Cottage at Carton, The Seat of his Grace the Duke of Leinster.
Drawn on Stone by Miss Isabella Renny.
Printed by M.H. & J.W. Allen. [n.d., c.1840.]
Lithograph, printed on chine collé, rare. Sheet: 300 x 410mm (12 x 16¼'') very large margins. Creasing.
A view of a small cottage on the estate of Carton House, the seat of the Duke of Leinster.
[Ref: 48525] £230.00
(£276.00 incl.VAT)
[Louis Dominique Garthausen] Le Veritable Portrait de Cartouche tiré d'aprés Nature étant dans les Cachot.
[n.d., c.1725.]
Rare copper engraving, 255 x 330mm (10 x 13 ") Trimmed to plate on 2 sides. Small margins on left & right.
Louis Dominique Garthausen (1693-1721), better known as Cartouche, shown chained in his cell after an escape attempt. He was the leader of a band of over 2000 brigands (many ex-soldiers) operating in and around Paris during the regency of Philippe d'Orléans. A Robin Hood character, his exploits (including stealing 1.3 million livres of shares in John Law's Mississippi Company) and seductions made him a folk hero. The authorities resorted to torturing known associates for information, eventually getting a member of the band to betray him. Cartouche was arrested, tortured to no avail, then broken on the wheel.
[Ref: 56600] £260.00
(£312.00 incl.VAT)
[Louis Dominique Garthausen] Le Veritable Portrait de Cartouche.
[n.d., c.1721.]
Rare engraving with etching. Sheet 230 x 175mm (9 x 7"). Trimmed into image on three sides and into title at bottom, losing four lines of text.
Louis Dominique Garthausen (1693-1721), better known as Cartouche, shown with his hand on his sword hilt, a deep scar on his left cheek. Cartouche was the leader of a band of over 2000 brigands (many ex-soldiers) operating in and around Paris during the regency of Philippe d'Orléans. A Robin Hood character, his exploits (including stealing 1.3 million livres of shares in John Law's Mississippi Company) and seductions made him a folk hero. The authorities resorted to torturing known associates for information, eventually getting a member of the band to betray him. Cartouche was arrested, tortured to no avail, then broken on the wheel. The original text under this image describes his arrest but not his execution. BM 1877,0811.1011.
[Ref: 56601] £260.00
(£312.00 incl.VAT)
[John Cartwright] The Drum Major of Sedition. All Gentlemen and others Electors for Westminster who are ready and willing to Surrender their rights and those of their Fellow Citizens to Secret Influence and the Lords of the Bedchamber let them repair to the Prerogative Standard lately erected at the Cannon Coffee House where they shall be kindly receiv'd untill their Services are no longer Wanted....
[Thomas Rowlandson]
Pub.d March 29 1784 by Mrs. Dacheray St James's Street.
Coloured etching, 18th century watermark. 350 x 250mm (13¾ x 9¾"). Printer's crease entering image left centre tear in margin taped top centre.
Major John Cartwright stands legs apart, holding a long staff, addressing the populace before the hustings in Covent Garden, being ignored by everyone but Lord Hood in admiral's uniform, sword drawn. Under the title is a lengthy speech. John Cartwright (1740-1824) campaigned for Parliamentary reform, including universal suffrage and secret ballots. His younger brother Edmund Cartwright was the inventor of the power loom. BM Satires 6474; Grego I, 121.
[Ref: 61823] £380.00
[India] Charles Cartwright, Esq. Accountant General to the Hon.ble East India Company. Engraved at the Request of his Official Friends.
Painted by G.F. Joseph, Esq. A.RA. Engraved by T. Hodgetts. Westborne Green, Paddington.
[n.d., c.1825.]
Mezzotint, 510 x 355mm (20 x 14"), with large margins. Damp stains on left and foxing.
A seated portrait of Charles Cartwright (1753-1825), who joined the East India Company in 1773 and was Accountant General from 1798 until he retired in 1822. As Deputy he was the author of "An abstract of the orders and regulations of the Honourable Court of Directors of the East-India Company".
[Ref: 66858] £260.00
(£312.00 incl.VAT)
Charles Cartwright, Esq. Accountant General to the Hon.ble East India Company. Engraved at the Request of his Official Friends.
Painted by G.F. Joseph, Esq. A.RA. Engraved by T. Hodgetts. Westborne Green, Paddington.
[n.d., c.1825.]
