A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Untitled landscape with a gatehouse.]](jpegs/55977.jpg)
[Untitled landscape with a gatehouse.]
P: Sandby R.A. delin.t. Engraved by V.Green & F. Jukes.
Publish'd 16th Oct.r 1778, by V. Green, Engraver to his Majesty, &c. No 29, Newman Street Oxford Street, & at No 52 Strand. Se vend à Londres, chez les Freres Torre, Marchand d'Estampes.
Fine & scarce aquatint with etching, printed in sepia. 265 x 300mm (10½ x 11¾"), very large margins.
A harvestman and his dog walking towards a building with an arched gateway. Probably from Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55977] £260.00 (£312.00 incl.VAT)
P: Sandby R.A. delin.t. Engraved by V.Green & F. Jukes.
Publish'd 16th Oct.r 1778, by V. Green, Engraver to his Majesty, &c. No 29, Newman Street Oxford Street, & at No 52 Strand. Se vend à Londres, chez les Freres Torre, Marchand d'Estampes.
Fine & scarce aquatint with etching, printed in sepia. 265 x 300mm (10½ x 11¾"), very large margins.
A harvestman and his dog walking towards a building with an arched gateway. Probably from Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55977] £260.00 (£312.00 incl.VAT)
![[Untitled landscape with the round tower of a castle by a crag, with water mill.]](jpegs/52210.jpg)
[Untitled landscape with the round tower of a castle by a crag, with water mill.]
P. Sandby P.t. Jukes fecit.
Publish's as the Act directs, Jan.y 25 1790. by J. Ryall, Lombard Street, London.
Scarce aquatint with etching, 18th century watermark. Sheet 270 x 360mm (10½ x 14¼"). Trimmed within the plate, hole in printed border on left.
A scarce later printing of a plate from c.1776. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
See BM 1854,0812.236 for the original issue.
[Ref: 52210] £190.00 (£228.00 incl.VAT)
P. Sandby P.t. Jukes fecit.
Publish's as the Act directs, Jan.y 25 1790. by J. Ryall, Lombard Street, London.
Scarce aquatint with etching, 18th century watermark. Sheet 270 x 360mm (10½ x 14¼"). Trimmed within the plate, hole in printed border on left.
A scarce later printing of a plate from c.1776. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
See BM 1854,0812.236 for the original issue.
[Ref: 52210] £190.00 (£228.00 incl.VAT)
Farm Yard and Printing House at Strawberry Hill. the Seat of the Hon. H. Walpole.
Drawn and Etch'd by E. Edwards.A. Engrav'd in Aquatinta by F. Jukes.
London Published as the Act directs [n.d., c.1790.]
Etching and aquatint with original hand colour, image 180 x 232mm. Trimmed to image top and sides.
View in the grounds of the fancifully 'Gothic' villa of Horace Walpole, a folly which he purchased in 1748 and rebuilt in stages to his own specifications, expanding the little property from five acres to forty-six over the years. Walpole built the Printing House in 1757. In September 1759 he wrote to the Earl of Strafford “…I have begun to build a new printing-house, that the old one may make room for the Gallery and Round Tower.” It was finished at the end of October when he wrote again to Strafford “My new printing-house is finished, in order to pull down the old one, and lay the foundations next summer of my round tower.” It was in use by the end of the following May. Although it possessed no Gothic features, it was probably the most important building as it was the headquarters of Walpole’s private press, “the Offinia Arbuteana or the Strawberry Hill Press.” The first book issued from the press was an edition of the Odes of Thomas Gray (1757), Walpole’s old schoolfriend. Amongst Walpole’s own works printed here were the Mysterious Mother (1768), a blank-verse drama, and the Essay on Modern Gardening (1785). A work particularly important for its documentary value was issued from the press in 1774. This was Walpole’s 'Description of the Villa of Mr Horace Walpole at Strawberry Hill near Twickenham, with an inventory of the furniture, pictures, curiosities etc'. The 'Description' was subsequently revised and reprinted in 1784, accompanied by engravings.
[Ref: 8004] £220.00 (£264.00 incl.VAT)
Drawn and Etch'd by E. Edwards.A. Engrav'd in Aquatinta by F. Jukes.
London Published as the Act directs [n.d., c.1790.]
Etching and aquatint with original hand colour, image 180 x 232mm. Trimmed to image top and sides.
