A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Village of Charing - with the Old Cross. Puzele portrait of Wdaedr-Teh-Roencfsos. My First's a name borne by six English kings, Also by a prince of whom England sings; My Next, part of a place where all delight To see actors, in play, raxt, rave and flght; My Third's one of a body in holy orders, And in monastic houses are free boarders; My Whole's a prince, in memory of his wife, Built a cross-and was cross the rest of his life.
[n.d. c.1780.]
Wood engraving. Image 90 x 64mm. 3½ x 2½". Cut and stuck of separate sheet.
19th century puzzle print of Edward the Confessor. The may-pole in the village of Charing, today Charing Cross, the Eleanor Cross is depicted to the right.
[Ref: 16595] £60.00 (£72.00 incl.VAT)
[n.d. c.1780.]
Wood engraving. Image 90 x 64mm. 3½ x 2½". Cut and stuck of separate sheet.
19th century puzzle print of Edward the Confessor. The may-pole in the village of Charing, today Charing Cross, the Eleanor Cross is depicted to the right.
[Ref: 16595] £60.00 (£72.00 incl.VAT)
Vue Du Londres.~Vue de la Maison de Northumberland á Charing Cross de Londres.
Gravé par Bath. Frederic Leizel. Collection des Prospects
Se Vend á Augsbourg au Negoce comun de l'Acadamie Imperiale d'Empire des Arts libereaux avec Privilege de Sa Majesté Imperiale et avec Defense ni d'enfaire de vendre les Copies
Coloured engraving. 400 x 250mm.
[Ref: 3803] £220.00 (£264.00 incl.VAT)
Gravé par Bath. Frederic Leizel. Collection des Prospects
Se Vend á Augsbourg au Negoce comun de l'Acadamie Imperiale d'Empire des Arts libereaux avec Privilege de Sa Majesté Imperiale et avec Defense ni d'enfaire de vendre les Copies
Coloured engraving. 400 x 250mm.
[Ref: 3803] £220.00 (£264.00 incl.VAT)
A Perspective View of the Royal Stables at Charing Cross. [Translated into French to right.]
J.Maurer delin. et Sculp. 1747.
Publish'd according to Act of Parliament.
Etching, 190 x 285mm. 7½ x 11¼". Stain spot lower right. A strong impression.
View of the royal stables in the King's Mews, Charing Cross. Trafalgar Square was built on the site. St. Martin-in-the-Fields to right.
[Ref: 11544] £150.00 (£180.00 incl.VAT)
J.Maurer delin. et Sculp. 1747.
Publish'd according to Act of Parliament.
Etching, 190 x 285mm. 7½ x 11¼". Stain spot lower right. A strong impression.
View of the royal stables in the King's Mews, Charing Cross. Trafalgar Square was built on the site. St. Martin-in-the-Fields to right.
[Ref: 11544] £150.00 (£180.00 incl.VAT)
![Chairing Cross [in ink].](jpegs/68917.jpg)
Chairing Cross [in ink].
T. Malton fecit.
[Published Feb: 25, 1795 by T. Malton.]
Rare scratched proof etching with aquatint and fine hand-colour. Plate 380 x 530mm (15 x 20¾"). Faint mountburn. Light staining. Left corner torn. Thread margins.
Illustration to Malton's 'Picturesque Tour.' A view of Charing Cross looking toward Northumberland House. In the right foreground stands the equestrian statue of Charles I on a raised plinth enclosed by iron railings, with people lounging around its base, while a coach passes on the left.
[Ref: 68917] £420.00
T. Malton fecit.
[Published Feb: 25, 1795 by T. Malton.]
Rare scratched proof etching with aquatint and fine hand-colour. Plate 380 x 530mm (15 x 20¾"). Faint mountburn. Light staining. Left corner torn. Thread margins.
Illustration to Malton's 'Picturesque Tour.' A view of Charing Cross looking toward Northumberland House. In the right foreground stands the equestrian statue of Charles I on a raised plinth enclosed by iron railings, with people lounging around its base, while a coach passes on the left.
[Ref: 68917] £420.00
The Statue of King Charles the Ist at Charing Cross, London.
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the statue of King Charles which once stood in the junction at Charing Cross, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45318] £120.00 (£144.00 incl.VAT)
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the statue of King Charles which once stood in the junction at Charing Cross, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45318] £120.00 (£144.00 incl.VAT)
![King Charles Statue in Snow [pencil].](jpegs/49255.jpg)
King Charles Statue in Snow [pencil].
K. Takekoshi [pencil].
[n.d., 1917.]
Aquatint, signed by the artist. 245 x 135mm (9¾ x 5¼") very large margins. Tipped to original mount backing.
The equestrian statue of Charles I at Charing Cross. Kenzo Takekoshi (1888-1981), a Japanese architect, come to study in London in 1913 after graduating from the Tokyo Institute of Technology. When he returned to Japan he continued etching for only a short time before becoming an architect full-time, although his work was regarded highly enough for it to be included in the 1982 exhibition 'Poetry of Light and Shadow' at the Nishinomiya Otani Memorial Art Museum.
Guichard: pg.75, Appendix 1 'Minor Etchers'.
[Ref: 49255] £130.00 (£156.00 incl.VAT)
K. Takekoshi [pencil].
[n.d., 1917.]
Aquatint, signed by the artist. 245 x 135mm (9¾ x 5¼") very large margins. Tipped to original mount backing.
The equestrian statue of Charles I at Charing Cross. Kenzo Takekoshi (1888-1981), a Japanese architect, come to study in London in 1913 after graduating from the Tokyo Institute of Technology. When he returned to Japan he continued etching for only a short time before becoming an architect full-time, although his work was regarded highly enough for it to be included in the 1982 exhibition 'Poetry of Light and Shadow' at the Nishinomiya Otani Memorial Art Museum.
Guichard: pg.75, Appendix 1 'Minor Etchers'.
