ref: 48079] £130.00 (£156.00 incl.VAT)
Charlotte Queen of Great Britain.
J. M:cArdell del:t & fec:t.
Publish'd as the Act directs, & Sold by J. M.cArdell in Covent Garden, J. Bowles & Son, at the Black Horse in Cornhill, & R. Sayer in Fleet Street, Feb, 10th. 1762.
Fine mezzotint, 18th century watermark; 505 x 360mm (19¾ x 14¼"). Trimmed into plate at bottom. Small margins on 3 sides.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III. after Jeremiah Meyer.
CS 41, iii of iii. Goodwin 84, iv of iv.
[Ref: 68317] £450.00
J. M:cArdell del:t & fec:t.
Publish'd as the Act directs, & Sold by J. M.cArdell in Covent Garden, J. Bowles & Son, at the Black Horse in Cornhill, & R. Sayer in Fleet Street, Feb, 10th. 1762.
Fine mezzotint, 18th century watermark; 505 x 360mm (19¾ x 14¼"). Trimmed into plate at bottom. Small margins on 3 sides.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III. after Jeremiah Meyer.
CS 41, iii of iii. Goodwin 84, iv of iv.
[Ref: 68317] £450.00
Charlotte Queen of Great Britain.
Done & Publish'd as the Act directs, Nov.r 25.th 1761 by J.s M.cArdell.
Mezzotint, 505 x 360mm (19¾ x 14¼"), uncut with large margins. On 18th century watermarked paper. Slight mount burn, tear in right margin taped.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, ii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68462] £590.00
Done & Publish'd as the Act directs, Nov.r 25.th 1761 by J.s M.cArdell.
Mezzotint, 505 x 360mm (19¾ x 14¼"), uncut with large margins. On 18th century watermarked paper. Slight mount burn, tear in right margin taped.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, ii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68462] £590.00
To their Graces the Duke and Dutchess of Ancaster This Representation of the Embarkation Of her Majesty Queen Charlotte at Stade; With a View of the Royal Yatchs, &c. &c. is humbly Inscribed By their Graces' Most Devoted & Obliged Servant. Thomas Allen. [&] ... This View of Harwich, and the Yatchs going out, With Lord Anson returning the Salute from Landguard Fort is most humbly Inscribed ...
T. Allen pinx. P.C. Canot sculp.
Printed for Jn.o Bowles at the Black Horse in Cornhill; & Carington Bowles, next the Chapter House in St Paul's Church Yard [n.d., c.1765).
A pair of very scarce engravings. Each c. 425 x 605mm (!6¾ x 23¾"), with large margins Repaired tear in margin of first plate.
A pair of maritime scenes depicting the passage to England of Charlotte of Mecklenburg-Strelitz for her marriage to George III in 1761. The first shows her departure from Stade in Lower Saxony on 28 August 1761, the second her arrival at Harwich on the 6th September, after a 10-day voyage hampered by three severe storms.
[Ref: 55681] £1,600.00 view all images for this item
T. Allen pinx. P.C. Canot sculp.
Printed for Jn.o Bowles at the Black Horse in Cornhill; & Carington Bowles, next the Chapter House in St Paul's Church Yard [n.d., c.1765).
A pair of very scarce engravings. Each c. 425 x 605mm (!6¾ x 23¾"), with large margins Repaired tear in margin of first plate.
A pair of maritime scenes depicting the passage to England of Charlotte of Mecklenburg-Strelitz for her marriage to George III in 1761. The first shows her departure from Stade in Lower Saxony on 28 August 1761, the second her arrival at Harwich on the 6th September, after a 10-day voyage hampered by three severe storms.
[Ref: 55681] £1,600.00 view all images for this item
![[Queen Charlotte] A New Mode, of Presenting Two Addresses at once.](jpegs/63576.jpg)
[Queen Charlotte] A New Mode, of Presenting Two Addresses at once. When Scenes of Affliction, of Sorrow and Pain, Affect our dear Relatives, Neighbours, or Friends [...]
[by Charles Williams.]
Pub.d Feb.y 1818 by S.W. Fores No 50 Piccadilly.
