A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Dobermann]](jpegs/1190.jpg)
[Dobermann]
Signed Carsberg?.
n.d. c. 1930
Etching 200 x 260mm.
[Ref: 1190] £110.00 (£132.00 incl.VAT)
Signed Carsberg?.
n.d. c. 1930
Etching 200 x 260mm.
[Ref: 1190] £110.00 (£132.00 incl.VAT)
![[Frances Cecil] The Countess of Salisbury.](jpegs/63011.jpg)
[Frances Cecil] The Countess of Salisbury.
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Fine mezzotint. 345 x 250mm (13½ x 9¾"), with large margins.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
CS 221, ii of iii.
[Ref: 63011] £280.00 (£336.00 incl.VAT)
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Fine mezzotint. 345 x 250mm (13½ x 9¾"), with large margins.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
CS 221, ii of iii.
[Ref: 63011] £280.00 (£336.00 incl.VAT)
![[Frances Cecil] The Countess of Salisbury.](jpegs/68677.jpg)
[Frances Cecil] The Countess of Salisbury.
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Fine mezzotint, 18th century watermark; 345 x 250mm (13½ x 9¾"), with large margins.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
CS 221, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68677] £320.00
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Fine mezzotint, 18th century watermark; 345 x 250mm (13½ x 9¾"), with large margins.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
CS 221, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68677] £320.00
![[Frances Cecil] The Countess of Salisbury.](jpegs/68678.jpg)
[Frances Cecil] The Countess of Salisbury.
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Mezzotint. 345 x 250mm (13½ x 9¾"). Narrow margins.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
CS 221, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68678] £230.00 (£276.00 incl.VAT)
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Mezzotint. 345 x 250mm (13½ x 9¾"). Narrow margins.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
CS 221, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68678] £230.00 (£276.00 incl.VAT)
![[Frances Cecil] The Countess of Salisbury.](jpegs/62762.jpg)
[Frances Cecil] The Countess of Salisbury.
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Mezzotint, 18th century watermark; 345 x 250mm (13½ x 9¾"). Trimmed into plate at bottom, thread margins elsewhere.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
Chaloner Smith 221, II.
[Ref: 62762] £180.00 (£216.00 incl.VAT)
G. Kneller Eques pinx:
J. Smith fe: & ex: [n.d., c.1696.]
Mezzotint, 18th century watermark; 345 x 250mm (13½ x 9¾"). Trimmed into plate at bottom, thread margins elsewhere.
Three-quarter length portrait of Frances Cecil (née Bennett, 1670-1713) in a landscape, wearing a widow's black high dress with a veil on her head. Her husband, James Cecil (1666-94), the 4th Earl of Salisbury, died on the 24th October 1694, aged only 28; only a month earlier Frances's mother had been murdered by a butcher who broke into her house.
Chaloner Smith 221, II.
[Ref: 62762] £180.00 (£216.00 incl.VAT)
![[James Cecil, Marquis of Salisbury.] Polonius.](jpegs/63476.jpg)
[James Cecil, Marquis of Salisbury.] Polonius. The tallest, fittest, properest, man to walk before the King!!!
IC. [Isaac Cruikshank].
London Pub. Nov.r 7 1795 by S W Fores N 30 Piccadilly.
Coloured etching, 18th century watermark. 405 x 260mm (16 x 10¼"), with Fores' ink stamp, SWF, bottom right. Loss into right margin top, glue stain in edge of plate top left, crease.
A full-length caricature portrait of James Cecil, (1748-1823), 1st Marquess of Salisbury, in his uniform as Colonel of the Hertfordshire Militia.
BM Satires 8724.
[Ref: 63476] £280.00 (£336.00 incl.VAT)
IC. [Isaac Cruikshank].
London Pub. Nov.r 7 1795 by S W Fores N 30 Piccadilly.
Coloured etching, 18th century watermark. 405 x 260mm (16 x 10¼"), with Fores' ink stamp, SWF, bottom right. Loss into right margin top, glue stain in edge of plate top left, crease.
A full-length caricature portrait of James Cecil, (1748-1823), 1st Marquess of Salisbury, in his uniform as Colonel of the Hertfordshire Militia.
BM Satires 8724.
[Ref: 63476] £280.00 (£336.00 incl.VAT)
![[James Cecil] [The R.t Hono.ble James Earl of Salisbury &c.]](jpegs/68679.jpg)
[James Cecil] [The R.t Hono.ble James Earl of Salisbury &c.]
[Kneller Eques pinx. I: Smith fe: et exc.]
[n.d., c.1696.]
Mezzotint, proof before letters. 345 x 245mm (13½ x 9¾"). Trimmed to plate at bottom, narrow margins elsewhere.
A full length portait of James Cecil (1691-1728), as a small child, dressed in Roman costume. He inherited the title of 5th Earl of Salisbury aged three and served as Lord Lieutenant of Hertfordshire between 1712-14.
CS 222, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68679] £260.00 (£312.00 incl.VAT)
[Kneller Eques pinx. I: Smith fe: et exc.]
[n.d., c.1696.]
Mezzotint, proof before letters. 345 x 245mm (13½ x 9¾"). Trimmed to plate at bottom, narrow margins elsewhere.
A full length portait of James Cecil (1691-1728), as a small child, dressed in Roman costume. He inherited the title of 5th Earl of Salisbury aged three and served as Lord Lieutenant of Hertfordshire between 1712-14.
CS 222, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68679] £260.00 (£312.00 incl.VAT)
![[James Cecil] [The R.t Hono.ble James Earl of Salisbury &c.]](jpegs/68680.jpg)
[James Cecil] [The R.t Hono.ble James Earl of Salisbury &c.]
[Kneller Eques pinx. I: Smith fe: et exc.]
[n.d., c.1696.]
Mezzotint, printed in brown 345 x 245mm (13½ x 9¾"), large margins.
A full length portait of James Cecil (1691-1728), as a small child, dressed in Roman costume. He inherited the title of 5th Earl of Salisbury aged three and served as Lord Lieutenant of Hertfordshire between 1712-14.
CS 222, ii or iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68680] £230.00 (£276.00 incl.VAT)
[Kneller Eques pinx. I: Smith fe: et exc.]
[n.d., c.1696.]
Mezzotint, printed in brown 345 x 245mm (13½ x 9¾"), large margins.
A full length portait of James Cecil (1691-1728), as a small child, dressed in Roman costume. He inherited the title of 5th Earl of Salisbury aged three and served as Lord Lieutenant of Hertfordshire between 1712-14.
CS 222, ii or iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68680] £230.00 (£276.00 incl.VAT)
![[James Cecil.] The Rt Hono.ble James Earl of Salisbury &c.](jpegs/49571.jpg)
[James Cecil.] The Rt Hono.ble James Earl of Salisbury &c.
Kneller Eques pinx. I: Smith fe: et exc.
[n.d., c.1696.]
Mezzotint. 345 x 245mm (13½ x 9¾"), with very large margins, collector's stamp on reverse.
James Cecil (1691-1728), 5th Earl of Salisbury, Lord Lieutenant of Hertfordshire between 1712-14. The collector's stamp is of Reverend J. Burleigh James, whose collection of prints, which included Dürers et Rembrandts, was sold by Sothebys in 1877, taking 25 days and raising over £4200.
