Trial of Queen Caroline.
W. Read del. & sc.
[n.d., c.1820.]
Aquatint. Sheet: 270 x 200mm (10½ x 8"). Vertical folds.
A scene showing the trial of Caroline of Brunswick, wife of George IV, for adultery in 1820.
[Ref: 41568] £80.00
(£96.00 incl.VAT)
A Correct Representation of Her Majesty Queen Caroline Returning From the House of Lords, 1820
I.R. Cruikshank fecit. R W ad vivam del.t.
Pub.d by G. Humphrey 27 S.t James's Street, London [n.d., c.1820].
Aquatint with fine hand colour. Sheet 215 x 410mm (8½ x 16"). Trimmed into printed border at sides
Caroline of Brunswick in an open coach with six horses and liveried footmen, being cheered by crowds in New Palace Yard.
[Ref: 62136] £260.00
(£312.00 incl.VAT)
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[Caroline of Brunswick] The Queen's Matrimonial Ladder.
[George Cruikshank.]
[n.d., c.1820.] Printed by William Hone, Ludgate Hill, London.
Etching. 155 x 65mm (6 x 2½"). Trimmed into two and both backed onto album paper.
Hone uses the device of the ladder to plot a simple linear history of Caroline of Brunswick-Wolfenbüttel’s unhappy marriage. Each page of the pamphlet describes a step on the ladder and is accompanied by an illustration. The pamphlet came with a 'toy', a folded cardboard "ladder" which depicted the various stages of Queen Caroline's marriage to George IV. She was Queen of the United Kingdom of Great Britain and Ireland and Queen of Hanover from 29 January 1820 until her death in 1821 as the estranged wife of King George IV. She was Princess of Wales from 1795 to 1820.
[Ref: 66910] £140.00
(£168.00 incl.VAT)
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[Caroline of Brunswick] A late Arrival at Mother Wood's.
[George Cruikshank.]
Pub.d June 19 1820 by G. Humphrey 27 St James Street.
Hand-coloured etching. 260 x 390mm (10¼ x 15¾"), with very large margins. Uncut. Slight staining, mostly in margins on left, repaired tear in margin on left.
Queen Caroline, stout and flamboyant, stands on the balcony at Alderman Sir Matthew Wood's house in South Audley Street, looking down complacently with folded arms at the cheering crowd which fills the street. Wood (1768-1843), a Whig politician, persuaded Caroline not to be paid off by Brougham's mission to France and to return to England to confront her husband, George IV. BM Satires 13734.
[Ref: 61866] £280.00
(£336.00 incl.VAT)
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[Caroline of Brunswick] Delicious Dreams! Castles in the Air! Glorious Prospects!
London Published by G. Humphrey 27 St. James St. April 30, 1821.
Etching with very fine hand colour. Sheet 395 x 290mm (15½ x 11¼''). Trimmed to printed border.
A satire on the collapse of the agitation on behalf of the Queen, and the disappointed hopes of her supporters. Queen Caroline is shown, surrounded by her courtiers, slumped asleep in her chair after lunch dreaming of a world in which she enjoys the privileges of being queen. A parody of a print by James Gillray (BM Satire 10979). BM Satire 14175.
[Ref: 63510] £420.00
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[Caroline of Lichtfield.] Caroline & Lindorf. [&] Caroline & Walstein.
Tho.as Stothard pinx. John Ogborne sculp. [&] Joseph Strutt sculp.
London, Publish'd July 10, 1787, Rupert Street, Hay Market..
Pair of stipples with hand colour, with very large margins. Each 330 x 360mm (13 x 14¼").
Two scenes from Isabelle de Montolieu's novel 'Caroline of Lichtfield': a young married woman falls for a handsome soldier, but realises he is less worthy of her affections than her older, less dashing husband. These stipples were published a year after the publication of Thomas Holcroft’s English translation. Montolieu also translated Jane Austen’s 'Sense and Sensibility' and 'Persuasion' into French.
[Ref: 28193] £450.00
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[Netherlands. Carolina, Prinsesse van Oranje.]
[Jacob Houbraken.]
[Jacobus Haffman. n.d, c.1754.]
