A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Charity.
I.H. Ramberg delin. F. Bartolozzi Sculpt.
London Published 1st. Janry. 1787. by Robert Wilkinson No.58 Cornhill London.
Stipple with etching on india paper, printed in brown ink. 200 x 225mm. 8 x 9". Small upper and lower margin, one rust spot to plate; else a fine impression.
Allegorical representation of Charity, as a woman comforting a little girl and two naked putti; basket of fruit far left. In an oval. After Johann Heinrich Ramberg (1763 - 1840).
De Vesme 581, III of III. Oettingen-Wallerstein Collection.
[Ref: 21194] £190.00 (£228.00 incl.VAT)
I.H. Ramberg delin. F. Bartolozzi Sculpt.
London Published 1st. Janry. 1787. by Robert Wilkinson No.58 Cornhill London.
Stipple with etching on india paper, printed in brown ink. 200 x 225mm. 8 x 9". Small upper and lower margin, one rust spot to plate; else a fine impression.
Allegorical representation of Charity, as a woman comforting a little girl and two naked putti; basket of fruit far left. In an oval. After Johann Heinrich Ramberg (1763 - 1840).
De Vesme 581, III of III. Oettingen-Wallerstein Collection.
[Ref: 21194] £190.00 (£228.00 incl.VAT)
Living Made Easy. Charity Tubes, to covey the Smell from the Tables of the Rich, for the benefit of Poor Operatives. Particularly recommended to the Philanthropy of those who have made large fortunes by Machinery.
London, Pub.d by T.McLean, 26, Haymarket. Jan 1. 1830.
Coloured etching. Sheet 155 xs 230mm, 6¼ x 9". Trimmed.
Emaciated and impoverished men breathe the fumes from the tables of rich diners. A satire on the indifference of the nouveau riche of industry to the plight of the craftsmen their machines have replaced.
[Ref: 17494] £160.00 (£192.00 incl.VAT)
London, Pub.d by T.McLean, 26, Haymarket. Jan 1. 1830.
Coloured etching. Sheet 155 xs 230mm, 6¼ x 9". Trimmed.
Emaciated and impoverished men breathe the fumes from the tables of rich diners. A satire on the indifference of the nouveau riche of industry to the plight of the craftsmen their machines have replaced.
[Ref: 17494] £160.00 (£192.00 incl.VAT)
![[The pretty charlatan]](jpegs/44946.jpg)
[The pretty charlatan] La jolie charlatane / Sur les quays, ou les boulevards / Si jamais l'avois l'avantage [...]
F. Eisen le Pere Pinx. L. Halbou sculp
A Paris chez Ouvrier Graveur Place Maubert chez un M.d Bonnetier au Soleil d'or [c.1760]
Fine engraving, sheet 425 x 305mm (16¾ x 11¾"). Trimmed to platemark; glued to album sheet at corners.
Scene in trompe l'oeil border showing a 'pretty charlatan', with verses below explaining why she is best avoided. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner. Eisen's son Charles was also a notable artist, hence the need to identify Eisen as 'le Pere' [father] on this print. Part of a series of prints in this format after paintings by Eisen, with texts focusing on love, beauty and deception.
[Ref: 44946] £520.00
F. Eisen le Pere Pinx. L. Halbou sculp
A Paris chez Ouvrier Graveur Place Maubert chez un M.d Bonnetier au Soleil d'or [c.1760]
Fine engraving, sheet 425 x 305mm (16¾ x 11¾"). Trimmed to platemark; glued to album sheet at corners.
Scene in trompe l'oeil border showing a 'pretty charlatan', with verses below explaining why she is best avoided. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner. Eisen's son Charles was also a notable artist, hence the need to identify Eisen as 'le Pere' [father] on this print. Part of a series of prints in this format after paintings by Eisen, with texts focusing on love, beauty and deception.
[Ref: 44946] £520.00
Charlemagne.
J. Chapman sculp.
London, publish'd as the Act directs Jany 18: 1805 by J. Wilkes.
Stipple, with large margins. Plate 163 x 114mm. 6½ x 4½".
Charlemagne (c.742-814), King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople. One of a number of stipple heads of Kings and Queens of similar format printed on quarto sheets, by Chapman, published by J. Wilkes, 1795-1810. They probably appeared as illustrations to the 'Encyclopaedia Londinensis, Universal Dictionary of Arts, Sciences and Literature ... Embellished by ... engravings. Compiled ... by John Wilkes'.
[Ref: 24539] £60.00 (£72.00 incl.VAT)
J. Chapman sculp.
London, publish'd as the Act directs Jany 18: 1805 by J. Wilkes.
Stipple, with large margins. Plate 163 x 114mm. 6½ x 4½".
Charlemagne (c.742-814), King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople. One of a number of stipple heads of Kings and Queens of similar format printed on quarto sheets, by Chapman, published by J. Wilkes, 1795-1810. They probably appeared as illustrations to the 'Encyclopaedia Londinensis, Universal Dictionary of Arts, Sciences and Literature ... Embellished by ... engravings. Compiled ... by John Wilkes'.
[Ref: 24539] £60.00 (£72.00 incl.VAT)
Carolus Magnus F.e Rex XXIIII.
[n.d. c.1680.]
Engraving. 121 x 85mm. 4¾ x 3¼". Trimmed close to the plate.
Charlemagne (c.742-814) was King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople.
[Ref: 19131] £75.00 (£90.00 incl.VAT)
[n.d. c.1680.]
Engraving. 121 x 85mm. 4¾ x 3¼". Trimmed close to the plate.
Charlemagne (c.742-814) was King of the Franks and Emperor of the Romans. He was responsible for expanding the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign he conquered Italy and was crowned Imperator Augustus by Pope Leo III; this made him a temporary rival of the Byzantine Emperor in Constantinople.