Rare & fine mezzotint. 510 x 355mm (20 x 14"), with large margins. Wear in right margin.
A seated portrait of Charles Cartwright (1753-1825), who joined the East India Company in 1773 and was Accountant General from 1798 until he retired in 1822.. As Deputy he was the author of "An abstract of the orders and regulations of the Honourable Court of Directors of the East-India Company". Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66162] £280.00
(£336.00 incl.VAT)
[Charles Cartwright, Esq. Accountant General to the Hon.ble East India Company. Engraved at the Request of his Official Friends.]
[Painted by G.F. Joseph, Esq. A.RA. Engraved by T. Hodgetts. Westborne Green, Paddington.]
[n.d., c.1825.]
Mezzotint, unique early working proof. Sheet 270 x 210mm (10¾ x 8¼"). Wear in right margin.
A very early working proof, with an oval section containing only the head and shoulders of the subject, which eventually became a three-quarter seated portrait. Charles Cartwright (1753-1825) joined the East India Company in 1773 and was Accountant General from 1798 until he retired in 1822. As Deputy he was the author of "An abstract of the orders and regulations of the Honourable Court of Directors of the East-India Company". Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66163] £160.00
(£192.00 incl.VAT)
[George Cartwright] Captain Cartwright visiting his Fox-traps.
W. Hilton Pinx.t. T. Medland scul[p.]
[London: G. G. J. and J. Robinson & John Stockdale, 1792.]
Etching. Sheet 220 x 175mm (8¾ x 7"). Trimmed, into image on right, title excised and pasted under image, losing publication line.
A full-length portrait of George Cartwright (c.1739-1819), wearing furs and snowshoes, leading a blinkered greyhound. In 1768, after serving in the army, Cartwright travelled to Newfoundland and Labrador, attempting to trade with the Inuit for furs. In 1772 he returned to London with five Inuit to exhibit, four of whom died of smallpox. The fifth, a woman called Qavvik, returned home in 1773 taking the disease with her: less than a year later Cartwright noted that ''The Inuit of southern Labrador were almost entirely wiped out by the disease". In 1786 Cartwright returned to England for good and published his diary, 'A Journal of Transactions and Events during a Residence of nearly Sixteen Years on the Coast of Labrador', to which this is an illustration.
[Ref: 61081] £160.00
(£192.00 incl.VAT)
John Cartwright in his 77th Year. John Cartwright [facsimile signature].
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Surface soiling.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67888] £90.00
(£108.00 incl.VAT)
John Cartwright in his 77th Year. John Cartwright [facsimile signature].
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Creased.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67890] £130.00
(£156.00 incl.VAT)
Mr Cartwright Consul at Constantinople and his Albanian.
D Wilkie ft. Constantinople Novr 1st 1840. [Lithographed by Joseph Nash.]
[London: Graves & Warmsley, 1843.]
Tinted lithograph. Sheet 535 x 360mm (21 x 14¼") very large margins.
John Cartwright, consul-general at Constantinople from 1817-44, during which time the Levant Company was wound up, with Cartwright taking on the role formerly played by the Company's representative. Despite being described in the plate as an Albanian, Mustapha, Cartwright's janissary, was Swiss by birth. David Wilkie (1785-1841) set out for the East in 1840 to gather material for a series of biblical illustrations, visiting Constantinople, Beirut, Jerusalem, Cairo, and Alexandria. He died at sea on his return journey, before he could turn his sketches into the intended oils: This plate appeared in his 'Sketches in Turkey, Syria and Egypt' published in 1843. Abbey Travel: 379.
[Ref: 52157] £190.00
(£228.00 incl.VAT)
Capt.n Jonathan Carver. From the Original Picture in the possession of J.C.Lettsom M.D.
Published as the Act directs by R.Stewart, No 287 near G.t Turnstile, Holborn, Nov.r 16, 1780.
Mezzotint. Sheet 125 x 100mm. Trimmed within plate, some creasing.
American explorer (1710-80), whose expedition to find a North West Passage explored much of Minnesota, Iowa and Wisconsin. His 'Travels Through the Interior Parts of North America in the Years 1766, 1767, and 1768', first published in 1778, is the first to mention a large mountain range to the west and to use the name 'Oregon'. This portrait is the frontispiece to the Third, posthumous, edition of the 'Travels'. The owner of the painting, Dr John Coakley Lettsom, was a Quaker physician and philanthropist who founded the Medical Society of London in 1773. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5724] £450.00
Cary's Traveller's Companion, or, A Delineation of the Turnpike Roads of England & Wales [...] [with] Cary's New Itinerary: or, An Accurate Delineation of the Great Roads, Both Direct and Cross, Throughout England and Wales; With many of the principal Roads in Scotland.... Second Edition with Improvements.