Etching with hand-colour. 250 x 350mm (9¾ x 13¾"). Mounted in album paper at edges.
Satire on Queen Charlotte's response to the death of Princess Charlotte Augusta of Wales in 1817. Queen Charlotte (right) was in Bath at the time and received the address of the Bath Corporation (to which she attends here with avid attention) at almost the same time as news of Princess Charlotte's death. A messenger (centre) delivers both pieces of news, Queen Charlotte taking the former and Princess Charlotte's husband Leopold I of Belgium responding to the latter.
BM Satires 12984.
[Ref: 63576] £280.00 (£336.00 incl.VAT)
[by Charles Williams.]
Pub.d Feb.y 1818 by S.W. Fores No 50 Piccadilly.
Etching with hand-colour. 250 x 350mm (9¾ x 13¾"). Mounted in album paper at edges.
Satire on Queen Charlotte's response to the death of Princess Charlotte Augusta of Wales in 1817. Queen Charlotte (right) was in Bath at the time and received the address of the Bath Corporation (to which she attends here with avid attention) at almost the same time as news of Princess Charlotte's death. A messenger (centre) delivers both pieces of news, Queen Charlotte taking the former and Princess Charlotte's husband Leopold I of Belgium responding to the latter.
BM Satires 12984.
[Ref: 63576] £280.00 (£336.00 incl.VAT)
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Ode by Henry James Pye Esq. P. L. Performed at St. James's, January 18 1806 on the Anniversary of Her Majesty's Birth Day. [&] Lines, by H. Tresham, Esq. R.A. Which Were Embellished with an Elegant Portrait and Given in St. Paul's Cathedral at the Time of the Interment.
Swaine sc.
Pub.d. Jan.y. 18 1806. by Edw.d Orme 59 Bond Street. Nichols, Printer, Earl's Court, Newport-street Soho.
2 letterpress sheets. Plate: 270 x 450mm (10½ x 17¾"). Central crease as issued, slight staining.
Two poems published in 1806. The first is a poem by James Pye (1745-1813), published to celebrate the birthday of Queen Charlotte in 1806. James Pye, who had served as M.P. for Berkshire between 1784 and 1790, had supported Pitt the Younger and has been said that it was through this alliance that Pye was elected Poet Laureate in 1790, a post he held until his death in 1813. Each year on both the King and Queen's birthday Pye would publish a strongly patriotic ode in celebration. Surrounding the text, flags of various nations are illustrated including America with 13 stars. The second poem was written to commemorate the funeral of Lord Nelson in St Pauls. A plate from 'Orme's Graphic History of the Life, Exploits, and Death of Horation Nelson', published only three days after the funeral.
[Ref: 50899] £280.00 (£336.00 incl.VAT)
Swaine sc.
Pub.d. Jan.y. 18 1806. by Edw.d Orme 59 Bond Street. Nichols, Printer, Earl's Court, Newport-street Soho.
2 letterpress sheets. Plate: 270 x 450mm (10½ x 17¾"). Central crease as issued, slight staining.
Two poems published in 1806. The first is a poem by James Pye (1745-1813), published to celebrate the birthday of Queen Charlotte in 1806. James Pye, who had served as M.P. for Berkshire between 1784 and 1790, had supported Pitt the Younger and has been said that it was through this alliance that Pye was elected Poet Laureate in 1790, a post he held until his death in 1813. Each year on both the King and Queen's birthday Pye would publish a strongly patriotic ode in celebration. Surrounding the text, flags of various nations are illustrated including America with 13 stars. The second poem was written to commemorate the funeral of Lord Nelson in St Pauls. A plate from 'Orme's Graphic History of the Life, Exploits, and Death of Horation Nelson', published only three days after the funeral.
[Ref: 50899] £280.00 (£336.00 incl.VAT)
Her Most Excellent Majesty, Charlotte Queen of Great Britain &c &c.
Painted by J. Russell R.A. Crayon Painter to His Majesty, & H.R.H. the Prince of Wales. Engraved by Joseph Collyer, A.