Engraving. Proof before letters. On watermarked paper. Platemark: 360 x 220mm (14¼ x 8¾").
A portrait of Princess Carolina of Nassau-Weilburg (1743 - 1787), sister of William V, as a young princess. Half-length in frontal view, seated on a chair and holding a flower and a fan. In an oval with an allegorical scene below and roses in the lower corners. Proof before letters. From a series of 21 engravings entitled 'Portraits of Stadholders and their Family', published in 1754.
[Ref: 35623] £140.00
(£168.00 incl.VAT)
Îles CarolinesL Dances et Costum des Naururels.
J.s. Arago delin.t. Lerouge et Choubard sculpt.
[Paris, 1822-4.]
Stipple. 235 x 320mm (9¼ x 12½"), with wide margins.
Men of the Caroline Islands dancing with staves, under instruction from a man at the side. A plate from the official account of Louis-Claude de Freycinet's circumnavigation, 'Voyage Autour Du Monde fait par ordre du roi sur les corvettes de S.M l'Uranie et la Physicienne pendant les années 1817, 1818, 1819 et 1820'.
[Ref: 54234] £190.00
(£228.00 incl.VAT)
Gawin Carow Knight. In His Majesty's Collection.
From the Original Drawing by Hans Holbein. Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty.
Published as the Act directs June 7. 1796 by I. Chamberlaine Brompton Row Knightsbridge.
Coloured stipple and etching on roseate paper, 325 x 275mm. 12¾ x 10¾". Slightly soiled.
After Hans Holbein the Younger (1497/8 - 1543), for 'Portraits of Illustrious Personages of the Court of Henry VIII Engraved in imitation of the original drawings of Hans Holbein in the Collection of His Majesty, with biographical and historical memoirs' issued in parts between 1792 and 1800. Not in BM or NPG. From the collection of Cecil Bisshopp Harmsworth, 1st Baron Harmsworth.
[Ref: 9642] £160.00
(£192.00 incl.VAT)
Carpenter.
[n.d., c.1850.]
Coloured wood engraving. Sheet 135 x 215mm, 5½ x 8½". Trimmed, laid on album paper.
An educational image of a pair of carpenters in their workshop.
[Ref: 16430] £70.00
(£84.00 incl.VAT)
[Carpenters] Charpentier. Zimmermann.
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, are with large margins. Printed area 200 x 250mm (8 x 9¾"). Small area of loss of image, slight toning of paper on right.
A carpenter's yard with the workers preparing beams.
[Ref: 36600] £95.00
(£114.00 incl.VAT)
[Lady Carpenter.]
[Sir Joshua Reynolds. James Watson.]
[London: Robert Sayer, n.d., c.1768.]
Mezzotint. Plate: 345 x 280mm (13½ x 11"). Scratches and creasing in margins.
A half-length portrait of Lady Almeria Carpenter (1752-1809), hair dressed high. A noted beauty, she was painted by Joshua Reynolds, Richard Cosway and Angelica Kauffman. CS: 26 I of III.
[Ref: 56273] £260.00
(£312.00 incl.VAT)
[Lady Almeria Carpenter.]
[Sir Joshua Reynolds. James Watson.]
[London: Robert Sayer, n.d., c.1768.]
Mezzotint. Plate: 345 x 280mm (13½ x 11"). Scratches and creasing in margins.
A half-length portrait of Lady Almeria Carpenter (1752-1809), mistress of Prince William Henry, Duke of Gloucester. Collector's stamp of Thomas Kirk (1765-1797) an associate of Richard Cosway and EMH. CS: 26 I of III.
[Ref: 46175] £260.00
(£312.00 incl.VAT)
[Battle of Carpi, 1701?] Den 10 July 1701, is in Italien tuschen de Francke en Duytsers [...] [parallel text in latin]
P: Schenk exc: Amst: C.P.
Etching, sheet 150 x 190mm (6 x 7½"). Trimmed; glued to backing sheet; foxing.
Probably the Battle of Carpi, which saw French forces defeat the Austrian and Prussian armies near Legnago in northern Italy in the War of the Spanish Succession. From a series of prints showing conflicts in that war, published in Amsterdam by Pieter Schenck.
