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[Landscape with Overhanging Tree.]
[Landscape with Overhanging Tree.]
HBK.
[n.d. c.1812.]
Soft-ground etching. 141 x 229mm (5½ x 9"). Some creasing to corners. Cut.
Landscape, with a tree overhanging a meandering brook from the right bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34797]   £80.00   (£96.00 incl.VAT)
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[Landscape with River Estuary.]
[Landscape with River Estuary.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 140 x 171mm (5½ x 6¾").
Landscape with river estuary, tree in foreground at left and wooded area at right; windmills in the distance. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34824]   £80.00   (£96.00 incl.VAT)
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[Landscape with stretch of water.]
[Landscape with stretch of water.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 109 x 152mm (4¼ x 6"). Cut.
Landscape with stretch of water in foreground, a tall tree on the opposite bank at right, and more trees within a fenced area in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34812]   £60.00   (£72.00 incl.VAT)
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[Landscape with Wooden Bridge.]
[Landscape with Wooden Bridge.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 135 x 180mm (5¼ x 7").
Landscape with wooden bridge over a river at left, leading into a cottage surrounded by trees on the opposite bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34823]   £60.00   (£72.00 incl.VAT)
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An Exact Representation of Mr. F. C. Daniels, Life Preserver, as exhibited on the 21st of July 1806,
An Exact Representation of Mr. F. C. Daniels, Life Preserver, as exhibited on the 21st of July 1806, passing through London Bridge, To Gun Dock Wapping.
J. Bellamy Delin & Sculp.
[Published by J. Bellamy No. 90 Borough Road.] [n.d., 1806.]
Rare etching. Sheet 255 x 350mm (10 x 13¾"). Framed. Trimmed, losing publication line. Unexamined out of frame.
Six figures swimming in the River Thames near London Bridge, demonstrating an early life preserver design by F.C.Daniels, surrounded by spectators in boats. In 1807 Daniels won a gold medal from the Royal Society of Arts for his design, an air-tight leather bag.
[Ref: 52734]   £280.00   (£336.00 incl.VAT)
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[Map of Macau and surrounding area]
[Map of Macau and surrounding area] Carte de l'entrée de la riviere de Canton Dressée sur les Observations les plus récentes. Par N.B. Ing.r [...]
J.v. Schley direx. [c.1764]
Engraving, platemark 275 x 210mm (11 x 8"), with very large margins. Folds as normal.
Map of the port of Macau and the entrnce to the Pearl River in China. From a Dutch edition of Prevost's 'Histoire des Voyages', with copies of Jacques-Nicolas Bellin's maps.
[Ref: 47424]   £160.00  
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[Map of Macau]
[Map of Macau] Plan de la Ville et du Port de Macao, Par N.B. Ing.r de la Marine [...]
J.v. Scley direx. [c.1764]
Engraving with hand-colouring, platemark 230 x 175mm (9 x 7"). Small margins.
Map of the port of Macau on the Pearl River in China. From a Dutch edition of Prevost's 'Histoire des Voyages', with copies of Jacques-Nicolas Bellin's maps.
[Ref: 47417]   £140.00  
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[The Madonna of the Rocks]
[The Madonna of the Rocks]
[Charles William Campbell after Leonardo da Vinci]
[n.d., c.1880]
Rare mezzotint on chine collé, platemark 740 x 490mm (29 x 19"). Very large margins. Damage to margins, extending inside platemark bottom right but without damaging chine collé.
The Virgin with John the Baptist adoring the Christ-child; angel on right. After the central panel of the altarpiece executed by Leonardo for the church of S. Francesco in Milan, executed in 1508. Charles William Campbell (1855-87) studied mezzotint engraving with Hubert Herkomer and exhibited at the Royal Academy in 1887.
[Ref: 23369]   £360.00  
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[Meandering Brook.]
[Meandering Brook.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 203 x 140mm (8 x 5½"). Tatty.
