A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Madame Catinka de Dietz. Pianiste de L.L.M.M. la Reine de Baviere et la Reine des Francais.
M Alophe [facsimile in image.]
Im. Lemercier a Paris. Journal des Artistes. [n.d. c.1840.]
Lithograph. 305 x 222mm. 12 x 8¾".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19949] £95.00 (£114.00 incl.VAT)
M Alophe [facsimile in image.]
Im. Lemercier a Paris. Journal des Artistes. [n.d. c.1840.]
Lithograph. 305 x 222mm. 12 x 8¾".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19949] £95.00 (£114.00 incl.VAT)
Catinka von Dietz. Kammervirtuosin J.M. de Königin von Baiern.
C. Lang [facsimile in image.]
Lith v. Gutsch & Rupp. [n.d. c.1840.]
A rare lithograph. 235 x 164mm. 9¼ s 6½".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition. From a portrait by Gustave Staal.
[Ref: 19951] £60.00 (£72.00 incl.VAT)
C. Lang [facsimile in image.]
Lith v. Gutsch & Rupp. [n.d. c.1840.]
A rare lithograph. 235 x 164mm. 9¼ s 6½".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition. From a portrait by Gustave Staal.
[Ref: 19951] £60.00 (£72.00 incl.VAT)
M.elle Catinka de Dietz. Pianiste de S.M. la Reine de Bavière. L'Artiste.
Staal del et lith.
Lith de Grégoire et Deneux à Paris. [n.d. c.1845.]
Lithograph. Publisher's stamp. 318 x 240mm. 12½ x 9½". Nicks to edges of sheet.
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. Her career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19954] £120.00 (£144.00 incl.VAT)
Staal del et lith.
Lith de Grégoire et Deneux à Paris. [n.d. c.1845.]
Lithograph. Publisher's stamp. 318 x 240mm. 12½ x 9½". Nicks to edges of sheet.
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. Her career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19954] £120.00 (£144.00 incl.VAT)
![Cathinka de Dietz. Pianiste de la Reine Bavière. [Facsimile autograph.]](jpegs/19955.jpg)
Cathinka de Dietz. Pianiste de la Reine Bavière. [Facsimile autograph.] Le Ménestrel. Journal de Musique.
J.J. Cutier [facsimile in image.]
Imp. Petit & Bertauts. [n.d. c.1845.]
A rare lithograph. 319 x 241mm. 12½ x 9½".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19955] £95.00 (£114.00 incl.VAT)
J.J. Cutier [facsimile in image.]
Imp. Petit & Bertauts. [n.d. c.1845.]
A rare lithograph. 319 x 241mm. 12½ x 9½".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19955] £95.00 (£114.00 incl.VAT)
![[Anne Catley] A Priestess of Bacchus.](jpegs/56673.jpg)
[Anne Catley] A Priestess of Bacchus.
Painted by J. Downman. Engraved by J.R. Smith.
Publ. 2d. July 1779, by W. Humphrey, London.
Very rare & scarce mezzotint, proof with stippled title and scratched inscriptions. 530 x 385mm (21 x 15¼"). Restored.
Ann Catley (1745-89), singer and famous courtesan, smiling knowingly over a goblet.
CS 37, this proof state not listed. Frankau 67 i of ii; O' Dench: 137.
[Ref: 56673] £450.00
Painted by J. Downman. Engraved by J.R. Smith.
Publ. 2d. July 1779, by W. Humphrey, London.
Very rare & scarce mezzotint, proof with stippled title and scratched inscriptions. 530 x 385mm (21 x 15¼"). Restored.
Ann Catley (1745-89), singer and famous courtesan, smiling knowingly over a goblet.
CS 37, this proof state not listed. Frankau 67 i of ii; O' Dench: 137.
[Ref: 56673] £450.00
![[Ann Catley & Colonel Kerr] The Fluttering Macaroni.](jpegs/63561.jpg)
[Ann Catley & Colonel Kerr] The Fluttering Macaroni. Say little, foolish, fluttering, thing, &c.
Publish'd as the Act directs Nov.r 7. 1772 by MDarly, 39, Strand.
Etching, on 18th century watermarked paper. Sheet 250 x 180mm (9¾ x 7"). Trimmed to plate, mounted in album paper at edges. Very small margins.
The giant figure of Ann Catley (1745-89, a singer, actress and prostitute, later Anne Lacelles) stands with the tiny figure of Colonel William John Kerr (1737-1815, 5th Marquess of Lothian from 1775) balanced on her fingertips. A caricature by the team of Matthew Darly (c.1721-80) & his wife Mary (1736-91).
BM Satires: 4706. See Ref: 63562
[Ref: 63561] £280.00
Publish'd as the Act directs Nov.r 7. 1772 by MDarly, 39, Strand.
Etching, on 18th century watermarked paper. Sheet 250 x 180mm (9¾ x 7"). Trimmed to plate, mounted in album paper at edges. Very small margins.
The giant figure of Ann Catley (1745-89, a singer, actress and prostitute, later Anne Lacelles) stands with the tiny figure of Colonel William John Kerr (1737-1815, 5th Marquess of Lothian from 1775) balanced on her fingertips. A caricature by the team of Matthew Darly (c.1721-80) & his wife Mary (1736-91).
BM Satires: 4706. See Ref: 63562
[Ref: 63561] £280.00
Cato.
Burney pinx. Bartolozzi Sc.
London Printed for J. Bell, British Library, Strand, July 9, 1791.
Etching with engraving, pt 18th century watermark. 200 x 130mm (8 x 5"). Small margins. Some foxing, mainly in margins.
A warrior and a woman kneeling down over a corpse. One of six frontispieces to 'British Theatre'.
De Vesme 1672, state ii of iii.
[Ref: 55516] £65.00 (£78.00 incl.VAT)
Burney pinx. Bartolozzi Sc.
London Printed for J. Bell, British Library, Strand, July 9, 1791.
Etching with engraving, pt 18th century watermark. 200 x 130mm (8 x 5"). Small margins. Some foxing, mainly in margins.
A warrior and a woman kneeling down over a corpse. One of six frontispieces to 'British Theatre'.
De Vesme 1672, state ii of iii.
[Ref: 55516] £65.00 (£78.00 incl.VAT)
(No. 1) View of Cato Street. Description of the Plate. A. Front view of the Stable in Cato Street [...].
W. H. Harriott delin.t 26 Feb.y 1820. Printed by F. Moser 4 Greenland Place Cromer St. London. Published by J & S Fuller Rathbone Place Feb. 26. 1820.
London, 1820.
Lithograph. 370 x 270mm (14½ x10½"). Laid on album paper. Some light foxing across the print. Horizontal crease across the centre.