[Ref: 38652] £50.00
(£60.00 incl.VAT)
Thomas Carr (late an attorneny in the Temple) was Executed at Tyburn the 18th day of Jan.y 1737 for robing (in Company with Elizabeth Adams) Mr W.m Quarrington in the Angel Tavern Temple-bar.
Publish'd according to Act of Parliament [n.d., c.1737].
Rare engraving. Sheet 200 x 150mm (8 x 6"). Trimmed within plate, creased.
Thomas Carr was vestry clerk of the parish of St Paul, Covent Garden. He and Elizabeth Adams (with whom he lived) stole ninety-three guineas and a diamond ring from William Quarrington. At Tyburn the pair kissed and held hands as the cart moved away from under their feet. See Item 62246 for the matching portrait of Elizabeth Adams.
[Ref: 53146] £160.00
(£192.00 incl.VAT)
Elizabeth Adams. Executed at Tyburn the 18th day of Jan.y 1737 for robbing (in Company with Tho.s Carr) Mr W.m Quarrington in the Angel Tavern Temple-bar.
Publish'd according to Act of Parliament [n.d., c.1737].
Rare engraving. Sheet 200 x 150mm (8 x 6"). Creased. Small margins.
Elizabeth Adams and her partner, Thomas Carr (the vestry clerk of the parish of St Paul, Covent Garden) stole ninety-three guineas and a diamond ring from William Quarrington. At Tyburn the pair kissed and held hands as the cart moved away from under their feet. See Item 53146 for the matching portrait of Thomas Carr.
[Ref: 62246] £160.00
(£192.00 incl.VAT)
Anna. Comtissa de Bedford.
Antonius, Van Dyck Eques pinxit. P. Lombart Sculpsit.
Londini, avec Priv. du Roy et ex. parisis. [n.d. c.1660.]
Copper engraving. Plate 350 x 247mm. 13¾ x 9¾".
Anne Carr, Countess of Bedford (1620-1684) was wife to William, Duke of Bedford and daughter or Robert Carr, Earl of Somerset and Frances Howard. According to Burke's Peerage, she was born in 1615 in the Tower of London, but other sources give 1620. Lombart's most famous work was the series of twelve portraits after van Dyck that he engraved around 1660, often known as the 'Countesses' from the Latin of their titles. Mariette in his entry on Lombart in his Abecedario stated that this set alone would suffice to place him 'au rang des premiers graveurs'. All twelve plates are the same size, and show three-quarter-length figures, ten women and two men, in 15mm wide borders that imitate frames of the period.
[Ref: 24656] £160.00
(£192.00 incl.VAT)
The Rev.d John Carr, M.A.
Painted by J.Hastings Esq. Engraved by C.Turner A.R.A.
London, Published Sep.tr 1st 1836 for the Proprietor by Mr. C.Turner, Nº50, Warren St. Fitzroy Square.
Mezzotint proof. 305 x 230mm (12 x 9"), with very large margins.
Portrait of Reverend John Carr (1722–1807), late Fellow of Trinity College, Cambridge, Master of the Grammar School Durham, and Professor of Mathematics in the University of Durham. W98. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67223] £260.00
(£312.00 incl.VAT)
The Rev.d John Carr, M.A. late Fellow of Trinity College, Cambridge. Master of the Grammar School Durham, and Professor of Mathematics in the University of Durham. Ob.t 1833. Æt. 47. Proof.
Painted by J. Hastings Esq. Engraved by C. Turner A.R.A.
London. Published Sept.r 1.st 1836 for the Proprietors by Mr. C. Turner, No. 50. Warren St. Fitzroy Square.
Proof mezzotint. 305 x 230mm (12 x 9"), with very large margins. Some foxing, bit dusty.
Portrait of John Carr (1786-1833), dressed in an academic gown over a dark tailcoat, seated in a library with one hand resting on a book. Whitman 98.
[Ref: 55252] £160.00
(£192.00 incl.VAT)
[Robert Carr, Earl of Somerset.]
[J. Houbraken sculps.]