[Ref: 19131] £75.00 (£90.00 incl.VAT)
The R:H:ye Archduke Charles, late commander of Austrian Armies. born A.D. 1771.
London, Publish'd Oct.r 28 1800, by R. Cribb, No.288 High Holborn. Price 2' 6.
Stipple engraving, 228 x 178mm. 9 x 7".
Archduke Charles of Austria, Duke of Teschen (1771-1847), Austrian field-marshal during the French Revolutionary and Napoleonic Wars. Here "late" commander refers to the a brief period of retirement due to ill that ended when he was recalled to undertake the defence of Vienna in 1800. He was compared to Wellington for his skills as a strategist and considered to be one of Napoleon's most formidable opponents.
[Ref: 17170] £160.00 (£192.00 incl.VAT)
London, Publish'd Oct.r 28 1800, by R. Cribb, No.288 High Holborn. Price 2' 6.
Stipple engraving, 228 x 178mm. 9 x 7".
Archduke Charles of Austria, Duke of Teschen (1771-1847), Austrian field-marshal during the French Revolutionary and Napoleonic Wars. Here "late" commander refers to the a brief period of retirement due to ill that ended when he was recalled to undertake the defence of Vienna in 1800. He was compared to Wellington for his skills as a strategist and considered to be one of Napoleon's most formidable opponents.
[Ref: 17170] £160.00 (£192.00 incl.VAT)
Hieroglyphic drawing sent to King Charles 1.st. and supposed to contain the following directions for his safety. Charles_your head is eagerly sought after_ make your escape_go through the ploughes field, avoid the sportsman who would hunt you as a dog pursues a hare_ haten to put the clothes of the peasant lying at the feet of the sleeping man under the trees. Proceed by the draw-well near the cottage, and down the steps. The man leaning on the wall will conduct you along it to the one leaning on his fork, who, with the haymaker, and the fisherman, will put you into the boat, and with the boatman row you to the ship.
Lithograph. Sheet: 320 x 255mm (12½ x 10"), with wide margins.
An extremely rare & curious facsimilie of a coded instruction sent to Charles I during the Civil War to aid his escape. Beneath the image is the decoded explanation of the message. The profile in the image is based on Vandyck's portrait of Charles I.
[Ref: 39098] £260.00 (£312.00 incl.VAT)
Lithograph. Sheet: 320 x 255mm (12½ x 10"), with wide margins.
An extremely rare & curious facsimilie of a coded instruction sent to Charles I during the Civil War to aid his escape. Beneath the image is the decoded explanation of the message. The profile in the image is based on Vandyck's portrait of Charles I.
[Ref: 39098] £260.00 (£312.00 incl.VAT)
Charles Prince of Wales Second Son of James 1st. Afterwards King.
Engraved by Charles Turner from a unique print by Delaram.
London:Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint. Proof. Plate: 260 x 380mm (10 x 15").
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 40767] £190.00 (£228.00 incl.VAT)
Engraved by Charles Turner from a unique print by Delaram.
London:Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint. Proof. Plate: 260 x 380mm (10 x 15").
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 40767] £190.00 (£228.00 incl.VAT)
Carolus D. G. Magnæ Britt: Fra: et Hiber: Rex Fidei Defensor. Returne in Peace Great Charles, redress our woes: Forsake at length thyne, and the Kingdomes Foes, Thy Gratious Presence will more comfort bring. Then Phoebus Splendor to a backward Spring.
[Engraved c.1646 but printed later.]
Engraving. Sheet: 160 x 150mm (6¼ x 4½"). Trimmed.
A mounted portrait of Charles I (1600-1649), the city of London can been seen in the distance behind him. The verse suggests the print was published while Charles was on the run after the defeat at Naseby in 1645.
[Ref: 40772] £280.00 (£336.00 incl.VAT)
[Engraved c.1646 but printed later.]
Engraving. Sheet: 160 x 150mm (6¼ x 4½"). Trimmed.
A mounted portrait of Charles I (1600-1649), the city of London can been seen in the distance behind him. The verse suggests the print was published while Charles was on the run after the defeat at Naseby in 1645.
[Ref: 40772] £280.00 (£336.00 incl.VAT)
![[Charles I and Henrietta Maria offer symbols of their power to Marie de Medici]](jpegs/43311.jpg)
[Charles I and Henrietta Maria offer symbols of their power to Marie de Medici] Tes Enfans ravis de te voir / Toffrent leur sceptre et leur couronne / Ils te resignent leur pouvoir / Par cette Espece quon se Donne. La Serre
[Wenceslaus Hollar, 1639]
Etching, sheet 260 x 190mm (10¼ x 7½"). Trimmed.
Illustration to Puget de La Serre's 'Histoire de L'Entrée de la Reyne Mère dans la Grande Bretagne' (1639), which recounted Marie de Medici's visit to England. Her daughter Henrietta Maria was the wife of Charles I.
Pennington 461
[Ref: 43311] £260.00 (£312.00 incl.VAT)
[Wenceslaus Hollar, 1639]
Etching, sheet 260 x 190mm (10¼ x 7½"). Trimmed.
Illustration to Puget de La Serre's 'Histoire de L'Entrée de la Reyne Mère dans la Grande Bretagne' (1639), which recounted Marie de Medici's visit to England. Her daughter Henrietta Maria was the wife of Charles I.
Pennington 461
[Ref: 43311] £260.00 (£312.00 incl.VAT)
![Carolus I. [Greek text.]](jpegs/57656.jpg)
Carolus I. [Greek text.] Ecce Spectaculum dignum ad quod respeciat Deus operi suo intentus, Vir fortus cum malâ fortuna compositur Sen: de Provid: c.2. Aº 1662.
P. Fruytus Delin. A. Hertochs Sculp Antwerp.
[1662.]
