A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Marie de Neufville Veufve du Comte Doriat, et Maintenant Dame de Courselle Agée de 20ans en l'Année 1633.
Grignon fc.
Fine engraving, Collector's mark of Alfred Morrison. Plate: 295 x 225mm (11½ x 9''). Trimmed.
A portrait of Marie de Neufille de Villeroy (1609-1688).
Lugt: 151.
[Ref: 49287] £180.00 (£216.00 incl.VAT)
Grignon fc.
Fine engraving, Collector's mark of Alfred Morrison. Plate: 295 x 225mm (11½ x 9''). Trimmed.
A portrait of Marie de Neufille de Villeroy (1609-1688).
Lugt: 151.
[Ref: 49287] £180.00 (£216.00 incl.VAT)
Messire Geogre de Scudery Gouverneur du Fort de Nostre Dame de la Garde et Capitaine Entretenu.
Robertus Nantueil ad Vivum faciebat.
[n.d., c.1656.]
Engraving. Plate: 260 x 200mm (10¼ x 8'') large margins. Foxing.
A portrait of George de Sudéry (1601-1667) a novelist and playwright who started his career as an officer in the army and then started to write. He became the governor of the fortress of Notre Dame de la Garde in 1643 and then entered the Académie Française in 1650.
Petitjean & Wickert 1925 206.I.
[Ref: 49260] £180.00 (£216.00 incl.VAT)
Robertus Nantueil ad Vivum faciebat.
[n.d., c.1656.]
Engraving. Plate: 260 x 200mm (10¼ x 8'') large margins. Foxing.
A portrait of George de Sudéry (1601-1667) a novelist and playwright who started his career as an officer in the army and then started to write. He became the governor of the fortress of Notre Dame de la Garde in 1643 and then entered the Académie Française in 1650.
Petitjean & Wickert 1925 206.I.
[Ref: 49260] £180.00 (£216.00 incl.VAT)
Francois de Vandosme Duc de Beaufort et Pair de France.
Nocroit Pinxit. Nantueil Sculpebat.
Aparis chez P. Mariette rüe St Iacques a l'Esperance Avec Privilage. [n.d., c.1650.]
Engraving. Plate: 430 x 350mm (17 x 13¾'') very large margin. Central crease.
A three-quarter length portrait of Francois de Vendôme, Duc de Beaufort (1616-1669). De Vendôme took part in the Savoy campaign in 1628, he was then exiled in England after plotting with the Marquis de Cinq Mars against Richelieu, he returned after the Cardinal's death in 1642. With his father he led a conspiracy against Mazarin, the 'cabale des Importants', in 1643, and was imprisoned in Vincennes; he escaped in 1648, and in 1649 he was one of the leaders of the Fronde; exiled again, he finally rallied to the King in 1653 and remained faithful to the royal cause until his death.
Petitjean & Wickert 14.III
[Ref: 49278] £260.00
Nocroit Pinxit. Nantueil Sculpebat.
Aparis chez P. Mariette rüe St Iacques a l'Esperance Avec Privilage. [n.d., c.1650.]
Engraving. Plate: 430 x 350mm (17 x 13¾'') very large margin. Central crease.
A three-quarter length portrait of Francois de Vendôme, Duc de Beaufort (1616-1669). De Vendôme took part in the Savoy campaign in 1628, he was then exiled in England after plotting with the Marquis de Cinq Mars against Richelieu, he returned after the Cardinal's death in 1642. With his father he led a conspiracy against Mazarin, the 'cabale des Importants', in 1643, and was imprisoned in Vincennes; he escaped in 1648, and in 1649 he was one of the leaders of the Fronde; exiled again, he finally rallied to the King in 1653 and remained faithful to the royal cause until his death.
Petitjean & Wickert 14.III
[Ref: 49278] £260.00
Dewar's Wharf from Victoria Embankment.
Walter W. Burgess. R.E. [signed in pencil.]
Published & Copyrighted by John Dewar & Sons Ltd.
Etching. Plate: 125 x 180mm (5 x 7'').
A view of Dewar's Wharf. John Dewar started his whisky distillery in 1846 and expanded into the global market. William Walter Burgess (1844 - 1908) annually exhibited his etchings at the Royal Academy from 1874 to 1903.
[Ref: 49410] £95.00 (£114.00 incl.VAT)
Walter W. Burgess. R.E. [signed in pencil.]
Published & Copyrighted by John Dewar & Sons Ltd.
Etching. Plate: 125 x 180mm (5 x 7'').
A view of Dewar's Wharf. John Dewar started his whisky distillery in 1846 and expanded into the global market. William Walter Burgess (1844 - 1908) annually exhibited his etchings at the Royal Academy from 1874 to 1903.
[Ref: 49410] £95.00 (£114.00 incl.VAT)
![[Le Chateau- Dieppe.]](jpegs/49371.jpg)
[Le Chateau- Dieppe.]
George Huardel-Bly. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 175 x 245mm (7 x 9½'') very large margins.
A view of the medieval castle in Dieppe in France.
[Ref: 49371] £60.00 (£72.00 incl.VAT)
George Huardel-Bly. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 175 x 245mm (7 x 9½'') very large margins.
A view of the medieval castle in Dieppe in France.
[Ref: 49371] £60.00 (£72.00 incl.VAT)
Distribution of Wine on the Morning of S.t Louis.
London Published by W. Sams, St. James's Street, 1822.
Hand-coloured aquatint. J. Whatman 1828 watermark. Sheet: 215 x 355mm (8½ x 14''). Trimmed within plate on top edge.