Ex collection of Alfred Morrison (1821-97), described by Lugt as ''one of the most passionate collectors of his time''.
[Ref: 49571] £190.00 (£228.00 incl.VAT)
Kneller Eques pinx. I: Smith fe: et exc.
[n.d., c.1696.]
Mezzotint. 345 x 245mm (13½ x 9¾"), with very large margins, collector's stamp on reverse.
James Cecil (1691-1728), 5th Earl of Salisbury, Lord Lieutenant of Hertfordshire between 1712-14. The collector's stamp is of Reverend J. Burleigh James, whose collection of prints, which included Dürers et Rembrandts, was sold by Sothebys in 1877, taking 25 days and raising over £4200.
Ex collection of Alfred Morrison (1821-97), described by Lugt as ''one of the most passionate collectors of his time''.
[Ref: 49571] £190.00 (£228.00 incl.VAT)
![[John Cecil, 5th Earl of Exeter] The Rt. Honoble John Earl of Exeter.](jpegs/68703.jpg)
[John Cecil, 5th Earl of Exeter] The Rt. Honoble John Earl of Exeter.
G. Kneller Eques pinx: I Smith fec: et exc:
[n.d. c.1696]
Mezzotint, 345 x 250mm (13½ x 9¼") Thread margins. Slightly damaged top left.
Portrait of John Cecil, 5th Earl of Exeter (c. 1648–1700), shown three-quarter length, seated and leaning on a block, wearing a wig, cravat, robe, and scarf; at left is a panel carved with putti, while at right a statue of Minerva and distant trees form the background. Cecil was known as Lord Burghley until 1678, was an English peer and Member of Parliament. He was also known as the Travelling Earl, a notable Grand Tourist and filled his family home, Burghley House, with treasures purchased on his travels in 1679, 1681 and 1699. Supposedly a lay nonjuror; following the Glorious Revolution of 1688, refused to take oaths of allegiance to the new monarchs, William III and Mary II, believing the deposed James II was still the rightful king. Dutch propaganda lists Chesterfield, Clarendon and Exeter as being in arms for the Prince of Orange in 1688, which is untrue.
Ex: Collection of The Hon. C. Lennox-Boyd. Sharp 397. CS 87 I of III.
[Ref: 68703] £180.00 (£216.00 incl.VAT)
G. Kneller Eques pinx: I Smith fec: et exc:
[n.d. c.1696]
Mezzotint, 345 x 250mm (13½ x 9¼") Thread margins. Slightly damaged top left.
Portrait of John Cecil, 5th Earl of Exeter (c. 1648–1700), shown three-quarter length, seated and leaning on a block, wearing a wig, cravat, robe, and scarf; at left is a panel carved with putti, while at right a statue of Minerva and distant trees form the background. Cecil was known as Lord Burghley until 1678, was an English peer and Member of Parliament. He was also known as the Travelling Earl, a notable Grand Tourist and filled his family home, Burghley House, with treasures purchased on his travels in 1679, 1681 and 1699. Supposedly a lay nonjuror; following the Glorious Revolution of 1688, refused to take oaths of allegiance to the new monarchs, William III and Mary II, believing the deposed James II was still the rightful king. Dutch propaganda lists Chesterfield, Clarendon and Exeter as being in arms for the Prince of Orange in 1688, which is untrue.
Ex: Collection of The Hon. C. Lennox-Boyd. Sharp 397. CS 87 I of III.
[Ref: 68703] £180.00 (£216.00 incl.VAT)
![[John Cecil, 5th Earl of Exeter] The Rt. Honoble John Earl of Exeter.](jpegs/68704.jpg)
[John Cecil, 5th Earl of Exeter] The Rt. Honoble John Earl of Exeter.
G. Kneller Eques pinx: I Smith fec: et exc:
[n.d. c.1696]
Mezzotint, sheet 345 x 250mm (13½ x 9¼") Trimmed to plate and laid on album paper.
Portrait of John Cecil, 5th Earl of Exeter (c. 1648–1700), shown three-quarter length, seated and leaning on a block, wearing a wig, cravat, robe, and scarf; at left is a panel carved with putti, while at right a statue of Minerva and distant trees form the background. Cecil was known as Lord Burghley until 1678, was an English peer and Member of Parliament. He was also known as the Travelling Earl, a notable Grand Tourist and filled his family home, Burghley House, with treasures purchased on his travels in 1679, 1681 and 1699. Supposedly a lay nonjuror; following the Glorious Revolution of 1688, refused to take oaths of allegiance to the new monarchs, William III and Mary II, believing the deposed James II was still the rightful king. Dutch propaganda lists Chesterfield, Clarendon and Exeter as being in arms for the Prince of Orange in 1688, which is untrue.
Ex: Collection of The Hon. C. Lennox-Boyd. Sharp 397. CS 87 I of III.
[Ref: 68704] £280.00 (£336.00 incl.VAT)
G. Kneller Eques pinx: I Smith fec: et exc:
[n.d. c.1696]
Mezzotint, sheet 345 x 250mm (13½ x 9¼") Trimmed to plate and laid on album paper.
Portrait of John Cecil, 5th Earl of Exeter (c. 1648–1700), shown three-quarter length, seated and leaning on a block, wearing a wig, cravat, robe, and scarf; at left is a panel carved with putti, while at right a statue of Minerva and distant trees form the background. Cecil was known as Lord Burghley until 1678, was an English peer and Member of Parliament. He was also known as the Travelling Earl, a notable Grand Tourist and filled his family home, Burghley House, with treasures purchased on his travels in 1679, 1681 and 1699. Supposedly a lay nonjuror; following the Glorious Revolution of 1688, refused to take oaths of allegiance to the new monarchs, William III and Mary II, believing the deposed James II was still the rightful king. Dutch propaganda lists Chesterfield, Clarendon and Exeter as being in arms for the Prince of Orange in 1688, which is untrue.
Ex: Collection of The Hon. C. Lennox-Boyd. Sharp 397. CS 87 I of III.
[Ref: 68704] £280.00 (£336.00 incl.VAT)
![[Margaret Cecil] The Countess of Ranelagh.](jpegs/68692.jpg)
[Margaret Cecil] The Countess of Ranelagh.
G. Kneller Bar.t pinx. J. Faber fecit.
Sold by J. Smith at the Lyon & Crown in Russell Street, Covent Garden [n.d., c.1706].
Fine mezzotint. 340 x 245mm (13½ x 9¾"), large margins. Holes in left margin, old ink mss in bottom margin.
A three-quarter portrait of Margaret Cecil (c.1672-1728), one of the Hampton Court Beauties, in a landscape. The daughter of the 3rd Earl of Salisbury, her second marriage was to Irish peer Richard Jones, 1st Earl of Ranelagh, who was expelled from the House of Commons for embezzlement in 1703.
CS 209. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68692] £260.00 (£312.00 incl.VAT)
G. Kneller Bar.t pinx. J. Faber fecit.
Sold by J. Smith at the Lyon & Crown in Russell Street, Covent Garden [n.d., c.1706].