View in the grounds of the fancifully 'Gothic' villa of Horace Walpole, a folly which he purchased in 1748 and rebuilt in stages to his own specifications, expanding the little property from five acres to forty-six over the years. Walpole built the Printing House in 1757. In September 1759 he wrote to the Earl of Strafford “…I have begun to build a new printing-house, that the old one may make room for the Gallery and Round Tower.” It was finished at the end of October when he wrote again to Strafford “My new printing-house is finished, in order to pull down the old one, and lay the foundations next summer of my round tower.” It was in use by the end of the following May. Although it possessed no Gothic features, it was probably the most important building as it was the headquarters of Walpole’s private press, “the Offinia Arbuteana or the Strawberry Hill Press.” The first book issued from the press was an edition of the Odes of Thomas Gray (1757), Walpole’s old schoolfriend. Amongst Walpole’s own works printed here were the Mysterious Mother (1768), a blank-verse drama, and the Essay on Modern Gardening (1785). A work particularly important for its documentary value was issued from the press in 1774. This was Walpole’s 'Description of the Villa of Mr Horace Walpole at Strawberry Hill near Twickenham, with an inventory of the furniture, pictures, curiosities etc'. The 'Description' was subsequently revised and reprinted in 1784, accompanied by engravings.
[Ref: 8004] £220.00 (£264.00 incl.VAT)
A Tempest.
Painted by Swaine. Engrav'd by Jukes.
Published, May 1.st 1783 by F. Jukes No.1 Great Marylebone Street.
Aquatint. Plate 197 x 235mm. 7¾ x 9¼".
Ships rocking over the rolling waves during a storm, men in the foreground clambering onto the rocks from their wrecked ship that has crashed and is being dragged down by the elements.
[Ref: 25143] £120.00 (£144.00 incl.VAT)
Painted by Swaine. Engrav'd by Jukes.
Published, May 1.st 1783 by F. Jukes No.1 Great Marylebone Street.
Aquatint. Plate 197 x 235mm. 7¾ x 9¼".
Ships rocking over the rolling waves during a storm, men in the foreground clambering onto the rocks from their wrecked ship that has crashed and is being dragged down by the elements.
[Ref: 25143] £120.00 (£144.00 incl.VAT)
To the Right Hon.ble the Earl of Leicester - President of the Antiquarian Society &c, &c. This View of the West End of Tintern Abbey is most respectfully and humbly inscribed by his Lordships obedient & obliged Servants E.Days & F.Jukes.
Drawn by E.Dayes. Engraved by F.Jukes.
London Published at M. Deeley's Pleasant Place Pentonville. 1836.
Aquatint with original hand colouring, on Whatman paper dated 1839. 360 x 460mm (14¼ x 18"). Some expert restoration, almost unnoticable from the front.
[Ref: 3507] £190.00 (£228.00 incl.VAT)
Drawn by E.Dayes. Engraved by F.Jukes.
London Published at M. Deeley's Pleasant Place Pentonville. 1836.
Aquatint with original hand colouring, on Whatman paper dated 1839. 360 x 460mm (14¼ x 18"). Some expert restoration, almost unnoticable from the front.
[Ref: 3507] £190.00 (£228.00 incl.VAT)
Balaguier Point, Cape Sicie & Sablet, Eastward towards Cape Sepet, Toulon. Drawn on the Spot by Cap..t Knight R. N.
F. Jukes fecit.
London Pub;d as the Act directs March 31st 1794, by W. Faden Geographer to his Majesty Charing Cross, and by F. Jukes Engraver Howland Street.
Aquatint and etching, printed in blue and brown, with hand finishing. 275 x 390mm (10¾ x 15¼"). Crack in top platemark taped, slight mount burn.
A view of a warship at anchor in a bay, one of a series by a captain serving with the Royal Navy during the Girondin/Royalist revolt in Toulon, during which the city was handed to the British. After a three-month siege by the French (in which the young artillery officer Napoleon Bonaparte distinguished himself), the British left, taking 7,000 refugees, taking or destroying the ships of the French Mediterranean Fleet.
[Ref: 55438] £260.00 (£312.00 incl.VAT)
F. Jukes fecit.
London Pub;d as the Act directs March 31st 1794, by W. Faden Geographer to his Majesty Charing Cross, and by F. Jukes Engraver Howland Street.