[Ref: 49255] £130.00 (£156.00 incl.VAT)
La Cuisiniére Charitable.
C. Eisen Inv. Chevilet Sculp.
AParis Chés Buldet rue de Gesvres au Grand Coeur [n.d., c.1760].
Engraving. Sheet 375 x 275mm (14¾ x 10¾"). Trimmed within plate. damp stain bottom left.
A woman ladles soup into a bowl for a ragged wanderer.
[Ref: 68138] £230.00 (£276.00 incl.VAT)
C. Eisen Inv. Chevilet Sculp.
AParis Chés Buldet rue de Gesvres au Grand Coeur [n.d., c.1760].
Engraving. Sheet 375 x 275mm (14¾ x 10¾"). Trimmed within plate. damp stain bottom left.
A woman ladles soup into a bowl for a ragged wanderer.
[Ref: 68138] £230.00 (£276.00 incl.VAT)
![[The charitable cook]](jpegs/45067.jpg)
[The charitable cook] La cuisinière charitable. / Oui, tu fais bien, Fanchon, d'aider ces Malheureux; Mais le Curé ton maitre est, fort peu généreux [...]
C. Eisen Inv. Chevilet Sculp [c.1760]
A Paris chés Buldet rue de Gesvres au Grand Coeur.
Fine engraving, sheet 390 x 280mm (15½ x 11"). Trimmed to platemark; glued to album sheet at corners.
A kindly woman pours soup for a vagrant; verses by Moraine below. Engraving after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45067] £550.00
C. Eisen Inv. Chevilet Sculp [c.1760]
A Paris chés Buldet rue de Gesvres au Grand Coeur.
Fine engraving, sheet 390 x 280mm (15½ x 11"). Trimmed to platemark; glued to album sheet at corners.
A kindly woman pours soup for a vagrant; verses by Moraine below. Engraving after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45067] £550.00
![[The charitable woman]](jpegs/45115.jpg)
[The charitable woman] La dame de charité / Dédiée à Madame Marie Charlotte de Bethune [...]
D'apres le Dessin Original de Charles Eisen Peintre et Dessinateur du Roi [...] Gravé par Voyez l'Ainé en 1773.
A Paris chez Le Pere et Avaulez M.ds d'Estampes rue St. Jacques vis-à-vis celle du Platre, à l'ancienne Poste
Fine engraving, sheet 460 x 320mm (18 x 12½"). Trimmed to platemark; glued to album sheet at corners; wormholes lower right corner.
Family and friends grouped around the bedside of a sick or dying man. Engraving after a painting by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45115] £420.00
D'apres le Dessin Original de Charles Eisen Peintre et Dessinateur du Roi [...] Gravé par Voyez l'Ainé en 1773.
A Paris chez Le Pere et Avaulez M.ds d'Estampes rue St. Jacques vis-à-vis celle du Platre, à l'ancienne Poste
Fine engraving, sheet 460 x 320mm (18 x 12½"). Trimmed to platemark; glued to album sheet at corners; wormholes lower right corner.
Family and friends grouped around the bedside of a sick or dying man. Engraving after a painting by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45115] £420.00
Charitas.
[n.d., c.1680.]
Very scarce mezzotint. 260 x 200mm (10¼ x 8"). Notch in top right corner, laid on board.
A woman breastfeeding one child while two more children embrace, representing charitas, one of the seven virtues. Derived from an engraving in the same direction by Aegidius Sadeler II (1570-1629).
see Hollstein 119 for Sadeler's engraving.
[Ref: 12004] £220.00 (£264.00 incl.VAT)
[n.d., c.1680.]
Very scarce mezzotint. 260 x 200mm (10¼ x 8"). Notch in top right corner, laid on board.
A woman breastfeeding one child while two more children embrace, representing charitas, one of the seven virtues. Derived from an engraving in the same direction by Aegidius Sadeler II (1570-1629).
see Hollstein 119 for Sadeler's engraving.
[Ref: 12004] £220.00 (£264.00 incl.VAT)
Charitas.
[after Aegidius Sadeler II.]
[n.d., c.1670-1700's.]
Very scarce mezzotint. 260 x 200mm (10¼ x 8"). Thread margins.
A woman breastfeeding one child while two more children embrace, representing charitas, one of the seven virtues. Derived from an engraving in the same direction by Aegidius Sadeler II (1570-1629).
see Hollstein 119 for Sadeler's engraving.
[Ref: 60164] £160.00 (£192.00 incl.VAT)
[after Aegidius Sadeler II.]
[n.d., c.1670-1700's.]
Very scarce mezzotint. 260 x 200mm (10¼ x 8"). Thread margins.
A woman breastfeeding one child while two more children embrace, representing charitas, one of the seven virtues. Derived from an engraving in the same direction by Aegidius Sadeler II (1570-1629).
see Hollstein 119 for Sadeler's engraving.
[Ref: 60164] £160.00 (£192.00 incl.VAT)
La Charité Humaine Gravée d'après le tableau de l'Albane qui est dans le Cabinet du Roy. Large de 1. Pied 11 Pouces sur 1. Pied 6. Pouces de haut
Peint par l'Albane. Gravé par J. Daullé en 1763
A Paris chez la V.ve Daullé Quay des Augustins.
Engraving, platemark 370 x 495mm (14½ x 19½"), very large margins. Glued to backing sheet; stamp of bibliothèque Talhouet, du cabinet de la Lambardais lower left.
Allegory of charity, with a female figure picking fruit to give to the three children, one of whom suckles her breast. After a painting by Francesco Albani (1578-1660) then in the possession of the king and displayed at Versailles. The engraver Daullé obtained royal permission to engrave this painting and another in the royal collection. This painting is now in the Palais du Luxembourg, Paris.
[Ref: 38595] £180.00 (£216.00 incl.VAT)
Peint par l'Albane. Gravé par J. Daullé en 1763
A Paris chez la V.ve Daullé Quay des Augustins.
