A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Mr Cartwright Consul at Constantinople and his Albanian.
D Wilkie ft. Constantinople Novr 1st 1840. [Lithographed by Joseph Nash.]
[London: Graves & Warmsley, 1843.]
Tinted lithograph. Sheet 535 x 360mm (21 x 14¼") very large margins.
John Cartwright, consul-general at Constantinople from 1817-44, during which time the Levant Company was wound up, with Cartwright taking on the role formerly played by the Company's representative. Despite being described in the plate as an Albanian, Mustapha, Cartwright's janissary, was Swiss by birth. David Wilkie (1785-1841) set out for the East in 1840 to gather material for a series of biblical illustrations, visiting Constantinople, Beirut, Jerusalem, Cairo, and Alexandria. He died at sea on his return journey, before he could turn his sketches into the intended oils: This plate appeared in his 'Sketches in Turkey, Syria and Egypt' published in 1843.
Abbey Travel: 379.
[Ref: 52157] £190.00 (£228.00 incl.VAT)
D Wilkie ft. Constantinople Novr 1st 1840. [Lithographed by Joseph Nash.]
[London: Graves & Warmsley, 1843.]
Tinted lithograph. Sheet 535 x 360mm (21 x 14¼") very large margins.
John Cartwright, consul-general at Constantinople from 1817-44, during which time the Levant Company was wound up, with Cartwright taking on the role formerly played by the Company's representative. Despite being described in the plate as an Albanian, Mustapha, Cartwright's janissary, was Swiss by birth. David Wilkie (1785-1841) set out for the East in 1840 to gather material for a series of biblical illustrations, visiting Constantinople, Beirut, Jerusalem, Cairo, and Alexandria. He died at sea on his return journey, before he could turn his sketches into the intended oils: This plate appeared in his 'Sketches in Turkey, Syria and Egypt' published in 1843.
Abbey Travel: 379.
[Ref: 52157] £190.00 (£228.00 incl.VAT)
Capt.n Jonathan Carver. From the Original Picture in the possession of J.C.Lettsom M.D.
Published as the Act directs by R.Stewart, No 287 near G.t Turnstile, Holborn, Nov.r 16, 1780.
Mezzotint. Sheet 125 x 100mm. Trimmed within plate, some creasing.
American explorer (1710-80), whose expedition to find a North West Passage explored much of Minnesota, Iowa and Wisconsin. His 'Travels Through the Interior Parts of North America in the Years 1766, 1767, and 1768', first published in 1778, is the first to mention a large mountain range to the west and to use the name 'Oregon'. This portrait is the frontispiece to the Third, posthumous, edition of the 'Travels'. The owner of the painting, Dr John Coakley Lettsom, was a Quaker physician and philanthropist who founded the Medical Society of London in 1773.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5724] £450.00
Published as the Act directs by R.Stewart, No 287 near G.t Turnstile, Holborn, Nov.r 16, 1780.
Mezzotint. Sheet 125 x 100mm. Trimmed within plate, some creasing.
American explorer (1710-80), whose expedition to find a North West Passage explored much of Minnesota, Iowa and Wisconsin. His 'Travels Through the Interior Parts of North America in the Years 1766, 1767, and 1768', first published in 1778, is the first to mention a large mountain range to the west and to use the name 'Oregon'. This portrait is the frontispiece to the Third, posthumous, edition of the 'Travels'. The owner of the painting, Dr John Coakley Lettsom, was a Quaker physician and philanthropist who founded the Medical Society of London in 1773.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5724] £450.00
![Cary's Traveller's Companion, or, A Delineation of the Turnpike Roads of England & Wales [...]](jpegs/59721.jpg)
Cary's Traveller's Companion, or, A Delineation of the Turnpike Roads of England & Wales [...] [with] Cary's New Itinerary: or, An Accurate Delineation of the Great Roads, Both Direct and Cross, Throughout England and Wales; With many of the principal Roads in Scotland.... Second Edition with Improvements.
London. Printed for John Cary, Engraver, Map & Printseller, Strand. 1st Jan.y 1791. [&] London: Printed for John Cary, No. 181 Strand, 1802 [-3].
Two works in one; 8vo (180 x 120mm, 7 x 4¾"), original full diced calf travelling case with empty pockets front and back. 'Companion': engr. title, pp. (iv)+(6)+(2)(ads); index map, 42 maps printed back to back, 1 folding map. 'Itinerary': engr. title & dedication; pp. (iv)+(1)(ad)+868+(2)(ads). All maps with original hand colour. With the bookplate of Henry Pakenham-Mahon of Strokeston Park. Binding with tear to flap, some wear and fading. Folding map of Yorkshire with tear on fold; two folding maps of 'Itinerary' both trimmed to allow opening of segments, one segment loose, with tears on folds.
An unusual travelling edition of two works by John Cary. The 'Traveller's Companion' has a map of England and Wales, 41 counties and maps of North & South Wales. The 'Itinerary' has two road maps of England & Wales, with extensive indexes of the roads. The adverts list some of Cary's maps, with one page dedicated to his globes. The empty pockets in the covers would most likely contain larger folding maps not called for in either the 'Companion' or 'Itinerary'. Henry Pakenham-Mahon (1851-1922) was an amateur photographer: in 2012, a collection of 324 of his glass plates was uncovered at Strokestown Park including several explicit images of live models. Strokestown (in County Roscommon, Ireland) is now home to the National Irish Famine Museum. Henry's grandfather was Denis Mahon, whose responce to a rent strike by his tenants at Strokestown was to evict them and force them to sail to Quebec in 1847, filling four ships. When news came back to Ireland that nearly half the passengers had died on route (primarily from cholera) Mahon was ambushed and shot dead, to general celebration.
[Ref: 59721] £850.00 view all images for this item
London. Printed for John Cary, Engraver, Map & Printseller, Strand. 1st Jan.y 1791. [&] London: Printed for John Cary, No. 181 Strand, 1802 [-3].
Two works in one; 8vo (180 x 120mm, 7 x 4¾"), original full diced calf travelling case with empty pockets front and back. 'Companion': engr. title, pp. (iv)+(6)+(2)(ads); index map, 42 maps printed back to back, 1 folding map. 'Itinerary': engr. title & dedication; pp. (iv)+(1)(ad)+868+(2)(ads). All maps with original hand colour. With the bookplate of Henry Pakenham-Mahon of Strokeston Park. Binding with tear to flap, some wear and fading. Folding map of Yorkshire with tear on fold; two folding maps of 'Itinerary' both trimmed to allow opening of segments, one segment loose, with tears on folds.
An unusual travelling edition of two works by John Cary. The 'Traveller's Companion' has a map of England and Wales, 41 counties and maps of North & South Wales. The 'Itinerary' has two road maps of England & Wales, with extensive indexes of the roads. The adverts list some of Cary's maps, with one page dedicated to his globes. The empty pockets in the covers would most likely contain larger folding maps not called for in either the 'Companion' or 'Itinerary'. Henry Pakenham-Mahon (1851-1922) was an amateur photographer: in 2012, a collection of 324 of his glass plates was uncovered at Strokestown Park including several explicit images of live models. Strokestown (in County Roscommon, Ireland) is now home to the National Irish Famine Museum. Henry's grandfather was Denis Mahon, whose responce to a rent strike by his tenants at Strokestown was to evict them and force them to sail to Quebec in 1847, filling four ships. When news came back to Ireland that nearly half the passengers had died on route (primarily from cholera) Mahon was ambushed and shot dead, to general celebration.
[Ref: 59721] £850.00 view all images for this item
![[Henry Cary] Effigies Praenobilis Henrici Baronis Cary Vicecomitus Falklandiae.](jpegs/62069.jpg)
[Henry Cary] Effigies Praenobilis Henrici Baronis Cary Vicecomitus Falklandiae. The Right honorable Henrie lord Carÿe Vicount Falkland Comptroller of his Majesties moost ho.ble houshold, lord Deputie of Ireland and of his Majesties jo.ble privie Counsell in England and Ireland.