Etching with engraving, 17th century watermark. Red ruling. Sheet 340 x 415mm (13½ x 16¼"). Repairs, with red ruling replaced top left.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. Published in 'Works of King Charles the Martyr', this is an adaptation of William Marshall's design for the frontispiece to 'Eikon Basilike', by Philips Fruytiers (1610-66).
Wellcome: 26105
[Ref: 57656] £360.00
P. Fruytus Delin. A. Hertochs Sculp Antwerp.
[1662.]
Etching with engraving, 17th century watermark. Red ruling. Sheet 340 x 415mm (13½ x 16¼"). Repairs, with red ruling replaced top left.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. Published in 'Works of King Charles the Martyr', this is an adaptation of William Marshall's design for the frontispiece to 'Eikon Basilike', by Philips Fruytiers (1610-66).
Wellcome: 26105
[Ref: 57656] £360.00
[Charles Prince of Wales. Second Son of James 1st. Afterwards King.]
[Engraved by Charles Turner from a unique print by Delaram.]
[London: Published by S.Woodburn, 112 St. Martin's Lane.]
Mezzotint, proof before all letters. Plate: 260 x 380mm (10 x 15"), very large margins.
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 42414] £320.00
[Engraved by Charles Turner from a unique print by Delaram.]
[London: Published by S.Woodburn, 112 St. Martin's Lane.]
Mezzotint, proof before all letters. Plate: 260 x 380mm (10 x 15"), very large margins.
A mounted portrait of Charles (1600- 1649), then Prince of Wales later Charles I. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). Inscribed 'Proof' lower right. From a series of 15 copies of early engravings'' by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470 I of III.
[Ref: 42414] £320.00
His most Sacred Majesty King Charles the first giveing his Royall Orders to his Secretary of War Sr. Edward Walker Kt. concerning ye. great Rebellion.
[Anon., c.1705]
Engraving, 18th century watermark; sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, false margins left and right; vertical fold. Very scarce.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 42785] £290.00 (£348.00 incl.VAT)
[Anon., c.1705]
Engraving, 18th century watermark; sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, false margins left and right; vertical fold. Very scarce.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 42785] £290.00 (£348.00 incl.VAT)
Carolus I. dei Gratia Magnæ Britanniæ rt Hiberniæ Rex.
Wandeck Pinxit. P. Lombart Sculp.
[n.d., c.1655.]
Engraving. Sheet 540 x 350mm (21¼ x 13¾"). Trimmed into image, damaged, tears to folds bottom right.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the original oil (attributed to van Dyck, with one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I, the earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42855] £450.00
Wandeck Pinxit. P. Lombart Sculp.
[n.d., c.1655.]
Engraving. Sheet 540 x 350mm (21¼ x 13¾"). Trimmed into image, damaged, tears to folds bottom right.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the original oil (attributed to van Dyck, with one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I, the earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42855] £450.00
![[Carolus I. dei Gratia Magnæ Britanniæ et Hiberniæ Rex.]](jpegs/42856.jpg)
[Carolus I. dei Gratia Magnæ Britanniæ et Hiberniæ Rex.]
[Wandeck Pinxit. P. Lombart Sculp.]
[n.d., c.1655.]
Engraving. Sheet 445 x 310mm (17½ x 12¼") Trimmed into image, losing title and frame-like border. Cut.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the picture is attributed to van Dyck, the original oil (one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I. The earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42856] £360.00
[Wandeck Pinxit. P. Lombart Sculp.]
[n.d., c.1655.]
Engraving. Sheet 445 x 310mm (17½ x 12¼") Trimmed into image, losing title and frame-like border. Cut.
An equestrian portrait of Charles I in armour, battle scene behind, an impression from the famous 'headless horseman' plate. The king has a distinct 'halo' from obvious re-engraving. Although the picture is attributed to van Dyck, the original oil (one copy now in Buckingham Palace, the other in Petworth House) depicted Charles I. The earliest known impression of this plate shows Cromwell, although even that example had been re-engraved. The next state is also Cromwell, followed by one headless, two of Louis XIV, a Cromwell, a Charles I and finally Cromwell again.
BM: 1935,0413.52.
[Ref: 42856] £360.00
![[Charles I] Serenissimus Princeps Carolus D:G: Angliæ, Scotiæ, & Hiberniæ, Rex etc.](jpegs/42867.jpg)
[Charles I] Serenissimus Princeps Carolus D:G: Angliæ, Scotiæ, & Hiberniæ, Rex etc.
Hugo Allardt Excudit. [t'Amsterdam, Gedruckt by Hugo Allard, in de kalver-straet, in de Wereldt-Kaert, 1660. Na de Copy vun LONDON.]
Engraving. Sheet 265 x 180mm (10½ x 7"). Trimmed within plate and mounted in album paper.
Oval portrait of Charles I wearing a wide-brimmed hat and cloak with Garter Star, with the Whitehall scaffold behind. The border of the oval is ringed by the tails of two dragons surmounted with the royal crown. It was published as a central image to a broadsheet, with letterpress including the publisher's address and date at bottom.
See Royal Collection RCIN 601742 for the full sheet.
[Ref: 42867] £260.00 (£312.00 incl.VAT)
Hugo Allardt Excudit. [t'Amsterdam, Gedruckt by Hugo Allard, in de kalver-straet, in de Wereldt-Kaert, 1660. Na de Copy vun LONDON.]
Engraving. Sheet 265 x 180mm (10½ x 7"). Trimmed within plate and mounted in album paper.
Oval portrait of Charles I wearing a wide-brimmed hat and cloak with Garter Star, with the Whitehall scaffold behind. The border of the oval is ringed by the tails of two dragons surmounted with the royal crown. It was published as a central image to a broadsheet, with letterpress including the publisher's address and date at bottom.
See Royal Collection RCIN 601742 for the full sheet.