Engraving, platemark 370 x 495mm (14½ x 19½"), very large margins. Glued to backing sheet; stamp of bibliothèque Talhouet, du cabinet de la Lambardais lower left.
Allegory of charity, with a female figure picking fruit to give to the three children, one of whom suckles her breast. After a painting by Francesco Albani (1578-1660) then in the possession of the king and displayed at Versailles. The engraver Daullé obtained royal permission to engrave this painting and another in the royal collection. This painting is now in the Palais du Luxembourg, Paris.
[Ref: 38595] £180.00 (£216.00 incl.VAT)
Charity. From the Original Picture, of the same Size, painted by Carlo Cignani, in the Collection of his Grace the Duke of Devonshire; To whom this Plate is humbly inscribed By his Grace's much obliged, and most devoted Servant. J. Boydell. No. 2.
Mortimer delin.t. S. F. Ravenet Sculp.t.
Published according to Act of Parliament, 1.st. March. 1763, by John Boydell, Engraver in Cheapside, London.
Engraving. Plate: 510 x 405mm (20 x 16"), with wide margins. Some foxing.
An allegorical depiction of Charity in which a woman, sitting at the foot of a column, feeds and watches over her children.
[Ref: 38321] £360.00
Mortimer delin.t. S. F. Ravenet Sculp.t.
Published according to Act of Parliament, 1.st. March. 1763, by John Boydell, Engraver in Cheapside, London.
Engraving. Plate: 510 x 405mm (20 x 16"), with wide margins. Some foxing.
An allegorical depiction of Charity in which a woman, sitting at the foot of a column, feeds and watches over her children.
[Ref: 38321] £360.00
Charity. From the Original Picture of the same size, painted by Carlo Cignani in the Collection of his Grace the Duke of Devonshire: to Whom this Plate is most humnbly inscribed, By His Graces much Obliged and most devoted Servant. J.Boydell.
Mortimer delin.t. S.F. Ravenet Sculp.t.
Published according to Act of Parliament, 1st. March, by John Boydell, Engraver in Cheapside London
A very fine copper engraving. 520 x 405mm (20½ x 16").
John Hamilton Mortimer is the intermediary in this instance taking a drawing from the painting by Cignani. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints.
[Ref: 14390] £360.00
Mortimer delin.t. S.F. Ravenet Sculp.t.
Published according to Act of Parliament, 1st. March, by John Boydell, Engraver in Cheapside London
A very fine copper engraving. 520 x 405mm (20½ x 16").
John Hamilton Mortimer is the intermediary in this instance taking a drawing from the painting by Cignani. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints.
[Ref: 14390] £360.00
Charity. ''Charity suffereth long, and is kind.'' 1 Cor. IV Chap: 5 V. Engraved from the original Picture in the possession of Lieu.t Col.l Loyd Lindsay V.C. _ M.P. To whom this plate is respectfully dedicated by the publisher.
Painted by Briton Riviere. Engraved by F. Stacpoole.
London: Published Jan.y 1st 1872, by Arthur Lucas, the Proprietor, 49, Wigmore St. Cavandish Sq.re W. Entered according to Act of Congress in the year 1872, by W.m Schaus in the Office of the Librarian of Congress at Washington.
Mixed method engraving. 565 x 705mm (22¼ x 27¾"), with very large margins.
A little girl in ragged clothes sitting barefoot in the snow, feeding two stray dogs from a small piece of bread. After Briton Rivière (1840-1920).
[Ref: 47812] £280.00 (£336.00 incl.VAT)
Painted by Briton Riviere. Engraved by F. Stacpoole.
London: Published Jan.y 1st 1872, by Arthur Lucas, the Proprietor, 49, Wigmore St. Cavandish Sq.re W. Entered according to Act of Congress in the year 1872, by W.m Schaus in the Office of the Librarian of Congress at Washington.
Mixed method engraving. 565 x 705mm (22¼ x 27¾"), with very large margins.
A little girl in ragged clothes sitting barefoot in the snow, feeding two stray dogs from a small piece of bread. After Briton Rivière (1840-1920).
[Ref: 47812] £280.00 (£336.00 incl.VAT)
Charitas.
S. Lyne Excu. [c. 1700]
Engraving, 17th century watermark. 180 x 120mm, large margins. Very slight staining.
A female allegorical figure of Charity in a landscape of classical ruins, with three children and a dog.
[Ref: 60860] £280.00 (£336.00 incl.VAT)
S. Lyne Excu. [c. 1700]
Engraving, 17th century watermark. 180 x 120mm, large margins. Very slight staining.
A female allegorical figure of Charity in a landscape of classical ruins, with three children and a dog.
[Ref: 60860] £280.00 (£336.00 incl.VAT)
A Lady and her Children relieving a Cottager.
Painted by W.Bigg. Engraved by J.R.Smith.
London Pub.d March 1 1784 by Ja.s Birchall 173 Strand.
Fine mezzotint. 550 x 455mm (21¾ x 18"). Small margins reinforced with blue paper.
A scene outside a cottage, a well-dressed woman, accompanied by her two daughters, a young black servant and a small dog, instructing her youngest child to give money to a poor woman who is kneeling beside her doorway and holding her sleeping baby. Slavery interest.
CS 180. Fr 204. D'O 194. iv of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66017] £480.00
Painted by W.Bigg. Engraved by J.R.Smith.
London Pub.d March 1 1784 by Ja.s Birchall 173 Strand.
Fine mezzotint. 550 x 455mm (21¾ x 18"). Small margins reinforced with blue paper.
A scene outside a cottage, a well-dressed woman, accompanied by her two daughters, a young black servant and a small dog, instructing her youngest child to give money to a poor woman who is kneeling beside her doorway and holding her sleeping baby. Slavery interest.
CS 180. Fr 204. D'O 194. iv of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66017] £480.00
Charity.
I.H. Ramberg delin. F. Bartolozzi Sculpt.
London Published 1st. Janry. 1787. by Robert Wilkinson No.58 Cornhill London.