[Impensis J & P Knapton Londini, 1749.]
Engraving, proof before all letters. Plate 369 x 229mm. 14½ x 9".
Portrait of Robert Carr, Earl of Somerset, bust directed to right but looking at the viewer, wearing a ruff and collar of the Order of the Garter; in an architectural oval on a pedestal; armour below. From Thomas Birch's 'The Heads of Illustrious Persons of Great Britain'. Robert Carr, Earl of Somerset (1587-1645) was a politician and favourite of King James I of England.
[Ref: 24712] £230.00
(£276.00 incl.VAT)
James Carr-Lloyd. [ink mss.]
[n.d., c.1820.]
Photographic image 185 x 105mm, 7¼ x 4¼". Laid on album paper.
A boy leaning on a cricket bat.
[Ref: 21636] £260.00
(£312.00 incl.VAT)
[Luigi Carraciolo.]
Cius. Ruo. dis. H.W. Phillips Roma 1851.
Lit. Zezon Porticato S. Francesco di Paola N.XII.
Lithograph. Sheet: 515 x 330mm (20¼ x 13"), with large margins. Repaired tear in right margin.
A portrait of Luigi Carraciolo (1826-1889) Duca de San Teodoro, an Italian politician and aristocrat. From the collection of Lady Elizabeth Fielding (1773-1846) mother of William Henry Fox-Talbot, and her family.
[Ref: 46454] £190.00
(£228.00 incl.VAT)
Four masted barque 'Carradale'. [pencil.]
O.F. Pennington [? pencil signature.]
[n.d., c.1930.]
Etching, titled and signed by the artist with large margins. 200 x 150mm (8 x 6").
The Carradale, built in 1889 by A. Stephen & Sons, Glasgow, was a training ship for young men who wanted to have a sea-faring career, run by The Marine Society.
[Ref: 32829] £160.00
(£192.00 incl.VAT)
D. Josephi Carreras Hispani. Meliora Latent. Pict.a orig.lis Ædibus Johann.s Roberts Armigeri.
G. de Kneller pinx.t 1686. J. Faber fecit 1735.
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Fine mezzotint, 345 x 245mm (13½ x 9½"). On 18th century watermarked paper.
A half-length portrait of poet and cleric Don Jose Carreras Y Coligo (d.1732), secretary and chaplain to Catherine of Braganza, queen of Charles II. Unusually informal for a Kneller portrait, it shows him without his wig. Carreras is reported to have joined the Spanish and Portuguese Synagogue before returning to catholocism; Lucien Wolf's 'Jews in the Canary Islands' (London, 1926) records repeated denunciations of him to the Spanish Inquisition as a 'London Jew'. CS 68. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68570] £260.00
(£312.00 incl.VAT)
D. Josephi Carreras Hispani. Meliora Latent. Pict.a orig.lis Ædibus Johann.s Roberts Armigeri.
G. de Kneller pinx.t 1686. J. Faber fecit 1735.
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, 345 x 245mm (13½ x 9½"). On 18th century watermarked paper. Small tear in margin repaired.
A half-length portrait of poet and cleric Don Jose Carreras Y Coligo (d.1732), secretary and chaplain to Catherine of Braganza, queen of Charles II. Unusually informal for a Kneller portrait, it shows him without his wig. Carreras is reported to have joined the Spanish and Portuguese Synagogue before returning to catholocism; Lucien Wolf's 'Jews in the Canary Islands' (London, 1926) records repeated denunciations of him to the Spanish Inquisition as a 'London Jew'. CS 68. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68569] £220.00
(£264.00 incl.VAT)
A State Car, made for an Indian Sovereign.
[n.d., c.1778].
Engraving, plate 120 x 200mm (4¾ x 8").
The finished design for a coach for the Nabob (also known as Naboob and Nawab) Provincial Governor of Arcot, made in Covent Garden, London. Muhammad Ali Khan Wallajah (1717 –1795) was the Nawab of Arcot in India and an ally of the British East India Company.
[Ref: 57062] £130.00
(£156.00 incl.VAT)
[Escorted carriage.]
De Bourin Vialant de St. Morys inv. Bartro Scp.