Meandering brook, with large rock on the right bank in foreground, and trees on the left bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34793]   £65.00   (£78.00 incl.VAT)
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[Meandering Landscape.]
[Meandering Landscape.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 78 x 190mm (3 x 7½"). Cut on right.
Landscape with meandering road in foreground turning to the right, fields and hills in the background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34792]   £90.00   (£108.00 incl.VAT)
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[Mary Russell Mitford] M.R. Mitford [facsimile signature].
[Mary Russell Mitford] M.R. Mitford [facsimile signature]. From a Drawing in the possession of the publisher.
A. Burt del. R. Roffe sc.
John Limbird, 143 Strand. June 1836.
Stipple. Sheet 225 x 140mm (8¾ x 5½"). Trimmed to platemark.
Mary Russell Mitford (1787-1855), English author and dramatist, best best known for 'Our Village', a series of sketches of village life in Three Mile Cross, Berkshire.
[Ref: 51798]   £60.00   (£72.00 incl.VAT)
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The Hon. Edw.d Mostyn Lloyd Mostyn, (of Mostyn, Flintshire) Lord Lieutenant & Custos Rotulorum of The County of Merioneth. This print is by permission most respectfully dedicated to the Lady Harriot Mostyn, By her Ladyship's Most obedient and obliged
The Hon. Edw.d Mostyn Lloyd Mostyn, (of Mostyn, Flintshire) Lord Lieutenant & Custos Rotulorum of The County of Merioneth. This print is by permission most respectfully dedicated to the Lady Harriot Mostyn, By her Ladyship's Most obedient and obliged Humble Servant. The Publisher
Painted by William Jones. Engraved by Samuel Bellin.
Printed by Brooker & Harrison. Published by Edward Parry, Bridge Street, Chester. Printseller to Her Majesty the Queen. [n.d. c.1841.]
Fine mezzotint. Plate 520 x 407mm. 20½ x 16".
Edward Lloyd-Mostyn (1795-1884), 2nd Baron Mostyn, was a British peer and Member of Parliament. In 1831 he was elected to the House of Commons as MP for Flintshire, where stayed until 1837, but returned to the seat in in 1841 for a year and again in 1847 for three years. He also represented Lichfield from 1846 until 1847. In 1854 he succeeded his father in the barony and entered the House of Lords. From 1840 until 1884 he served as Lord Lieutenant of Merionethshire.
[Ref: 17110]   £240.00   (£288.00 incl.VAT)
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the Turkish Lady Presented by General Keith to his Brother after ye taking of Oczakow in 1737.
the Turkish Lady Presented by General Keith to his Brother after ye taking of Oczakow in 1737.
A Bell Sculpt.
Rare etching, sheet 205 x 125mm (8 x 5"). Cut to platemark top & left.
The army officer James Francis Edward Keith (1696-1758) fought in the siege of Ochakov (then part of the Ottoman Empire but now in Ukraine) in 1737, during which he was wounded. The woman portrayed here is presumably the 'young ex-Mohammedan girl' who Keith's brother George (1692/3-1778), Jacobite army officer and diplomat, bemused locals by travelling with, and who was widely believed to be George's mistress. Two pencil drawings of Jesters below bust.

[Ref: 37352]   £130.00   (£156.00 incl.VAT)
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[One-Arch Bridge.]
[One-Arch Bridge.]
[n.d. c.1812.]
Etching. 120 x 145mm (4¾ x 5¾"). Cut.
View of a small one-arch bridge over a river, tall trees on the left bank, and a house behind at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34820]   £60.00   (£72.00 incl.VAT)
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[Outskirts of a Wood.]
[Outskirts of a Wood.]
Ker.
[n.d. c.1812.]
Soft-ground etching. 145 x 202mm (5¾ x 8"). Cut.
View of the outskirts of a wood, which is seen on the right; hill in the background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34821]   £60.00   (£72.00 incl.VAT)
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[George Percy, 5th Duke.] His Grace, The Duke of Northumberland.