London. Printed for John Cary, Engraver, Map & Printseller, Strand. 1st Jan.y 1791. [&] London: Printed for John Cary, No. 181 Strand, 1802 [-3].
Two works in one; 8vo (180 x 120mm, 7 x 4¾"), original full diced calf travelling case with empty pockets front and back. 'Companion': engr. title, pp. (iv)+(6)+(2)(ads); index map, 42 maps printed back to back, 1 folding map. 'Itinerary': engr. title & dedication; pp. (iv)+(1)(ad)+868+(2)(ads). All maps with original hand colour. With the bookplate of Henry Pakenham-Mahon of Strokeston Park. Binding with tear to flap, some wear and fading. Folding map of Yorkshire with tear on fold; two folding maps of 'Itinerary' both trimmed to allow opening of segments, one segment loose, with tears on folds.
An unusual travelling edition of two works by John Cary. The 'Traveller's Companion' has a map of England and Wales, 41 counties and maps of North & South Wales. The 'Itinerary' has two road maps of England & Wales, with extensive indexes of the roads. The adverts list some of Cary's maps, with one page dedicated to his globes. The empty pockets in the covers would most likely contain larger folding maps not called for in either the 'Companion' or 'Itinerary'. Henry Pakenham-Mahon (1851-1922) was an amateur photographer: in 2012, a collection of 324 of his glass plates was uncovered at Strokestown Park including several explicit images of live models. Strokestown (in County Roscommon, Ireland) is now home to the National Irish Famine Museum. Henry's grandfather was Denis Mahon, whose responce to a rent strike by his tenants at Strokestown was to evict them and force them to sail to Quebec in 1847, filling four ships. When news came back to Ireland that nearly half the passengers had died on route (primarily from cholera) Mahon was ambushed and shot dead, to general celebration.
[Ref: 59721] £850.00
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[Henry Cary] Effigies Praenobilis Henrici Baronis Cary Vicecomitus Falklandiae. The Right honorable Henrie lord Carÿe Vicount Falkland Comptroller of his Majesties moost ho.ble houshold, lord Deputie of Ireland and of his Majesties jo.ble privie Counsell in England and Ireland.
Paulus va~ Somer pinx. Joan Barra Sculp.
[n.d., c.1625.]
Engraving. 190 x 135mm (7½ x 5¼"). Small margins, mounted in album paper at edges.
Half-length portrait in an oval frame of Henry Cary (c.1575-1633), first Viscount Falkland, wearing falling ruff and holding a wand.
[Ref: 62069] £130.00
(£156.00 incl.VAT)
[Lord Falkland.]
[George Perfect Harding, after Cornelis Janssens van Ceulen]
Watercolour and wash, on 18th century paper; 245 x 190mm (9¾ x 7½").
A portrait of Lucius Cary, 2nd Viscount Falkland (1610-1643), author and politician who fought for the Royalists during the Civil War and died at the Battle of Newbury. Watercolour by George Perfect Harding (1779/80-1853), miniature painter, probably after an anonymous etching published in 1813. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42343] £360.00
Viri verè Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d., c.1676.]
Engraving, frontispiece to the sitter's 'Commentary on the Book of Job'. Sheet 295 x 185mm, 11½ x 7¼". Closed tear through lower right corner.
Joseph Caryl (1602 - 1673), nonconformist divine and commentator. A rare portrait. Engraved by Robert White (1645 - 1703).
[Ref: 13706] £90.00
(£108.00 incl.VAT)
Viri vere Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d. c.1676.]
Engraving. 292 x 190mm. 11½ x 7½". Trimmed.
Joseph Caryl (1602-1673) was an English nonconformist divine who frequently preached before Long Parliament, and was a member of the Westminster Assembly in 1643. In 1650 he was sent to accompany Cromwell to Scotland, however in 1662, following the Restoration, he was ejected from the Church of St Magnus near London Bridge. Portrait of Joseph Caryl, bust in an ornamental oval frame on a pedestal, long hair, wearing skull-cap and bands; curtain in the background with bookshelves to the right. Frontispiece to his 'Commentary on Job' (1676). Ex Collection: R. Hobson of Hove.