[n.d. c.1780.]
Copper engraving with large margins. Plate 138 x 208mm. 5½ x 8¼".
A covered carriage with an escort of riders.
[Ref: 15295] £110.00
(£132.00 incl.VAT)
Russian Droska.
Drawn, Printed and Published at Friedel's Litho. Estab.t 252, Tottenham C.t R.d & an the Polytechnic Institution, 309, Regent Street, London. [n.d., c.1840.]
Scarce tinted lithograph, finished by hand. Printed area 245 x 350mm (9¾ x 13¾"). Large margins. Several small tears, one affecting publication line.
A Russian naval officer being driven across a snowy landscape in an open coach.
[Ref: 37905] £450.00
[Collection of cricket ephemera.] [Carshalton Cricket Club, Beddington.]
[1855, 1858 & 1859.]
Lithographs. Brochure (folded) 225 x 180mm (9 x 7"). Cards 115 x 80mm (4½ x 3¼"). Letters 165 x 115mm (6½ x 4½"). Crease along centre and on right side of invitation.
Four cricket ephemera items for Carshalton Cricket Club, Beddington. Probably a unique collection of cricket ephemera. An invitation published August 28th, 1856, detailing the events of a Harvest Festival to be celebrated on September 2nd, 1858. Starting with a service at the Parish church, 'at half-past two o'clock a dinner will be provided for the labourers and their wives in the National School Room; after which a cricket match will be played in the rectory field'. On the inside right-hand page of the invitation is the Hymn for Harvest. Two 'Carshalton Cricket Club' cards, one showing the matches for the year 1855, and the other for the year 1859. Lastly, two letters, one letter dated August 2nd 1855, from the Hon. Secretary of Carshalton Cricket Club, requesting a cricketer to play at a match commencing at 10:30 o'Clock, on August 8th 1855. The letter attached, is dated May 7th 1855, and informs a player that the club will meet for practice on Wednesday, May 16th, and every Wednesday of the season commencing.
[Ref: 67345] £350.00
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Near Carsleith, Galloway.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & C.o. Paternoster Row & W. Daniell 9 Cleveland S.t. Fitzroy Square, London, Sept.r. 1. 1816.
Coloured aquatint with large margins. Plate: 300 x 225mm (12" x 9").
Cliffs near Carsluith, om the Solway coast of southern Scotland. View across the shoreline looking out to sea, sheep lie in the bottom corner whilst men gather the harvest into bales. Boats sail in the open water in the background and a flock of seagulls fly overhead. Plate 54 from Vol II of 'Voyage Round Great Britain'. Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33903] £140.00
(£168.00 incl.VAT)
Near Carsleith, Galloway.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Sep.r, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A coastal view near Carsluith, with surrounding rocky hills. A group of sheep lying on a grassy plateau in foreground, with figures harvesting a crop behind, and others seen near two buildings in the background. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36115] £190.00
(£228.00 incl.VAT)
Cart Horse, Now in the possession of C. Blake, Esq.r Aged 31 Years.
Painted by S. Alken. Engraved by T. Sutherland.
London, Published Jan.y 1.st 1821 by J. Hudson, 85, Cheapside.
Scarce coloured aquatint with fine hand colour. Sheet 265 x 290mm (10½ x 11½"). Trimmed.
An elderly horse in its tackle, in a stable.
[Ref: 62337] £160.00
(£192.00 incl.VAT)
[Battle of Cartagena] The Monmouth of 64 Guns taking the Foudroyant a French Man of War of 84 Guns, on the 28th of Feb. 1758 in the Mediterranean. In this Action the English had 30 kill'd (including the Gallant Commander) & 80 wounded, the French 50 kill'd & 150 wounded [...]
Francis Swaine Pinx.
Printed for Jn.o Bowles at No. 13 in Cornhill, Carington Bowles No 69, in St Pauls Church Yard, Rob. Sayer at the Golden Buck in Fleet Street, and Hen. Parker opposite Brickin Lane in Cornhill, [n.d., c.1760.]
Engraving. 335 x 470mm (13¼ x 18½"), with large margins. Small tears in bottom margins repaired.