A scene in France showing the distribution of free wine during the celebrations of the Fete of St Louis, patron saint of France. Men scramble to grab urns and barrels of wine which they then pour down their throats.
[Ref: 49309] £65.00 (£78.00 incl.VAT)
London Published by W. Sams, St. James's Street, 1822.
Hand-coloured aquatint. J. Whatman 1828 watermark. Sheet: 215 x 355mm (8½ x 14''). Trimmed within plate on top edge.
A scene in France showing the distribution of free wine during the celebrations of the Fete of St Louis, patron saint of France. Men scramble to grab urns and barrels of wine which they then pour down their throats.
[Ref: 49309] £65.00 (£78.00 incl.VAT)
Coast Scene Dominica. To Bob Davis. [in pencil.]
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 175 x 245mm (7 x 9¾''). Frame: 465 x 545mm (18¼ x 21½''). Unexamined out of frame.
A view of the Caribbean island of Dominica from the sea by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49438] £160.00 (£192.00 incl.VAT)
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 175 x 245mm (7 x 9¾''). Frame: 465 x 545mm (18¼ x 21½''). Unexamined out of frame.
A view of the Caribbean island of Dominica from the sea by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49438] £160.00 (£192.00 incl.VAT)
Boat Landing, Dominica. To Bob Davis. [in pencil.]
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 200 x 270mm (8 x 10½''). Frame: 465 x 545mm (18¼ x 21½''). Unexamined out of frame.
A view of a harbour on the Caribbean island of Dominica by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49433] £160.00 (£192.00 incl.VAT)
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 200 x 270mm (8 x 10½''). Frame: 465 x 545mm (18¼ x 21½''). Unexamined out of frame.
A view of a harbour on the Caribbean island of Dominica by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49433] £160.00 (£192.00 incl.VAT)
Roseau, Dominica. To Bob Davis. [in pencil.]
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 170 x 270mm (6¾ x 10½''). Frame: 465 x 545mm (18¼ x 21½''). Unexamined out of frame.
A view of the town of Roseau, the capital of the Caribbean island of Dominica by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49434] £160.00 (£192.00 incl.VAT)
Reynolds Beal. 1932. [signed in pencil.]
Etching. Framed. Plate: 170 x 270mm (6¾ x 10½''). Frame: 465 x 545mm (18¼ x 21½''). Unexamined out of frame.
A view of the town of Roseau, the capital of the Caribbean island of Dominica by American artist Reynolds Beal (1867-1951). Beal, the elder brother of the artist Gifford Beal, worked and lived in New York where he was a member of various artistic societies including the Salmagundi Club, Lotus Club, the National Academy of Design, the American Water Color Society and the Society of American Engravers. The plate is dedicated to American journalist and writer Robert H. ''Bob'' Davis (1869-1942).
[Ref: 49434] £160.00 (£192.00 incl.VAT)
![Lough Belshade (Donegal) [pencil].](jpegs/49234.jpg)
Lough Belshade (Donegal) [pencil]. Just Published. Original Etching by A. Watson Turnbull. (Linited Editon).
A. Watson Turnbull [pencil].
[n.d., c.1930.]
Drypoint, signed by the artist, Fine Art Trade Guild blind stamps. 175 x 250mm (7 x 9¾") very large margins. In original mount with printed gallery label. Mint.
A lake in the Blue Stack Mountains of County Donegal in Ulster.
[Ref: 49234] £140.00 (£168.00 incl.VAT)
A. Watson Turnbull [pencil].
[n.d., c.1930.]
Drypoint, signed by the artist, Fine Art Trade Guild blind stamps. 175 x 250mm (7 x 9¾") very large margins. In original mount with printed gallery label. Mint.
A lake in the Blue Stack Mountains of County Donegal in Ulster.
[Ref: 49234] £140.00 (£168.00 incl.VAT)
Ionnes Dorieu Sac. Consistorii Comtes et Præses in Curia Subsidior.m.
Nanteuil ad vivam faciebat 1660.
Engraving. In ink under crest "Fouque"; Sheet: 325 x 245mm (12¾ x 9¾''). Trimmed within plate.
A portrait of French magistrate Jean Dorieu (1596-1679) who was Councillor at the Grand Conseil in 1623 and President of the Cour des Aides in 1636.
Petitjean & Wickert 62.
[Ref: 49269] £140.00 (£168.00 incl.VAT)
Nanteuil ad vivam faciebat 1660.
Engraving. In ink under crest "Fouque"; Sheet: 325 x 245mm (12¾ x 9¾''). Trimmed within plate.
A portrait of French magistrate Jean Dorieu (1596-1679) who was Councillor at the Grand Conseil in 1623 and President of the Cour des Aides in 1636.
Petitjean & Wickert 62.
[Ref: 49269] £140.00 (£168.00 incl.VAT)
![[Dover.]](jpegs/49249.jpg)
[Dover.]
Frank H. Mason [pencil.]
[n.d., c.1930.]
Drypoint, signed in pencil by the artist, Fine Art Trade Guild blind stamps. 140 x 230mm (5½ x 9") very large margins. In original mount. Mint.
Dover from the sea, castle atop the cliff, shipping in the foreground. By Frank Henry Mason (1875-1965), an artist best known for his maritime, shipping, coastal and harbour paintings and as a creator of art deco travel and British railway posters. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929.
[Ref: 49249] £160.00 (£192.00 incl.VAT)
Frank H. Mason [pencil.]