Fine mezzotint. 340 x 245mm (13½ x 9¾"), large margins. Holes in left margin, old ink mss in bottom margin.
A three-quarter portrait of Margaret Cecil (c.1672-1728), one of the Hampton Court Beauties, in a landscape. The daughter of the 3rd Earl of Salisbury, her second marriage was to Irish peer Richard Jones, 1st Earl of Ranelagh, who was expelled from the House of Commons for embezzlement in 1703.
CS 209. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68692] £260.00 (£312.00 incl.VAT)
Portrait of the Most Noble The Marchioness of Salisbury Dedicated to the Right Hon.ble The Earl of Hillsborough. By his Lordships most obedient humble Serv.t R.d Harraden.
R. Crosse pinx.t painter in Enamel to his Majesty. R.H. Excud. Benj. Smith sculp.t
Pub.d August 1 1790 by R. Harraden St. Martins Lane.
Rare stipple. Plate: 210 x 165mm (8¼ x 6½''). Very small margins, slight creasing
A portrait of Mary Amelia Cecil (1750-1835) after a miniature by Richard Crosse.
[Ref: 50016] £120.00 (£144.00 incl.VAT)
R. Crosse pinx.t painter in Enamel to his Majesty. R.H. Excud. Benj. Smith sculp.t
Pub.d August 1 1790 by R. Harraden St. Martins Lane.
Rare stipple. Plate: 210 x 165mm (8¼ x 6½''). Very small margins, slight creasing
A portrait of Mary Amelia Cecil (1750-1835) after a miniature by Richard Crosse.
[Ref: 50016] £120.00 (£144.00 incl.VAT)
Guilielmus Cicilius baro. Cecilius fidei cultor Patriaeque Thesauri Custos spes misteris unica pauperibus.
AB lud: [After Magdalena or Willem van de Passe(?)].
[n.d. c.1620.] [Published by Crispijn de Passe the Elder].
Engraving. 160 x 120mm (6¼ x 4¾"). Cut and laid on album page.
Portrait of William Cecil, 1st Baron Burghley behind parapet, illustration to 'Heroologia Anglica'. Cecil (1520-1598), KG, was an English statesman, the chief advisor of Queen Elizabeth I for most of her reign (17 November 1558-24 March 1603), twice Secretary of State (1550-1553 and 1558-1572) and Lord High Treasurer from 1572.
[Ref: 29005] £95.00 (£114.00 incl.VAT)
AB lud: [After Magdalena or Willem van de Passe(?)].
[n.d. c.1620.] [Published by Crispijn de Passe the Elder].
Engraving. 160 x 120mm (6¼ x 4¾"). Cut and laid on album page.
Portrait of William Cecil, 1st Baron Burghley behind parapet, illustration to 'Heroologia Anglica'. Cecil (1520-1598), KG, was an English statesman, the chief advisor of Queen Elizabeth I for most of her reign (17 November 1558-24 March 1603), twice Secretary of State (1550-1553 and 1558-1572) and Lord High Treasurer from 1572.
[Ref: 29005] £95.00 (£114.00 incl.VAT)
St. Cecilia. Angels lean from heav'n to hear. Ode on St. Cecilia's day.
Painted by T. Stothard, R.A. Engraved by Ja.s Parker.
[n.d. c.1820.]
Engraving. 260 x 172mm. 10¼ x 6¾".
St Cecilia playing an organ with three winged angels floating on a cloud above her.
[Ref: 22619] £60.00 (£72.00 incl.VAT)
Painted by T. Stothard, R.A. Engraved by Ja.s Parker.
[n.d. c.1820.]
Engraving. 260 x 172mm. 10¼ x 6¾".
St Cecilia playing an organ with three winged angels floating on a cloud above her.
[Ref: 22619] £60.00 (£72.00 incl.VAT)
![[St Cecilia.]](jpegs/20481.jpg)
[St Cecilia.]
Benjamin West inv. F. Bartolozzi sculpst.
London. Published Jany 1.st 1783, by A. Poggi.
Stipple and etching, fine. 204 x 190mm. 8 x 7½". Trimmed, and cut inside platemark
St Cecilia playing an organ, with a cherub standing by her right shoulder pulling on a rope.
De Vesme: 2217; ii/iv. See Ref: 20448 for unknown cut state.
[Ref: 20481] £240.00 (£288.00 incl.VAT)
Benjamin West inv. F. Bartolozzi sculpst.
London. Published Jany 1.st 1783, by A. Poggi.
Stipple and etching, fine. 204 x 190mm. 8 x 7½". Trimmed, and cut inside platemark
St Cecilia playing an organ, with a cherub standing by her right shoulder pulling on a rope.
De Vesme: 2217; ii/iv. See Ref: 20448 for unknown cut state.
[Ref: 20481] £240.00 (£288.00 incl.VAT)
S.t. Cecilia.
Benjamin West inv. F. Bartolozzi Sculpsit.
London Published June 1.st 1784, by A: Poggi, No.7, St. Georges Row, Hyde Park.
Stipple, printed in sepia. 220 x 190mm (8¾ x 7½''). Small margins.
A portrait of Saint Cecilia, the patron saint of music, shown playing the organ.
De Vesme 2217 III. See Ref: 20481 for different state.
[Ref: 62926] £230.00 (£276.00 incl.VAT)
Benjamin West inv. F. Bartolozzi Sculpsit.
London Published June 1.st 1784, by A: Poggi, No.7, St. Georges Row, Hyde Park.
Stipple, printed in sepia. 220 x 190mm (8¾ x 7½''). Small margins.
A portrait of Saint Cecilia, the patron saint of music, shown playing the organ.
De Vesme 2217 III. See Ref: 20481 for different state.
[Ref: 62926] £230.00 (£276.00 incl.VAT)
S.te Cécile.
Blaizot del.t. Henry sculp.
Déposé à la Direction de l'Imp.te et de la la Lib.te. A Paris, Chez Nöel, Rue S.t Jacques N.º 16 [n.d., c.1825].
Stipple, printed in colours. 295 x 230mm (11½ x 9"), large margins. Worm holes in title area filled.
A full-length portrait of Saint Cecilia, Roman Christian virgin martyr and patron saint of music and musicians, sitting at an organ, music book in hand. In the clouds behind are winged cherubs with book and instruments.
[Ref: 65828] £260.00 (£312.00 incl.VAT)
Blaizot del.t. Henry sculp.
Déposé à la Direction de l'Imp.te et de la la Lib.te. A Paris, Chez Nöel, Rue S.t Jacques N.º 16 [n.d., c.1825].
Stipple, printed in colours. 295 x 230mm (11½ x 9"), large margins. Worm holes in title area filled.
A full-length portrait of Saint Cecilia, Roman Christian virgin martyr and patron saint of music and musicians, sitting at an organ, music book in hand. In the clouds behind are winged cherubs with book and instruments.
[Ref: 65828] £260.00 (£312.00 incl.VAT)
Cecilia.
P.S. del.t. L. C. Ruotte sculp.
Se vend à Paris chez Chaise jeune M.d d'Estampes Rue Neuve des Petits Champs, vis à vis le Ministre des Finances, N.º 490.
Stipple, printed in colours. Sheet 345 x 280mm (13½ x 11"). Trimmed into plate, some marking in image.