Paulus va~ Somer pinx. Joan Barra Sculp.
[n.d., c.1625.]
Engraving. 190 x 135mm (7½ x 5¼"). Small margins, mounted in album paper at edges.
Half-length portrait in an oval frame of Henry Cary (c.1575-1633), first Viscount Falkland, wearing falling ruff and holding a wand.
[Ref: 62069] £130.00 (£156.00 incl.VAT)
Paulus va~ Somer pinx. Joan Barra Sculp.
[n.d., c.1625.]
Engraving. 190 x 135mm (7½ x 5¼"). Small margins, mounted in album paper at edges.
Half-length portrait in an oval frame of Henry Cary (c.1575-1633), first Viscount Falkland, wearing falling ruff and holding a wand.
[Ref: 62069] £130.00 (£156.00 incl.VAT)
![[Lord Falkland.]](jpegs/42343.jpg)
[Lord Falkland.]
[George Perfect Harding, after Cornelis Janssens van Ceulen]
Watercolour and wash, on 18th century paper; 245 x 190mm (9¾ x 7½").
A portrait of Lucius Cary, 2nd Viscount Falkland (1610-1643), author and politician who fought for the Royalists during the Civil War and died at the Battle of Newbury. Watercolour by George Perfect Harding (1779/80-1853), miniature painter, probably after an anonymous etching published in 1813. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42343] £360.00
[George Perfect Harding, after Cornelis Janssens van Ceulen]
Watercolour and wash, on 18th century paper; 245 x 190mm (9¾ x 7½").
A portrait of Lucius Cary, 2nd Viscount Falkland (1610-1643), author and politician who fought for the Royalists during the Civil War and died at the Battle of Newbury. Watercolour by George Perfect Harding (1779/80-1853), miniature painter, probably after an anonymous etching published in 1813. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42343] £360.00
Viri verè Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d., c.1676.]
Engraving, frontispiece to the sitter's 'Commentary on the Book of Job'. Sheet 295 x 185mm, 11½ x 7¼". Closed tear through lower right corner.
Joseph Caryl (1602 - 1673), nonconformist divine and commentator. A rare portrait. Engraved by Robert White (1645 - 1703).
[Ref: 13706] £90.00 (£108.00 incl.VAT)
R. White sculpsit.
[n.d., c.1676.]
Engraving, frontispiece to the sitter's 'Commentary on the Book of Job'. Sheet 295 x 185mm, 11½ x 7¼". Closed tear through lower right corner.
Joseph Caryl (1602 - 1673), nonconformist divine and commentator. A rare portrait. Engraved by Robert White (1645 - 1703).
[Ref: 13706] £90.00 (£108.00 incl.VAT)
Viri vere Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d. c.1676.]
Engraving. 292 x 190mm. 11½ x 7½". Trimmed.
Joseph Caryl (1602-1673) was an English nonconformist divine who frequently preached before Long Parliament, and was a member of the Westminster Assembly in 1643. In 1650 he was sent to accompany Cromwell to Scotland, however in 1662, following the Restoration, he was ejected from the Church of St Magnus near London Bridge. Portrait of Joseph Caryl, bust in an ornamental oval frame on a pedestal, long hair, wearing skull-cap and bands; curtain in the background with bookshelves to the right. Frontispiece to his 'Commentary on Job' (1676).
Ex Collection: R. Hobson of Hove.
[Ref: 25395] £75.00 (£90.00 incl.VAT)
R. White sculpsit.
[n.d. c.1676.]
Engraving. 292 x 190mm. 11½ x 7½". Trimmed.
Joseph Caryl (1602-1673) was an English nonconformist divine who frequently preached before Long Parliament, and was a member of the Westminster Assembly in 1643. In 1650 he was sent to accompany Cromwell to Scotland, however in 1662, following the Restoration, he was ejected from the Church of St Magnus near London Bridge. Portrait of Joseph Caryl, bust in an ornamental oval frame on a pedestal, long hair, wearing skull-cap and bands; curtain in the background with bookshelves to the right. Frontispiece to his 'Commentary on Job' (1676).
Ex Collection: R. Hobson of Hove.
[Ref: 25395] £75.00 (£90.00 incl.VAT)
Ritratto de Bindo Altovitii. M.D XX III
Titianus pinxit, Tho: Neale fecit,
Sold by John Overton at the white horse neere the fountaine tavern without Newgate. [n.d. c.1690]
Very rare etching, sheet 380 x 290mm (15 x 11½"), on 17th century watermarked paper. In ink at bottom "By Thos. Neale, a disciple of Hollar". Trimmed within plate and tipped into album paper. Creased and slightly damaged at corners.
Half-length portrait of a man with moustache and long beard wearing a loose gown, and ring on the ring finger of his left hand, which holds a book closed with two clasps, lying on a parapet. The title suggests this is italian bank Bindo Altoviti (1491-1557) however looks more like a painting formerly attributed to Titian that is now believed to be by Paris Bordone; it appears to be Giovanni della Casa (1503-1556) an Italian poet, diplomat, clergyman and inquisitor, and writer on etiquette and society.
[Ref: 61651] £260.00 (£312.00 incl.VAT)
Titianus pinxit, Tho: Neale fecit,
Sold by John Overton at the white horse neere the fountaine tavern without Newgate. [n.d. c.1690]
Very rare etching, sheet 380 x 290mm (15 x 11½"), on 17th century watermarked paper. In ink at bottom "By Thos. Neale, a disciple of Hollar". Trimmed within plate and tipped into album paper. Creased and slightly damaged at corners.
Half-length portrait of a man with moustache and long beard wearing a loose gown, and ring on the ring finger of his left hand, which holds a book closed with two clasps, lying on a parapet. The title suggests this is italian bank Bindo Altoviti (1491-1557) however looks more like a painting formerly attributed to Titian that is now believed to be by Paris Bordone; it appears to be Giovanni della Casa (1503-1556) an Italian poet, diplomat, clergyman and inquisitor, and writer on etiquette and society.
[Ref: 61651] £260.00 (£312.00 incl.VAT)
A View of Casal, a very strong City and Castle in Italy, taken by the Duke of Savoy in Decem.r 1706
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 390 x 480mm (15¼ x 19"). Very fine impression with original binding folds, trimmed into plate at top, as issued.
Plan of Casale, taken from the French by Victor Amadeus II, Duke of Savoy during the War of the Spanish Succession. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28275] £230.00
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 390 x 480mm (15¼ x 19"). Very fine impression with original binding folds, trimmed into plate at top, as issued.
Plan of Casale, taken from the French by Victor Amadeus II, Duke of Savoy during the War of the Spanish Succession. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28275] £230.00
Casan Church.
Rt. Johnson [sic] delt. J. Gledah Sculpt.
[London, 1815.]
Hand coloured aquatint, sheet 170 x 220mm. 6¾ x 8½". Sheet trimmed.
A view in Saint Petersburg, Russia. After Robert Johnston (1783 - 1839), for his 'Travels through part of the Russian Empire and the County of Poland, along the southern shores of the Baltic'.
Abbey Travel: 15, 8. BL: 001889216. Ex Collection Norman Blackburn.
[Ref: 18586] £120.00 (£144.00 incl.VAT)
Rt. Johnson [sic] delt. J. Gledah Sculpt.
[London, 1815.]
Hand coloured aquatint, sheet 170 x 220mm. 6¾ x 8½". Sheet trimmed.
A view in Saint Petersburg, Russia. After Robert Johnston (1783 - 1839), for his 'Travels through part of the Russian Empire and the County of Poland, along the southern shores of the Baltic'.
Abbey Travel: 15, 8. BL: 001889216. Ex Collection Norman Blackburn.