A view of the stable on Cato Street where the Cato Street Conspirators assembled, including a key and description. Plate 1 of the 'Cato Street Conspiracy' series. A black and white version of the coloured lithograph.
[Ref: 54124] £65.00 (£78.00 incl.VAT)
W. H. Harriott delin.t 26 Feb.y 1820. Printed by F. Moser 4 Greenland Place Cromer St. London. Published by J & S Fuller Rathbone Place Feb. 26. 1820.
London, 1820.
Lithograph. 370 x 270mm (14½ x10½"). Laid on album paper. Some light foxing across the print. Horizontal crease across the centre.
A view of the stable on Cato Street where the Cato Street Conspirators assembled, including a key and description. Plate 1 of the 'Cato Street Conspiracy' series. A black and white version of the coloured lithograph.
[Ref: 54124] £65.00 (£78.00 incl.VAT)
![Richard Tidd. [&] William Davidson. [&] Thomas Brunt. [&] James Ings. [&]](jpegs/44441.jpg)
Richard Tidd. [&] William Davidson. [&] Thomas Brunt. [&] James Ings. [&] Thomas Hiden. [&] Robert Adams. [&] John Monument. [&] Arthur Thistlewood.
[Engraved by Robert Cooper after Abrham Wivell.
[London, Published by Thos. Kelly, 17 Paternoster Row, May 2 1820.]
Eight stipple-engraved portrait scraps. Largest sheet c. 110 x 85mm (4¼ x 3¼"). Trimmed from larger sheets, mounted on album paper, Thistlewood with old ink mss.
Portraits of the Cato Street Conspirators from a book, 'The Cato Street Conspiracy', published the day after. Thistlewood, Davidson, Ings, Tidd and Brunt were executed at Newgate Prison, 1820.
[Ref: 44441] £160.00 (£192.00 incl.VAT) view all images for this item
[Engraved by Robert Cooper after Abrham Wivell.
[London, Published by Thos. Kelly, 17 Paternoster Row, May 2 1820.]
Eight stipple-engraved portrait scraps. Largest sheet c. 110 x 85mm (4¼ x 3¼"). Trimmed from larger sheets, mounted on album paper, Thistlewood with old ink mss.
Portraits of the Cato Street Conspirators from a book, 'The Cato Street Conspiracy', published the day after. Thistlewood, Davidson, Ings, Tidd and Brunt were executed at Newgate Prison, 1820.
[Ref: 44441] £160.00 (£192.00 incl.VAT) view all images for this item
![[Cato Street Conspiracy] A correct View of the Stable &c. in Cato Street, Marylebone, London.](jpegs/61253.jpg)
[Cato Street Conspiracy] A correct View of the Stable &c. in Cato Street, Marylebone, London. Where Thistlewood & his Party met on the Evening of Tuesday Feb.y 23, 1820, & where taken Prisoners.
Drawn & eng.d by A. Wivell. P.14.
London, Pub. by A. Wivell, 105, Titchfield St.t & Sold at Griffiths 230 Oxford Street. Price 2.s.
Etching. 230 x 350mm (9 x 13¾"). Some creasing, pencil corrections. Working proof.
A plan and exterior view of the house used by the Cato Street Conspiritors. The pencil corrections seem to be the shortening of the title for another version of the plate (BM 1880,1113.4646) , also by Abraham Wivell. However February 23rd was Wednesday, not Tuesday as engraved here.
[Ref: 61253] £180.00 (£216.00 incl.VAT)
Drawn & eng.d by A. Wivell. P.14.
London, Pub. by A. Wivell, 105, Titchfield St.t & Sold at Griffiths 230 Oxford Street. Price 2.s.
Etching. 230 x 350mm (9 x 13¾"). Some creasing, pencil corrections. Working proof.
A plan and exterior view of the house used by the Cato Street Conspiritors. The pencil corrections seem to be the shortening of the title for another version of the plate (BM 1880,1113.4646) , also by Abraham Wivell. However February 23rd was Wednesday, not Tuesday as engraved here.
[Ref: 61253] £180.00 (£216.00 incl.VAT)
Le Chat.
[French, n.d., c.1780.]
Coloured engraving, 18th century watermark. 330 x 205mm (13 x 8"), very large margins.
Four cats on a roof, with an engraved-test description in French. Very fine feline image. From Buc'hoz's Natural History.
[Ref: 63754] £180.00 (£216.00 incl.VAT)
[French, n.d., c.1780.]
Coloured engraving, 18th century watermark. 330 x 205mm (13 x 8"), very large margins.
Four cats on a roof, with an engraved-test description in French. Very fine feline image. From Buc'hoz's Natural History.
[Ref: 63754] £180.00 (£216.00 incl.VAT)
Hazi Matska. Haus-Kaze. Le chat domestique. 102.
[n.d. c.1847.]
Lithograph with large margins, rare. 368 x 240mm (14½ x 9½").
Two cats in the street, one resting in the sun; a can sat in a basket in the garden, with three kittens that peers over the edge. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29489] £120.00 (£144.00 incl.VAT)
[n.d. c.1847.]
Lithograph with large margins, rare. 368 x 240mm (14½ x 9½").
Two cats in the street, one resting in the sun; a can sat in a basket in the garden, with three kittens that peers over the edge. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29489] £120.00 (£144.00 incl.VAT)
Hauskazen. 103.
[n.d. c.1847.]
Lithograph, large margins, rare. 368 x 240mm (14½ x 9½").
Indoors scene of a cat rest and her three kittens playing with a mouse-tail tow; outdoors scene of a cat stanind by her three kittens with play with a ball and string. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29490] £120.00 (£144.00 incl.VAT)
[n.d. c.1847.]
Lithograph, large margins, rare. 368 x 240mm (14½ x 9½").
Indoors scene of a cat rest and her three kittens playing with a mouse-tail tow; outdoors scene of a cat stanind by her three kittens with play with a ball and string. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29490] £120.00 (£144.00 incl.VAT)
Die Hauskatze. Felis catus domesticus. Le chat domestique. 63.
[n.d. c.1847.]
Lithograph, with small margins, rare. 330 x 228mm (13 x 9").
Cats indoors playing; kittens playing with a homemade mouse tail and a ball and string. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29493] £120.00 (£144.00 incl.VAT)
[n.d. c.1847.]
Lithograph, with small margins, rare. 330 x 228mm (13 x 9").
Cats indoors playing; kittens playing with a homemade mouse tail and a ball and string. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29493] £120.00 (£144.00 incl.VAT)
![''So Fond of Listening to Those Dear Little Birds'' [&] ''Coming Out in the World''.](jpegs/48313.jpg)
''So Fond of Listening to Those Dear Little Birds'' [&] ''Coming Out in the World''.