Stipple with etching on india paper, printed in brown ink. 200 x 225mm. 8 x 9". Small upper and lower margin, one rust spot to plate; else a fine impression.
Allegorical representation of Charity, as a woman comforting a little girl and two naked putti; basket of fruit far left. In an oval. After Johann Heinrich Ramberg (1763 - 1840).
De Vesme 581, III of III. Oettingen-Wallerstein Collection.
[Ref: 21194] £190.00 (£228.00 incl.VAT)
I.H. Ramberg delin. F. Bartolozzi Sculpt.
London Published 1st. Janry. 1787. by Robert Wilkinson No.58 Cornhill London.
Stipple with etching on india paper, printed in brown ink. 200 x 225mm. 8 x 9". Small upper and lower margin, one rust spot to plate; else a fine impression.
Allegorical representation of Charity, as a woman comforting a little girl and two naked putti; basket of fruit far left. In an oval. After Johann Heinrich Ramberg (1763 - 1840).
De Vesme 581, III of III. Oettingen-Wallerstein Collection.
[Ref: 21194] £190.00 (£228.00 incl.VAT)
Living Made Easy. Charity Tubes, to covey the Smell from the Tables of the Rich, for the benefit of Poor Operatives. Particularly recommended to the Philanthropy of those who have made large fortunes by Machinery.
London, Pub.d by T.McLean, 26, Haymarket. Jan 1. 1830.
Coloured etching. Sheet 155 xs 230mm, 6¼ x 9". Trimmed.
Emaciated and impoverished men breathe the fumes from the tables of rich diners. A satire on the indifference of the nouveau riche of industry to the plight of the craftsmen their machines have replaced.
[Ref: 17494] £160.00 (£192.00 incl.VAT)
London, Pub.d by T.McLean, 26, Haymarket. Jan 1. 1830.
Coloured etching. Sheet 155 xs 230mm, 6¼ x 9". Trimmed.
Emaciated and impoverished men breathe the fumes from the tables of rich diners. A satire on the indifference of the nouveau riche of industry to the plight of the craftsmen their machines have replaced.
[Ref: 17494] £160.00 (£192.00 incl.VAT)
![[The pretty charlatan]](jpegs/44946.jpg)
[The pretty charlatan] La jolie charlatane / Sur les quays, ou les boulevards / Si jamais l'avois l'avantage [...]
F. Eisen le Pere Pinx. L. Halbou sculp
A Paris chez Ouvrier Graveur Place Maubert chez un M.d Bonnetier au Soleil d'or [c.1760]
Fine engraving, sheet 425 x 305mm (16¾ x 11¾"). Trimmed to platemark; glued to album sheet at corners.
Scene in trompe l'oeil border showing a 'pretty charlatan', with verses below explaining why she is best avoided. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner. Eisen's son Charles was also a notable artist, hence the need to identify Eisen as 'le Pere' [father] on this print. Part of a series of prints in this format after paintings by Eisen, with texts focusing on love, beauty and deception.
[Ref: 44946] £520.00
F. Eisen le Pere Pinx. L. Halbou sculp
A Paris chez Ouvrier Graveur Place Maubert chez un M.d Bonnetier au Soleil d'or [c.1760]
Fine engraving, sheet 425 x 305mm (16¾ x 11¾"). Trimmed to platemark; glued to album sheet at corners.
Scene in trompe l'oeil border showing a 'pretty charlatan', with verses below explaining why she is best avoided. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner. Eisen's son Charles was also a notable artist, hence the need to identify Eisen as 'le Pere' [father] on this print. Part of a series of prints in this format after paintings by Eisen, with texts focusing on love, beauty and deception.
[Ref: 44946] £520.00
Carolus Magnus F.e Rex XXIIII.
[n.d. c.1680.]
Engraving. 121 x 85mm. 4¾ x 3¼". Trimmed close to the plate.
Charlemagne (c.742-814) was King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople.
[Ref: 19131] £75.00 (£90.00 incl.VAT)
[n.d. c.1680.]
Engraving. 121 x 85mm. 4¾ x 3¼". Trimmed close to the plate.
Charlemagne (c.742-814) was King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople.
[Ref: 19131] £75.00 (£90.00 incl.VAT)
Charlemagne.
J. Chapman sculp.
London, publish'd as the Act directs Jany 18: 1805 by J. Wilkes.
Stipple, with large margins. Plate 163 x 114mm. 6½ x 4½".
Charlemagne (c.742-814), King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople. One of a number of stipple heads of Kings and Queens of similar format printed on quarto sheets, by Chapman, published by J. Wilkes, 1795-1810. They probably appeared as illustrations to the 'Encyclopaedia Londinensis, Universal Dictionary of Arts, Sciences and Literature ... Embellished by ... engravings. Compiled ... by John Wilkes'.
[Ref: 24539] £60.00 (£72.00 incl.VAT)
J. Chapman sculp.
London, publish'd as the Act directs Jany 18: 1805 by J. Wilkes.
Stipple, with large margins. Plate 163 x 114mm. 6½ x 4½".
Charlemagne (c.742-814), King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople. One of a number of stipple heads of Kings and Queens of similar format printed on quarto sheets, by Chapman, published by J. Wilkes, 1795-1810. They probably appeared as illustrations to the 'Encyclopaedia Londinensis, Universal Dictionary of Arts, Sciences and Literature ... Embellished by ... engravings. Compiled ... by John Wilkes'.
[Ref: 24539] £60.00 (£72.00 incl.VAT)
The R:H:ye Archduke Charles, late commander of Austrian Armies. born A.D. 1771.
London, Publish'd Oct.r 28 1800, by R. Cribb, No.288 High Holborn. Price 2' 6.
Stipple engraving, 228 x 178mm. 9 x 7".