[Ref: 18586] £120.00 (£144.00 incl.VAT)
Vüe d'une Cascade sur les bords du Tibre près de Rome.
Le Barbier l'Ainé Pinx. Cl. Duflos Sculp.
AParis chés Cl. Duflos rüe Gallande chés M.r Fauchereau Marchand Chapelier.
Fine engraving. Sheet 330 x 400mm (13 x 15¾"). Trimmed to plate.
Two rustics under a waterfall by the side of the river Tiber.
[Ref: 44988] £260.00 (£312.00 incl.VAT)
Le Barbier l'Ainé Pinx. Cl. Duflos Sculp.
AParis chés Cl. Duflos rüe Gallande chés M.r Fauchereau Marchand Chapelier.
Fine engraving. Sheet 330 x 400mm (13 x 15¾"). Trimmed to plate.
Two rustics under a waterfall by the side of the river Tiber.
[Ref: 44988] £260.00 (£312.00 incl.VAT)
![[The Cascade.] In the Collection of the Right Honourable Sr: Robert Walpole.](jpegs/26539.jpg)
[The Cascade.] In the Collection of the Right Honourable Sr: Robert Walpole.
Gaspar Poussin [Gaspard Dughet] pinx. Vivares Sculp.
Published March 25. 1741, by C. Knapton. 2 feet 9. inch. ½ wide 1 f. 11 inch: ¼ high.
Engraving. 310 x 400mm (12¼ x 15¾"), with large margins. Repaired tear into plate at right. Tears and nicks around edges.
Landscape with goats walking to the left, on a path running through rocks, with herdsman and dog walking behind; two figures seated in the right foreground.
[Ref: 26539] £130.00 (£156.00 incl.VAT)
Gaspar Poussin [Gaspard Dughet] pinx. Vivares Sculp.
Published March 25. 1741, by C. Knapton. 2 feet 9. inch. ½ wide 1 f. 11 inch: ¼ high.
Engraving. 310 x 400mm (12¼ x 15¾"), with large margins. Repaired tear into plate at right. Tears and nicks around edges.
Landscape with goats walking to the left, on a path running through rocks, with herdsman and dog walking behind; two figures seated in the right foreground.
[Ref: 26539] £130.00 (£156.00 incl.VAT)
Duncombe's Miniature Caricature Magazine. No.3. A Case of Conscience; or the Manager and Glassblowers.
T. Jones fec.t.
London Published by Duncombe, Book & Music Seller, 19, Little Queen Str.t. Holborn.
Hand-coloured etching. Plate: 130 x 165mm (5 x 6½''). Slight crease.
A satirical print showing a group of glassblowers at a protest, all wear sashes and carry glass baubles on poles.
[Ref: 51093] £130.00 (£156.00 incl.VAT)
T. Jones fec.t.
London Published by Duncombe, Book & Music Seller, 19, Little Queen Str.t. Holborn.
Hand-coloured etching. Plate: 130 x 165mm (5 x 6½''). Slight crease.
A satirical print showing a group of glassblowers at a protest, all wear sashes and carry glass baubles on poles.
[Ref: 51093] £130.00 (£156.00 incl.VAT)
Johannes Case. Med Doctor. Natus Lymæ, in Com. Dorceste.
F.H.van.Hove, sculp.
[n.d., c.1698.]
Engraving. 125 x 75mm (5 x 3"). Trimmed and backed onto album paper.
Portrait of John Case (c.1660 - 1700), English astrologer and quack doctor, a writer on anatomy, astrology and medicine. Frontis to his, 'The medical expositor...' 1698.
W 551
[Ref: 64442] £80.00 (£96.00 incl.VAT)
F.H.van.Hove, sculp.
[n.d., c.1698.]
Engraving. 125 x 75mm (5 x 3"). Trimmed and backed onto album paper.
Portrait of John Case (c.1660 - 1700), English astrologer and quack doctor, a writer on anatomy, astrology and medicine. Frontis to his, 'The medical expositor...' 1698.
W 551
[Ref: 64442] £80.00 (£96.00 incl.VAT)
![Signora Casentini in the Character of la Bella Pescatrice favorite Opera, performed [in] the Kings Theatre, Pantheon.](jpegs/47265.jpg)
Signora Casentini in the Character of la Bella Pescatrice favorite Opera, performed [in] the Kings Theatre, Pantheon.
P. Violet Pinxit 1792. F. Bartolozzi sculps.
[n.d., c.1792.]
Stipple, rare. Sheet: 155 x 105mm (6 x 4"). Trimmed.
A portrait of singer Anna Casentini in Guglielmi's opera La Bella Pescatrice.
De Vesme 1050.
[Ref: 47265] £110.00 (£132.00 incl.VAT)
P. Violet Pinxit 1792. F. Bartolozzi sculps.
[n.d., c.1792.]
Stipple, rare. Sheet: 155 x 105mm (6 x 4"). Trimmed.
A portrait of singer Anna Casentini in Guglielmi's opera La Bella Pescatrice.
De Vesme 1050.
[Ref: 47265] £110.00 (£132.00 incl.VAT)
Vüe de Caserte. Prise au Couvent des Recollets en allant aux Aqueducs [...]
Peint par Philippe Hackert Premier Peintre de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles. Gravé par George Hackert Premier Graveur de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles.
[Published by George Hackert, c.1795]
Engraving, platemark: 430 x 575mm. (17 x 22¾"). Trimmed to plate.
The city of Caserta, in the Campania region of Italy, showing its famous palace. Begun in 1752 for Charles VII of Naples, it was only partially completed by his son, Ferdinand IV of Naples. One of the largest buildings in Europe in the 18th century, it is now a designated UNESCO World Heritage Site. Inscribed underneath is a dedication to Ferdinand IV (1751 - 1825) with a coat of arms in the centre. Engraved by Georg Hackert (1755-1805) after a painting by his brother Philipp (1737 - 1807), during the time when they both held official positions at the Neapolitan court before fleeing the city at the time of the 1799 Revolution. During Philipp Hackert's time in Naples he became a close friend of Goethe, who edited and published the artist's memoirs after his death.
Provenance: Torridon House Lovelace/King Family
[Ref: 39576] £520.00
Peint par Philippe Hackert Premier Peintre de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles. Gravé par George Hackert Premier Graveur de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles.
[Published by George Hackert, c.1795]
Engraving, platemark: 430 x 575mm. (17 x 22¾"). Trimmed to plate.
The city of Caserta, in the Campania region of Italy, showing its famous palace. Begun in 1752 for Charles VII of Naples, it was only partially completed by his son, Ferdinand IV of Naples. One of the largest buildings in Europe in the 18th century, it is now a designated UNESCO World Heritage Site. Inscribed underneath is a dedication to Ferdinand IV (1751 - 1825) with a coat of arms in the centre. Engraved by Georg Hackert (1755-1805) after a painting by his brother Philipp (1737 - 1807), during the time when they both held official positions at the Neapolitan court before fleeing the city at the time of the 1799 Revolution. During Philipp Hackert's time in Naples he became a close friend of Goethe, who edited and published the artist's memoirs after his death.
Provenance: Torridon House Lovelace/King Family
[Ref: 39576] £520.00
This is the House for Cash Built!! A Pretty play for grown up gentlemen during the Parliamentary recess.
[by Isaac Cruikshank.]
Pub.d Dec.r 1st 1797 by S.W. Fores No 50 Piccadilly Corner of Sackville St, Folios of Caracatures lent out for the Evening.
Rare coloured etching, watermark 1794; Sheet 360 x 480mm (14¼ x 19"). Trimmed to plate. Some stains, tear at centre, crease bottom.
A satire in ten numbered compartments, based on 'This is the House that Jack Built'. 1 is the Treasury ('The House') and 2 is a pile of moneybags ('cole'). 3 to 10 are caricatures of politicians: Pitt the Younger, Dundas, Wilkes, Fox, Sheridan, Burke, Loughborough and Thurlow.