Louisa Corbaux del. et lith. Stannard & Co. Imp.t.
A pair of chromolithographs. Each sheet: 320 x 270mm (12½ x 10½'').
Trimmed.
A pair of portraits of cats by artist and illustrator Louisa Corbaux (1808-1889).
[Ref: 48313] £320.00
Louisa Corbaux del. et lith. Stannard & Co. Imp.t.
A pair of chromolithographs. Each sheet: 320 x 270mm (12½ x 10½'').
Trimmed.
A pair of portraits of cats by artist and illustrator Louisa Corbaux (1808-1889).
[Ref: 48313] £320.00
![[The Wild Cat. Plate XIV. (Felis catus).]](jpegs/30184.jpg)
[The Wild Cat. Plate XIV. (Felis catus).]
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
A wild cat sitting comfortably on a tree branch. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30184] £70.00 (£84.00 incl.VAT)
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
A wild cat sitting comfortably on a tree branch. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30184] £70.00 (£84.00 incl.VAT)
La Fin du Banquet.
Peint par Eugenè Lambert. Gravé par Pierre Cottin. Imp. R. Taneur.
[n.d., c.1870.]
Mixed method engraving. 515 x 610mm (20¼ x 24"). Trimmed within plate at sides. Slight foxing in margins.
A cat escapes from her nursing kittens. After Louis Eugène Lambert (1825-1900).
[Ref: 51369] £280.00 (£336.00 incl.VAT)
Peint par Eugenè Lambert. Gravé par Pierre Cottin. Imp. R. Taneur.
[n.d., c.1870.]
Mixed method engraving. 515 x 610mm (20¼ x 24"). Trimmed within plate at sides. Slight foxing in margins.
A cat escapes from her nursing kittens. After Louis Eugène Lambert (1825-1900).
[Ref: 51369] £280.00 (£336.00 incl.VAT)
Cat.
Howitt.
Published Jany. 2. 1809 by Ed. Orme London.
Etching. Plate 165 x 216mm. 6½ x 8½".
A cat lying on its stomach on a window sill or shelf, with head at left but turned to right, and eyes closed. Samuel Howitt (1756-1822) was an English painter, illustrator and etcher of animals, hunting, horse-racing and landscape scenes.
[Ref: 21506] £120.00 (£144.00 incl.VAT)
Howitt.
Published Jany. 2. 1809 by Ed. Orme London.
Etching. Plate 165 x 216mm. 6½ x 8½".
A cat lying on its stomach on a window sill or shelf, with head at left but turned to right, and eyes closed. Samuel Howitt (1756-1822) was an English painter, illustrator and etcher of animals, hunting, horse-racing and landscape scenes.
[Ref: 21506] £120.00 (£144.00 incl.VAT)
Gatta e Topo. La Gatta e il Topo sono ivi rappresentati. Sebbene di quella siasi discorso altrovo, Gatto d'angora, credemmo non inopportuna il riprodurre in questio luogo un individuo femmina del Gatto nostrano...Sopporta benissimo l'inverno, e non va soggetto a letargo, come i Ghiri e le Marmotte. Il Gatto è il mezzo più sicuro per allontanare e sperdere questi infesti animali.
[n.d. c.1820.]
Engraving. Plate 361 x 260mm. 14¼ x 10¼".
A print celebrating the beauty of the mouse and its importance as a home animal like the Angora Cat, but that the cat is the only way to rid the house of said mouse.
[Ref: 18806] £170.00 (£204.00 incl.VAT)
[n.d. c.1820.]
Engraving. Plate 361 x 260mm. 14¼ x 10¼".
A print celebrating the beauty of the mouse and its importance as a home animal like the Angora Cat, but that the cat is the only way to rid the house of said mouse.
[Ref: 18806] £170.00 (£204.00 incl.VAT)
![Tippoo [in pencil].](jpegs/48131.jpg)
Tippoo [in pencil].
F.H. Townsend. 1915.
Etching, signed in pencil by the artist. 120 x 180mm (4¾ x 7").
A black cat lounging on a carpet before an open fire. Frederick Henry Townsend was an illustrator for the Illustrated London News before becoming the first art editor of Punch magazine. Guichard writes: 'His etchings are rare and, what is rarer still, they are able to produce instant laughter… If Townsend's etchings were more plentiful, he would undoubtedly take his place among the masters of humour'.
Guichard: British Etchers, p.64.
[Ref: 48131] £180.00 (£216.00 incl.VAT)
F.H. Townsend. 1915.
Etching, signed in pencil by the artist. 120 x 180mm (4¾ x 7").
A black cat lounging on a carpet before an open fire. Frederick Henry Townsend was an illustrator for the Illustrated London News before becoming the first art editor of Punch magazine. Guichard writes: 'His etchings are rare and, what is rarer still, they are able to produce instant laughter… If Townsend's etchings were more plentiful, he would undoubtedly take his place among the masters of humour'.
Guichard: British Etchers, p.64.
[Ref: 48131] £180.00 (£216.00 incl.VAT)
![[Sleeping cat]](jpegs/60964.jpg)
[Sleeping cat]
[after Cornelis Visscher.]
[London: Henry Parker, n.d., 1763.]
Engraving. 140 x 205mm (5½ x 8"), with large margins. Stitch holes in top margin.
An adapted copy of Cornelis Visscher's engraving 'The Large Cat', which originally showed a mouse sneaking through the bards of a window behind the cat. From the 'Compleat Drawing Master', 1763.
[Ref: 60964] £160.00 (£192.00 incl.VAT)
[after Cornelis Visscher.]
[London: Henry Parker, n.d., 1763.]
Engraving. 140 x 205mm (5½ x 8"), with large margins. Stitch holes in top margin.
An adapted copy of Cornelis Visscher's engraving 'The Large Cat', which originally showed a mouse sneaking through the bards of a window behind the cat. From the 'Compleat Drawing Master', 1763.
[Ref: 60964] £160.00 (£192.00 incl.VAT)
Felis Colocolla.
J. Wolf & J. Smit del et lith. Hanhart imp.
[Daniel Giraud Elliot, 1878-83.]
Coloured lithograph, scarce. Sheet 570 x 475mm, 22½ x 18¾". Some wear.
The Pampas Cat of South America, formerly 'Molina`s Guiana Cat', from Daniel Giraud Elliot's 'Monograph of the Felidae of Family of the Cats'. Elliot (1835-1915), an American zoologist who was curator of zoology at the Field Museum in Chicago, helped found the American Museum of Natural History and the American Ornithologists' Union. He published a series of expensive colour-plate books such as this, writing the text himself and employing artists such as Joseph Wolf (who had made his name working for John Gould), to provide the illustrations.