[Ref: 42867] £260.00 (£312.00 incl.VAT)
![Britains Josiah King Charles the 1st who was most unjustly & cruelly put to death by his own People before the Royal Palace Whitehall, Jan. 30th 1648 [ms]](jpegs/42885.jpg)
Britains Josiah King Charles the 1st who was most unjustly & cruelly put to death by his own People before the Royal Palace Whitehall, Jan. 30th 1648 [ms]
[Anon., c.1649]
Rare engraving; sheet 150 x 110mm (6 x 4¼"). Glued to backing sheet at edges.
Allegorical representation of the body of Charles I, with putti holding his crown. In fact, following his execution in 1649, the monarch's corpse was sent to Windsor by water, where it was buried within the closed walls of Windsor castle where no one could come to pray by it.
[Ref: 42885] £320.00
[Anon., c.1649]
Rare engraving; sheet 150 x 110mm (6 x 4¼"). Glued to backing sheet at edges.
Allegorical representation of the body of Charles I, with putti holding his crown. In fact, following his execution in 1649, the monarch's corpse was sent to Windsor by water, where it was buried within the closed walls of Windsor castle where no one could come to pray by it.
[Ref: 42885] £320.00
![[Charles I.]](jpegs/42966.jpg)
[Charles I.] Ce Roy par ses perfections / Faict si bien au vice la Guerre / Quil gaigne les affections / De Tous ses peuples d'Angleterre.
N. Vienot fecit. J'Valet excudit.
Engraving, fine. Sheet: 300 x 425mm (12 x 16¾"). Trimmed. Slight crease not visible from front.
A portrait of Charles I engraved by Nicolas Viennot after Daniel Mijtens, published by Jean Vallet. Mijtens (c.1590-c.1647) became court painter to Charles I in 1628. However Anthony van Dyck arrived in England in 1632 and eclipsed Mijtens, who returned to The Hague in 1634.
[Ref: 42966] £260.00 (£312.00 incl.VAT)
N. Vienot fecit. J'Valet excudit.
Engraving, fine. Sheet: 300 x 425mm (12 x 16¾"). Trimmed. Slight crease not visible from front.
A portrait of Charles I engraved by Nicolas Viennot after Daniel Mijtens, published by Jean Vallet. Mijtens (c.1590-c.1647) became court painter to Charles I in 1628. However Anthony van Dyck arrived in England in 1632 and eclipsed Mijtens, who returned to The Hague in 1634.
[Ref: 42966] £260.00 (£312.00 incl.VAT)
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Charles Prince of Wales, James Duke of York and Princes Mary Children of K. Charles the 1st.
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
His most Sacred Majesty King Charles the first giveing his Royall Orders to his Secretary of War Sr. Edward Walker Kt. concerning ye. great Rebellion.
[Anon., c.1705]
Engraving. Sheet: 285 x 340mm (11½ x 13½"). Trimmed and tipped into album sheet.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance, two men stand by a flag and several canon on a hill. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 43123] £290.00 (£348.00 incl.VAT)
[Anon., c.1705]
Engraving. Sheet: 285 x 340mm (11½ x 13½"). Trimmed and tipped into album sheet.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance, two men stand by a flag and several canon on a hill. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 43123] £290.00 (£348.00 incl.VAT)
Corruptibilem pro incorruptibile.
W. Faithorne fec. E. Cooper.
[n.d., c.1695.]
Mezzotint. Sheet: 315 x 200mm (12½ x 8"). Trimmed and laid on card.
A portrait of Charles I shown standing with his hands raised as light eminates from his head, a hand holds a crown from a cloud above Charles's head. Lines of verse below criticise Ludlow and other critics of Charles I.
C S 4
[Ref: 43737] £230.00 (£276.00 incl.VAT)
W. Faithorne fec. E. Cooper.
[n.d., c.1695.]
Mezzotint. Sheet: 315 x 200mm (12½ x 8"). Trimmed and laid on card.
A portrait of Charles I shown standing with his hands raised as light eminates from his head, a hand holds a crown from a cloud above Charles's head. Lines of verse below criticise Ludlow and other critics of Charles I.
C S 4
[Ref: 43737] £230.00 (£276.00 incl.VAT)
![[King Charles I.]](jpegs/42114.jpg)
[King Charles I.]
W.M. scul: [William Marshall.]
[n.d., c.1640.]
Engraving. Sheet 210 x 155mm (8¼ x 6¼"). Trimmed close to image. 17th century watermark.
Equestrian portrait of Charles I, sword in hand, mounted on a grey. The manuscript suggests the print was engraved from a painting by van Dyke that came up for sale in 1840; however it is a composite from different sources. William Marshal is most famous for his 'Eikon Basilike' (The Image of the King), published just ten days after Charles' execution, showing the monarch as a Christian martyr.
NPG D26321
[Ref: 42114] £260.00 (£312.00 incl.VAT)
W.M. scul: [William Marshall.]
[n.d., c.1640.]
Engraving. Sheet 210 x 155mm (8¼ x 6¼"). Trimmed close to image. 17th century watermark.
Equestrian portrait of Charles I, sword in hand, mounted on a grey. The manuscript suggests the print was engraved from a painting by van Dyke that came up for sale in 1840; however it is a composite from different sources. William Marshal is most famous for his 'Eikon Basilike' (The Image of the King), published just ten days after Charles' execution, showing the monarch as a Christian martyr.
NPG D26321
[Ref: 42114] £260.00 (£312.00 incl.VAT)
King Charles the First. In the Drawing Room at Houghton. Size of the Picture. 4F, 3I by 7F, 3I high.
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint., platemark 227 x 356mm (9 x 14"). Later impression. Slightly foxed.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649. This portrait was in the collection formed by Robert Walpole at Houghton in Norfolk. John Boydell published a large collection of engravings from pictures in the collection at around the time the collection was bought by Catherine the Great. Most of the pictures can still be seen at the Hermitage in St. Petersburg.