[Ref: 25395] £75.00
(£90.00 incl.VAT)
Ritratto de Bindo Altovitii. M.D XX III
Titianus pinxit, Tho: Neale fecit,
Sold by John Overton at the white horse neere the fountaine tavern without Newgate. [n.d. c.1690]
Very rare etching, sheet 380 x 290mm (15 x 11½"), on 17th century watermarked paper. In ink at bottom "By Thos. Neale, a disciple of Hollar". Trimmed within plate and tipped into album paper. Creased and slightly damaged at corners.
Half-length portrait of a man with moustache and long beard wearing a loose gown, and ring on the ring finger of his left hand, which holds a book closed with two clasps, lying on a parapet. The title suggests this is italian bank Bindo Altoviti (1491-1557) however looks more like a painting formerly attributed to Titian that is now believed to be by Paris Bordone; it appears to be Giovanni della Casa (1503-1556) an Italian poet, diplomat, clergyman and inquisitor, and writer on etiquette and society.
[Ref: 61651] £260.00
(£312.00 incl.VAT)
A View of Casal, a very strong City and Castle in Italy, taken by the Duke of Savoy in Decem.r 1706
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 390 x 480mm (15¼ x 19"). Very fine impression with original binding folds, trimmed into plate at top, as issued.
Plan of Casale, taken from the French by Victor Amadeus II, Duke of Savoy during the War of the Spanish Succession. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28275] £230.00
Casan Church.
Rt. Johnson [sic] delt. J. Gledah Sculpt.
[London, 1815.]
Hand coloured aquatint, sheet 170 x 220mm. 6¾ x 8½". Sheet trimmed.
A view in Saint Petersburg, Russia. After Robert Johnston (1783 - 1839), for his 'Travels through part of the Russian Empire and the County of Poland, along the southern shores of the Baltic'. Abbey Travel: 15, 8. BL: 001889216. Ex Collection Norman Blackburn.
[Ref: 18586] £120.00
(£144.00 incl.VAT)
Vüe d'une Cascade sur les bords du Tibre près de Rome.
Le Barbier l'Ainé Pinx. Cl. Duflos Sculp.
AParis chés Cl. Duflos rüe Gallande chés M.r Fauchereau Marchand Chapelier.
Fine engraving. Sheet 330 x 400mm (13 x 15¾"). Trimmed to plate.
Two rustics under a waterfall by the side of the river Tiber.
[Ref: 44988] £260.00
(£312.00 incl.VAT)
[The Cascade.] In the Collection of the Right Honourable Sr: Robert Walpole.
Gaspar Poussin [Gaspard Dughet] pinx. Vivares Sculp.
Published March 25. 1741, by C. Knapton. 2 feet 9. inch. ½ wide 1 f. 11 inch: ¼ high.
Engraving. 310 x 400mm (12¼ x 15¾"), with large margins. Repaired tear into plate at right. Tears and nicks around edges.
Landscape with goats walking to the left, on a path running through rocks, with herdsman and dog walking behind; two figures seated in the right foreground.
[Ref: 26539] £130.00
(£156.00 incl.VAT)
Duncombe's Miniature Caricature Magazine. No.3. A Case of Conscience; or the Manager and Glassblowers.
T. Jones fec.t.
London Published by Duncombe, Book & Music Seller, 19, Little Queen Str.t. Holborn.
Hand-coloured etching. Plate: 130 x 165mm (5 x 6½''). Slight crease.
A satirical print showing a group of glassblowers at a protest, all wear sashes and carry glass baubles on poles.
[Ref: 51093] £130.00
(£156.00 incl.VAT)
Johannes Case. Med Doctor. Natus Lymæ, in Com. Dorceste.
F.H.van.Hove, sculp.
[n.d., c.1698.]
Engraving. 125 x 75mm (5 x 3"). Trimmed and backed onto album paper.
Portrait of John Case (c.1660 - 1700), English astrologer and quack doctor, a writer on anatomy, astrology and medicine. Frontis to his, 'The medical expositor...' 1698. W 551
[Ref: 64442] £80.00
(£96.00 incl.VAT)
Signora Casentini in the Character of la Bella Pescatrice favorite Opera, performed [in] the Kings Theatre, Pantheon.