BM Satires 9044.
[Ref: 54426] £380.00
[by Isaac Cruikshank.]
Pub.d Dec.r 1st 1797 by S.W. Fores No 50 Piccadilly Corner of Sackville St, Folios of Caracatures lent out for the Evening.
Rare coloured etching, watermark 1794; Sheet 360 x 480mm (14¼ x 19"). Trimmed to plate. Some stains, tear at centre, crease bottom.
A satire in ten numbered compartments, based on 'This is the House that Jack Built'. 1 is the Treasury ('The House') and 2 is a pile of moneybags ('cole'). 3 to 10 are caricatures of politicians: Pitt the Younger, Dundas, Wilkes, Fox, Sheridan, Burke, Loughborough and Thurlow.
BM Satires 9044.
[Ref: 54426] £380.00
A Casine in the Environs of Nice.
Bacler d'Albe f.t. Drawn on Stone by N. Chater & Co.
Printed & Published by N. Chater & Co. 33 Fleet Street, May 30. 1823.
Lithograph, rare, printed on india. Printed area: 220 x 155mm (8¾ x 6"). Marking.
A view of a house on the coast of the Mediterranean, with a woman holding a guitar and a young child looking out to a large ship.
[Ref: 46074] £50.00 (£60.00 incl.VAT)
Bacler d'Albe f.t. Drawn on Stone by N. Chater & Co.
Printed & Published by N. Chater & Co. 33 Fleet Street, May 30. 1823.
Lithograph, rare, printed on india. Printed area: 220 x 155mm (8¾ x 6"). Marking.
A view of a house on the coast of the Mediterranean, with a woman holding a guitar and a young child looking out to a large ship.
[Ref: 46074] £50.00 (£60.00 incl.VAT)
William Caslon.
[n.d., c.1760.]
Engraving. Sheet 150 x 100mm, 6 x 5". Trimmed.
William Caslon the Elder (1692-1766), type founder; designer of the Caslon typeface. A Caslon typeface was used for the first printed version of the United States Declaration of Independence.
[Ref: 19008] £45.00 (£54.00 incl.VAT)
[n.d., c.1760.]
Engraving. Sheet 150 x 100mm, 6 x 5". Trimmed.
William Caslon the Elder (1692-1766), type founder; designer of the Caslon typeface. A Caslon typeface was used for the first printed version of the United States Declaration of Independence.
[Ref: 19008] £45.00 (£54.00 incl.VAT)
![[Caspian Gates] Derbent een sterke Stad, eeryds Alexandria, om dat dees Stad door Alexander de Groote [...] [parallel text in Latin]](jpegs/59276.jpg)
[Caspian Gates] Derbent een sterke Stad, eeryds Alexandria, om dat dees Stad door Alexander de Groote [...] [parallel text in Latin]
Pet:Schenk Exc: Amst: cum Priv. [n.d. c.1730.]
Engraving, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, some spots.
A view of the Caspian Sea, with the Caspian Gates in the background. Also known as the Gates of Alexander, they were a mythical barrier supposedly built by Alexander the Great in the Caucasus to keep the uncivilized barbarians of the north from invading the land to the south. They are usually identified with the Fortifications of Derbent, Russia.
[Ref: 59276] £85.00 (£102.00 incl.VAT)
Pet:Schenk Exc: Amst: cum Priv. [n.d. c.1730.]
Engraving, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, some spots.
A view of the Caspian Sea, with the Caspian Gates in the background. Also known as the Gates of Alexander, they were a mythical barrier supposedly built by Alexander the Great in the Caucasus to keep the uncivilized barbarians of the north from invading the land to the south. They are usually identified with the Fortifications of Derbent, Russia.
[Ref: 59276] £85.00 (£102.00 incl.VAT)
Caspian Tern.
P. Mazell sculp.
Published July 17 1789 by J. Stockdale.
Etching with original hand colour. 265 x 190mm (10½ x 7½"). Trimmed to plate on left, thread margins elsewhere. Paper tab stuck on edge, paper toning at bottom, old ink mss.
A Caspian tern, as seen in New South Wales by a crew member of the First Fleet. From 'The voyage of Governor Phillip to Botany Bay' by Philip Arthur.
[Ref: 55235] £120.00 (£144.00 incl.VAT)
P. Mazell sculp.
Published July 17 1789 by J. Stockdale.
Etching with original hand colour. 265 x 190mm (10½ x 7½"). Trimmed to plate on left, thread margins elsewhere. Paper tab stuck on edge, paper toning at bottom, old ink mss.
A Caspian tern, as seen in New South Wales by a crew member of the First Fleet. From 'The voyage of Governor Phillip to Botany Bay' by Philip Arthur.
[Ref: 55235] £120.00 (£144.00 incl.VAT)
![[Battle of Cassano, 1705]](jpegs/38651.jpg)
[Battle of Cassano, 1705] De Franske, door Eugenius, aan den Adda by Cassano en Treviglio, geslag en, den 16 Aug. 1705 [parallel text in latin]
P: Schenk exc: Amst: C.P.
Etching, sheet 150 x 190mm (6 x 7½"). Trimmed; glued to backing sheet; foxing.
The Battle of Cassano in 1705, at Cassano d'Adda near Milan, saw French forces defeat the Austrian and Prussian armies in the War of the Spanish Succession. From a series of prints showing conflicts in that war, published in Amsterdam by Pieter Schenck.
[Ref: 38651] £65.00 (£78.00 incl.VAT)
P: Schenk exc: Amst: C.P.
Etching, sheet 150 x 190mm (6 x 7½"). Trimmed; glued to backing sheet; foxing.
The Battle of Cassano in 1705, at Cassano d'Adda near Milan, saw French forces defeat the Austrian and Prussian armies in the War of the Spanish Succession. From a series of prints showing conflicts in that war, published in Amsterdam by Pieter Schenck.
[Ref: 38651] £65.00 (£78.00 incl.VAT)
Shepherds Cottage, Cashiobury.
From Nature & Stone by J. C. Oldmeadow.
Printed by W. Clerk, 202 High Holborn. [n.d., c.1830].
Two lithographs on seperate sheets, joined along top edge, very scarce pair. Both laid on India paper. Sheet size: 345 x 500mm (13½ x 19½") each. Light foxing.
Two separate lithographs. The first is a view of a large shepherd's cottage in Cassiobury, Hertfordshire, with the shepherd and his dog walking along a path to the left. Woodland can be seen behind the house. The second is Lady Harriet Countess of Essex's sketch of Cassiobury before it was rebuilt, with an explanation by Lord Essex, and facsimile signature below. The naive sketch is said to be an exact representation of the original drawing by Lady Essex, of whom Lord Essex claimed had 'no pretentions to drawing'.
[Ref: 33574] £280.00 (£336.00 incl.VAT) view all images for this item
From Nature & Stone by J. C. Oldmeadow.
Printed by W. Clerk, 202 High Holborn. [n.d., c.1830].
Two lithographs on seperate sheets, joined along top edge, very scarce pair. Both laid on India paper. Sheet size: 345 x 500mm (13½ x 19½") each. Light foxing.
Two separate lithographs. The first is a view of a large shepherd's cottage in Cassiobury, Hertfordshire, with the shepherd and his dog walking along a path to the left. Woodland can be seen behind the house. The second is Lady Harriet Countess of Essex's sketch of Cassiobury before it was rebuilt, with an explanation by Lord Essex, and facsimile signature below. The naive sketch is said to be an exact representation of the original drawing by Lady Essex, of whom Lord Essex claimed had 'no pretentions to drawing'.
[Ref: 33574] £280.00 (£336.00 incl.VAT) view all images for this item
![[Cassowary]. Nouvelle-Hollande: Ile Descrès. Casoar de la N.elle](jpegs/39128.jpg)
[Cassowary]. Nouvelle-Hollande: Ile Descrès. Casoar de la N.elle (Casuarines novæ Hollandiæ. Lath.)