The interception of the French flagship Foudroyant by three British ships of the line, the Monmouth (firing at the Foudroyant in the centre), Swiftsure, and Hampton Court (both of which are on the right). The action took place during the Battle of Cartagena during the Seven Years' War in which a British fleet blockaded a French fleet off the Spanish port. Plate 2 of a series of naval battles by marine painter Francis Swain (c.1719-82). The original painting is in the National Maritime Museum (BHC0383) .
[Ref: 54809] £380.00
[Battle of Cartagena] The Monmouth of 64 Guns taking the Foudroyant a French Man of War of 84 Guns, on the 28th of Feb.y 1758 in the Mediterranean. In this Action the English had 30 kill'd (including the Gallant Commander) & 80 wounded, the French 50 kill'd & 150 wounded [...]
F. Swaine pinx. J. Smith sculp.
London, Printed for Rob.t Sayer, Print & Mapseller, No.53 in Fleet Street. [n.d., c.1770]
Engraving with fine hand-colouring, 6 in right top corner; platemark 180 x 280mm (7 x 11"). Laid on card as issued.
The interception of the French flagship Foudroyant by three British ships of the line, the Monmouth (firing at the Foudroyant in the centre), Swiftsure, and Hampton Court (both of which are on the right). The action took place during the Battle of Cartagena during the Seven Years' War in which a British fleet blockaded a French fleet off the Spanish port. Engraved after the painting by Francis Swain in the National Maritime Museum, Greenwich (BHC0383) and one of a series of prints recording celebrated naval battles made from Swain's works recording celebrated naval battles which were probably reduced copies of other engravings issued by the same publisher. Parker 60 (not in, although a larger engraving, probably from the same picture by Swain, is listed and dated to c.1770)
[Ref: 32266] £220.00
(£264.00 incl.VAT)
Cartagena 1st September 1873. British Squadron under Vice Admiral Sir Hastings R. Yelverton K.C.B., removing revolted Spanish War Ships ''Vitoria'' and ''Almansa'' from Escombrera Bay.
A. Yockney 1 Sep. 73. Vincent Brooks, Day & Son, lith.
[n.d., c.1874.]
Tinted lithograph with hand colour, scarce. Printed area 360 x 560mm (14 x 22"), framed in original maple. Some spotting, unexamined out of frame.
The Royal Navy in action at Cartagena, in Murcia, Spain, helping with the suppression of the Cantonal Revolution, an attempt to break the First Spanish Republic into autonomous regions.
[Ref: 45852] £390.00
West View of the Ruins of Carteia, & it's River with a Prospect of the Rock of Gibraltar; Drawn by Francis Carter in the Year 1771.
P. Mazell sculp.
Publish'd as the Act directs Jan. 1 1777.
Engraving, 18th century watermark. 205 x 370mm (8 x 14½") very large margins.
Carteia, founded by the Phoenicians and captured by the Romans c. 190 BC, re-discovered by John Conduitt of the Gibraltar garrison c.1717. From Francis Carter's two-volume 'A Journey from Gibraltar to Malaga' (1777). Carter (1741?-1783), a traveller and collector of coins, was elected a fellow of the Society of Antiquaries that same year, but died before completing his next work, a study of early Spanish printed books.
[Ref: 53059] £160.00
(£192.00 incl.VAT)
Carter and Fairbairn. [&] Pat in a Difficulty [verso].
Bey.n Bingley Lithographer. 1 Nomalds Row Alban St. Leeds.
[n.d.]
Lithograph. 280 x 360mm (11 x 14"). Some creasing.
Two men box beside a country road while two others consider placing bets. On verso is a satirical scene in which a young peasant man is persuaded to join the navy by a conservative MP. Boxing item.
[Ref: 56588] £140.00
(£168.00 incl.VAT)
The Honourable Sr. Laurence Carter K.t one of the Barons of his Majesties Court of Exchequer.
J. Richardson pinx. G. Vertue Sculp. 1733.
Sold by G. Vertue at his house in Brownlow Street Drury Lane.
Engraving. 380 x 260mm (15 x 10¼"). Trimmed to plate, some spotting.