A bust-length portrait of St. Cecilia, the patron saint of music.
[Ref: 65829] £230.00 (£276.00 incl.VAT)
P.S. del.t. L. C. Ruotte sculp.
Se vend à Paris chez Chaise jeune M.d d'Estampes Rue Neuve des Petits Champs, vis à vis le Ministre des Finances, N.º 490.
Stipple, printed in colours. Sheet 345 x 280mm (13½ x 11"). Trimmed into plate, some marking in image.
A bust-length portrait of St. Cecilia, the patron saint of music.
[Ref: 65829] £230.00 (£276.00 incl.VAT)
St. Cicilia.
G.B. Cipriani delin. F. Bartolozzi sculp.
Published according to Act of Parliament. Jun 1. 1774.
Very fine stipple printed in sanguine. Plate 280 x 252mm (11 x 10"), with wide margins.
Bust of St Cecilia, wearing a turban, turning to the right, her head lifted upwards and her eyes turned towards the sky; in a vertical oval.
See Calabi & De Vesme (1928): 239.
[Ref: 52411] £290.00 (£348.00 incl.VAT)
G.B. Cipriani delin. F. Bartolozzi sculp.
Published according to Act of Parliament. Jun 1. 1774.
Very fine stipple printed in sanguine. Plate 280 x 252mm (11 x 10"), with wide margins.
Bust of St Cecilia, wearing a turban, turning to the right, her head lifted upwards and her eyes turned towards the sky; in a vertical oval.
See Calabi & De Vesme (1928): 239.
[Ref: 52411] £290.00 (£348.00 incl.VAT)
S.ta Cecilia.
il Guercino del.t. W.W. Ryland sc.t 1764
CR edidt.
Soft-ground etching printed in red, platemark 380 x 270mm (15 x 10½"). Small margins; tears inside platemark; some conservation work. Messy.
St Cecilia, patron saint of music, sitting at a keyboard, reading a score held up by a cherub. Engraved from a drawing by Guercino now in the Metropolitan Museum of Art, New York. The print was published in 'A Collection of Prints in Imitation of Drawings', which included prints of works mostly in the collection of the art collector Charles Rogers (1711-84).
For Rogers' portrait frontispiece to the series, also by Ryland, see ref. 24435.
[Ref: 34848] £140.00 (£168.00 incl.VAT)
il Guercino del.t. W.W. Ryland sc.t 1764
CR edidt.
Soft-ground etching printed in red, platemark 380 x 270mm (15 x 10½"). Small margins; tears inside platemark; some conservation work. Messy.
St Cecilia, patron saint of music, sitting at a keyboard, reading a score held up by a cherub. Engraved from a drawing by Guercino now in the Metropolitan Museum of Art, New York. The print was published in 'A Collection of Prints in Imitation of Drawings', which included prints of works mostly in the collection of the art collector Charles Rogers (1711-84).
For Rogers' portrait frontispiece to the series, also by Ryland, see ref. 24435.
[Ref: 34848] £140.00 (£168.00 incl.VAT)
Obitus S. Caeciliae Virginis et Martyris. 32.
H Domenichino pinxit. Dom. Cunego sculpsit Romae 1772.
Romae in Ecclesia vulgo di S. Luigi de' Francesi.
Engraving. 420 x 393mm (16½ x 15½"). Water stain lower left of margin; cut on left top platemark.
The death of St Cecilia, the angel of martyrdom in the upper centre arriving with a palm and crown. After the fresco by Domenico Zampieri (1581-1641, known as Domenichino) in the Polet Chapel of San Luigi dei Francesi in Rome. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30994] £160.00 (£192.00 incl.VAT)
H Domenichino pinxit. Dom. Cunego sculpsit Romae 1772.
Romae in Ecclesia vulgo di S. Luigi de' Francesi.
Engraving. 420 x 393mm (16½ x 15½"). Water stain lower left of margin; cut on left top platemark.
The death of St Cecilia, the angel of martyrdom in the upper centre arriving with a palm and crown. After the fresco by Domenico Zampieri (1581-1641, known as Domenichino) in the Polet Chapel of San Luigi dei Francesi in Rome. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30994] £160.00 (£192.00 incl.VAT)
S.te Cecile chantant les Loüages de Dieu. Gravéé f'apres le tableau de Dominicain qui est dans le cabinet du Roy Il a 5. pieds de haute et 3. pieds 6 puches de large.
Steph. Picart Romanus sculp.
[n.d., engraved c.1660, printed c.1800.]
Very fine engraving. 435 x 290mm (17 x 11½"), with large, uncut margins with blind stamp of "Chalcographie du Louvre".
Saint Cecilia, patron saint of musicians and of Church music, playing the cello; a putto holds up a book of sheet music to right. It is said that the Christian saint and virgin martyr sang to God as she was dying. Engraved by Étienne Picart after the painting by Domenico Zampieri (1581-1641, known as Domenichino) in the Louvre.
[Ref: 57871] £360.00
Steph. Picart Romanus sculp.
[n.d., engraved c.1660, printed c.1800.]
Very fine engraving. 435 x 290mm (17 x 11½"), with large, uncut margins with blind stamp of "Chalcographie du Louvre".
Saint Cecilia, patron saint of musicians and of Church music, playing the cello; a putto holds up a book of sheet music to right. It is said that the Christian saint and virgin martyr sang to God as she was dying. Engraved by Étienne Picart after the painting by Domenico Zampieri (1581-1641, known as Domenichino) in the Louvre.
[Ref: 57871] £360.00
At Last Divine Cecilia Came, Inventress of the Vocal Frame &c. Dryden. To Her Royal Highness the Lady Augusta. This plate is with all humility dedicated by her Royal Highness's most obed.t & most humble serv.t B. Baron.
Carlo Dolcé Pinx.t. B. Baron Sculp. 1759.
Engraved from the original painting of Carlo Dolce in the Collection of Charles Chauncey M.D.
Engraving. Printed area: 500 x 370mm (19¾ x 14½"). Laid on board.
A three quarter length portrait of St. Cecilia, the Christian patron saint of music, playing the organ, seated facing right, with a halo.
[Ref: 35764] £280.00 (£336.00 incl.VAT)
Carlo Dolcé Pinx.t. B. Baron Sculp. 1759.
Engraved from the original painting of Carlo Dolce in the Collection of Charles Chauncey M.D.
Engraving. Printed area: 500 x 370mm (19¾ x 14½"). Laid on board.
A three quarter length portrait of St. Cecilia, the Christian patron saint of music, playing the organ, seated facing right, with a halo.
[Ref: 35764] £280.00 (£336.00 incl.VAT)
S. Cæcilia.
S. à Bolfwert fecit Martinus vanden Enden excud.
[n.d., c.1600.]
Engraving. 135 x 95mm (5¼ x 3¾"). Backed onto album paper, some time-staining.
Portrait of Saint Cecilia, Roman Christian virgin martyr, who is venerated in Catholic, Orthodox, Anglican, and some Lutheran churches, such as the Church of Sweden. She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord". Musical compositions are dedicated to her, and her feast, on 22 November, is the occasion of concerts and musical festivals. She is also known as Cecilia of Rome.