[George Percy, 5th Duke.] His Grace, The Duke of Northumberland.
[Engraved by Samuel Bellin, after J. Sydney Willis Hodges.]
London, Published June 14th 1867, by Thomas McLean, 7 Haymarket, S.W.
Mezzotint on chine collé, Printsellers' blindstamp. 520 x 415mm (20½ x 16¼") with very large margins. Some foxing.
George Percy (1778-1867) became 5th Duke of Northumberland aged 86, dying 2½ years later, two months after this portrait was published.
[Ref: 51414]   £140.00   (£168.00 incl.VAT)
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[Thatched cottage in a landscape]
[Thatched cottage in a landscape]
H Ker 1807 [top left]. 1807 [lower left]
Rare pen lithograph. printed area 225 x 310mm (8¾ x 12¼"). Slight creasing; on cream wove paper.
Early lithograph by Charles Henry Bellenden Ker (c.1785-1871), whose work was included in the second issue of 'Specimens of Polyautography' issued in 1807. The first part of 'Specimens' (1803) was the first set of artist's lithographs ever published, showcasing the new medium which allowed artists to make prints arguably resembling drawings more than any earlier technique. Unlike most printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography. Ker was a law reformer, particularly in the area of statue law, but he also had a lifelong interest in art and science, as this early print demonstrates. Ker's father was a prominent botanist and he inherited this interest, becoming one of the first private growers of orchids in Britain, and providing the sketches for an important book on chinese plants.
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 35466]   £220.00   (£264.00 incl.VAT)
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[Thatched cottage in a landscape]
[Thatched cottage in a landscape]
H Ker 1807 [top left]. 1807 [lower left]
Pen lithograph with large margins, rare, printed area 225 x 310mm (8¾ x 12¼"). On white wove paper; watermarked 'C 1806'; crease lower right. Fine impression.
Early lithograph by Charles Henry Bellenden Ker (c.1785-1871), whose work was included in the second issue of 'Specimens of Polyautography' issued in 1807. The first part of 'Specimens' (1803) was the first set of artist's lithographs ever published, showcasing the new medium which allowed artists to make prints arguably resembling drawings more than any earlier technique. Unlike most printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography. Ker was a law reformer, particularly in the area of statue law, but he also had a lifelong interest in art and science, as this early print demonstrates. Ker's father was a prominent botanist and he inherited this interest, becoming one of the first private growers of orchids in Britain, and providing the sketches for an important book on chinese plants.
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 35467]   £260.00   (£312.00 incl.VAT)
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[Putney Heath.]
[Putney Heath.]
HBK.
[n.d. c.1812.]
Etching. 114 x 152mm (4½ x 6"). Cut.
View on Putney Heath, with a straight road leading through fields in foreground, and fenced areas with trees in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34799]   £95.00   (£114.00 incl.VAT)
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[James Meadows Rendel, F.R.S.]
[James Meadows Rendel, F.R.S.]
[Painted by G.Opie, engraved by Samuel Bellin.]
[Henry Graves & Co, 1866.]
Mezzotint on india, proof before letters, Printsellers' Association blindstamp. Plate 518 x 411mm. 20½ x 16¼". Scarce, bit dirty, with large margins.
James Meadows Rendel (1799-1856), civil engineer. Rendel was employed by Thomas Telford before setting up his own business in Plymouth. His greatest enterprises were the harbours at Holyhead (1845), Portland (1847) and St. Peter Port, Guernsey (1850). He was President of the Institution of Civil Engineers, 1852-3. In 1831 he introduced a new system of crossing rivers by means of chain ferries worked by steam, and in 1832 he constructed a floating bridge on this principle, crossing the Dart at Dartmouth. Between 1832 and 1834 similar floating bridges were erected at Torpoint and Saltash across the Tamar, which greatly facilitated the intercourse between Devon and Cornwall.
PSA: AP.25. BL.25.