P. Violet Pinxit 1792. F. Bartolozzi sculps.
[n.d., c.1792.]
Stipple, rare. Sheet: 155 x 105mm (6 x 4"). Trimmed.
A portrait of singer Anna Casentini in Guglielmi's opera La Bella Pescatrice. De Vesme 1050.
[Ref: 47265] £110.00
(£132.00 incl.VAT)
Vüe de Caserte. Prise au Couvent des Recollets en allant aux Aqueducs [...]
Peint par Philippe Hackert Premier Peintre de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles. Gravé par George Hackert Premier Graveur de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles.
[Published by George Hackert, c.1795]
Engraving, platemark: 430 x 575mm. (17 x 22¾"). Trimmed to plate.
The city of Caserta, in the Campania region of Italy, showing its famous palace. Begun in 1752 for Charles VII of Naples, it was only partially completed by his son, Ferdinand IV of Naples. One of the largest buildings in Europe in the 18th century, it is now a designated UNESCO World Heritage Site. Inscribed underneath is a dedication to Ferdinand IV (1751 - 1825) with a coat of arms in the centre. Engraved by Georg Hackert (1755-1805) after a painting by his brother Philipp (1737 - 1807), during the time when they both held official positions at the Neapolitan court before fleeing the city at the time of the 1799 Revolution. During Philipp Hackert's time in Naples he became a close friend of Goethe, who edited and published the artist's memoirs after his death. Provenance: Torridon House Lovelace/King Family
[Ref: 39576] £520.00
This is the House for Cash Built!! A Pretty play for grown up gentlemen during the Parliamentary recess.
[by Isaac Cruikshank.]
Pub.d Dec.r 1st 1797 by S.W. Fores No 50 Piccadilly Corner of Sackville St, Folios of Caracatures lent out for the Evening.
Rare coloured etching, watermark 1794; Sheet 360 x 480mm (14¼ x 19"). Trimmed to plate. Some stains, tear at centre, crease bottom.
A satire in ten numbered compartments, based on 'This is the House that Jack Built'. 1 is the Treasury ('The House') and 2 is a pile of moneybags ('cole'). 3 to 10 are caricatures of politicians: Pitt the Younger, Dundas, Wilkes, Fox, Sheridan, Burke, Loughborough and Thurlow. BM Satires 9044.
[Ref: 54426] £380.00
A Casine in the Environs of Nice.
Bacler d'Albe f.t. Drawn on Stone by N. Chater & Co.
Printed & Published by N. Chater & Co. 33 Fleet Street, May 30. 1823.
Lithograph, rare, printed on india. Printed area: 220 x 155mm (8¾ x 6"). Marking.
A view of a house on the coast of the Mediterranean, with a woman holding a guitar and a young child looking out to a large ship.
[Ref: 46074] £50.00
(£60.00 incl.VAT)
William Caslon.
[n.d., c.1760.]
Engraving. Sheet 150 x 100mm, 6 x 5". Trimmed.
William Caslon the Elder (1692-1766), type founder; designer of the Caslon typeface. A Caslon typeface was used for the first printed version of the United States Declaration of Independence.
[Ref: 19008] £45.00
(£54.00 incl.VAT)
[Caspian Gates] Derbent een sterke Stad, eeryds Alexandria, om dat dees Stad door Alexander de Groote [...] [parallel text in Latin]
Pet:Schenk Exc: Amst: cum Priv. [n.d. c.1730.]
Engraving, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, some spots.
A view of the Caspian Sea, with the Caspian Gates in the background. Also known as the Gates of Alexander, they were a mythical barrier supposedly built by Alexander the Great in the Caucasus to keep the uncivilized barbarians of the north from invading the land to the south. They are usually identified with the Fortifications of Derbent, Russia.
[Ref: 59276] £85.00
(£102.00 incl.VAT)
Caspian Tern.
P. Mazell sculp.
Published July 17 1789 by J. Stockdale.
Etching with original hand colour. 265 x 190mm (10½ x 7½"). Trimmed to plate on left, thread margins elsewhere. Paper tab stuck on edge, paper toning at bottom, old ink mss.
A Caspian tern, as seen in New South Wales by a crew member of the First Fleet. From 'The voyage of Governor Phillip to Botany Bay' by Philip Arthur.