C.A. Lesueur del. J. Milbert direx. F.res Lambert sculp.
De l'Imprimerie de Langlois. [Paris, 1807.]
Engraving, printed in colours and hand finished. Sheet 240 x 320mm (9½ x 12½"). Trimmed within plate, tape stains on edges. Very slight crease top right.
A family of cassowaries, drawn by Charles-Alexandre Lesueur for the official account of Nicolas Baudin's expedition to Australia. Leseuer was originally an assistant gunner on the expeditions, but took over artist and naturalist duties after a number of the expedition members left the ship due to illness at Mauritius.
[Ref: 39128] £150.00 (£180.00 incl.VAT)
C.A. Lesueur del. J. Milbert direx. F.res Lambert sculp.
De l'Imprimerie de Langlois. [Paris, 1807.]
Engraving, printed in colours and hand finished. Sheet 240 x 320mm (9½ x 12½"). Trimmed within plate, tape stains on edges. Very slight crease top right.
A family of cassowaries, drawn by Charles-Alexandre Lesueur for the official account of Nicolas Baudin's expedition to Australia. Leseuer was originally an assistant gunner on the expeditions, but took over artist and naturalist duties after a number of the expedition members left the ship due to illness at Mauritius.
[Ref: 39128] £150.00 (£180.00 incl.VAT)
Combat de Castel-Gineste. (1793 14 Novembre 4 Frimaire. Victoires et Conquests tôme 2. page 137.) Le Genéral Massena Officiers et soldats Coopèrent à ce transport.
Lithog de C. de Last. au dépot Gén.al de.al Lithog.ie. quai voltaire No7.
[1818.]
Lithograph. Printed area: 265 x 385mm (10½ x 15¼"), with large margins. Uncut. Tears to margins.
A scene showing an attack on Castelgineste during the Napoleonic Wars.
[Ref: 44763] £140.00 (£168.00 incl.VAT)
Lithog de C. de Last. au dépot Gén.al de.al Lithog.ie. quai voltaire No7.
[1818.]
Lithograph. Printed area: 265 x 385mm (10½ x 15¼"), with large margins. Uncut. Tears to margins.
A scene showing an attack on Castelgineste during the Napoleonic Wars.
[Ref: 44763] £140.00 (£168.00 incl.VAT)
Edmundus Castellus S.T.D. Ecclesiae Christi Cantuariens: Canonicus etc. Aetat. 63 Anno 1669.
Will. Faithorne Pinxit et Sculpsit.
Engraving. Sheet 220 x 320mm. Trimmed to image. Repaired tear c.6cm through top of image.
Edmund Castell was an English orientalist [1606 - 1685]. His great work, the Lexicon Heptaglotton Hebraicum, Chaldaicum, Syriacum, Samaritanum, Aethiopicum, Arabicum, et Persicum (1669), took him eighteen years to complete, working (according to his own account) from sixteen to eighteen hours a day.
[Ref: 2384] £120.00 (£144.00 incl.VAT)
Will. Faithorne Pinxit et Sculpsit.
Engraving. Sheet 220 x 320mm. Trimmed to image. Repaired tear c.6cm through top of image.
Edmund Castell was an English orientalist [1606 - 1685]. His great work, the Lexicon Heptaglotton Hebraicum, Chaldaicum, Syriacum, Samaritanum, Aethiopicum, Arabicum, et Persicum (1669), took him eighteen years to complete, working (according to his own account) from sixteen to eighteen hours a day.
[Ref: 2384] £120.00 (£144.00 incl.VAT)
M.me A Castellan.
St. Petersbourg chez M. Bernard. Moscow chez P. Lehnhold. [n.d. c.1845.]
Lithograph on album page. 347 x 267mm. 13¾ x 10½". Foxed.
Jeanne Anais Castellan (1819-c.1858) was a French soprano. She studied at the Paris Conservatoire with Giulio Bordogni, Adolphe Nourrit and Laure Cinti-Damoreau. She began her stage career in Italy, appearing at Varese in 1837, and later at Turin, Bergamo, Rome, Milan and Florence, where in 1840 she married the singer Enrico Giampetro. She made her London debut at a Philharmonic concert in 1844, and appeared in her first London role of Lucia, a year later. She chose the same role for her debuts at the Theatre-Italien, Paris (1847), and Covent Garden (1848). At the Paris Opera in 1849 she sang Berthe in the premiere of Giacomo Meyerbeer's 'Le Prophete', and the following year she was particularly successful at Covent Garden in 'Mose' and 'Nabucco'.
[Ref: 23667] £230.00 (£276.00 incl.VAT)
St. Petersbourg chez M. Bernard. Moscow chez P. Lehnhold. [n.d. c.1845.]
Lithograph on album page. 347 x 267mm. 13¾ x 10½". Foxed.
Jeanne Anais Castellan (1819-c.1858) was a French soprano. She studied at the Paris Conservatoire with Giulio Bordogni, Adolphe Nourrit and Laure Cinti-Damoreau. She began her stage career in Italy, appearing at Varese in 1837, and later at Turin, Bergamo, Rome, Milan and Florence, where in 1840 she married the singer Enrico Giampetro. She made her London debut at a Philharmonic concert in 1844, and appeared in her first London role of Lucia, a year later. She chose the same role for her debuts at the Theatre-Italien, Paris (1847), and Covent Garden (1848). At the Paris Opera in 1849 she sang Berthe in the premiere of Giacomo Meyerbeer's 'Le Prophete', and the following year she was particularly successful at Covent Garden in 'Mose' and 'Nabucco'.
[Ref: 23667] £230.00 (£276.00 incl.VAT)
Madame Castellan.
E Ratti del. Auguste Hussener sc.
Verlag v. Baumgärtner's BCCHH Leipzig.
Etching and stipple with gold-leaf border, on album page. 292 x 222mm. 11½ x 8¾".
Jeanne Anais Castellan (1819-c.1858) was a French soprano. She studied at the Paris Conservatoire with Giulio Bordogni, Adolphe Nourrit and Laure Cinti-Damoreau. She began her stage career in Italy, appearing at Varese in 1837, and later at Turin, Bergamo, Rome, Milan and Florence, where in 1840 she married the singer Enrico Giampetro. She made her London debut at a Philharmonic concert in 1844, and appeared and her first London role was Lucia, a year later. She chose the same role for her debuts at the Theatre-Italien, Paris (1847), and Covent Garden (1848). At the Paris Opera in 1849 she sang Berthe in the premiere of Giacomo Meyerbeer's 'Le Prophete', and the following year she was particularly successful at Covent Garden in 'Mose' and 'Nabucco'.
Harvard: 1.
[Ref: 23668] £160.00 (£192.00 incl.VAT)
E Ratti del. Auguste Hussener sc.
Verlag v. Baumgärtner's BCCHH Leipzig.
Etching and stipple with gold-leaf border, on album page. 292 x 222mm. 11½ x 8¾".
Jeanne Anais Castellan (1819-c.1858) was a French soprano. She studied at the Paris Conservatoire with Giulio Bordogni, Adolphe Nourrit and Laure Cinti-Damoreau. She began her stage career in Italy, appearing at Varese in 1837, and later at Turin, Bergamo, Rome, Milan and Florence, where in 1840 she married the singer Enrico Giampetro. She made her London debut at a Philharmonic concert in 1844, and appeared and her first London role was Lucia, a year later. She chose the same role for her debuts at the Theatre-Italien, Paris (1847), and Covent Garden (1848). At the Paris Opera in 1849 she sang Berthe in the premiere of Giacomo Meyerbeer's 'Le Prophete', and the following year she was particularly successful at Covent Garden in 'Mose' and 'Nabucco'.
Harvard: 1.
[Ref: 23668] £160.00 (£192.00 incl.VAT)
M.me A. Castellan-Giampietro.