[n.d., c.1930.]
Drypoint, signed in pencil by the artist, Fine Art Trade Guild blind stamps. 140 x 230mm (5½ x 9") very large margins. In original mount. Mint.
Dover from the sea, castle atop the cliff, shipping in the foreground. By Frank Henry Mason (1875-1965), an artist best known for his maritime, shipping, coastal and harbour paintings and as a creator of art deco travel and British railway posters. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929.
[Ref: 49249] £160.00 (£192.00 incl.VAT)
Sir Francis Drake. From the original in the Collection of The Most Noble The Marquis of Lothian.
Drawn by W.m Hilton, R.A. & Engraved (with Permission) by H. Meyer.
London Published March 1. 1820, by Lackington, Hughes, Harding, Mavor & Jones and Longman, Hurst, Rees, Orme & Brown.
Stipple. Plate: 360 x 260mm (14 x 10¼''). Slight foxing; small margins.
Sir Francis Drake (1540 - 1596), admiral and circumnavigator, leaning on a globe. The most famous of all English seafarers, Drake earned his fame and fortune through his skilful seamanship and outstandingly successful piracy. His circumnavigation of the globe from 1577-81 involved a number of very profitable raids on Spanish ships and ports. Drake's increasingly frequent and serious attacks during the 1580s were an important factor contributing to Philips II's decision to launch the Armada against England in 1588. The portrait, after an unknown artist, was published in Edmund Lodge's 'Portraits Of Illustrious Personages Of Great Britain. Engraved From Authentic Pictures...'.
[Ref: 49198] £95.00 (£114.00 incl.VAT)
Drawn by W.m Hilton, R.A. & Engraved (with Permission) by H. Meyer.
London Published March 1. 1820, by Lackington, Hughes, Harding, Mavor & Jones and Longman, Hurst, Rees, Orme & Brown.
Stipple. Plate: 360 x 260mm (14 x 10¼''). Slight foxing; small margins.
Sir Francis Drake (1540 - 1596), admiral and circumnavigator, leaning on a globe. The most famous of all English seafarers, Drake earned his fame and fortune through his skilful seamanship and outstandingly successful piracy. His circumnavigation of the globe from 1577-81 involved a number of very profitable raids on Spanish ships and ports. Drake's increasingly frequent and serious attacks during the 1580s were an important factor contributing to Philips II's decision to launch the Armada against England in 1588. The portrait, after an unknown artist, was published in Edmund Lodge's 'Portraits Of Illustrious Personages Of Great Britain. Engraved From Authentic Pictures...'.
[Ref: 49198] £95.00 (£114.00 incl.VAT)
![[Dressage.] Courbetten Durüct in einem Circtel Rechts.](jpegs/49176.jpg)
[Dressage.] Courbetten Durüct in einem Circtel Rechts. Courbettes en arriere sur les votles à Droite. Pag: 210. Num: 7.
[1700.]
Engraving, early 18th century watermark. Plate: 245 x 315mm (9¾ x 12½'') very large margins. Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49176] £240.00 (£288.00 incl.VAT)
[1700.]
Engraving, early 18th century watermark. Plate: 245 x 315mm (9¾ x 12½'') very large margins. Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49176] £240.00 (£288.00 incl.VAT)
![[Dressage.] Courbetten in einem Circel Lincks.](jpegs/49178.jpg)
[Dressage.] Courbetten in einem Circel Lincks. Courbettes sur Les voltes à Gauche. P: 210. Num: 4.
[1700.]
Engraving, early 18th century watermark. Plate: 240 x 330mm (9½ x 13'') very large margins Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49178] £240.00 (£288.00 incl.VAT)
[1700.]
Engraving, early 18th century watermark. Plate: 240 x 330mm (9½ x 13'') very large margins Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49178] £240.00 (£288.00 incl.VAT)
![[Dressage.] Crupaden Lincks.](jpegs/49179.jpg)
[Dressage.] Crupaden Lincks.
[1700.]
Engraving. Plate: 215 x 345mm (8½ x 13½''). Foxing and marking.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49179] £240.00 (£288.00 incl.VAT)
[1700.]
Engraving. Plate: 215 x 345mm (8½ x 13½''). Foxing and marking.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49179] £240.00 (£288.00 incl.VAT)
![[Dressage.] Courbetten in einenn Circel Rechts.](jpegs/49175.jpg)
[Dressage.] Courbetten in einenn Circel Rechts. Courbettes sur les voltes, à Droite. Pl.210. Num. 3.
[1700.]
Rare engraving, early 18th century watermark. Plate: 245 x 315mm (9¾ x 12½'') very large margins. Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49175] £240.00 (£288.00 incl.VAT)
[1700.]
Rare engraving, early 18th century watermark. Plate: 245 x 315mm (9¾ x 12½'') very large margins. Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49175] £240.00 (£288.00 incl.VAT)
![[Dressage.] Courbetten auf einer Stelle Lincks.](jpegs/49177.jpg)
[Dressage.] Courbetten auf einer Stelle Lincks. Courbettes de ferme à ferme à Gauche. Pag: 210. Num: 2.
[1700.]
Engraving, early 18th century watermark. Plate: 240 x 330mm (9½ x 13'') very large margins. Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49177] £240.00 (£288.00 incl.VAT)
[1700.]
Engraving, early 18th century watermark. Plate: 240 x 330mm (9½ x 13'') very large margins. Marking, central fold as normal.