[Ref: 55235] £120.00
(£144.00 incl.VAT)
[Battle of Cassano, 1705] De Franske, door Eugenius, aan den Adda by Cassano en Treviglio, geslag en, den 16 Aug. 1705 [parallel text in latin]
P: Schenk exc: Amst: C.P.
Etching, sheet 150 x 190mm (6 x 7½"). Trimmed; glued to backing sheet; foxing.
The Battle of Cassano in 1705, at Cassano d'Adda near Milan, saw French forces defeat the Austrian and Prussian armies in the War of the Spanish Succession. From a series of prints showing conflicts in that war, published in Amsterdam by Pieter Schenck.
[Ref: 38651] £65.00
(£78.00 incl.VAT)
Shepherds Cottage, Cashiobury.
From Nature & Stone by J. C. Oldmeadow.
Printed by W. Clerk, 202 High Holborn. [n.d., c.1830].
Two lithographs on seperate sheets, joined along top edge, very scarce pair. Both laid on India paper. Sheet size: 345 x 500mm (13½ x 19½") each. Light foxing.
Two separate lithographs. The first is a view of a large shepherd's cottage in Cassiobury, Hertfordshire, with the shepherd and his dog walking along a path to the left. Woodland can be seen behind the house. The second is Lady Harriet Countess of Essex's sketch of Cassiobury before it was rebuilt, with an explanation by Lord Essex, and facsimile signature below. The naive sketch is said to be an exact representation of the original drawing by Lady Essex, of whom Lord Essex claimed had 'no pretentions to drawing'.
[Ref: 33574] £280.00
(£336.00 incl.VAT)
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[Cassowary]. Nouvelle-Hollande: Ile Descrès. Casoar de la N.elle (Casuarines novæ Hollandiæ. Lath.)
C.A. Lesueur del. J. Milbert direx. F.res Lambert sculp.
De l'Imprimerie de Langlois. [Paris, 1807.]
Engraving, printed in colours and hand finished. Sheet 240 x 320mm (9½ x 12½"). Trimmed within plate, tape stains on edges. Very slight crease top right.
A family of cassowaries, drawn by Charles-Alexandre Lesueur for the official account of Nicolas Baudin's expedition to Australia. Leseuer was originally an assistant gunner on the expeditions, but took over artist and naturalist duties after a number of the expedition members left the ship due to illness at Mauritius.
[Ref: 39128] £150.00
(£180.00 incl.VAT)
Combat de Castel-Gineste. (1793 14 Novembre 4 Frimaire. Victoires et Conquests tôme 2. page 137.) Le Genéral Massena Officiers et soldats Coopèrent à ce transport.
Lithog de C. de Last. au dépot Gén.al de.al Lithog.ie. quai voltaire No7.
[1818.]
Lithograph. Printed area: 265 x 385mm (10½ x 15¼"), with large margins. Uncut. Tears to margins.
A scene showing an attack on Castelgineste during the Napoleonic Wars.
[Ref: 44763] £140.00
(£168.00 incl.VAT)
Edmundus Castellus S.T.D. Ecclesiae Christi Cantuariens: Canonicus etc. Aetat. 63 Anno 1669.
Will. Faithorne Pinxit et Sculpsit.
Engraving. Sheet 220 x 320mm. Trimmed to image. Repaired tear c.6cm through top of image.
Edmund Castell was an English orientalist [1606 - 1685]. His great work, the Lexicon Heptaglotton Hebraicum, Chaldaicum, Syriacum, Samaritanum, Aethiopicum, Arabicum, et Persicum (1669), took him eighteen years to complete, working (according to his own account) from sixteen to eighteen hours a day.
[Ref: 2384] £120.00
(£144.00 incl.VAT)
M.me A Castellan.
St. Petersbourg chez M. Bernard. Moscow chez P. Lehnhold. [n.d. c.1845.]
Lithograph on album page. 347 x 267mm. 13¾ x 10½". Foxed.
Jeanne Anais Castellan (1819-c.1858) was a French soprano. She studied at the Paris Conservatoire with Giulio Bordogni, Adolphe Nourrit and Laure Cinti-Damoreau. She began her stage career in Italy, appearing at Varese in 1837, and later at Turin, Bergamo, Rome, Milan and Florence, where in 1840 she married the singer Enrico Giampetro. She made her London debut at a Philharmonic concert in 1844, and appeared in her first London role of Lucia, a year later. She chose the same role for her debuts at the Theatre-Italien, Paris (1847), and Covent Garden (1848). At the Paris Opera in 1849 she sang Berthe in the premiere of Giacomo Meyerbeer's 'Le Prophete', and the following year she was particularly successful at Covent Garden in 'Mose' and 'Nabucco'.