[Ref: 22531]   £280.00   (£336.00 incl.VAT)
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Rhinoceros Bicornis. Unicornis. Plate CCCCXXXVIII.
Rhinoceros Bicornis. Unicornis. Plate CCCCXXXVIII.
A. Bell Prin. Wal. Sculptor fecit.
[n.d., c.1790's.]
Engraving, 1789 watermark; Plate: 210 x 165mm (8¼ x 6½").
Two portraits of rhinoceros, the top being a Sumatran rhino and the lower an Indian rhino. An illustration from the 3rd edition of Andrew Bell's 'Encyclopaedia Britannica' published in 1797. Together with Colin Macfarquhar, Andrew Bell (1726-1809) founded the Encyclopaedia Britannica in Edinburgh.
[Ref: 46428]   £60.00   (£72.00 incl.VAT)
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[River Landscape.]
[River Landscape.]
H.B. Ker 1812.
[n.d. c.1812.]
Etching. 109 x 156mm (4¼ x 6¼"). Cut.
River landscape, with trees on the right bank in foreground, partly wooded left bank, and hill at centre background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34826]   £60.00   (£72.00 incl.VAT)
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[River Landscape; Lock.]
[River Landscape; Lock.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 151 x 230mm (6 x 9"). Cut.
River landscape with lock in foreground, partly wooded banks, and hills in the background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34807]   £120.00   (£144.00 incl.VAT)
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[River Landscape with Wooded Banks.]
[River Landscape with Wooded Banks.]
[HK.]
[n.d. c.1812.]
Etching. 101 x 156mm (4 x 6¼"). Trimmed.
River landscape with wooded banks; shed and house on the left bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34815]   £60.00   (£72.00 incl.VAT)
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[Road between fields.]
[Road between fields.]
HBK 1812.
[n.d. c.1812.]
Etching. 70 x 108mm (2¾ x 4¼"). Cut.
A road leading between fields, with a high rocky bank at left; row of trees in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34825]   £45.00   (£54.00 incl.VAT)
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[Road through Trees.]
[Road through Trees.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 146 x 106mm (5¾ x 4¼"). Cut.
Meandering road with trees behind wooden fences on both sides; small image of a road flanked by tress below at left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34806]   £75.00   (£90.00 incl.VAT)
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[Rocky Landscape and Waterfall.]
[Rocky Landscape and Waterfall.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 146 x 203mm (5¾ x 8"). Cut.
Rocky landscape with waterfall in foreground at centre left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34795]   £90.00   (£108.00 incl.VAT)
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Capt.n John Ross, R.N.
Capt.n John Ross, R.N. [Engraved for Vol. XXII of the Mirror.]
Roffe sc.
[John Limbird, Publisher, 143, Strand.]
Stipple. Sheet 180 x 125mm (7 x 5"). Trimmed, losing inscriptions.
A portrait of naval officer Sir John Ross (1777-1856), before he was knighted in 1834. He made three journeys to the Arctic, becoming the first European to cross the North Magnetic Pole in 1831 and leading an expedition to find Sir John Franklin in 1850.
[Ref: 57321]   £70.00   (£84.00 incl.VAT)
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The Rustic Hovel.
The Rustic Hovel.
Painted by G. Morland. Engraved by E. Bell.
Sold & Published Jan.y 1. 1804 by Edw.d. Orme, His Majesty's Printseller, 59 New Bond Street, London.
Mezzotint, printed in colours. 380 x 460mm, 15 x 18". Tear in bottom margin.
Two men, two donkeys and a dog in a barn. Comp. to "The Cottage Sty."
In Dawe.
[Ref: 13832]   £360.00  
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The Sea Boy.
The Sea Boy. "Poor child of danger, nursling of the storm, Sad are the woes that wreck, they youthful form! Rocks, winds, and waves, thy shatter'd bark delay; They heart is sad, thy home is far away." Pleasures of Hope.
W. Nicholson R.S.A. Pinxt. Robert Bell Sculpt.
Printed by A Mc Gashon. [n.d. c.1825.]