Archduke Charles of Austria, Duke of Teschen (1771-1847), Austrian field-marshal during the French Revolutionary and Napoleonic Wars. Here "late" commander refers to the a brief period of retirement due to ill that ended when he was recalled to undertake the defence of Vienna in 1800. He was compared to Wellington for his skills as a strategist and considered to be one of Napoleon's most formidable opponents.
[Ref: 17170] £160.00 (£192.00 incl.VAT)
London, Publish'd Oct.r 28 1800, by R. Cribb, No.288 High Holborn. Price 2' 6.
Stipple engraving, 228 x 178mm. 9 x 7".
Archduke Charles of Austria, Duke of Teschen (1771-1847), Austrian field-marshal during the French Revolutionary and Napoleonic Wars. Here "late" commander refers to the a brief period of retirement due to ill that ended when he was recalled to undertake the defence of Vienna in 1800. He was compared to Wellington for his skills as a strategist and considered to be one of Napoleon's most formidable opponents.
[Ref: 17170] £160.00 (£192.00 incl.VAT)
Hieroglyphic drawing sent to King Charles 1.st. and supposed to contain the following directions for his safety. Charles_your head is eagerly sought after_ make your escape_go through the ploughes field, avoid the sportsman who would hunt you as a dog pursues a hare_ haten to put the clothes of the peasant lying at the feet of the sleeping man under the trees. Proceed by the draw-well near the cottage, and down the steps. The man leaning on the wall will conduct you along it to the one leaning on his fork, who, with the haymaker, and the fisherman, will put you into the boat, and with the boatman row you to the ship.
Lithograph. Sheet: 320 x 255mm (12½ x 10"), with wide margins.
An extremely rare & curious facsimilie of a coded instruction sent to Charles I during the Civil War to aid his escape. Beneath the image is the decoded explanation of the message. The profile in the image is based on Vandyck's portrait of Charles I.
[Ref: 39098] £260.00 (£312.00 incl.VAT)
Lithograph. Sheet: 320 x 255mm (12½ x 10"), with wide margins.
An extremely rare & curious facsimilie of a coded instruction sent to Charles I during the Civil War to aid his escape. Beneath the image is the decoded explanation of the message. The profile in the image is based on Vandyck's portrait of Charles I.
[Ref: 39098] £260.00 (£312.00 incl.VAT)
Charles the First, King of Great Britain. Ex Museo Sereniss. Domini de Wharton.
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
Carolus D. G. Magnæ Britt: Fra: et Hiber: Rex Fidei Defensor. Returne in Peace Great Charles, redress our woes: Forsake at length thyne, and the Kingdomes Foes, Thy Gratious Presence will more comfort bring. Then Phoebus Splendor to a backward Spring.
[Engraved c.1646 but printed later.]
Engraving. Sheet: 160 x 150mm (6¼ x 4½"). Trimmed.
A mounted portrait of Charles I (1600-1649), the city of London can been seen in the distance behind him. The verse suggests the print was published while Charles was on the run after the defeat at Naseby in 1645.
[Ref: 40772] £280.00 (£336.00 incl.VAT)
[Engraved c.1646 but printed later.]
Engraving. Sheet: 160 x 150mm (6¼ x 4½"). Trimmed.
A mounted portrait of Charles I (1600-1649), the city of London can been seen in the distance behind him. The verse suggests the print was published while Charles was on the run after the defeat at Naseby in 1645.
[Ref: 40772] £280.00 (£336.00 incl.VAT)
Charles Prince of Wales Second Son of James 1st. Afterwards King.
Engraved by Charles Turner from a unique print by Delaram.
London:Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint. Proof. Plate: 260 x 380mm (10 x 15").
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 40767] £190.00 (£228.00 incl.VAT)
Engraved by Charles Turner from a unique print by Delaram.
London:Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint. Proof. Plate: 260 x 380mm (10 x 15").
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 40767] £190.00 (£228.00 incl.VAT)
![[Charles I and Henrietta Maria offer symbols of their power to Marie de Medici]](jpegs/43311.jpg)
[Charles I and Henrietta Maria offer symbols of their power to Marie de Medici] Tes Enfans ravis de te voir / Toffrent leur sceptre et leur couronne / Ils te resignent leur pouvoir / Par cette Espece quon se Donne. La Serre
[Wenceslaus Hollar, 1639]
Etching, sheet 260 x 190mm (10¼ x 7½"). Trimmed.
Illustration to Puget de La Serre's 'Histoire de L'Entrée de la Reyne Mère dans la Grande Bretagne' (1639), which recounted Marie de Medici's visit to England. Her daughter Henrietta Maria was the wife of Charles I.
Pennington 461
[Ref: 43311] £260.00 (£312.00 incl.VAT)
[Wenceslaus Hollar, 1639]
Etching, sheet 260 x 190mm (10¼ x 7½"). Trimmed.
Illustration to Puget de La Serre's 'Histoire de L'Entrée de la Reyne Mère dans la Grande Bretagne' (1639), which recounted Marie de Medici's visit to England. Her daughter Henrietta Maria was the wife of Charles I.
Pennington 461
[Ref: 43311] £260.00 (£312.00 incl.VAT)
![Carolus I. [Greek text.]](jpegs/57656.jpg)
Carolus I. [Greek text.] Ecce Spectaculum dignum ad quod respeciat Deus operi suo intentus, Vir fortus cum malâ fortuna compositur Sen: de Provid: c.2. Aº 1662.
P. Fruytus Delin. A. Hertochs Sculp Antwerp.
[1662.]
Etching with engraving, 17th century watermark. Red ruling. Sheet 340 x 415mm (13½ x 16¼"). Repairs, with red ruling replaced top left.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. Published in 'Works of King Charles the Martyr', this is an adaptation of William Marshall's design for the frontispiece to 'Eikon Basilike', by Philips Fruytiers (1610-66).
Wellcome: 26105
[Ref: 57656] £360.00
P. Fruytus Delin. A. Hertochs Sculp Antwerp.
[1662.]