A plate from 'La Mode et Invention Nouvelle de Dresser les Chevaux' 1700 by William Cavendish (1592-1676). Cavendish was an influential and staunch Royalist who fought for Charles I during the Civil War, after Charles's execution he moved to Paris and then Antwerp where he set up a riding school. In 1657 he published the first edition of 'La Mode et Invention Nouvelle de Dresser les Chevaux', the illustrations were engraved after designs by Abraham van Diepenbeeck and engraved by Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger.
[Ref: 49177] £240.00 (£288.00 incl.VAT)
![Dryburgh Abbey- Scotland. [in pencil.]](jpegs/49382.jpg)
Dryburgh Abbey- Scotland. [in pencil.]
Louis Whirter [signed in pencil.]
Etching. Limited edition 20/100. Plate: 225 x 145mm (9 x 5¾'') very large margins. Mint.
A view of the ruined medieval abbey in Dryburgh, Scotland.
[Ref: 49382] £70.00 (£84.00 incl.VAT)
Louis Whirter [signed in pencil.]
Etching. Limited edition 20/100. Plate: 225 x 145mm (9 x 5¾'') very large margins. Mint.
A view of the ruined medieval abbey in Dryburgh, Scotland.
[Ref: 49382] £70.00 (£84.00 incl.VAT)
Robertus Dudleus Leycestriæ Comes Reginæ Angliæ Missu Belgarum Præfectus.
[n.d., c.1600.]
Engraving. Plate: 190 x 140mm (7½ x 5½''). Foxing.
A portrait of Robert Dudley (1533-1588), favorite of Queen Elizabeth I. Engraved by Christoffel van Sichem I.
[Ref: 49295] £280.00 (£336.00 incl.VAT)
[n.d., c.1600.]
Engraving. Plate: 190 x 140mm (7½ x 5½''). Foxing.
A portrait of Robert Dudley (1533-1588), favorite of Queen Elizabeth I. Engraved by Christoffel van Sichem I.
[Ref: 49295] £280.00 (£336.00 incl.VAT)
Edinburgh (Scotland) Princes Street, L.West by Chs. H. Clark. Original Drypoint Etching. Signed Artist's Proof. Edition limited to 150 proofs only. Plate to be destroyed.
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 130 x 290mm (5¼ x 11½), very large margins; ink stamp 'Made in Switzerland' on mount. In original mount with printed label with typed title, as above. Mint.
A view looking west along Princes Street, with Edinburgh Castle, the Scottish National Gallery and the Scott Monument. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49215] £130.00 (£156.00 incl.VAT)
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 130 x 290mm (5¼ x 11½), very large margins; ink stamp 'Made in Switzerland' on mount. In original mount with printed label with typed title, as above. Mint.
A view looking west along Princes Street, with Edinburgh Castle, the Scottish National Gallery and the Scott Monument. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49215] £130.00 (£156.00 incl.VAT)
Edinburgh Castle from Princes Street. An original etching by C.H. Clark. Signed impression. Restricted edition of 156 proofs. Plate destroyed.
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 125 x 280mm (5 x 11), very large margins, publisher's blind stamp. In original mount with printed title label, as above. Mint.
A view of Edinburgh Castle from the Royal Scots Greys memorial on Princes Street. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49214] £95.00 (£114.00 incl.VAT)
Cha.s H. Clark [pencil].
[n.d., c.1920.]
Drypoint etching, signed by the artist. 125 x 280mm (5 x 11), very large margins, publisher's blind stamp. In original mount with printed title label, as above. Mint.
A view of Edinburgh Castle from the Royal Scots Greys memorial on Princes Street. Charles H. Clark (b.1890) is best known for his etchings of various schools.
[Ref: 49214] £95.00 (£114.00 incl.VAT)
![[Edward VIII] A Happy Moment ''The Prince''](jpegs/49165.jpg)
[Edward VIII] A Happy Moment ''The Prince'' Original Drypoint by R.G. Matthews (Limited Edition).
[London: Alfred Bell & Co., n.d., c.1920.]
Drypoint etching, signed by the etcher. 230 x 135mm (9 x 5¼"), with large margins. In original mount with printed gallery label with artist's name and a publisher's logo of a black bell with ABC in white. Mint.
A portrait of Edward VIII when Prince of Wales, cigarette in hand.
[Ref: 49165] £130.00 (£156.00 incl.VAT)
[London: Alfred Bell & Co., n.d., c.1920.]
Drypoint etching, signed by the etcher. 230 x 135mm (9 x 5¼"), with large margins. In original mount with printed gallery label with artist's name and a publisher's logo of a black bell with ABC in white. Mint.
A portrait of Edward VIII when Prince of Wales, cigarette in hand.
[Ref: 49165] £130.00 (£156.00 incl.VAT)
Habito del Sereniss.mo Ser.mo Preneine in Armada Ill.mo et Ccc.mo Collegio.
Giacomo Pecini.
Stefabo Scolari Forma.
Engraving, 17th century watermark. Sheet: 340 x 240mm (13¼ x 9½''). Trimmed.
A portrait of 98th Doge of Venice Francesco Erizzo (1631-1646) shown in armour.
[Ref: 49456] £230.00 (£276.00 incl.VAT)
Giacomo Pecini.
Stefabo Scolari Forma.
Engraving, 17th century watermark. Sheet: 340 x 240mm (13¼ x 9½''). Trimmed.
A portrait of 98th Doge of Venice Francesco Erizzo (1631-1646) shown in armour.