E. frohbergerfff. 1845.
Lithograph on album page. 470 x 318mm. 18½ x 12½". Foxed.
Anaide Castellan-Giampietro (1821-1868), a Parisian singer, a student of Bordogni and Nourrit before having major success in Paris, London and throughout Italy. After her marriage to tenor Enrico Giampietro in 1840, they travelled to Mexico where they lived and performed for several years before a triumphant return to Europe in 1844. In London that year, she won an Imperial invitation to St. Petersburg after the visiting Emperor Nicholas I heard her sing.
[Ref: 23687] £260.00 (£312.00 incl.VAT)
E. frohbergerfff. 1845.
Lithograph on album page. 470 x 318mm. 18½ x 12½". Foxed.
Anaide Castellan-Giampietro (1821-1868), a Parisian singer, a student of Bordogni and Nourrit before having major success in Paris, London and throughout Italy. After her marriage to tenor Enrico Giampietro in 1840, they travelled to Mexico where they lived and performed for several years before a triumphant return to Europe in 1844. In London that year, she won an Imperial invitation to St. Petersburg after the visiting Emperor Nicholas I heard her sing.
[Ref: 23687] £260.00 (£312.00 incl.VAT)
Jacques Marquis de Castelnau Marsechal de France...
J. Frosne Sculpsit.
A paris chez F. Jollain [n.d., c.1680.]
Jacques de Castelnau-Bochetel (1620-58), lieutenant general of the king's armies during the Thirty Years War. In 1658, he took the fort of Leon near Dunkirk from the Spaniards and began strenghening work on the fortifications. During an inspection he was shot by a musket which lodged in his body. The king rewarding the capture of Leon by making Castelnau marshal of France, but he died of his wound a month later, aged only 38 years old.
[Ref: 51443] £140.00 (£168.00 incl.VAT)
J. Frosne Sculpsit.
A paris chez F. Jollain [n.d., c.1680.]
Jacques de Castelnau-Bochetel (1620-58), lieutenant general of the king's armies during the Thirty Years War. In 1658, he took the fort of Leon near Dunkirk from the Spaniards and began strenghening work on the fortifications. During an inspection he was shot by a musket which lodged in his body. The king rewarding the capture of Leon by making Castelnau marshal of France, but he died of his wound a month later, aged only 38 years old.
[Ref: 51443] £140.00 (£168.00 incl.VAT)
Jacques Marquis de Castelnau Mareschal de France Lieutenant General des Armees du Roy en Flandres, Gouverneur de Brest, nommé a l'Order du Saint Esprit &c.
Nanteuil ad viv. faciebat 1658.
Engraving. Plate: 275 x 190mm (10¾ x 7½''). Trimmed to plate at bottom, 3 sides thread margins.
A portrait of Jacques de Castelnau-Bochetel Seigneur de Mauvissière (1620-1658), Lieutenant-General and Governor of Brest who was mortally wounded during the seige of Dunkirk in 1658 and given the title of Marshall on his deathbed.
Petitjean & Wickert 41 11.
[Ref: 49259] £160.00 (£192.00 incl.VAT)
Nanteuil ad viv. faciebat 1658.
Engraving. Plate: 275 x 190mm (10¾ x 7½''). Trimmed to plate at bottom, 3 sides thread margins.
A portrait of Jacques de Castelnau-Bochetel Seigneur de Mauvissière (1620-1658), Lieutenant-General and Governor of Brest who was mortally wounded during the seige of Dunkirk in 1658 and given the title of Marshall on his deathbed.
Petitjean & Wickert 41 11.
[Ref: 49259] £160.00 (£192.00 incl.VAT)
Bataille de Castiglione.
Champion del. Litho: de C. Motte.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½"), with very large margins.
The Battle of Castiglione (5 August 1796) saw the outnumbered Austrians, under Feldmarschall Dagobert Sigmund von Wurmser, defeated and driven back, by the Napoleon's French Army of Italy, along a line of hills to the river crossing at Borghetto, where they retired beyond the Mincio River. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30792] £220.00 (£264.00 incl.VAT)
Champion del. Litho: de C. Motte.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½"), with very large margins.
The Battle of Castiglione (5 August 1796) saw the outnumbered Austrians, under Feldmarschall Dagobert Sigmund von Wurmser, defeated and driven back, by the Napoleon's French Army of Italy, along a line of hills to the river crossing at Borghetto, where they retired beyond the Mincio River. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30792] £220.00 (£264.00 incl.VAT)
Outside of a Castle. To Lady Charlotte Campbell, this print from the original Transparent Drawing by the Rev.d Ja,,s Hook, in Her Ladyship's collection, is humbly dedicated by her most Obed.t. Serv.t Edw.d Orme. Proof.
[Engraved by Charles Turner.]
Published & Sold June 1. 1798, by Edw.d Orme, Conduit Street, London. Where may be hand a Variety of Transparent Drawings & new Publications.
Coloured transparency, fine mezzotint with etching. 240 x 280mm (9½ x 11"). Varnish leeching into title and publication area. Small margins.
A moon-lit castle with a barge being punted under a bridge. The artist, James Hook (c. 1772 - 1828), became dean of Worcester in 1825. The owner of the original drawing, Lady Charlotte Susan Maria Campbell (1775-1861), became Lady Charlotte Bury after her second marriage. When the 'Diary illustrative of the Times of George IV' was published anonymously in 1838 it was widely believed to be at least based on, if not the actual, diaries kept by her while Lady-in-Waiting to the Princess of Wales, later Queen Caroline. Described as a 'filthy, shameless and execrable work' by the Monthly Review', no one has ever claimed authorship.
See Whitman pg 286.
[Ref: 65782] £260.00 (£312.00 incl.VAT) view all images for this item
[Engraved by Charles Turner.]
Published & Sold June 1. 1798, by Edw.d Orme, Conduit Street, London. Where may be hand a Variety of Transparent Drawings & new Publications.
Coloured transparency, fine mezzotint with etching. 240 x 280mm (9½ x 11"). Varnish leeching into title and publication area. Small margins.
A moon-lit castle with a barge being punted under a bridge. The artist, James Hook (c. 1772 - 1828), became dean of Worcester in 1825. The owner of the original drawing, Lady Charlotte Susan Maria Campbell (1775-1861), became Lady Charlotte Bury after her second marriage. When the 'Diary illustrative of the Times of George IV' was published anonymously in 1838 it was widely believed to be at least based on, if not the actual, diaries kept by her while Lady-in-Waiting to the Princess of Wales, later Queen Caroline. Described as a 'filthy, shameless and execrable work' by the Monthly Review', no one has ever claimed authorship.
See Whitman pg 286.
[Ref: 65782] £260.00 (£312.00 incl.VAT) view all images for this item
Outside of a Castle. To Lady Charlotte Campbell, this print from the original Transparent Drawing by the Revd. Jas. Hook, in Her Ladyship's collection, is humbly dedicated by her most obedt. Servt. Edwd. Orme.
Edwd. Orme, Conduit Street, London. Where may be had a Variety of Transparent Drawings & new Publications [n.d., c.1800].
Transparency, mezzotint with etching, image 225 x 280mm. 8¾ x 11". Trimmed to plate below and to right. Two creases and tear into image upper right.
A castle illuminated by the moon at night; a figure in a boat in the moat in foreground.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10590] £120.00 (£144.00 incl.VAT)
Edwd. Orme, Conduit Street, London. Where may be had a Variety of Transparent Drawings & new Publications [n.d., c.1800].
Transparency, mezzotint with etching, image 225 x 280mm. 8¾ x 11". Trimmed to plate below and to right. Two creases and tear into image upper right.
A castle illuminated by the moon at night; a figure in a boat in the moat in foreground.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10590] £120.00 (£144.00 incl.VAT)
![Castle Acre Priory [Yorkshire]](jpegs/8908.jpg)
Castle Acre Priory [Yorkshire]
Published Augt. 8. 1811. by J. Deeley, Berwick St. Soho.