[Ref: 18607] £650.00
J. Wolf & J. Smit del et lith. Hanhart imp.
[Daniel Giraud Elliot, 1878-83.]
Coloured lithograph, scarce. Sheet 570 x 475mm, 22½ x 18¾". Some wear.
The Pampas Cat of South America, formerly 'Molina`s Guiana Cat', from Daniel Giraud Elliot's 'Monograph of the Felidae of Family of the Cats'. Elliot (1835-1915), an American zoologist who was curator of zoology at the Field Museum in Chicago, helped found the American Museum of Natural History and the American Ornithologists' Union. He published a series of expensive colour-plate books such as this, writing the text himself and employing artists such as Joseph Wolf (who had made his name working for John Gould), to provide the illustrations.
[Ref: 18607] £650.00
Angling - No Sport At All. Good gracious! M.r Cat'em will be drowned.
On Stone by R Seymour.
[n.d. c.1830]
Hand-coloured lithograph, sheet 210 x 280mm (8¼ x 11"). Staining. Edges nicked.
Anthropomorphic satire with cats fishing from a rowboat in incredibly rainy weather. One cat is actively fishing while others appeared bored, seasick or catnapping. One is about to fall into the water.
[Ref: 67722] £160.00 (£192.00 incl.VAT)
On Stone by R Seymour.
[n.d. c.1830]
Hand-coloured lithograph, sheet 210 x 280mm (8¼ x 11"). Staining. Edges nicked.
Anthropomorphic satire with cats fishing from a rowboat in incredibly rainy weather. One cat is actively fishing while others appeared bored, seasick or catnapping. One is about to fall into the water.
[Ref: 67722] £160.00 (£192.00 incl.VAT)
![[Two Siamese Cats.]](jpegs/5743.jpg)
[Two Siamese Cats.]
G.Vernon Stokes.
Coloured drypoint etching, 19 of 75, signed by the artist. 210 x 280mm.
[Ref: 5743] £330.00
G.Vernon Stokes.
Coloured drypoint etching, 19 of 75, signed by the artist. 210 x 280mm.
[Ref: 5743] £330.00
![[Two Siamese kittens looking at a cricket.]](jpegs/19458.jpg)
[Two Siamese kittens looking at a cricket.]
G. Vernon Stokes [signed in pencil and in plate.]
[n.d., c.1930s.]
Coloured drypoint etching, early impression from a limited edition numbered 5/75 in pencil. 250 x 295mm. 9¾ x 11½".
George Vernon Stokes (1873 - 1954).
[Ref: 19458] £360.00
G. Vernon Stokes [signed in pencil and in plate.]
[n.d., c.1930s.]
Coloured drypoint etching, early impression from a limited edition numbered 5/75 in pencil. 250 x 295mm. 9¾ x 11½".
George Vernon Stokes (1873 - 1954).
[Ref: 19458] £360.00
![[Netherlands] Iacob Cats Out LXXVII Iaren. Anno MDCLV.](jpegs/20150.jpg)
[Netherlands] Iacob Cats Out LXXVII Iaren. Anno MDCLV. Alle de Wercken van I. Cats Ridder etc.
N Venne invent. M Mosyn sculp.
[t'Amsterdam, By Johannes Ratelband, de Weduwe Jan van Heekeren Hermanus Uytwerf, Isaak van der Putte, 's Gravenhage, Pieter van Thol en Pieter Husson. n.d. c.1726.]
Engraving. 315 x 197mm (12½ x 7¾"). Collector's mark on verso.
Jacob Cats (1577-1660) was a Dutch poet, humourist, jurist and politician. He is most famous for his emblem books. This is the frontispiece to a posthumous publication of the works of Cats in "Alle de Wercken van den Heere Jacob Cats; Ridder, oudt raadtpensionaris van Hollandt. &c. Waar in het Twee-en-tachtig Jaarig Leeven des Dichters; beneffens desselfs Slaapeloose Nachten, met Printverbeeldingen sijn verrijkt".
Ex Collection: W.B. Dukes (architect, d.1942.) Lugt: 2757a.
[Ref: 20150] £140.00 (£168.00 incl.VAT)
N Venne invent. M Mosyn sculp.
[t'Amsterdam, By Johannes Ratelband, de Weduwe Jan van Heekeren Hermanus Uytwerf, Isaak van der Putte, 's Gravenhage, Pieter van Thol en Pieter Husson. n.d. c.1726.]
Engraving. 315 x 197mm (12½ x 7¾"). Collector's mark on verso.
Jacob Cats (1577-1660) was a Dutch poet, humourist, jurist and politician. He is most famous for his emblem books. This is the frontispiece to a posthumous publication of the works of Cats in "Alle de Wercken van den Heere Jacob Cats; Ridder, oudt raadtpensionaris van Hollandt. &c. Waar in het Twee-en-tachtig Jaarig Leeven des Dichters; beneffens desselfs Slaapeloose Nachten, met Printverbeeldingen sijn verrijkt".
Ex Collection: W.B. Dukes (architect, d.1942.) Lugt: 2757a.
[Ref: 20150] £140.00 (£168.00 incl.VAT)
![[Netherlands] Iacob Cats Out LXXVII Iaren. Anno MDCLV.](jpegs/20151.jpg)
[Netherlands] Iacob Cats Out LXXVII Iaren. Anno MDCLV. Alle de Wercken van I. Cats Ridder etc. [On verso:] Verhael hoe de Schrijver driederhande tanden in sijn mon heest beomen, p.97...De verrijsenis der gestorvenen geest troost voor de gene die sterven, pag.176, &c. Ghebedt voor den stervenden mensche en befluyt van't werck, pag.181.
N Venne invent. M Mosyn sculp.
[t'Amsterdam, By Johannes Ratelband, de Weduwe Jan van Heekeren Hermanus Uytwerf, Isaak van der Putte, 's Gravenhage, Pieter van Thol en Pieter Husson. n.d. c.1726.]
Engraving. 330 x 205mm (13 x 8"). Collector's mark on verso. Trimmed.
Jacob Cats (1577-1660) was a Dutch poet, humourist, jurist and politician. He is most famous for his emblem books. Frontispage to a posthumous publication of the works of Cats in "Alle de Wercken van den Heere Jacob Cats; Ridder, oudt raadtpensionaris van Hollandt. &c. Waar in het Twee-en-tachtig Jaarig Leeven des Dichters; beneffens desselfs Slaapeloose Nachten, met Printverbeeldingen sijn verrijkt". On verso is printed letterpress as contents page with page descriptions and numbering.
Ex Collection: W.B. Dukes (architect, d.1942.) Lugt: 2757a.
[Ref: 20151] £120.00 (£144.00 incl.VAT)
N Venne invent. M Mosyn sculp.