[Ref: 64285] £160.00 (£192.00 incl.VAT)
S. à Bolfwert fecit Martinus vanden Enden excud.
[n.d., c.1600.]
Engraving. 135 x 95mm (5¼ x 3¾"). Backed onto album paper, some time-staining.
Portrait of Saint Cecilia, Roman Christian virgin martyr, who is venerated in Catholic, Orthodox, Anglican, and some Lutheran churches, such as the Church of Sweden. She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord". Musical compositions are dedicated to her, and her feast, on 22 November, is the occasion of concerts and musical festivals. She is also known as Cecilia of Rome.
[Ref: 64285] £160.00 (£192.00 incl.VAT)
S.t. Cecilia.
Benjamin West inv. F. Bartolozzi Sculpsit.
London Published June 1.st 1784, by A: Poggi, No.7, St. Georges Row, Hyde Park.
Stipple, printed in sepia. Plate: 220 x 190mm (8¾ x 7½'') very large margins.
A portrait of Saint Cecilia, the patron saint of music, shown playing the organ.
De Vesme 2217 III.
[Ref: 48293] £240.00 (£288.00 incl.VAT)
Benjamin West inv. F. Bartolozzi Sculpsit.
London Published June 1.st 1784, by A: Poggi, No.7, St. Georges Row, Hyde Park.
Stipple, printed in sepia. Plate: 220 x 190mm (8¾ x 7½'') very large margins.
A portrait of Saint Cecilia, the patron saint of music, shown playing the organ.
De Vesme 2217 III.
[Ref: 48293] £240.00 (£288.00 incl.VAT)
![[Cecilia Renata of Austria] Cecilia Renata Ertz Herzogin zu Osterreich Vladislao Königs in Pohlen Gemahlin.](jpegs/57762.jpg)
[Cecilia Renata of Austria] Cecilia Renata Ertz Herzogin zu Osterreich Vladislao Königs in Pohlen Gemahlin.
[n.d., c.1720.]
Engraving, printed from two plates. Total 290 x 175mm (11½ x 7"), very large margins.
Cecilia Renata of Austria (1611-44) became Queen of Poland following her marriage to Wladyslaw IV Vasa. From Franz Christoph Khevenhiller's 'Annales Ferdinandei'.
[Ref: 57762] £260.00 (£312.00 incl.VAT)
[n.d., c.1720.]
Engraving, printed from two plates. Total 290 x 175mm (11½ x 7"), very large margins.
Cecilia Renata of Austria (1611-44) became Queen of Poland following her marriage to Wladyslaw IV Vasa. From Franz Christoph Khevenhiller's 'Annales Ferdinandei'.
[Ref: 57762] £260.00 (£312.00 incl.VAT)
![[Cedar tree] Cedrus Deodara. Loudon.](jpegs/51293.jpg)
[Cedar tree] Cedrus Deodara. Loudon. Lawson's Pinetum Britannicum.
W.m Richardson del et lith. Printed by Day & Son.
London & Edinburgh Published by Peter Lawson & Son. [n.d., 1863-84.]
Tinted lithograph with hand colour. 440 x 305mm (17¼ x 12") large margins.
A portrait of a cedar with an English church spire in the background. A plate from Edward James Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees Cultivated in Great Britain', privately published in parts between 1863-84 by Lawson, then continued by Ravenscroft and W. Blackwood & Sons.
[Ref: 51293] £160.00 (£192.00 incl.VAT)
W.m Richardson del et lith. Printed by Day & Son.
London & Edinburgh Published by Peter Lawson & Son. [n.d., 1863-84.]
Tinted lithograph with hand colour. 440 x 305mm (17¼ x 12") large margins.
A portrait of a cedar with an English church spire in the background. A plate from Edward James Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees Cultivated in Great Britain', privately published in parts between 1863-84 by Lawson, then continued by Ravenscroft and W. Blackwood & Sons.
[Ref: 51293] £160.00 (£192.00 incl.VAT)
The Cave at Cheddar. 1834.
From Nature & on Stone by W. Muller. Printed by C. Hullmandel.
Lithograph. Sheet 290 x 240mm (11½ x 9½").
A woman sitting in the mouth of the cave, washing clothes in a tub, watched by a young girl. To the right is a bed, a carved chest and other household possessions, suggesting they were living in the cave. The view is considered to be of Gough's Old Cave which in 1834 was occupied by Suckey Weeks, aged 63, and her son Jack, then aged 26. The legend surrounding Suckey Weeks suggests that she was thrown out of her home having disgraced herself by marrying beneath her station. She is said to have fled to Cheddar and lived in the cave where her child was born.
[Ref: 64733] £140.00 (£168.00 incl.VAT)
From Nature & on Stone by W. Muller. Printed by C. Hullmandel.
Lithograph. Sheet 290 x 240mm (11½ x 9½").
A woman sitting in the mouth of the cave, washing clothes in a tub, watched by a young girl. To the right is a bed, a carved chest and other household possessions, suggesting they were living in the cave. The view is considered to be of Gough's Old Cave which in 1834 was occupied by Suckey Weeks, aged 63, and her son Jack, then aged 26. The legend surrounding Suckey Weeks suggests that she was thrown out of her home having disgraced herself by marrying beneath her station. She is said to have fled to Cheddar and lived in the cave where her child was born.
[Ref: 64733] £140.00 (£168.00 incl.VAT)
![[A Ceiling design.]](jpegs/51977.jpg)
[A Ceiling design.]
C.P.R [con real privilegio].
[French, n.d., c.1680.]
Rare engraving, irregular plate, at most 320 x 630mm (12½ x 24¾"). Bottom corners of plate snipped, outside image area. Centre fold. Evidence of damage to the printing plate, with re-engraving.
Possibly a ceiling design with a classical scene, rather than a fan. A naked woman reclines in a bower, surrounded by animals and birds including a lion, boar, lobster and ostrich. Above three cherubs hold aloft a garland of flowers; to the left is a rider carring a spear; to the right are windheads. The re-engraving is simpler: no attempt has been made to reintroduce a trumpeter, leaving a disembodied horn.
[Ref: 51977] £260.00 (£312.00 incl.VAT)
C.P.R [con real privilegio].
[French, n.d., c.1680.]
Rare engraving, irregular plate, at most 320 x 630mm (12½ x 24¾"). Bottom corners of plate snipped, outside image area. Centre fold. Evidence of damage to the printing plate, with re-engraving.
Possibly a ceiling design with a classical scene, rather than a fan. A naked woman reclines in a bower, surrounded by animals and birds including a lion, boar, lobster and ostrich. Above three cherubs hold aloft a garland of flowers; to the left is a rider carring a spear; to the right are windheads. The re-engraving is simpler: no attempt has been made to reintroduce a trumpeter, leaving a disembodied horn.
[Ref: 51977] £260.00 (£312.00 incl.VAT)
Celadon and Amelia. From an Original Picture, in the Collection of Wm. Lock Esqr [...]
R. Wilson pinxit Londini. Browne aqua forti fecit. Woollett sculpt.
Publish'd June 10th. 1766 as the Act directs, by W. Woollett in Long's Court, Leicester Fields, & Ryland & Bryer at the King's Arms in Cornhill, London.