Coloured aquatint, watermarked 1817. 311 x 412mm. 12¼" x 16¼". Watermark of 1817.
Castle Acre Priory, in the village of Castle Acre, Norfolk, England, is thought to have been founded in 1089 by William de Warenne the son the 1st.Earl of Surrey who had founded England's first Cluniac priory at Lewes in 1077.
[Ref: 8908] £220.00 (£264.00 incl.VAT)
Published Augt. 8. 1811. by J. Deeley, Berwick St. Soho.
Coloured aquatint, watermarked 1817. 311 x 412mm. 12¼" x 16¼". Watermark of 1817.
Castle Acre Priory, in the village of Castle Acre, Norfolk, England, is thought to have been founded in 1089 by William de Warenne the son the 1st.Earl of Surrey who had founded England's first Cluniac priory at Lewes in 1077.
[Ref: 8908] £220.00 (£264.00 incl.VAT)
![Castle Ashby, the Seat of the Marquess of Northampton. [&] N.E. View of Castle Ashby, the Seat of the Marquess of Northampton.](jpegs/46830.jpg)
Castle Ashby, the Seat of the Marquess of Northampton. [&] N.E. View of Castle Ashby, the Seat of the Marquess of Northampton.
Drawn by G. Clark, Nealdwell.
[n.d., c.1830.]
A pair of fine ink and wash drawings. Sheet: 355 x 460mm (14 x 18"). Marking in margins.
A pair of views of Castle Ashby, an Elizabethan House with a Palladian section, in Northampton.
Provenance: Edge Hall Library, Cheshire
[Ref: 46830] £550.00 view all images for this item
Drawn by G. Clark, Nealdwell.
[n.d., c.1830.]
A pair of fine ink and wash drawings. Sheet: 355 x 460mm (14 x 18"). Marking in margins.
A pair of views of Castle Ashby, an Elizabethan House with a Palladian section, in Northampton.
Provenance: Edge Hall Library, Cheshire
[Ref: 46830] £550.00 view all images for this item
Plan of Property in the Parishes of Castle Cary and Ansford Somerset. For Sale by Auction May 3rd 1883.
Wainwrights & Heard Surveyors Shepton Mallet.
Scarce lithographic map with hand colour. Printed area 930 x 630mm (36½ x 25"). Laid on linen, ink stamps of Randolfe Woodforde, solicitor.
A large plan of the environs of the town of Castle Cary, on a scale of 6 chains (396 feet) to an inch, showing the 34 lots in this auction of property. An inset shows the town on twice the scale.
[Ref: 58014] £280.00
Wainwrights & Heard Surveyors Shepton Mallet.
Scarce lithographic map with hand colour. Printed area 930 x 630mm (36½ x 25"). Laid on linen, ink stamps of Randolfe Woodforde, solicitor.
A large plan of the environs of the town of Castle Cary, on a scale of 6 chains (396 feet) to an inch, showing the 34 lots in this auction of property. An inset shows the town on twice the scale.
[Ref: 58014] £280.00
![The Castle of Inverero [title pasted on verso.]](jpegs/27851.jpg)
The Castle of Inverero [title pasted on verso.]
Sold by Ryall and Withyat Hogarth's Head & Dial, opposite Salisbury Court in Fleet Street, London. [Pasted on verso.]
[n.d. c.1762.]
Hand-coloured engraving and etching. 254 x 432mm. 10 x 17". Trimmed.
View of Castle Gordon, near Fochabers in Moray, Scotland; two statues on pedestals in garden in foreground. The original castle was built in the 1470s and then enlarged to become a palace. It had been reconstructed by the time Robert Burns stayed there on his Highland tour of 1786; 'Castle Gordon' is also the title of one of Burns's poems.
[Ref: 27851] £190.00 (£228.00 incl.VAT)
Sold by Ryall and Withyat Hogarth's Head & Dial, opposite Salisbury Court in Fleet Street, London. [Pasted on verso.]
[n.d. c.1762.]
Hand-coloured engraving and etching. 254 x 432mm. 10 x 17". Trimmed.
View of Castle Gordon, near Fochabers in Moray, Scotland; two statues on pedestals in garden in foreground. The original castle was built in the 1470s and then enlarged to become a palace. It had been reconstructed by the time Robert Burns stayed there on his Highland tour of 1786; 'Castle Gordon' is also the title of one of Burns's poems.
[Ref: 27851] £190.00 (£228.00 incl.VAT)
Castle-head, Westmoreland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & C.o. Paternoster Row & W. Daniell, 9 Cleveland S.t. Fitzroy Square, London Feb.y. 1. 1816.
Coloured aquatint with large margins. Plate: 300 x 230mm (12" x 9").
View across a small inlet of water out to the sea, a large house is situated on the right overlooking the inlet, several people walk along the water fron. Plate 44 from "Voyage Round Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33894] £110.00 (£132.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & C.o. Paternoster Row & W. Daniell, 9 Cleveland S.t. Fitzroy Square, London Feb.y. 1. 1816.
Coloured aquatint with large margins. Plate: 300 x 230mm (12" x 9").
View across a small inlet of water out to the sea, a large house is situated on the right overlooking the inlet, several people walk along the water fron. Plate 44 from "Voyage Round Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33894] £110.00 (£132.00 incl.VAT)
Castle-head, Westmoreland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Feb.y, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of a three-storey building next to a wooded rock on a bank to the right, with a row of trees behind. Three figures stand on a pier to the left, with sailing boats at sea in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36125] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Feb.y, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of a three-storey building next to a wooded rock on a bank to the right, with a row of trees behind. Three figures stand on a pier to the left, with sailing boats at sea in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36125] £160.00 (£192.00 incl.VAT)
Castle Hill near Thurso.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. June, 1, 1820.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut. Slight foxing.
A view of the harbour of Castle Hill, Thurso, Scotland. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36067] £130.00 (£156.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. June, 1, 1820.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut. Slight foxing.
A view of the harbour of Castle Hill, Thurso, Scotland. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36067] £130.00 (£156.00 incl.VAT)
Castle Howard in Yorkshire the Seat of the Right Honourable the Earl of Carlisle &c:
Ca: Campbell Delin: [Engraved by H: Hulsbergh?]
[n.d. c.1725.]
Engraving, 18th century watermark. 245 x 485mm (9¾ x 19"), very large margins. Tear entering image on right repaired. Crease in centre as normal.
An elevation of the front of Castle Howard, designed Sir John Vanbrugh for the 3rd Earl of Carlisle and built between 1699 and 1712, published in Colen Campbell's 'Vitruvius Britannicus'. From 1845 until the 1950s the estate was served by its own railway station. The building's grandure was put to good use representing Evelyn Waugh's 'Brideshead' in both the 1981 TV and the 2008 film adaptations of 'Brideshead Revisited'.
[Ref: 58768] £130.00 (£156.00 incl.VAT)
Ca: Campbell Delin: [Engraved by H: Hulsbergh?]
[n.d. c.1725.]
Engraving, 18th century watermark. 245 x 485mm (9¾ x 19"), very large margins. Tear entering image on right repaired. Crease in centre as normal.
An elevation of the front of Castle Howard, designed Sir John Vanbrugh for the 3rd Earl of Carlisle and built between 1699 and 1712, published in Colen Campbell's 'Vitruvius Britannicus'. From 1845 until the 1950s the estate was served by its own railway station. The building's grandure was put to good use representing Evelyn Waugh's 'Brideshead' in both the 1981 TV and the 2008 film adaptations of 'Brideshead Revisited'.
[Ref: 58768] £130.00 (£156.00 incl.VAT)
Heron's Castle Mona Hotel. Formerly the Residence of His Grace the Late Duke of Athol, Douglas, Isle of Man.