Etching with engraving, 17th century watermark. Red ruling. Sheet 340 x 415mm (13½ x 16¼"). Repairs, with red ruling replaced top left.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. Published in 'Works of King Charles the Martyr', this is an adaptation of William Marshall's design for the frontispiece to 'Eikon Basilike', by Philips Fruytiers (1610-66).
Wellcome: 26105
[Ref: 57656] £360.00
[Charles Prince of Wales. Second Son of James 1st. Afterwards King.]
[Engraved by Charles Turner from a unique print by Delaram.]
[London: Published by S.Woodburn, 112 St. Martin's Lane.]
Mezzotint, proof before all letters. Plate: 260 x 380mm (10 x 15"), very large margins.
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 42414] £320.00
[Engraved by Charles Turner from a unique print by Delaram.]
[London: Published by S.Woodburn, 112 St. Martin's Lane.]
Mezzotint, proof before all letters. Plate: 260 x 380mm (10 x 15"), very large margins.
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 42414] £320.00
His most Sacred Majesty King Charles the first giveing his Royall Orders to his Secretary of War Sr. Edward Walker Kt. concerning ye. great Rebellion.
[Anon., c.1705]
Engraving, 18th century watermark; sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, false margins left and right; vertical fold. Very scarce.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 42785] £290.00 (£348.00 incl.VAT)
[Anon., c.1705]
Engraving, 18th century watermark; sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, false margins left and right; vertical fold. Very scarce.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 42785] £290.00 (£348.00 incl.VAT)
Carolus I. dei Gratia Magnæ Britanniæ rt Hiberniæ Rex.
Wandeck Pinxit. P. Lombart Sculp.
[n.d., c.1655.]
Engraving. Sheet 540 x 350mm (21¼ x 13¾"). Trimmed into image, damaged, tears to folds bottom right.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the original oil (attributed to van Dyck, with one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I, the earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42855] £450.00
Wandeck Pinxit. P. Lombart Sculp.
[n.d., c.1655.]
Engraving. Sheet 540 x 350mm (21¼ x 13¾"). Trimmed into image, damaged, tears to folds bottom right.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the original oil (attributed to van Dyck, with one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I, the earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42855] £450.00
![[Carolus I. dei Gratia Magnæ Britanniæ et Hiberniæ Rex.]](jpegs/42856.jpg)
[Carolus I. dei Gratia Magnæ Britanniæ et Hiberniæ Rex.]
[Wandeck Pinxit. P. Lombart Sculp.]
[n.d., c.1655.]
Engraving. Sheet 445 x 310mm (17½ x 12¼") Trimmed into image, losing title and frame-like border. Cut.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the picture is attributed to van Dyck, the original oil (one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I. The earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42856] £360.00
[Wandeck Pinxit. P. Lombart Sculp.]
[n.d., c.1655.]
Engraving. Sheet 445 x 310mm (17½ x 12¼") Trimmed into image, losing title and frame-like border. Cut.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the picture is attributed to van Dyck, the original oil (one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I. The earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42856] £360.00
![[Charles I] Serenissimus Princeps Carolus D:G: Angliæ, Scotiæ, & Hiberniæ, Rex etc.](jpegs/42867.jpg)
[Charles I] Serenissimus Princeps Carolus D:G: Angliæ, Scotiæ, & Hiberniæ, Rex etc.
Hugo Allardt Excudit. [t'Amsterdam, Gedruckt by Hugo Allard, in de kalver-straet, in de Wereldt-Kaert, 1660. Na de Copy vun LONDON.]
Engraving. Sheet 265 x 180mm (10½ x 7"). Trimmed within plate and mounted in album paper.
Oval portrait of Charles I wearing a wide-brimmed hat and cloak with Garter Star, with the Whitehall scaffold behind. The border of the oval is ringed by the tails of two dragons surmounted with the royal crown. It was published as a central image to a broadsheet, with letterpress including the publisher's address and date at bottom.
See Royal Collection RCIN 601742 for the full sheet.
[Ref: 42867] £260.00 (£312.00 incl.VAT)
Hugo Allardt Excudit. [t'Amsterdam, Gedruckt by Hugo Allard, in de kalver-straet, in de Wereldt-Kaert, 1660. Na de Copy vun LONDON.]
Engraving. Sheet 265 x 180mm (10½ x 7"). Trimmed within plate and mounted in album paper.
Oval portrait of Charles I wearing a wide-brimmed hat and cloak with Garter Star, with the Whitehall scaffold behind. The border of the oval is ringed by the tails of two dragons surmounted with the royal crown. It was published as a central image to a broadsheet, with letterpress including the publisher's address and date at bottom.
See Royal Collection RCIN 601742 for the full sheet.
[Ref: 42867] £260.00 (£312.00 incl.VAT)
![Britains Josiah King Charles the 1st who was most unjustly & cruelly put to death by his own People before the Royal Palace Whitehall, Jan. 30th 1648 [ms]](jpegs/42885.jpg)
Britains Josiah King Charles the 1st who was most unjustly & cruelly put to death by his own People before the Royal Palace Whitehall, Jan. 30th 1648 [ms]
[Anon., c.1649]
Rare engraving; sheet 150 x 110mm (6 x 4¼"). Glued to backing sheet at edges.
Allegorical representation of the body of Charles I, with putti holding his crown. In fact, following his execution in 1649, the monarch's corpse was sent to Windsor by water, where it was buried within the closed walls of Windsor castle where no one could come to pray by it.
[Ref: 42885] £320.00
[Anon., c.1649]
Rare engraving; sheet 150 x 110mm (6 x 4¼"). Glued to backing sheet at edges.
Allegorical representation of the body of Charles I, with putti holding his crown. In fact, following his execution in 1649, the monarch's corpse was sent to Windsor by water, where it was buried within the closed walls of Windsor castle where no one could come to pray by it.
[Ref: 42885] £320.00
![[Charles I.]](jpegs/42966.jpg)
[Charles I.] Ce Roy par ses perfections / Faict si bien au vice la Guerre / Quil gaigne les affections / De Tous ses peuples d'Angleterre.