[Ref: 23667] £230.00
(£276.00 incl.VAT)
Madame Castellan.
E Ratti del. Auguste Hussener sc.
Verlag v. Baumgärtner's BCCHH Leipzig.
Etching and stipple with gold-leaf border, on album page. 292 x 222mm. 11½ x 8¾".
Jeanne Anais Castellan (1819-c.1858) was a French soprano. She studied at the Paris Conservatoire with Giulio Bordogni, Adolphe Nourrit and Laure Cinti-Damoreau. She began her stage career in Italy, appearing at Varese in 1837, and later at Turin, Bergamo, Rome, Milan and Florence, where in 1840 she married the singer Enrico Giampetro. She made her London debut at a Philharmonic concert in 1844, and appeared and her first London role was Lucia, a year later. She chose the same role for her debuts at the Theatre-Italien, Paris (1847), and Covent Garden (1848). At the Paris Opera in 1849 she sang Berthe in the premiere of Giacomo Meyerbeer's 'Le Prophete', and the following year she was particularly successful at Covent Garden in 'Mose' and 'Nabucco'. Harvard: 1.
[Ref: 23668] £160.00
(£192.00 incl.VAT)
M.me A. Castellan-Giampietro.
E. frohbergerfff. 1845.
Lithograph on album page. 470 x 318mm. 18½ x 12½". Foxed.
Anaide Castellan-Giampietro (1821-1868), a Parisian singer, a student of Bordogni and Nourrit before having major success in Paris, London and throughout Italy. After her marriage to tenor Enrico Giampietro in 1840, they travelled to Mexico where they lived and performed for several years before a triumphant return to Europe in 1844. In London that year, she won an Imperial invitation to St. Petersburg after the visiting Emperor Nicholas I heard her sing.
[Ref: 23687] £260.00
(£312.00 incl.VAT)
Jacques Marquis de Castelnau Marsechal de France...
J. Frosne Sculpsit.
A paris chez F. Jollain [n.d., c.1680.]
Jacques de Castelnau-Bochetel (1620-58), lieutenant general of the king's armies during the Thirty Years War. In 1658, he took the fort of Leon near Dunkirk from the Spaniards and began strenghening work on the fortifications. During an inspection he was shot by a musket which lodged in his body. The king rewarding the capture of Leon by making Castelnau marshal of France, but he died of his wound a month later, aged only 38 years old.
[Ref: 51443] £140.00
(£168.00 incl.VAT)
Jacques Marquis de Castelnau Mareschal de France Lieutenant General des Armees du Roy en Flandres, Gouverneur de Brest, nommé a l'Order du Saint Esprit &c.
Nanteuil ad viv. faciebat 1658.
Engraving. Plate: 275 x 190mm (10¾ x 7½''). Trimmed to plate at bottom, 3 sides thread margins.
A portrait of Jacques de Castelnau-Bochetel Seigneur de Mauvissière (1620-1658), Lieutenant-General and Governor of Brest who was mortally wounded during the seige of Dunkirk in 1658 and given the title of Marshall on his deathbed. Petitjean & Wickert 41 11.
[Ref: 49259] £160.00
(£192.00 incl.VAT)
Bataille de Castiglione.
Champion del. Litho: de C. Motte.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½"), with very large margins.
The Battle of Castiglione (5 August 1796) saw the outnumbered Austrians, under Feldmarschall Dagobert Sigmund von Wurmser, defeated and driven back, by the Napoleon's French Army of Italy, along a line of hills to the river crossing at Borghetto, where they retired beyond the Mincio River. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30792] £220.00
(£264.00 incl.VAT)
Outside of a Castle. To Lady Charlotte Campbell, this print from the original Transparent Drawing by the Rev.d Ja,,s Hook, in Her Ladyship's collection, is humbly dedicated by her most Obed.t. Serv.t Edw.d Orme. Proof.
[Engraved by Charles Turner.]
Published & Sold June 1. 1798, by Edw.d Orme, Conduit Street, London. Where may be hand a Variety of Transparent Drawings & new Publications.
Coloured transparency, fine mezzotint with etching. 240 x 280mm (9½ x 11"). Varnish leeching into title and publication area. Small margins.