[t'Amsterdam, By Johannes Ratelband, de Weduwe Jan van Heekeren Hermanus Uytwerf, Isaak van der Putte, 's Gravenhage, Pieter van Thol en Pieter Husson. n.d. c.1726.]
Engraving. 330 x 205mm (13 x 8"). Collector's mark on verso. Trimmed.
Jacob Cats (1577-1660) was a Dutch poet, humourist, jurist and politician. He is most famous for his emblem books. Frontispage to a posthumous publication of the works of Cats in "Alle de Wercken van den Heere Jacob Cats; Ridder, oudt raadtpensionaris van Hollandt. &c. Waar in het Twee-en-tachtig Jaarig Leeven des Dichters; beneffens desselfs Slaapeloose Nachten, met Printverbeeldingen sijn verrijkt". On verso is printed letterpress as contents page with page descriptions and numbering.
Ex Collection: W.B. Dukes (architect, d.1942.) Lugt: 2757a.
[Ref: 20151] £120.00 (£144.00 incl.VAT)
![[Cattle by moonlight.]](jpegs/68866.jpg)
[Cattle by moonlight.]
[Cuyp Pinx.t. WBaillie f.]
[Published Sep.r 1. 1773.]
Mezzotint, proof before letters, 18th century watermark. 275 x 355mm (10¾ x 14"). Narrow margins, top right corner chipped, other corners with glue creases.
An untitled moonlit scene of cattle in a meadow overlooking the sea, engraved by Captain William Baillie (1723-1810) probably after Aelbert Cuyp (1620-91). Baillie retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68866] £180.00 (£216.00 incl.VAT)
[Cuyp Pinx.t. WBaillie f.]
[Published Sep.r 1. 1773.]
Mezzotint, proof before letters, 18th century watermark. 275 x 355mm (10¾ x 14"). Narrow margins, top right corner chipped, other corners with glue creases.
An untitled moonlit scene of cattle in a meadow overlooking the sea, engraved by Captain William Baillie (1723-1810) probably after Aelbert Cuyp (1620-91). Baillie retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68866] £180.00 (£216.00 incl.VAT)
![[Cattle by moonlight.]](jpegs/68865.jpg)
[Cattle by moonlight.]
[Cuyp Pinx.t. WBaillie f.]
[Published Sep.r 1. 1773.]
Mezzotint, proof before letters. 275 x 355mm (10¾ x 14"). Narrow margins on three sides.
An untitled moonlit scene of cattle in a meadow overlooking the sea, engraved by Captain William Baillie (1723-1810) probably after Aelbert Cuyp (1620-91). Baillie retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68865] £280.00 (£336.00 incl.VAT)
[Cuyp Pinx.t. WBaillie f.]
[Published Sep.r 1. 1773.]
Mezzotint, proof before letters. 275 x 355mm (10¾ x 14"). Narrow margins on three sides.
An untitled moonlit scene of cattle in a meadow overlooking the sea, engraved by Captain William Baillie (1723-1810) probably after Aelbert Cuyp (1620-91). Baillie retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68865] £280.00 (£336.00 incl.VAT)
![[Cattle.]](jpegs/34796.jpg)
[Cattle.]
MRoo. [H.B. Ker.]
[n.d. c.1812.]
Etching. 190 x 132mm (7½ x 5¼"). Cut
A cattle standing on a path in frontal view; two learning milestones to left; copy of an etching by Johann Melchior Roos. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34796] £60.00 (£72.00 incl.VAT)
MRoo. [H.B. Ker.]
[n.d. c.1812.]
Etching. 190 x 132mm (7½ x 5¼"). Cut
A cattle standing on a path in frontal view; two learning milestones to left; copy of an etching by Johann Melchior Roos. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34796] £60.00 (£72.00 incl.VAT)
Pengraig Court, Near Ross. Catalogue of Pure-Bred Shorthorn Cattle The Property of The Rev. W. Holt Beever, and J. Allan Rolls Esq., Of The Hendre, Monmouth, for Sale by Auction, On Friday, March 28th, 1879, (The Day after the Kingscote Sale) At Step House Farm, Pencraig, three miles from Ross Station on the Gloucester, Hereford, and Monmouth section of the Great Western Railway, by John Thornton.
[1879]
Auction catalogue; 215 x 135mm (8½ x 5¼"), pp. 20, stitched. Foxing on front cover.
A rare & scarce auction catalogue of named cattle. Loosely inserted is a photographic copy of a sketch of the sale, signed by C. Powell, with a 36-point key.
[Ref: 63481] £400.00
[1879]
Auction catalogue; 215 x 135mm (8½ x 5¼"), pp. 20, stitched. Foxing on front cover.
A rare & scarce auction catalogue of named cattle. Loosely inserted is a photographic copy of a sketch of the sale, signed by C. Powell, with a 36-point key.
[Ref: 63481] £400.00
![[Cattle fording a stream]](jpegs/67019.jpg)
[Cattle fording a stream]
[After Nicolaes Berchem] [Print made by Robert Robinson after the mezzotint made by Cornelis Visscher]
[n.d. c.1690]
Mezzotint, 180 x 220mm (7¼ x 9). On laid watermarked paper, large margins on 3 sides. Very small top margin.
A woman holding a staff crosses a stream, followed by cattle, a goat, and sheep. She faces the viewer while glancing upward to the left toward a man watering his horse in the left foreground. Behind them are rocks, trees, and a hillside, with a tree in the left foreground curving inward.
Provenance: Cornwell House.
[Ref: 67019] £320.00
[After Nicolaes Berchem] [Print made by Robert Robinson after the mezzotint made by Cornelis Visscher]
[n.d. c.1690]
Mezzotint, 180 x 220mm (7¼ x 9). On laid watermarked paper, large margins on 3 sides. Very small top margin.
A woman holding a staff crosses a stream, followed by cattle, a goat, and sheep. She faces the viewer while glancing upward to the left toward a man watering his horse in the left foreground. Behind them are rocks, trees, and a hillside, with a tree in the left foreground curving inward.
Provenance: Cornwell House.
[Ref: 67019] £320.00
Senza pensier sol della Mandra ho cura. [Without a care I look after my herd.]
Appo G.Wagner Venezai C.P.E.S.
[n.d., c.1750.]
Engraving. Sheet size: 350 x 460mm (13¾ x 18¼"). Trimmed inside plate.
Two figures, a male and female, herding cattle and a ram across a stream, as another shepherd watches on. A mother feeds her child in the right foregound. After Dutch Golden Age painter Nicolaes Pieterszoon Berchem (1620 - 1683).
[Ref: 38422] £260.00 (£312.00 incl.VAT)
Appo G.Wagner Venezai C.P.E.S.