A rare engraving. 292 x 197mm. 11½ x 7¾".
A young boy hanging to the rigging of a ship. A poem written below.
[Ref: 15583]   £130.00   (£156.00 incl.VAT)
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[Scottish shepherd]
[Scottish shepherd] Berger ecossais.
H.ce Vernet del. [...] Belliard fec.
Imp. Lith. de Delpech [c.1820]
Lithograph, printed area 260 x 175mm (10¼ x 6¾"), with large margins. Foxing to margins. Uncut.
Genre scene after a design by Horace Vernet (1789-1863), painter who was part of a distinguished family of artists including his father Carle and grandfather Joseph.
[Ref: 47980]   £95.00   (£114.00 incl.VAT)
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[The Observatory in Southwark]
[The Observatory in Southwark] [Erected 1835 for the British Parallactic Society].
[Drawn & Printed by Charles Bellamy at his Lithographic Office, 20, Bridge House Place, Newington.][c.1835.]
Very rare lithograph, sheet 285 x 215mm (11¼ x 8½"). Trimmed losing title and publication line.
A view of the triangular shaped observatory with steps leading to the top where a man stands on the platform next to a flag with "Observatory" on it, a large oblong object lies diagonally across, presumably a telescopic lens; below an open area where figures stand with the houses of Southwark surrounding.
[Ref: 57077]   £420.00  
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[Canada] Carte du Cours du Fleuve de Saint Laurent Depuis Quebec jusqu'a la Mer en Deux Feuilles…
[Canada] Carte du Cours du Fleuve de Saint Laurent Depuis Quebec jusqu'a la Mer en Deux Feuilles…
Par S.Bellin, Ingenieur de la Marine… 1761.
[Paris, Bellin, c.1761.]
Pair of coloured engravings, each c. 605 x 870mm.
Detailed charts of the St Lawrence River in North America from its mouth to Quebec. One of the insets is acknowledged to be after an English chart of the river published in 1760: this was surveyed by James Cook during the Seige of Quebec in 1759, a decade before his circumnaviation made him famous. How much of this chart is based on Cook's work is uncertain.
[Ref: 603]   £920.00   view all images for this item
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[Canada] Suite de la Carte Réduite du Golphe de Saint Laurent…
[Canada] Suite de la Carte Réduite du Golphe de Saint Laurent…
A Paris chez Mr. Bellin, Ingenieur de la Marine… [1753.].
Coloured engraving, 910 x 570mm.
Detailed chart of the mouth of the St Lawrence River in North America.
[Ref: 604]   £420.00  
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[Robert Stephenson, Esq.re M.P.]
[Robert Stephenson, Esq.re M.P.]
Painted by John Lucas. Engraved by Sam.l Bellin.
[Henry Graves & Co., 1853.]
Mezzotint on india, proof before facsimile signature and title. 785 x 500mm. Printsellers' blindstamp. Some staining of edges.
Robert Stephenson FRS, 1803-1859, designer of the 'Rocket' steam engine (1829), Chief Engineer for the London and Birmingham Railway (1833-1838), Chief Engineer of the Britannia Bridge (1845).
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 3968]   £650.00  
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[Tall Trees.]
[Tall Trees.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 210 x 152mm (8¼ x 6").
A group of tall trees, with fields in the background at left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34822]   £70.00   (£84.00 incl.VAT)
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[River Thames.]
[River Thames.]
HBK. MDCCCXII.
[n.d. c.1812.]
Etching. 102 x 140mm (4 x 5½"). Cut.
Landscape with the meandering Thames; cottage obscured by a tree on the left bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34819]   £60.00   (£72.00 incl.VAT)
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[Flat Landscape. Thames I]
[Flat Landscape. Thames I]
Rt.fec.
[n.d. c.1812.]
Etching. 83 x 120 Cut.
Flat landscape, with two figures in a field in foreground at right, low building with smoking chimney behind, and a house among trees; trees at centre. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34800]   £95.00   (£114.00 incl.VAT)
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Tottenham Lecture Hall.