[Ref: 49456] £230.00 (£276.00 incl.VAT)
Elisabeth D.G. Angliæ Franciæ et Hiberniæ Virginæ Reginæ.
[n.d., c.1600.]
Engraving. Plate: 190 x 140mm (7½ x 5½'') very large margins. Foxing.
A portrait of Queen Elizabeth I (1533-1603). Engraved by Christoffel van Sichem I. Illustration to E. van Meteren's ''Historia Belgica'' 1600.
See O'Donoghe portraits of Queen Elizabeth 1894 No. 40.
[Ref: 49296] £360.00
[n.d., c.1600.]
Engraving. Plate: 190 x 140mm (7½ x 5½'') very large margins. Foxing.
A portrait of Queen Elizabeth I (1533-1603). Engraved by Christoffel van Sichem I. Illustration to E. van Meteren's ''Historia Belgica'' 1600.
See O'Donoghe portraits of Queen Elizabeth 1894 No. 40.
[Ref: 49296] £360.00
![[Ermenonville.][In manuscript.]](jpegs/49290.jpg)
[Ermenonville.][In manuscript.] [Vue du Temple de la Philosophie.][In manuscript.]
[Gurard Del.t.][In manuscript.]
[n.d., c.1825.]
Lithograph. Sheet: 180 x 230mm (7 x 9''). Trimmed and laid on album sheet, with manuscript title.
A view of the Temple of Philosophy in Réne de Girardin's garden in Ermenonville. Jean-Jacques Rousseau was buried on an island in the garden and it attracted illustrious visitors from all over Europe.
[Ref: 49290] £65.00 (£78.00 incl.VAT)
[Gurard Del.t.][In manuscript.]
[n.d., c.1825.]
Lithograph. Sheet: 180 x 230mm (7 x 9''). Trimmed and laid on album sheet, with manuscript title.
A view of the Temple of Philosophy in Réne de Girardin's garden in Ermenonville. Jean-Jacques Rousseau was buried on an island in the garden and it attracted illustrious visitors from all over Europe.
[Ref: 49290] £65.00 (£78.00 incl.VAT)
Ernest. Regierender Herzog von Sachsen=Coburg Saafeld &c.&c.
H. Mansfeld.
Wien bey Artria & Comp. [n.d., c.1815.]
Stipple. Plate: 265 x 200mm (10¼ x 8'') very large margins. Mint. Uncut.
A portrait of Ernst I, Duke of Saxe-Coburg and Gotha (1784-1844), who was the last sovereign duke of Saxe-Coburg Saalfeld and the first of Saxe-Coburg Gotha following the reshuffle of Ernestine territories in 1826. He was the father of Prince Albert, consort of Victoria I.
[Ref: 49466] £120.00 (£144.00 incl.VAT)
H. Mansfeld.
Wien bey Artria & Comp. [n.d., c.1815.]
Stipple. Plate: 265 x 200mm (10¼ x 8'') very large margins. Mint. Uncut.
A portrait of Ernst I, Duke of Saxe-Coburg and Gotha (1784-1844), who was the last sovereign duke of Saxe-Coburg Saalfeld and the first of Saxe-Coburg Gotha following the reshuffle of Ernestine territories in 1826. He was the father of Prince Albert, consort of Victoria I.
[Ref: 49466] £120.00 (£144.00 incl.VAT)
Pump Court, Upton Slip, Falmouth.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 85 x 60mm (3¼ x 2¼''), very large margins. Mint.
A view of a street in Falmouth. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49331] £45.00 (£54.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 85 x 60mm (3¼ x 2¼''), very large margins. Mint.
A view of a street in Falmouth. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49331] £45.00 (£54.00 incl.VAT)
Distress and Famine in Ireland. Western Committee for the Relief of the Irish Poor.
Printers Mackintosh, Great Queen Street, London; [n.d., c.1835.]
Letterpress. Sheet: 340 x 195mm (13¼ x 7¾''). Staining and tears.
An appeal for donations towards the relief for Irish famine. The sheet lists the members of the Western Committee for the Relief of the Irish Poor, it also has extracts from various writers and commentators writings on the famine. At the end of the sheet is a list of banks, publishers and booksellers where donations can be made. Poverty in Ireland was becoming an increasing problem in the early 1820s and 1830s including periods of food shortages in the country. In 1834 the Poor Law Amendment Act was brought in to try and help deal with the issue and then in 1838 Lord Melbourne's government implemented the Irish Poor Act.
[Ref: 49471] £160.00 (£192.00 incl.VAT)
Printers Mackintosh, Great Queen Street, London; [n.d., c.1835.]
Letterpress. Sheet: 340 x 195mm (13¼ x 7¾''). Staining and tears.
An appeal for donations towards the relief for Irish famine. The sheet lists the members of the Western Committee for the Relief of the Irish Poor, it also has extracts from various writers and commentators writings on the famine. At the end of the sheet is a list of banks, publishers and booksellers where donations can be made. Poverty in Ireland was becoming an increasing problem in the early 1820s and 1830s including periods of food shortages in the country. In 1834 the Poor Law Amendment Act was brought in to try and help deal with the issue and then in 1838 Lord Melbourne's government implemented the Irish Poor Act.
[Ref: 49471] £160.00 (£192.00 incl.VAT)
![[The Gate of the Farm.]](jpegs/49180.jpg)
[The Gate of the Farm.]
Frank Brangwyn. [signed in pencil.]
[n.d., c.1907.]
Etching with mezzotint. Plate: 300 x 250mm (11¾ x 9¾") very large margins.