[n.d., c.1750.]
Engraving. Sheet size: 350 x 460mm (13¾ x 18¼"). Trimmed inside plate.
Two figures, a male and female, herding cattle and a ram across a stream, as another shepherd watches on. A mother feeds her child in the right foregound. After Dutch Golden Age painter Nicolaes Pieterszoon Berchem (1620 - 1683).
[Ref: 38422] £260.00 (£312.00 incl.VAT)
Stretch on Back. Bringing in the Milkers.
E. Warner.
[n.d .after 1922]
Signed etching. 180 x 270mm (7 x 11") very large margins.
A landscape of a man on horseback herding a small group of cows. Very atmospheric.
[Ref: 54033] £220.00 (£264.00 incl.VAT)
E. Warner.
[n.d .after 1922]
Signed etching. 180 x 270mm (7 x 11") very large margins.
A landscape of a man on horseback herding a small group of cows. Very atmospheric.
[Ref: 54033] £220.00 (£264.00 incl.VAT)
Mrs. Caudles Illustrated Curtain Lectures No.2 ''Ah! I expected what it would come to when you were made a Mason!!''. Vide Punch.
Published by Preston, 31 Burlington Arcade [c.1850]
Lithograph printed in brown ink with hand-colouring and gum arabic. Sheet 190 x 270mm (7½ x 10½").
A pillow-talk scene. Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her', wrote Thackeray of the character, and 'a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth' (W. M. Thackeray, Contributions to the ‘Morning Chronicle', ed. G. N. Ray, 1955, 94). This print is probably a separately-issued copy sold at Burlington Arcade, which runs alongside Burlington House between Piccadilly and Burlington Gardens.
[Ref: 51929] £160.00 (£192.00 incl.VAT)
Published by Preston, 31 Burlington Arcade [c.1850]
Lithograph printed in brown ink with hand-colouring and gum arabic. Sheet 190 x 270mm (7½ x 10½").
A pillow-talk scene. Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her', wrote Thackeray of the character, and 'a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth' (W. M. Thackeray, Contributions to the ‘Morning Chronicle', ed. G. N. Ray, 1955, 94). This print is probably a separately-issued copy sold at Burlington Arcade, which runs alongside Burlington House between Piccadilly and Burlington Gardens.
[Ref: 51929] £160.00 (£192.00 incl.VAT)
Mr. & Mrs. Caudle. No! Mr. Caudle, I shall not go to sleep like a good soul!" Vide Punch.
[John Leech.]
[1846.]
Hand-coloured lithograph, laid on album sheet. Sheet: 285 x 230mm (11¼ x 9"). Trimmed to printed bottom, foxing.
A comic scene in which Mr and Mrs Caudle lie in bed. Mrs Caudle was the comic creation of Douglas William Jerrold who often featured in Punch magazine.
[Ref: 46148] £95.00 (£114.00 incl.VAT)
[John Leech.]
[1846.]
Hand-coloured lithograph, laid on album sheet. Sheet: 285 x 230mm (11¼ x 9"). Trimmed to printed bottom, foxing.
A comic scene in which Mr and Mrs Caudle lie in bed. Mrs Caudle was the comic creation of Douglas William Jerrold who often featured in Punch magazine.
[Ref: 46148] £95.00 (£114.00 incl.VAT)
Mr. & Mrs. Caudle. ''What Mr. Caudle? You'll have a separate room? You'll not be tormented in this manner? No you won't Sir_not while I'm alive'' Vide Punch.
[n.d., c.1845.]
Engraving. Sheet: 115 x 150mm (4½ x 6''). Marking.
Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her’, wrote Thackeray of the character, ‘and … a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth’ (W. M. Thackeray, Contributions to the ‘Morning Chronicle’, ed. G. N. Ray, 1955, 94).
[Ref: 50404] £130.00 (£156.00 incl.VAT)
[n.d., c.1845.]
Engraving. Sheet: 115 x 150mm (4½ x 6''). Marking.
Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her’, wrote Thackeray of the character, ‘and … a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth’ (W. M. Thackeray, Contributions to the ‘Morning Chronicle’, ed. G. N. Ray, 1955, 94).
[Ref: 50404] £130.00 (£156.00 incl.VAT)
Mr. & Mrs. Caudle. No! Mr. Caudle, I shall not go to sleep like a good soul!" Vide Punch.
[John Leech.]
[1846.]
Hand-coloured lithograph. Sheet: 290 x 230mm (11½ x 9''). Trimmed.
A comic scene in which Mr and Mrs Caudle lie in bed. Mrs Caudle was the comic creation of Douglas William Jerrold who often featured in Punch magazine.
[Ref: 50992] £140.00 (£168.00 incl.VAT)
[John Leech.]
[1846.]
Hand-coloured lithograph. Sheet: 290 x 230mm (11½ x 9''). Trimmed.
A comic scene in which Mr and Mrs Caudle lie in bed. Mrs Caudle was the comic creation of Douglas William Jerrold who often featured in Punch magazine.
[Ref: 50992] £140.00 (£168.00 incl.VAT)
Mrs. Caudles Illustrated Curtain Lectures No.4 "You to go to Greenwich Fair, and race up and down the hill, If I were you I should hide my head under the clothes, and be ashamed of it!"
Published by Preston, 31 Burlington Arcade [c.1850]
Lithograph printed in brown ink with hand-colouring and gum arabic. Sheet 190 x 270mm (7½ x 10½").
Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her', wrote Thackeray of the character, ‘and … a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth' (W. M. Thackeray, Contributions to the ‘Morning Chronicle', ed. G. N. Ray, 1955, 94). This print is probably a separately-issued copy sold at Burlington Arcade, which runs alongside Burlington House between Piccadilly and Burlington Gardens.
[Ref: 46590] £130.00 (£156.00 incl.VAT)
Published by Preston, 31 Burlington Arcade [c.1850]
Lithograph printed in brown ink with hand-colouring and gum arabic. Sheet 190 x 270mm (7½ x 10½").
Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her', wrote Thackeray of the character, ‘and … a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth' (W. M. Thackeray, Contributions to the ‘Morning Chronicle', ed. G. N. Ray, 1955, 94). This print is probably a separately-issued copy sold at Burlington Arcade, which runs alongside Burlington House between Piccadilly and Burlington Gardens.
[Ref: 46590] £130.00 (£156.00 incl.VAT)
![[Mrs. Caudles Illustrated Curtain Lectures]](jpegs/51940.jpg)
[Mrs. Caudles Illustrated Curtain Lectures] It's very easy, Mr Cuadle, for you to say you wont be worried in this way.
Rock & Co. London [c.1850]
Wood engraving with hand coloir. Sheet 85 x 110mm (3¼ x 4¼").