A moon-lit castle with a barge being punted under a bridge. The artist, James Hook (c. 1772 - 1828), became dean of Worcester in 1825. The owner of the original drawing, Lady Charlotte Susan Maria Campbell (1775-1861), became Lady Charlotte Bury after her second marriage. When the 'Diary illustrative of the Times of George IV' was published anonymously in 1838 it was widely believed to be at least based on, if not the actual, diaries kept by her while Lady-in-Waiting to the Princess of Wales, later Queen Caroline. Described as a 'filthy, shameless and execrable work' by the Monthly Review', no one has ever claimed authorship. See Whitman pg 286.
[Ref: 65782] £260.00
(£312.00 incl.VAT)
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Outside of a Castle. To Lady Charlotte Campbell, this print from the original Transparent Drawing by the Revd. Jas. Hook, in Her Ladyship's collection, is humbly dedicated by her most obedt. Servt. Edwd. Orme.
Edwd. Orme, Conduit Street, London. Where may be had a Variety of Transparent Drawings & new Publications [n.d., c.1800].
Transparency, mezzotint with etching, image 225 x 280mm. 8¾ x 11". Trimmed to plate below and to right. Two creases and tear into image upper right.
A castle illuminated by the moon at night; a figure in a boat in the moat in foreground. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10590] £120.00
(£144.00 incl.VAT)
Castle Acre Priory [Yorkshire]
Published Augt. 8. 1811. by J. Deeley, Berwick St. Soho.
Coloured aquatint, watermarked 1817. 311 x 412mm. 12¼" x 16¼". Watermark of 1817.
Castle Acre Priory, in the village of Castle Acre, Norfolk, England, is thought to have been founded in 1089 by William de Warenne the son the 1st.Earl of Surrey who had founded England's first Cluniac priory at Lewes in 1077.
[Ref: 8908] £220.00
(£264.00 incl.VAT)
Castle Ashby, the Seat of the Marquess of Northampton. [&] N.E. View of Castle Ashby, the Seat of the Marquess of Northampton.
Drawn by G. Clark, Nealdwell.
[n.d., c.1830.]
A pair of fine ink and wash drawings. Sheet: 355 x 460mm (14 x 18"). Marking in margins.
A pair of views of Castle Ashby, an Elizabethan House with a Palladian section, in Northampton. Provenance: Edge Hall Library, Cheshire
[Ref: 46830] £550.00
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Plan of Property in the Parishes of Castle Cary and Ansford Somerset. For Sale by Auction May 3rd 1883.
Wainwrights & Heard Surveyors Shepton Mallet.
Scarce lithographic map with hand colour. Printed area 930 x 630mm (36½ x 25"). Laid on linen, ink stamps of Randolfe Woodforde, solicitor.
A large plan of the environs of the town of Castle Cary, on a scale of 6 chains (396 feet) to an inch, showing the 34 lots in this auction of property. An inset shows the town on twice the scale.
[Ref: 58014] £280.00
The Castle of Inverero [title pasted on verso.]
Sold by Ryall and Withyat Hogarth's Head & Dial, opposite Salisbury Court in Fleet Street, London. [Pasted on verso.]
[n.d. c.1762.]
Hand-coloured engraving and etching. 254 x 432mm. 10 x 17". Trimmed.
View of Castle Gordon, near Fochabers in Moray, Scotland; two statues on pedestals in garden in foreground. The original castle was built in the 1470s and then enlarged to become a palace. It had been reconstructed by the time Robert Burns stayed there on his Highland tour of 1786; 'Castle Gordon' is also the title of one of Burns's poems.
[Ref: 27851] £190.00
(£228.00 incl.VAT)
Castle-head, Westmoreland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & C.o. Paternoster Row & W. Daniell, 9 Cleveland S.t. Fitzroy Square, London Feb.y. 1. 1816.
Coloured aquatint with large margins. Plate: 300 x 230mm (12" x 9").
View across a small inlet of water out to the sea, a large house is situated on the right overlooking the inlet, several people walk along the water fron. Plate 44 from "Voyage Round Great Britain". Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33894] £110.00
(£132.00 incl.VAT)
Castle-head, Westmoreland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Feb.y, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of a three-storey building next to a wooded rock on a bank to the right, with a row of trees behind. Three figures stand on a pier to the left, with sailing boats at sea in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36125] £160.00
(£192.00 incl.VAT)