Tottenham Lecture Hall.
Drawn by A. Waterhouse. J. Bell, Architect.
Day & Son lith.rs to the Queen. [n.d. c.1845.]
Lithograph, scarce. 234 x 323mm. 9¼ x 12¾".
A view of Tottenham's Lecture Hall.
[Ref: 18410]   £140.00   (£168.00 incl.VAT)
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Wm. V Fitz - Gerald [facsimile signature]
Wm. V Fitz - Gerald [facsimile signature] The Right Honble. W. R. Vesey Fitz-Gerald. Engraved from the original picture presented to him by the inhabitants of Horsham and others, on his departure from England to assume the Governorship of Bombay.
Painted by John Lucas. Engraved by Saml. Bellin.
London Published by Thomas Mc.Lean, 7 Haymarket, and Thomas Jull, Horsham, Decb. 12th. 1867.
Mixed-method engraving. 492 x 386mm. 19" 1/3 x 15¼".
Sir William Robert Seymour Vesey-FitzGerald, GCSI, GCIE PC (1818 – 28 June 1885) was a British politician and Member of Parliament for Horsham. FitzGerald was an illegitimate child of William Vesey-FitzGerald, 2nd Baron FitzGerald and Vesey. He studied at both Christ Church, Oxford and Oriel College, Oxford, graduating with a degree in Classics in 1837. FitzGerald was elected member for Horsham in 1848, but was unseated on petition. In 1852 he was once again elected for Horsham and was able to hold the seat until 1865. During this time he served as Under Secretary for Foreign Affairs. In 1866, he was appointed as Governor of Bombay and was elevated to the Privy Council of the United Kingdom and made a Knight Commander of the Order of the Star of India and Knight Grand Commander of the Order of the Indian Empire. On his return to Britain, he again served Horsham as MP from 1874 to 1875. In 1875 he was appointed Chief Charity Commissioner.
AP: 42. LP: 25. PSA.
[Ref: 8309]   £120.00   (£144.00 incl.VAT)
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[William Vesey Fitzgerald]
[William Vesey Fitzgerald]
[Painted by John Lucas. Engraved by Saml. Bellin.]
[London Published by Thomas Mc.Lean, 7 Haymarket, and Thomas Jull, Horsham, Decb. 12th. 1867.]
Mixed-method engraving on india. Proof before all letters. 521 x 407mm. 20½" x 16".
Sir William Robert Seymour Vesey-FitzGerald, GCSI, GCIE PC (1818 – 28 June 1885) was a British politician and Member of Parliament for Horsham. FitzGerald was an illegitimate child of William Vesey-FitzGerald, 2nd Baron FitzGerald and Vesey. He studied at both Christ Church, Oxford and Oriel College, Oxford, graduating with a degree in Classics in 1837. FitzGerald was elected member for Horsham in 1848, but was unseated on petition. In 1852 he was once again elected for Horsham and was able to hold the seat until 1865. During this time he served as Under Secretary for Foreign Affairs. In 1866, he was appointed as Governor of Bombay and was elevated to the Privy Council of the United Kingdom and made a Knight Commander of the Order of the Star of India and Knight Grand Commander of the Order of the Indian Empire. On his return to Britain, he again served Horsham as MP from 1874 to 1875. In 1875 he was appointed Chief Charity Commissioner
AP: 42. LP: 25. PSA.
[Ref: 8313]   £120.00   (£144.00 incl.VAT)
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[Village Scene.]
[Village Scene.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 133 x 152mm (5¼ x 6"). Crease to lower right corner. Cut.
View of a village, with two figures resting on a bank near buildings in foreground at right; house at left, with a tall sign on a pedestal at the front. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34810]   £60.00   (£72.00 incl.VAT)
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Ja.s Walker 1846 [facsimile signature].
Ja.s Walker 1846 [facsimile signature].