CS: 1.
[Ref: 31970] £260.00 (£312.00 incl.VAT)
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint., platemark 227 x 356mm (9 x 14"). Later impression. Slightly foxed.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649. This portrait was in the collection formed by Robert Walpole at Houghton in Norfolk. John Boydell published a large collection of engravings from pictures in the collection at around the time the collection was bought by Catherine the Great. Most of the pictures can still be seen at the Hermitage in St. Petersburg.
CS: 1.
[Ref: 31970] £260.00 (£312.00 incl.VAT)
Charles the First, King of Great Britain. Ex Museo Sereniss. Domini de Wharton.
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
![Basilika [in Greek letters]. The Works of Charles I with his Life and Martyrdome.](jpegs/42295.jpg)
Basilika [in Greek letters]. The Works of Charles I with his Life and Martyrdome.
[engraved by Abraham Hertochs.]
[London: Printed by James Flesher for R. Royston, book-seller to His Most Sacred Majesty. MDCLXII [1662].]
Engraved titlepage with contemporary red ruling. Sheet 280 x 170mm (11 x 6¾"). Trimmed, losing engraver's signature, mounted in album paper.
A medallion portrait of Charles I, part of a monument in a church setting. The title page of the 'Eikon basilike', originally attributed to Charles I, but probably written by John Gauden using some authentic writings of the king. The engraver Abraham Hertochs (fl. 1626-1672) specialised in title-pages and portraits, engraving the frontispiece to Evelyn's Sculptura (1662). The 'Eikon basilike' also contained a frontispiece etched by Hollar.
[Ref: 42295] £260.00 (£312.00 incl.VAT)
[engraved by Abraham Hertochs.]
[London: Printed by James Flesher for R. Royston, book-seller to His Most Sacred Majesty. MDCLXII [1662].]
Engraved titlepage with contemporary red ruling. Sheet 280 x 170mm (11 x 6¾"). Trimmed, losing engraver's signature, mounted in album paper.
A medallion portrait of Charles I, part of a monument in a church setting. The title page of the 'Eikon basilike', originally attributed to Charles I, but probably written by John Gauden using some authentic writings of the king. The engraver Abraham Hertochs (fl. 1626-1672) specialised in title-pages and portraits, engraving the frontispiece to Evelyn's Sculptura (1662). The 'Eikon basilike' also contained a frontispiece etched by Hollar.
[Ref: 42295] £260.00 (£312.00 incl.VAT)
His most Sacred Majesty King Charles the first giveing his Royall Orders to his Secretary of War Sr. Edward Walker Kt. concerning ye. great Rebellion.
[Anon., c.1705]
Engraving, sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, and tipped into album sheet with hand-drawn borders; folded along lower edge. Very scarce.
King Charles I and Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In april 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses'.
[Ref: 37357] £160.00 (£192.00 incl.VAT)
[Anon., c.1705]
Engraving, sheet 270 x 335mm (10½ x 13¼"). Trimmed, losing top of image, and tipped into album sheet with hand-drawn borders; folded along lower edge. Very scarce.
King Charles I and Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In april 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses'.
[Ref: 37357] £160.00 (£192.00 incl.VAT)
King Charles I. att Charing-Cross. Statue Equestre de Charles I a Charing-Cross. [&] King Charles II. att the Entrance of Cornhill. Statue Equestre de Charles II a l'entrée de Cornhill. 39.
[n.d., c.1724.]
Engraving. Platemark: 485 x 255mm (19 x 10"). Large margins.
Two equestrian statues in London. At the top, the statue of Charles I, on a pedestal in Charing Cross, wearing armour, a sash, holding a baton, with a sword at his side. Below the equestrian statue of Charles II wearing armour and a sash, on a pedestal, with Oliver Cromwell under foot below. An illustration from Britannia Illustrata, published by Joseph Smith.
[Ref: 38442] £160.00 (£192.00 incl.VAT)
[n.d., c.1724.]
Engraving. Platemark: 485 x 255mm (19 x 10"). Large margins.
Two equestrian statues in London. At the top, the statue of Charles I, on a pedestal in Charing Cross, wearing armour, a sash, holding a baton, with a sword at his side. Below the equestrian statue of Charles II wearing armour and a sash, on a pedestal, with Oliver Cromwell under foot below. An illustration from Britannia Illustrata, published by Joseph Smith.
[Ref: 38442] £160.00 (£192.00 incl.VAT)
Charles Ir. Roy d'Angleterre.
Wander Werff pinxt. . Ben.t Audran sculpsit
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½").
Charles I (1600-1649), king of England, Scotland and Ireland. Charles was king during most of the English Civil War (1642-51), towards the end of which he was executed rather than abdicating. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713), from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34243] £120.00 (£144.00 incl.VAT)
Wander Werff pinxt. . Ben.t Audran sculpsit
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½").
Charles I (1600-1649), king of England, Scotland and Ireland. Charles was king during most of the English Civil War (1642-51), towards the end of which he was executed rather than abdicating. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713), from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34243] £120.00 (£144.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
Carolus D: G: Ang: Sco: Fra: et Hib: Rex. from S.r Peter Lely's Copy of the Celebrated Original Picture painted by S.r Anthony Vandyke, which was Destroy'd in the Fire at Whitehall, Anno 1697.
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, fine impression. 355 x 250mm (14 x 9¾") Creasing at bottom.
Charles I, arm in a velvet sling, hand on table.
CS: 75, ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34267] £180.00 (£216.00 incl.VAT)
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, fine impression. 355 x 250mm (14 x 9¾") Creasing at bottom.
Charles I, arm in a velvet sling, hand on table.
CS: 75, ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34267] £180.00 (£216.00 incl.VAT)
![[The Marriage of Charles I and Henrietta Maria.]](jpegs/35031.jpg)
[The Marriage of Charles I and Henrietta Maria.]