J. Kirkwood Sc. H. Crow S.t Dublin.
[n.d. c.1840.]
Engaving. 107 x 152mm (4¼ x 6"). Trimmed and laid on album sheet.
The Castle Mona was designed by George Steuart for the fourth Duke of Athol, completed in 1804 shortly after Steuart's death. On the departure of the Duke in 1831, the building became, and until recently remained a hotel, although in 2012 it was allowed to fall into disrepair.
[Ref: 34732] £45.00 (£54.00 incl.VAT)
J. Kirkwood Sc. H. Crow S.t Dublin.
[n.d. c.1840.]
Engaving. 107 x 152mm (4¼ x 6"). Trimmed and laid on album sheet.
The Castle Mona was designed by George Steuart for the fourth Duke of Athol, completed in 1804 shortly after Steuart's death. On the departure of the Duke in 1831, the building became, and until recently remained a hotel, although in 2012 it was allowed to fall into disrepair.
[Ref: 34732] £45.00 (£54.00 incl.VAT)
A View of the Ruins of Risesing Castle in Norfolk (with a Prospect of Lynn Deeps) built about the time of Wm. the Conqueror & was the Seat of ye Albanies Earls of Arundel till about the twenty seventh of Hen. ye 3d. in those days reputed a place of great Strength.
Millecent delin. E. Kirkall sculp.
[n.d., c.1745.]
Rare copper engraving, 290 x 460mm. 11½ x 18". Spotting to left margin, tatty extremities; full margins.
Castle Rising is a ruined castle situated in the village of Castle Rising in Norfolk. It was built in about 1138 by William d'Albini, 1st Earl of Arundel, who also owned Arundel Castle. Much of its square keep, surrounded by a defensive mount, is intact, and it is now in the care of English Heritage.
[Ref: 16868] £190.00 (£228.00 incl.VAT)
Millecent delin. E. Kirkall sculp.
[n.d., c.1745.]
Rare copper engraving, 290 x 460mm. 11½ x 18". Spotting to left margin, tatty extremities; full margins.
Castle Rising is a ruined castle situated in the village of Castle Rising in Norfolk. It was built in about 1138 by William d'Albini, 1st Earl of Arundel, who also owned Arundel Castle. Much of its square keep, surrounded by a defensive mount, is intact, and it is now in the care of English Heritage.
[Ref: 16868] £190.00 (£228.00 incl.VAT)
The Castle Rock. near Linton.
[n.d., c.1840.]
Tinted lithograph with very large margins. Printed area 230 x 280mm (9 x 11").
A coastal view near Lynton, north Devon.
Provenance: Heritage Hexham.
[Ref: 30227] £130.00 (£156.00 incl.VAT)
[n.d., c.1840.]
Tinted lithograph with very large margins. Printed area 230 x 280mm (9 x 11").
A coastal view near Lynton, north Devon.
Provenance: Heritage Hexham.
[Ref: 30227] £130.00 (£156.00 incl.VAT)
View of the Castle Rock from the landing Place on the Flat Holmes.
Drawn and Etched by J. Ibbetson. Aquatinta by J. Hassell.
Published for J. Hassell, by Hookham & Co. New Bond Street, Oct.r 1. 1793.
Hand-coloured aquatint, very large margins. 198 x 255mm (7¾ x 10"). Toning around edges.
A view of Castle Rock at Flat Holm, the limestone island lying in the Bristol Channel. From A picturesque guide to Bath, Bristol, Hot Wells, the River Avon, and the adjacent country; illustrated with ... views, taken in ... 1792, by Mess. I., Laporte and Hassell, and engraved in aquatinta' 1793. Etched by John Hassell (1767 - 1825) after his own design.
Abbey Scenery: 38.1.
[Ref: 31066] £50.00 (£60.00 incl.VAT)
Drawn and Etched by J. Ibbetson. Aquatinta by J. Hassell.
Published for J. Hassell, by Hookham & Co. New Bond Street, Oct.r 1. 1793.
Hand-coloured aquatint, very large margins. 198 x 255mm (7¾ x 10"). Toning around edges.
A view of Castle Rock at Flat Holm, the limestone island lying in the Bristol Channel. From A picturesque guide to Bath, Bristol, Hot Wells, the River Avon, and the adjacent country; illustrated with ... views, taken in ... 1792, by Mess. I., Laporte and Hassell, and engraved in aquatinta' 1793. Etched by John Hassell (1767 - 1825) after his own design.
Abbey Scenery: 38.1.
[Ref: 31066] £50.00 (£60.00 incl.VAT)
![[Castle Ruin.]](jpegs/34804.jpg)
[Castle Ruin.]
HBK.
[n.d. c.1812.]
Soft ground etching. 114 x 152mm (4½ x 6"). Cut.
View of a castle with partly ruined tower on a hilltop from a field below, with trees in foreground at left and right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34804] £60.00 (£72.00 incl.VAT)
HBK.
[n.d. c.1812.]
Soft ground etching. 114 x 152mm (4½ x 6"). Cut.
View of a castle with partly ruined tower on a hilltop from a field below, with trees in foreground at left and right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34804] £60.00 (£72.00 incl.VAT)
![[Castle Ruins.]](jpegs/24955.jpg)
[Castle Ruins.]
[G.I. Graham]
[n.d. c.1830.]
Lithograph, very scarce. 145 x 157mm. 5¾ x 6¼".
Castle ruins: a ruined turret with arches leading to right stands covered in greenery from years of disrepair and neglect; a mountain and sailing boat with dinghy on a lake in the background.
[Ref: 24955] £60.00 (£72.00 incl.VAT)
[G.I. Graham]
[n.d. c.1830.]
Lithograph, very scarce. 145 x 157mm. 5¾ x 6¼".
Castle ruins: a ruined turret with arches leading to right stands covered in greenery from years of disrepair and neglect; a mountain and sailing boat with dinghy on a lake in the background.
[Ref: 24955] £60.00 (£72.00 incl.VAT)
The Independent Chapel, Castle-Hedingham, Essex.
...Thames lith (?).
Day & Haghe Lith.rs to the Queen. [n.d. c.1850.]
Lithograph, rare. 241 x 356mm. 9½ x 14". Trimmed, with some repairs.
The Independent Chapel, built in 1842 which now houses the United Reformed Church; possibly built by James Fenton, replacing and earlier building of 1708. The interior retains and 18th century pulpit from which Dr Isaac Watts is said to have preached.
[Ref: 25002] £130.00 (£156.00 incl.VAT)
...Thames lith (?).
Day & Haghe Lith.rs to the Queen. [n.d. c.1850.]
Lithograph, rare. 241 x 356mm. 9½ x 14". Trimmed, with some repairs.
The Independent Chapel, built in 1842 which now houses the United Reformed Church; possibly built by James Fenton, replacing and earlier building of 1708. The interior retains and 18th century pulpit from which Dr Isaac Watts is said to have preached.
[Ref: 25002] £130.00 (£156.00 incl.VAT)
![[Scottish Castles.]](jpegs/11.jpg)
[Scottish Castles.] Craigmillar Castle; Castle Huntly; Northwick Castle; Dalhousie Castle; Glames Castle; Elen Stalker Castle; Lord Oliphants Castle; Macduff's Castle; Pennycruik House; Castle of Cadwal; Hoddam Castle; Bonnington House.
London Pub. June 1st 1809 at R.Ackermann's Repository of Arts, 101, Strand.
Aquatint. 240 x 340mm.
'Price 4s/0 plain 8s/0 Col.d.'
[Ref: 11] £160.00 (£192.00 incl.VAT)
London Pub. June 1st 1809 at R.Ackermann's Repository of Arts, 101, Strand.
Aquatint. 240 x 340mm.
'Price 4s/0 plain 8s/0 Col.d.'
[Ref: 11] £160.00 (£192.00 incl.VAT)