A pillow-talk scene. Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her’, wrote Thackeray of the character, and 'a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth’ (W. M. Thackeray, Contributions to the ‘Morning Chronicle’, ed. G. N. Ray, 1955, 94).
[Ref: 51940] £40.00 (£48.00 incl.VAT)
Rock & Co. London [c.1850]
Wood engraving with hand coloir. Sheet 85 x 110mm (3¼ x 4¼").
A pillow-talk scene. Mrs Caudle was the most famous creation of the playwright and journalist Douglas William Jerrold (1803-1857). 'Mrs Caudle's Curtain Lectures were serialized in 'Punch' in 1845, and Thackeray wrote that ‘Almost all the events and perplexities of Cockney domestic economy pass before her’, wrote Thackeray of the character, and 'a student in the twentieth century may get out of her lectures as accurate pictures of London life as we can get out of the pictures of Hogarth’ (W. M. Thackeray, Contributions to the ‘Morning Chronicle’, ed. G. N. Ray, 1955, 94).
[Ref: 51940] £40.00 (£48.00 incl.VAT)
Mrs Caudle's Curtain Lectures. "Ha! you are an aggravating creature, Caudle; lying there like the mummy of a man, and never as much as opening your lips to one." Lecture 15.
[n.d. c.1850.]
Hand-coloured etching in relief, on embossed and pierced patterned border trademarked Dobbs Bailey & Co. 114 x 146mm. 4¼ x 5¾". Laid on separate embossed album sheet.
Douglas William Jerrold (1803-1857) was a journalist later on in life and worked for Punch magazine in which Mrs Caudle's Curtain Lectures were serialised. A man and woman, probably Mr and Mrs Caudle, lying in a double bed, both wearing night-caps, the man attempting to sleep while his wife harangues him for staying out late and spending his money outside the home on strangers.
See BM: 1956,0915.2.
[Ref: 17472] £120.00 (£144.00 incl.VAT)
[n.d. c.1850.]
Hand-coloured etching in relief, on embossed and pierced patterned border trademarked Dobbs Bailey & Co. 114 x 146mm. 4¼ x 5¾". Laid on separate embossed album sheet.
Douglas William Jerrold (1803-1857) was a journalist later on in life and worked for Punch magazine in which Mrs Caudle's Curtain Lectures were serialised. A man and woman, probably Mr and Mrs Caudle, lying in a double bed, both wearing night-caps, the man attempting to sleep while his wife harangues him for staying out late and spending his money outside the home on strangers.
See BM: 1956,0915.2.
[Ref: 17472] £120.00 (£144.00 incl.VAT)
![[Caught.]](jpegs/49595.jpg)
[Caught.]
Geo. Marples. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 75 x 140mm (3 x 5½'') very large margins. Laid on card.
A scene showing a salmon caught on a line.
[Ref: 49595] £240.00 (£288.00 incl.VAT)
Geo. Marples. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 75 x 140mm (3 x 5½'') very large margins. Laid on card.
A scene showing a salmon caught on a line.
[Ref: 49595] £240.00 (£288.00 incl.VAT)
![[Caught.]](jpegs/4078.jpg)
[Caught.]
Geo~Marples. [Pencil signature]
[n.d., c.1930.]
Ltd edition etching. 210 x 310mm.
A trout.
Guichard, p.50: "Fish, except by the Detmolds, have not been better portrayed in the British School than by Marples".
[Ref: 4078] £420.00
Geo~Marples. [Pencil signature]
[n.d., c.1930.]
Ltd edition etching. 210 x 310mm.
A trout.
Guichard, p.50: "Fish, except by the Detmolds, have not been better portrayed in the British School than by Marples".
[Ref: 4078] £420.00
![Caught at Last [to rock in image].](jpegs/19453.jpg)
Caught at Last [to rock in image]. Sporting Tableaux. No.3.
W. Clerk lith, 202 High Holborn.
Published by O. Hodgson, 111 Fleet Street. [n.d., c.1840.]
Hand coloured lithograph, sheet 280 x 375mm. 11 x 14¾". Some surface soiling; crease through lower left corner.
A terrier has a fox firmly by the neck and is dragging his quarry out from the undergrowth. This dramatic central scene is framed by (uncoloured) vignettes, including hunting horn, guns and equipment, and two pointers to lower left and right corners. For a sporting series.
[Ref: 19453] £60.00 (£72.00 incl.VAT)
W. Clerk lith, 202 High Holborn.
Published by O. Hodgson, 111 Fleet Street. [n.d., c.1840.]
Hand coloured lithograph, sheet 280 x 375mm. 11 x 14¾". Some surface soiling; crease through lower left corner.
A terrier has a fox firmly by the neck and is dragging his quarry out from the undergrowth. This dramatic central scene is framed by (uncoloured) vignettes, including hunting horn, guns and equipment, and two pointers to lower left and right corners. For a sporting series.
[Ref: 19453] £60.00 (£72.00 incl.VAT)
James Caulfield, Book & Print-seller.
Walton delint. Cooper Sculp.t.
Published May 2 1814 by W.G. Caulfield, 10 Wells Street, Oxford Street.
Stipple. 180 x 120mm, 7 x 4¾". Stains to edges.
James Caulfield (1764-1826). He wrote 'Calcographiana: the printsellers chronicle and collectors guide to the knowledge and value of engraved British portraits'.
[Ref: 19007] £45.00 (£54.00 incl.VAT)
Walton delint. Cooper Sculp.t.
Published May 2 1814 by W.G. Caulfield, 10 Wells Street, Oxford Street.
Stipple. 180 x 120mm, 7 x 4¾". Stains to edges.
James Caulfield (1764-1826). He wrote 'Calcographiana: the printsellers chronicle and collectors guide to the knowledge and value of engraved British portraits'.
[Ref: 19007] £45.00 (£54.00 incl.VAT)
Master Caulfield.
John Russell Pinxit. J. Dean Fecit.
Published Jan. 1, 1777, by Jn.o Dean, Church Street, Soho.
Mezzotint. Sheet 345 x 255mm (13½ x 10"). Trimmed to plate, laid on album paper, creasing. Collector's stamp of Sir William Augustus Fraser (1826-1898) in inscription area.
William Caulfield, a parrot perched on his finger, held by a string. The BM describes him as the son of Capt. James Caulfield; the Bromsgrove catalogue as the nephew of Lord Bute.
CS 4, state ii of iii, first published state; BM K,58.133; Lugt L2831. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34591] £160.00 (£192.00 incl.VAT)
John Russell Pinxit. J. Dean Fecit.
Published Jan. 1, 1777, by Jn.o Dean, Church Street, Soho.