A view of a French farm in which figures, some carrying large baskets on their backs, walk through a large, half-open gate. By Anglo-Welsh artist, painter and virtuoso engraver and illustrator Frank Brangwyn (1867-1956).
Fine Art Society: 90.
[Ref: 49180] £260.00 (£312.00 incl.VAT)
Frank Brangwyn. [signed in pencil.]
[n.d., c.1907.]
Etching with mezzotint. Plate: 300 x 250mm (11¾ x 9¾") very large margins.
A view of a French farm in which figures, some carrying large baskets on their backs, walk through a large, half-open gate. By Anglo-Welsh artist, painter and virtuoso engraver and illustrator Frank Brangwyn (1867-1956).
Fine Art Society: 90.
[Ref: 49180] £260.00 (£312.00 incl.VAT)
![[Great Fire of London.]](jpegs/49299.jpg)
[Great Fire of London.] Abbildung der Statt London, sambt dem erschröcklichen brandt daselsten, so 4. tagen lange gewehrt hatt. Ao. 1666. im 7bris.
[Frankfurt: Heirs of Matthias Merian, n.d., c.1680.]
Engraving. Plate: 220 x 355mm (8¾ x 14''). Central crease as normal.
A German print showing the Great Fire of London which burned through London for four days destroying much of the medieval city.
[Ref: 49299] £580.00
[Frankfurt: Heirs of Matthias Merian, n.d., c.1680.]
Engraving. Plate: 220 x 355mm (8¾ x 14''). Central crease as normal.
A German print showing the Great Fire of London which burned through London for four days destroying much of the medieval city.
[Ref: 49299] £580.00
Florence. Vue du pont de la Trinité. Firenze. Pont della Trinita.
[n.d., c.1825.]
Lithograph. Sheet: 210 x 265mm (8¼ x 10½''). Trimmed and laid on album sheet, foxing.
A view of the Renaissance bridge of Ponte Santa Trinita in Florence.
[Ref: 49326] £60.00 (£72.00 incl.VAT)
[n.d., c.1825.]
Lithograph. Sheet: 210 x 265mm (8¼ x 10½''). Trimmed and laid on album sheet, foxing.
A view of the Renaissance bridge of Ponte Santa Trinita in Florence.
[Ref: 49326] £60.00 (£72.00 incl.VAT)
A Flushing Slipway.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
The view in the town of Flushing in Cornwall. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49338] £40.00 (£48.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
The view in the town of Flushing in Cornwall. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49338] £40.00 (£48.00 incl.VAT)
A Garden of Flowers. Flushing.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
A view of a garden in the seaside town of Flushing, a young woman stands by gate. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49330] £65.00 (£78.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
A view of a garden in the seaside town of Flushing, a young woman stands by gate. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49330] £65.00 (£78.00 incl.VAT)
Famous English Football Players-1881. The ''Boys Own Paper''.
Willatt & Grover Lithos Nottingham. [56 Paternoster Row E.C.][n.d., c.1890.]
Chromolithograph. Sheet: 290 x 420mm (11½ x 16½''). Folds as normal.
A group portrait of eighteen footballers, including: C.J. Caborn; T. Marshall; J. Hunter; E. Luntley; H. McNeil; M. Lindsay; J. Sands; T. Brindle; C. Campbell; H.A. Swepstone; S.W. Widdowson; J.F. Princep, F.J. Sparks; W. Mosforth; H. Whitfield; N.C. Bailey; E.C. Bambridge; F.W. Earp.
[Ref: 49195] £190.00 (£228.00 incl.VAT)
Willatt & Grover Lithos Nottingham. [56 Paternoster Row E.C.][n.d., c.1890.]
Chromolithograph. Sheet: 290 x 420mm (11½ x 16½''). Folds as normal.
A group portrait of eighteen footballers, including: C.J. Caborn; T. Marshall; J. Hunter; E. Luntley; H. McNeil; M. Lindsay; J. Sands; T. Brindle; C. Campbell; H.A. Swepstone; S.W. Widdowson; J.F. Princep, F.J. Sparks; W. Mosforth; H. Whitfield; N.C. Bailey; E.C. Bambridge; F.W. Earp.
[Ref: 49195] £190.00 (£228.00 incl.VAT)
A View of Foots-Cray Place in Kent the Seat of Bourchier Cleeve Esq.r. Veüe de Foots-Cray Place dans la Comté de Kent Maison de Bourchier Cleeve.
London Printed for Rob.t Sayer Map & Printseller in Fleet Street. [n.d., c.1760]
Engraving. Plate: 180 x 280mm (7 x 11'') very large margins. Scraps glued to back.
A view of the Foots-Cray Place, a Palladian villa built in the style of Villa Capra near Vicenza.
[Ref: 49186] £120.00 (£144.00 incl.VAT)
London Printed for Rob.t Sayer Map & Printseller in Fleet Street. [n.d., c.1760]
Engraving. Plate: 180 x 280mm (7 x 11'') very large margins. Scraps glued to back.
A view of the Foots-Cray Place, a Palladian villa built in the style of Villa Capra near Vicenza.
[Ref: 49186] £120.00 (£144.00 incl.VAT)
''Your Thoughts are upon a Dark Man, My Dear'', and ''You'll have 18 Children.''
W. Clerk, lith, 202 High Holborn.
London Published by Glover & Co, Water Lane, Fleet St. [n.d., c.1840.]
Lithograph. Sheet 260 x 210mm (10¼ x 8¼").