Aquatint and etching, printed in blue and brown, with hand finishing. 275 x 390mm (10¾ x 15¼"). Crack in top platemark taped, slight mount burn.
A view of a warship at anchor in a bay, one of a series by a captain serving with the Royal Navy during the Girondin/Royalist revolt in Toulon, during which the city was handed to the British. After a three-month siege by the French (in which the young artillery officer Napoleon Bonaparte distinguished himself), the British left, taking 7,000 refugees, taking or destroying the ships of the French Mediterranean Fleet.
[Ref: 55438] £260.00 (£312.00 incl.VAT)
M.r. Bradbury's Twickenham Com.n.
[F. Jukes, No.3 Howland S.t., Sept.r 1st 1786.]
Aquatint. Sheet: 250 x 200mm, (9¾ x 8"). Trimmed.
View of a large house belonging to a Mr Bradbury on Twickenham Common. Easily accessible by the Thames and free from the pollution of the city, Twickenham became a fashionable residence for the wealthy in the 18th Century.
Gasgoine and Ditchburn 324.
[Ref: 35176] £140.00 (£168.00 incl.VAT)
[F. Jukes, No.3 Howland S.t., Sept.r 1st 1786.]
Aquatint. Sheet: 250 x 200mm, (9¾ x 8"). Trimmed.
View of a large house belonging to a Mr Bradbury on Twickenham Common. Easily accessible by the Thames and free from the pollution of the city, Twickenham became a fashionable residence for the wealthy in the 18th Century.
Gasgoine and Ditchburn 324.
[Ref: 35176] £140.00 (£168.00 incl.VAT)
Late Paul Whithead's Twickenham Comm.
London...1786 by F. Jukes N.3 Howland St.
Very scarce etching and aquatint coloured by hand, 200 x 245mm. 8 x 9¾". A fine impression.
Rare view of Colne Lodge, Twickenham, previously the home of poet and satirist Paul Whitehead (1710 -74). By Francis Jukes (1747-1812), after John Spyers.
Guildhall Library Record: 32522.
[Ref: 15001] £230.00 (£276.00 incl.VAT)
London...1786 by F. Jukes N.3 Howland St.
Very scarce etching and aquatint coloured by hand, 200 x 245mm. 8 x 9¾". A fine impression.
Rare view of Colne Lodge, Twickenham, previously the home of poet and satirist Paul Whitehead (1710 -74). By Francis Jukes (1747-1812), after John Spyers.
Guildhall Library Record: 32522.
[Ref: 15001] £230.00 (£276.00 incl.VAT)
![[Ullswater] To Sir John Call, Bar.t, This View of Ullswater Lake,](jpegs/53581.jpg)
[Ullswater] To Sir John Call, Bar.t, This View of Ullswater Lake, is with the greatest respect inscribed by his muchg obliged & obedient Serv.t W.m Burgess.
Drawn from Nature by W.m Burgess. Engraved by F. Jukes.
Publish'd as the Act directs by W.m Burgess Drawing Master Michaels Grove Brompton.
Aquatint. 470 x 540mm (18½ x 21¼"). Small tear entering inscription area, wear to margins.
A man on horseback talks to a herdsman with two cows, with the lake and distant mountains. One of a series eight views after drawings made by William Burgess in 1792, published firstly by the artist 1793-4 and then re-published by Jukes, in 1796.
[Ref: 53581] £320.00
Drawn from Nature by W.m Burgess. Engraved by F. Jukes.
Publish'd as the Act directs by W.m Burgess Drawing Master Michaels Grove Brompton.
Aquatint. 470 x 540mm (18½ x 21¼"). Small tear entering inscription area, wear to margins.
A man on horseback talks to a herdsman with two cows, with the lake and distant mountains. One of a series eight views after drawings made by William Burgess in 1792, published firstly by the artist 1793-4 and then re-published by Jukes, in 1796.
[Ref: 53581] £320.00
Ware Church.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), pt Whatman watermarked paper, large margins.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59187] £120.00 (£144.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), pt Whatman watermarked paper, large margins.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59187] £120.00 (£144.00 incl.VAT)
Ware-Priory.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), large margins. Spotting in title area.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59186] £130.00 (£156.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), large margins. Spotting in title area.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59186] £130.00 (£156.00 incl.VAT)