N. Vienot fecit. J'Valet excudit.
Engraving, fine. Sheet: 300 x 425mm (12 x 16¾"). Trimmed. Slight crease not visible from front.
A portrait of Charles I engraved by Nicolas Viennot after Daniel Mijtens, published by Jean Vallet. Mijtens (c.1590-c.1647) became court painter to Charles I in 1628. However Anthony van Dyck arrived in England in 1632 and eclipsed Mijtens, who returned to The Hague in 1634.
[Ref: 42966] £260.00 (£312.00 incl.VAT)
N. Vienot fecit. J'Valet excudit.
Engraving, fine. Sheet: 300 x 425mm (12 x 16¾"). Trimmed. Slight crease not visible from front.
A portrait of Charles I engraved by Nicolas Viennot after Daniel Mijtens, published by Jean Vallet. Mijtens (c.1590-c.1647) became court painter to Charles I in 1628. However Anthony van Dyck arrived in England in 1632 and eclipsed Mijtens, who returned to The Hague in 1634.
[Ref: 42966] £260.00 (£312.00 incl.VAT)
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Charles Prince of Wales, James Duke of York and Princes Mary Children of K. Charles the 1st.
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
His most Sacred Majesty King Charles the first giveing his Royall Orders to his Secretary of War Sr. Edward Walker Kt. concerning ye. great Rebellion.
[Anon., c.1705]
Engraving. Sheet: 285 x 340mm (11½ x 13½"). Trimmed and tipped into album sheet.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance, two men stand by a flag and several canon on a hill. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 43123] £290.00 (£348.00 incl.VAT)
[Anon., c.1705]
Engraving. Sheet: 285 x 340mm (11½ x 13½"). Trimmed and tipped into album sheet.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance, two men stand by a flag and several canon on a hill. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 43123] £290.00 (£348.00 incl.VAT)
Corruptibilem pro incorruptibile.
W. Faithorne fec. E. Cooper.
[n.d., c.1695.]
Mezzotint. Sheet: 315 x 200mm (12½ x 8"). Trimmed and laid on card.
A portrait of Charles I shown standing with his hands raised as light eminates from his head, a hand holds a crown from a cloud above Charles's head. Lines of verse below criticise Ludlow and other critics of Charles I.
C S 4
[Ref: 43737] £230.00 (£276.00 incl.VAT)
W. Faithorne fec. E. Cooper.
[n.d., c.1695.]
Mezzotint. Sheet: 315 x 200mm (12½ x 8"). Trimmed and laid on card.
A portrait of Charles I shown standing with his hands raised as light eminates from his head, a hand holds a crown from a cloud above Charles's head. Lines of verse below criticise Ludlow and other critics of Charles I.
C S 4
[Ref: 43737] £230.00 (£276.00 incl.VAT)
His most Sacred Majesty King Charles the first giveing his Royall Orders to his Secretary of War Sr. Edward Walker Kt. concerning ye. great Rebellion.
[Anon., c.1705]
Engraving, sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, and tipped into album sheet with hand-drawn borders; folded along lower edge. Very scarce.
King Charles I and Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In april 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses'.
[Ref: 37357] £160.00 (£192.00 incl.VAT)
[Anon., c.1705]
Engraving, sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, and tipped into album sheet with hand-drawn borders; folded along lower edge. Very scarce.
King Charles I and Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In april 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses'.
[Ref: 37357] £160.00 (£192.00 incl.VAT)
King Charles I. att Charing-Cross. Statue Equestre de Charles I a Charing-Cross. [&] King Charles II. att the Entrance of Cornhill. Statue Equestre de Charles II a l'entrée de Cornhill. 39.
[n.d., c.1724.]
Engraving. Platemark: 485 x 255mm (19 x 10"). Large margins.
Two equestrian statues in London. At the top, the statue of Charles I, on a pedestal in Charing Cross, wearing armour, a sash, holding a baton, with a sword at his side. Below the equestrian statue of Charles II wearing armour and a sash, on a pedestal, with Oliver Cromwell under foot below. An illustration from Britannia Illustrata, published by Joseph Smith.
[Ref: 38442] £160.00 (£192.00 incl.VAT)
[n.d., c.1724.]
Engraving. Platemark: 485 x 255mm (19 x 10"). Large margins.
Two equestrian statues in London. At the top, the statue of Charles I, on a pedestal in Charing Cross, wearing armour, a sash, holding a baton, with a sword at his side. Below the equestrian statue of Charles II wearing armour and a sash, on a pedestal, with Oliver Cromwell under foot below. An illustration from Britannia Illustrata, published by Joseph Smith.
[Ref: 38442] £160.00 (£192.00 incl.VAT)
![[King Charles I.]](jpegs/42114.jpg)
[King Charles I.]
W.M. scul: [William Marshall.]
[n.d., c.1640.]
Engraving. Sheet 210 x 155mm (8¼ x 6¼"). Trimmed close to image. 17th century watermark.
Equestrian portrait of Charles I, sword in hand, mounted on a grey. The manuscript suggests the print was engraved from a painting by van Dyke that came up for sale in 1840; however it is a composite from different sources. William Marshal is most famous for his 'Eikon Basilike' (The Image of the King), published just ten days after Charles' execution, showing the monarch as a Christian martyr.
NPG D26321
[Ref: 42114] £260.00 (£312.00 incl.VAT)
W.M. scul: [William Marshall.]
[n.d., c.1640.]
Engraving. Sheet 210 x 155mm (8¼ x 6¼"). Trimmed close to image. 17th century watermark.
Equestrian portrait of Charles I, sword in hand, mounted on a grey. The manuscript suggests the print was engraved from a painting by van Dyke that came up for sale in 1840; however it is a composite from different sources. William Marshal is most famous for his 'Eikon Basilike' (The Image of the King), published just ten days after Charles' execution, showing the monarch as a Christian martyr.