Engraving, sheet 440 x 550mm (17½ x 21½"). Trimmed inside platemark; repaired tear at top. Foxed.
Celadon at the centre, looking to the heavens with his arms outstretched in disbelief and grief; Amelia lies dead at his feet. In the background a house with a shepherd driving his sheep up a hill, on which is a fortress. To right, a bay with stormy seas and a broken bridge. Verse from 'Summer' by James Thomson from his 'The Seasons' below. After an unlocated painting by Richard Wilson (1714 - 1782), the preeminent British landscape painter of the mid-18th century. Wilson's painting was exhibited in 1765 as 'A Summer Storm with the Story of the Two Lovers from Thompson (Celadon and Amelia), reinforcing the link with this popular literary source for 18th century artists. David Solkin has described this subject as a modern, Christian, English equivalent to the Ovidian death scene 'Destruction of the Children of Niobe' which Wilson also famously painted.
Fagan: 57, VI of VIII; for Wilson's 'Niobe' see ref 38488
[Ref: 38962] £240.00 (£288.00 incl.VAT)
R. Wilson pinxit Londini. Browne aqua forti fecit. Woollett sculpt.
Publish'd June 10th. 1766 as the Act directs, by W. Woollett in Long's Court, Leicester Fields, & Ryland & Bryer at the King's Arms in Cornhill, London.
Engraving, sheet 440 x 550mm (17½ x 21½"). Trimmed inside platemark; repaired tear at top. Foxed.
Celadon at the centre, looking to the heavens with his arms outstretched in disbelief and grief; Amelia lies dead at his feet. In the background a house with a shepherd driving his sheep up a hill, on which is a fortress. To right, a bay with stormy seas and a broken bridge. Verse from 'Summer' by James Thomson from his 'The Seasons' below. After an unlocated painting by Richard Wilson (1714 - 1782), the preeminent British landscape painter of the mid-18th century. Wilson's painting was exhibited in 1765 as 'A Summer Storm with the Story of the Two Lovers from Thompson (Celadon and Amelia), reinforcing the link with this popular literary source for 18th century artists. David Solkin has described this subject as a modern, Christian, English equivalent to the Ovidian death scene 'Destruction of the Children of Niobe' which Wilson also famously painted.
Fagan: 57, VI of VIII; for Wilson's 'Niobe' see ref 38488
[Ref: 38962] £240.00 (£288.00 incl.VAT)
Celari vult sua furta Venus. Tibull. 1 lib 2 eleg.
P.Schenk fec: et exc: Amstelod: C.P.
[n.d., c.1690.]
Mezzotint. 245 x 180mm.
[Ref: 5421] £260.00 (£312.00 incl.VAT)
P.Schenk fec: et exc: Amstelod: C.P.
[n.d., c.1690.]
Mezzotint. 245 x 180mm.
[Ref: 5421] £260.00 (£312.00 incl.VAT)
![[A dancing bear in an Italianate village.]](jpegs/38796.jpg)
[A dancing bear in an Italianate village.]
[by Christian Bernhard Rode?]
[n.d., c.1770.]
Etching. Image 210 x 280mm (8 x 11"). Framed. Unexamined out of frame.
A bear dances, held by a chain on a nose ring, with the music provided by a man playing pagpipes, watched by a throng of villagers surrounded by farm animals. Behind is a Doric portico.
[Ref: 38796] £260.00 (£312.00 incl.VAT)
[by Christian Bernhard Rode?]
[n.d., c.1770.]
Etching. Image 210 x 280mm (8 x 11"). Framed. Unexamined out of frame.
A bear dances, held by a chain on a nose ring, with the music provided by a man playing pagpipes, watched by a throng of villagers surrounded by farm animals. Behind is a Doric portico.
[Ref: 38796] £260.00 (£312.00 incl.VAT)
![[Céline Céleste-Elliott] Celeste. as the Arab Boy.](jpegs/57295.jpg)
[Céline Céleste-Elliott] Celeste. as the Arab Boy. A Sketch by William Drummond.
WDrummond.
[London, Published Jan.y 12.th 1838. by Tho.s Mc.Lean, Haymarket.]
Tinted lithograph with hand colour. Framed, visible area 425 x 300mm (16¾ x 11¾"). Spotting, repair in sky. Window mounted around title. Unexamined out of frame.
A full length portrait of Madame Céleste-Elliott as Hamet, playing an oud. Behind is a tent and the Spanish city of Constantina on a rocky outcrop. This is the opening scene of 'Victoire; or, The Fall of Constantina', a military drama performed at the Adelphi theatre in 1837, in which Céleste played three parts: Hamet, a dumb Arab boy, Victoire and Henri St. Almo, a French spy.. Céline Céleste-Elliott (1815-1882) was a Parisian dancer and actress who had success in London and toured America four times. About the time this portrait was published she retired from performing, becoming a theatre manager (including of London's Adelpi, Lyceum and Olympic), although she made several 'comebacks'.
[Ref: 57295] £550.00
WDrummond.
[London, Published Jan.y 12.th 1838. by Tho.s Mc.Lean, Haymarket.]
Tinted lithograph with hand colour. Framed, visible area 425 x 300mm (16¾ x 11¾"). Spotting, repair in sky. Window mounted around title. Unexamined out of frame.
A full length portrait of Madame Céleste-Elliott as Hamet, playing an oud. Behind is a tent and the Spanish city of Constantina on a rocky outcrop. This is the opening scene of 'Victoire; or, The Fall of Constantina', a military drama performed at the Adelphi theatre in 1837, in which Céleste played three parts: Hamet, a dumb Arab boy, Victoire and Henri St. Almo, a French spy.. Céline Céleste-Elliott (1815-1882) was a Parisian dancer and actress who had success in London and toured America four times. About the time this portrait was published she retired from performing, becoming a theatre manager (including of London's Adelpi, Lyceum and Olympic), although she made several 'comebacks'.
[Ref: 57295] £550.00
Plani Sperium Coeleste.
[Engraved by Jan Peeters]
[Antwerp, 1692.]
Engraving. 150 x 285mm (6 x 11¼"), large margins. Some creasing as normal.
A double-hemisphere celestial map, with allegorical figures of the bodies of the Solar System in the corners and cusps. From ''L'Atlas en Abrege, ou Nouvelle Description du Monde''.
[Ref: 56823] £160.00
[Engraved by Jan Peeters]
[Antwerp, 1692.]
Engraving. 150 x 285mm (6 x 11¼"), large margins. Some creasing as normal.
A double-hemisphere celestial map, with allegorical figures of the bodies of the Solar System in the corners and cusps. From ''L'Atlas en Abrege, ou Nouvelle Description du Monde''.
[Ref: 56823] £160.00
![[Celestial Hemispheres] The First Part of the Northern Celestial Hemisphere. [&]](jpegs/56837.jpg)
[Celestial Hemispheres] The First Part of the Northern Celestial Hemisphere. [&] The Second Part of the Northern Celestial Hemisphere. [&] The First Part of the So.n Celestial Hemisphere. [&] The Second Celestial Hemisphere.
J. Mynde sculp. [on one plate.]
[London, c.1760.]