Published as the Act directs, 4 June 1791, & Sold by W. Faden, Charling Cross, M. Ryland, Bond Street, & J. Collyer, Dorrington Street, Cold Bath Field.
Stipple with etching and engraving. 330 x 250mm (13 x 9¾"), with large margins.
Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen Consort of the United Kingdom as wife of King George III.
[Ref: 56396] £260.00 (£312.00 incl.VAT)
Painted by J. Russell R.A. Crayon Painter to His Majesty, & H.R.H. the Prince of Wales. Engraved by Joseph Collyer, A.
Published as the Act directs, 4 June 1791, & Sold by W. Faden, Charling Cross, M. Ryland, Bond Street, & J. Collyer, Dorrington Street, Cold Bath Field.
Stipple with etching and engraving. 330 x 250mm (13 x 9¾"), with large margins.
Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen Consort of the United Kingdom as wife of King George III.
[Ref: 56396] £260.00 (£312.00 incl.VAT)
![[Princess Charlotte Augusta of Wales.]](jpegs/31888.jpg)
[Princess Charlotte Augusta of Wales.]
[n.d., c.1815.]
Stipple with small margins, proof before all letters. 210 x 135mm (8¼ x 5¼").
Female portrait claimed by manuscript notes from the previous owner to depict Princess Charlotte Augusta of Wales (1796-1817), daughter of George IV and Caroline. Married to Prince Leopold of Saxe-Coburg in 1816, she died in childbirth the following year. She is dressed in warm outdoor wear.
[Ref: 31888] £130.00 (£156.00 incl.VAT)
[n.d., c.1815.]
Stipple with small margins, proof before all letters. 210 x 135mm (8¼ x 5¼").
Female portrait claimed by manuscript notes from the previous owner to depict Princess Charlotte Augusta of Wales (1796-1817), daughter of George IV and Caroline. Married to Prince Leopold of Saxe-Coburg in 1816, she died in childbirth the following year. She is dressed in warm outdoor wear.
[Ref: 31888] £130.00 (£156.00 incl.VAT)
Her Royal Highness The Princess Charlotte of Wales. Dedicated by Permission To his Royal Highness George Prince of Wales, Regent, of the United Kingdom of Great Britain and Ireland; by His Royal Highness's, most devoted Servant, Charlotte Jones.
Charlotte Jones pinx.t I.S. Agar sculp.t
London Published March 21st. 1814, (for the Proprietor,) by Colnaghi & Co, 23 Cockspur Street Charing Cross.
Fine stipple. 470 x 375mm (18½ x 14¾"). Trimmed to plate.
Princess Charlotte Augusta of Wales (1796-1817) was the only child of George, Prince of Wales, later King George IV, and Caroline of Brunswick. She married Prince Leopold of Saxe-Coburg in 1816, and enjoyed only a few months of happiness before she died in childbirth the following year.
NPG: D8141.
[Ref: 24791] £160.00 (£192.00 incl.VAT)
Charlotte Jones pinx.t I.S. Agar sculp.t
London Published March 21st. 1814, (for the Proprietor,) by Colnaghi & Co, 23 Cockspur Street Charing Cross.
Fine stipple. 470 x 375mm (18½ x 14¾"). Trimmed to plate.
Princess Charlotte Augusta of Wales (1796-1817) was the only child of George, Prince of Wales, later King George IV, and Caroline of Brunswick. She married Prince Leopold of Saxe-Coburg in 1816, and enjoyed only a few months of happiness before she died in childbirth the following year.
NPG: D8141.
[Ref: 24791] £160.00 (£192.00 incl.VAT)
![[Princess Charlotte.]](jpegs/26156.jpg)
[Princess Charlotte.] She was a nation's hope_a nation's pride; With her that pride has fled_those hopes have died!
Corbould delint. Kinnersley sculpt.
[n.d. c.1817.]
Stipple on india, with large margins. Plate 178 x 114mm. 7 x 4½". Some foxing.