A gypsy reads a young woman's palm. ''Designed for & presented GRATIS with No. 118 of the FLY''.
[Ref: 49492] £90.00 (£108.00 incl.VAT)
W. Clerk, lith, 202 High Holborn.
London Published by Glover & Co, Water Lane, Fleet St. [n.d., c.1840.]
Lithograph. Sheet 260 x 210mm (10¼ x 8¼").
A gypsy reads a young woman's palm. ''Designed for & presented GRATIS with No. 118 of the FLY''.
[Ref: 49492] £90.00 (£108.00 incl.VAT)
![[A compilation album of 130 French engraved portraits.]](jpegs/38803.jpg)
[A compilation album of 130 French engraved portraits.]
[Portraits various dates 1650-1770s, compiled c.1840.]
Large folio, half morocco gilt. Album with 130 engravings, some inserted later, a few loose.
A compilation album of 18th century French portrait engravings after Nanteuil, Edelink, Drevet, Poilly, Lubin and others, with sitters including Mazarin, Richlieu, Sarrazin, Moliere, Catherine de Medici, Descartes and Diderot. A full list is available upon request.
[Ref: 38803] £3,500.00 view all images for this item
[Portraits various dates 1650-1770s, compiled c.1840.]
Large folio, half morocco gilt. Album with 130 engravings, some inserted later, a few loose.
A compilation album of 18th century French portrait engravings after Nanteuil, Edelink, Drevet, Poilly, Lubin and others, with sitters including Mazarin, Richlieu, Sarrazin, Moliere, Catherine de Medici, Descartes and Diderot. A full list is available upon request.
[Ref: 38803] £3,500.00 view all images for this item
Guillau.me Char.le Hen.ri Friso Prince D'Orange et Nassau. Willem Carel hendrik, friso, Prince van Orang en Nassau.
Aved pictor R. galliæ Christ.mi pinxit. Balechou sculpsit.
[n.d., c.1764.]
Engraving. Sheet: 395 x 290mm (15½ x 11½''). Trimmed within plate.
A portrait of William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadholder, son of John William Friso.
[Ref: 49285] £180.00 (£216.00 incl.VAT)
Aved pictor R. galliæ Christ.mi pinxit. Balechou sculpsit.
[n.d., c.1764.]
Engraving. Sheet: 395 x 290mm (15½ x 11½''). Trimmed within plate.
A portrait of William IV, Prince of Orange-Nassau (1711-1751), the first hereditary Stadholder, son of John William Friso.
[Ref: 49285] £180.00 (£216.00 incl.VAT)
To the Right Honourable John Earl of Rothes, &.ca these plate exhibiting the Funeral Solemnities observed at the Interment of his Grace John Duke of Rothes Lord High Chancelor of Scotland 23 of August 1681, are respectfully inscribed by his Lordship's most obedient & Devoted humble servant, Thomas Summers.
[Etched by Johann Sebastian Muller.]
[Privately printed for Thomas Summers, 1769.]
Four etched plates. Each c.. 490 x 600mm (19¼ x 23½") very large margins. Damaged, some staining. Tatty.
A panorama of the state funeral procession of John Leslie (c.1630-1681), first (and last) Duke of Rothes. An elaborate affair, it stretched over seventeen miles, with regiments of ceremonial guards, soldiers, banners, trumpets, heralds and coaches. The cost ruined the family finances forever.
[Ref: 49513] £650.00 view all images for this item
[Etched by Johann Sebastian Muller.]
[Privately printed for Thomas Summers, 1769.]
Four etched plates. Each c.. 490 x 600mm (19¼ x 23½") very large margins. Damaged, some staining. Tatty.
A panorama of the state funeral procession of John Leslie (c.1630-1681), first (and last) Duke of Rothes. An elaborate affair, it stretched over seventeen miles, with regiments of ceremonial guards, soldiers, banners, trumpets, heralds and coaches. The cost ruined the family finances forever.
[Ref: 49513] £650.00 view all images for this item
Furniture for an Artist's, or Amateur's Apartment. Plate 3. Vol. XIV.
No.79, of Ackermann's Repository of Arts &c. Pub. July 1. 1815, at 101 Strand, London.
Hand-coloured aquatint. Sheet: 150 x 240mm (6 x 9½''), with Whatman 1814 watermark. Trimmed.
A print showing a mount rack, desk with a display stand and a chair.
[Ref: 49363] £75.00 (£90.00 incl.VAT)
No.79, of Ackermann's Repository of Arts &c. Pub. July 1. 1815, at 101 Strand, London.
Hand-coloured aquatint. Sheet: 150 x 240mm (6 x 9½''), with Whatman 1814 watermark. Trimmed.
A print showing a mount rack, desk with a display stand and a chair.
[Ref: 49363] £75.00 (£90.00 incl.VAT)
Illustrissimus Excellentiss.us et generosissim.o Domius, Dn. Magnus Gabriel de la Gardie. Comes in Läcköö, & Augsburg &c. &c. Regni Senator et Cancellarius &c &c.
David Klööker pinxit. Petrus van Schuppen Scul.1669.
Fine engraving. Plate: 305 x 185mm (12 x 7¼''). Small margins.
A portrait of Magnus-Gabriel de la Garde (1622-1686) a Swedish politican who was a favourite of Queen Christina.
[Ref: 49448] £180.00 (£216.00 incl.VAT)
David Klööker pinxit. Petrus van Schuppen Scul.1669.
Fine engraving. Plate: 305 x 185mm (12 x 7¼''). Small margins.