Mezzotint. Sheet 345 x 255mm (13½ x 10"). Trimmed to plate, laid on album paper, creasing. Collector's stamp of Sir William Augustus Fraser (1826-1898) in inscription area.
William Caulfield, a parrot perched on his finger, held by a string. The BM describes him as the son of Capt. James Caulfield; the Bromsgrove catalogue as the nephew of Lord Bute.
CS 4, state ii of iii, first published state; BM K,58.133; Lugt L2831. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34591] £160.00 (£192.00 incl.VAT)
The Cause of the War. Oczakoff. The Political Blind=Buff Man or the Minist-l Expediency.
London Pub.d April 1791 by W. Holland N° 50 Oxford St.t In Holland's Exhibition Rooms may be seen the largest Collection of Caricatures in Europe Admit.ce One Shil.g.
Coloured etching, 18th century watermark; Sheet 280 x 420mm (11 x 16½"). Trimmed to image on three sides, into plate at bottom. Vertical crease on left.
King Frederick William of Prussia uses his foot to push forward a blindfolded Pitt, who sets fire to two cities marked Cronstadt and 'Rerel'. The resulting smoke covers Russian Riga, Poland, Germany and Austria. To Frederick's left is Henry Fox, Baron Holland, as a fat burgher, saying "What a blessed Alliance". In the far left is a citizen reading newspaper headlines about the loss of Baltic trade and new taxes on Malt and Porter. To the right is a boat with four men: the helmsman says, "I would rather be a Baltic trader"; oarsmen say, "Do not mind it, it will bring other wars" and "No prize money"; a man looking through a telescope says, "No Galeons - Storms, Sholas & Rocks." A man standing on the shore shouts to the boat "nothing good to be got by it". The satire suggests that Frederick was more interested in acquiring Danzig (Gdansk) while suggesting to Pitt that the Russian occupation of Oczakoff (renamed Odessa by Catherine II) was of more importance, so Britain would help fulfil his ambition.
BM Satires 7847.
[Ref: 54459] £260.00 (£312.00 incl.VAT)
London Pub.d April 1791 by W. Holland N° 50 Oxford St.t In Holland's Exhibition Rooms may be seen the largest Collection of Caricatures in Europe Admit.ce One Shil.g.
Coloured etching, 18th century watermark; Sheet 280 x 420mm (11 x 16½"). Trimmed to image on three sides, into plate at bottom. Vertical crease on left.
King Frederick William of Prussia uses his foot to push forward a blindfolded Pitt, who sets fire to two cities marked Cronstadt and 'Rerel'. The resulting smoke covers Russian Riga, Poland, Germany and Austria. To Frederick's left is Henry Fox, Baron Holland, as a fat burgher, saying "What a blessed Alliance". In the far left is a citizen reading newspaper headlines about the loss of Baltic trade and new taxes on Malt and Porter. To the right is a boat with four men: the helmsman says, "I would rather be a Baltic trader"; oarsmen say, "Do not mind it, it will bring other wars" and "No prize money"; a man looking through a telescope says, "No Galeons - Storms, Sholas & Rocks." A man standing on the shore shouts to the boat "nothing good to be got by it". The satire suggests that Frederick was more interested in acquiring Danzig (Gdansk) while suggesting to Pitt that the Russian occupation of Oczakoff (renamed Odessa by Catherine II) was of more importance, so Britain would help fulfil his ambition.
BM Satires 7847.
[Ref: 54459] £260.00 (£312.00 incl.VAT)
A View of Tanfield Arch in the County of Durham. From the Painting of the late Joseph Atkinson of Newcastle upon Tyne in the Possession of Sir Mat.w White Ridley Bar.t by whose Permission this Plate is Engraved for the Benefit of the Widow and Children.
Painted by J. Atkinson. Engraved by J.C. Stadler.
[n.d., c.1804.]
Very rare aquatint. Sheet 500 x 615mm (19¾ x 24¼"). Trimmed within plate on three sides, repaired tear top left, a few signs of surface wear.
A picturesque view of the Causey Arch, a single-arched bridge built for a horse-drawn railway for transporting coal from Tanfield Coal works to the River Tyne. Built 1725-6 by stonemason Ralph Wood, it was the longest single-span bridge in the country with an arch span of 31 metres (102 ft), a record it held until 1756. Over 900 horse-drawn wagons crossed each day. In the 19th century, the wooden track was replaced with metal rails, and horses were replaced by stationary steam winding engines. The line closed in 1962 but the arch was restored in the 1980s for public use. Engraved by J.C. Stadler after a watercolour by the Newcastle artist Joseph Atkinson.
[Ref: 49817] £850.00
Painted by J. Atkinson. Engraved by J.C. Stadler.
[n.d., c.1804.]
Very rare aquatint. Sheet 500 x 615mm (19¾ x 24¼"). Trimmed within plate on three sides, repaired tear top left, a few signs of surface wear.
A picturesque view of the Causey Arch, a single-arched bridge built for a horse-drawn railway for transporting coal from Tanfield Coal works to the River Tyne. Built 1725-6 by stonemason Ralph Wood, it was the longest single-span bridge in the country with an arch span of 31 metres (102 ft), a record it held until 1756. Over 900 horse-drawn wagons crossed each day. In the 19th century, the wooden track was replaced with metal rails, and horses were replaced by stationary steam winding engines. The line closed in 1962 but the arch was restored in the 1980s for public use. Engraved by J.C. Stadler after a watercolour by the Newcastle artist Joseph Atkinson.
[Ref: 49817] £850.00
Cavalier qui pense a sa Maitresse.
avec Privilege.
[n.d., c.1690.]
Mezzotint. 245 x 180mm. Three small worm holes within the platemark, severalmore in the margins..
Engraved by Gole.
[Ref: 2755] £220.00 (£264.00 incl.VAT)
avec Privilege.
[n.d., c.1690.]
Mezzotint. 245 x 180mm. Three small worm holes within the platemark, severalmore in the margins..
Engraved by Gole.
[Ref: 2755] £220.00 (£264.00 incl.VAT)
![[Cavalier King Charles Spaniel] Rose.](jpegs/56366.jpg)
[Cavalier King Charles Spaniel] Rose.
T.G. Wilson.
[n.d., c.1850.]
Rare lithograph. Sheet 280 x 220mm (11 x 8¾"). A little creasing.
The head of a Cavalier King Charles spaniel, with a bow around its neck.
[Ref: 56366] £190.00 (£228.00 incl.VAT)
T.G. Wilson.
[n.d., c.1850.]
Rare lithograph. Sheet 280 x 220mm (11 x 8¾"). A little creasing.
The head of a Cavalier King Charles spaniel, with a bow around its neck.
[Ref: 56366] £190.00 (£228.00 incl.VAT)