Corbould's engraving features a disconsolate Britannia weeping over Charlotte's tomb and funerary urn, surrounded by suggestive iconographic details that include her shield and helmet and a lily, while above her hovers a rose-garlanded bust-portrait of Charlotte, surmounted with a halo-like ring of stars from which light radiates downwards. Princess Charlotte of Wales (1796-1817), the only child of George IV and Caroline Brunswick, who tragically died following childbirth aged only 21.
[Ref: 26156] £110.00 (£132.00 incl.VAT)
Corbould delint. Kinnersley sculpt.
[n.d. c.1817.]
Stipple on india, with large margins. Plate 178 x 114mm. 7 x 4½". Some foxing.
Corbould's engraving features a disconsolate Britannia weeping over Charlotte's tomb and funerary urn, surrounded by suggestive iconographic details that include her shield and helmet and a lily, while above her hovers a rose-garlanded bust-portrait of Charlotte, surmounted with a halo-like ring of stars from which light radiates downwards. Princess Charlotte of Wales (1796-1817), the only child of George IV and Caroline Brunswick, who tragically died following childbirth aged only 21.
[Ref: 26156] £110.00 (£132.00 incl.VAT)
Her Royal Highness Charlotte, Augusta, Matilda Princess Royal.
F. Hamilton Pinxit: A. Albanesi Sculpxit.
London Published Septem:e 5.1785 by A. Albanesi and Sold by J: Cary No.188: Strand.
Very rare stipple. 172 x 132mm. 6¾ x 5¼". Trimmed and glued to album sheet.
The Princess Charlotte, Princess Royal (1766-1828) who was the eldest daughter of George III. She was later Queen Consort of Frederick of Wurttemberg.
[Ref: 26946] £110.00 (£132.00 incl.VAT)
F. Hamilton Pinxit: A. Albanesi Sculpxit.
London Published Septem:e 5.1785 by A. Albanesi and Sold by J: Cary No.188: Strand.
Very rare stipple. 172 x 132mm. 6¾ x 5¼". Trimmed and glued to album sheet.
The Princess Charlotte, Princess Royal (1766-1828) who was the eldest daughter of George III. She was later Queen Consort of Frederick of Wurttemberg.
[Ref: 26946] £110.00 (£132.00 incl.VAT)
Apotheosis of Her Royal Highness The Princess Charlotte Augusta of Wales. To Perpetuate the Memory of this Amiable Princess, so justly beloved and regretted By the British Nation, This tribute of Respect is most humbly Dedicated to her afflicted Consort His Royal Highness Prince Leopold of Saxe Coburg, by Lieut.t R.P. Read. Proof.
Lieut.t Read Inv.t E. Burney Del.t Fry & Wright Sculp.
London Published June, 4.th 1818, for the Proprietor by J. Rippin, No.21. Theobalds Road.
Stipple. 470 x 325mm (18½ x 12¾"). Trimmed to plate.
A tribute to Princess Charlotte of Wales (1796-1817) who tragically died following childbirth aged 21. The Princess raised to heaven, people around the tomb weepeing, including Britannia to the left; Windsor Castle seen to left background, where a monument was erected at her tomb in St George's Chapel.
NPG: D33524.
[Ref: 53629] £260.00 (£312.00 incl.VAT)
Lieut.t Read Inv.t E. Burney Del.t Fry & Wright Sculp.
London Published June, 4.th 1818, for the Proprietor by J. Rippin, No.21. Theobalds Road.
Stipple. 470 x 325mm (18½ x 12¾"). Trimmed to plate.
A tribute to Princess Charlotte of Wales (1796-1817) who tragically died following childbirth aged 21. The Princess raised to heaven, people around the tomb weepeing, including Britannia to the left; Windsor Castle seen to left background, where a monument was erected at her tomb in St George's Chapel.
NPG: D33524.
[Ref: 53629] £260.00 (£312.00 incl.VAT)
![[Their Royal Highnesses the Princess of Wales and the Princess Charlotte.]](jpegs/67108.jpg)
[Their Royal Highnesses the Princess of Wales and the Princess Charlotte.]
Maria Cosway pinx.t. S.W.Reynolds sculp.t.
[n.d., c.1800.]
Very rare, fine and printed in colour mezzotint. Sheet 585 x 475mm (23 x 18¾"), large margins on 3 sides. Trimmed into lower plate.