[Anon, c.1700]
Engraving, very scarce; sheet 260 x 360mm (10¼ x 14¼"). Trimmed inside platemark; false margins added; folds. Pencil annotations in image and margins.
Unusual amateur representation of the royal wedding in 1625 in Paris.
[Ref: 35031] £260.00 (£312.00 incl.VAT)
[Anon, c.1700]
Engraving, very scarce; sheet 260 x 360mm (10¼ x 14¼"). Trimmed inside platemark; false margins added; folds. Pencil annotations in image and margins.
Unusual amateur representation of the royal wedding in 1625 in Paris.
[Ref: 35031] £260.00 (£312.00 incl.VAT)
Carolus D: G: Ang: Sco: Fra: et Hib: Rex. from S.r Peter Lely's Copy of the Celebrated Original Picture painted by S.r Anthony Vandyke, which was Destroy'd in the Fire at Whitehall, Anno 1697.
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾") Trimmed to plate.
Charles I, arm in a velvet sling, star on his arm, hand on table.
CS: 75, between ii of iii (with ring added and address not yet erased). Ex collection of Lady Lucas of Credwell.
[Ref: 68571] £230.00 (£276.00 incl.VAT)
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾") Trimmed to plate.
Charles I, arm in a velvet sling, star on his arm, hand on table.
CS: 75, between ii of iii (with ring added and address not yet erased). Ex collection of Lady Lucas of Credwell.
[Ref: 68571] £230.00 (£276.00 incl.VAT)
Charles par la grace de Dieu Roy d'Angleterre.
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)
Carolus Primus D.G. Angliae Scotiae Franciae et Hiberniae Rex &c.
[after William Faithorne.]
[n.d. c.1648.]
Engraving. Sheet 250 x 165mm (9¾ x 6½"). Trimmed just within plate. Ink mark in title.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck, copied from Faithorne's frontispiece for William Sanderson's 'Compleat History of the Life and Raigne of King Charles'. The lettering around the oval has been added for this version.
Fagan: Pg 4 Robert White copied.
[Ref: 36539] £120.00 (£144.00 incl.VAT)
[after William Faithorne.]
[n.d. c.1648.]
Engraving. Sheet 250 x 165mm (9¾ x 6½"). Trimmed just within plate. Ink mark in title.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck, copied from Faithorne's frontispiece for William Sanderson's 'Compleat History of the Life and Raigne of King Charles'. The lettering around the oval has been added for this version.
Fagan: Pg 4 Robert White copied.
[Ref: 36539] £120.00 (£144.00 incl.VAT)
The true Pourtraicture of the Royal Martyr Charles I.st King of England Scotland France and Ireland as he sate in ye pretended High Court of Justice A.o 1648.
[after Edward Bower.] done and sold by I. Faber London.
[n.d., c.1715.]
Mezzotint with small margins. 210 x 155mm (8¼ x 6"). Very scarce, but trimmed into inscription area.
Chaloner Smith lists four plates of this event by John Faber Senior and Junior, none with this exact title or composition. The Fabers attributed the portrait to van Dyke, however the painter died seven years before the trial. It was in fact the work of Edward Bower.
[Ref: 32703] £320.00
[after Edward Bower.] done and sold by I. Faber London.
[n.d., c.1715.]
Mezzotint with small margins. 210 x 155mm (8¼ x 6"). Very scarce, but trimmed into inscription area.
Chaloner Smith lists four plates of this event by John Faber Senior and Junior, none with this exact title or composition. The Fabers attributed the portrait to van Dyke, however the painter died seven years before the trial. It was in fact the work of Edward Bower.
[Ref: 32703] £320.00
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [Pencilled: Meyssens.] Excudit. [1640.]
[n.d. c.1730.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 for later impression; & Ref: 19026 for 17th century state.
[Ref: 19025] £120.00 (£144.00 incl.VAT)
Antonius Van Dÿck Pinxit. [Pencilled: Meyssens.] Excudit. [1640.]
[n.d. c.1730.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 for later impression; & Ref: 19026 for 17th century state.
[Ref: 19025] £120.00 (£144.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. Ioan Meyssens [excudit.]
[n.d. c.1640.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate; damage and paper loss lower right.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 & 19025 for later impressions. Ex Collection Norman Blackburn.
[Ref: 19026] £110.00 (£132.00 incl.VAT)
Antonius Van Dÿck Pinxit. Ioan Meyssens [excudit.]
[n.d. c.1640.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate; damage and paper loss lower right.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 & 19025 for later impressions. Ex Collection Norman Blackburn.
[Ref: 19026] £110.00 (£132.00 incl.VAT)
King Charles the First. In the Drawing Room at Houghton. Size of the Picture. 4F, 3I by 7F, 3I high.
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint. Plate 227 x 356mm. 9 x 14". Tear into margin lower left-hand corner.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649.
Ex Collection: Norman Blackburn. CS: 1.
[Ref: 19798] £260.00 (£312.00 incl.VAT)
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint. Plate 227 x 356mm. 9 x 14". Tear into margin lower left-hand corner.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649.
Ex Collection: Norman Blackburn. CS: 1.
[Ref: 19798] £260.00 (£312.00 incl.VAT)
The Apotheosis or Death of the King.
[n.d., c.1670, but 19th century copy]
Engraving. J. Whatman watermark 1813. Plate: 235 x 190mm (9¼ x 7½"), with large margins.
An allegorical scene showing the ascension of Charles I into heaven after his execution at Banqueting Hall as shown in the scene in the background. Charles I is lifted to heaven by angels and cherubs.
[Ref: 42037] £65.00 (£78.00 incl.VAT)
[n.d., c.1670, but 19th century copy]
Engraving. J. Whatman watermark 1813. Plate: 235 x 190mm (9¼ x 7½"), with large margins.