Sir Laurence Carter (1672-1745) was a judge at Lincoln's Inn, and recorder of Leicester from 1697 to 1729. He was Member of Parliament in 1698, 1701 and 1722; for Beeralston in 1710, 1714 and 1716. He was knighted in 1724 and was Puisne Baron of the Exchequer from 1726 until his death. Alexander: 673.
[Ref: 63532] £160.00
(£192.00 incl.VAT)
The Honourable Sr. Laurence Carter K.t one of the Barons of his Majesties Court of Exchequer.
J. Richardson pinx. G. Vertue Sculp. 1733.
Sold by G. Vertue at his house in Brownlow Street Drury Lane.
Engraving. 380 x 260mm (15 x 10¼"). Trimmed within plate, top right corner rebuilt.
Sir Laurence Carter (1672-1745) was a judge at Lincoln's Inn, and recorder of Leicester from 1697 to 1729. He was Member of Parliament in 1698, 1701 and 1722; for Beeralston in 1710, 1714 and 1716. He was knighted in 1724 and Puisne Baron of the Exchequer from 1726 until his death. Alexander: 673 [first state.]
[Ref: 24804] £150.00
(£180.00 incl.VAT)
Miss Carter.
Painted & Engraved by J. R. Smith.
[n.d., c.1780.]
Mezzotint. 250 x 205mm (9¾ x 8"). Trimmed into plate at bottom affecting title, narrow margins elsewhere.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590). CS: 34, iii of iii, with the 1777 publication line cut off. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64526] £160.00
(£192.00 incl.VAT)
Miss Carter.
Painted & Engraved by J. R. Smith.
Publishd 24 June, 1777 by J. R. Smith, N.º 10, Batesmans Buildings, Soho Square & W.m Humphrey, Gerrard Street.
Mezzotint, scratched letter proof. 265 x 200mm (10½ x 8"), with large margins.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590). CS: 34, ii of ii. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd & Christopher Mendez.
[Ref: 64527] £260.00
(£312.00 incl.VAT)
Miss Carter.
Painted & Engraved by J. R. Smith.
Pub'd 24 June, 1777 by W. Humphrey, Gerrard Street, Soho. & J. R. Smith, N.10, Batesmans Buildings, Soho Square.
Mezzotint. 260 x 200mm (10 x 7"). Cut to platemark.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. CS: 34.II; Frankau: 64; O' Dench: 100
[Ref: 31655] £220.00
(£264.00 incl.VAT)
Frances Lady Carteret Baroness of Hawnes. Wife to John Lord Carteret, Daughter of Sr. Robert Worsley by Frances Lady Worsley only Daughter to Thomas Lord Viscount Weymouth. [Latin text in plinth and below.]
F. Zinke pinx.t. T. Major Sculp.t.
Publish'd as the Act Directs 1755.
Engraving. 322 x 222mm (12¾ x 8¾").
Frances Worsley, Lady Carteret (c.1693-1743) was the first wife of John Carteret, Baron Carteret and later second Earl Granville. Baron Carteret was an influential politician of his time. Highly educated and one of the few able to speak German therefore able to converse with George I who spoke no English. At one time he owned a major swathe of land in North Carolina for which he was handsomely compensated after 1776. NPG: D21456.
[Ref: 17120] £130.00
(£156.00 incl.VAT)
His Excellency John L.d Carteret, Baron of Hawnes, L.d Lieutenant & Gov.r Gen.l of y.e Kingdom of Ireland, &c.
G.Kneller Bar.t pinx. P.Pelham fecit.
London, Sold by J.Bowles. [n.d. c.1725.]
Rare mezzotint, sheet 350 x 250mm (13¾ x 9¾"). Trimmed to plate, glued on album sheet at edges.
Almost half-length portrait of John Carteret, 2nd Earl Granville (1690-1763), in an oval. Looking towards the viewer, wearing robes trimmed with fur, a broad white fur collar, plain white cravat, cape tied to left shoulder with a large bow, and long wig. Below a crest with the motto 'Loyal Devior'. Carteret was appointed ambassador-extraordinary to Sweden in 1719, a position in which he triumphed by rescuing the Swedes (facing disaster following the death of Charles XII) from domination by Russia. During his absence, however, the rise of Robert Walpole resulted in Carteret's being sidelined through a transfer to the lord lieutenancy of Ireland. Carteret's opposition to Walpole was a leitmotif of his career. CS 5.III of IV.