Set of four engravings with hand colour. Each c. 155 x 295mm. All plates with binding folds, 2nd plate with damp and damage top right.
Four plates making up the two celestial hemispheres, with the constellations in their classic shapes. From volume 4 of 'Spectacle de la Nature: Or Nature Display'd. Being Discourses on Such Particulars of Natural History as Were Thought Most Proper to Excite the Curiosity and Form the Minds of Youth', an English edition of a work by Noël Antoine Pluche.
[Ref: 56837] £500.00 view all images for this item
J. Mynde sculp. [on one plate.]
[London, c.1760.]
Set of four engravings with hand colour. Each c. 155 x 295mm. All plates with binding folds, 2nd plate with damp and damage top right.
Four plates making up the two celestial hemispheres, with the constellations in their classic shapes. From volume 4 of 'Spectacle de la Nature: Or Nature Display'd. Being Discourses on Such Particulars of Natural History as Were Thought Most Proper to Excite the Curiosity and Form the Minds of Youth', an English edition of a work by Noël Antoine Pluche.
[Ref: 56837] £500.00 view all images for this item
![[Celestial Globe.]](jpegs/56827.jpg)
[Celestial Globe.] Engraved for the Universal Magazine.
Printed for J. Hinton in Newgate Street [n.d., 1757].
Coloured engraving. 190 x 120mm (7¼ x 4¾"), large margins on 3 sides.
A celestial globe with a mechanism for positioning the sun and moon.
[Ref: 56827] £120.00 (£144.00 incl.VAT)
Printed for J. Hinton in Newgate Street [n.d., 1757].
Coloured engraving. 190 x 120mm (7¼ x 4¾"), large margins on 3 sides.
A celestial globe with a mechanism for positioning the sun and moon.
[Ref: 56827] £120.00 (£144.00 incl.VAT)
View of the Celestial Influx on the Body of Woman as illustrated in Culpepers Family Physician and Sibley's Occult Sciences. [&] View of the Celestial Influx on the Body of Man as illustrated in Culpepers Family Physician and Sibley's Occult Sciences.
Dodd Delin. Prattent Sculp.
[n.d., c.1800.]
Pair of stipples. Plate: 245 x 190mm (9¾ x 7½''). Small margins, bit dusty.
A pair of diagrams showing the areas of the body influenced by various celestial bodies according to Ebenezer Sibley and Nicholas Culpeper.
[Ref: 48076] £260.00 (£312.00 incl.VAT)
Dodd Delin. Prattent Sculp.
[n.d., c.1800.]
Pair of stipples. Plate: 245 x 190mm (9¾ x 7½''). Small margins, bit dusty.
A pair of diagrams showing the areas of the body influenced by various celestial bodies according to Ebenezer Sibley and Nicholas Culpeper.
[Ref: 48076] £260.00 (£312.00 incl.VAT)
Celestial Harmony! Raise the full choral lay Seraphic choir And to your mellow notes altune to lyre..Celestial Love! Hail heav'n-born passion! Hail celestial love, Which forms the union of the blest above. Bellamy.
T. Cheesman del.t et sculp.t
P. Sintzenich Excud.t 5, Charles Street, Midd.x Hosptial. London: Published June 12, 1799, by P. Sintzenich No.5 Charles Street Middlesex Hospital.
Stipple. Plate 114 x 228mm (4½ x 9"), with large margins.
Two oval frames on one plate, to the left: cherubs playing music on a cloud, one to the left reading a score with one to the right playing a lyre, other cherubs sit around the cloud listening. To the right: a unwinged cherubim down one knee proposing to a winged cherub.
[Ref: 23225] £140.00 (£168.00 incl.VAT)
T. Cheesman del.t et sculp.t
P. Sintzenich Excud.t 5, Charles Street, Midd.x Hosptial. London: Published June 12, 1799, by P. Sintzenich No.5 Charles Street Middlesex Hospital.
Stipple. Plate 114 x 228mm (4½ x 9"), with large margins.
Two oval frames on one plate, to the left: cherubs playing music on a cloud, one to the left reading a score with one to the right playing a lyre, other cherubs sit around the cloud listening. To the right: a unwinged cherubim down one knee proposing to a winged cherub.
[Ref: 23225] £140.00 (£168.00 incl.VAT)
Planisphaerium coeleste.
Tobias Conrad Lotter, Geog. Excudit. Aug. Vindel [Augsburg, n.d., c.1760].
Engraved map with original colour. 490 x 580mm (19¼ x 23"), very large margins. Borders bit messy.
A very decorative double hemisphere celestial chart, centred on the poles, with the constellations shown with their classical depictions. Around the central map are other diagrams, including the solar systems of Ptolemy, Brahe and Copernicus, armillary spheres and globes.
[Ref: 63297] £850.00
Tobias Conrad Lotter, Geog. Excudit. Aug. Vindel [Augsburg, n.d., c.1760].
Engraved map with original colour. 490 x 580mm (19¼ x 23"), very large margins. Borders bit messy.
A very decorative double hemisphere celestial chart, centred on the poles, with the constellations shown with their classical depictions. Around the central map are other diagrams, including the solar systems of Ptolemy, Brahe and Copernicus, armillary spheres and globes.
[Ref: 63297] £850.00
![[Pair of Celestial Hemisheres] Northern Hemisphere. [&] Sothern Hemisphere.](jpegs/57036.jpg)
[Pair of Celestial Hemisheres] Northern Hemisphere. [&] Sothern Hemisphere.
J. Shury sc.
[London: Thomas Tegg, 1826.]
Two engravings with hand colour. Two sheets each 150 x 165mm (6 x 6½"). Trimmed and laid on album paper.
A pair of celestial hemispheres, with the classical depictions of the constellations.
[Ref: 57036] £140.00
J. Shury sc.
[London: Thomas Tegg, 1826.]
Two engravings with hand colour. Two sheets each 150 x 165mm (6 x 6½"). Trimmed and laid on album paper.
A pair of celestial hemispheres, with the classical depictions of the constellations.
[Ref: 57036] £140.00
![[Celestial Model.]](jpegs/46306.jpg)
[Celestial Model.]
Engraved for the Universal Magazine.
Printed for the Universal Magazine. [n.d., c.1750.]
Hand-coloured engraving. Plate: 190 x 115mm (7½ x 4½") small margins.
A diagram of a celestial model, a central globe decorated with a celestial map, and attached are moons and planets.
[Ref: 46306] £90.00 (£108.00 incl.VAT)
Engraved for the Universal Magazine.
Printed for the Universal Magazine. [n.d., c.1750.]
Hand-coloured engraving. Plate: 190 x 115mm (7½ x 4½") small margins.
A diagram of a celestial model, a central globe decorated with a celestial map, and attached are moons and planets.
[Ref: 46306] £90.00 (£108.00 incl.VAT)
Celia Retiring. 298.
Woodward delin. Etch.d by Roberts.
by T. Tegg 111 Cheapside London.
Hand-coloured etching. Sheet 330 x 260mm (13 x 10¼"). Trimmed within plate.
A scene showing an old woman, bald without her wig, preparing for bed, aided by a pretty chambermaid. Originally published by the engraver, Piercy Roberts.