An allegorical scene showing the ascension of Charles I into heaven after his execution at Banqueting Hall as shown in the scene in the background. Charles I is lifted to heaven by angels and cherubs.
[Ref: 42037] £65.00 (£78.00 incl.VAT)
The Kings Declaration to his Gentry & Army Septembr 1642.
[Anon., British, n.d., c.1720s.]
Etching on laid paper, printed on 18th century watermarked paper; 390 x 455mm. 15¼ x 18". Vertical centrefold as normal. Some small filled holes; one tear into edge of plate lower left. Damaged.
Charles I delivering a speech on the march to Shrewsbury during the English Civil War; the king on horseback at centre, holding a paper, with troops surrounding. The town in the distance at right, a tree behind to left and two men in the right foreground talking and gesturing towards the king. After Peter Tillemans (1684 - 1734); a copy in reverse of the engraving by van der Gucht in the BM.
See BM 1872,0113.817.
[Ref: 27992] £260.00 (£312.00 incl.VAT)
[Anon., British, n.d., c.1720s.]
Etching on laid paper, printed on 18th century watermarked paper; 390 x 455mm. 15¼ x 18". Vertical centrefold as normal. Some small filled holes; one tear into edge of plate lower left. Damaged.
Charles I delivering a speech on the march to Shrewsbury during the English Civil War; the king on horseback at centre, holding a paper, with troops surrounding. The town in the distance at right, a tree behind to left and two men in the right foreground talking and gesturing towards the king. After Peter Tillemans (1684 - 1734); a copy in reverse of the engraving by van der Gucht in the BM.
See BM 1872,0113.817.
[Ref: 27992] £260.00 (£312.00 incl.VAT)
![[Charles I.]](jpegs/26545.jpg)
[Charles I.] Carolus 1th [Followed by Greek quotation.]
[Engraved by John Smith.]
Sold by J. Smith in Russel Street [n.d., c.1720.]
Mezzotint with small margins, platemark 330 x 230mm (13" x 9".)
Portrait of Charles I, kneeling before table to right on which is an open book. Crown of glory above with rays proceeding towards his eye. Left hand holding crown of thorns. Right foot on globe, beside which lies a crown. Allegorical portraits of Charles I were frequent after his death, often featuring symbolic depictions of a toppled crown or crown of thorns. Inscription Content: Lettered with title, after which, scriptural quotation in Greek from Hebrews 11.38. This portrait derives from the frontispiece to Eikon Basilike, published shortly after his execution.
CS: III; for the Eikon Basilike frontispiece see ref. 24478
[Ref: 26545] £260.00 (£312.00 incl.VAT)
[Engraved by John Smith.]
Sold by J. Smith in Russel Street [n.d., c.1720.]
Mezzotint with small margins, platemark 330 x 230mm (13" x 9".)
Portrait of Charles I, kneeling before table to right on which is an open book. Crown of glory above with rays proceeding towards his eye. Left hand holding crown of thorns. Right foot on globe, beside which lies a crown. Allegorical portraits of Charles I were frequent after his death, often featuring symbolic depictions of a toppled crown or crown of thorns. Inscription Content: Lettered with title, after which, scriptural quotation in Greek from Hebrews 11.38. This portrait derives from the frontispiece to Eikon Basilike, published shortly after his execution.
CS: III; for the Eikon Basilike frontispiece see ref. 24478
[Ref: 26545] £260.00 (£312.00 incl.VAT)
Charles the First, King of Great Britain.
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm (20½ x 13"), with large margins.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right.
[Ref: 21536] £260.00 (£312.00 incl.VAT)
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm (20½ x 13"), with large margins.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right.
[Ref: 21536] £260.00 (£312.00 incl.VAT)
![To from the Title } Carolus I. [Greek text.]](jpegs/24134.jpg)
To from the Title } Carolus I. [Greek text.] Ecce Spectaculum dignum ad quod respeciat Deus operi suo intentus, Vir fortus cum mala fortuna compositur Sen: de Provid: c.2.
Phinn Sculp. Edinb. 1766.
{Publish'd by W. Coke Bookseller Leigh.}
Engraving, laid down on Album sheet. Sheet 159 x 197mm. 6¼ x 7¾". Repairs.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. After Philip Fruytiers (1610-1666).
See NPG: D21547 [Hertocks, after Fruytiers; 1662].
[Ref: 24134] £95.00 (£114.00 incl.VAT)
Phinn Sculp. Edinb. 1766.
{Publish'd by W. Coke Bookseller Leigh.}
Engraving, laid down on Album sheet. Sheet 159 x 197mm. 6¼ x 7¾". Repairs.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. After Philip Fruytiers (1610-1666).
See NPG: D21547 [Hertocks, after Fruytiers; 1662].
[Ref: 24134] £95.00 (£114.00 incl.VAT)
The King's Escape from Hampton Court.
[1738.]
Etching, 245 x 145mm (9½ x 5½"). Trimmed to image; horizontal crease
Charles I, technically a prisoner of Cromwell at Hampton Court, prepares to make his escape. Below is an exterior view of the palace.
[Ref: 14694] £65.00 (£78.00 incl.VAT)
[1738.]
Etching, 245 x 145mm (9½ x 5½"). Trimmed to image; horizontal crease
Charles I, technically a prisoner of Cromwell at Hampton Court, prepares to make his escape. Below is an exterior view of the palace.
[Ref: 14694] £65.00 (£78.00 incl.VAT)
Carolus Primus D.G. Angliae Scotiae Franciae et Hiberniae Rex &c.
[n.d. c.1658.]
Copper engraving, rich impression. 248 x 165mm (9¾ x 6½"). Cut slight loss.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck. Engraved by Faithorne as the frontispiece to William Sanderson's 'Compleat History of the Life and Raigne of King Charles'.