NPG D26321
[Ref: 42114] £260.00 (£312.00 incl.VAT)
King Charles the First. In the Drawing Room at Houghton. Size of the Picture. 4F, 3I by 7F, 3I high.
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint., platemark 227 x 356mm (9 x 14"). Later impression. Slightly foxed.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649. This portrait was in the collection formed by Robert Walpole at Houghton in Norfolk. John Boydell published a large collection of engravings from pictures in the collection at around the time the collection was bought by Catherine the Great. Most of the pictures can still be seen at the Hermitage in St. Petersburg.
CS: 1.
[Ref: 31970] £260.00 (£312.00 incl.VAT)
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint., platemark 227 x 356mm (9 x 14"). Later impression. Slightly foxed.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649. This portrait was in the collection formed by Robert Walpole at Houghton in Norfolk. John Boydell published a large collection of engravings from pictures in the collection at around the time the collection was bought by Catherine the Great. Most of the pictures can still be seen at the Hermitage in St. Petersburg.
CS: 1.
[Ref: 31970] £260.00 (£312.00 incl.VAT)
![Basilika [in Greek letters]. The Works of Charles I with his Life and Martyrdome.](jpegs/42295.jpg)
Basilika [in Greek letters]. The Works of Charles I with his Life and Martyrdome.
[engraved by Abraham Hertochs.]
[London: Printed by James Flesher for R. Royston, book-seller to His Most Sacred Majesty. MDCLXII [1662].]
Engraved titlepage with contemporary red ruling. Sheet 280 x 170mm (11 x 6¾"). Trimmed, losing engraver's signature, mounted in album paper.
A medallion portrait of Charles I, part of a monument in a church setting. The title page of the 'Eikon basilike', originally attributed to Charles I, but probably written by John Gauden using some authentic writings of the king. The engraver Abraham Hertochs (fl. 1626-1672) specialised in title-pages and portraits, engraving the frontispiece to Evelyn's Sculptura (1662). The 'Eikon basilike' also contained a frontispiece etched by Hollar.
[Ref: 42295] £260.00 (£312.00 incl.VAT)
[engraved by Abraham Hertochs.]
[London: Printed by James Flesher for R. Royston, book-seller to His Most Sacred Majesty. MDCLXII [1662].]
Engraved titlepage with contemporary red ruling. Sheet 280 x 170mm (11 x 6¾"). Trimmed, losing engraver's signature, mounted in album paper.
A medallion portrait of Charles I, part of a monument in a church setting. The title page of the 'Eikon basilike', originally attributed to Charles I, but probably written by John Gauden using some authentic writings of the king. The engraver Abraham Hertochs (fl. 1626-1672) specialised in title-pages and portraits, engraving the frontispiece to Evelyn's Sculptura (1662). The 'Eikon basilike' also contained a frontispiece etched by Hollar.
[Ref: 42295] £260.00 (£312.00 incl.VAT)
Charles Ir. Roy d'Angleterre.
Wander Werff pinxt. . Ben.t Audran sculpsit
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½").
Charles I (1600-1649), king of England, Scotland and Ireland. Charles was king during most of the English Civil War (1642-51), towards the end of which he was executed rather than abdicating. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713), from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34243] £120.00 (£144.00 incl.VAT)
Wander Werff pinxt. . Ben.t Audran sculpsit
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½").
Charles I (1600-1649), king of England, Scotland and Ireland. Charles was king during most of the English Civil War (1642-51), towards the end of which he was executed rather than abdicating. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713), from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34243] £120.00 (£144.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
Carolus D: G: Ang: Sco: Fra: et Hib: Rex. from S.r Peter Lely's Copy of the Celebrated Original Picture painted by S.r Anthony Vandyke, which was Destroy'd in the Fire at Whitehall, Anno 1697.
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, fine impression. 355 x 250mm (14 x 9¾") Creasing at bottom.
Charles I, arm in a velvet sling, hand on table.
CS: 75, ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34267] £180.00 (£216.00 incl.VAT)
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, fine impression. 355 x 250mm (14 x 9¾") Creasing at bottom.
Charles I, arm in a velvet sling, hand on table.
CS: 75, ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34267] £180.00 (£216.00 incl.VAT)
![[The Marriage of Charles I and Henrietta Maria.]](jpegs/35031.jpg)
[The Marriage of Charles I and Henrietta Maria.]
[Anon, c.1700]
Engraving, very scarce; sheet 260 x 360mm (10¼ x 14¼"). Trimmed inside platemark; false margins added; folds. Pencil annotations in image and margins.
Unusual amateur representation of the royal wedding in 1625 in Paris.
[Ref: 35031] £260.00 (£312.00 incl.VAT)
[Anon, c.1700]
Engraving, very scarce; sheet 260 x 360mm (10¼ x 14¼"). Trimmed inside platemark; false margins added; folds. Pencil annotations in image and margins.
Unusual amateur representation of the royal wedding in 1625 in Paris.
[Ref: 35031] £260.00 (£312.00 incl.VAT)
Carolus D: G: Ang: Sco: Fra: et Hib: Rex. from S.r Peter Lely's Copy of the Celebrated Original Picture painted by S.r Anthony Vandyke, which was Destroy'd in the Fire at Whitehall, Anno 1697.
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾") Trimmed to plate.
Charles I, arm in a velvet sling, star on his arm, hand on table.
CS: 75, between ii of iii (with ring added and address not yet erased). Ex collection of Lady Lucas of Credwell.
[Ref: 68571] £230.00 (£276.00 incl.VAT)
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾") Trimmed to plate.
Charles I, arm in a velvet sling, star on his arm, hand on table.
CS: 75, between ii of iii (with ring added and address not yet erased). Ex collection of Lady Lucas of Credwell.
[Ref: 68571] £230.00 (£276.00 incl.VAT)
Charles par la grace de Dieu Roy d'Angleterre.
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)