Not in BM Satires. BM 1872.1012.5084.
[Ref: 61907] £260.00 (£312.00 incl.VAT)
Woodward delin. Etch.d by Roberts.
by T. Tegg 111 Cheapside London.
Hand-coloured etching. Sheet 330 x 260mm (13 x 10¼"). Trimmed within plate.
A scene showing an old woman, bald without her wig, preparing for bed, aided by a pretty chambermaid. Originally published by the engraver, Piercy Roberts.
Not in BM Satires. BM 1872.1012.5084.
[Ref: 61907] £260.00 (£312.00 incl.VAT)
Celia Retiring. 298.
Woodward delin. Etch.d by Roberts.
Pub'd Decr 29 [c.1805] by T. Tegg 111 Cheapside London. London Pub.d by P. Roberts 28 Middle-row Holborn.
Hand-coloured etching. 270 x 360mm (10½ x 14"). Date scratched out. Narrow margin to left and right.
A scene showing an old woman, bald without her wig, preparing for bed, aided by a pretty chambermaid. Originally published by the engraver, Piercy Roberts.
[Ref: 51871] £180.00 (£216.00 incl.VAT)
Woodward delin. Etch.d by Roberts.
Pub'd Decr 29 [c.1805] by T. Tegg 111 Cheapside London. London Pub.d by P. Roberts 28 Middle-row Holborn.
Hand-coloured etching. 270 x 360mm (10½ x 14"). Date scratched out. Narrow margin to left and right.
A scene showing an old woman, bald without her wig, preparing for bed, aided by a pretty chambermaid. Originally published by the engraver, Piercy Roberts.
[Ref: 51871] £180.00 (£216.00 incl.VAT)
![[An androgynous naked figure playing the cello.]](jpegs/49528.jpg)
[An androgynous naked figure playing the cello.] 34.
[n.d., c.1920.]
Linocut? Image area 285 x 100mm (11½ x 4")
[Ref: 49528] £75.00 (£90.00 incl.VAT)
[n.d., c.1920.]
Linocut? Image area 285 x 100mm (11½ x 4")
[Ref: 49528] £75.00 (£90.00 incl.VAT)
Conradus Celtes Protucius, P.L.C. et Prof. Vienn. 31. nat.d.1.Febr.1459. den.d.3.Febr.1508.
Ioh. Iac. Haid. excud. Aug. Vind.
[n.d. c.1760.]
Mezzotint, very fine impression. 216 x 145mm (8½ x 5¾"). Cut; glued to backing sheet at corners.
Conrad Celtes (1459-1508) the German Renaissance humanist scholar and Neo-Latin poet.
[Ref: 29908] £160.00 (£192.00 incl.VAT)
Ioh. Iac. Haid. excud. Aug. Vind.
[n.d. c.1760.]
Mezzotint, very fine impression. 216 x 145mm (8½ x 5¾"). Cut; glued to backing sheet at corners.
Conrad Celtes (1459-1508) the German Renaissance humanist scholar and Neo-Latin poet.
[Ref: 29908] £160.00 (£192.00 incl.VAT)
Map of the Celtic and Belgic Tribes, with their Towns and Trackways in Britain, as they existed at the first invasion of Cæsar. Engraved from a Drawing by the Rev.d Thomas Leman.
Engraved under the direction of J.Norris Brewer. Neele, Sc. Strand.
Published by J.Harris, Corner of St Pauls Church Yard, December 1st 1817.
Engraved map. 310 x 270mm, 12¼ x 10¾". Trimmed within top margin, with nick, split in centrefold, as normal.
Thomas Leman (1751-1826).
[Ref: 19991] £110.00
Engraved under the direction of J.Norris Brewer. Neele, Sc. Strand.
Published by J.Harris, Corner of St Pauls Church Yard, December 1st 1817.
Engraved map. 310 x 270mm, 12¼ x 10¾". Trimmed within top margin, with nick, split in centrefold, as normal.
Thomas Leman (1751-1826).
[Ref: 19991] £110.00
The First Performance of Shelley's Tragedy The Cenci Chiefly from the Shelley Society's Notebook.
London Printed for Private Distribution, 1887.
Pamphlet. 8vo; printed wrappers, pp. 40. With 4pp programme. Text loose. Programme mounted on album paper.
A collection of reviews of the performance at the Grand Theatre Islington, May 7th, 1886.
[Ref: 49532] £150.00 view all images for this item
London Printed for Private Distribution, 1887.
Pamphlet. 8vo; printed wrappers, pp. 40. With 4pp programme. Text loose. Programme mounted on album paper.
A collection of reviews of the performance at the Grand Theatre Islington, May 7th, 1886.
[Ref: 49532] £150.00 view all images for this item
To The Subscribers. The representation of the Cenotaph erected in St. George's Chapel, Windsor To Perpetuate the Memory of her late lamented Royal Highness The Princess Charlotte Augusta of Wales. Is Respectfully dedicated by their obedient Servant. Thomas Fairland.
Designed and Executed by M.C. Wyatt, Esq.r Drawn and Engraved by T. Fairland.
London, Published June 1826, by W. Sams, Book & Printseller to the Royal Family St James's Street.
Etching. Plate 400 x 279mm. 15¾ x 11". Uncut.
The beautiful monument of 'romantic' gloom in St George's Chapel, Windsor. Princess Charlotte rising to heaven, accompanied by angels, the one to her right carrying her dead son, who died at birth the day before her own death; mourning figure kneeling on the steps.
[Ref: 20185] £140.00 (£168.00 incl.VAT)
Designed and Executed by M.C. Wyatt, Esq.r Drawn and Engraved by T. Fairland.
London, Published June 1826, by W. Sams, Book & Printseller to the Royal Family St James's Street.
Etching. Plate 400 x 279mm. 15¾ x 11". Uncut.
The beautiful monument of 'romantic' gloom in St George's Chapel, Windsor. Princess Charlotte rising to heaven, accompanied by angels, the one to her right carrying her dead son, who died at birth the day before her own death; mourning figure kneeling on the steps.
[Ref: 20185] £140.00 (£168.00 incl.VAT)
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Taking the Census.
George Cruikshank.
[n.d., c.1850.]
Etching. Sheet 160 x 100mm (6¼ x 4"). Trimmed and backed onto album paper.
A satirical scene depicting a census visit, in which the surveyer exclaims "What! Not made out the list yet?" to which the man explains that it is not such an easy manner. The room is filled with family members of all ages as the man tries to list them all, giving up and stating that there is no use in trying, whilst a woman holding two babies exclaims "John dear! Don't forget the two babbies!"
[Ref: 66885] £90.00 (£108.00 incl.VAT)
George Cruikshank.
[n.d., c.1850.]
Etching. Sheet 160 x 100mm (6¼ x 4"). Trimmed and backed onto album paper.
A satirical scene depicting a census visit, in which the surveyer exclaims "What! Not made out the list yet?" to which the man explains that it is not such an easy manner. The room is filled with family members of all ages as the man tries to list them all, giving up and stating that there is no use in trying, whilst a woman holding two babies exclaims "John dear! Don't forget the two babbies!"
[Ref: 66885] £90.00 (£108.00 incl.VAT)