[Ref: 59399] £240.00
(£288.00 incl.VAT)
[John Carteret, second Earl Granville]
[George Perfect Harding, c.1801]
Watercolour and wash oval, verso in ink 'From a Portrait in the possession of Ld Carteret'; 165 x 140mm (6½ x 5½"). Tipped into album sheet with hand-drawn border.
John Carteret, second Earl Granville (1690-1763), politician. Carteret was appointed ambassador-extraordinary to Sweden in 1719, a position in which he triumphed by rescuing the Swedes (facing disaster following the death of Charles XII) from domination by Russia. During his absence, however, the rise of Robert Walpole resulted in Carteret's being sidelined through a transfer to the lord lieutenancy of Ireland. Carteret's opposition to Walpole was a leitmotif of his career. Watercolour by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42328] £260.00
(£312.00 incl.VAT)
Sophia Countess Granville Viscountess Carteret, Baroness Carteret of Hawnes. Wife to John Earl Granville...
F. Zinke pinxt. T. Major Sculpt.
Publish'd as the Act Directs 1755.
Engraving. 320 x 215mm (12½ x 8½"). Trimmed to plate. Faint foxing across the sheet
Sophia Carteret (née Fermor), Countess Granville (1721 - 1745), second wife of John Carteret, 1st Earl Granville, Secretary of State. In a decorative oval frame surrounded by roses, on a lettered pedestal. Sophia was described by Lady M. W. Montagu as having ‘few equals in beauty or graces’; died of fever in October 1745 aged 25, a few weeks after the birth of her daughter Sophia. After Christian Friedrich Zincke (1684? - 1767). NPG D21010.
[Ref: 53823] £130.00
(£156.00 incl.VAT)
Gaius Marius mourning over the ruins of Carthage.
Drawn by John Martin. Engraved by W. Wallis.
London, Published by Longman & Co. Paternoster Row. [n.d. c.1840.]
Steel engraving. 145 x 215mm (5¾ x 8½"). Very large margins.
The Roman general Gaius Marius (157-86BC) was called 'the third founder of Rome' for defeating the invading Germanic tribes. However civil war with Sulla in 88BC caused him to flee to Africa, visiting Carthage, here symbolic of a great city now destroyed.
[Ref: 37808] £60.00
(£72.00 incl.VAT)
[Racing carthorses.]
R.C.Peter.
[n.d., c.1930.]
Etching with mezzotint, limited edition of 50, signed by the artist. 240 x 280mm, 9½ x 11".
Robert Charles Peter (b. London 1888), etcher and mezzotinter, whose work was described by Malcolm Salaman as 'sympathetic etchings of life on the farm and in the stable' (introduction to 'Fine Prints', 1924).
[Ref: 12035] £160.00
(£192.00 incl.VAT)
Cartmel Priory. Founded A.D. 1188.
On Stone by Isaac Shaw from a Sketch by C.J. Greenwood. Printed by C. Hullmandel.
London Published by I. Shaw, 81, G.t Portland St. Portland Place. [n.d., c.1845.]
Sepia tinted lithograph, sheet 280 x 380mm (11 x 19"). A few stain spots.
Cartmel Priory, at Cartmel (originally Lancashire, now Cumbria), is a priory founded in 1190 by William Marshal, later 1st Earl of Pembroke for the Augustinian Canons and dedicated to Saint Mary the Virgin and Saint Michael. It was first colonised by a Prior and twelve monks from Bradenstoke Priory in Wiltshire.
[Ref: 12287] £75.00
(£90.00 incl.VAT)
[Allegorical scene with figures studying a map]
Ch. Eisen inv. Aliamet sculp. [c.1760]
Engraving, sheet 220 x 150mm (8½ x 6"). Trimmed along platemark; glued to album sheet at corners.
Allegorical scene after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established.
[Ref: 44930] £280.00