Engraved by Samuel Bellin.
[n.d., c.1850.]
Mezzotint on chine collé. 430 x 340mm (17 x 13½") very large margins.
James Walker (1781-1862), Scottish civil engineer whose works included: the West India and East India Docks with his uncle Ralph Walker; Commercial Road, which connected the West India Docks to the warehouses of the City; Greenland Dock; Surrey Commercial Docks; the West Usk Lighthouse (the first of 22); and the completion of the Caedonian Canal. He succeeded Thomas Telford as President of the Institution of Civil Engineers (1834-45).
[Ref: 48444]   £240.00   (£288.00 incl.VAT)
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War. Attack of Fortified Places. Watch Work.
War. Attack of Fortified Places. Watch Work.
A.Bell Prin. Wal. sculptor fecit.
[n.d., c.1790.]
Engaving. 240 x 190mm, 9½ x 7½".
A page from an encyclopedia, illustrating the defences of a citadel on the Rhine, and the inner workings of a watch in eleven figures.
[Ref: 22324]   £40.00   (£48.00 incl.VAT)
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[George Frederick Watts.]
[George Frederick Watts.]
[Charles William Campbell after George Frederrick Watts.]
[n.d., c.1885]
Unique proof mezzotint on chine collé touched by Watts with his initials bottom right, platemark 500 x 365mm (19½ x 14¼"). Paper missing top right, resulting in creasing to chine collé; foxing in margins.
Extremely rare touched proof of Charles William Campbell's engraving from the 1664 half-length self-portrait by George Frederick Watts (London, Tate Gallery). Watts has made correction to the print himself, and initialled the print in the lower right. One of the few prints by Campbell (1855-87), who studied mezzotint engraving with Hubert Herkomer. His total 'oeuvre' consisted of twelve finished and seven unfinished plates.
For another impression see ref. 23410.
[Ref: 23409]   £2,500.00  
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[George Frederick Watts]
[George Frederick Watts]
[Charles William Campbell after George Frederrick Watts]
[n.d., c.1885]
Proof mezzotint on chine collé. 500 x 365mm (19½ x 14¼"). Full margins.
A half-length self-portrait by painter and sculptor George Frederick Watts (1817-1904), painted in 1864 and now in the Tate Gallery. One of the few prints by Campbell (1855-87), who studied mezzotint engraving with Hubert Herkomer. His total 'oeuvre' consisted of twelve finished and seven unfinished plates.
For a proof touched by Watts himself see ref. 23409
[Ref: 23410]   £450.00  
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Wimbledon Common.
Wimbledon Common.
HBK.
[n.d. c.1812.]
Etching. 45 x 140mm (1¾ x 5½"). Small crease. Cut.
View from Wimbledon Common, with a road at centre and trees behind a fence at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34801]   £95.00   (£114.00 incl.VAT)
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Wimbledon Park.
Wimbledon Park.
IB Kerr MDCCCXII.
Rare etching. Plate 138 x 185mm. 5½ x 7¼". Creasing and foxing. Damaged.
Wimbledon Park in Merton; thatched cottages.
[Ref: 20026]   £40.00   (£48.00 incl.VAT)
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[The Park, Wimbledon]
[The Park, Wimbledon]
[Henry Bellenden Ker, c.1820]
Etching, platemark 110 x 155mm (4¼ x 6"), with large margins.
Landscape etching by Henry Bellenden Ker (1812-52, fl.). The Wimbledon location is suggested by an inscription verso; the British Museum do not identify a location in their cataloguing for the print (registration number 1880, 0214.40).
[Ref: 47676]   £80.00   (£96.00 incl.VAT)
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[Wimbledon Park.]
[Wimbledon Park.]
HBKer MDCCCXII.
[n.d. c.1812.]
Etching. 100 x 151mm (4 x 6"). Trimmed along top edge. Cut.
View in Wimbledon Park, with meandering path through the wood. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34809]   £70.00   (£84.00 incl.VAT)
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