A portrait of Magnus-Gabriel de la Garde (1622-1686) a Swedish politican who was a favourite of Queen Christina.
[Ref: 49448] £180.00 (£216.00 incl.VAT)
![''Gloucester'' (The ''New Inn'') [pencil].](jpegs/49243.jpg)
''Gloucester'' (The ''New Inn'') [pencil]. Original Etching by J. Alphege Brewer. Etched and Printed in Colour by the Artist. (Limited Edition).
J. Alphege Brewer [pencil].
[n.d., c.1930.]
Etching, printed in colour. 130 x 205mm (5¼ x 8") very large margins. In original mount with printed gallery label. Mint.
The New Inn, 16 Northgate Street, Gloucester, the most complete surviving example of a medieval courtyard inn with galleries in the UK. In 1553 the Abbott of Gloucester proclaimed Lady Jane Grey Queen from the first floor gallery.
[Ref: 49243] £50.00 (£60.00 incl.VAT)
J. Alphege Brewer [pencil].
[n.d., c.1930.]
Etching, printed in colour. 130 x 205mm (5¼ x 8") very large margins. In original mount with printed gallery label. Mint.
The New Inn, 16 Northgate Street, Gloucester, the most complete surviving example of a medieval courtyard inn with galleries in the UK. In 1553 the Abbott of Gloucester proclaimed Lady Jane Grey Queen from the first floor gallery.
[Ref: 49243] £50.00 (£60.00 incl.VAT)
''Goal''. The Boys Own Paper.
Painted for the ''Boy's Own Paper'' by Thomas M. Hemy.
Alf. Cooke Leeds. [56 Paternoster Row E.C.][n.d., c.1890.]
Chromolithograph. Sheet: 285 x 420mm (11¼ x 16½''). Folds as normal.
A scene showing a football match watched by schoolboys from Eton sitting in the front row.
[Ref: 49193] £160.00 (£192.00 incl.VAT)
Painted for the ''Boy's Own Paper'' by Thomas M. Hemy.
Alf. Cooke Leeds. [56 Paternoster Row E.C.][n.d., c.1890.]
Chromolithograph. Sheet: 285 x 420mm (11¼ x 16½''). Folds as normal.
A scene showing a football match watched by schoolboys from Eton sitting in the front row.
[Ref: 49193] £160.00 (£192.00 incl.VAT)
![[Goldfinch.]](jpegs/49302.jpg)
[Goldfinch.]
[n.d., c.1840.]
Hand-painted embossed card. Sheet: 135 x 160mm (5¼ x 6¼''). Faint staining.
An embossed card with very fine hand-colour.
[Ref: 49302] £65.00 (£78.00 incl.VAT)
[n.d., c.1840.]
Hand-painted embossed card. Sheet: 135 x 160mm (5¼ x 6¼''). Faint staining.
An embossed card with very fine hand-colour.
[Ref: 49302] £65.00 (£78.00 incl.VAT)
Goodrington Sands, Torbay.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 65 x 90mm (2½ x 3½''), very large margins. Mint.
A view of Goodrington Sands, near Paignton. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49329] £65.00 (£78.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 65 x 90mm (2½ x 3½''), very large margins. Mint.
A view of Goodrington Sands, near Paignton. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49329] £65.00 (£78.00 incl.VAT)
Gorran haven, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London. May, 20, 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Slight crease on right margin.
A view of the harbour in the fishing village of Gorran haven in Cornwall. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49202] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London. May, 20, 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Slight crease on right margin.
A view of the harbour in the fishing village of Gorran haven in Cornwall. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49202] £160.00 (£192.00 incl.VAT)
![[Grandstand at the Derby.]](jpegs/49482.jpg)
[Grandstand at the Derby.]
[n.d., c.1841.]
Lithograph. Sheet 210 x 260mm (8¼ x 10¼").
The final stages of a horse race at Epsom.
[Ref: 49482] £95.00 (£114.00 incl.VAT)
[n.d., c.1841.]
Lithograph. Sheet 210 x 260mm (8¼ x 10¼").
The final stages of a horse race at Epsom.
[Ref: 49482] £95.00 (£114.00 incl.VAT)
Grey.
[n.d., c.1830.]
Embossed card. Whiting patented. Sheet: 180 x 130mm (7 x 5'').
An embossed portrait of Charles Grey, 2nd Earl Grey (1764-1845) who served as Prime Minister between 1830-1834.
[Ref: 49303] £140.00 (£168.00 incl.VAT)
[n.d., c.1830.]
Embossed card. Whiting patented. Sheet: 180 x 130mm (7 x 5'').
An embossed portrait of Charles Grey, 2nd Earl Grey (1764-1845) who served as Prime Minister between 1830-1834.
[Ref: 49303] £140.00 (£168.00 incl.VAT)
''Tess''. [Thomas Hardy.]
Spy. Vincent Brooks Day & Son, Lith.
Vanity Fair June 4, 1892.
Chromolithograph. Sheet: 380 x 265mm (15 x 10½'').
A portrait of Victorian novelist Thomas Hardy (1840-1928).
[Ref: 49462] £140.00 (£168.00 incl.VAT)
Spy. Vincent Brooks Day & Son, Lith.
Vanity Fair June 4, 1892.
Chromolithograph. Sheet: 380 x 265mm (15 x 10½'').
A portrait of Victorian novelist Thomas Hardy (1840-1928).
[Ref: 49462] £140.00 (£168.00 incl.VAT)