Portrait of Caroline of Brunswick (1768 - 1821), and Princess Charlotte of Wales (1796 - 1817). Fine & decorative view of London in background. Caroline of Brunswick-Wolfenbüttel, Queen of the United Kingdom of Great Britain and Ireland and Queen of Hanover from 29 January 1820 until her death in 1821 as the estranged wife of King George IV. Princess Charlotte of Wales, was the only child of George, Prince of Wales (later George IV), and Caroline of Brunswick. She was expected to ascend the British throne after the deaths of her grandfather, George III, and her father, but died in childbirth at the age of 21, predeceasing them both.
Whitman 49.
[Ref: 67108] £580.00
Maria Cosway pinx.t. S.W.Reynolds sculp.t.
[n.d., c.1800.]
Very rare, fine and printed in colour mezzotint. Sheet 585 x 475mm (23 x 18¾"), large margins on 3 sides. Trimmed into lower plate.
Portrait of Caroline of Brunswick (1768 - 1821), and Princess Charlotte of Wales (1796 - 1817). Fine & decorative view of London in background. Caroline of Brunswick-Wolfenbüttel, Queen of the United Kingdom of Great Britain and Ireland and Queen of Hanover from 29 January 1820 until her death in 1821 as the estranged wife of King George IV. Princess Charlotte of Wales, was the only child of George, Prince of Wales (later George IV), and Caroline of Brunswick. She was expected to ascend the British throne after the deaths of her grandfather, George III, and her father, but died in childbirth at the age of 21, predeceasing them both.
Whitman 49.
[Ref: 67108] £580.00
![[Charlotte, Princess Royal] Her Royal Highness the Duchess of Wirtemberg.](jpegs/22659.jpg)
[Charlotte, Princess Royal] Her Royal Highness the Duchess of Wirtemberg.
S.r W.m. Beechey del. Cheeseman Scu.
London Published by E. Harding 19 May 1806.
Stipple. Plate 279 x 217mm. 11 x 8½".
The daughter of George III, half-length wearing a a large oval miniature case (which almost certainly contained a portrait of the Prince of Würtemberg, whom she married in 1797). Charlotte, Princess Royal (later Queen of Würtemberg) (1766-1828).
[Ref: 22659] £60.00 (£72.00 incl.VAT)
S.r W.m. Beechey del. Cheeseman Scu.
London Published by E. Harding 19 May 1806.
Stipple. Plate 279 x 217mm. 11 x 8½".
The daughter of George III, half-length wearing a a large oval miniature case (which almost certainly contained a portrait of the Prince of Würtemberg, whom she married in 1797). Charlotte, Princess Royal (later Queen of Würtemberg) (1766-1828).
[Ref: 22659] £60.00 (£72.00 incl.VAT)
![La Charmante Catin. [The Charming Doll.]](jpegs/22946.jpg)
La Charmante Catin. [The Charming Doll.]
[Anon.]
[Paris, n.d., c.1775.]
Etching printed in red, laid paper, very scarce, 170 x 120mm. 6¾ x 4¾".
Four lines of verse below title; numbered '29' upper right. After Edme Bouchardon (1698-1762) famous series "Etudes dans le bas peuple prises ou les cris de Paris" Bouchardon executed drawings of Paris street merchants, Cris de Paris, that were widely distributed as engravings; some figures were reproduced in porcelain by the Meissen porcelain manufactory.
[Ref: 22946] £160.00 (£192.00 incl.VAT)
[Anon.]
[Paris, n.d., c.1775.]
Etching printed in red, laid paper, very scarce, 170 x 120mm. 6¾ x 4¾".
Four lines of verse below title; numbered '29' upper right. After Edme Bouchardon (1698-1762) famous series "Etudes dans le bas peuple prises ou les cris de Paris" Bouchardon executed drawings of Paris street merchants, Cris de Paris, that were widely distributed as engravings; some figures were reproduced in porcelain by the Meissen porcelain manufactory.
[Ref: 22946] £160.00 (£192.00 incl.VAT)