O'Donoghue: 135. Fagan: p.4: ii.
[Ref: 15056] £130.00 (£156.00 incl.VAT)
[n.d. c.1658.]
Copper engraving, rich impression. 248 x 165mm (9¾ x 6½"). Cut slight loss.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck. Engraved by Faithorne as the frontispiece to William Sanderson's 'Compleat History of the Life and Raigne of King Charles'.
O'Donoghue: 135. Fagan: p.4: ii.
[Ref: 15056] £130.00 (£156.00 incl.VAT)
![[King Charles I and his three sons.]](jpegs/14709.jpg)
[King Charles I and his three sons.]
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard London. [n.d., c.1790.]
Very rare etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed to plate and tipped into album page. Horizontal crease.
Charles I (1600 - 1649) in robe and armour, holding his sceptre wearing a crown on his head, standing in the centre with his three sons. They are the future monarchs Charles II (1630 - 1685) and James II (1633 - 1701, a hawk or falcon on his hand), and Henry, Duke of Gloucester (1640 - 1660). Each portrait is captioned in Latin below. Numbered '46' lower right. An 18th century reissue on laid paper of a very rare 17th century print, published by Carington Bowles (1724 - 1793).
[Ref: 14709] £280.00 (£336.00 incl.VAT)
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard London. [n.d., c.1790.]
Very rare etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed to plate and tipped into album page. Horizontal crease.
Charles I (1600 - 1649) in robe and armour, holding his sceptre wearing a crown on his head, standing in the centre with his three sons. They are the future monarchs Charles II (1630 - 1685) and James II (1633 - 1701, a hawk or falcon on his hand), and Henry, Duke of Gloucester (1640 - 1660). Each portrait is captioned in Latin below. Numbered '46' lower right. An 18th century reissue on laid paper of a very rare 17th century print, published by Carington Bowles (1724 - 1793).
[Ref: 14709] £280.00 (£336.00 incl.VAT)
Charles Prince of Wales Second Son of James 1st. Afterwards King.
Engraved by Charles Turner from a unique print by Delaram.
London: Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint on chine collé. 380 x 265mm (15 x 10½"). Marginal foxing.
Charles I, King of England (1600-49), on horseback in a landscape. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470.
[Ref: 13288] £160.00 (£192.00 incl.VAT)
Engraved by Charles Turner from a unique print by Delaram.
London: Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint on chine collé. 380 x 265mm (15 x 10½"). Marginal foxing.
Charles I, King of England (1600-49), on horseback in a landscape. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470.
[Ref: 13288] £160.00 (£192.00 incl.VAT)
The History of King Charles by H. L. Esq.r.
G. Faithorne. f.
Engraving. 220 x 135mm (8¾ x 5¼"). Undermounted on a album sheet.
Title-page to Hamon L'Estrange, 'The History of King Charles' London, 1655 with inscriptions in Latin and Greek.
Fagan:p.75.
[Ref: 10873] £220.00 (£264.00 incl.VAT)
G. Faithorne. f.
Engraving. 220 x 135mm (8¾ x 5¼"). Undermounted on a album sheet.
Title-page to Hamon L'Estrange, 'The History of King Charles' London, 1655 with inscriptions in Latin and Greek.
Fagan:p.75.
[Ref: 10873] £220.00 (£264.00 incl.VAT)
![[Charles I]](jpegs/42220.jpg)
[Charles I]
WH fec: 1644.
Etching, text verso; sheet 250 x 195mm (9¾ x 7¾"). Foxing,
Charles I (1600-49) in armour, on horseback, with an army behind him and a city (Berwick-on-Tweed?) in the distance. While this state is dated 1644, the print was first published on a broadside issued in 1639 when Charles advanced to Berwick with an army of which Thomas Howard, earl of Arundel, was Commander-in-chief. In this state, the print was the frontispiece to Sir Edward Walker's 'Historical Discourses' (1705), reissued as 'Historical collections' in 1707. Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting Arundel in Cologne in 1636. Hollar commemorated his patrons role in the campaign against Scotland by etching his portrait on horseback.
Pennington 1686 iii/iii.
[Ref: 42220] £220.00 (£264.00 incl.VAT)
WH fec: 1644.
Etching, text verso; sheet 250 x 195mm (9¾ x 7¾"). Foxing,
Charles I (1600-49) in armour, on horseback, with an army behind him and a city (Berwick-on-Tweed?) in the distance. While this state is dated 1644, the print was first published on a broadside issued in 1639 when Charles advanced to Berwick with an army of which Thomas Howard, earl of Arundel, was Commander-in-chief. In this state, the print was the frontispiece to Sir Edward Walker's 'Historical Discourses' (1705), reissued as 'Historical collections' in 1707. Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting Arundel in Cologne in 1636. Hollar commemorated his patrons role in the campaign against Scotland by etching his portrait on horseback.
Pennington 1686 iii/iii.
[Ref: 42220] £220.00 (£264.00 incl.VAT)
The King's Declaration to his Gentry and Army in September 1642. His Majesty soon after setting up his Standard....was confident of God's Blessing.
Parr Sculp.
[John Bowles, London, c.1750.]
Engraving, sheet 413 x 445mm. Trimmed within plate, glued to album page.
Charles I assembles his Royalist army outside Shrewsbury (the town is visible in the background) at the onset of the Civil War. Engraved by Nathaniel Parr.
[Ref: 7913] £240.00 (£288.00 incl.VAT)
Parr Sculp.
[John Bowles, London, c.1750.]
Engraving, sheet 413 x 445mm. Trimmed within plate, glued to album page.
Charles I assembles his Royalist army outside Shrewsbury (the town is visible in the background) at the onset of the Civil War. Engraved by Nathaniel Parr.
[Ref: 7913] £240.00 (£288.00 incl.VAT)